#vadim svoboda

[reavenedges-lies]

NHL Draft Round 3:

65. ANA- Coulson Pitre RW

66. CBJ William Whitelaw RW

67. CHI- Nick Lardis LW

68. NSH- Jesse Kiiskinen RW

69. MTL- Jacob Fowler G

70. ARI- Jonathan Castagna C

71. SJS- Brandon Svoboda C

72. ARI- Noel Nordh LW

73. DET- Noah Dower-Nilsson LW

74. STL- Quinton Burns D

75. VAN- Hunter Brzustewicz D

76. STL- Juraj Pekarcik LW

77. VGK- Mathieu Cataford C

78. LAK- Koehn Ziemmer RW

79. DAL- Brad Gardiner C

80. CGY- Aydar Suniev LW

81. ARI- Tanner Ludtke C

82. WPG- Zach Nehring

83. NSH- Dylan Mackinnon D

84. SEA- Caden Price D

85. ANA- Yegor Sidorov RW

86. BUF- Gavin McCarthy D

87. PHI- Egor Zavragin G

88. ARI- Vadim Moroz RW

89. VAN- Sawyer Mynio D

90. NYR- Drew Fortescue D

91. PIT- Emil Pieniniemi D

92. BOS- Christopher Pelosi C

93. CHI- Jiri Felcman C

94. CAR- Jayden Perron RW

95. PHI- Denver Barkley C

96. VGK- Arttu Karki D

[cyberbenb]

Governor: Russia carries out 250 air strikes on Avdiivka in 2 weeks

Russian forces dropped 250 aerial bombs on the city of Avdiivka in Donetsk Oblast in just the first two weeks of the year, Governor Vadim Filashkin told Radio Svoboda on Jan. 15. In comparison, the ci Source : kyivindependent.com/governor-…

[goalhofer]

2022-23 NHL Draft Results Picks 51-100

51st overall, Philadelphia: Carson Bjarnason (Brandon Wheat Kings/Carberry, Manitoba)

52nd overall, Seattle: Oscar Fisker-Mølgaard(HV71/Fredrikshavn, Denmark)

53rd overall, Minnesota: Rasmus Kumpulainen (Lahti Pelikaani A20/Lahti, Finland)

54th overall, Los Angeles: Jakub Dvořák (Bílí Tygři Liberec/Liberec, Czech Republic)

55th overall, Chicago: Martin Misiak (Youngstown Phantoms/Banská Bystrica, Slovakia)

56th overall, Edmonton: Beau Akey (Barrie Colts/Waterloo, Ontario)

57th overall, Seattle: Lukas Dragicevic (Tri-City Americans/Richmond, British Columbia)

58th overall, New Jersey: Lenni Hämeenaho (Porin Ässät/Kajaani, Finland)

59th overall, Anaheim: Carey Terrance; Jr. (Erie Otters/Akwesasne Mohawk Nation, New York)

60th overall, Anaheim: Damian Clara (Färjestad Bollklubb J20/Brunico, Italy)

61st overall, Dallas: Tristan Bertucci (Flint Firebirds/Toronto, Ontario)

62nd overall, Carolina: Felix Unger-Sörum (Leksands Idrottsförening J20/Leksand, Sweden)

63rd overall, Florida: Gracyn Sawchyn (Seattle Thunderbirds/Grande Prairie, Alberta)

64th overall, Minnesota: Riley Heidt (Prince George Cougars/Saskatoon, Saskatchewan)

65th overall, Anaheim: Coulson Pitre (Flint Firebirds/Newmarket, Ontario)

66th overall, Columbus: William Whitelaw (University Of Wisconsin Badgers/Rosemount, Minnesota)

67th overall, Chicago: Nick Lardis (Hamilton Bulldogs/Oakville, Ontario)

68th overall, Nashville: Jesse Kiiskinen (Lahti Pelikaani A20/Hollola, Finland)

69th overall, Montreal: Jacob Fowler (Youngstown Phantoms/Melbourne, Florida)

70th overall, Arizona: Jonathan Castagna (St. Andrew's College Saints/Toronto, Ontario)

71st overall, San José: Brandon Svoboda (Youngstown Phantoms/Penn Township, Pennsylvania)

72nd overall, Arizona: Noel Nordh (Brynäs I.F. J20/Söderhamn, Sweden)

73rd overall, Detroit: Noah Dower-Nilsson (Frölunda Hockeyklubb J20/Strömstad, Sweden)

74th overall, St. Louis: Quinton Burns (Kingston Frontenacs/Smiths Falls, Ontario)

75th overall, Vancouver: Hunter Brzustewicz (Kitchener Rangers/Washington Charter Township, Michigan)

76th overall, St. Louis: Juraj Pekarcik (H.K. Nitra/Trstená, Slovakia)

77th overall, Vegas: Mathieu Cataford (Halifax Mooseheads/Saint-Constant, Quebec)

78th overall, Los Angeles: Koehn Ziemmer (Prince George Cougars/Mayerthorpe, Alberta)

79th overall, Dallas: Brad Gardiner (Ottawa 67's/Aurora, Ontario)

80th overall, Calgary: Aidar Suniev (Penticton Vees/Penticton, British Columbia)

81st overall, Arizona: Tanner Ludtke (Lincoln Stars/Elko, Minnesota)

82nd overall, Winnipeg: Zach Nehring (Shattuck-St. Mary's Sabres/Minot, North Dakota)

83rd overall, Nashville: Dylan Mackinnon (Halifax Mooseheads/Moncton, New Brunswick)

84th overall, Seattle: Caden Price (Kelowna Rockets/Saskatoon, Saskatchewan)

85th overall, Anaheim: Yegor Sidorov (Saskatoon Blades/Vitebsk, Belarus)

86th overall, Buffalo: Gavin McCarthy (Muskegon Lumberjacks/Clarence, New York)

87th overall, Philadelphia: Yegor Zavragin (Mamonty Yugry/Novosibirsk, Russia)

88th overall, Arizona: Vadim Moroz (C.K. Minsk/Minsk, Belarus)

89th overall, Vancouver: Sawyer Mynio (Seattle Thunderbirds/Kamloops, British Columbia)

90th overall, New York Rangers: Drew Fortescue (Boston College Eagles/Orangetown, New York)

91st overall, Pittsburgh: Emil Pieniniemi (Oulun Kärpät/Kuopio, Finland)

92nd overall, Boston: Chris Pelosi (Sioux Falls Stampede/Mantua Township, New Jersey)

93rd overall, Chicago: Jiří Felcman (Hockeyclub Langnau U20/Hradec Králové, Czech Republic)

94th overall, Carolina: Jayden Perron (Chicago Steel/Winnipeg, Manitoba)

95th overall, Philadelphia: Denver Barkey (London Knights/Newmarket, Ontario)

96th overall, Vegas: Arttu Kärki (Tappara A20/Viiala, Finland)

97th overall, Anaheim: Konnor Smith (Peterborough Petes/Windsor, Ontario)

98th overall, Columbus: Andrew Strathmann (Youngstown Phantoms/Benton Township, Illinois)

99th overall, Chicago: Alex Pharand (Sudbury Wolves/Sudbury, Ontario)

100th overall, Carolina: Alexander Rykov (Chelmet Chelyabinsk/Magnitogorsk, Russia)

[fairycastlesintheair]

Pluie/Noir Studiocast 01 "Erik Sature"

Sound Mixed and Performed by Vadim Svoboda Visual Interpretation by Max Binski

Soundcloud Link: soon

Pluie/Noir teams up with Make Sense's Vadim Svoboda for a new series featuring artists exploring their favourite musical gear through improvisation.

Vadim's session is particularly educational. As a true connoisseur of Elektron's Machinedrum and a lover of classical music, Vadim decided to focus on the ROM feature of Elektron's infamous first drum machine and deconstruct Erik Satie's music on the fly. 

Used in the video: 

Elektron Machinedrum SPS1UW+ mkII 

Strymon Deco 

Zoom H6 

YouTube (sampling source)

Cleymoore interviews Vadim Svoboda:

Hi Vadim, such a pleasure to have you at P/N finally, especially having you bring a new format to the series. How are you, all things considered, amidst this global chaos?

Hello Bruno! Thank you, the pleasure is mutual! Been a long time we met each other and I’m glad to participate in Pluie/Noir's very subtly sharp universe. Regarding my physical being, I’m safe and sound. Thankfully, isolated in the countryside of France with people I love, so I feel lucky! I guess music producers are somehow trained for social distancing, but this is a serious threat to humanity, so it has to be taken very seriously. I wish we will learn lessons from it.

We’ve met a while ago, back when I was living in Paris. Makesense was on its 3rd release and you were still resident at the Sundae parties in Paris. How did the scene change after all these years?

I guess Paris became a bigger target for booking agents and famous DJs, but those « headliner » performances in big events didn’t necessarily help build our scene further. On the other hand, the reaction it provoked was good, and I see more and more promoters having the guts to do something special, and focusing more on the local talent, with 100% original music. This is, in my opinion, the best way to build a strong french scene. Booking one big name from the ’90s won’t really push our scene further, whereas booking 100 locals actually might.

After a long hiatus period, Makesense returned in 2018 with your own album 'Hasard Ordinaire'. A total shift in style for the label, it presented a side of you a lot of people didn’t know: bold, experimental and tremendously deep. Is this the direction you want to explore?

Yes, I’ve planned to explore different musical styles with Makesense from the start. Makesense has always placed a focus on emerging talents and promoting forward-thinking music. That’s what we pride on, and that’s what drives us. This year will feature at least two new releases. The first one from a very close friend of mine, someone I consider to be one of the most innovative french producers around, and the second one will be the first release of a Japanese Machinedrum master; glitchy, breaky and yet, so romantic. I have goosebumps while typing this, and I can't wait to show it all to you. We are back and for good. 

There’s a lot of sound manipulation of Pianos in Hasard Ordinaire. Is Piano is a big part of your creative life? 

I’ve been playing the piano since a very young age, so it plays an enormous part in my creative life. Throughout my life, I've used it mainly for advertisements and soundtracks. When I was about 18yo I’ve fallen in love with step sequencers, which lead me to the discovery of Elektron's Machinedrum. Because it's so simple to play, sequence and perform, almost like a piano, I've decided to perform live with it. I’m now trying to mix both of these worlds, and both creation processes: acoustic, grid-free, and synthetic pattern sequences. 'Hasard Ordinaire' is a gathering of several tracks I composed between 2009 and 2018: a compilation of musical drafts, or test tracks, that for some reason I’ve always hesitated to share.

When we met, you already had a deep love for the Elektron machines. I remember seeing you perform live with 2 Machinedrum, and carefully observing you flow with them in a very peculiar way. Is the Machinedrum currently your drum machine of choice? 

Yes, even though I've tried to take my distance from it many times. But it became an expansion of my soul, and most certainly a big part of my trademark sound. After 3 years of abstinence, I’m very excited to be back to this machine. I’m now separating outputs, applying external audio processing, reverbs, and compression, in order to improve it's sound while facing new challenges at the same time.

Do you record your samples always through the same mediums? 

The samples I use in my regular productions are always transferred to the ROM machine of the Machinedrum, and those can come from anywhere, including internet samples banks, vinyl records, youtube, iPhone recordings, etc. Those sources are converted by the Machinedrum into a 12-bit lo-fi sound that I like and are never left untouched. I like to create the groove from A to Z, so I use the timber of the sample to create texture, and sequence it upside down. I like to put a sample in the centre of special projects, like in "Erik Sature".

This session seems like an educational experiment. What did you intend to reach? 

Every couple of days someone asks me something about this machine. I love it. I’ve never met anyone at Elektron but I feel like I'm probably one of their earliest Machinedrum owners. I bought my first SPS1-UW in 2005, and I've spent a minimum of 4 hours per day, every day, for more than a decade, on this machine. It just took me a long time to find the best way I could share my knowledge. I wanted it to be fun to do (hence the improvisation), fun to listen to (like a normal live performance/mix) and yet, still educative (like a tutorial). I’m ultra-passionate about the Machinedrum, and I feel a special connection with the people that feel the same about it.

Why Erik Satie? 

In my opinion, the best sample is the one you can't recognize. Satie brings a lot of emotion with very few notes, so it’s somehow easy to grab the texture of a certain piece, or its central mood while transforming it and creating a whole new melody on the fly, with very little effort. I think minimalist piano players are fun and easy to sample. You can quickly appropriate yourself of their sound. Chopin or Rachmaninov, on the other hand, would need more slicing precision, and I guess the podcast wouldn’t have this « easy-listening » touch. I wanted the first one to be simple, and clear. 

What can we expect from you in the near (or not so near) future?

I almost finished a piano album that took me 2 years of practice and re-organising of my entire studio. I hope to be able to perform this album in small intimate venues (if we survive this virus!). Playing keys in a concert has nothing to do with playing keys in a recording studio. Then I'll get back to clubs, which I’ve missed very much.

Links:

http://www.makesenserecords.com http://vadimsvoboda.bandcamp.com http://www.maxbinski.com http://pluienoir.tumblr.com https://www.elektron.se/legacy-products/

Web: http://www.ringsofneptune.com / info (at) pluienoir (dot) com

[pluienoir]

Pluie/Noir Studiocast 01 “Erik Sature”

Sound Mixed and Performed by Vadim Svoboda Visual Interpretation by Max Binski Video by Vadim Svoboda

Soundcloud Link: soon

Pluie/Noir teams up with Make Sense’s Vadim Svoboda for a new series featuring artists exploring their favourite musical gear through improvisation.

Vadim’s session is particularly educational. As a true connoisseur of Elektron’s Machinedrum and a lover of classical music, Vadim decided to focus on the ROM feature of Elektron’s infamous first drum machine and deconstruct Erik Satie’s music on the fly.

Used in the video:

Elektron Machinedrum SPS1UW+ mkII

Strymon Deco

Zoom H6

YouTube (sampling source)

—

Cleymoore interviews Vadim Svoboda:

Hi Vadim, such a pleasure to have you at P/N finally, especially having you bring a new format to the series. How are you, all things considered, amidst this global chaos?

Hello Bruno! Thank you, the pleasure is mutual! Been a long time we met each other and I’m glad to participate in Pluie/Noir’s very subtly sharp universe. Regarding my physical being, I’m safe and sound. Thankfully, isolated in the countryside of France with people I love, so I feel lucky! I guess music producers are somehow trained for social distancing, but this is a serious threat to humanity, so it has to be taken very seriously. I wish we will learn lessons from it.

We’ve met a while ago, back when I was living in Paris. Makesense was on its 3rd release and you were still resident at the Sundae parties in Paris. How did the scene change after all these years?

I guess Paris became a bigger target for booking agents and famous DJs, but those « headliner » performances in big events didn’t necessarily help build our scene further. On the other hand, the reaction it provoked was good, and I see more and more promoters having the guts to do something special, and focusing more on the local talent, with 100% original music. This is, in my opinion, the best way to build a strong french scene. Booking one big name from the ’90s won’t really push our scene further, whereas booking 100 locals actually might.

After a long hiatus period, Makesense returned in 2018 with your own album ‘Hasard Ordinaire’. A total shift in style for the label, it presented a side of you a lot of people didn’t know: bold, experimental and tremendously deep. Is this the direction you want to explore?

Yes, I’ve planned to explore different musical styles with Makesense from the start. Makesense has always placed a focus on emerging talents and promoting forward-thinking music. That’s what we pride on, and that’s what drives us. This year will feature at least two new releases. The first one from a very close friend of mine, someone I consider to be one of the most innovative french producers around, and the second one will be the first release of a Japanese Machinedrum master; glitchy, breaky and yet, so romantic. I have goosebumps while typing this, and I can’t wait to show it all to you. We are back and for good.

There’s a lot of sound manipulation of Pianos in Hasard Ordinaire. Is Piano is a big part of your creative life?

I’ve been playing the piano since a very young age, so it plays an enormous part in my creative life. Throughout my life, I’ve used it mainly for advertisements and soundtracks. When I was about 18yo I’ve fallen in love with step sequencers, which lead me to the discovery of Elektron’s Machinedrum. Because it’s so simple to play, sequence and perform, almost like a piano, I’ve decided to perform live with it. I’m now trying to mix both of these worlds, and both creation processes: acoustic, grid-free, and synthetic pattern sequences. 'Hasard Ordinaire’ is a gathering of several tracks I composed between 2009 and 2018: a compilation of musical drafts, or test tracks, that for some reason I’ve always hesitated to share.

When we met, you already had a deep love for the Elektron machines. I remember seeing you perform live with 2 Machinedrum, and carefully observing you flow with them in a very peculiar way. Is the Machinedrum currently your drum machine of choice?

Yes, even though I’ve tried to take my distance from it many times. But it became an expansion of my soul, and most certainly a big part of my trademark sound. After 3 years of abstinence, I’m very excited to be back to this machine. I’m now separating outputs, applying external audio processing, reverbs, and compression, in order to improve it’s sound while facing new challenges at the same time.

Do you record your samples always through the same mediums?

The samples I use in my regular productions are always transferred to the ROM machine of the Machinedrum, and those can come from anywhere, including internet samples banks, vinyl records, youtube, iPhone recordings, etc. Those sources are converted by the Machinedrum into a 12-bit lo-fi sound that I like and are never left untouched. I like to create the groove from A to Z, so I use the timber of the sample to create texture, and sequence it upside down. I like to put a sample in the centre of special projects, like in “Erik Sature”.

This session seems like an educational experiment. What did you intend to reach?

Every couple of days someone asks me something about this machine. I love it. I’ve never met anyone at Elektron but I feel like I’m probably one of their earliest Machinedrum owners. I bought my first SPS1-UW in 2005, and I’ve spent a minimum of 4 hours per day, every day, for more than a decade, on this machine. It just took me a long time to find the best way I could share my knowledge. I wanted it to be fun to do (hence the improvisation), fun to listen to (like a normal live performance/mix) and yet, still educative (like a tutorial). I’m ultra-passionate about the Machinedrum, and I feel a special connection with the people that feel the same about it.

Why Erik Satie?

In my opinion, the best sample is the one you can’t recognize. Satie brings a lot of emotion with very few notes, so it’s somehow easy to grab the texture of a certain piece, or its central mood while transforming it and creating a whole new melody on the fly, with very little effort. I think minimalist piano players are fun and easy to sample. You can quickly appropriate yourself of their sound. Chopin or Rachmaninov, on the other hand, would need more slicing precision, and I guess the podcast wouldn’t have this « easy-listening » touch. I wanted the first one to be simple, and clear.

What can we expect from you in the near (or not so near) future?

I almost finished a piano album that took me 2 years of practice and re-organising of my entire studio. I hope to be able to perform this album in small intimate venues (if we survive this virus!). Playing keys in a concert has nothing to do with playing keys in a recording studio. Then I’ll get back to clubs, which I’ve missed very much.

—

Links:

http://www.makesenserecords.com http://vadimsvoboda.bandcamp.com http://www.maxbinski.com http://pluienoir.tumblr.com https://www.elektron.se/legacy-products/

[389]

Locked Club - Svoboda (ft. Vadim Seleznev)

[minorscienceminorscience]

Boiler Room @ Akvarium, Budapest, 5th March 2020

Mutsumi - Collage Panty Smelling [Bubbletease] Tristan Arp - Coil [Human Pitch] Kaap - External World [De Lichting] quest?onmarc - Paranoia [self-released] Syn - Temper [Even The Strong] DJ Gregory - Work Me [Defected] Theus Mago - Siri Will Rise [Optimo] Schlachthof Bronx & Warrior Queen - Killer [Rave & Romance] Tom Blip - Forthcoming Too Late Productions & DJ Platinum - Tell The Truth [Top Billin] Young Muscle - Vivid Dream Of Death [Scuffed] Locked Club ft. Vadim Seleznev - Svoboda [Private Persons] Too Late Productions - Cops On Da Floor [Knightwerk] Mark Broom - Drum Jamz (MS Edit) [Mistress] M. Bootyspoon - Lick My Ear [Model Future] Jas Shaw - Lecturing Birds On How To Fly [Delicacies] Conforce - Aphelion [Delsin] Shlomi Aber - Common Denominator [Figure] Minor Science - Blue Deal [Whities] Florian T M Zeisig - Whispers [Anomia]

[otthonzulles]

Locked Club ft. Vadim Seleznev - Svoboda (PRIVATEPERSONS009 / 2018)

orosz breaks-et minden háztartásba

[fuckyeahmarxismleninism]

Ukrainian progressives called today for the immediate dismissal of parliament speaker Andriy Parubiy after he said on TV that Hitler had been history’s “greatest democrat.” 

The demand came from Communist Party of Ukraine leader Petro Symonenko as well as the MP Vadim Rabinovich, leader of the For Life party, who added that he would file a lawsuit against Mr Parubiy for spreading “nazi propaganda.”

The speaker told chat show Freedom of Speech on the ICTV channel that he had “scientifically studied” democracy and cautioned his audience “not to forget the contributions of the fuhrer to the development of democracy.

“The greatest man who practised direct democracy was Adolf Hitler in the 1930s,” he said.

The founder of the Social National Party, now known as Svoboda, added that it was “necessary to introduce direct democracy to Ukraine, with Hitler as its torchbearer.”

Mr Symonenko said the remarks indicated the “neonazi essence” of the Ukrainian government following the Maidan coup of 2014.

“The meaning of Parubiy’s life is to continue the work of Hitler. The real threat to Ukraine is the existence of this regime in the persons of [President Petro] Poroshenko and Parubiy,” he stormed.

[theparanoid]

Locked Club - Svoboda (feat. Vadim Seleznev)

Album: Svoboda (2018)

[Electro, Techno]

[community75]

COMMUNITY PODCAST : RENCONTRE AVEC ADAH

Bio 

Après avoir tout plaqué et avoir fait le tour du monde en 2012, Adah revient  pour se consacrer uniquement à la musique, Il puise son inspiration dans les déserts arides de Bolivie, les montagnes du Chili et les silent place du Pérou. Nourrit à la percussion depuis sa naissance, Adah s’est construit autour d’une forte influence latine et aime les longues notes, les longs breaks et les rythmes complètement déstructurés de ses machines ! Fondateur du collectif novateur Amstram Gram et ayant booké et joué avec les plus grands noms de la scène internationale tels que (Barac, Voigtman, Mike Shannon, Le Loup ainsi que Francesco DelGarda, Alex Picone, Vera, Spacetravel, Zendid, Masomenos, Vadim Svoboda, et tant d’autres) Adah se renouvelle cette année avec un nouveau défi qui l’attend puisqu’il a dévoilé au grand jour le nom de son premier label « Pétanque Production » le label 100% analogique sur lequel est déjà répertorié le célèbre Londonien 100Hz ! Adah est aussi à l’aise derrière ses vinyles que ses machines fricotant avec le plaisir de la musique Live !

Question artistique:

Adah, pourquoi ce nom d’artiste ?

Dans notre collectif « Amstram Gram » on est tous un peu décalés et je pense que sans trop s’en rendre compte on a épousé un vocable à la con qui ne nous représente en rien. Vous vous attendiez à quoi venant de nous !

Tu fais partis d’un collectif ?

AMSTRAM GRAM mon pote ! J’aimerais te faire des signes avec les doigts en mode je représente mon ter mais non.

Ta rencontre avec la musique ?

Une cave, une boîte à musique, la voix triste de mon adorée Edith Piaf et une passion naissante pour la création et la composition.

Toi, ton style, depuis quand, pourquoi ?

Je n’aime pas dire que j’appartiens à tels ou à tels identités musicales, Depuis que j’ai commencé à tourner des potards je me suis jamais réellement enfermé dans un style  bien au contraire. J’aime les longues notes et les breaks mais je suis aussi un fou furieux de nappes, de vocaux ethniques et des rythmiques sans fin et complètement déstructurées de la TR9.

Pour moi ce que nous devons faire en tant que Dj et producteur c’est d’emmener les gens sur un groove qu’il ne maitrise pas, un univers inattendu. Quel est l’intérêt de reprendre ou même de copié d’enregistrer ses live à l’avance, il n’y a aucune authenticité. Je joue ce que je veux quand je veux cela dépend entièrement du public qui se trouve en face de moi

Prochaines EP ,releases, gigs?

Mon prochain Ep «  Rue Bellier Dedouvre » sortira sur mon Label « Pétanque Production » et je ne serai pas seul sur cette sortie puisque j’ai eu le plaisir d’être remixé par 100Hz donc une grosse tambourinade arrive très prochainement ! Sinon mon prochain gig est à Londres pour l’une de nos soirées que l’on organise j’ai pas encore de dates précise mais ça va arriver plus vite que prévu !

Collectif qui te fait kiffer cette année?

J’ai même pas besoin de réfléchir je pense de suite à mon pote JON avec CrazyJack et mes petits fous de Districkt qui font vraiment un boulot remarquable ! Par ailleurs on est en train de prévoir un volet 3 de la mythique 60 degrés (Amstram / Districkt / CrazyJack)

questions originales community 2.0

Artiste préféré ?

Je n’ai pas de préférences particulières mais je respecte énormément le travail des anciens et des nouveaux ! Ils ont été capable de produire des morceaux hyper pointue et qualitatif qui sont une référence pour certains d’entre nous, Personnellement  je n’utilise que des machines analogique lors de mes compo afin de pour retrouver cette pâte ! Je respecte tellement les mecs qui ont réussi à créer des instruments tels que le Prophet ou le Moog sérieux ! Se sont eux mes artistes préférés !

Ta ville préférée pour la fête?

Sans doute Santiago Del Chile, Toute mon inspiration vient de cette ville Pour y avoir vécu, Le clubbing y est réellement diffèrent, Les gens sont moins dans  le « m’as-tu-vu » ils sont beaucoup plus ponctuels et réceptifs à n’importe quel style de musique, Du coup, tu envoies les galettes et tu fais ce pour quoi tu es fait ! En tant que DJ c’est le genre de public que tu aimes côtoyer ! Il arrive au début de la soirée et reparte au petit matin.

3 sons d’after ?

début : Adah – Get Back The Moon milieu : Grinser Color - Pink Fin : Dj Sample Lester Bilal – I’m a Gamer

[ugfy]

https://soundcloud.com/syncrophone/sets/syncrophone-28greatshell-1977-antoine-quesnel-vadim-svoboda-anmari-ep-snippets

[goalhofer]

Every Chris Neil Teammate

OHL

Brett Angel (1997-99)

Ryan Armstrong (1998-99)

Scott Atkins (1996-97)

Alex Auld (1997-99)

Michael Barber (1998-99)

Colin Beardsmore (1996-97)

Scott Behrens (1997-98)

Luc Belliveau (1996-97)

Brendan Brooks (1997-98)

Matt Carmichael (1996-98)

Steve Chabbert (1997-99)

Mike Cirillo (1996-99)

Ryan Cirillo (1996-98)

Lee Cole (1996-97)

Dwight Cormier (1996-97)

Rob Davison (1997-99)

John Dean (1997-99)

Sean Degagne (1998-99)

Tomas Dolak (1997-98)

Chris Eade (1998-99)

Omar Ennaffati (1997-99)

Adriano Fiacconi (1996-98)

Aaron Fox (1996-97)

David Froh (1996-97)

Ryan Gardner (1996-98)

Brett Gibson (1997-99)

Trevor Gillies (1996-98)

Oak Hewer (1998-99)

Allen Hitchen (1997-98)

Warren Holmes (1998-99)

Samu Isosalo (1998-99)

Denis Ivanov (1997-98)

Mark Jerant (1997-99)

Michal Krupa (1997-98)

Greg Labenski (1996-99)

Josh Legge (1998-99)

Mike Loach (1996-97)

Steve Lowe (1996-97)

Ryan MacDonald (1996-97)

Scott MacKenzie (1998-99)

Morris Marshall (1996-97)

Peter McCague (1996-98)

Dean McIntosh (1996-97)

Luc Messier (1998-99)

Jim Midgley (1996-97)

Todd Miller (1997-98)

Lorne Misita (1998-99)

Steve Montador (1996-98)

Jaret Nixon (1996-97)

Matt Osborne (1997-98)

Tony Pappas (1996-98)

Jeremy Pedder (1997-99)

Geoff Peters (1997-98)

Jamie Piercey (1996-99)

Ryan Power (1996-97)

Mark Provenzano (1996-97)

Bobby Reed (1997-99)

Tyler Rennette (1996-98)

Rodney Richard (1997-99)

Scott Roche (1996-97)

Jeff Scharf (1996-97)

Carson Smith (1996-97)

Gabriel Spilar (1998-99)

Rob Stanfield (1997-98)

Valeriy Svoboda (1996-97)

Ryan Taylor (1996-97)

Troy Turyk (1996-97)

Chris Van Dyk (1996-97)

Dustin Virag (1996-97)

Jamie Vossen (1996-97)

Rich Vrataric (1996-97)

Nick Vukovic (1997-99)

Jeff Washbrook (1996-97)

Casey Wolak (1997-98)

Scott Wray (1996-99)

UHL

Denis Afinogenov (1998-99)

Cory Banika (1998-99)

David Beauregard (1998-99)

Robin Bouchard (1998-99)

David Bouskill (1998-99)

Kevin Boyd (1998-99)

Bob Brandon (1998-99)

Joe Dimaline (1998-99)

Denis Emilyantsev (1998-99)

Mike Feasby (1998-99)

Scott Feasby (1998-99)

Nick Foley (1998-99)

Joel Gardner (1998-99)

Dale Gignac (1998-99)

Chad Grills (1998-99)

Jan Klimes (1998-99)

Sergei Kharin (1998-99)

Denis Khlopotnov (1998-99)

Lubos Krajcovic (1998-99)

Igor Malykhin (1998-99)

Chris Maillet (1998-99)

Mike Masini (1998-99)

Don McSween (1998-99)

Rob Melanson (1998-99)

Frankie Nault (1998-99)

Jason Pain (1998-99)

Andrei Petrakov (1998-99)

Andrei Petrunin (1998-99)

Vadim Podrezov (1998-99)

Grant Richison (1998-99)

John Vary (1998-99)

Mark Vilneff (1998-99)

Joakim Wassberger (1998-99)

Paul Willett (1998-99)

ECHL

Chad Alban (1999-2000)

Scott Cherrey (1999-2000)

Jason Clarke (1999-2000)

Benoit Cotnoir (1999-2000)

Dave Craievich (1999-2000)

Steve Debus (1999-2000)

Jason Elders (1999-2000)

Sean Farmer (1999-2000)

Hugues Gervais (1999-2000)

Dereck Gosselin (1999-2000)

Russ Guzior (1999-2000)

Josh Harrold (1999-2000)

B.J. Kilbourne (1999-2000)

Jeff Kozakowski (1999-2000)

John McCabe (1999-2000)

Jason Metcalfe (1999-2000)

Dennis Mullen (1999-2000)

Tom Nolan (1999-2000)

Chad Onufrechuk (1999-2000)

Anders Sorensen (1999-2000)

Bobby Stewart (1999-2000)

Lee Svangstu (1999-2000)

Mark Turner (1999-2000)

David Van Drunen (1999-2000)

Mitch Vig (1999-2000)

Ian Walterson (1999-2000)

David Whitworth (1999-2000)

IHL

Dave Baseggio (1999-2000)

Frederick Beaubin (1999-2000)

Vyacheslav Butsayev (1999-2000)

Ivan Ciernik (1999-2000)

Danton Cole (1999-2000)

John Emmons (1999-2000)

Mike Fountain (1999-2000)

Erich Goldmann (1999-2000)

Konstantin Gorovikov (1999-2000)

Kevin Grimes (1999-2000)

John Gruden (1999-2000)

Jani Hurme (1999-2000)

Kory Karlander (1999-2000)

Shane Kenny (1999-2000)

Derek King (1999-2000)

Dieter Kochan (1999-2000)

Mike Maurice (1999-2000)

Jason McBain (1999-2000)

Jason Metcalfe (1999-2000)

Kevin Miller (1999-2000)

Todd Nelson (1999-2000)

Warren Norris (1999-2000)

Ed Patterson (1999-2000)

Rostislav Pavlikovsky (1999-2000)

Robert Petrovicky (1999-2000)

Philippe Plante (1999-2000)

Michel Picard (1999-2000)

Dennis Pinfold (1999-2000)

Karel Rachunek (1999-2000)

Travis Richards (1999-2000)

Darren Rumble (1999-2000)

Yves Sarault (1999-2000)

Petr Schastlivy (1999-2000)

Konstantin Shafranov (1999-2000)

Jeff Shevalier (1999-2000)

Andrei Sryubko (1999-2000)

Chris Szysky (1999-2000)

David Van Drunen (1999-2000)

Buddy Wallace (1999-2000)

AHL

Brandon Bochenski (2004-05)

Danny Bois (2004-05)

Derek Campbell (2004-05)

Regan Darby (2004-05)

Ray Emery (2004-05)

Jesse Fibiger (2004-05)

Denis Hamel (2004-05)

Andy Hedlund (2004-05)

David Hymovitz (2004-05)

Gregg Johnson (2004-05)

Pat Kavanagh (2004-05)

Chris Kelly (2004-05)

Neil Komadoski (2004-05)

Josh Langfeld (2004-05)

Brian McGrattan (2004-05)

Arpad Mihaly (2004-05)

Jan Platil (2004-05)

Brian Pothier (2004-05)

Grant Potulny (2004-05)

Christoph Schubert (2004-05)

Jason Spezza (2004-05)

Charlie Stephens (2004-05)

Billy Thompson (2004-05)

Antoine Vermette (2004-05)

Anton Volchenkov (2004-05)

Greg Watson (2004-05)

NHL

Daniel Alfredsson (2001-04, 2005-15)

Craig Anderson (2010-17)

Tyler Arneson (2005-06)

Magnus Arvedson (2001-03)

Alex Auld (2008-12)

Chris Bala (2001-02)

Cody Bass (2007-09, 2010-11)

Brendan Bell (2008-09)

Andre Benoit (2010-12)

Ben Bishop (2012-13)

Mike Blunden (2016-17)

Brandon Bochenski (2005-06)

Danny Bois (2006-07)

Peter Bondra (2003-04)

Radek Bonk (2001-04)

Dennis Bonvie (2002-03)

Mark Borowiecki (2011-13)

Derick Brassard (2016-17)

Benoit Brunet (2001-02)

Alexandre Burrows (2016-17)

Bobby Butler (2009-12)

Chris Campoli (2008-10)

Matt Carkner (2009-12)

Cody Ceci (2013-17)

Zdeno Chara (2001-04, 2005-06)

Jonathan Cheechoo (2009-10)

Alex Chiasson (2014-16)

Ivan Ciernik (2001-02)

Fredrik Claesson (2015-17)

Mike Commodore (2007-08)

Mike Comrie (2006-09)

Cory Conacher (2012-13)

Mike Condon (2016-17)

Erik Condra (2011-15)

Joe Corvo (2006-08)

Jared Cowen (2009-15)

Matt Cullen (2009-10)

Stephane Da Costa (2010-13)

Toni Dahlman (2001-03)

Kaspars Daugavins (2011-13)

Greg De Vries (2003-04)

Chris DiDomenico (2016-17)

Shean Donovan (2007-10)

Chris Driedger (2016-17)

David Dziurzynski (2011-13)

Ryan Dzingel (2015-17)

Patrick Eaves (2005-08)

Ray Emery (2002-04, 2005-08)

Andreas Englund (2016-17)

Mike Fisher (2001-04, 2005-11)

Nick Foligno (2007-12)

Martin Gerber (2006-08)

Matt Gilroy (2011-12)

Scott Gomez (2015-16)

Sergei Gonchar (2010-13)

Derek Grant (2012-13)

Colin Greening (2010-14)

Eric Gryba (2011-14)

Jyrki Jokipakka (2016-17)

David Hale (2010-11)

Denis Hamel (2003-04, 2005-07)

Andrew Hammond (2014-17)

Ben Harpur (2015-17)

Dominik Hasek (2005-06)

Martin Havlat (2001-04, 2005-06)

Dany Heatley (2005-09)

Ales Hemsky (2013-14)

Josh Hennessy (2006-08, 2009-10)

Chris Herperger (2001-02)

Shane Hnidy (2001-04)

Mike Hoffman (2011-17)

Marian Hossa (2001-04)

Jody Hull (2001-04)

Jani Hurme (2001-02)

Alexei Kaigorodov (2006-07)

Erik Karlsson (2009-17)

Matt Kassian (2012-14)

Chris Kelly (2003-04, 2005-10, 2016-17)

Rob Klinkhammer (2011-12)

Zenon Konopka (2011-12)

Mike Kostka (2015-16)

Alex Kovalev (2009-10)

Filip Kuba (2008-12)

Joel Kwiatkowski (2001-03)

Brooks Laich (2003-04)

Patrick Lalime (2001-04)

Simon Lajeunesse (2001-02)

Josh Langfeld (2001-04)

Martin Lapointe (2007-08)

Guillaume Latendresse (2012-13)

Curtis Lazar (2014-16)

Pascal Leclaire (2008-11)

Brian Lee (2007-11)

David Legwand (2014-15)

Robin Lehner (2011-15)

Curtis Leschyshyn (2001-04)

Francis Lessard (2010-11)

Mike Lundin (2012-13)

Clarke MacArthur (2013-17)

Shawn MacEachern (2001-02)

Tomas Malec (2005-07)

Dean McAmmond (2006-08)

Max McCormick (2016-17)

Brian McGrattan (2005-08)

Curtis McElhinney (2010-11)

Steve Martins (2001-04, 2005-06)

Andrej Meszaros (2005-08)

Marc Methot (2012-17)

Milan Michalek (2009-15)

Mike Morrison (2005-06)

Bill Muckalt (2001-02)

Alexander Nikulin (2007-08)

Brad Norton (2005-06)

Filip Novak (2005-06)

Lawrence Nycholat (2006-08)

Jim O’Brien (2011-13)

Jean-Gabriel Pageau (2012-17)

Nick Paul (2015-17)

Serge Payer (2003-04, 2006-07)

Ricard Persson (2001-02)

Andre Petersson (2011-12)

Dion Phaneuf (2015-17)

Chris Phillips (2001-04, 2005-16)

Alexandre Picard (2008-09)

Brian Pothier (2002-04, 2005-06)

Tom Preissing (2006-07)

Martin Prusek (2001-04)

Matt Puempel (2014-16)

Tom Pyatt (2016-17)

Karel Rachunek (2001-04)

Rob Ray (2002-04)

Wade Redden (2001-04, 2005-08)

Peter Regin (2009-13)

Luke Richardson (2007-08)

Jamie Rivers (2001-02)

Charles Robinson (2015-16)

Randy Robitaille (2007-08)

Andre Roy (2001-02)

Jarkko Ruutu (2008-10)

Bobby Ryan (2013-17)

Sami Salo (2001-02)

Oleg Saprykin (2006-07)

Peter Schaefer (2002-04, 2005-07)

Petr Schastlivy (2001-04)

Christoph Schubert (2005-09)

Ryan Shannon (2008-11)

Jakob Silfverberg (2011-13)

Todd Simpson (2003-04)

Bryan Smolinski (2002-04, 2005-06)

Derek Smith (2009-11)

Jason Smith (2008-09)

Zack Smith (2009-17)

Brad Smyth (2002-03)

Jason Spezza (2002-04, 2005-14)

Viktor Stalberg (2016-17)

Cory Stillman (2007-08)

Mark Stone (2011-17)

Andy Sutton (2009-10)

Marek Svatos (2010-11)

Joey Tetarenko (2002-03)

Kyle Turris (2011-17)

Shaun Van Allen (2002-04)

Vaclav Varada (2002-04, 2005-06)

Phil Varone (2015-17)

Julien Vauclair (2003-04)

Antoine Vermette (2003-04, 2005-08)

Anton Volchenkov (2002-04, 2005-10)

Chris Wideman (2015-16)

Patrick Wiercioch (2011-15)

Jesse Winchester (2007-12)

Colin White (2016-17)

Todd White (2001-04)

Tommy Wingels (2016-17)

Juha Ylonen (2001-02)

Mika Zibanejad (2011-16)

Ilya Zubov (2007-08)

[tr0nd]

Vadim Svoboda - Pattern 58

Sunday morning mellow techno.

[parapluiproduction]

H&S #3

HORSTMEIER & STONN et le DV1 présentent H&S #3 : - VADIM SVOBODA (MakeSense Rec - Rekids - Eklo, Paris) - OFFEN (In/Side - Uncivil, Lyon) - HORSTMEIER & STONN (Swarm Prod, Rezongar Music, Lyon)

--------------------------------LINE UP----------------------------------- # VADIM SVOBODA (MakeSense Rec - Rekids - Eklo, Paris) Entre sa longue formation classique, une vive passion pour la musique électronique et une curiosité inépuisable, Vadim Svoboda est un talentueux producteur parisien. Amateur de sons analogiques, Vadim se lance dans la création dès 2005 en utilisant exclusivement du hardware; synthétiseurs, boîtes à rythme. En 2009, partit à New York, il présente son premier live dans une performance tout aussi efficace que spontanée et se fait rapidement remarquer. C'est là qu'il rencontre ses futurs collaborateurs comme Céline et Gorgio, organisateurs de la Sundae à Paris, et Masomenos avec qui il réalisera un EP sur Welcome To Masomenos. En 2011 Vadim se lance dans la création de son propre label MakeSense Rec sur lequel il enchaîne les sorties aux sonorités singulières et décalées. Son premier EP en solo "Supercharged" est immédiatement sélectionné par Dyed Soundroom pour la compilation 2012 de l'éminent Rex Club. Installé pendant 2 ans à Berlin Vadim conçoit toute une série de Live qu'il joue au Panorama Bar, au Club Der Visionare ou encore plus underground à l'Heidegluhen. Son premier projet intitulé "Pattern" qui regroupe l'ensemble de son travail berlinois, c'est à dire pas moins de 100 morceaux, est uniquement composé de synthétiseurs et de boîtes à rythmes enregistrés tels quels en live sans aucun arrangement ni effets. Ce projet sort en 2013 sur Double R, alliance des labels Stablo et Rekids. La même année un deuxième EP tout aussi intense voit le jour, "Motifs" issu également de cette étude live mono-instrumentalisée sur Eklo le label de son ami parisien Seuil. Avec un style ambitieux et singulier Vadim Svoboda se situe à la rencontre des sonorités Techno de Detroit et du minimalisme allemand, ses lives sont de véritables voyages analogiques sans concession d'un qualité sonore inédite. https://soundcloud.com/vadimsvoboda https://www.facebook.com/vadimsvoboda # OFFEN (In/Side - Uncivil, Lyon) Grand passionné de musique électronique, Offen est un activiste et un Dj hors-pair, membre du très respecté collectif Uncivil qui hante les nuits lyonnaises depuis maintenant plusieurs années et figure discrète derrière les soirées In/side au DV1 ( w/ Nicolas Lutz, Sonja Moonear, Priku, Sammy Dee, Barac) il pose son bac de disques dans de nombreux lieux toujours accompagné d'artistes de qualité. Derrière les platines Offen délivre un son singulier évocateur d'une musique deep quasi sensuelle, sa sélection digne d'un véritable orfèvre transporte le corps et l'esprit entre techno lancinante, breakbeat et minimale aérienne. La musique d'Offen est un agréable pèlerinage musical audacieux et novateur.  https://soundcloud.com/l-offen https://www.facebook.com/Offen.music # HORSTMEIER & STONN (Swarm Prod, Rezongar Music, Lyon) https://soundcloud.com/horstmeier-music https://soundcloud.com/stonnmusic ------------------------- Le Club Prix d'entrée: 8 euros. Vestiaire: 2 euros Le DV1 Club, 6 Rue Roger Violi  Lyon 1er Métro: C arrêt Croix-paquet/ A arrêt Hôtel de Ville. -------------------------------- MERCI À NOS PARTENAIRES - Kiblind http://www.kiblind.com/ - Trace A Line  http://www.tracealine.com/ - SeekSickSound http://www.seeksicksound.com/ - Make x Lyon https://www.facebook.com/pages/Make-x-Lyon/163218090444867 - Radioelectrolyon http://www.radioelectrolyon.fr/ - FocuSur.fr  http://www.focusur.fr/ - Écoute Prolongée  http://www.ecoute-prolongee.com/ - Vous y êtes !* http://vousyetes.fr/

[otthonzulles]

Locked Club ft. Vadim Seleznev - Svoboda úristen de kurva jó 🙏 Jól nyomod tess

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