#v24

[aroacewolfic]

I find it funny that the two main flavours/colours for the energy drink V are green (original) and blue (literally just blue) and in the boys their drug V has two main colours and what are those colours? Green (V24 [temp superpowers]) and blue (compound V [permanent superpowers]).

Images for reference.

[benevolentgodloki]

[ @forevermuses | from peter :3 ]

After waiting for one of Loki's visits, Peter stands outside Thor's hut with a trombone.

"This is for you, Loki! And that sweet ass too!" he yells before attempting to perform Happy Birthday, completely unaware that he's got the date wrong.

Dishevelled and enraged from the rude awakening, Loki stumbles away from Thor's sofa and bursts out of the door. Somehow he manages to still look threatening despite the dressing gown and slippers.

"Peter. Quill. You have exactly three seconds to piss off before I take that instrument and show you what I once did to a handsy Vanir brigand."

[melodyplucked]

@inspotlight

“you…look…hot!”

he grins at her words, a bit of a smirk on his face at the compliment.   ❝    oh- well thank you   ❞    ricky tells her, pulling her in for a hug as he greets her at her front door.   ❝    you look pretty hot yourself   ❞    he chuckles, looking her up and down appreciatively.   ❝    you look incredible, nini. you ready to head to dinner?   ❞    he asks. honestly, he's been looking forward to this date with her since she left his place monday morning and they planned to go out again. she's his girlfriend... he loves saying that. and sure, it was fast, but... he's really happy.

[inthewindtunnel]

Anything Box

A World Without Love

(Endpop Edit)

(Bonus Folktronik v24)

[virtualrealitynewstoday]

Meta Avatar SDK v24的全新技術基礎與視覺升級

在科技界的最新發展中，Meta宣布其頭像SDK的第24版（v24）現已向公眾開放。這一全新版本不僅引入了創新的技術基礎，還帶來了視覺增強、更多自訂選項、性能提升以及對Unity Asset Store的支援。 自2021年首次推出以來，Meta頭像SDK一直面臨著一個挑戰：在保持與現有應用程序的兼容性的同時，如何加快視覺改進的步伐。在v24中，Meta重建了其核心系統，透過一種新的操縱架構（rig abstraction）來進行工作，而不是直接對接操縱架本身。這種變革將允許未來更迅速地改善頭像的視覺效果，而不會對應用程序造成破壞性影響。然而，這些更新的副作用是，現有的動畫和錄制回放的動畫將需要重新處理。 隨著這項新技術的引入，Meta最終將停止支援其舊版角色操縱架。有關此退役時間表的更多信息將在明年公布。從v24版開始，Meta將不再官方支援Quest…

[inspotlight]

❝    the    big,    muscular    one    might    be    6'2,    maybe    even    taller,    but    definitely    not    mr.    peacoat    over    there...    i    don't    believe    that    in    the    slightest.    ❞    she    says,    glancing    over    to    the    table    where    the    cullens'    sit.    ❝    he    stopped    growing    at    5'11,    i'd    bet    money    on    it.    ❞

@lovemaim

[livesworthlivingau]

Lives Worth Living AU Hub

Hello! Welcome to my AU, Lives Worth Living! Spoilers for the full game and two hats below the break.

Quick introduction to the concept of this AU:

It's been 30 years since the events of the game. The party eventually disbanded to form their own lives, though remaining in each other's now and again at least. They are all together for the first time in several years... and sadly the last, as Odile lay in her deathbed. She lived a full life, it's natural causes, at least they're all together again. As everyone gathers around for her final moments, and she closes her eyes for good, Sif suddenly feels a tug on his sto-

Hard cut to 30 years ago, the day just after the events of the game.

And that's pretty much all you need to know going in! Only other thing worth mentioning is pretty much all option content is canon in this AU, especially two hats... ESPECIALLY two hats.

I AM FINALLY PORTING THIS FIC TO AO3! YOU CAN FIND A LINK TO IT HERE!

I don't know how long it will take to port everything over, and I will be posting chapters normally here in the mean time, but expect a large restructuring once I finish porting it over! Also I am renaming the Siffrin chapters to 'Reprise of Stardust' and collectively calling the fic Lives Worth Living over there.

OFFICIAL RECOMENDED READ ORDER

[S-1] [S0] [S1] [S2] [S3] [S4] [S5] [V1] [V2-4] [V5] [S6] [V6] [S7] [S8] [S9] [S10] [V7-10] [S11] [V11] [S12] [V12] [V13] [V14] [S13] [S14] [S15][S16] [V15] [V16] [S17] [S18] [V17] [V18] [S19] [V19] [V20] [S20] [V21] [V22] [V23] [S21-23] [S24] [V24] [S25] [V25] [V26] [V27] [S26-28] [V28] [V29] [S29] [S30] [V30] [V31] [S31] [S32] [V32] [V33] [S33] [V34] [S34] [S35] [V35]

Siffrin Chapters (Lives Worth Living)

[-1] [0] [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21-23] [24] [25] [26-28] [29] [30] [31] [32] [33] [34] [35]

Loop Vale Chapters (Behind the Vale)

[1] [2-4] [5] [6] [7-10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35]

If you're wondering why Loop is crossed out and Vale is in it's place, it will make sense by chapter 7-10, otherwise all you need to know is these are Loop's side of things. Text in Red represents duplicate lines between it and it's complimentary chapter, to let you know where it lines up with the other perspective without needing to repeat tons of lines.

Links to asks, lore posts, and art/fanart posts can be found here

VVVVVVVVVVVVVVVVVVVV

LWLAU Hub Extras

LWLAU Art/Fanart Hub

If anyone wants to join the discord server, please send me a DM and I'll invite you! I'd rather not have the link posted publicly to avoid scammers/bots.

Special thanks to Lea for making this amazing website! It helps fuel the angst so well with the death screen gifs I've been generating at the end of some early chapters!~

[zepskies]

The Boys S4: Is it just me or...

Okay, anyone who knows me knows I love this show. And I don't mean to be overly critical, but...there's something missing for me in season 4. 🤔

Episode 4 brought me back in a bit more this week, but I have thoughts and just wanted to get them out. Which of course you don't have to agree with, if you so choose to dive below the cut. 😂

So here we go! Highlights and lowlights (and **spoilers**): ⤵️

Sorry in advance for my slightly stream of conscious-style thought process.

Lowlights (so far):

Kimiko x Frenchie: Violently pushing down something you built up for 2.75 seasons? Because "being more than that/family" can also be romantic? Why do you hate the fans, Kripke? 😂

The political "satire" is getting a bit old for me. A lot of the same jokes over and over. However, the problem of taking out Victoria Neuman is a very intriguing conundrum (and Bob Singer sweating over it while trying to keep supes out of the military/law enforcement is keeping me hooked).

THAT Rob scene: lmfao come on now. This was for gross shock value and nothing else. Even the exploding dick and Love Sausage in S3 served a narrative purpose. (But I enjoyed the footnote commentary while watching it on Prime: Rob B. apparently wants to remind everyone that he's a Shakespearean-trained actor. 🤣) I’m actually more disappointed that he didn’t have a more meaningful role in the show, because he really is a fantastic actor and I was looking forward to seeing what his character would bring. (Not that lmao.)

Overall, the season just feels...emptier than seasons 1-3? Maybe that has to do with the lack of Soldier Boy's gravitas as a new antagonist, and connecting the entire narrative and various conflicts of the season -- all while shedding light on the grisly past of Payback, Grace Mallory, and Stan Edgar. Stormfront also brought that ante up in season 2 in a similar way, all while shedding light on Vought's sordid history with the creation of Compound V.

We're missing the layers here in season 4. Now, this could just be because we haven't seen the full season yet as well, but that's what I see so far.

I think it also has to do with the odd dynamic the boys side is in right now. With Butcher on the fringe of the group, and the others splintered off on their own side plots, it feels like the supes' side of things are more...for lack of a better term, "unified" in the narrative.

Which I realize is probably to reverse parallel the state of each side in season 3. But it just feels "off" to me somehow, since we're supposed to be just as invested in the boys side lol.

Highlights:

Butcher and Ryan: Butcher's doing his best there now, and it soothes my heart.

Ryan's slowly seeing the consequences of his choice to join Homelander. In fact, I'm wondering where Ryan is in episode 4. Hiding in his room?

The Khan Worm that appears to be inside Butcher is both frightening and intriguing. I wonder if this is the key to saving his life? Or just another lovely side effect of taking V24 long term. 🐛

JDM (Joe) and Butcher: All their scenes were golden. And that subtle John Winchester reference? Being willing to train up his son to be a killer? Being able to grieve at his son's funeral, knowing he "saved the world?" *Chef's kiss* 🤌🏽

(And if Butcher or Joe end up being the one to break Soldier Boy out of his cryo coffin, my fangirl heart will freak TF out. 🤣)

The way that Homelander is noticing his age is fucking hilarious. Bet you wish you had that life longevity from your father/sperm donor, dont'cha? 😂

But also the way Homelander "confronted" his past in E4 had some truly WTF/Holy Shit™️ moments, in a good way. As in, I'm once again afraid of this unhinged psychopath--kind of way. 😅

A-Train continuing to struggle internally with the place he's fought so hard to keep in the Seven, versus recognizing the evil around him, his own complicity, wanting forgiveness from Hughie, and wanting a true connection with others (namely his family).

It's interesting that Hughie's mom is being brought back in at this time. And even MORE interesting that she seems to be the one who gave her ex-husband Compound V. Her story of why she left her family seemed so normal that I actually got a little suspicious of her. But now, even more so. 🤨

M.M. doing his fucking best. (Except for the way he suddenly had a change of heart about Butcher in E4. Not sure about that one.)

Tilda effing Swinton voicing Ambrosius. PLEASE. My Queen. 😭🤣🤣

I actually had more lowlights before I watched episode 4. There were some really interesting moments that literally had me gasping in shock (this time in a good way), more so than in the first 3 episodes. However, I still think seasons 1-3 were stronger from the get-go.

But even with my lingering reservations, now I'm actually more so looking forward to getting into the meat of the season in this second-half coming up. 👏🏽

[chingyu1023vick]

Patch 1.107 & Mod Updates

June 2, 2024:

📌All my mods and traits are now up-to-date for the latest patch 1.107.

And a free new mod HERE !😉

🆙UPDATE: Less Obsession V13

Updated LessDebatePractice_EP08 for patch 1.107

Updated LessGuitar_BGC, LessEaselPaint_BGC for better autonomy;

Added from requests: Contemplate Life, Microscope, Kick Trash Can, Piano, Pipe Organ, Play In Bathtub, Play In Leaf Pile, Play In Trash, Violin

May 31, 2024:

🆙UPDATE: Custom Traits in Club Filter V24

Updated to include practice makes perfect trait from patch 1.107

Updated to include: amethyst_lilac's family member trait as requested; my Mood Preferences, Motive Preferences, Character Value Preferences, Extra Sim Characteristics, and Zodiac Signs; missing traits and preferences from Kuttoe.

🆙UPDATE: Age Up add Preferences V12

Updated main module for patch 1.107

Added Addons for my custom preferences: Motive Preferences, Mood Preferences, and Character Value Preferences

🆙UPDATE: Skill Decay Mod V6

Update of chingyu_addon_SkillDecayDelay for patch 1.107. Remember to remove any packages tagged with a pack you don't own in the Addon folder!

No update is required for the main modules.

🆙UPDATE: Motive Custom Preferences V2

Updated for compatibility with my latest version of Age Up Add Preferences. You need to re-download this preference set to use with the addon from Age Up Add Preferences V12.

This update is also essential for my latest version of Custom Traits In Club Filter. You need to re-download this preference set to use with Custom Traits in Club Filter V24.

Added supports to Waffle's Comfort Motive and llazyneiph's Thirsty (Gameplay Mod). My motive preferences now give gameplay effects when you install their mods and have no consequences if you don't install their mods.

Added Addons for stronger or weaker gameplay effects from motives. They are optional to use.

🆙UPDATE: Character Value Custom Preferences V2

Updated for compatibility with my latest version of Age Up Add Preferences. You need to re-download this preference set to use with the addon from Age Up Add Preferences V12.

🆙UPDATE: Mood Custom Preferences V2

Updated for compatibility with my latest version of Age Up Add Preferences. You need to re-download this preference set to use with the addon from Age Up Add Preferences V12.

🔆 Changelog in June 2024 will be posted HERE

🔆 View Changelog in May 2024 HERE

🔹 Links to ALL My Traits, Game Mods, and CCs

🔹List of IDs for creators who want to refer my traits to their own mods 

🔹 List of Chingyu’s CC Traits Name and Descriptions for mod users

🔹 Check Mod Status after a patch & Compatibilities

👁‍🗨 Learn how to install a mod & FAQs

👁‍🗨 Terms of Use

👁‍🗨 Ask Questions/ Suggestions/ Bug Reports on Discord

▶ I need to see a screenshot or LE report to help you figure out what’s wrong!

👁‍🗨 Download on my Patreon

👁‍🗨 Follow me on Twitter

[laurelwen]

Obscure Media: Encore VFX Article

Brought to us courtesy of @widowswinter, who's been working hard to dredge up these gems from the past.

We've all seen this cover by now, but in case you didn't know, Encore was an Australian film trade magazine. It switched to an online format and then seems to have ceased publication around 2013. Some of their articles can be found at https://mumbrella.com.au/, but none going back to 2006. Widowswinter accessed this article via the National Library of Australia, which houses physical copies of the magazine and will make copies/scans of some of their collection.

Full Article and a plain text version below the break:

ENCORE I 22 I V24 ISSUE 2, FEBRUARY, 2006

Digital effects were integral to writer/director Gregory Read's Like Minds, the UK/Australian psychological thriller starring Toni Collette, Richard Roxburgh, Eddie Redmayne and Tom Sturridge.  

With production split evenly between Australia and England, where the story is set, the dual role of the DFX was to heighten the in camera drama, and to solve problems created by on-set limitations and impracticalities. This was especially true for the film's opening train sequence during which schoolboys hang outside the door of a train travelling at 80 km/h, playing 'chicken' with the rapidly advancing stanchions (posts that support the overhead electric wires).

"Even if we could shoot the whole scene on a live train travelling at speed, getting the angles in and out of the train with the presence of real stanchions isn't realistic, not to mention the danger of attempting such a live sequence," said Read, who consulted with DOP Nigel Bluck and VFX supervisor Dave Morley, of Sydney-based VFX house Fuel International, to determine the best way to shoot this scene. "The upshot was to have two shoots; the first being the boys on a live train minus stanchions, travelling at its top speed of 20km/h. We used a wind cannon and lighting rig to emulate speed. The boys were cabled into the train, which gave them the opportunity to hang out, feel the 'rush' and give me the performance I wanted . The rest of the scene was shot in a shed with two very big guys rocking the train."

Like Minds features Collette in the role of a forensic psychologist appointed by police to determine whether there's enough evidence to lay murder charges against 17-year old Alex (Redmayne), accused in the shotgun death of his schoolmate Nigel (Sturridge).

The train scenes were initially earmarked to be shot in Adelaide but the unavailability of a suitable 1970s-style electric train meant the production shifted to a train museum located in Cessnock, NSW. Fresh stumbling blocks at the new location included a train carriage without a front engine and the absence of on location electricity; factors which necessitated the deployment of a bright yellow ex-BHP locomotive to propel the 'electric' carriage backwards and forwards at a maximum travelling speed of just 20km/h.

Fuel's task included the creation of the CG stanchions, which Read wanted to "crash into frame very close to the carriage then vanish into shadow".

"The shot required the stanchion to race towards the boys, barely missing one of them. However, when the stanchion was put in it just didn't look right so David [Morley] gradually scaled up the stanchion to 300 percent as it raced towards us so that it worked, visually and dynamically. As an added effect, when this stanchion slams past it actually hits the camera on which David introduced shudder."

Morley's team rigged up a series of par cans (stage lights) attached to a programmable lighting desk that enabled them to set the speed of lights turning on and off in series to simulate the feel of the stanchions travelling past the carriage at the desired speed of 80 km/h.

"Each of the CG stanchions has its own light pointing down towards the train and we used the par cans to give us the motion of the light travelling past," Morley said. "We built CG stanchions to match the style of what they have over in England, and from reference gathered off the web and footage Greg shot in England, then tracked them in and composited them all together."

When working on shots looking down the length of the train, the ground plane was sped up 400 percent. This was done to disguise the fact that the train was actually only travelling at 20 km/h.

"That would get put back in and then we'd have the CG stanchions over the top of that," said Morley. 'There was normally only one extra carriage behind the one that we were working on, so we ended up having to extend extra carriages as well. Because we only had one train rigged with the lights we ended up shifting the camera up one carriage length then duplicating this carriage for the two missing carriages."

The variance in visible rainfall during the Cessnock shoot presented another problem to be solved.  

"We'd set up to get the master shot, which was a very large crane shot moving down onto the railway tracks from about 30 feet up," Read explained. "In this environment we had two large rain towers with rotating heads which produced heavy rainfall, however when we swung  around to shoot reverse shots there was very little backlight and the rainfall was barely visible. We knew we didn't have time to move lights - let alone the travelling train in the background where the lights would need to stand. It was a matter of placing CG rain into the background of those shots so they matched the master."

Like Minds is set in the middle of the English winter. Obviously, Cessnock's 45-degree temperatures created obstacles. Among the challenges were short night shoot hours, actors having to wear heavy fur-lined clothing and the need to frame out all 'summer' foliage - especially gum trees.

In addition, while the English shoot took place in wintertime, Read was keen to include a shot of the school location in summertime. Fuel was called upon to make shots filmed in winter appear as though it was summer. This was done with sky replacements, adding leaves to trees and replacing snow with grass. Among these was an interior shot of the exterior through a window.

Fuel worked on 89 shots in total including the opening title sequence, which sees a camera move along a darkened surface before rising to show raindrops falling on this surface, which is revealed to be a train track.

"Suddenly a train rushes over the track and we cut out to a wide shot and there's the boy hanging out of the train," said Read. "I thought we could use a motion control rig and then put in the CG later but then practicality and cost came into it and I faced with the reality that this shot was too much of an indulgence; we didn't have the budget and so I turned to David and said 'Help! This is the shot I want to do'.

Armed with Read's storyboards and a second unit, Morley directed the title sequence himself, opting to use a live train to give it authenticity.

"We had to carefully choreograph the timing of both the camera tracking back and the train barrelling down the track straight for us with quite a few dry runs separately with both train and crew until we were confident we had the positions the camera needed to be in relation to the train," explained Morley.  "We still had several safety people standing by to quickly rip crew out of the way of the impending train if they had not reached the agreed ‘point of no return'  position. In the end we got exactly what we wanted."

Once the shot had been captured, Fuel scanned the image at 4K, smoothed the camera move and retimed the sequence. In addition to the titles CG sparks were added to the undercarriage as the train passed by.

[Like Minds Masterpost]

[65binary]

I'm on the bit of The Boys S3 where Hughie says "do you want the gawking, freaking out version of me or do you want me to help? so give me the temp v" and the mental hold that the temp v has over this guy is so well written. This is the same guy that pulled the trigger on Translucent in S1 and adjusted to a life of crime in a corrupt world in days, then kept going as the ante got upped until The Boys were pretty much his team with Butcher wresting back control violently. But no matter how competent he is it hasn't brought down Vought yet, so he's at a place of dismissing his own competence and hanging it all on the V24. jfc man.

[worldunbent]

a difference between the experience of reading the natsuyuu manga and watching the anime which is only interesting to me is that there's no distinction between special chapters and regular ones in the anime. the reason i find that interesting is that the specials are, so far in my reread, the only chapters that spend any time completely outside of natsume's POV. when we see other characters' perspectives in regular chapters, it's typically part of an extended monologue or a memory being transmitted to natsume, so we're still not really leaving his perspective. the only times we leave his POV are when he's physically not present in a scene, and in those instances we usually don't get any narration or interior monologue from the other characters.

tanuma in "a suspicious visitor" is the only exception i can think of off the top of my head, though i'm sure there are others i'll get to and just don't remember at the moment. the scene between matoba and ban at the end of the homura arc, for example, is outside of natsume's POV by necessity but is pure dialogue with no interior narration because these are not characters to whom we have that kind of access! (for more on matoba's elusive subjectivity see sp15, says tumblr user worldunbent.)

the special chapters jump all over the place; so far i've gotten to chapters from the perspectives of little fox, an unnamed youkai, nyanko, tanuma, and hinoe (although hinoe's chapter is framed as a story she's telling natsume, so it could have fit in a regular chapter). they have a separate numbering system from the regular chapters, are much shorter, and almost always come at the end of volumes*. in the anime, however, there's absolutely nothing to distinguish the episodes adapting the specials from the ones adapting regular chapters other than the POV shifts, which gives anime-only viewers a very different impression of how the series approaches character interiority. i don't think there's anything wrong with this as an adaptation move and it's pretty much necessary, but it's just notable because in a series that's all about how people see the world differently, the choice to make such a distinction between chapters in the protagonist's POV and chapters from everyone else's POV is a significant one.

the reason i'm paying so much attention to POVs in this reread in the first place is because i've been listening to the podcast media club plus and jack, who is pretty new to anime, keeps pointing out the constant perspective shifts in hunter x hunter and the other hosts are like, "yeah, that's normal." this post from another listener expands on how and why it works as a genre norm in shonen battle anime/manga specifically. so now i'm just cursed to be hyperaware of POV shifts in anime/manga, and given that the three series i'm reading/watching at the moment are hxh, dungeon meshi, and natsuyuu, natsuyuu really stands out in how rarely it leaves natsume's head in the regular chapters. i guess i need to go read some more shoujo for a larger sample size lol

*i have a chapter spreadsheet 🤓 and the exceptions to this are sp18, which is just stuck in the middle of v22, sp20, which is the second-to-last chapter of v24, and sp21, which is the first chapter of v25. i understand the placement of sp20, which is "intermission detectives" and makes sense to have as an break between regular chapters, but i'll have to figure out what sp18&21 are doing when i get to them.

[bdragon1727]

Effect 64x64 V24

Download More and Free:

https://bdragon1727.itch.io/

[canvasknight]

was thinking about the bodily fluids/humors symbolism in succession and realized how much of that is also in the boys. i might be reaching cause this series makes me autistic but like ok hear me out, there’s blood (lot’s of it) which in humorism is the source of energy for the body/soul, but is also related to spring (sharing characteristics with the season via being wet/hot). spring itself represents renewal in a way i always associated with the death tarot card, making way for change and all that. when characters are covered head to toe in blood (homelander, hughie, a-train, etc.) it seems to be indicative of a major change/renewal in that persons life (a-train killing robin subsequently changed both his and hughie’s life forever, homelander taking revenge on those who tortured him as a child, when hughie killed translucent, etc.).

now onto yellow bile which is vomit. yellow bile in humorism is choleric and an excess of it would cause emotional irregularities such as increased aggression and irrational behavior. this comes to mind specifically when both butcher and hughie are experiencing side effects form V24. both of them giving into their aggression and frustration, making irrational and short sighted decisions in order to satisfy that anger inside of themselves

this also leads into black bile, the melancholiac humor, both depression and cancer are attributed to an excess of black bile specifically in a concentrated area. this obviously correlates to butcher and his tumor, with him bleeding black blood and the color of his tentacles (also butcher’s signature color for outfits as well <3)

lastly, phlegm which is described as reserved or isolationist in nature, which of course consists of white or colorless secretions of the body. in this case i’m making regarding semen and milk. this leads me to talk about homelander and his isolating moments. the first and most important one that comes to mind is when he’s masturbating on top of that building in s2 finale, it’s of course a very private and emotionally lonely moment for him, an attempt to grasp at some form of control in his life. the first time we see him drink breast milk specifically is in another scene all on his own, another private moment in madelyn’s old office. in s3, in a fit of stress, he isolates himself again when drinking that cow’s milk. but what i’m trying to get at is the inherent loneliness all of this brings, the reservation of himself and feeling of wanting control over these moments of isolation.

another thing i’d like to point out with phlegm is this quote by a french physiologist “…where is it? Who will ever see it? Who has ever seen it?” i feel as if characters have seen homelander but do not know what to do with what they have seen and therefore that knowing but lack of action leads to a type of isolation all itself, leading to an ostracizing existence

this is not to say that every depiction of the four humors is indicative of literary significance, they’re not, these just came to mind and if anyone has any other examples i’d love to hear :)

[genzmeme]

Check out our latest YouTube short, "Minecraft Memes v24," created by Gen Z Memes! Get ready to laugh as we bring you the best Minecraft memes in a bite-sized format. It's the perfect way to brighten your day and share some laughs with friends. Don't miss out! #Minecraft #GenZMemes #YouTubeShorts sourced from here: https://www.youtube.com/watch/03ygjRY8HLA by https://www.youtube.com/@genzmemes_

[tomoleary]

Luis Royo Heavy Metal V24#6 Cover Painting Original Art (Heavy Metal, 2001)