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walkingstackofbooks · 3 months ago

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Consider: Julian being pregnant with Yoshi and going to Federation parenting classes with Miles and Keiko. And encountering a list of all the rights and freedoms every child is supposed to be entitled to. Some of which... don't sound like his childhood. (Cw child abuse)

I've got SO MANY more ideas for this it may turn into a series who knows??? But I want to share it now so people can maybe like it? Because I have feeeelings.

"So these are just, uh, suggestions, right? Parents don't have to do all of them?" Julian asked, instantly regretting it. If Miles' dirty look was anything to go by, clearly that had been the wrong thing to say.

"Julian," he gritted out, "you're my best mate and you're carrying my child so I'm going to give you a chance to explain. What the hell do you mean by that?"

Julian really wasn't sure that he could. Some of the statements on the poster had surprised him, that was all, but he didn't really want to get into the reasons why.

"Don't, uh-- Don't worry. It's not important," he tried to deflect.

"It bloody well is important, if you're just planning to ignore what you're learning here."

"Miles--" Keiko broke in, placing a hand on her husband's knee.

"I didn't mean it like that!" Julian exclaimed, cradling his stomach protectively. "I was just saying that, um... I guess that they're not all as important as each other, are they? Lack of privacy, for example -- that's not exactly abusive, is it, like some of the others?"

"That's a common misconception, but no, Doctor Bashir," answered Mx Rakoto. "Any parent showing a consistent failure to meet any one of these standards would be enough to investigate them for abuse."

"Oh."

"What do you mean, "oh"?" Miles asked, with an irritation that compelled Julian to shrug and look away.

"I guess I just didn't realise it was taken that seriously," he replied, feeling kind of silly and small as he said it. "I know we learnt about them in school, but back then it was more of a thing for teachers than parents, wasn't it?"

There was a pause, before Keiko said tentatively, "...These have always been for parents, Julian."

"Mrs O'Brien is correct," Mx Rakoto added. "Your parents would have completed a very similar course to this -- some things have changed of course, there's always more progress that can be done, but the fundamental rights and freedoms of children haven't changed, and nor has the law."

"No, but..." Julian's brain didn't seem to be working properly; was he missing something?

"You're saying these are things I should have had at home and at school?"

"Yes?"

"And my parents should have known about them?"

"I would find it hard to believe that they didn't. Parents are required to access learning about this every few years."

"Oh." Julian's voice had gone very quiet at the point. "I think I-- I need a minute..." he said shakily, eyes glued to the poster in front of him, reading and rereading the information as he tried to figure out what he'd got wrong.

Right to privacy.

Right to choose their own name.

Right to appropriate support and accommodations of a disability.

Freedom from unnecessary medical interventions.

Freedom from torture.

Right to make mistakes.

"Julian?" asked Keiko softly, startling him out of his thoughts. "Are you alright?"

Slowly, he shook his head. "I didn't know," he whispered. "I mean, it's not like I thought they were great parents, you know, but I didn't think... Well, most people complain about their parents, don't they? I didn't think mine were abnormally bad. But there are so many things--" His voice quavered, almost breaking. "And you say they could have been investigated for just breaking one?"

"What... what kind of things?" asked Miles hesitantly. "Only if you want to tell us, of course."

Julian's eyes flicked around the room, but Mx. Rakoto seemed to have left the room.

"They've gone," confirmed Keiko, seeming to catch onto what he was thinking. "I can go too, if you'd prefer..."

"No -- it's alright," said Julian. "It's just... a lot to take in."

His eyes returned to the poster. Right to encouragement. Freedom from humiliation and constant criticism. Right to self-expression. Right to relax and play. Right to mistakes.

"It must be hard, right," he started, looking to them both anxiously, "to keep these all in your head? There's a lot of them, it must be normal to not remember all of them all the time?"

Miles and Keiko exchanged glances, a second-long conversation that Julian was not privy to.

"All parents make mistakes," said Keiko kindly. "It's when these things start getting ignored often that there's a problem."

"And some of them you barely have to think about anyway," added Miles. "You know, "right to shelter", "right to food", "right to clothes" -- it's not difficult stuff. You don't have kids if you don't want to look after them properly."

"Then why did my parents find it so difficult?" The words burst out of Juliann before he could stop them. "What was so wrong with me that meant they didn't do all this?"

"No, oh no, Julian," said Keiko, as Miles reached out to pull him in for a hug. "Don't think like that. It wasn't you--"

Julian wasn't really listening: his question had finally given him the puzzle piece he had been missing -- he'd realised what hadn't been adding up.

"No... no, it's fine," he said, feeling a little floaty now he'd got his thoughts all in order. "No, it was me. I was a difficult kid. That's..." He shook himself, feeling his cheeks get hot as he wondered what the O'Briens must be thinking. "I'm sorry, this session was supposed to be about your child, not about me."

"Our child," corrected Miles gruffly. "And this is important, Julian. I don't give a damn if you were "difficult", your parents don't get to just ignore your rights."

"You don't understand," said Julian desperately, hoping he'd be able to make them see even without mentioning his enhancements. He'd made a real mountain out of a molehill here, he didn't know why he hadn't managed to connect the dots quicker before this all had spiralled out of control. "I tried to piss my parents off. I'd stay out too late and go drinking illegally and date guys way too old for me just because I knew it would annoy them. And I'd always talk back and argue with my dad, and find ways to be smarter than him, and--"

"And none of that was enough to lose your rights, Julian," said Keiko gently. "That's not how it works."

Julian was shaking; he didn't want to listen to them. He'd figured it out -- it was his fault his parents hadn't done everything they were supposed to, because if it wasn't his fault, it was their fault, and that meant... well, that they were abnormally bad parents, and that... that...

"Hey," said Miles, more softly than Julian had ever heard him, peeling Julian's hands away from where he'd been covering his ears. "Let's say you're right -- just for a moment," he added in response to Keiko's hissed "Miles?". "Maybe we don't understand everything that went on. Why don't you tell us which of these you weren't getting from your parents, yeah? Explain it to us a bit more?"

Flashing him a weak smile, Julian nodded. he should have known he could always count on Miles.

"Okay, yeah, um -- so I guess, uh, "right to choose your own name"?" he said, feeling slightly uncomfortable as he watched Keiko pull the poster up on her PADD and circle it, but choosing not to comment. "It wasn't like, transphobic or anything though," he defended. "They'd just always called me 'Jules' since I was little, you know? So it's not really..." He trailed off, shrugging.

"Okay..." said Miles, and Julian tried to ignore the dubious look his friend shot at Keiko. "Anything else?"

"Um -- I always had to, uh, leave my door open? Or if I closed it, they wouldn't knock before coming in... That's not that weird though, right? One of my Academy friends thought it was, but--"

"Did you feel like your parents respected your privacy?" asked Keiko, and Julian looked at her for a few seconds, before shaking his head.

"But they were my parents," he said. "That was just how they looked out for me. They were supposed to look out for me."

"And you were supposed to have a right to privacy," replied Keiko, making another circle on her PADD. Fuck, this wasn't going the way Julian had thought it would. Hurriedly, he looked for a different one to try to explain better.

"Constant criticism," he said, distantly noticing the strangled tone to his voice. "That's hardly surprising, right? I mean, if you get things wrong all the time, you're going to be criticised, that's just how it works."

Neither Keiko nor Miles looked convinced; clearly he wasn't trying hard enough, describing clearly enough why it had been alright his parents hadn't been perfect. He was getting this all wrong.

The right to make mistakes.

For some reason, those had been the words his eyes hadn't been able to leave alone. Every time he went past them, his heart caught on them, as though the words were a rusty nail left half-buried in his skin.

It wasn't a fair comparison, really. He had been different to the other children -- better, smarter -- so of course he hadn't been allowed to make the same mistakes they did. Of course his parents' expectations had been high; they'd known what he was.

But all the same, it sounded nice, that imaginary childhood where all mistakes were okay, not just the ones he'd carefully measured out to avoid detection.

He didn't realise he was crying until he felt a rough thumb wiping a tear off his cheek.

"Oh, Julian," Miles was saying. "It's okay, you can let it out now. We're here for you. I'm so sorry. I wish I'd known."

#Julian Bashir #Richard and Amsha's A++ parenting #Miles O'Brien #Keiko O'Brien #DS9 fanfic #Julian Bashir fanfic #Andi writes #I really need to stop starting brand new stories I've already got too many XD #wsb #Cw child abuse

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kanmom51 · 5 months ago

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Bringing back Only then

I've been missing Jikook so very much and watching song edits, cause why not, right?

And Only then, that is one that is on repeat for me.

JK's cover of this song is so damn good.

And I'm sitting there eating my breakfast (tmi of the day?) and watching the edit and reading the lyrics again and it just clicks in my brain.

Obviously those lyrics and JK's choice to cover the song and his unbelievably emotional singing that just draws you in is not something new. This song meant something to him, way back in 2018. Let's not forget that he released his cover for White day 2018, surprise surprise. Yeah, White day. We know what he was doing on White day 2023...

March 2018, following Jikook's Tokyo trip. March 2018, when members were rethinking if, what, where and how to continue as BTS, as artists.

This one wasn't written by him, but it sure meant A LOT to him!!!

Those lyrics.

They meant everything back then in 2018.

But now. In 2024. Looking back at the two of them, and even more so at the last 3 years, these words, they hit me like a freight train.

The lyrics.

Their past.

Their present.

Their future.

The way to love me isn’t hard Just hold me tight like you are now

We don’t know what will happen to us later But I like that nothing’s decided

Who cares what others say? We can’t live without each other, so what’s the problem? We can be more in love together

I can't...

These lines hit even harder now that we know what they went through in 2023 (well, part of what they went through, but we did see on live just how affected JK was), and to what lengths they went to not be separated during their military service.

But this isn't the end of it.

Because the next lines repeat that sentiment.

If you start to like someone else If I get used to not being with you When that time comes, when it’s that time Only then we can break up

And obviously, that ain't happening any time soon.

Nope, not happening...

Not at all.

Oh, and back to this again...

This song, it's lyrics, they just hit so hard.

The way to love you isn’t hard If I smile once more and care for you more

Clip credit to @ nuri நூரி

The way we love isn’t hard If we look at each other like it’s the first time every time

Whether you want it or not, I’m going to hold onto you When I get too tired that I can’t even walk When that time comes, when it’s that time Only then we can break up Only then we can break up

Now I am definitley ugly crying. Bawling my eyes out.

I miss them so much.

😭😭

#Jikook #Kookmin #Minkook #Jungkook #JK #JK covers #Jimin #JM #Jikook hugs #Jikook enlisted together #Only then JK

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lovecolibri · 1 month ago

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Alright, gotta make a petty post so I can get it out of my brain. It got long, sorry.

It is baffling to me that people keep pushing this idea that Buck would be perfectly happy with another of his LIs if only Eddie weren't around. Especially after 8x05 I'm seeing the same shit I saw with BT 1.0 which is that they're just so cute and *sigh* if only Eddie weren't around, Buck could be happy with them but sooo unfortunately, Eddie is there and better for Buck.

And I just cannot imagine we are watching the same show. Buck would be perfectly happy with someone who shuts the lights off while he's talking? Someone who basically tells him to shut up? Who doesn't want to dress up for parties, and thinks because his bio dad is alive Buck shouldn't be so upset about Bobby almost dying? Someone who really hopes Buck has the kinds of insecurities related to a troubled relationships with his dad that makes people eager to please and easier to manipulate? In what word? In what universe is this a satisfying relationship for someone like Buck who just wants someone to love all of him for exactly who he is?

And I get what they're probably trying to do here because I've seen it a hundred times with other slow burn shows, where one or both of them are dating someone perfectly nice but it's just not quite a good fit. But that doesn't work here for numerous reasons.

One big one being that T is NOT a "perfectly nice" person. If they wanted that they could have invented someone new, not just AGAIN ignored the history a character had to use them for something else without ever taking a minute or two to address it, and by that note, not allowing the firefam to be able to truly talk to Buck about his relationships because they can't talk bad about the LI, so instead all these talks turn into why Buck is being bad at the relationship and needs to be better. (NGL I am absolutely dreading what that's going to look like in 8x06 now that we know it's not about T's racist, misogynistic past terrorizing Hen and Chim. 🙄The audience does not care about that man, why do we need to invent a reason for Buck to struggle with him when there is already one there that the audience already knows about! It sounds like a waste of screentime to invent something new instead of using what you already have which is the whole point of bringing back someone the audience already knows instead of inventing something wholecloth.)

The other glaring reasons this doesn't work for this show go hand-in-hand and that is a) it's been over 6 full seasons of this so b) we've already seen this relationship carousel SO many times and the audience is tired and c) that "slow burn", "pining but they're with someone else and now you go find someone else too, but then they break up with their person but you're already with someone who is nice and you don't want to hurt them" ONLY works when the audience knows they characters have feelings for each other. Oliver talked about longing and wanting the audience to feel that longing too and he's right, but it only works if the audience knows about the feelings. The audience has to be in on it, clearly and with no question, or the trope doesn't work. That's why 3rd party confessions are such a staple, because that other person becomes the vehicle for the audience to be let in on the inner workings of a character's mind without having to do an internal monologue or something. And I love the pining and delicious longing BUT again, that only works if we know the feelings are there but circumstances are keeping them apart.

And most shows do this EARLY. If it's a planned slow burn, you get it in the first season, if it's unplanned liken Chenford it can take a little longer but not much. And they're actually a great example because they did have other relationships that were perfectly fine! They dated nice people who had fun with them! But they were always just a little bland and the show made a point in scenes like that fabulous double date to show the audience which pair is better. BUT part of the angst and longing for the AUDIENCE comes from understanding the main character's desire to not hurt a perfectly nice person they are dating. Which does not work when that relationship is bad, whether the show is trying to portray it that way or not (see, RNM trying to pretend one character making snide remarks about a formerly homeless teen "smelling like a river" and being "house trained" was normal GF behavior and they were a cute couple).

But 9-1-1 is too far into the show to pull off a fully traditional "slow burn". The character have not admitted feelings yet and until they do, the "slow burn" can't really start for the audience! I do think they have an advantage in having put in the work to do this storyline ages ago in s4, so if they play it right and get a good montage of Buddie moments under a good song they can get the audience up to speed pretty quickly. But they can't really do the whole other relationships thing for too long, and playing BT as "so close but just not quite a good fit" doesn't ring true because whether the show has intended it or not, all of their scenes come across with T being a condescending dick to Buck and looking like he doesn't even like him that much.

IDK, I just love Buck so much and I am SO TIRED of this show putting him in these relationships with awful people and never addressing it, never allowing the firefam or Maddie to address it, and always making it out like BUCK is the problem for not trying hard enough instead of asking if he's even happy, or if THEY are trying hard enough to be what BUCK needs.

ANYWAY. I am not closing on Buddie, and I am prepared for it to take a bit to get together. But I think the show needs to recognize that this is not s2 of a show where they are starting up a 3 season slow burn arc, and that because of FOX interfering, and because of the choice in character and actor THEY chose to bring on for this, they are not going to be able to exactly follow the full typical slow burn playbook. I think they can still make it work and make it good and fun for the audience to be longing alongside the characters, but they are going to have to shift some things, and honestly they need to get rid of T as quickly as possible because they are only, once again, doing a disservice to Buck's character by having him date someone like that, and to the firefam/Maddie by not allowing them to call out a LIs shitty behavior and instead putting all the blame on Buck.

#911 #buddie #anti bucktommy #anti tommy kinard

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herefortheships · 2 months ago

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Why do you think he fell in love with Lydia? see, it's much stronger than it was for Dolores, I'm not going to ask when because it would be complicated Bj and Lydia have such opposite personalities

Love this question! And to be honest, ever since I watched BJBJ I've been wondering about this. Because, to me, at least when I first watched the movie, I got to the conclusion that he must have fallen in love with her over the years; that he never had any true romantic inclinations towards Lydia in the first movie. So I had to wonder, what changed?

This answer got long... So I'll put a little summary, Tl;Dr answer here: I think there's an in-canon reason he fell for her and a meta reason why Tim Burton and co decided to make Betelgeuse be in love with Lydia in canon. The in-canon reason: Opposites attract. She is exactly his type: a dark, mysterious beauty. Plus her calm demeanor suits his unhinged nature. Their energies play nicely off each other, completing and balancing each other in a way no one else could, whether Lydia realizes it now or not. Lydia also never seemed to mind ugly, scary, dark things, and Betelgeuse is kind of all of that. At some point he grew fond of her and started needing this sweet, dark beauty in his (after)life. The meta reason: Lydia and Betelgeuse are a favorite "Burton Couple", almost right there with Jack and Sally, at least to a LOT of people.

Now to the long answer, because I totally always write a lot (below the read more cut bc this one got pretty long):

I think to properly answer why he fell in love with her, I do need to get into the when. And this is where I might have to put a "trigger warning" just in case, since I will touch upon how he felt towards Lydia in the first movie, when she was a teenager. Anyone uncomfortable with that needs to click away now. We're going to analyze this with the context and nuance of Betelgeuse's backstory. Context and nuance tend to be overlooked a LOT when the purity factions of fandom want to impose moral superiority upon other members of the fandom, so maybe placing the "trigger warning" may not be enough, but, anyway, you've been warned about the topics of this post.

The context and nuance: Betelgeuse, when alive, lived in the time of the bubonic plague, this means he was alive during the 1300s, presumably in Italy. At that time, marrying a 15-16 year old was socially acceptable and normal. Heck, even younger than that (as unacceptable as that seems to us today in our modern times). So it wasn't that strange as it is today. The reason is that people often didn't get to live past 30. The average, oldest age of death around the time was 60 years old. It was also common for men of the time (and where Betelgeuse lived in Italy, and Europe, as I’m reading in these articles) to marry much later than women, as in it was common for men in their 30s and 40s to marry a 14 year old (which I believe is even younger than Lydia was in that movie, not sure). All of that is in that article. That depends entirely on social ranking though; if he was lower class often people married for convenience and I'm not sure but I think age wasn't a factor to consider when people were struggling. In Europe even in the 1800s you'd see age gaps in marriages. //Edit: and America! For some reason my brain when I wrote this at midnight thought Poe was European 💀.// Edgar Allan Poe married a 13 year old when he was 27, for example (which I totally find super weird, personally, but at their time it wasn't a super weird thing as it is today, as far as I've read; it was also normal to marry a cousin around that time in the upper class and upper middle class, or so I've seen). Was Tim Burton aware? Who knows. But at least I'm putting this out there as the context why it isn't weird for Betelgeuse the character to see a teenager as someone of marrying age. We also know he didn't want to marry her in the first movie because he was in love with her; she was a means to an end, more than anything, regardless of any interest he had in her due to her looks etc.

Ok, so now that that's out of the way we can keep talking. Even though I joined the Beetlebabes fandom only after the second movie, and shipping these two characters never once crossed my mind throughout the years of me watching the first movie, after some thought and after rewatching the movie with the knowledge of where the story goes after the events of that movie, I can definitely see that Betelgeuse became interested in Lydia ever since the first movie, and also why he's head over heels for her in the present.

Even though I still think he fell in love over the years after the events of the first movie, I think he became smitten with her since the first movie. Here's why he fell for her: For starters, she is a dark and mysterious beauty, and that seems to be his type (look at Delores, also a dark beauty). We can actually see the moment he first shows interest in her in the first movie, when he saw her while in his snake form. She was the only one he did not hurt. He only stared at her, almost like he was taken aback by her. When Barbara banishes him back to the model, we have that little moment when he mentions he feels the only one he can make a deal with in that house is "Edgar Allan Poe's daughter", meaning Lydia. And we have the little horny joke, so if you wanna throw that one in there as evidence he became interested in her here, then sure you can. As this happens directly after he's seen Lydia face to face... Rember the context above before you want to call him a pdfler or something... please. He is Not.

Then later when she meets him in his real form, she doesn't seem startled or scared that she's in the presence of a demon/ghost. In fact, she just simply asks him "are you a ghost, too?" and that's when he starts making some conversation. He realizes she can see him and communicate with him. You can tell at this point he is intrigued by her. She is the only one he's shown a sort of sensitivity to in the entire movie. He asks her "why?" when she says she wants to go in to the after life (essentially, that she wants to di e). He doesn't try anything naughty with her; instead, next time he sees her when she asks for his help, he proposes the marriage.

Now, at the time I don't think he loved her or even cared much about her; at this time he just wanted out and here was an eligible woman, who was not only beautiful and available, she could also see him and needed his help, which he used as his way to try to get out of the afterlife. I think once they got rid of him, and he realized he could still connect with her over the years, his interest in her grew and he started really growing fond of her until inevitably he fell in love.

Lydia is physically his type, but there's also a calmness to her that plays against his unpredictable, unhinged personality. She's someone who can balance him, and he's someone she could hold on to; there's an energy in him that she can use. Of course Lydia doesn't yet see how she'd be compatible with someone like him, but from an outsider's perspective, they really compliment each other's personalities. She's calm and quiet; he's crazy and loud. She's reserved; he's outgoing. She's a dark cloud; he's high-energy, like sunshine. Etc. Opposites attract. 💚

Now finally, the meta reason: Lydia and Betelgeuse seem to be a favorite "Burton couple" not only to Tim Burton himself (and the cast of the movie themselves!) but also to a great number of people. There's people who grew up watching the Beetlejuice cartoon series and didn't even watch the first movie, who for years had the idea that these two characters actually adore each other. There were people who were going in to watch this movie with that context only. And there were even people who were going to watch the sequel as their introduction to Beetlejuice (like my mom's best friend, for example! She loved the sequel but has NEVER watched the first movie nor the cartoon. She also wanted Betelgeuse and Lydia to end up together after watching this one, by the way). From a meta perspective, Lydia and Betelgeuse are just a fan favorite couple and an inseparable pair. So partly the choice to make it canon that at least he is absolutely in love with her comes from this expectation that many people had for these two characters. It just feels natural; they're just an iconic Burton pair.

#Beetlebabes #Long answer #anon #anon questions #answer #Betelgeuse and Lydia #Beetlejuice x Lydia #Beetlejuice #Beetlejuice meta #Things I write #Beej and Lyds #Betelgeuse x Lydia #I am literally about to go to bed so I hope this is coherent lol #I also wanted to share more articles about marriage age the plague etc but I'm too tired to search #But I'm sure all of it is readily available on Google #Added a bit more after I published

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penguwastaken · 4 months ago

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"DR3 makes the Remnants of Despair blameless"

This is a statement I've heard many times before, and I think it's one that's both technically correct and also technically incorrect.

But overall, I think this is a statement that kind of ignores the nuance of what the "brainwashing" actually did or even the themes of the series. Because of that, I decided to make this post to clear up some confusion about this subject and explain my thoughts on it.

What the "brainwashing" actually is

For starters, no, brainwashing in Danganronpa does not turn them into mindless zombies and get rid of their "free will." I wrote an entire post about brainwashing on its own and the many misconceptions abut it. While there are some things I'd change or update now, I think overall it's pretty solid. The main reason I'm making this post though is to fill in a piece that I should have filled in then. But if you understandably don't want to read that massive post right now, I'll go over it again here.

The way the Despair video works in both Danganronpa Zero and Danganronpa 3 is that it uses subliminal messaging to strengthen the emotions that you are already feeling by watching the video. It does not "create despair," it amplifies it.

"'She just wanted to stir up the pent-up emotions of the Reserve Course. She got the Ultimate Hope involved in the whole thing for that sole reason, and then incited them all… No, it wasn't something simple like incitement… it was brainwashing.' 'Brainwashing…' Pain, along with violent itching, brought up that scene in my mind. The monitor's visuals I had seen beyond the Monokuma Heads in the underground facility. Crushing heads, cut-up faces, agonizing screams, the Mutual Killing's red lumps of flesh." -Referring to the despair video Ryoko watched in Danganronpa Zero

Notice how the phrases "incited" and "pent-up emotions" are used. Once again, this is because the subliminal messaging doesn't make you feel things, it amplifies what the video itself makes you feel.

This doesn't contradict Ryota's description of brainwashing, note how he describes it as "influencing" the viewer's brain, not controlling it.

This is also why I put brainwashing in quotes earlier, because Ryota says it's not just brainwashing, brainwashing techniques are just a part of it.

This is the whole reason why Junko needed to kill Chiaki in the first place, she needed a video that would make them emotional enough for brainwashing to have an actual substantial effect. If she just used the student council killing video, there's a chance they'd be able to resist it like Chisa or Ryoko did.

All the despair video did was overload them with feelings of despair, causing them to crave it as a way of coping with the despair that was just unleashed onto them.

The despair video did not:

Turn them into mindless zombies

Make them love or worship Junko

Remove their free will or ability to make decisions

All the video did was make them crave despair, how they went about it was entirely up to them. Like Nagito, for example, he gave into the despair by hating Junko, but he was never a mindless zombie.

In fact, I think even being able to resist the videos effects at all kind of implies that the video isn't forcing you to give into temptation. It gives you urges, but that's all. The Ultimate Despairs chose to give into their urges of despair. They also chose the methods of which they went about bringing despair. The video wasn't mind control, it doesn't have the technology to turn you into a mindless servant. In that sense, the despair video did not remove their autonomy and they still chose their actions.

Big fat massive however...

While it is true that their ability to choose what to do remained, the fact is that they only made the decisions they made and got their despair urges in the first place was because they were brainwashed. So it is also true that the person at fault isn't them, it's Junko and her video.

And that's the point, it isn't their fault that they made those choices. Some may say this is because Kodaka wanted to make them more redeemable, but I just completely disagree because it was always like this.

Makoto refers to them as victims at multiple points in Danganronpa 2, even saying that they were brainwashed and have the ability to go back to normal. Danganronpa 3 didn't make them more "blameless," it emphasized a theme and point that was there since the start.

Dialing it back

Themes of guilt and blame are things that have always existed in Danganronpa. I already mentioned how Danganronpa 2 refers to the Ultimate Despairs as victims, but there's plenty more examples of this.

Such as Ryota in Danganronpa 3. Ryota is threatened with his classmates' lives and is forced to develop the despair video for Junko. Would you say Ryota's at fault?

Of course not, and I doubt the anime wants you to believe that way either. But that doesn't stop Ryota from feeling this way. He's a victim, just like everyone else. A victim who was forced to make a choice that he now regrets.

Alternatively, we can look at Juzo as well. He was blackmailed with his biggest insecurity used against him, completely unaware of the despair that would soon follow. While you could argue he's more to blame than the others, the point is just like them, he was forced into a situation where he couldn't choose. He wasn't responsible for Junko's actions, but he still feels as if he was. He's a victim too. A victim who was also forced to make a choice that he now regrets.

This isn't a theme exclusive to Danganronpa 3. I already mentioned how it applies to Danganronpa 2, but it's been there since the first game.

When Chihiro feels at fault for judging Leon, Makoto tells them that it isn't their fault. Nor was it Sayaka's or Leon's. Even though they chose to kill, it was only because of the situation. It was the mastermind's fault, not theirs.

The big point

The big point throughout the series is that the many actions we see throughout the series are done so due to the situation these characters are forced in. From the very start, it's been established that the blame should go towards Junko, not her victims.

Guilt is a running theme in Danganronpa, even more so in Danganronpa 3. That's why the anime emphasizes it, showing us Junko's victims and how they were effected but also making it clear that even though they made the wrong choices, they only did so because of Junko.

Danganronpa 3 didn't make Class 77 "blameless." Saying so implies that the series wanted you to blame them in the first place.

What Danganronpa 3 did was emphasize the point and theme the series had been setting up for a long time. This is a story where Junko is the bad guy and these are her victims. This is how it is in the last entry, this is how it's been since the first game.

So yes, Class 77 chose to to give into their despair obsessed urges. Ryota chose to help make Junko's video. Juzo chose to lie about Junko. Chihiro chose to judge their classmates. Sayaka and Leon chose to attack. But they only made these choices because they were put into unavoidable situations by Junko.

It's not about who here is more guilty than the other, the fact is they're all victims of Junko at the end of the day. They were never supposed to be blamed, implying that Danganronpa 3 makes them blameless misses the point entirely.

You can say whatever you want about whether or not brainwashing is more or less interesting than the idea of Junko somehow manipulating 15 individual students that she doesn't care about in less than a year to turn them into despair super terrorists willing to hack off body parts and kill their own family, but at the end of the day I think saying that the brainwashing ruins the themes of Danganronpa 2 is just kind of incorrect.

Those are my two cents anyways.

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ranticore · 10 days ago

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All your settings are crazy interesting to think about and currently I've been taur-brained. sorry if you've already answered this somewhere else, but who are the ones manufacturing their clothes? Or their mane and hoof care products, etc? Would it be humans who were already making similar stuff for normal horses, or are there some centaurs also in the business making more specialized and informed products (like shoes or horse-pants????) Surely there's an economic power imbalance in there somewhere between whoevers making the necessities and who's got to buy them.

(either way, being good at diy is probably a plus for them )

I mentioned it a little bit in the first clothing post i made but the examples given (aside from the classical dress) are all modern - basically, small tailor shops in Ironwall will bulk-order horse blankets from wholesale (usually international) retailers and modify them on-site for resale to centaurs, sometimes doing a same-day custom job for someone if they need it. this is considered kinda cheap, and not in the realm of formalwear/barely business casual. think t-shirt and jeans level stuff. but like you said, in a lot of cases centaurs would buy their own horse rugs to modify at home (basically you need longer straps that articulate at a different part of the body than stock). these specific alteration shops are usually some of the first businesses to pop up in cities/towns outside Ironwall whenever emmigrant centaurs have a decent presence, alongside herbivore food shops.

so yeah absolutely as a marker of class & a requirement for formal occasions, there is bespoke tailor-made clothing made to fit their bodies from the start and it is EXPENSIVE. especially the big classical style gowns, there's a lot of fabric there and it has to be cut well so that it doesn't entangle the legs or restrict the torso, and have enough petticoat/underskirt/etc so that there'll be no accidental flashing on a windy day. now modern commercialism/capitalism hit Ironwall in a very strange way - many centaurs remember the exact moment the first mcdonalds opened in ironwall in the 90s, as human resident % had gone up and suddenly Ironwall was a market and a consumer base.

(this one got so long that even I will concede to a readmore)

most people unable to afford the tailored stuff in the early 20th century would buy big cuts of curtain fabric and sew their own gowns for formal occasions/serving on a budget and those gowns would see use for decades. companies saw the potential to offer factory/sweatshop produced off the rack centaur fast fashion that resembled the very intricate classical gowns without any of the tailored properties/thick skirts/flexibility in the torso/etc. this is landfill junk and wears out quickly. in many cases it's a cheap human bodice/t-shirt/etc sewn to the bottom gown bit, which means there's a weak seam right at a point of great articulation, and the clothes will catch/snag in odd places because the muscles underneath are different too. in terms of the economic power imbalance - yep. it's a market but a small one, without much competition, and multinationals can easily outcompete the centaur tailors who offer services at middle or low price brackets.

and of course. there's always poverty tourism. you can buy fully bespoke, made-for-centaurs, designer... rebadged horse blankets, for the athleisure/sports-luxe fans

because centaurs as a market share are not very prominent still (that is changing tho), most of their own businesses are small and dynastic - one group running the same mane oil business since the 1700s, churning out the same basic product for a small but dedicated audience. these types of businesses rarely advertise and if they do it's by putting a tiny text-only ad into the paper with their phone number inserted. they are woefully ill-prepared to compete with external businesses turning their eye to Ironwall in search of new markets. but what they have that large multinationals don't is parochialism and loyalty to a brand, and access to a more readily exploited centaur work force. many will turn around and do a little song and dance "don't you want to support small centaur businesses? we'll go under if we have to comply with modern labour laws!"

because at the heart of centaur businesses is that old purifying work ethic, and because ironwall is 1. conservative and 2. largely self-governing, their labour laws are antiquated. they still have workhouses. and there has always been a lack of interest from the wider country's government to intervene because ehh it's the Ironwall culture to work hard, isn't it? and do we really want to insert ourselves into centaur business? humans actively seeking work in ironwall, then, make up two broad groups - those who seek to exploit these relaxed labour laws by opening a business, and those who know that 'poor' in other places is 'middle class disposable income' in Ironwall (like first worlders becoming 'expats' or 'digital nomads' in places with cheaper costs of living than their wealthy home nation - easily leading to gentrification).

Anyway so that's all the modern perspective; all of this applies for the other beastmen as well like the harpies and so on, though they have to live with the additional layer of most of their laws and products being about horses.

Historically centaur clothing was made by hand in the home, usually by the women in a social group, and made robust enough to last several generations of wear (with repairs). Because clothing would be passed down from mother to daughter, this resulted in colt bachelor bands being so fucking naked all the time. In traditional enclaves and pre-Florian settlements, a stallion who was accepted into his new herd would be gifted handmade kinetic clothing (bells, ribbons, feathers, anything that enhances the movement) by his new wives and his ability to keep his gifts looking nice would be judged for a set period of time (if you lose a bell that's bad luck buddy), after which he was supposed to return the favour by hand-carving them beautiful tail ornaments (as discussed in my historical clothing post - the ornaments would appear similar to welsh lovespoons in design)

this tradition got trampled over with the introduction of Florian's penal laws because tail ornaments could not be worn when the tail was fully covered and attempts at kinetic fashion fell flat when your nice trot is all hidden up by what's basically a giant tablecloth. but there does remain a custom of women giving men gifts to test their commitment (to heterosexuality), with the expectation that it'll be paid back with something nice and handmade. but commercialism comes for us all eventually.

finally on the topic of shoes, iron shoes are not super common anymore but in the victorian era, rope shoes were manufactured in the city to cut down on noise levels when streets were becoming full paved/cobbled.

they were not very good for the feet and required regular replacement because the rope would wear down, but that meant business for farriers was booming and became almost guaranteed when the famously and hilariously corrupt high councillors and lord protector began to pass increasingly strict anti noise pollution laws.

#sorry i just fucking rambled and it's barely related to what you asked but there ya go #ironwall

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iraprince · 1 year ago

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I love the entire concept of Cookie... the look, the fashion, the gender... Would you mind telling us a little more about him? I'm also intrigued about why she's named Cooking with Gorgeous!

HI i would LOVE to talk about george thank you so much. also this makes me realize i've never actually sat down and just made a post unabashedly infodumping at length abt an oc before and it seems silly that i haven't. i ask only for all dear readers to please temper their expectations for this post with the knowledge that i just smoked half a joint before sitting down to answer it. a small one. but still. anyway

FIRST OF ALL FOR THE UNACQUAINTED THIS IS COOKING WITH GORGEOUS, aka cookie or george for short. he uses he/him and she/her pronouns interchangeably!

hi sorry that's not cookie that's a horse in a bridal veil that i. found in my stuff while trying to scroll and find my cookie art. i just got distracted and had to show you. okay no for real here's cookie

he's the character i'm playing in a playtest campaign of the absolutely mesmerizing sapphicworld, an in-development ttrpg!!! and if i'm going to be talking about cookie i feel like i HAVE to say i think a huge amount of her charm and dazzle and charisma comes directly from the charm and dazzle and charisma of the setting i created her for. i know i am laying it on really thick right now but that is on purpose. i want, desperately and unashamedly, for this game to get really popular bc 1. it's genuinely that good. and it's not even DONE yet and 2. i want everyone to get into it so that everyone will make sapphicworld characters and then i'll get to see everyone's sapphicworld characters.

EDIT i'm scrolling back up here and adding a readmore bc this is already getting so long lol. you asked for "a little more" and apparently i have graciously decided this means "literally every fact about cookie that exists in my brain"

SO a lot of the info/tidbits i haven't shared about cookie are i guess gameplay-specific stuff... his title (which is like a class/playbook) is "The Noble Sweetheart," though in sapphicworld "nobility" no longer has anything to do with wealth or class, and is instead entirely about amassing a court purely via devotion/popularity; her subculture (which is like, Who You Hang Out With; drifters, goths, poets, debauchers, cowpokes, etc) is Babe; and her kind (which is like ancestries but in sapphicworld is really just like, a physical form, which u can change more or less at will) is Lunarthrope, which is basically a werewolf!! or more broadly a furry, since u always look like whatever were-animal you are 24/7. just MORE at night, tho i suppose i don't represent that aspect much in my cookie art... ANYWAY i am restraining myself from just sitting here and like. transcribing her entire character sheet. but basically what all this means is that cookie's role in the world (at least at the beginning of the campaign) is "Professionally — no, VOCATIONALLY Hot Person who everyone loves so so so so so so much." cookie really enjoys this role.

he's named cooking with gorgeous because he's an avid cook, and he wants to share that with you, and he's gorgeous!! though honestly the cooking hasn't ended up as important to his character as it was when i first came up with him, lol — but my initial concept was kind of like, what's the equivalent of a bouncy normie recipe blogger/lifestyle influencer but in the context of the lush horny trans deathless psychedelic universe of sapphicworld. and it's cooking with gorgeous, a doggirl dyke with big blue boobs (six of them!!) who is so devastatingly cute and darling that a bunch of people just kind of pledge their fealty to him for no real reason other than he feeds them. and is cute

also her name is def influenced by the fantastic names of many canon sapphicworld npcs! like, quick example list of some npc names off the top of my head: the booty commie, death cybernetic, princess eureka!, the culinary goof (whom cookie dislikes. btw.), pizza friday (whom cookie loves!!!)

cookie is very very determined, and she's ALMOST always very confident. even when she isn't feeling confident, she's still very good at forcing herself to keep putting one foot in front of the other — maybe just while screaming or crying or uncontrollably barking or at least very ardently complaining. he has a tendency to be spoiled and, like, tactless-via-obliviousness, so sometimes he can be grating to interact with, and he has a petty/vindictive streak; but in general he's an AGGRESSIVELY kind person and usually aims all his shrill, cheerful stubbornness directly toward the goal of refusing to accept anything but the best for everyone.

at the beginning of our campaign cookie has JUST received a brand new castle!!!! (chateau gorgeous.) which he doesn't actually "own" bc, remember, no wealth or class in sapphicworld, but he's the ENTHUSIASTIC new caretaker and is chomping at the bit to renovate it so ppl can live there and he can throw a bunch of magnificent parties and basically continue living exactly as he has been, But Even More Fabulous. obviously this is exactly when the main plot threat of the campaign shows up and spoils everything and compels cookie to go on his First Ever Adventure!!!!!! she HAS to save the world otherwise NOBODY will be able to go to the first big party at chateau gorgeous :((((

at this point to prevent myself from just like, giving you guys a play by play of the entire campaign so far i am going to just start listing every cookie fact i can think of as bullet points

🎀 he owns a magical sword in the shape of a giant microplane. it's called The Microplane. he pronounces this "mee-crow-plah-nay"

🎀 george desperately wants to resurrect The Dog-Lich, an entity that once ruled over all beasts from its palace on the moon but was murdered and torn to pieces in a cosmic war far in the past. her attitude towards this desire is 50% devoted lunar cultist, 50% parasocially obsessive twitter stan

🎀 this isn't really a cookie fact but going back to how his title is The Noble Sweetheart — just for a glimpse at party composition, his fellow party members' titles are The Intimate Scholar, The Tentacle Advocate, and The Tw*nk Controversial (the * is the canon spelling).

^ aforementioned tw*nk. its name is Mwah ("pronounced like the kiss you blow at someone you just fucked over"). mwah is played by @/squiddelyfather on twitter!

🎀 mwah and cookie used to be very, very tight, BEFORE mwah became the tw*nk controversial. now that it's so.... you know.... controversial, well. they're still very close, but it has gotten a little stilted and weird (and watching them slowly un-weird it together as the campaign goes on has been one of my fav roleplay experiences ever honestly)

🎀 cookie's other adventuremates, skarligge and delaryn, are both very indulgent towards him. delaryn acts the most grumpy/dismissive about it but is honestly sometimes the worst about spoiling cookie out of anyone in the party (skarligge's player is twt@/clown_dream and delaryn's is twt@/glaiveguisarme and hey while im at it our fantastic gm is the sapphicworld dev, twt@/ddemoneclipse. hi guys i hope u don't mind me chattering abt ur ocs here lol it's just hard to talk abt the best of cookie w/o bringing up everyone else's characters and roleplay also!!!)

🎀 cookie is very VERY sensitive and will burst into tears at the drop of a hat. the precursor to this is her eyes getting So So So Big And Wet And Round. one of my favorite bits to menace the other party members with is when something is not going cookie's way i will lean into my mic and say "cookie's eyes are getting so so so big. they're getting so big and wet and round and shiny. they're so so round and fucking big her eyes are like big wet black glass marbles" and this is like kryptonite to them. this is like getting hit with deadly radiation

🎀 oh speaking of fashion!!!! one of cookie's perks from being a Babe is that she can always change her look whenever she wants. she will ALWAYS have whatever outfit she needs and can quickchange instantly. wait this reminds me i have a bunch of seasonal holiday outfits sketched out and i don't think i've ever posted them here but it'll only let me put one more image in this post. well here have this one

🎀 okay well suddenly i have forgotten all other george facts so that's all for now!!! from now on i will try to just dump oc facts like this more often tho this is really fun. ty for getting me going lol!!!

#my ocs #my art #cooking with gorgeous #sapphicworld

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dr-spectre · 5 months ago

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If Callie wasn’t brainwashed then what happened? Wasn’t it like she just grew disillusioned with inkling society and decided to go underground?

Alright so, I've said this in other blog posts and i have gone into it multiple times, BUT! I'll try and sum it all up on what happened to Callie in Splatoon 2. It is very vague and i don't entirely blame people for coming to certain conclusions because the game didn't do a good enough job in my opinion, and the English translation has issues too which doesn't help at all...

So during Splatoon 1 and when it was getting content updates, we got to learn about Callie and Marie. If you look at the dialogue present in Naughty Vs. Nice, Early Bird Vs. Night Owl and Callie Vs. Marie Splatfests, their dialogue is rather harsh and personal towards each other, showing that Callie has these dark traits about her.

These mean and harsh qualities of Callie were built up since Splatoon 1 and they come into the forefront in Splatoon 2 and I'll go over that shortly.

After the final Splatfest and Marie's victory, the Squid Sisters became a lot more famous and stepped down from their news presenting duties and gave it to Pearl and Marina. During this period, Callie and Marie became more estranged with each other as Callie became more and more popular, meaning she got a LOT more busy and had to work day in and day out every single day at an acting gig. In the Squid Sister Stories web series, Callie is stated to be "lost at sea herself" meaning that her acting career and fame are taking a tole on her, and it's pretty easy to see that with the Sunken Scrolls in Splatoon 2.

At some point Callie and Marie managed to hang out and they decided that they would go to Calamari County to visit family. However.... As we know, it didn't pan out that way. Callie at some point in chapter 7 became flustered at work and basically ran off, which her manager thought she wanted to go home.

But... She didn't... She stumbled across DJ Octavio after he broke out from his snow globe (don't ask how, we don't know and plus, octopuses are very clever and can easily get out of trapped spaces).

Now, Octavio is a man who knows how to use manipulation and propaganda to his advantage. He is the leader of an entire race of people that are on the brink of collapse, it's either they all die, or he pulls the right strings to motivate his people to fight and take the Great Zapfish so that they don't die. And now we have an emotional and mentally unwell Callie who is suffering from so much attention and overwork, of course Octavio, the main antagonist, wanted to take advantage of that. Callie is a very powerful woman with the ability to influence and inspire others with her voice, of course Octavio wanted that kind of power to help his race and get them motivated again after their loss in Splatoon 1.

So what did he do? Did he grab her and kidnap her and put on some "evil brain warping shades" and brainwash her while she was kicking and screaming trying to stop him? WRONG!!!!!!!!!! As stated by the OFFCIAL Splatoon 2 relationship chart that i love to bring up all the time, there seemed to be an on going conversation about Callie joining the Octarians, Octavio possibly appealed to her sense of isolation, hidden resentment for Marie and her being so overworked. And she says "Ok, fine. I'll hear you out." Does that scream kidnapping to you? I don't think so.

She's even called "the lovable rebel" implying she felt some distain for Inkling society from the way they treated her and wanted to rebel. Would the developers and writers of a character who was forcibly brainwashed and kidnapped display as her a rebel and pose her like this? I don't think so.

Like you would not see Marina Agitando for example in these sort of poses in artwork because the circumstances and conditions are so vastly different.

So now let's get into those god damn mother fucking bitch ass hypnoshades. As their name suggests, they are shades with an element of hypnosis of some kind, if they weren't hypnotic shades and just turned people evil and forced Octarian ideals into their brains then they wouldn't be given that name. "Hypno" is a very specific word choice and it's done on purpose. Callie was hypnotized, not brainwashed, that word is only used in English translations of the game and outside media and if you ask any hardcore fan of a series made in Japan then you would know that English scripts kinda fuck up the Japanese ones most of the time. Take me for example, I'm a Sonic the Hedgehog fan, the Japanese versions of Sonic stories are vastly different from the Western versions in tone, dialogue, call backs, personalities, etc. Same thing with Splatoon unfortunately. Take the English translation of the Splatoon scripts with a MASSIVE grain of salt. Like a meteor sized grain of salt lmao.

Now, what is being hypnotized like? is it like being a mindless puppet that follows the orders of the person doing the hypnosis? Well... Nope. Not true actually. The way it' s portrayed in media is completely wrong and untrue. Hypnosis is similar to being in a flow state, or being incredibly relaxed while also having heighten attention and suggestibility. Imagine being in a daydream while still having hyper awareness of the stuff around you. Now that part about suggestibility is important because this is where people mess up. If a hypnotized person is given a suggestion that goes against their morals and ideologies, they will NOT!!!!!!!! follow through with that suggestion. If a hypnotized person is told to murder their family, they will not do so UNLESS they secretly want to murder them and it's in line with their psychotic and fucked up wishes.

If Octavio told Callie to murder Marie instead of Agent 4, she wouldn't follow through with the suggestion. Callie doesn't wanna murder Marie but instead she wants her to leave because their relationship is ruined. Callie doesn't mind trying to kill Agent 4 because firstly, she's mentally unwell and isn't thinking clearly from having a mental illness, and two, she doesn't have any personal attachments to Agent 4 so she can just listen to the suggestions from Octavio and follow through with them. Even in the rematches, Callie doesn't know Agent 4 all that well compared to Marie and it's clear Callie is still not doing so well after Splatoon 2.

Callie while under the hypnoshades is more like herself than not. Like this line for example is just typical Callie but she's more aggressive and mean.

If she was truly brainwashed then her personality would be A LOT more different. She would be a lot more subservient to Octavio and the Octarian race and her dialogue would show this too, but it does NOT! In fact Callie berates and talks back to Octavio during the final boss.

The only real differences between Callie and Hypno Callie is that she's more harsh and angry compared to regular Callie. However this anger... this rage... this hate was always there. It was always under the surface, and due to Callie's mental state from being overworked and now under hypnotic shades, that pain and anger is at the surface and is clouding her mind and making her not think rationally. She's more chaotic, she's aggressive and doesn't care for Marie anymore.

Now i do wanna discuss this line as it has been brought up multiple times to me and other discussions on Hypno Callie i see online.

First off, like i mentioned previously, the English translations of Splatoon stories and media sometimes gets it wrong. If you want examples then look at Commander Tartar and Marina's dialogue in Octo Expansion. You can look up retranslations of Octo Expansion to see the differences of the English and retranslated version. The only other mention of remixing a brain is in the Dutch translation. The other translations mention hypnosis and nothing about warping Callie's brain directly.

Second of all, DJ Octavio is... you guessed it... A DJ! He says musical terms to make puns and he's a loud personality.

In fact that "remix" line is actually a call back to the Splatoon 1 final boss and you know what, I'll give prompts for the English translation team for doing that... Still hate them for everything else tho lol.

DJ Octavio didn't literally remix her brain with evil brain warping shades. He is just saying that because it's to show that he got Callie on his side. So the "remixing" is just Callie becoming "evil" and hearing out Octavio.

Brainwashing implies that there is a forcible aspect to it, however from the evidence i just laid out, that cannot be the case as Octavio didn't force Callie into anything she didn't want to do. He didn't torture her, he didn't abuse her. He didn't put the shades on her by force as if he tried to do that he would get destroyed by the more energetic, younger and stronger squid woman that isn't a disabled 130 year old Octoling stuck in his octopus form.

He let her decorate bases and added glittery ink which motivated and inspired his people. Hell his approval ratings went up because the Octarians were happy and inspired by Callie's presence.

Now you may say "but didn't she lose her memories while under the shades and therefore she got brainwashed?"

Well.... Not really. I want you to put yourself in the shoes of Callie, you're in a very focused and hypnotic state, like being in a very concentrated flow state and you have a lot of anger and aggression in you. Your head is so cloudy and you're under a lot of mental distress. So imagine an ink bullet flying at your eyeball, flinging you out of that hypnotic state in a very fast fashion. It's like someone snapping their fingers in front of your face while you're concentrated on a task, or someone smacking you at the back of your head while you're working on something in a deeply concentrated manner. You are left confused and dazed and need a second to gather your composure back. Callie when the shades are removed from her, acts dazed and holds her head like she has a bad headache, only left to sing and dance cause she's an idol and that stuff is natural to her.

Some of the side effects that may occur when under hypnosis include headaches and nausea, and look at Callie when she's flung out of that hypnotic state, it looks like she has a headache and is in pain.

Now when Marie plays the Calamari Inkantation, what is actually happening here is that the song is energizing and motivating Callie. It is not freeing her from "brainwashing." That is a very common misconception about the song, implying that all Octarians are brainwashed and are just mindless drones when that is NOT TRUE AT ALL and is yet another case of bad translation. The song is just extremely catchy and it gives Octarians the motivation to wanna leave to the surface. It also makes Cuttlefish get the strength to break out of his restraints in Splatoon 1 and makes Smallfry transform into Hugefry. The song is so damn powerful and catchy, that's all it is, it is not a mind control cure, that is fucking false.

So what is happening with Callie is that the song is motivating her and flooding her head with good memories of her time with Marie. When the shades are flung off of her, she's still mad at Marie and still fights Agent 4, it takes a while but eventually she starts thinking more rationally, realizing that Marie has come to get her and what Callie has been doing was wrong. Songs are VERY powerful tools for memory and hearing a song you loved back when you were younger can bring out certain feelings and memories. Those happy memories flood Callie's mind and she goes "wait... what am i doing!? This isn't me, I REMEMBER! YEAH!" And she jumps into the air and transforms back into her iconic outfit sailor moon style.

With all of the information and context i presented, it really elevates everything that comes after. It makes Spicy Calamari Inkantation more powerful as a song as Callie has truly reunited with Marie. Fresh Start makes sense and fits perfectly with the narrative the writers wanted to tell. If you take the common and untrue narrative that people keep saying about Callie, Fresh Start literally makes zero sense in that untrue context.

It makes her eventual healing in Splatoon 3 and return to the public WAY MORE SATISFYING!

Callie has matured, she has grown up, she's more comfortable being in the spotlight again and can handle it as she has worked out her relationship with Marie. She used to suffer from being overworked and having an addiction to the shades as it gave her an escape from her life. She would rather be in a hypnotic state then go through her current life. It was only when Callie and Marie came together and truly changed things is when Callie was able to finally heal and get better.

That's why I'm so passionate about this, Callie truly went through a character arc, even it was rushed and poorly presented. I care about Callie and want people to get her story straight. Splatoon 2 was always about the Squid Sisters breaking up and eventually coming back together and becoming stronger. Callie is my comfort character and i want people to treat her better. She wasn't a powerless kidnap and brainwash victim. She was a woman with deep flaws, anger, sadness, aggression, that pain is gone now from her. She's finally... Happy. And that... makes me happy too.

#splatoon #callie cuttlefish #callie splatoon #splatoon 2 #hypno callie #splatoon 3 #ask me stuff #ask blog #ask me anything #ask #rambles #ramblings #long post #character analysis #analysis #dj octavio #comfort character

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impactrueno · 16 days ago

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What did you mean by "i'm gonna come off as cringe for coming up with and writing a serious deep emotional moment in media that rarely has them (simpsons..."? (genuinely curious why you said that) I know the Simpsons compared to other serious shows was lighthearted, but Simpsons were filled with deep emotional moments. Sure it had alot of comedy spin to it, it was brilliantly written and balanced, but there is so much deep emotional moments that could be explored deeper in fan fiction or fan comics. Soooo many episodes have the potential to be expanded. On the contrary, I find it strange there arent many fanworks of the simpsons in that way.

see, what you're saying here is literally how i actually feel. my tweets about "coming off as cringe" were really just me being too hard on myself. no one is holding me back, just my own brain being annoying.

that being said, i mentioned this in another tweet but stuff like the simpsons for example; yes, there's serious and deep emotional moments. they're beautifully done. but there's a way to write them, and i feel like if one deviates too much from it, it no longer feels like the simpsons. and that's when it enters """"cringe""" territory but i'm gonna stop calling it cringe and call it hmmm. gritty reboot vibes. does that make sense? lol

i got a lot of those types of comments on my simpsons stuff before it really blew up. people called my teenage versions of the kids "the CW gritty reboot version" and someone even said "bury this before fox sees it"

well! fox saw it and guess what happened lmao

if i had let that comment get to me and drop the whole thing, i never would've gotten on the simpsons. that's an insane thing to achieve as a fan, even now i still can't believe how lucky i was. they genuinely liked what i made at the simpsons. i must be doing something right. and those people who said those things about my art must feel really silly now lol

however i still worry (i don't think i'll ever stop worrying about this) that my fan content, be it simpsons, hey arnold, beetlejuice or what have you, fails to match the tone of the source material. that's a dumb thing to worry about, i know. i'm more flexible about it now, i'm being more loose and open to sharing my ideas with the world (i used to keep everything to myself) because there's always gonna be someone who really REALLY wanted to see nelson muntz sitting in his dingy trailer living room pensively looking at old family photos of his parents together, played completely straight and without jokes about how poor he is or his daddy issues. ok bad example i'm the only one who really wants to see that stuff BUT THE POINT IS

the point is don't listen to me, i'm constantly making things harder for myself. we should all be free to explore different tones in our fan content even if it's different from the source material.

like. brother am i stupid. all of this shit as if i hadn't roleplayed in a zombie apocalypse au with oncelers (and it was some of my favorite storytelling i've EVER done) LMFAOOOOOOO

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thefrogman · 7 months ago

Note

Recently I took a panorama of the Pittsburgh skyline at night that got a positive response. That was done on the spur of the moment with an iPhone. I want to do that again and more, but this time with a dedicated camera setup. It's been years since I've had one, so I'm basically starting over again. I'm mostly interested in getting day and night cityscapes, and maybe the carryings-on at this year's Anthrocon. Would you have any particular knowledge to pass on as I set off on this journey?

Since you didn't specify a budget I'm going to assume it is in the $10K range.

And you're probably thinking I'm going to suggest a Leica. Every dentist and his brother (who is also a dentist) gets a Leica. But I just can't take a camera brand seriously when they charge you an extra $2200 for the privilege of not being able to shoot in color.

Sure, you can hit a single button in Lightroom to get B&W and save some money, but then you won't be able to brag about how limiting yourself to only shades of gray has opened up new artistic pathways in your brain while a clueless person responds in mumbles during their root canal.

What you really want for your landscapes is a Hassie.

They were the first camera on the moon! How could you *not* want a Hasselblad? That is some camera gorgeousness right there. And it's so reasonably priced*!

*compared to their previous $40,000 camera systems.

And if you are doing landscapes with the Hassie you'll need a nice wide angle lens to go with it. This one is actually quite affordable*!

*compared to their previous $8000 lenses.

Can we all agree that is a work of art? They even use their H logo as the knurling.

That is just so... extra. And I love it.

Out of the entire alphabet I've heard Hs give you the best grip.

Man, I almost wish I was a dentist just so I could buy a fancy camera.

Sorry... I was just having a little fun.

I never get to recommend the super cool expensive cameras. Because, ya know, the economy and the fact that only dentists have Hasselblad money.

You probably think I'm being silly but there actually is an entire community of dentist photographers keeping the high end camera market alive.

Okay, let's get started...

Landscape Buying Guide

Opening Thoughts

For landscapes I would highly suggest a full frame camera and a high quality wide angle lens.

Full frame has several advantages but it is not necessary. You can go with a smaller sensor like APS-C and get great images. Personally I would not go any smaller, but there have been some great landscapes taken on micro 4/3 and even smartphones. Technique, knowledge, experience, and composition will usually win the day over a camera, but having a nice camera makes things a lot easier.

At this point, with full frame options being very affordable now, the main reason to get a smaller sensor is if you want a smaller system that is easier to carry for extended periods and easier to pack when traveling. Or if you aren't sure you want to take on photography as a hobby, you can get an old APS-C DSLR for under $200 to learn with and test out.

So if you need a very cheap OR very compact system, APS-C and Micro 4/3 might be worth considering, but a bigger sensor will cause less frustration most of the time.

Froggie Note: The expensive Micro 4/3 and APS-C systems are the compact ones. The cheap systems are about as bulky as full frame.

The biggest advantages to full frame are low light shooting, lens selection, and field of view. Full frame cameras have many, many more lenses to choose from. And since the sensor is bigger, it is much easier to get a wider field of view that is often needed for landscapes. And the high ISO noise performance tends to be better on full frame.

However, you can use full frame lenses on APS-C camera bodies within the same ecosystem. They just get a little... zoomier. Roughly 1.5x zoomier. A 35mm acts like a 50mm, for example. So if you want to spend a little less now you can get an APS-C camera with a full frame lens and then upgrade to full frame later on without having to buy a new lens. Full frame lenses work on APS-C bodies but not the other way around.

Most landscapists have a really solid 16-35mm lens and that covers almost all of their needs. So I would suggest something comparable. Please don't get suckered into some crazy 18-300mm superzoom. Just get the focal range you need for the photos you want to achieve.

A purpose-built lens always outperforms one that was made to do everything.

As far as where to get used gear, I highly recommend using KEH or MPB when buying used camera bodies. They check every device and offer between 3 and 6 months warranty to make sure the device won't crap out on you. Lenses are typically a lot more robust and a safer thing to buy on eBay or Facebook Marketplace if you can find a better deal. But the security of having a warranty and a return apparatus if something goes wrong might be worth the extra price when using these two sites.

I am going to recommend Canon, Nikon, and Sony systems. I feel they have the most complete ecosystems with gear that spans all budget ranges. I'm not saying there aren't good cameras from other brands, but you have to remember every camera has an ecosystem surrounding it. There are accessories and upgrade paths and niche lenses that may not be available with other brands. I think Fuji has some tempting options and if you like the look of vintage film photography, their emulation options are quite stunning. Their cameras are also quite attractive and have very satisfying knobs. But I still can't recommend them unless you have a specific reason for wanting their gear.

Just remember that for every Canon DSLR I recommend there is a comparable Nikon option available as well. There are more lenses for a Canon full frame DSLR body than any other brand with Nikon coming in a close second.

So if you choose not to go mirrorless yet, the Canon and Nikon DSLR camera ecosystems are immense and have tons of gear and accessories available to go with them. And since used gear holds up really well, those ecosystems will survive for decades.

Should you buy a mirrorless camera or a DSLR?

Mirrorless cameras are the latest camera technology for interchangeable lens camera systems. At this point they are superior in every aspect and they continue to improve year by year. Because of that, used DSLRs have plummeted in price. This allows people greater access to a starter ILC (interchangeable lens camera) without a significant investment. You can get professional quality images on either format, but mirrorless has a shallower learning curve and much better automatic modes.

The in-body image stabilization (IBIS) stabilizes *every* lens and the eye tracking autofocus make "focus and re-compose" extinct. These are huge selling points for a lot of people. With IBIS you can take photos with up to 2-4 second shutter speeds without a tripod. And never missing focus on a human or animal or bird is pretty cool too.

DSLR camera bodies are no longer being designed by most of the major manufacturers. Thankfully Canon and Nikon developed plenty of bodies and lenses, so you will always have options and upgrade paths. But you will not be able to upgrade to systems with the latest advanced features.

The best DSLRs available are probably the Nikon D850 and the Canon 5D Mark IV. That is as good as it will ever get. The technology ends there. So if you want to enter an active camera ecosystem then you will have to get a mirrorless camera.

DSLR Camera Systems

Full Frame DSLR Camera Bodies

Canon

If you buy a used DSLR, there are some very affordable full frame options. In fact, the classic much-praised budget full frame Canon 6D can be had for under $300 right now.

This is an old camera. It has no fancy features. It only has 20 megapixels. It just does what it says on the tin. But it has a big sensor and a *ton* of really cool lenses available for it.

If you are specifically looking to create really high resolution panos, you could also look at the 50 megapixel 5DS R for around $1000.

There is a community of landscape pano-maniacs that love to create "gigapans" that have endless amounts of detail where you can zoom in and find new details in every photo. I was only able to create a 120 megapixel photo, but you can still find things like people starting a campfire and a dude fishing and a truck on a far off bridge. So even though this seems expensive for a DSLR, you are looking at another thousand bucks to find anything with more megapixels than this bad boy, so it is quite a good deal relatively speaking.

Nikon

Probably the best DSLRs ever made were the Nikon D800 series and you can get the Nikon D800 for $464.

This is a newer camera than the 6D with more megapixels (36) and a better sensor. It also has a more modern autofocus system and about 3 more stops of dynamic range which can come in handy for landscapes. This is an incredible camera for this price.

APS-C DSLR Camera Bodies

If you aren't sure you want to commit to this hobby, you can look into a Canon APS-C sensor body like the Canon Rebels and Canon 60D through 90D models and get good results.

And there are many Nikon DX APS-C bodies that would be great starter cameras as well. If you get a Nikon, you'd have an upgrade path to the D800 if you get hooked by the photography bug. I would miss a few very special Canon lenses like the 100mm f/2.8L macro and the 400mm f/5.6 telephoto but I'm sure I could figure out some reasonable Nikon alternatives that would do roughly the same thing.

Canon APS-C

There is a Canon 60D for $139 right now that would be perfectly adequate for landscape work on a tripod.

That was my first camera and I took some very nice photos with it. Only 18 megapixels but it has a very convenient flippy screen which was really helpful for a disabled photographer trying to get low angles.

This was in 2014 and I didn't know what I was doing but that is a pretty stellar-looking sunset for a (now) $140 camera.

Nikon APS-C

And the Nikon D3400 would be a great option as well at around $184.

You get some extra megapixels (24) and it is a bit newer than the Canon. I get the sense that used Nikon DSLRs give you more value for your money right now but I don't have a large enough sample size to confirm that.

Full Frame DSLR Lenses

Froggie Note: I am recommending full frame lenses even if you choose an APS-C DSLR body so you have an upgrade path. But also very few purpose-built APS-C lenses had superior glass. Just remember, crop sensor APS-C cameras add ~1.5x to your focal length. So a 16-35mm will have the equivalent field of view of a 24-50mm lens. Still quite acceptable for landscapes, but you may benefit from doing panoramas more often. And if you upgrade to full frame down the road, you'll already have the ideal lens.

Canon DSLR Lenses

If you get the 6D or another Canon you could pair it with the beloved-by-landscapists Canon 16-35mm f/4L.

Honestly, it is blowing my mind you can get that combo for under $600. Me from 12 years ago is super jealous right now.

If you are worried you might need something to work in lower light and still want a zoom, the f/2.8L starts at around $434.

This might be the most famous landscape lens of all time. Kinda boggles the mind how many gorgeous vistas this thing has captured the light of.

If you can live without the zoom, you could get a much sharper prime lens that can also be used in even lower light. A used Sigma 24mm f/1.4 Art lens is $439 would be a fantastic option.

24mm is still a very good focal length for landscapes and the sharpness of this lens lends well to panoramic stitches. Seriously, these art lens are so freaking sharp. Although 35mm is typically preferred for most street photography, I think this would do great for that purpose as well. It couldn't do close up portraits, but 3/4 and full body portraits would look great. I also love this focal length for doggos. It enlarges their heads a bit which enhances adorable-ness.

Though I probably wouldn't recommend the 24mm on APS-C for landscapes as it would put you near a 40mm full frame equivalent field of view.

Nikon DSLR Lenses

And on the Nikon side of things you could get the Nikkor 16-35mm f/4 for $399.

This is a great lens too. Very comparable to the Canon L glass. And paired with that D800 you would have a better shooting experience than with the 6D if it fits within your budget.

It's a little harder to find, but you can also get that same Sigma 24mm f/1.4 Art lens for Nikon at around $528 used on Amazon and in the $400 range on KEH and MPB when it is available.

The older and softer Nikkor 28mm f/1.8 is a little more affordable and easier to find.

What if you are not a dentist but are willing to save up for something a little nicer?

Enter the world of...

Mirrorless Camera Systems

Sony currently has my favorite ecosystem of mirrorless cameras and lenses and they are consistently ahead of the other brands as far as technology and features. In fact, many other manufacturers use Sony sensors. They literally supply their competition with their own tech. They are also pretty good about updating firmware—even with older models. So I feel like Sony has a lot of future-proofing advantages over other brands. Sony has a great selection of 3rd party lenses like Sigma, Tamron, Viltrox, Laowa, Samyang, etc. These lenses often have nearly the same optical quality as Sony's G Master lenses at a fraction of the price.

Full Frame Mirrorless

Currently, I think the best value full frame mirrorless camera for landscapes would be the Sony a7R III.

This is very nearly a top-of-the-line landscape camera for a little over $1200.

That might sound like a lot, but I want to be clear...

This isn't just decent. This isn't "good enough." This is a spectacular professional grade full frame camera.

10 years ago you could spend $6500 for a *worse* camera. 5 years ago you could spend $3000 for a *worse* camera.

It can do every genre of photography except for maybe fast paced sports/action. It has an amazing 42 megapixels—which are not necessary but they do make editing and printing a lot less of a headache. The file sizes can get a little big, but storage is a lot cheaper than it used to be.

Oh, and it can be used for professional quality 4K video work too.

The a7R III comes with all of the modern bells and whistles including in-body stabilization (IBIS) so you can handhold at very slow shutter speeds. It has one of the best autofocus systems—complete with eye tracking. But not just human eyes! Dog eyes. Cat eyes. Bird eyes. If it has an eye, the Sony can probably lock focus on it. And it has an admirable 10 fps burst shooting mode.

APS-C Mirrorless

If you want to enter the Sony ecosystem but can't afford full frame quite yet, you could do the a6400 for about $600.

You still get the eye-tracking and the in-body stabilization, but you will lose some image quality at higher ISOs due to the smaller sensor size. However, you can get the same full frame E-mount lenses for it and upgrade to a bigger sensor later on and not have to buy new lenses.

Mirrorless Landscape Lenses

I think a good value landscape lens would be the very impressive Tamron 20-40mm f/2.8.

This is a newer lens so there aren't many deals on used options yet. But this is still a great price for the quality and versatility you get. You will never regret spending a little more on glass.

The 20mm range can fit an entire cityscape in the frame without needing to do a panorama. But if you zoom to 40mm and mount the camera vertically, you could stitch together several photos to get well over the 100 megapixel range.

Also, the 40mm focal range is long enough to do street photography and even head & shoulder portraits. The wide f/2.8 aperture combined with the high-ISO friendly full frame sensor and in-body stabilization means you can shoot in very low light without a tripod. You can also get some great pictures of stars if you travel to someplace with minimal light pollution.

The cheapest landscape zoom lens I could find was the Sony 16-35mm f/4 at $384.

It's one of Sony's older lenses and may not take advantage of all of the a7R III's pixels, but it would be a good option to get you started in this system and upgrade the lens later on.

Mirrorless Prime Lenses

Zoom lenses are great but you have to spend more to get tolerable quality. Kit zooms can be softer than even the tiny plastic lenses on your phone. So a great way to stretch your budget is to get multiple fixed focal length "prime" lenses. Primes can be built inexpensively while still having good low light performance and decent sharpness.

For instance, you could start with something like the Tamron 20mm f/2.8 for $175. And if you want to do more than landscapes you could add the Sony 50mm f/1.8 for $170 later on. Cheap primes will outperform any of those mediocre kit zoom lenses in that same price range. You lose some versatility and have to deal with the pain of changing lenses or zooming with your feet, but sometimes a tight budget demands a little pain.

There is also a higher quality 3rd party wide angle prime lens that is very popular right now. The Viltrox 16mm f/1.8 is only $549 and the reviews say it has similar quality to lenses 3 times its price.

If you have to choose between a better camera body or a better lens, a good lens will help your photos more than a fancy camera body.

Froggie Note: These are examples. You should always do your own research before making a major technological purchase. This post could be a year old by the time you see it and there could be new stuff that is better. But all of the principles I tried to convey should hopefully guide you to a good decision. Also, feel free to message me if you want to ask about specific gear you are considering purchasing.

More Resources

This is my Encyclopedia of Lens Terms which is a helpful primer in understanding all of the wonderful and different lens options available on ILCs.

This is my buying guide for low budget used DSLRs. Similar to this post but less geared toward landscapes.

And this guide for getting decent landscape photos with any camera.

This is a free tutorial that teaches you everything you need to get started with an ILC system.

youtube

And this free tutorial by Karl Taylor is quite good as well.

#photography #long post

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sincerelystesichorus · 9 months ago

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me becoming a gortash apologist apparently

i never thought i'd say this. i am thinking about Enver Gortash. i'm usually not one of his apologists but... i've had brain rot for my Durge lately, and i think a big moment of developing your Durge is how you react to meeting Gortash again, yeah? you may or may not be close with Karlach but the party and Durge especially have all faced similar trauma of betrayal and exploitation nonetheless (and so has Gortash), he's already been introduced vaguely at the end of Act 2 as a threat/main villain, he worships Bane, he has general edge lord vibes (remember that bit where I'm usually not a Gortash apologist djdjdjd); what i'm trying to spit out, is there's a lot to sway you against Gortash in that first meeting. and I'd argue even a little further, as someone that followed Orin's plans of betrayal against him in my first Tav run, (just because her audacity is so damn funny.)

But anyway. Meeting Gortash. Finding out you used to be close. Perhaps homoerotically, perhaps in a strange platonic manner, or some other third thing, but nonetheless, Durge is assumably the only person Gortash has ever truly liked. He just really goes out of his way with praise at meeting again, the use of the word favorite is notable, and if Gortash had anyone worth elevating, he would, right? That was how Ketheric got here, Orin wants more credibility for herself and the Bhaalists, and Gortash... just enslaves his parents in their old home/business. But he liked you. He's really so similar to Astarion (it's nothing, you're just the only person I've ever truly cared for); he's just already a touch too far gone in his power hungry search for security. He's already repeated the cycle, years and years ago with Karlach as the main example and just the inevitability of being Bane's Chosen. And yet - Durge comes marching through the door again with this band of misfits and his old lackey he wronged, and he's willing to make a true bargain.

And I know it's just in Gortash's character to scheme, but l think playing as reformed Durge makes Gortash's potential deal all the more devastating, since he will truly follow through on his word (or, at least he would.)

It's so funny to show up dating Astarion or Shadowheart, and imagine them teasing you later that night, saying they thought you'd have better taste. Or the bitterness of being with Karlach, knowing that you seemed to be in such deep kahoots. And so on. The point is not valuing that past relationship with Gortash. Focusing on the shiny and new.

And like whatever. Gortash isn't ever going to publicly present that his feelings are hurt but like... wouldn't they? Your past lover or at the very least, only close friend struts in, now thinking they're some big shot, so beyond everything you two had ever done... when you always lived in their shadow beforehand, frankly. Gortash adores how this flawless plan was majorly Durge's, critiques Orin's sloppy manner of filling your place, how Ketheric was just a means to an end. But he liked you. The person who helped him raid Mephistopheles' vault, in turn helping him spit not only in the arch devil's face, but his past captor, Raphael's too (since Raph lives chronically in the shadow of his father, imo.) The person who thought they could formulate and enact this whole plot, and the only one he was willing to follow, to be an equal with, now coming to tell him what everyone always does, inevitably.

A final fuck you, or some form of betrayal, the same thing that caused his mess all those years ago when sold off to that warlock.

It would have to hurt, and while it's funny to imagine my little gnome Durge dying inside and cackling to the party about sleeping with an enemy and technically being the enemy... a little obssessed at the angst you could perceive of Gortash somehow falling for any crazy Bhaalspawn, nonetheless Durge, who was never one for morals, coming back renewed and not to come get him or work things out... but to slay him or turn against him. I'd send the Steelwatchers after our asses too.

In conclusion, Gortash, probably:

sigh. my bias against greasy little guys could never truly make me hate you, enver gortash. look at you, the man that you are.

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alkeneater · 17 days ago

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E!2080 factbook (that's what i'll call it): brainwashing 😵

I wanna talk about brainwashing because it’s kinda important for my story and sometimes explains some clones’ behavior :) This topic deserves some attention :p

In general, in my AU we have a cult atmosphere in the Shadow Tower, BUT it's not really a cult. The main goal of the Shadow Government is to grow clones into worthy leaders and soldiers, but at the same time loyal and stupid enough to make it easier to manipulate them. Various methods were used: working with corrupt psychologists, inciting hostility between clones, fake rumors, fake news on fake TV, fake books on the shelves next to the real ones, and of course the scare tactic.

Their favorite manipulation is obviously, “we're doing this for your own safety, the world outside is cruel,” and clones were sitting in the tower like princesses from fairy tales, yeah. You got me, right? Lots of manipulation. But despite the approximately equal attitude towards everyone, it still affected different clones in different ways. Perhaps some biological factors played a role, which I doubt, BUT Scudworth's influence on the clones also helped some to stay sane. I've said this a hundred times, but Scudworth LOVES his clones and he doesn't like the operation he was forced to participate in. Therefore, he did everything possible to prevent them from becoming puppets of the shadow government (he had his own methods, but I'm too lazy to describe them).

So, let's get to the point. I mentally divide all the clones into sane, deviant and ZOMBIES (or brainwashed). Sane people are those who have their own position, are less influenced by the Shadow Government, understand the danger of the situation and want to gain personal freedom. Zombies are people who are doomed to stay in the tower and be used by Shadow Figures for their personal purposes, because their perception of the world is completely turned inside out and will not be the same anymore. Between them, the deviant ones are usually clones who have some disorders due to trauma after living in the tower, but they are still aware of the whole situation and basically refuse to be someone's slaves. Now that we have a rough idea of the spectrum, I want to discuss with you which clone is where on this spectrum.

I was smart enough only to distribute the main characters (and a couple of secondary ones). Most of them are closer to sanity in the spectrum, but they tend to deviate due to psychological trauma, obviously. I want to mention Joan as an example, because although she is the “brains of the team”, she is prone to Stockholm syndrome and, as shown in the first part, sometimes remembers “home” and regrets what she did. That’s why she is not 100% sane.

But I definitely will have a team of complete zombies in the comic who will condemn the main characters for fighting, recruit other runaway clones and try to return them to the tower. Yes, there are clones who were initially against escape and were content to live in the tower, but now they survive on the streets and are extremely unhappy with the situation. But I don’t know who could it be.… But these are definitely clones from the extras, episodic or secondary! You can even suggest your own fan clones, just for fun! (Reminder: My AU is open to everyone and your fan clones can participate in the story, and they can be in any part of the spectrum!).

That's it. I have nothing to add… ask me questions about my AU if you want, I’ll be very glad to answer!

and read exclamation!2080 on globalcomix ofc!!! :p

#clone high #clone high au #exclamation!2080 #e!2080 #guess these posts are going in the “ideas and concepts” section of my wiki because that's how i wanted to do it #oh yeah gotta work on my wiki i have two untranslated pages #insane lore drop every day follow for more #btw didn' mention the thing with ponce but you can always ask me bc sometimes i just forget to explain something a][dp[afposdfasdf #or maybe i'll make a whole post for him #because damn he is a legend in my au #thanks to my friend who gave me the idea #okay hope you're interested (I'M TRYING SO HARD TO INTRIGUE YALL 😈)

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apriltempleos · 2 months ago

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october 1st 2024: drafts!

preacher: i'm attaching slightly improved versions of our original drafts, but i'll also include mine and scott's garbage sketches under the cut because i think they're a little bit funny

(image id available through tumblr's accessibility options)

this is a slightly revised version of my original concept for "APRIL".

the main functionality i wanted for "APRIL" was for her to be able to read out words from the templeOS god word app, and ideally without needing keyboard input – hence the microphone. ideally all of her parts are going to fit inside a hollowed out mannequin or doll, which will probably just be the torso, so that she's more portable. for the same reason, i want her to run off a power bank – i want to be able to take her places!

if we manage, we're going to give her an animated LED face which moves to indicate when she's speaking. the way i first pitched it, i wanted it to also change a bit depending on how she "felt" – for example, frowning if the environment was hotter than ideal for the raspberry pi to operate on. but that's a bit beyond our current scope right now. i don't think we even ordered a thermostat.

scott drew the following wiring diagrams based off my original sketch. here revised digitally for readability's sake.

(image id available through the tumblr accessibility options although i fear it's not very good in this case. feedback appreciated).

scott: I decided to go with the raspberry pi zero 2w because it's what I've got experience coding on, it's relatively cheap for the "brains" of the operation (heh) and can perform both tasks from the godword prophecy generation, speaker operation and led matrix operation simultaneously. Plus its small enough to keep the circuit lightweight and fit inside the initial mannequin design.

This drawing fits no kind of engineering standard by the way lol. It was an initial sketch closer to a wiring diagram to see how it'd physically setup and wrap my head around transforming it from mains power to being theoretically portable and running on powerbanks. Unfortunately the LED matrix is really fucking power hungry so needs its own power supply of really specific voltage and current draws hence all the converters.

Also because Im using the smaller and cheaper pi, as oppossed to a stronger system like the pi4, it doesn't have any audio out jack so I plan to use the micro usb for audio out which means yet again I need another adapter for a soundcard and usb to micro usb adapters and all that jazz. Usually sound out can be done through the GPIO pins but the LED matrix takes so many pins that I cant really take anything form them so I had to look for other ways of doing it. Plus this way I get to add a soundcard so if we wanna add microphone support or anything later on we can :)

(Also this is all a little obtuse because I'm trying to do it as much as plug and play and screw terminal style as possible rather than actually solder connections for ease of access and initial setup, but this also works for modular design and component swapping later too so its cool.)

preacher: another reason we're going with plug&play is becauuseeeeee i don't own a soldering iron 😭 it's ok. it's ok.

our silly initial drafts under the cut for your viewing pleasure.

preacher: these were made around 2 weeks ago, so about september 15th ish.

as you can see the first "APRIL" drawing was beautifully drawn with my fat fingers in the facebook messenger photo editor. i think it holds up. lol.

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