#upside down pink triangle

[sweet-potato-42]

The coffee shop tubbo will be working at for a few hours today is quite cool. This is their about us page on their website:

A very cool group it seems. I think tubbo also mentioend that part of their profits go to chairty but i cant find it on the website. Regardless this place regularly has activities to help causes primarily for queer people so its a good place to support

[wheelercore]

The mind, the hivemind, and the source, the opposite, but mirroring, the heart. When you're fated to kill your father and marry your own mother. St Michael and the forces of heaven defeats of satans army. The son of satan who shall redeemed the despised and wreck vengeance in the name of the burned and the tortured. This is a rosegate post btw.

[hugevampiretits]

my hatred for the us stems from being bombarded every fucking where by terrible things that constantly happen in that cartoonishly stupid evil country like the world literally revolves around it i cant stand it anymore im ngl

[thenervebible]

CONNIE PANZARINO at a pride march in Boston circa 1990

[ID: Connie is marching along in her sip 'n' puff (SNP) wheelchair. She is wearing a patterned poncho and sporting a green felt party crown on her head. She styles a pair of wire-rimmed glasses with her slicked back hair. She is smiling. Attached to the back of her wheelchair is a large green cardboard poster that reads "Trached Dykes Eat Pussy Without Comin' Up For Air!" followed by a pink upside-down triangle with a stick figure person in a wheelchair at the centre (a symbol for disabled women)].

the cyborg & the crip by Alison Kafer

[ID: “Trached dykes eat pussy without coming up for air.” Connie Panzarino, a longtime disability activist and out lesbian, would attach this sign to her wheelchair during Pride marches in Boston in the early 1990s. Shockingly explicit, her sign refuses to cast technology as cold, distancing, or disembodied/disembodying, presenting it instead as a source and site of embodied pleasure. “Trach” is an abbreviation of tracheotomy, a medical procedure in which a breathing tube is inserted directly into the trachea, bypassing the mouth and nose. Someone with a trach, then, can, in effect, breathe through her throat, freeing her mouth for other activities (another version of this sign is “Trached dykes french kiss without coming up for air”). From a cyborgian perspective, this sign is brilliantly provocative and productive. It draws on the pervasive idea that adaptive technologies grant superior abilities,not merely replacing a lost capacity but enhancing it, yet it does so in a highly subversive way. The message here isn’t about blending in, about passing as normal or hypernormal, but about publicly announcing the viability of a queer disabled location. It’s disnormalizing, adamantly refusing compulsory heterosexuality, compulsory able bodiedness, and homonormativity. As Corbett O’Toole argues, it challenges the perceived passivity of disabled women, presenting them as actively pleasuring their partners, thereby graphically refuting stereotypes linking physical disability with nonsexuality.]

[eobardthawneallen]

Happy 27 years of YGO! and Me! ᕕ( ᐛ )ᕗ 🍰🎉

[I.D: in chibi style all the anime yu gi oh protagonist are there, looking at the camera.

from left to right Yusaku is smiling with his mouth closed, he is doing a peace sign but the back of the hand is facing the front.

next to Yusaku is Ai in his soltis form, he is smiling with mouth open, he is rising his hands wide with palms open.

in front but between Yusaku and Ai is Astral, he is holding a purple balloon. he is smiling with an upside down triangle mouth. he is looking towards Yuma who is to his side.

Yuma has a 3 mouth and is chewing something, he is holding one piece of cake and with the other a fork.

by Yuma's side is Yugi, he is holding with both hands another dish with a piece of cake, but this one has 2 light blue lighten candles forming the number 27. he is smiling with his mouth open.

Behind Yugi is Judai, he has heterochromia, he is smiling mouth closed, a hand is putting on a party hat, and the other on one of Yugi's shoulder.

then by Yugi's side is Atem with a "v" smile, he has his arms crossed. he is doing a peace sign, palm down.

in the back is Yuya, is jumping to appear, he is doing peace signs with both hands.

Yusei is in front of Yuya and next to Atem, he is smiling showing his teeth, he is holding a piece of cake in one hand and a frok in the other.

in front is Yuga, smiling.

then, by his side is Yudias holding a plastic cup with one hand and the other is on his hip.

some details, Yugi and Atem are wearing the clothes from dsod, in Atem's case the hologram's ones. Yudias is in his warrior/dueling form, everyone else is using their regular clothes. cake is dark purple bread, middle is light blue, icing is pink, the border is double color of light blue and purple with little white stars. the party hat and cup are blue with pink and blue stripes. Background is purple, there is colorful confetti and some balloons. END ID]

[pahorans-letter]

There's a queer family in front of me at church.

A child

with hair shorn short

a rainbow dress

with leggings

and a big smile

as they play with their siblings.

A parent

with pink dye growing out

an upside-down triangle

tattooed on their wrist.

There's a pair of girls on the left side of the chapel

who love theatre

and boy scouts

and their mom is wearing slacks

and their dad kisses

the tops of their heads.

And the woman two pews ahead

picks up her water bottle

and looks around

before taking a long sip

showing off

the rainbow stickers

in case our eyes are watching.

[bloodibambiidoll]

Sugar and Spice: Part 1

(E.M. x Fem!Reader x S.H.) Part 2 Series Masterlist.

Summary: Steve has massive crush on you, Eddie’s childhood bestfriend who just came home from collage. The only problem is you despised him in highschool and he’s pretty sure Eddie’s in love with you.

Warnings: Eventual smut, pining, love triangle, no upside down, eventual steddie x reader, angst with a happy ending, hurt/comfort, fluff, no use of Y/N so definitely a billion pet names. There’s not really any for this chapter, it’s mostly setting the scene for the rest of the story. Mentions of sex and some swearing. I will add additional warnings each chapter! But still my work is always 18+MNDI

A/N: Okay I found this in my docs and I was reading over it and got inspired to keep writing it. I’ve had this idea in my head for a long time about a Reader who has a kind of like pastel goth type of aesthetic. Like she plays D&D and loves horror but also really loves chick flicks and pink. She listens to Black Sabbath but then will turn around and listen to Blondie in the same 10 minutes. Collects Care Bears but has read every Anne Rice book. I feel like both Eddie and Steve would lose their minds over that. There will be no physical descriptions of reader besides the outfits she wears, which will be things like big chunky goth boots and fuzzy pink sweaters. Ngl it’s kinda self indulgent of me but I hope there’s others who can relate to her.🤭 divider I used is by: @firefly-graphics

Steve wasn’t obsessed with you, at least he tried to convince himself that was the case. He hadn’t seen you since you graduated and moved to the city. But ever since you’ve been back it’s like he sees you everywhere. You come into his work sometimes and rent horror movies, or on rare occasions you rent something totally cute and left-field like The Little Mermaid. You wore outfits that were somehow the hottest and cutest thing he’s ever seen at once, his favorite he’s ever seen you in was this short little black skirt and a pink button up cardigan that you replaced the buttons with little skulls all brought together by the big platform boots you’re usually wearing. That contrast just made him more infatuated with you. You were like sugar and spice wrapped up in one really beautiful girl.

But there were TWO major problems, one being that you hated him In highschool. He was an arrogant asshole who thought he was better than everyone, could do whatever he wanted and looked down on the kind of people you hung around. You were pretty quiet but outspoken and opinionated when you wanted to be, kept close to the few friends you had and always had your head in some kind of horror or vampire book that Steve would definitely not understand but would’ve totally listened to you talk about all day just to hear you talk about something you loved. He always thought you were pretty, even in highschool when you used to dress a lot more reserved. Mostly ripped jeans, the occasional Care Bears tee, and shirts of bands he didn’t know. He even asked you out once Junior year before he got with Nancy and you laughed in his face and said “yeah fucking right Harrington, good one” But now? You’re always wearing those little mini skirts, low cut tank tops, and ripped up fishnets. Steve literally feels like he can’t think around you.

Which brings him to problem number two…Eddie. You and Eddie are bestfriends and have been since middle school, he’s part of the reason you never liked Steve because of the way he and his friends treated Eddie. Even though Steve was never directly mean to YOU, his friends were and that was enough. But Steve and Eddie had a recently developed… acquaintanceship due to their mutual friendship with Dustin. It took some time and convincing but once they got past their preconceived notions of each other they were able to be civil. Eddie being in the group meant when you came back naturally you were integrated in as well. Which means Steve has seen you in an actual social setting multiple times now.

You think that would be great, right? Wrong. Eddie was constantly touching you. Holding your hand, putting his arms around your waist, you sitting IN HIS LAP. It drove Steve fucking crazy, especially because he knows that Eddie loves you and he feels just a little bad about it because he had actually started to really like Eddie and maybe even began to see him as a friend. But seeing him all over you drove him insane and made him have a bad taste in his mouth every time he heard his name. He was pretty sure you loved Eddie. The way you looked at him and the gentle way you handled him and spoke to him like he wasn’t the resident metalhead drug dealer but a giant teddy bear that needed to be hugged and cared for.

Steve would’ve given up in an instant if you said you were Eddie’s girl, but you always said you guys were bestfriends despite the fact that Eddie definitely called you his girl on multiple occasions to the entire group. You definitely had feelings for him. He could see it but there was also something keeping you from making it official and that gave Steve hope. Especially once you warmed up to him and started sitting on HIS lap sometimes. You would just come and plop down across his knees looking at him all sweet like it was the most casual thing and you didn’t just make his brain short circuit. You started calling him cute little pet names and kissing his cheek every time you saw him.

Again, these things would all be fantastic IF you didn’t do all the same things and more with Eddie. Every time you sat on Eddie’s lap he literally wanted to rip you off of him and kiss you right in front of Eddie’s smug face. He was always smirking at Steve over your shoulder because he knew Steve liked you. He confronted him about it last week when they were at the arcade with Dustin and Mike.

“So. You like her don’t you?” Eddie just asked him out of the blue. Steve looked at him with a confused look on his face not really registering what he meant at first “Huh? Like who?”

“Don’t play dumb man, you know who I’m talking about” Eddie scoffed and rolled his eyes

“Why would you think she would ever like you back? You treated us like shit in highschool and just because she’s more confident and can stand to be in the same room as you, now you want her? Fuck that. She deserves better than that, she is so much more than how she looks.”

Steve was kind of taken back at first, knowing he wasn’t exactly wrong “You don’t think I know that Munson? I don’t just like her because she’s hot. She also has this confidence and energy about her that’s just really attractive. She’s fucking funny and not afraid to be herself. She’s got that whole sugar and spice thing going on where she’s so sweet and gentle one second and the next she’s cussing like a sailor going off on these cute little tangents. I thought we established I’m not the guy I was in highschool anymore. I’m not some player trying to go through women. I like her.” he kind of didn’t mean to say ALL of that but it just kept coming out once he started talking about you he couldn’t help it.

“Okay I get it, you actually like her. Either way she’s never going to go for you, you aren’t even her type.” He grabbed the sleeve of Steve’s bright blue crew neck “I’ve never seen her be into a pretty boy like you, she likes dudes who look like they’re part of the lost boys clan or the dudes she sees on MTV.”

Steve couldn’t help but roll his eyes “Sooo, you then? If you love her so much then why aren’t you with her?” Eddie flushed and his face fell slightly “because man, she’s the most important person in my life. Imagine if we got together for real and then we broke up? Things wouldn’t be the same between us, I might lose her entirely”

“When you say ‘for real’ what does that mean?” Steve asked him, hoping it didn’t mean what he thought it meant.

“I mean we do a lot of couple things, we go on bestfriend dates, we are super affectionate with each other, we fuck sometimes, but both of us are scared if we decided to be together for real it would ruin it” Eddie shrugged like he didn’t just metaphorically punch Steve in the chest with that information.

“So what? Are you guys exclusive or what? Because if you’re not, I’m going to ask her out.” Steve just shrugged trying to play it off.

“Dude. Are you seriously going to ask out my girl after what I just said!?”

“Yeah, DUDE. You just said she wasn’t yours so is she or isn’t she?”

“Now that I finally have you around without Eddie I can ask the question I’ve been dying to ask, what’s the deal with you two? Are you like, together?” Robin suddenly asked you out of the blue.

Her and Nancy finally convinced you to have a girls day with them. You went and got mani pedis and picked up lunch so you could eat it back at Nancy and Jonathan’s apartment while you watched some movies Robin got from work.

“I mean… Technically? No. You could say we are like bestfriends with benefits I guess? We have kind of been fooling around off and on since sophomore year of highschool when we lost our virginity to each other.”

“And you’re… okay with that?”

“Yeah Robin, I’m okay with it. We decided a long time ago that us being together for real wasn't really an option. Imagine if we broke up? I couldn’t handle losing him.” You bit your lip, just the thought of losing Eddie made you anxious.

Now you had Nancy curious “So have you ever been with anyone else? Or are you guys like exclusive friends with benefits? Because if you’ve only ever been with him I’d say you’re pretty much together anyways.”

“Oh yeah, I’ve had hookups and flings, so has Eddie. I had a few guys I went on a couple dates with when I was gone at school but I’ve never had an actual relationship really. Neither has he.”

“So you’re telling us, you’ve been fucking on and off and on for almost EIGHT YEARS, never had a real relationship, and yet you guys still aren’t actually together? Don’t you think that’s maybe the reason neither of you have ever had a relationship? You’re stuck on each other?” Nancy, always the voice of reason.

“I absolutely know that’s why, I compare every guy to Eddie and no one has measured up. He treats me like a princess, why would I want a boyfriend who treats me anything less than that?” You shrugged and took another bite of your egg roll.

“Okay but what about when you do find that person? Or he does? What then? Things will change either way.” Robin questioned. She had her own reasons for bringing this all up in the first place. She knew Steve liked you, and he made her promise not to mettle but just asking if you were single isn’t meddling, right?

“I don’t know Robin, we’ve never talked about it. We will cross that bridge when the time comes.” You hoped they would let it go after that. It’s not that you necessarily didn’t want to talk about your relationship with Eddie, it’s just whenever anyone brings up that it probably has an eventual expiration date you feel like your whole world is crashing down.

“So there’s really no one you’ve ever thought you really really liked?” Okay, maybe she was reaching meddling territory now.

“Nope. Never. Can we just watch dirty dancing now?”

You didn’t feel like elaborating more than that, especially since recently there was someone you’d started to like. It was confusing and very much against your will but you had started to develop a small crush on Steve. You tried really hard to give him the cold shoulder when you first got back, you spent years with feelings of animosity towards him but if even Eddie could give him another chance you figured you could too. Then of course he had to be just so sweet, and such a gentleman, always telling you that you looked pretty and he smelled so good. It honestly made you want to punch him in the face. Or kiss him. Or both.

Robin narrowed her eyes at you but decided to drop it for now, even though she could tell there was definitely something you weren’t telling them with how quickly you decided to change the subject.

“Yeah okay, let’s watch the movie. But I’m not letting this go forever.”

“I didn’t even think for a second that you would.” You laughed and pressed play on the VHS.

Your love life wasn’t brought up anymore after that but that didn’t keep you from thinking about it. What would happen if Eddie got a girlfriend? You and him were never exclusive but the thought of him actually loving someone made you feel sick. Did he feel the same way? You hoped he did. Does that mean you want things with him to be exclusive? You’d never really allowed yourself to have those thoughts but now you were starting to wonder.

Then there was Steve, who just added to your confusion. Something about him just drew you to him, even back in highschool when you felt nothing but negative feelings toward him it was like he was everywhere you looked. Maybe you always had a small crush on him but would’ve never in a million years admitted it to yourself back then. It’s not like you would’ve ever had a chance, he treated everyone like you like dirt under his shoe. He never bullied you directly but him picking on your friends was enough to tell you how he probably felt about you too. Then you remember that one time Junior year when he asked you out, did he actually mean it? The thought that he might like you made your insides heat up and you felt like one of those girls you used to make fun of in highschool for swooning over him.

Robin could practically see the gears turning in your head, it was very obvious you weren’t watching the movie at all and she knew she told Steve she wouldn’t involve herself but she just had this feeling…

“You like Steve don’t you?” Robin’s voice snapped you out of your cycle of spiraling thoughts and you whipped your head around to look at her.

“What!?”

[mkeyztrm]

pumpkin carving 🎃🕷️🕸️

just a short blurb

(wrote this in school)

“Need any help there?” Chris asks teasingly, watching you struggle to cut out the pumpkin.

“No. I’m fine, I think....or at least hope… that I can cut a pumpkin at my age.” said y/n while absolutely demolishing their pumpkin. With a few more gashes into the pumpkin they finally manage to open it up, immediately jabbing their hand into the pumpkin to gut it.

“Do YOU need any help?” Y/n asks while watching Chris take a frustrated deep breath in, then out.

“Maybe… I got its guts everywhere but out. Pretty sure it’s just scrambled pumpkin at this point.” Y/n lets out a soft giggle from Chris’s reaction before leaning over him to cut out the top of his pumpkin.

“How.. HOW?? ‘swear you’re actually magical sometimes, y’know that?”.

Y/n lets out a short grin before tossing his pumpkin top with theirs. Immediately going back to their pumpkin once again, y/n continues to tear out their poor pumpkins’ insides. A lazy pile of potent pumpkin guts is slowly built as both Chris and y/n clean out the darkened hollow inside of their pumpkins with the little green scraping tool included in the carving kit they had bought together on their date earlier.

Chris carves out dramatically large triangles for his pumpkin's eyes, an upside down triangle for the nose, and a crooked yet well shaped mouth.

Chris looks over at you, who’s currently carving a smiley face, and asks like an ecstatic little kid;

“Look! Do you like his face? I worked sooo hard on it!”

You do a double take to his slightly deformed pumpkin..

“Ooh Chris, it’s.. cutesy! Good job!”

His eyebrows furrow and he lets loose a little smile.

“I know. I even made him a girlfriend.” he says with a proud grin, while revealing a mini pumpkin with a carved face, hearts for eyes and a pink little bow on top.

“Wow..” y/n says while finishing up their pumpkin which has a hollow mouth with carved stitches, and two circular eyes (one bigger than the other!) and an upside down triangle nose.

“I love your pumpkin, y/n. It’s goofy but spooky, maybe our pumpkins can be a family. What gave you the idea for the stitched mouth?”

Chris continued rambling about the pumpkins and what scary movies him and y/n would be watching later.

“You asked what had given me the idea for the stitches?” y/n had asked chris.

“Your yappy mouth gave me the idea, thought it would be funny” Y/n joked with Chris, only for his sassy ass to reply with “does that mean im as good looking as your pumpkin.”

“Yes you doofus, you’re WAY better looking than my pumpkin.”

And they lived happily ever after!!!!!!!!!!!!

this was probably terrible to read so I apologize 😭 I was bored in class, felt like writing so I made this concoction

but if you read, thank you so much :)

[battyjules]

BYLER IS LITERALLY SO REAL HERES WHY

Will byers is already CONFIRMED to be canonically in love with mike, this is known knowledge.

Now for mike, it hasnt been confirmed BUT

Throughout the series we can see implications of mike being queer

Back in season 1, even his dad questioned him "mike with a girl?"

As well as in season 3 we can see him projecting during the rain fight "its not my fault you dont like girls"

Mike is btw, NOT in love with eleven. Not only was it difficult for him to say "I love you" which yes could have been a side effect of how his parents are, people also kept expressing in season 1 that mike should be in love with eleven, so he wouldve believed it too.

Whenever mike and eleven kissed it was honestly very awkward as well, mike didnt really let el touch him at all and he literally had his eyes wide open once lol

You can also see in a lot of clips between mike and will that mike literally STARES at wills lips dude that is some homosexual behavior if ive ever seen it

We also know that the duffer brothers have no problem having canon lgbtq couples in the series (ie. soon to be robin and vickie)

Moving onto the van scene in season 4, mike could probably tell will was lying about how el commissioned the painting, or at least will piece it together soon. We know this because el has never shown interest for DnD so it wouldnt make any sense for her to commission it. Still, when will said el commissioned it and it wasnt necessarily from him, mikes smiled faded, he looked disappointed like he wanted it to be from will.

Onto costume design, everything is there for a reason. For one of robins designs, the costume designer stated that the triangles and equal signs on her shirt were an easter egg to her being queer. We can then see on mikes shirt he has a triangular pocket on his chest, which while also may be showing how mike has turned more edgy (as the costume designer said) it could also be referencing the upside down pink triangle symbol that symbolizes queerness

also, mike and CLOSET symbolism is INSANE

He literally has a "one way" sign POINTING TO HIS CLOSET

And and and

during one of will and els kisses, when his eyes were wide open and he honestly looked confused, el was holding wills teddy bear and they were in front of an open closet.

also due to the fact this is the 80s and he lives in a relatively well off, basic 80s household, if hes queer he also probably suffers from internalized homophobia which is why he tends to reject the whole concept (ie the rain fight)

as said earlier, throughout season 1, people kept implying that mike was in love with El, as mike was taking care of her. He kept denying it though, and need i remind you that when they found her they, including mike, were planning on sending her back to wherever she came from, until they found out she was in major danger and also had super powers and could help find will.

thats not all as in season 1 mike was saying el would be like family, until it came to him. el literally thought she was gonna be his sister until he denied it even though he was saying nancy would be like a sister.

i could go on about this for hours because theres more

[sweetsweetjellybean]

In a city the size of Chicago, Eddie should be easy to avoid. Or maybe the city isn't as big as you thought?

Masterlist Listen to Sour Girl Here

What to expect: Second Chance Romance set in 2012 Chicago.  Eddie and Steve are in their 30s. Fem!Reader is given a pet name from each of the guys. No other name mentioned. No use of Y/N. No physical description. Reader does have a bit of personality, as I find it nearly impossible to keep her blank for such a long fic. You may find yourself at times making choices that you wouldn't normally make, but I hope you can put that aside and enjoy the ride. Sensitive Content. 18+ Mentions of DV. Smut Guaranteed happy ending. This is my love letter to Eddie Munson.

WC:6558 beta'd by @superblysubpar

Plink.

Plink. Plink. Plink.

The old wooden frame of your window groans against the track, burdened with too many layers of paint to make the slide smooth. The swirls of creamy pinks and oranges have faded hours ago into the star-lit summer sky. The boy is below, standing in your backyard, fist full of pea gravel taken from a neighbor's garden. A smile twisting his lips lifts his cheeks, putting dimples on full display as he looks up at you from the darkness below. You raise a finger, signaling for him to wait before you turn away. Tossing a few things in your empty backpack, you take a pillow from your bed, and your comforter is wrestled free from the mattress. With careful footsteps, you creep down the stairs, stopping in the kitchen. The light from the fridge casts a triangle across the floor as you take a few Capri Suns to add to your bag. Leaving through the slider, the end of your blanket trails behind you through the grass that was trimmed that morning. You slip off your flip-flops, leaving them beside a pair of larger, well-worn sneakers with a chain wallet tucked inside the right shoe. Eddie bounces on the trampoline, his sock-covered feet launching him into the air, arms stretched for balance. You toss everything on before climbing on with him. With a final bounce, he lands on his butt beside you, grinning. 

“I got it,” you tell him, tossing the pillow behind you.

“Nah-uh.”

"My dad took me to Tower this afternoon." Rummaging in your pack, you pull out a Discman and over-the-ear headphones with the cord in a tangled mess. "I could only get two. I had to choose between Rage," you begin, ticking off album titles on your fingers, “Soundgarden, STP, and Pearl Jam.”

“And?”

Taking out the CDs, you press them against his chest, letting go as soon as his fingers go around them. His brown eyes widen as he examines what’s in his hands as you pick apart the knotted cord.

“Songs from the Vatican Gift Shop AND Down on the Upside? You haven’t even opened this one.” He holds up the Soundgarden CD before using his teeth to rip open the cellophane covering the plastic case.

“I waited for you.” You smile.

His face softens. “You’re a doll.” 

He lies back, his head nestling into your pillow, hands clasped behind his head, gazing up at the sky. After putting the CD into the player, you follow him, pulling the comforter over you both and resting your head on his bicep. The headphone speakers are flipped out, tucked between you, as Chris Cornell's melancholic voice begins to seep into your ears, velvety and dark like the night itself.

"Listen to this transition," he insists, his voice filled with the same awe that it always does when he talks about music, "The shift from acoustic to electric guitar is seamless." 

“I wish I could hear it the way you do.”

As you gaze skyward, a slender branch sways in perfect rhythm with the chords, green leaves fluttering with the bass. The stars multiply and shimmer as if they’re caught up in the flow of the song. 

“You do,” he says, his head turning toward you, “You’re the only one I know who loves it as much as I do.” He studies your face, his eyes locking with yours. The music building until it’s too intense, and he looks away. “It’s lyrics that hook you. You’ve always got so many words floating around in that big brain of yours.”  

The disc spins, and you both listen, the scent of lilacs wafting in on the breeze, and fireflies painting the sky with their gentle glow. Time passes in the slow way it only does for kids on a cool summer night.

“Eddie?”

“Hmm?” He answers, eyes closed.

“Are they fighting again?”

He doesn’t talk about it, but everyone knows—an ugly secret festering on an otherwise picture-perfect street. No one wants to get their hands dirty by getting involved. 

“Why won’t she leave him?” A simple question in a world of black and white.

“I want her to,” his adams apple bobs as he swallows, “She says she loves him.”

“Just stay here with me tonight, okay?” Rolling to your side, you wrap your hand across his chest, offering him the only protection that you can. 

“Yeah, okay.”

When you wake the following morning, the songs and memories you were reacquainted with last night have faded to a dull throb–much like the martinis. But remnants of their lyrics persist,  crawling under your skin, irritating like an itch, a tune hummed without the words to accompany it. Your phone’s screen lights up with an incoming text, the short burst of vibration sending it skittering across the surface of your nightstand. It takes a moment for your bleary eyes to focus on the notification on your lock screen.

Unknown: I admit last night could have gone better. Let me make it up to you. Coffee?

After tapping in your passcode, you open the message app to reply.

You: Wrong number

Darkening your screen, you let your phone slip from your hand onto the bed beside you. With a sigh, you lean back, staring at the ceiling, seeking answers that remain elusive. The scent of brewing dark roast and toasting bagels rises up the stairs with the sounds of Steve moving around the kitchen. A cup of coffee (or five) and a shower is what you need to wash away the past and leave it firmly where it belongs– in your rearview. 

It's the bottom of your second cup when Steve walks into your massive walk-in closet with a towel wrapped around his waist, fresh from the shower, his hair still damp, the freckled skin of his chest looking golden in the soft glow of the elegant pendant lights. 

“Is that what you're wearing to work?” He asks.

“Um, yeah.” You finish buckling the strap of your chunky mary-janes. “Something wrong with it?” you ask, catching sight of yourself in the mirror, dark distressed jeans and a band tee recut into a fitted v-neck. 

“Of course not,” he sighs, running his hand through his hair before sitting down heavily on the leather bench. His shoulders slump as he looks across to the cherry built-in shelves holding the rows of tailored suits hung by progression of color. “You always look beautiful.”

Taking your watch from the marble top of the large center island, you wander over to where he’s seated. He hooks a finger into one of the large holes in your jeans, tugging you over to stand between his legs, his big hands wrapping around the backs of your thighs.

“Guess I’m just missing the days of wearing jeans and a jersey to work,” he says, his smile not smoothing the faint crease in his brows.

“You traded that in for a car service and a big fat paycheck,” you point out, kissing the top of his head and moving back to your side of the closet to select a blazer.

“How else am I going to keep spoiling you?” He stands, dropping the towel and picking up the black Tom Ford boxer briefs he set out before his shower. 

“Steve, I don’t need all of this,” your hand sweeps in the air, gesturing to the lit shelves holding more clothes and shoes than you could ever need. “Just take me to a concert every once in a while.” Your voice trails off as notification chimes on your phone.

Unknown: Nice try, doll. Robin gave me your number.

“Can you imagine if we were still in that cramped apartment in Lincoln Park?” He scoffs, pulling on a light gray pair of suit pants. “We were tripping over all our stuff.”

Steve found the three-bedroom, three-bath brownstone on a tree-lined street in the ritzy Gold Coast neighborhood just after he got promoted from Metro, marking the beginning of his rise up the ranks in Second City Media. He spent a year and a chunk of his trust fund on a meticulous renovation before the two of you moved in. It is beautiful—large air rooms with lofty ceilings adorned with pristine white crown molding and wainscotting throughout, giving a modern but classic feel. Living with so much space is lavish in a city of this size. But you would be just as happy back on that ratty couch in Lincoln Park, drinking beer straight from the bottle and eating pizza without the fuss of plates, working on your laptop while he watched a Cubs game. Steve is driven–determined to be a success, and he is, but with the money came the stress. And it’s taking a toll.

Your finger hovers over the block button, but you press add to contacts instead. “Hey,” you change the subject, slipping your phone into your jacket pocket, “Did you ever look into that sailing charter you wanted to book out at the lake? We could do that this weekend?”

“I wish I could, Ace. I’ve got those weekend meetings about the streaming radio we're trying to launch. Pick out a tie for me?” He asks, pulling off a starched black button-up from its hanger.

“Sure.” You walk over and spin the rack holding up dozens of ties on shiny brass hooks.

“What do you have going on today?” The well-defined muscles of his sculpted shoulders, earned from never skipping a day at the gym, flex before disappearing into his shirt sleeves.

“Not a lot.” You pull the silky slip of deep maroon fabric off its hanger. “Lola is put to bed for this year. I just have an album review to finish up and a meeting with my editor today. Maybe a series on the Fall tours?” You propose, mostly to yourself, as you bring him his tie.

“Maroon, huh?” One brow raises with the question, “I would have picked black.”

“I know.” The corner of your lips turn up in a sly smile before you rise to your toes and place a kiss on his mouth, “I’m gonna go.”

“You want my driver to drop you off?” He asks, looking in the mirror and adjusting his tie.

“Nah, I’ll drive myself. Argyle and I are going to the Subterranean for drinks. Santigold is performing. Do you want to come?” You throw out, picking up your ancient army green messenger bag you can’t bear to part with, straining with the fullness of your laptop and notes.

“I’ll pass. Not really my scene.” As he fastens his gold cufflinks, they catch the gleaming light.

“You never come to shows with me,” you sigh. 

“I know, I know. I’ll try and catch the next one,” he says, sliding his feet into shiny Italian leather shoes. “I’m meeting Robin for lunch. You want to join us?” 

“No. I’ll let you have your girl time.” You blow him a kiss before heading out the door. 

 “See you tonight, okay?” 

“Love you. See you tonight,” he calls after you.

Passing through rooms decorated with rich creams and calming moss greens, you yell over your shoulder, “Tell Robin I said we don’t have any more room for paintings of flowers that look like vaginas.” 

“They’re a good investment,” his voice fades as you jog down your stairs, grabbing your keys from the stained-glass bowl on the table beside the door, ignoring the buzz coming from your pocket. 

The world is full of cliches. Many become so ingrained that we accept them as unwavering truths.  Every cloud has a silver lining. Don’t judge a book by its cover. Actions speak louder than words. A rotten apple will spoil the bunch. Don’t spit into the wind. Well, that last one is just good advice, but there is one that has stuck with you. Love what you do, and you’ll never work a day in your life. Music is your deity, and working at Stax is where you worship at its altar, spreading the Gospel of John, Paul, George, and Ringo. It’s a place where your lifelong obsession is not only validated, it’s celebrated. Your journey leading up to this point feels like destiny, like the universe conspired to harmonize your two greatest loves—the lyrical power of words and the soul-stirring magic of music. Each day within these walls is a new chord, a different tempo, and you revel in the ever-changing rhythm of your life. One spent intertwined with the music and the people that create it. The magazine's pages are your stage, your canvas, and with every keystroke, you paint the stories of the music, offering them to those who care to listen.

Without taking your eyes off your laptop screen, you reach for your coffee mug only to knock over the tittering tower of CDs that you had stacked on the corner of your cluttered desk. The plastic jewel cases meet the cement floor with a shattering crash, the noise echoing off the walls of the open industrial space that houses the offices for Stax Magazine in the heart of Fulton Market District. Clapping comes from other desks as you chase the discs rolling on their sides in all directions. Pausing, you bend into a dramatic curtsey, earning chuckles as the applause dies out. The perpetual chaos of your desk has become an ongoing punchline in the office banter. Your phone begins to ring at the same time an IM pops on your screen - both from your editor, the enigmatic J. Hopper. 

“Art Garfunkel’s house of pizza,” you say by way of greeting, trying to get the CDs back in their cases and toppling a pile of mail in the process.

“Where are you? Why aren’t you here? We had a meeting at 2,” comes the gruff voice of a man who's clearly not amused.

“It’s only one forty,” you reply.

“Get your ass in here now,” he yells, disconnecting. 

Hopper's bark has always been more bluster than bite. The towering, older man has been a fixture in this building since its days as a "hard-hitting" newspaper. While the city has evolved and transformed, Hopper and this old brick building have remained resolute, like an immovable rock in the ever-shifting stream of time. He possesses zero patience, holds a disdain for people, and dismisses any music created after 1978. You love him as much as your own father. He offered you a position fresh out of college when other magazines wouldn’t take a chance. He's pulled out your best work, often sending you back to your desk like a pouting child, making you the writer you are today. The wisdom he’s imparted is beyond the reach of any professor or workshop, and for that, you’ll always be grateful.

With a gentle rap of your knuckles against the frosted glass, you step into Hopper's office. He's seated behind a substantial oak desk, buried beneath a mountain of paperwork. A hint of cigar lingers in the air, though you've never been able to catch him smoking. He remains engrossed, squinting at his desktop screen with a furrowed brow. Settling into one of the vintage leather club chairs, you wait for his acknowledgment, your gaze drifting across the framed magazine covers and photographs lining the walls. One of a much younger Hopper clad in a tattered flak jacket catches your eyes. His face smeared with dirt and grit, standing amidst the ruins of a war-torn Kosovo street, a city reduced to chaos.

"Where’s my album write-up?" He asks without looking up. 

"I emailed it to you before lunch," you reply, confirming on your phone. 

He pushes back from his desk, propping up his feet on the edge, and offers you a soft smile from under the bushy mustache covering his lip, "How are you, kid? Everything okay? Harrington treating you, right?"

"Of course, Hop. He knows he'd have to answer to you otherwise. What about you?" You ask, leaning forward, "Is Joyce looking after you? Making sure you're watching that cholesterol?"

"Yup, she's got me eating all these organic vegetables, no booze, no smokes. Kinda takes all the fun outta life." He laces his hands behind his head, stretching out his back. 

"Oh yeah, does that include that bottle hootch you got stowed in your bottom drawer?"

He sits up with a quick move, pointing his finger in your direction. "You don't know anything about that. Are we clear?"

The only one who can scare Hopper is Hopper's wife. 

"I don't know. What are you going to do if I give Joyce a call? Seems to me that's something she'd want to know," you tease, crossing your arms over your chest. 

"You'd be out on that sidewalk before you hung up the call. Don't test me." He shakes a finger at you, "Now, what are you pitching me?"

"Well, I'm going to a club tonight, so I'll have a live performance review. And I was thinking of a piece on the bands touring this Fall. Kind of like a road map that the readership could follow and hit all the good shows."

"Those sound good, kid, but I got a feature for you to cover." He leans forward, narrowing his eyes, "You know this Eddie Munson character?"

The blood drains from your face. "No. Not-not really," you stammer, "we're from the same town, but I haven't seen him in years."

"Well, it's time to get reacquainted. I want a series chronicling the opening of CursedSound Recordings, and I want you to write it."

A featured series is something that other journalists fight over, and usually, you'd jump at the chance, but not this time. Not this series. Not Eddie Muson. 

“I don’t think that’s a good idea,” you say, looking down at your lap.

“You don’t think–”

“Give it to Miles.”

“I’m giving it to you. Morales is busy with–”

“I don’t want it,” the words burst out of your mouth before you think better of it. Less than twenty-four hours after seeing Eddie, your world is spinning out of control.

Hopper's face turns to steel as he plucks the pen from behind his ear and throws it down on the desk. “I think that you’ve forgotten how this works. I give you an assignment. You write it.”

Your lips part before the protest in your brain is fully formed. 

“If you’re about to tell me no again, it better be followed by a damn good reason.”

His eyes are locked on yours while he waits for a response, one brow raised in challenge. 

“Listen, kid,” he picks up a stack of papers, shuffling through them as he talks, “I’ve looked into this Munson character. He has a good reputation in L.A. His name is in the credits for over half the multi-platinum releases in the last five years. And word is, his studio is booked out with big names for a year in advance.” He pauses for a moment to be sure his words sink in. “Establishing a good relationship with him is in the magazine's best interests. And what's good for the magazine is good for you. Are you hearing me?”

“Yes, Hop,” he answers for you when you remain quiet. 

“Yes, Hop,” you repeat.

“Good,” he says, lacing his fingers together. "The printed word isn’t worth what it used to be. Everything's gone digital, the never-ending twenty-four-hour news cycle. The competition's cut-throat out there. Trust me, our friends over at Spectrum would eat this up for Chicago Lifestyles. Frankly, I’m surprised at you. I thought you’d be all over this. Especially since it was proposed by corporate. I figured you went around me and pitched it to Harrington directly.”

The mention of Steve’s name sets your teeth on edge. He hadn't breathed a word about this assignment earlier, and now he's reaching out to Hopper, painting a picture as if you're disrespecting your editor and exploiting your personal connections to secure a story.

“I would never do that,” you shake your head. 

"Alright then. Call Byers at Metro," Hopper instructs, leaning back in his chair and folding his arms across his chest. "Bring him with you. His assignment is just wrapping up."

You nod, your blood boiling and your mind racing. Taking a deep breath to compose yourself, you finally reply with an outward calm, "Okay."

Hopper's eyes remained fixed on you, his brow furrowing slightly. "Now, why are you still here wasting my time? Get out."

You don’t need any more prompting. Swiftly, you rise from your seat and make your way out of Hopper's office, formulating plans to murder your fiancé.

With a heavy sigh, you sit back down at your desk. The Stax logo bounces off the edges of your laptop screen. Your phone lights up with a photo of Steve. You let it ring a few times before sending it to voicemail. A few colleagues linger nearby, mugs in hand, their idle chatter blending with the hum of printers and the rhythmic clacking of keyboards. Your to-do list sits on your desk with strike-throughs on only half the tasks, but the priority of the ones remaining isn’t enough to capture your attention. 

Reaching down, you tug at the handle of your tightly packed bottom desk drawer. It sticks, protesting the overload.  The bright yellow color of the Sony Sports Walkman stands out from among the other clutter. You hesitate when reaching for it, the beginnings of the ache already tightening your chest. But you can’t resist, your hand closes around it, pulling it and the headphones coiled around out from under a pile of old concert passes attached to lanyards. 

Swiveling your chair away from the desk, you face the windows and slip the headphones onto your ears. A gentle press of your thumb produces a satisfying click, and a soft crackling sound fills your ears as the capstans start to whir.

The crystal blue of the cassette is dulled behind the transparent black window, but you can still make out the handwriting on the yellowed label. 

For when you miss me.

“Did you ever listen?”

Everyday. 

A bird's eye view of the stage is perfectly spaced in your viewfinder, with Santi downstage dominating the mic, her other arm outstretched to the fervent crowd. Your finger clicks the shutter as a text pops on the screen.

Eddie: Seems this city isn’t so big after all.

With a huff, you close the screen, pocketing your phone.

“What’s going on with you?” Argyle shouts over the crowd, handing you back your drink as you both lean over the black-painted railing on the balcony at The Subterranean.

"Nothing," you reply, your gaze returning to the stage where Santigold is Chasing Shadows. 

“You’re moody,” he accuses, leaning closer to your ear to be heard over music.

“No, I’m not.”

“It’s true,” he shakes his head. “You’re moody. Moody dick.”

The corners of your lips lift as you roll your eyes.

“This wouldn't have anything to do with mister dark and handsome sound engineer guy from last night, would it?” He probes as someone bumps into you from behind, throwing you off balance.

Your eyes narrow as he steadies you with a hand on your elbow. 

“Hey, I know things,” he says, sipping his drink and looking back out over the crowd.

“Oh, yeah?” You ask, turning and leaning on the banister to face him, “What do you know?”

He turns his head toward you, his thoughtful brown eyes connecting with yours. “I know you looked freaked the fuck out when he showed up for drinks and even more so when he said he was staying. And I’ve seen you tell off enough people to know that’s what was going on at the bar when you walked away from him last night,” he says, looking back toward the stage, gesturing with his hands, “Now we're here, with my future baby mama killing it on stage, and you’re sucking all the energy out of the room.”

The song ends with the crowd erupting in applause. “I love you!” Argyle shouts toward the stage with his hands cupped around his mouth as the bass starts back up with the opening of High Priestess. Santi looks up, throwing him a wink, her voice low and fast as the reverb vibrates under your feet. 

“Future baby mama?” You laugh.

“Yeah. Do you think you could use your press pass to get us backstage?”

“No. I don’t think you need to add to the population tonight.”

"See, you're no fun,” he complains, sticking out his lower lip, “So you really used to crush on that guy?

Chewing on your lip, you throw him a sideways glance.

“Yeah, you did. You crushed hard,” he laughs, “So, tell me, what happened?”

“I don’t like talking about it,” you say, scrubbing your face.

“Keeping everything all bottled up ain’t good for you, little mama,” he pokes your arm, letting you know he’s not going to drop this, “I’m your boy. If you can’t tell me, who can you tell?”

“Circle of trust,” he says, stirring the air between you with two fingers when you don’t respond. 

You lean against the rail, considering. “Alright, but this stays between us,” you threaten him with a pointed finger. His head nods as his fingers slide across his mouth like a zipper.

“There’s not much to tell,” you say, looking down at the sticky floor. “I had a crush, and he didn’t feel the same way.”

“I get it. The fury of a woman scorned. What did you do, go full bunny boiler?”

“No,” you chuckle, “Nothing like that. That part didn’t even really bother me. He was my best friend, my only friend for a long time. I thought there was something between us, that he cared about me. Maybe not the same way I cared about him, but you know, I thought we were close. I must have built it all up in my head because one day, he just takes off.” You swallow the sharp pain pressing into your chest, “He never even said goodbye.”

“Nooo,” Argyle’s eyes widen.

“It broke me,” you admit.

“Harsh,” he agrees, “And he never called you? Or gave you an explanation?”

“Not until yesterday.  He asked me to lunch. You know, he actually had the nerve to say that Steve has me on a tight leash.” 

“Typical.” He shakes his head, swallowing the last of his drink.

“What do you mean?” You ask, swirling the last of your ice into your watered-down drink. 

His face turns serious as he explains, “It’s like surfing. We all want that wave that’s just out of reach. Especially if someone else is riding it.” 

“How did you get so wise?” You ask. 

“I don’t know. Must be all the weed,” he says with a hand on your shoulder, turning you toward the bar. “Let’s go get another drink.”

“You never told Steve any of this?” He asks as you join the crowd of people that constitutes the line.

“No,” you sigh.

“No?” He repeats in surprise, “This is bad news, man. Why wouldn’t you tell him? What are you going to do, just going to keep it a secret forever?”

“I guess. It doesn’t really have anything to do with him.”

“This is going to get messy.” He shakes his head as you move up in line.

“Well, I’m not real happy with him either right now. He went behind my back to Hopper, deciding that I’m going to cover Eddie’s recording studio's opening. He completely humiliated me in front of my boss. I look totally unprofessional.”

“Well, that's not cool,” Argyle sympathizes as he takes the plastic cup from your hand and tosses it into a trashcan tucked beside the bar.

“No, it was very not cool,” you agree, crossing your arms over your chest. 

"Wait," he looks at you with sudden revelation, “Technically, isn't Steve your boss?"

“That’s not the point–”

“And isn’t your job to write about major happenings in the city, like when fancy L.A. sound guys open up studios?”

“You're not helping, Argyle.”

His hand lands on your head, offering a comforting pat like you're a child before the line begins moving again. "Cheer up, Bernstein," he quips with a grin, "I'll buy the next round."

Your anger hasn’t abated when you walk through the front door of the brownstone. Steve is already in bed, shirtless with the taupe velvet coverlet pulled up to his waist, glasses perched on his nose, not looking up from his laptop as you enter the room.

“Hey, Ace, how was your day? Did you write me–”

“Anything you want to tell me about, Steve?” You ask, your voice already coming out more heated than you intended.

He looks up at you, brows pulling together. “I have no idea what you’re talking about.”

“Oh, I don’t know,” you say, dropping your bag onto the blue slipper chair in the corner of the room, “Maybe about how you went behind my back?”

"What?” He questions, slamming his laptop shut.

“The story, Steve,” you huff, leaving the room through your closet. You’ve just put your shoes away when he appears in the doorway, padding across the carpet in his bare feet, wearing just his boxers.

“Munson’s opening, that’s what you’re mad about?” He demands.

“You totally blindsided me,” you complain, pulling a hanger off the rod and hanging up your blazer with enough force to have the other clothes swinging. “Why didn’t you say anything this morning?”

“Because I hadn’t thought of it this morning.” His hands run through his hair, tugging in frustration.

“So what, it just came to you in a flash of brilliance?” Popping the button on your jeans, you tug them down your hips, kicking them into the corner instead of putting them in the basket.

“No, it didn’t, and I hate it when you’re sarcastic. Robin wanted to stop by and see his studio. We had lunch nearby,” he informs you, crossing his arms over his broad chest, the gold chain he wears glinting in the low light.

“So the two of you just decided what I was going to be writing? Maybe that’s something you should be discussing with me.” You lay a hand on your chest before pulling your shirt over your head and giving it the same treatment as your jeans. “You know, your fiancée, not some old buddy that sold you weed a few times back in Hawkins.” 

“The content Stax puts out is directly under my approval, just like Metro and the Newsdesk and every other division.” His voice, which has been steady and even until now, begins to rise, “I’m not going to call you and ask for permission every time I make a decision. Eddie and I have kept in touch. How do you think we landed that interview with Radiohead last year when they wouldn’t even sit down with Rolling Stone?”

“That’s another thing you kept from me. I had no idea Eddie was your best friend.” Your eyes narrow as your fingers yank at the delicate clasps of your jewelry and watch.

Steve's eyes roll in frustration as he shakes his head. "He's not my best friend. He’s a business contact. I know him through Robin. They were is band together, you know this."

"That feels like a lifetime ago, Steve," you remark, the clinking of your jewelry against the marble island adding a discordant scrape.

"Well, some people aren't embarrassed about where they came from," he accuses.

"I'm not embarrassed," you scoff and begin to pace as if you can outrun his words.

"Oh, please," he says, taking a seat on the bench, his knuckles turning white as he grips the edge, his gaze tracking your restless movements. "You cut off anybody we still know living there. You won't even go to visit your parents. They always come here."

“You never listen to what I’m saying. This has nothing to do with Hawkins or my parents.” You halt your steps, your hand slices through the air, punctuating your statements. “It's about you making me look like a fool in front of Hopper. Like I’m trying to go around him to corporate to get assigned the big stories. Like I’m sleeping with the boss. I’m not ruining my reputation so you can give free advertising to your friends.”

“You're being crazy right now,” he yells, wincing with regret as soon as the words leave his mouth. He stands, moving closer, making an effort to control the tone of his voice, “I gave you this assignment because you know Eddie, and it will make for a better story, not because I’m fucking you. We’ve been together since the day you started at Stax. We’ve been engaged for two years. If anyone was going to think that, they already would’ve.”

Your head shakes, rejecting his rationale. He throws up his hands in frustration. “I can't have a conversation with you when you’re like this.” He starts to walk back toward the bedroom but stops abruptly, spinning on his heel and pointing his finger in your direction. ���But I'll tell you one more thing—you are going to write this story.” He waves a hand toward the bathroom. “Now, go wash your face.”

Your teeth cut into your bottom lip as you walk into the bathroom, slamming the door behind you.

A sliver of gold from the streetlights outside pierces the tiny gap in the curtains. You’ve been lying on your side staring so long that you can see its warm hue behind closed lids whenever you start to drift. You burrow your arm deeper beneath your pillows while your feet shuffle, searching for a cool spot on the sheets. Steve’s breathing hasn’t changed behind you. He’s having the same trouble falling asleep. He turns over, his weight rocking the mattress. He’s much closer now. You can feel the comforting warmth from his chest, filling the space between him and your back. 

“Baby.” His breath caresses the spot just behind your ear before the wet press of his lips traces a path along your neck, latching on to the apex when it meets your shoulder. A gentle bite follows the swirl of his tongue as he moves even closer. The rough pads of his fingers glide over your shoulder and down your arm, coaxing the thin strap of your tank with them.

“Please,” he whispers between kisses, his fingers finding their way under the bottom edge of your tank top, the light scrape of his blunt nails against your ribs sending shivers across your skin. Your breathing is picking up, the fire from your argument morphing into a new kind of heat. His hips flex against your ass, his cock hard and ready. When you turn your head, his lips are there, a wet slide over your mouth until they pull back, floating just above you, lingering with a question. And when his hand cups your shoulder, urging your body to turn towards him-–you answer. 

The sultry feminine voice drifts from the speakers in your bedroom, her smoky timber weaving through the air like dark tendrils intertwining with the high piano notes. Your hips rise with the flow, a slow, unchanging cadence, the stretch of his cock creating delicious friction against your velvet walls. You move higher until he almost leaves you before you start your descent, the angle finding all the hidden places that light you up beneath your skin. 

"M' sorry," he murmurs.

Your eyes flutter open at his words as they carry you away from the depths. 

"Hate telling you no." He gazes up at you with heavy-lidded eyes, his hair pushed back from his face, and a flush across his skin.

"I don't wanna talk about it." Your hands cover the ones wrapped around your thighs, guiding them up your body. His warm, rough fingers are eager to map out every contour. Your head falls back when they find their destination, cupping your breasts with a possessive grip.

The song shifts, the new baseline a drawn-out pulse lining up with your movements. The lyrics are raw and a little filthy, fueling the urgency of your rolling hips, your clit grazing the short hairs at his base.

"Don't like telling you what to do," he mumbles even as his hands drop to your hips, attempting to hold you still as he bucks up from underneath. "Just wanna take care of you."

"Steve," his name passes your lips in a low moan as you lean forward, taking his hand from your hips and pressing them into the pillow, "Stop talking."

Sitting up, you shift your position, leaning back, bracing your hands behind yourself on his hairy thighs. You set a new pace, bouncing harder, driving him deeper, taking what you want. 

“Jesus, fuck, baby,” he groans, eyes hitting the back of his head while his hands slide across the sheets seeking any purchase as you ride him. The music surges, its tempo rising in perfect sync with the wet intimate sounds of your bodies coming together, the rhythm repeating over and over.

"So close…please," his fingers slip between you, adding pressure to the sensitive bundle of nerves that he finds there, "Need you to cum."

"No," you rasp out breathless, pushing his hand aside, your eyes locked on his as you bring your own fingers to your mouth. With a swirl of your tongue, you coat them with wetness before sliding them down to touch yourself, controlling your own pleasure. 

The muscles in his neck strain with effort, his gaze darkening, fixated on you. “Goddam, so sexy like this,” he murmurs.

Your body tightens, taut like a bow-string, the tension building until the crescendo crashes over you. The music washes over your senses as you reach your peak, your legs trembling with the intensity. You push your body further over the edge, succumbing to the euphoria lost in the wave of sensations.

Floating back down, your eyes open to the sight of your ceiling, your body still arched, catching your breath. His fingers tighten on your ribs, reminding you he's there. Sticky wetness dripping between you is evidence that he reached his own climax. His hands gently urge your forward to collapse into his chest. 

"Wow, that was…" He strokes the sweat-slicked skin of your back. "I’ve never seen you like that before. What got into you?"

"I think you did," you say, placing a kiss over his heart as your fingers smooth through the hair covering his chest. He chuckles, holding you closer. 

The gentle croon of the music fills the quiet space between you as you lie entwined, drawing closer to sleep's embrace. With a fumbling hand, Steve reaches for the remote on his nightstand, silencing the stereo, returning the room to a restful hush. He places a final tender kiss on your temple, his eyes closing as his features turn peaceful. But for you, even in this stillness, another song lingers in your mind, its lyrics echoing like a secret.

AN: Thank you for reading and rebloging. Your comments are what keep me at my keyboard plugging away at this story. Please keep sending me your songs and asks! They have inspired so much of what's to come. xoxo- Jelly

Read Song 3 Here

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[will80sbyers]

wait el's signature color is red??? i thought it was purple. my life is a lie.

Sorry for the late response, Tumblr killed my previous answer but I'll try again now... Hoping this doesn't happen a second time 🥲

It's just a theory but I think she's being associated with red especially in season 3 with this:

But I also think the colours all have more of a abstract meaning than a direct one of "El is red, Mike is blue, Will is yellow"...

This is not ALWAYS valid, sometimes the actor just looks good in those colours lmao, but in general they use the colours to associate general ideas like for example:

I think Red in stranger things is associated with having trauma to face, Jancy has trauma in common for the text of the show and they have been together under the red light, Vecna's mind is red because his mind has been broken down by violence and trauma and he has a dangerous mentality, El is immersed in red because she's experiencing that traumatic event... The mindflayer and the storm are all about traumatic experiences etc

Blue is often about sadness and depression, that's why the upside down is blue toned and they are all in blue light when the mood is supposed to be sad

I think yellow might be about resilience, when you want to keep fighting the scary thoughts in your head

There is also the warm light = hope for the future, of overcoming the difficulties you encounter

I also think El at the end of the season is in white because it's meant to be foreshadowing of her becoming her own person and being "a white canvas" and she has pink details because pink is her real colour (S1 pink dress) after she survives all the trauma, at least I think that would be really cute and she looks great in pink!!!!

I also think she fits the purple 💜 and Will also has the purple associated with him because they are paralleled and it's all about being "wizards" in their own way, being wise/spiritual etc

I also had this idea that this scene was about the love triangle symbolically because we have Steve folding and putting away a red t-shirt while watching the only other queer couple in the show, when he has on him a blue, yellow and white towel - like El is leaving the red to become the white, and obviously the love triangle is still on but in the middle is Will (yellow) "dividing" Mike and El

Now this is all just a theory and it can be just random coincidence, but then we have a shot of Steve watching rvickie and smiling and the white is not in frame anymore, it could add to the foreshadowing of byler endgame if this was intentional !

What makes me think this is possible is also the fact that M. Night Shyamalan in his movies uses colour to give more meaning to them, and the Duffers basically owe their career to him so they could have decided to do the same

[artsysurvivor]

[Image ID: A digital drawing of Halt and Will taking a picture at a Pride Parade, which is faded and blurred in the background. Will is smiling wide, winking, and holding a mini trans flag with one hand and giving a peace sign with the other. Halt is by him with a hand on his shoulder with a small smile on his face. He is wearing a camouflage jacket with one pocket, which holds a green carnation, with a pink upside down triangle underneath it. On the other side of the jacket are three pins representing the bi flag, polyamorous flag, and the trans symbol (a circle with a little plus sign towards the bottom, an arrow pointing diagonally, and another arrow pointing the opposite way with a line through it). The sleeves are rolled up. There is a shirt underneath; a silver oak-leaf is around his neck. He is also wearing sun glasses. Will has jeans on with a bi-flag-colored chain on two of the loops. A white hoodie with it's sleeves torn off is tucked into it; the two strings that tightens the hoodie is rainbow colored with pink at the top, and the hood itself is down and is colored white, pink, blue, brown, and black. Visible in a small v shape created by the hoodie is a yellow shirt with a purple circle on it. (In all, it's supposed to look like the progress flag). Hand-written on the shirt is "Queer Rights are Human Rights." There is rainbow glitter on Will's cheeks, elbows, and fingers; six star stickers on top of his cheeks are the colors pink, purple, and blue. /End ID]

Happy Pride everyone :D

[loubetcha]

this post made me realize that mike’s right-facing triangle pocket may not only be right because of will being on his right most of the time/for pocket conventionality, but within the triangle LGBTQIA+ symbol, it’s a sideways triangle (you can’t always tell when a triangle is turned but in this case it’s base is not placed on its base/ it’s set on a point and it’s not equilateral- just like the pink triangle isn’t). first off i think the fact that both triangles are isosceles (really pulling out the geometry for this one) can really show the symbolism behind making a funky pocket triangle for mike. BUT i also think there’s a significance to it being sideways. when the pink triangle was turned upside-down, it was used to shame gay men, but was then reclaimed to be positive by flipping it. i think the significance of mike’s triangle pocket flap being sideways is that he is still torn between that shame of who he is and the defiance against that shame. mike is being shamed/bullied by both himself and society, but the hellfire club and his love for will is slowly shaping who he is and how he is less and less afraid of that.

[rjalker]

Original pin from 1979 (Be warned some of the other pins are antisemtic >:[ )

[ID: A photo of a pin button that is black with an upside down pink triangle in the center, and thin black text that reads, "Get your filthy laws off my body". End ID.]

My remakes:

[ID: Four versions of the same design. Both show an upside down pink triangle against a transparent background, with text an top in the font Antihero, reading, "get your filthy laws off my body", with an outline around the text and the triangle.

The text in the first is in the colors of the progress Pride flag: black, brown, blue, pink, white, red, orange, yellow, green, light blue, dark blue, and purple. The second is in the colors of transnonbinary flag: Purple, black, blue, pink, yellow, and white.

The third is in the colors of the rainbow pride flag, slightly darker than normal. The fourth has the text blood red.

End ID.]

These designs are public domain because I made them and I say so. Fuck capitalism.

You can download these and more versions here on the web archive. Consider donating to them if you've got any extra money.

You can also buy these designs from my threadless store:

Progress pride Transnonbinary Rainbow Red

I'm too disabled to work, but haven't gotten approved for disability SSI, nor do we have foodstamps, so anything helps.

If we successfully manage to grow vegetables in the garden this year, we'll be giving probably 90% of them away for free to people in our neighborhood, along with the usual native plant seedlings (and cuttings when seeds aren't available yet) I give away every year, especially native milkweeds for the endangered monarchs.

Edit:

Okay I figured out how to add a charity so now the ACLU (American Civil Liberties Union) will receive 50% of the profits from these, and Threadless will also donate another $1 for each product sold.

(you have to select the charity to add, and /then/ hit the "add a charity" button)

You can also donate directly to the ACLU here.

[damnfandomproblems]

6002:

I understand why seeing endless discourse over character designs for kids shows can be annoying. But the discourse (by discourse, I mean pointing out patterns and observations) isn't necessarily unfounded. We have to remember that a lot of kid's shows can project and reinforce stereotypes, which was my main issue with the light fury. I've seen some tumblr posts trying to "fix" the design with references to real dimorphic female animals, and while the ideas are frankly too much for a kid's animation (seriously, I got color overload from some of them), I see where they're coming from. I'd have much enjoyed a light fury that didn't fall into those stereotypical human dimorphism traps, rather than what we received.

Like someone else mentioned, there's a massive tendency to make male versions of a fictional species natural & unimpressive, whereas the female versions are exaggerated. We could give the male versions the same treatment as the females: give them pecs, upside-down triangle shaped bodies, etc. But we never do. There's a thing called "male as norm/default" and it's been studied and reported on at length. No, not just on medium or blogging websites, I mean in academia and in studies, by universities. It's why we have images like this:

https://static.boredpanda.com/blog/wp-content/uploads/2020/07/male-and-female-animals-in-animated-movies-5f0d6c7e06ad0__700.jpg

It's also why we have characters like the female sloths from Ice Age, and the toucan wife from Rio. Happy Feet did a much better job at the physical silhouettes, but the female penguins still have pink on their beaks to show "natural lipstick" and they have more yellow around their chests to outline breasts.

My ultimate stance is this: if you can convey a cartoon animal (or fantasy creature) character is male even though he looks like just a run-of-the-mill animal, from his personality alone, there should be no reason you can't also do the same for a female. Why are females the only ones who are outliers?

That said, I understand the point of the light fury is to be alluring & interesting to Toothless. Her species is also different from his, and there's opportunity in that sense to create a more, as the producers put it, "graceful" species. However, it's telling the producers lumped "graceful" and "elegant" in with "female". They're both still dragons.

Posting as a response to a previous problem.

[ifiwere-idbe]

Very personal lessons I learned from 13 and Yaz. I will be forever grateful.

The upside down triangle, often in pink, has been used as a reclaimed symbol in lgbtq spaces. It has a dark past in the holocaust as a marker, which many now choose to wear with pride. But there are folks who see it as a painful reminder. I use it here in reclamation and pride, but have placed it behind a “keep reading” tab so that you can make the choice that suits your heart.