#up conductor viral video

[rightnewshindi]

ट्रैक्टर पर सवार होकर स्कूल पहुंचे 12 हुडदंगी छात्र, परिजनों ने जताई आपत्ति; सोशल मीडिया पर वायरल हुआ वीडियो

ट्रैक्टर पर सवार होकर स्कूल पहुंचे 12 हुडदंगी छात्र, परिजनों ने जताई आपत्ति; सोशल मीडिया पर वायरल हुआ वीडियो

Uttar Pradesh Viral Video: बिजनौर से एक वीडियो सोशल मीडिया पर जमकर वायरल हुआ है, जिसमें इंटर के छात्र ट्रैक्टर पर स्कूल पहुंच हुड़दंगबाजी करते दिखे. वीडियो सेंटमेरीज स्कूल का है. यहां 12 स्कूली छात्र पहले ट्रैक्टर पर सवार होकर स्कूल पहुंचे. फिर स्कूल कैंपस में आकर ट्रैक्टर को दौड़ाने लगे. इस दौरान उन्होंने जोर से म्यूजिक सिस्टम पर गाने भी लगाए और घंटों तक डांस करते रहे. बताया जा रहा है कि…

[electricgaunt]

Live Blog of Interstitial Infinity #12 - The Black Market Car:

oh no the calico critters reminder :(((

(maybe this is just me, but I want to see like, calico critter fursonas of the cast. and shadow is still a hedgehog, just in that style)

enjoying the video game smack talk, and remembering the in-character sea of thieves stream; what a good stream!!

shopping segment/re-inventory car, hell yeah

that doll-selling slug shopkeeper is going to post about her wild customer interaction with mob on social media and go viral on like, slugblr or whatever

OR that doll-selling slug shopkeeper is going to submit a story to slug mbmbam (msbmsbam) haunted doll watch (if they're still doing that)

shadow toppling these apex kids over like dominoes goddd

"surprised Marn wants to do two voices" lmao

aw Mary

getting the murder of sonic the hedgehog detective vibes from shadow this episode

the interaction of various "magic" systems between medias is neat

oh al, buddy :(

I respect and think it's more fun ultimately how committed shadow is to the backpack magnetshot method, but it was sort of funny to hear after mob reminded us that he has the power to levitate people lol

I know it's incredibly silly to think about like, languages, when this whole fictional show has a wild and incredible premise, but just for a moment, it was fun to think about what language would be written down on the notecards (so Marn didn't have to voice so many NPCs), and what language everyone is speaking and if there's like a universal translator effect from the train?? this doesn't matter at all, just thought about it for a moment bc of the notecard joke lol

Amelia!!!!!

Women!!!!!

Shadow: How did you lose your job? Amelia: The economy is in shambles

Trish's commitment to "the conductor is a stand user" theory is giving me Drawtectives "a rhinoceros did it" theory, and it's very funny to hear her build up to it again and everyone else start groaning 😄

I don't know if we'll ever get the crew meeting One-One, but if they did, my guess is maybe only Trish would possibly like them? My other guess is that Shadow would hate One-One almost immediately, but I could be wrong

learning someone has a big number still hits every time

aw, alchemists buddies! cutee

possible alignment scale idea: how willing is your character to kick that toad, in the kick the toad car? was thinking about surge the tenrec punting the toad immediately

oh dang, episode end!! I wasn't expecting it for some reason lol

thank you as always for this show, my work was sort of wild this week, so this was great to react to and enjoy! thank youuu 💚💚💚

[dojae-huh]

127 on "The seasons"

Kick It+Fact Check, Meaning of love, Walk

I haven't watched the full episode yet, so I don't know which performance was the last one.

"The seasons" has low viewership raiting, ~0,9%. The videos uploaded on YT also don't usually get that many views (Do's still have only 100-120k), however, there is a chance to surpass 1ml, even 3mln. A video needs to be picked up by a fandom and YT algorythm for that. Evenso, the format of the show allows for making cool content that can be uploaded and distibured on other platforms. Make Doyoung viral again! Haha.

127 showing ther live vocals and ability to hype the crowd is self-explanatory (honestly, as a long time NCTzen, it's nice to see members progressing, especially Jungwoo upgraded). Koreans discussed at length weak vocals in k-pop this year, as such, there is a lot of attention on groups who can sing. Thereofore, such performances can be a boost and very good promo.

For now I want to talk about Doyoung in "Fact Check". Going into the audience was his idea (confirmed by the members during the interview with Zico). They practiced, of course, but he still kept an eye on the process and directed other members ("Go~!" command (2:45) and gesturing to go further to Woo`(2:52)).

3:26 - aunties in the upper middle row asking for a high-five

3:46 - white hair finally playing their role, adding power to a moment (black hair wouldn't stand out as much)

3:50 - look at the man right behind Doyoung shaken by the vocals

Doyoung was very into his leader role of a glee conductor, he should tap into this hidden ego (self) more.

This programme shows why it is not catastrophic when a member has little screentime in an MV. Music shows upload fancams of all members, if a member is a good dancer, he will go viral (how it happened with Shotaro). If a member is a good vocalist, he will have moments like Do on Mama or here on The seasons.

After watching "Walk" performance I realised that the song was chosen with absence of Taeyong in mind. There are some concepts where Tae blends in with the group, and there are concepts he is front and centre as the main drive force. Tae is not essential for the hip-hop concept. 127 looks complete without him.

[sciencestyled]

Eureka! The Hilariously High-Octane Odyssey of Sci-Tech-Art Fusion!

Ah, Sir Human, buckle up as we dive into the neon-drenched, meme-filled galaxy of Science, Technology, and Art - a trifecta more potent than a triple espresso shot from the depths of Silicon Valley! Picture this: you're on a hoverboard, zooming through the halls of knowledge, with Doc Brown's wild hair and a Robin Williams' gigawatt smile.

First stop, the world of science education, where the air is crisp with the crackle of curiosity! Remember when we thought mitochondria was just a fancy word for midichlorians? Turns out, it's the powerhouse of the cell! Who knew? And with tech, we're not just looking through microscopes; we're going quantum, baby! Virtual reality is transforming dull, textbook diagrams into a rollercoaster ride through the human bloodstream - it's like "Magic School Bus" meets "Tron"!

But wait, there's more! Picture a classroom where Picasso meets Pythagoras, blending colors and equations like a mad scientist bartender. Art in science education isn't just about making pretty pictures; it's about envisioning the universe in a kaleidoscope of possibilities. It's not just STEM anymore, it's STEAM – and it's cooking up a storm!

Let's take a quantum leap to the wacky world of tech. Smartphones smarter than a fifth-grader on Jeopardy, AI that can out-paint Van Gogh, and don't get me started on 3D printers – these bad boys are printing everything from lunar habitats to vegan steaks. It's like living in a sci-fi show, but the plot is written by Elon Musk on a caffeine high!

Now, combine this tech wizardry with the artistry of a Renaissance painter on Instagram, and what do you get? A culture that's vibrant, dynamic, and as unpredictable as a "Game of Thrones" season finale. Apps that turn your morning jog into a zombie apocalypse survival run, video games that teach quantum physics, and let's not forget those deepfake videos that make you question reality itself. It's like living in a meme, but you're learning stuff!

And the cherry on top of this scientifically artistic sundae? The impact on humanity. We're talking health, environment, and even social change. Imagine a world where you can 3D print a new liver in your living room. Or where AI helps us understand the secret language of dolphins – it's "Flipper" meets Rosetta Stone!

Speaking of environment, remember when we used to think recycling was just taking out the trash? Now, we're using satellite imagery and AI to track and tackle climate change like a squad of Avengers. It's not just saving the planet; it's turning Mother Nature into a viral sensation – #EarthLove.

But it's not all rainbows and unicorns. Let's get real – we've got challenges bigger than trying to find a decent Wi-Fi signal in the Sahara. We're dealing with ethical dilemmas that make the trolley problem look like a game of "Mario Kart." AI with the potential to be as benevolent as WALL-E or as rogue as Skynet. Biotechnology that could either heal humanity or turn us into a Black Mirror episode.

Yet, amidst this whirlwind of wonder and worry, art keeps us grounded. It reminds us that at the heart of every algorithm, every scientific discovery, there's a human story. A story as rich and complex as a Shakespearean play, but probably with more emojis.

And let's not forget our dear Sir Human, perpetually perplexed but ever so patient. While our narrator flits from quantum mechanics to meme culture faster than a TikTok scroll, Sir Human is the anchor, the voice of reason in a sea of scientific and artistic chaos.

In conclusion, dear Sir Human, as we stand at the intersection of science, technology, and art, we're not just witnesses to this crazy, beautiful symphony of progress. We're the composers, the conductors, the audience, and occasionally, the guy who dozes off and wakes up when the cymbals crash. It's a wild ride, a cosmic giggle in the vastness of the universe. And as we blend these realms with the finesse of a DJ mixing tracks, we're not just boosting lives; we're remixing civilization itself. It's an odyssey, a high-octane adventure, and you, Sir Human, are invited to the party. So, grab your hoverboard, your lab coat, and your paintbrush – the future is waiting, and it's looking fabulously, hilariously, unapologetically brilliant!

[adribosch-fan]

Un migrante cubano se hizo viral cuando recibió su primer cheque de trabajo en Estados Unidos

Un migrante cubano se hizo viral cuando recibió su primer cheque de trabajo en Estados Unidos

Un video de la reacción de un migrante cubano recibiendo su primer cheque de trabajo en EEUU se convirtió en viral en las redes sociales. «Nunca tuve tanto dinero en mis manos por mi esfuerzo, por mi sudor, y me duele que millones en mi país y en otros países no puedan tener eso», dijo. Redacción | Primer Informe Un conductor de UPS se hizo viral después de que su esposa lo filmara abriendo su…

[heyaeolus]

The MSBY Jackals' Band

With: Atsumu, Bokuto, Hinata, Sakusa Genre: Fluff Warnings: Alcohol intake, swearing

Atsumu is the band's lead guitarist. He started early on learning the guitar and he makes the most powerful riffs with it, taking over musical breaks. He is so comfortable with it that it serves as an extension of his body rather than an instrument. During gigs, he is the one who garners the most attention. Given that, the whole band makes him do most intros. He does this thing which would never fail to make the crowd go silent before they start (I think we all know just what gesture that is). Needless to say, girls flock around him as soon as the set's over. He used to play around a lot, bringing a different girl in every gig. It earned him the title of being a jerk. But when he saw you that one night, laughing with your friends, he had to approach you. He used one of his pick-up lines on you only to get slapped. It was a long shot but he finally got you to say yes. To make it clear that he is taken, he wears his engagement ring on his neck, kissing it before he starts with his intro. When you come to their gig, he would give you a little shoutout saying things like, “To my angel, I know you're there. I need a reward from you after this.” And he would be completely shameless on winking at you repeatedly while performing.

Bokuto is the band's main vocalist and bassist. It could get so messy with Bokuto's energy so a lot of times Atsumu holds him back from doing things like jumping into the sea of crowd without any warning. He once broke his leg from doing that. Aside from the groove, he also sets the audience's mood so he is the main conductor of the band's gigs. If he's in one of his emo modes, the band always opts — not that they have a choice — for their sad songs. Out of all the members, he got the biggest circle of friends he picked up from their gigs. He could easily borrow one of the effects pedal from the other band whenever he forgets his. He also gets the most drink offerings from the crowd which makes him drunk almost all the time. And of course, you will be there to haul his ass back home. Once he sees you weaving through the sea of bodies, he slurs your name loudly, almost tumbling on his own two feet. “Baaabe,” he wraps his big arms on your shoulders, all his weight on you. You huff out, “'Tarou we'll fall if you don't stand on your feet.” He grunts but you feel some of his weight taken off of you, “You're so mean to me.” “Okay, I'm sorry. Let's go home,” you smile at him, his face inches away from you. He nods, laughing. And you could smell the alcohol in his breath but his cuteness is distracting you from it. He kisses your nose before uttering an almost inaudible “Yeah,” and you're out of the bar.

Hinata is the band's explosive drummer. Literally explosive because he had already broken three bass drums accidentally. There was also this video of him while drumming an intensely fast beat, his arms were flailing around in a blur, almost incomprehensible by the naked eye. It went viral and made a good publicity for the band. Atsumu was jealous of that. Hinata's got that boy-next-door vibe that makes him a secret eye candy. Well, not-so-secret eye candy since he receives quite a lot of gifts after their sets. Whenever he is with you, he always has to be tapping his feet to the beat of something. Or his hands would be gripping onto his drum sticks or anything that resembles them, and he would drum away to the nearest surface. You'd always glare at him for doing that, “I'm trying to study, Shoyo.” He smiles at you guiltily, scratching the back of his head, “My bad. Want me to treat you to ice cream to make up for it?” He stands from his seat and hugs you from behind, kissing your cheek. It is tempting but you've got a paper to finish. He threatens you though, leaving you with no choice, “I won't stop drumming if you don't come.” “Fine! Fine! I'll come!” Not like you're staying even without the threat.

Sakusa is that mysterious rhythm guitarist who stays where he is barely seen. You could still see him onstage but at the farthest place from the audience and at the darkest corner. He is doing his thing right there, quietly banging his head to the rhythm, his hair bouncing. He wears a bandana around his forehead because his sweat always flows down his eyes and stings him in the middle of their sets. He is also the main person who composes their originals. And even though he carries himself with confidence, his cheeks would always flush when their colleagues praise him for his work. This man has a pick collection and would choose one to use based on his current mood. So when he gets a hot red out of his neatly organized pill box storage full of picks, Hinata and Bokuto would get rigid and play more seriously. He is actually better than Atsumu with guitars but he doesn't want the spotlight and the crowd. He prefers sneaking out immediately to avoid any unnecessary contact with strangers. One time when you caught him being mobbed by several girls, he literally ran to you once your eyes met. He held your hand gently despite his furrowed brows, "I hate it when they get invasive like that." You smiled to yourself, "Says the one who joined a band." He stopped in his tracks and glared at you, "And who exactly pushed me to join? I don't remember... was it you?" You rolled your eyes at him, giggling, "You love it though." He smirks at you, he loves it when you make it so easy for him to live life. He pulls your hand against his lips and places a tender kiss on it, "But I love you more."

if you want another version of this with a different team, just say so ;)))

[refcco]

BATTERIES GONE WRONG – ASSESSMENT, MITIGATION, AND EXPECTATIONS

In the world of product safety, it could be said that there are two basic approaches to risk mitigation, proactive and reactive, with proactive being the preferred choice. Most would agree with the adage that “an ounce of prevention is worth a pound of cure,” but in truth, this oversimplifies the reality in which product manufacturers operate. As with most things in life, things are rarely black and white but rather a continuous spectrum of shades of gray. To this, there are many competing aspects in all commercial product ventures. Could you make a product that was fully reliable under all conditions? Perhaps, but the odds are that it would be a commercial failure as it would take an inordinate amount of time to produce and be prohibitively expensive. In today’s market, the traditional characteristics of safety, time to market, quality, cost, reliability, manufacturability, testability, and usability (to name a few) still apply. But these have been further augmented by more modern concerns of environmental impact, sustainability, social responsibility, and others. We mention these not to offer any judgment but only to note that the expectation that a product will perform flawlessly over its lifecycle is a difficult proposition given the myriad of competing needs. The battery industry is no different when it comes to satisfying market requirements. With batteries having become ubiquitous in our daily lives as the world has migrated to all things becoming portable, the challenge for providers of these products has increased. With the advent of high-energy, rechargeable lithium-ion chemistries, battery performance has dramatically increased, but so have the risks. No longer are battery packs simple devices. In most modern electronic products, they are better characterized as complex components of an integrated system with one key difference – most other components of such systems rarely have the ability to spontaneously overheat and burn (i.e., go to “thermal runaway”) with little to no warning, potentially resulting in personal injury, product damage, and the associated legal and market liabilities.

HOW DO WE ASSESS BATTERY SAFETY RISKS? In focusing on the safety risks, what are the options for risk mitigation in the battery space? Ideally, these begin early in the design phase. Clearly, there is no substitute for a good design using high-quality components. In the world of batteries, safety-critical components such as the cell, safety circuit, and passive protective devices such as fuses, positive temperature coefficient (PTC) devices, and other thermal devices are the initial focus. Mechanical considerations also come into play to help ensure that the cell is accommodated within its specified limits including levels of protection against reasonably foreseeable external use conditions. To ensure that such efforts are yielding the desired result, testing of both the components and the battery pack assembly is key, covering the aspects of safety as well as long-term reliability and performance. This testing should be initiated early in the product development process so that, if issues are uncovered, there is the time and flexibility to adjust the design, followed by retesting to verify the efficacy of the changes and to ensure that other problems were not inadvertently introduced. As the development process progresses, production samples should be built and evaluated to understand if manufacturing variations can create unanticipated safety risks. In many cases, this design-build-test-adjust process is performed by the component and battery pack manufacturers and is sometimes augmented by external testing laboratory resources. For more complex systems, the end-device manufacturer may also be involved early in the process to ensure system aspects do not negatively impact battery safety.

TESTING BATTERIES FOR REGULATORY APPROVAL As the design stabilizes, regulatory approval at the battery pack level is usually the next layer of risk mitigation. A key input to this process is the approval of the component cell as it represents the greatest single safety risk. Regulatory testing typically involves small sample sizes and is not meant to serve as a statistically significant sample size to find outliers in a large population but rather is meant to find gross issues such as design or process defects that have escaped detection in the early stages of product development. Common testing protocols involve a combination of electrical, mechanical, and thermal overstress. Some involve the application of faults to better assess the inherent safety robustness of the battery pack. Other tests attempt to evaluate the product for stresses that might be common to a specific industry or use case. At a minimum, battery packs will be tested to the transportation requirements found in UN 38.3. Testing to one of the 62133-2 series of standards (IEC, EN, UL) is also commonly performed and is required for regulatory approval in many global markets. Testing to such standards is usually conducted by accredited third-party testing laboratories with the end result being the authorized application of the testing lab’s mark to the product. This approval facilitates regulatory acceptance by government authorities and may also be a prerequisite for commercial entities such as retailers and distributors to offer the product for sale. Some approvals also require periodic post-market inspection of production facilities to ensure the design is still being manufactured as originally qualified. Infrequently, a testing laboratory or regulatory agency may mandate retesting when significant changes to the relevant test standards are implemented.

THE CHALLENGES OF BATTERIES AS END-PRODUCT COMPONENTS The discussion up to this point is intended as background for what is typically done in a normal battery pack product development cycle. The level to which these actions are implemented directly correlates to a base level of risk mitigation for safety events once the product is released into the market. This does not mean that there are any guarantees that there won’t be field problems, but the level of exposure is certainly reduced as more product safety information is proactively discerned and addressed. What if the battery pack is simply a purchased component and the purchaser was not involved in the design process and may not even have any visibility into the production of the battery pack? Similarly, what if the purchaser is procuring an end device that has an embedded battery pack? These are both very common situations for retailers and distributors who typically have very limited internal engineering resources. Certainly, buying such products from reputable sources and checking for the presence of the requisite safety marks is a good start, but is it sufficient? Modern supply chains are global. Therefore, discerning where a product was manufactured and by whom can be a challenge in itself. This means that regardless of the actual manufacturer’s liability, a retailer’s or distributor’s brand can be put in jeopardy by a single video posted on social media that quickly goes viral. How can product risk be mitigated in this situation? The general answer is to work backward beginning with production samples. A product teardown of new product samples by a knowledgeable third party can aid in assessing what risks exist with purchased products where the detailed design knowledge is not available. Although every product is different, an evaluation of a product from a portable energy safety perspective might include such items as: • Verification of any regulatory marks on the product. Was the testing actually done and is the regulatory status current? • Evaluation of insulating methods including their integrity and consistency • Evaluation of conductor sizing • Review of manufacturing quality indicators that might equate to latent defects • Review of the safety circuit or other protective devices for proper operation under abnormal conditions such as over-voltage, over-current, short-circuit, and under-voltage • Review of the charging circuit design. Does it subject the battery or cell to improper conditions? • Determination of the cell manufacturer and type. This also includes an assessment of whether the cell might be counterfeit • Cell examination (radiographs and/or CT scans), teardown, and construction analysis • Review of the mechanical design of the product in terms of its ability to protect the safety critical components • End-user instructions and safety warnings

WHAT ABOUT BATTERY PERFORMANCE ISSUES? In addition to a review of safety concerns, performance relative to competing market options should be evaluated through benchmarking. This is typically done in parallel with the safety review and is focused on how a user is expected to employ the product in expected use cases. Competing samples are drawn from the market ensuring that they are of the same price tier to ensure that the comparisons are valid. A custom evaluation plan is drafted and might involve visual inspections, functional checks, and even comparisons of long-term electrical or mechanical reliability. Many times, the criteria are drawn from marketing assertions as shown on the products’ packaging. Examples might include the number of hours that the device will operate in a given mode before needing to be recharged and how long that recharge might take. The evaluation can also go much further, perhaps considering the relative drop performance from a given height or the number of charge-discharge cycles before a loss of function is detected. As a general rule, safety concerns tend towards the absolute given the nature of such risks to people and property. Conversely, performance concerns lend themselves towards a more relative evaluation against other competing market options.

ANTICIPATING THERMAL RUNAWAY RISKS Given the above processes for minimizing risks through proper design or post-production design evaluations, are there other proactive risk mitigation actions that warrant consideration from a product safety perspective? Consider this – even if all of the above steps are followed with the best of intentions, what happens if things still go wrong? More specifically, what is the effect to the end product and nearby users if a cell goes into thermal runaway when the device is in use? Second, what happens if a cell goes into thermal runaway during the transportation and shipping process? Most designers can only guess as definitively knowing what happens is rarely directly investigated. To answer these questions, there are two general methodologies. Simulation is an option but requires very advanced electrochemical and thermal modeling. Our experience is that this tends to be cost-prohibitive for most organizations and thus is only seen in relatively large companies where such expertise is available in-house. What about direct testing? Like simulation, it has barriers for implementation as well, the most obvious being concerns related to personnel safety and expertise, as well as having the appropriate facilities to provide the proper test containment of high-energy events while being able to document their effects. With the right facilities and expertise available, a determination must be made about how to force the cell or battery into thermal runaway. Overcharging and surface heating are two common methods, although the design of the product and the chemistry of the cells will guide what method is most appropriate. Other considerations for such testing involve what data is to be collected and how. Video evidence is considered by most clients to be the most useful. It should be further supported by appropriate logging of relevant temperatures and possibly other product parameters, as well as forensic documentation of the actual effects to the end-product. Once again, the goal is to use the information obtained to determine if design improvement should be made to minimize the chances of personal injury or property damage during a thermal runaway event. Although the above is presented in a relatively clinical fashion, the danger of injury and property damage is very real. Depending on the energy level of the particular sample, an exploding cell can produce temperatures above 1200 °C (2192 °F) and deadly shrapnel particularly in the case of large-format cells with metal cans. Readers are strongly cautioned to not attempt such testing without the proper expertise and containment equipment.

THE IMPORTANCE OF FAILURE ANALYSIS Designing and testing cells and batteries properly from a safety perspective, including understanding the impacts should a thermal runaway event occur, are the best risk mitigation tools that we have at our disposal. Even with those best proactive efforts, things will still go wrong. The real question is how often. True failure rates for cells and batteries are not publicly available as companies keep such information confidential. But anecdotally, high-quality lithium-ion cells have a rough order of magnitude (ROM) failure rate somewhere around 1 in 10 million, while lesser quality cells are likely to have poorer field performance. With over eight billion cells being produced globally every year, the math is inescapable that bad things will happen. These factors make clear the importance of using retrospective methods to gain insights into what happened, how it happened, and why it happened. These methods collectively fall under the heading of lithium battery failure analysis. Failures in the field can happen at any point in the battery’s life cycle and can vary significantly in severity and frequency. Responses to such issues also vary accordingly, ranging from simply replacing a product under warranty to retrieval of the product for a full forensic evaluation. For minor issues, it may be determined that a product change is not warranted. Conversely, safety issues may mandate a full product recall and rework of the design. In the end, failure analysis actions provide after-the-fact knowledge for organizations from which to make decisions that will impact future risk.

THE VALUE OF THIRD-PARTY EXPERTISE Like thermal runaway testing, cell and battery failure analysis involves expertise, processes, and tools that may not be readily available to most organizations. Because of the uniqueness and the infrequency of need, expertise tends to be primarily resident in third-party test labs that specialize in portable energy. Conducting cell and battery failure analysis through an expert third party offers a number of benefits, including: • Reduction of personal bias: A third-party test lab has no vested interest in the outcome of the analysis, nor do they have intimate knowledge of the product or company’s history. • Independent verification: A third-party lab can help to independently verify the findings of an internal team or a supplier. • Resource utilization: As noted previously, field safety events are generally an infrequent occurrence. Having an internal team staffed with the proper expertise and equipment to respond to such a rare event is generally not possible or even desirable. • Diligence: In the most severe of cases such as potential product recalls, it may be valuable for the company to have an independent party involved to minimize negative perceptions regarding objectivity. • Focus: Having failure analysis conducted by an external party may permit the company’s internal teams to remain focused on the day-to-day operations of their mainline business. • Process rigor: An external testing lab will have already developed the processes and methods for orderly evaluation and documentation of field failures, with specific expertise in evidence preservation. • Breadth of experience: Because of their focus on failure analysis spread across multiple clients over time, a third-party testing lab will generally have a wider range of technical experience when it comes to what constitutes typical versus atypical findings.

WORKING WITH A THIRD-PARTY EXPERT When working with a third-party failure analysis provider, you will be asked to provide more than the failed unit to facilitate the investigation. It is important to be as open and honest as possible. Your provider should be accustomed to handling confidential materials and should be willing to work under a non-disclosure agreement (NDA) to protect all proprietary information. In terms of the supplemental information, basic product information is the starting point. This might include specifications and similar documents to support the work along with any relevant details regarding product history. These will not be used to prematurely assume conclusions, but rather to supplement the physical evidence and help prioritize the investigatory efforts. Information on the specific unit along with incident details are also very important to piecing together what happened. How was the unit configured? Was it operating in a particular mode? Did the unit demonstrate anything unusual prior to the event? It is best to provide all of the information that is available and let the failure analysis team draw their own conclusions regarding relevance. It is important to realize that as the investigation moves forward, the relevance of such information may change as more information is learned. The actual failed units will need to be delivered to the laboratory. In this situation, more is better. It is possible that there may be multiple failure modes at play and having additional samples may help to isolate these. It is also important to preserve the evidence as much as possible by limiting unnecessary handling, examining, or actual tampering which might further damage the unit and lead to erroneous findings. Proper packaging is a must. It is best if all components of the reported system can be provided, i.e., the failed cell or battery, the end-device if applicable, charging devices and cables, etc., as it is possible that the root cause of the failure may have been external to the cell or battery that failed. Samples should be marked or segregated so that it is clear which components go together. In addition to the failed systems, it is also good if a fully functional new system can be provided for purposes of comparison. What should you expect from your third party expert? Every investigation is unique, and your provider should work with you to generate a project scope that meets your needs, and they should limit their efforts to that scope. Considerations include specific concerns, communication frequency, deliverables, and budget. Be aware that the actual work of failure analysis involves a mix of analytical tools such as fault tree analysis (FTA) combined with empirical methods such as x-ray imaging, CT scanning, optical microscopy, product dissection (battery pack and cell teardowns), quantitative measurement, circuit testing, and replication testing. Not every tool is appropriate for every situation. Your provider will provide guidance on these technical aspects. In the end, your provider should provide your team a clear, unbiased analysis report that details the investigation and its associated findings. What should you not expect from your provider? First, don’t expect speculation. This is a “just the facts” activity. If the evidence doesn’t support it, your provider shouldn’t be offering it up. Second, keep in mind that not every investigation yields the root cause or even the true failure mode. Depending upon the condition of the evidence and nature of the incident, it simply may not be feasible to reach this level of understanding. Conversely, the efforts may seek to eliminate likely root causes thus narrowing the possibilities. Third, don’t expect your provider to tell you if this issue will repeat in the future. A risk analysis to predict the likelihood of future failures requires a different set of information, although data from the failure analysis investigation may serve as key inputs into that analysis. Finally, don’t expect your provider to tell you what actions to take, although the root cause data from your provider may serve as a basis for your team to make those decisions.

FINAL THOUGHTS In conclusion, there is a wide array of proactive and reactive steps that can be taken to minimize and mitigate product risks associated with modern lithium-ion cells and battery packs. On the front end, these include the proper design for safety, use of high quality cells and components, thorough testing from the component to the system level to include thermal runaway evaluations, and third-party certifications where appropriate. When problems do occur in the field, consider the engagement of a reputable third-party failure analysis organization that specializes in cells and batteries. Their team of experts can help to assess what happened, how it happened, and possibly even why the incident occurred. In turn, your organization can use this information to objectively determine appropriate responses, both immediate and longer-term, to mitigate risk to your customers, your product, and your brand.

[thatguythatcoulddraw]

Quarantine Q&A!

Tagged by @primasveraas <3

Are you staying home from work/school?

Yee, the VA Governor closed all schools and recreational businesses for a hot few months, so my junior year is technically done. Online schooling til hopefully just August!

If you're staying home, who's staying with you?

I'm actually hosting one of my close friends, an exchange student from Serbia, for two weeks while her main host fam's under a strict quarantine themselves! Without her here I think I'd be mad by now, I love my parents to death but god, seeing the same ANYONE everyday for weeks on end would drive me crazy!! So while she's here I'm sane, but with the exchange programs constantly changing due to Covid-19, she could be sent home any day :(

Are you a homeboy?

Nope. Don't get me wrong, I love weekends at home and spending time relaxing alone, but I'm an extrovert and get cabin fever suuuper easily, so yeah I'm dying. Send help, please, just one movie night, I beg anyone 😭😭😭😭

Any events you were looking forward to that got cancelled?

Gosh, where to begin. The W&L University Singers and my dad (the conductor)'s home performances of Considering Matthew Shepherd, my SAT's, my AP tests, prom, the Equality Gala, my opportunity to sing for a local restaurant, voice lessons, a friend's soccer game I was gonna cheer him on at, my dance recital, my choir concert, the talent show, SO. MUCH. STUFF, LIFE GOT CANCELLED ALL IN ONE DAY AND YES I AM MOTHER FREAKING SALTY!!!!!!!!

Movies/Shows you've been watching?

New Movies!

What's Eating Gilbert Grape

Ferris Bueller's Day Off

Shrek (YES, IK, DONT @ ME XD)

Rewatched!

Knives Out

Jojo Rabbit

Frozen 2

The whole LOTR trilogy + our ultra nerdy 11+ hours of behind the scenes content Dad got cuz we all neeeeeeerdz

To Be Seen!

Parasite

Your Name

New Shows!

Schitt's Creek

Gravity Falls

Rewatched!

Sherlock

Star Wars the Clone Wars

To Be Seen!

Killing Eve (got to see ep 1, def want more!)

Music?

Lots of the same old stuff, happy Dodie songs, og Steven Universe, Six the musical and anything Broadway, anything that's upbeat and not such a downer in these downer times :)

Also lots of lofi, for studying :)))

Books?

New Reads: the Crazy Rich Asian series (1 million outta 10, its SO GOOD), Good Omens finally, Call Me By Your Name, and lots more on my ever growing reading list :)

Rereads: I want to read Red, White, and Royal Blue again, the Virals series (by Brandon and. ) which is legit my favorite book series and the greatest one out there fight me, Crier's War, and Resistance Reborn because I want to forget Rise of Skywalker happened.

My top TBRs: Bonds of Brass (GAY SCIFI/CYPERPUNK FINNPOE I LOVE IT) and The Savior's Champion fiiinally

(All of these lists also have so much AO3 fanfic on each of them but we can't get into that or we'll be here til the virus leaves)

What are you doing for self care?

Video calling friends, volunteering at my local food pantry, staying active online with internet friends while avoiding toxic or anxiety-inducing news. I've been baking a ton and trying lots of fun, weird drinks using coffee and matcha just cuz and I've found so many I'd die for. I've started working out more regularly, I drink far more water than I did during school, I pulled out sixth-grade-me's hidden MASSIVE BOX of Bath and Body Work's hand sanitizers and am slowly going thru those. Overall I'm trying not to loose myself or let myself go right now. It's hard, and my mental health is taking a lot of hits right now, but just finding one thing a day to do, no matter what it is, and doing that thing, makes me feel so, so much better. This whole thing is hard. The world is scary and downright weird right now, in a limbo between fragments of normalcy and emergency. I don't know what's gonna happen, no one does. The best we can do is keep our chins up in the face of it all, keep taking deep breaths when it gets too hard, and keep living another day, even when that seems like the worst thing you could do.

We'll all get through this, together. I know we will.

Humanity is kinda batshit crazy. Our collective single braincell by some diety survived this long.

We can survive now too.

I'm not tagging anyone bc I legit know no mutuals here who'd do this who haven't already, so hey @scifigrl47 I love your work and you are my inspiration so uh... if you wanna, try this?

Mmkk that's enough rambling today, wash ya hands and stay safe out there, mates :)

[carryforthtradition]

Resiliance - Creativity born in times of disaster

troubling times The serenity prayer was made by my Aunty Eileen - she gave it to me when I first started to raise awareness about the persecution of Falun Gong in 2011. it gave me strength and encouragement

Today I have been thinking about certain aspects of life.

Devastation, war, destruction, pain, suffering, chaos, lack of control, hopelessness, loss of freedom, loss, the feelings evoked such as ‘what is the point?’, ‘what difference can I make?’ All of these feelings may pop up from time to time. For some, living in war zones or locked up without freedom, it may be that this is a constant fear. A constant reminder of the impermanence of life. Yet, whilst we endure such incredible frightening and difficult situations, life still goes on amongst it. Over the years, I have been surprised time and time again reading stories of resilience. I’m hesitant to share links to media which illustrate this, as I don’t want to make the wrong step and it become political and these days you can end up promoting propaganda or an agenda you would rather not be propping up unwittingly. There seems to be so much misinformation and disinformation around. I’d like to avoid that.

resilience

There is always an agenda or some sort. Mine is about bouncing back from adversity. What I want to focus on is resilience. People have shown resilience no matter what side of the political spectrum they’re perceived to be on. What springs to mind are stories and images of musicians playing in war torn devastation, bombed apartments collapsed around them, tattered curtains blowing in the dust filled air. Some play to comfort themselves and those around them, others to make a statement of opposition or defiance. Although I don’t know anything else about this man, one such story I came across was of Karim Wasfi, the conductor of the Iraqi National Symphony Orchestra who played at the site in Baghdad where a car bomb had just killed at least 10 people and injured many more. He turned up, took out his cello, sat down on a chair, and started to play. Images and video clips went viral around the world. In his words ‘It was an action to try to equalise things, to reach the equilibrium between ugliness, insanity and grotesque, indecent acts of terror – to equalise it, or to overcome it, by acts of beauty, creativity and refinement.’

When asked if the act of playing the cello was the opposite to the act of detonating a bomb he answered; ‘Yes. Creating life, basically. I don’t want that to turn into an inevitability of the situation in Iraq: death experienced on a daily basis. No, I want to do the opposite. Life is experienced on a daily basis. Even though we don’t experience normalcy. When things are normal, I will have more responsibilities and obligations. But when things are insane and abnormal like that, I have the obligation of inspiring people, sharing hope, perseverance, dedication, and preserving the momentum of life.’

It seems like a good intent and answer to me. (Please let me know if you know more about this story.)

Other images that stick in my mind are of people playing the piano; a man in his bombed out apartment in Syria, an image of the pianist of Sarajevo, a man in a photo of the London Blitz playing a broken piano perching on the top of a pile of rubble with the silhouettes of collapsed buildings in the background.

The story of the band playing as the Titanic sank is one we are all probably more familiar with. Some of the survivors later reported that the ship’s string ensemble played a hymn as it sank; It was said that on 15 April the eight-member band, led by Wallace Hartley, assembled in the first-class lounge in an effort to keep passengers calm and upbeat. Later they moved on to the boat deck where they continued playing as the ship sank and all members perished. They sang “Nearer, My God, to Thee”.

More recently, if you do a quick search on YouTube for ‘Italians singing in lockdown’, it takes you to people singing on their balconies to lift people’s sprits. There are other videos from around the world with people singing, playing music, violinists and flautists playing classical music with an audience of silent people listening from their neighbouring balconies. I saw a lady in Wales singing to her neighbourhood from her garden using a microphone and her amp, a gesture of kindness and it was certainly appreciated going by the cheering and clapping you could hear at the end of her performance and the comments people had left on her video.

There are so many stories like this. It doesn’t take long to find them if you look.

china before communism

Quite often I mention Shen Yun Performing Arts, my all time favourite show, who are on a mission to revive traditional Chinese culture, ‘China before communism’. Shen Yun was set up by professional artists;, dancers and musicians some of whom who had fled China and assembled in New York, to both continue their beautiful arts and skills, but with this noble mission. I’ve been enjoying listening to some of the audience reviews and interviews as they tour the world in 2022. Many people are inspired by their message of hope in these difficult times. Shen Yun’s mission is to help save the world’s people, it is helping people see the importance of Divine culture in our lives, that of higher morals and universal principles such as truth, compassion, honour, and reminding us that there is a much higher arrangement than we realise, and people have said they leave the performance feeling much more hopeful about the future. Many state that they dream of a better world where people return to a more traditional way of life embracing kindness and all those good values and morals.

People are amazing, I hope you remember this, we are all amazing. Never lose hope, and never give up.

I inherited some beautiful pieces of embroidery (you can see these beautiful pieces of birds and flowers my Auntie Eileen did). This depiction of trees and hills was done by my grand mother, possibly of Scotland with purple heather in the distance, and was her first embroidery which she made during the York blitz.

My Auntie Eileen, dad’s sister and my grand mother had been evacuated from York during World War II and sent to live with a couple in their home belonging to the Rowntree Family. They lived for some time with this family, a man and his wife. Even there, my auntie can remember hiding under the table as bomb sirens sounded.

They’d had to move out of their home for some time as a direct hit at the end of their street had devastated their homes. My Auntie remembers some shrapnel bursting through the wall above her head, next to her wooden cross of Jesus Christ hanging above her bed, as she lay there. This piece was embedded in the wall at the other end of the room. She was a devout Christian and believes that God protected her. We still have the cross and the shrapnel. It’s a pretty horrifying thought that something so small can inflict so much devastation, and unbelievable that she wasn’t hurt.

Past Times. Pass Times

During that very unsettling and perilous time, life still had to go on. She told me that during these times, many people gathered together to make things, to be creative, to sing, to play music and a lot of the schools and Church halls, which were closed for safety most of the time, had gatherings when it was a bit quieter.

Her mother took her to a school hall to learn embroidery, and this is where both my grandmother and aunt began to learn their skills. How amazing. Up until her death, my aunt created some beautiful pieces, some small contributions are part of the Leeds Tapestries still displayed today. I have also saved many other pieces, and some are even from my Uncle’s parents, some are really old, passed down, their makers now unknown, but as time goes back, the skills in exhibited in this collection were more exquisite and intricately dainty.

My grand mother continued embroidery and also played the piano until she could no longer use her fingers due to arthritis in her old age. She died at nearly 80, my aunt was 82. I truly believe whatever experiences they had in their earlier lives made them tough.

In fact, in our home here, I have a beautiful oak bureau which belonged to my dad’s parents. It is a constant reminder of how fragile life can be - it has been repaired badly from a direct shrapnel hit right in the centre of the folding down door. It happened in the blitz in York during World War II.

Let us not forget. Life is so precious.

moving forward in difficult times

On a more personal note, since 2011, when I found out that the Chinese communist regime are harvesting organs for profit from Falun Dafa peaceful meditators and others in China, the Uighurs, house church Christians, Tibetans, and many, many others, I have worked really hard to make sure people aware of what is going on there, and to alert people about the ties and connections all around the world, in every level of society, to this evil regime. Forced, live organ harvesting of prisoners of conscience started in Wuhan, China - the origin of the covid19 CCP virus. There are so many other dark secrets yet to come to light, that I know will shock the world to it’s core. The level of complicity is utterly disturbing.

So I’d say, to get through these times, and the times ahead, it is really important to find some solace.

My way to do this is like my ancestors - In between the dark work I’m doing, to highlight atrocities, I get creative.

In fact, that is actually how Carry Forth Tradition came to life. As you may know, I started it at the beginning of lockdown in 2020 when I was staying with my parents. In the summer of 2020, poor mum fractured her spine and found out she has osteoporosis, she was crippled with pain for months, and at the same time, my dad needed emergency spinal surgery and we were just on the way out of the door to the hospital, when he was called and told he had cancer of the oesophagus. He was then later was given 6 months to live. I took care of him with mum until he died at their home. Now, I know this may seem bizarre to many, but the pressure and stress I was under, not to mention the fear levels we were all breaking through due to constant bombardment and reminders of the pandemic, actually helped me to focus on being creative. In fact, aside of my practice of Falun Dafa; the daily meditation and exercises I do, being creative at that time was the only place left to go which didn’t hurt, or was scary. It was light relief that kept me going, and still does. I really value the importance of being creative. Since then I have bought and am learning to play the harp! And now a little confession - the photo of the black work embroidery is something I still have yet to complete. I started it for my husband’s 40th (shame shame) and now we are both 50. I made a promise to my dying aunt to finish it for him, so I will make sure I do. Funnily enough, I started it in times of adversity - when I was suffering with M.E. before my recovery. At the time, it took me a few hours to do only a few stitches. Needless to say as I deteriorated, I sadly put it away in a drawer. It took me a long time to get it back out, and so over the years more was added, and bit by bit it has grown. It’s a work in progress and is very much linked to whatever is going on in my life. But I am determined to finish it - now all I seem to lack is time. Or maybe that is an excuse.

I truly believe that we are creative beings. So please let your creativity come through in times of adversity, it is such a good thing to do. Maybe it is waiting there for you to set it free.

[ruthbader]

an die freude, ii.

(read the first part here)

By Monday morning, the video of the flash mob is circulating the Internet. Kat Tweets a link to the video on Scarlet’s page and finds herself watching it at her desk, even though she witnessed it in person.

 “Hey, is that the video of the orchestra?”

 Sutton is standing behind her, scarves draped over her arms.

 “Yeah,” Kat nods, pausing the video.  “I was actually there yesterday.”

 “Wait, really?”

 “Yeah, I was gonna’ pick up some sushi from that place Jane likes by the river, and I was just doing some work on my phone when they just…appeared,” Kat says.  “It was insane.”

 “I’m so jealous.” Sutton stares at the screen.  “I’ve always wanted to be a part of a flash mob.”

 “I mean, I wasn’t really a part of it,” Kat waves her hands in front of her.  “I just watched it happen.  The conductor walked past me.”

 “Kat!”

 There are hurried footsteps and then Jane is standing next to Sutton, hands on her hips.  “What happened yesterday?  I thought you were getting us sushi and then you never called me back.”

 “She was in a flash mob!” Sutton blurts out.

 “What?”

 Kat shakes her head.  “I witnessed a flash mob,” she clarifies.  “This entire orchestra just showed up and played a song from Beethoven’s ninth symphony.”

 Sutton cocks her head at her and then Kat quickly says, “Hey, I know things.”

 “Wait.” Jan leans forward to look at Kat’s computer screen.  “I know her.”

 “Who?” Kat turns to look too.

 “The conductor,” Jane says.  “I read about her, at least.  She’s a guest conductor at the New York Symphony Orchestra.”

 “Kat met her,” Sutton says and Kat rolls her eyes.

 “I didn’t meet her, she just walked past me.”

 Jane crosses her arms and then says, “Yeah, I think the article I read said that she’s the first Muslim conductor for the orchestra.”

 Kat looks back to her screen, see’s the blurred, paused image of the woman in the red scarf with an arm out towards the musicians and then finds herself saying, “We should totally do a profile of her.”

 Jane uncrosses her arms and looks down at Kat.

 “You know.  We. Scarlet.”

 “Well…” Jane smiles.  “Jacqueline has me doing this story on sex toys which is, uh, not really my thing. But if you bring it up to her and just happen to mention that I would be a good fit to write it…” Jane’s smile gets wider.  “To make up for the lack of sushi.”

 Kat rolls her eyes again and says, “Fine.”

 “Thanks, you’re a doll!” Jane pats her on the shoulder and then skips off, Sutton trailing behind her.

 ----

(Her name is Adena El-Amin, Kat learns.)

 She’s watched the video at least a dozen times now, and she has it loaded and ready on a tablet when she walks towards Jacqueline’s office.

 The door is open and she steps over the threshold and says, “I hope I’m not catching you at a bad time.”

 Jacqueline looks up from where she’s sitting at her desk, smiles, and says, “Not at all.  What can I do for you, Kat?”

 “Um, I don’t know if you’ve seen the video yet, but there was sort of this flash mob yesterday.”

 “A flash mob?”

 “Yeah, it’s sort of like—a bunch of people get together and perform, kind of spontaneously and—”

 “No, I know what a flash mob is, I just thought people had stopped doing them.”

 Kat chuckles to herself and then straightens up.  “Well, the New York Symphony Orchestra did one yesterday and the video is starting to go viral.”

 “And?” Jacqueline folds her hands neatly on top of her desk.

 Kat clears her throat.  “They have a new guest conductor, her name is Adena El-Amin, and she’s the first Muslim conductor the orchestra has had.  It’s a little off from what we normally cover, but I think a profile of her could be really great for our clicks.”

 Jacqueline nods.  She gestures towards the tablet Kat is holding and says, “Do you have the video?”

 Kat quickly hands it over to her and Jacqueline watches the first minute of it before pausing it and looking up again.

 “Alright.  See what else you can find out about her and if she’s willing, I’ll have Alex cover it.

 “Oh,” Kat says quickly.  “I think this might be more up Jane’s alley, actually.”

 “I’ve already got Jane on a piece I want out by the end of the week. Alex can take this one.”

 “Right, okay.” Kat takes the tablet back, gives her thanks to Jacqueline, and walks out of the office.

 ----

“She has a Twitter account, but no other contact info listed,” Kat says from behind her coffee cup.

 Jane frowns.  “Nothing?”

 Kat shakes her head.  They’re sitting at one of the small tables in the lobby of the Steinem building, passing time until it’ll start to look suspicious that they’re not at their desks doing their jobs.

 “And you’re positive that Jacqueline wants Alex to cover this?”

 “Maybe you should just tell Jacqueline that you don’t want to cover sex toys, instead of trying to get me to give you pitches to write.”

 “No way,” Jane says.  “I’m barely a month into this new promotion, I have to make sure Jacqueline still doesn’t want to fire me before I start turning down what she gives me.”

 Kat rolls her eyes this time.  “She doesn’t want to fire you, you’re practically one of her favorites.”

 Jane nearly chokes on her own coffee.  “What?  How do you know this?”

 “I’m a department head.”

 Jane eyes her, skeptical, but she changes the subject.  “Anyway, what are you going to do?”

 “I dunno,” Kat sighs, fingering the edge of her paper cup.  “I’ll probably just have to contact the orchestra directly and see where that leads me.”

 “Well, good luck with that,” Jane says.  She glances down at her phone, unlocking the screen to check the time. “I gotta’ go, I have some research to do on harnesses.”

 Kat’s mouth breaks out into a wide smirk.  “Yeah?  Need some help trying them on?”

(i’ve decided to just update this in small chunks.  if this becomes more fleshed out, i might post it more cohesively on ao3.)

[ladystylestores]

Video shows surfers unaware as great white shark lurks below

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[newstfionline]

A young Venezuelan made his violin an instrument of resistance. The government hit back.

By Rachelle Krygier and Anthony Faiola, Washington Post, August 28, 2017

CARACAS, Venezuela--On the streets of this tense capital, protesters challenging government troops often throw rocks, bottles, even molotov cocktails. But Wuilly Arteaga battled riot police with the defiant strains of his violin.

A fixture in the front lines in recent months, playing on despite stinging volleys of tear gas, the 23-year-old became a symbol of the opposition to President Nicolás Maduro’s authoritarian government. Videos of Arteaga concentrating on his music amid scenes of chaos quickly went viral, and were shared in Venezuela to boost morale among the protesters.

They also made him a target.

During a demonstration last month in eastern Caracas, as Arteaga played a song called “Soul of the Plains,” Maduro’s national guard swooped down on him. His story provides a window on the tactics of a government that has allegedly used intimidation, torture and propaganda to cement its power.

“Imprisoning him was the government’s way of trampling the opposition and punching its dignity, of showing that they’re willing to detain and torture one of its most emblematic symbols of peaceful resistance,” said Alfredo Romero, executive director of the legal activist group Foro Penal and Arteaga’s attorney.

The slight, copper-skinned violinist is among the ranks of perhaps the least likely of Venezuela’s protesters--a band of classically trained musicians who have provided the soundtrack for the country’s opposition movement.

At least one has paid with his life.

The latest uprising against Maduro--the anointed successor of Hugo Chávez, who died in 2013--dates to April, but the movement has wilted in recent weeks following the government’s creation of a new super congress. The all-powerful body, stocked with Maduro loyalists, including his wife and son, was mandated by a July 30 referendum that was internationally condemned as fraudulent. Since then, it has moved swiftly against government opponents, launching what it calls a truth commission that critics fear will be used to silence dissent.

In the weeks before the vote, dozens of young musicians took to the streets, some with their instruments. Gian Cientorame, a 25-year-old percussionist, was detained with Arteaga and freed the next day. Francisco Gamboa, who plays viola, spent 27 days detained before being freed last week.

In early May, another viola player, Armando Cañizales, 17, was killed during a protest.

Like Arteaga, most of the rebel musicians were trained through the Simón Bolívar Musical Foundation, better known locally as El Sistema--a state-sponsored music education program that dates to the 1970s and has earned international recognition for creating opportunities for poor youths. The program predates Chávez, but he latched on to it, promoting it abroad as evidence that his socialist-tinged “Bolivarian revolution” could feed minds as well as mouths.

The musical director of El Sistema’s main orchestra, renowned conductor Gustavo Dudamel, had long avoided the subject of politics. But hours after Cañizales was killed in May, Dudamel tweeted a video of himself denouncing government tactics.

“I raise my voice against violence and repression,” he said. “No one can justify the spilling of blood. It’s time to stop ignoring the just call of the people who are being suffocated by an intolerable crisis.”

This month, Dudamel published an opinion piece in the New York Times in which he railed against the new Constituent Assembly. The government appeared to respond by canceling an El Sistema orchestra tour of the United States.

Arteaga grew up in a poor family, living in an aluminum-roofed house in Valencia, about 81 miles from Caracas. He bought his first violin with money he earned working at a Caracas cybercafe, initially learning how to play it via YouTube videos. When he was 19, he ran away from his strictly religious home, where he wasn’t permitted to play.

He arrived in Caracas in 2015 and lived off street performances. For two years, he also studied at El Sistema and played with a government orchestra.

“I was obliged to play in ceremonies with Maduro and to sign things supporting the president,” he said in an interview this week. “I rebelled against that. Eventually I left.”

After Cañizales’s death, Arteaga played at the teenager’s funeral. Within days he was back on the streets with his violin.

Among Arteaga’s most-viewed videos is one of him in late May crying after government troops broke his violin during a protest. It captivated the Spanish-speaking world, leading several people, including the celebrity salsa singer Marc Anthony, to send him new violins.

His girlfriend, 21-year-old Hazel Pinto, has played her clarinet alongside Arteaga at demonstrations since May.

“With music he encourages people, even me, to keep pushing back,” she said. “I can’t explain how, but despite the effects of tear gas, I can keep blowing air into my clarinet.”

Last week, after spending 19 days in a military detention facility in western Caracas, Arteaga was released.

During his captivity, he said, he slept on the floor in an unventilated room with about 15 other prisoners. Guards hit him on the head with his violin, destroying it. That and other beatings, he said, damaged his hearing in one ear. Guards, he added, taunted him and burned his hair with a lighter.

The night after his release, Diosdado Cabello, a senior member of Maduro’s inner circle, released a video on national television. In it, Arteaga denies he was mistreated in jail, attacks the media and insists guards never broke his violin.

“You remember that violinist, what’s his name?” Cabello said on national TV, pretending to play the violin. Before unveiling the video, he adds: “Let’s see what Wuilly says. It’s good to listen to the other side.”

The next day, Arteaga responded in the local media, calling the video a doctored montage of unrelated and coerced answers.

“It mixes answers,” he said. “I was tortured, prisoners are tortured, and they did destroy my violin.”

Arteaga said he fears for the future of the opposition, which has largely failed to mobilize major demonstrations in recent weeks. Protesters have also shown signs of losing faith in opposition leaders, who are at odds over strategy.

“I feel lost and out of place,” Arteaga said. “How is it possible that so many prisoners are in jail and being tortured, and here in the streets, it feels like nothing is happening?”

“I will keep bringing my music to wherever is necessary for Venezuela’s freedom, be it in the streets or the squares, because my music has united many Venezuelans,” he said. “And I hope it will keep doing it.”

[meenah-is-a-punk-rocker]

Alphabet Track (ABC Tune) Lyrics And Guitar Chords

Take a look at our different academic videos and songs which can be directed toward little minds! He primarily based the Andante of this Symphony in G major on a universally well-known tune, the one we know as Twinkle, twinkle, little star.” Mozart had already written a set of keyboard variations on this tune, which he identified by its French title, Ah, vous dirai-je, Maman ; lower than a hundred years ago the Hungarian composer-pianist-conductor Ernst von Dohnányi used the identical tune as the premise for his prolonged Variations on a Nursery Song, for piano and orchestra. The cute video, which accommodates no information about the dad or the little lady except a simple message saying My 2 12 months old daughter getting angry with her alphabet after bathtime,” was picked up by media retailers comparable to ABC News and Milwaukee local FOX affiliate, FOX6 Now it is going viral, with greater than 300,000 views because it was posted on February four.

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[djzena]

Alphabet Song (ABC Song) Lyrics And Guitar Chords

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[theyoilibrary]

Genderfluid Masterlist

Yuri

Lost In The Sound of Separation - Following the Grand Prix Final in Barcelona, Yuri Plisetsky disappears. Only Otabek seems to be concerned about him, while his friends and family seem to care little about where he may have gone.Two years later, Otabek has moved from his home rink to one in a small college town in Québec, Canada, and a late-night stop at a nearby convenience store proves to be the small rocks that start an avalanche.Everything was about to change.

Too Many Yu(u)ris - "I was thinking... I should change my name again.""Yuri, we've been over this," Otabek said. He tried as hard as he could to not sound annoyed. He wasn't, really, but it was late. "Just because Yuri is usually a boy's name, it doesn't make you any less genderfluid."

The Coffee Shop AU nobody asked for - The blond haired costumer always came back even if he never seemed satisfied with his order.Really, Otabek didn't expect him to come back after the way he reacted to his Latte, but Yuri turned out to be very talented at surprising him.

Heart Break Beat - The door to the bar swings open, and the sharp clatter-clatter-thunk of the break of the balls rises up to meet them. As does a thick cloud of smoke. It swirls around him and Otabek. Pulls them inside and closes the door to the harsh winter night behind them. It clings to him and Otabek, like a drunken ex-lover desperate to rekindle the flame. They’ll both smell of it tomorrow when they inevitably pass out in their clothes in the early morning hours.“Hot tonight?” Otabek asks with a squeeze of his fingers.“Always baby.”

Otabek and Yuri Find a Baby -  Otabek and Yuri find a baby. Takes place 3-4 years post-season one.

Dare to Fade - “You know how it is,” Yura said, “when you’re uninspired. That’s why you can’t feel anything, react to anything. Without inspiration in your life, you’re left with a hollow shell, a body without a soul, a thoughtless mind just going through the motions. Essentially, you’re dead.”Yuuri gulped. He’s right, he thought. All this time, I didn’t have the proper words for this emptiness, what I thought I had in me was merely an echo of my former self. One with a dream I longed to fulfill, abandoned. It’s no good, I can’t do it anymore.

Finding Your Agape -  Yuri Plisetsky is suddenly kicked out of his home because he's genderfluid. He then flies to Russia with Georgi Popovich to see if Yuuri and Viktor will take him in.

Viktor

Fluid - In which Yuuri can't decide if he's in love with the prettiest girl in college, with her short dresses, blue eyes and long silver hair.Or if he's foolishly in love with the popular boy with his skin-tight jeans, his blue eyes and his always made up hair. Viktor is struggling a lot, and is always trying to make it through the rain; also, trying to figure out how he should keep his hair, if long or short.

fool for you. - Yuuri laughs quietly. “Who let you get so spoiled?”Viktor looks up at him from under his lashes. “Probably my husband.”

Give Away My Secrets - "Tell me something you've never told anyone."A light hearted game reveals some truths that both Victor and Yuuri have never shared with anyone besides each other. It just proves that cuddling can heal a lot, and it's easier to wipe tears away when wrapped in the warm arms of a lover.

Weightless -  The one thing he knew for sure was that the brief first impression he had of the older student as an elegant and professional skater was quickly melting into the impression that he was actually an endearingly enthusiastic dork.

Наш сын -  3 short chapters on trans Yuri Plisetsky

Fragile Hearts -  AU where Yuuri Katsuki is a Japanese college student going to school in America. He studies to become a vet while working at Ice Pets Adoption, which is owned by his friends the Nishigori family. He keeps his life fairly simple, but one day a mysteriously beautiful Russian waltzes into Yuuri's life and suddenly he experiences something he never has before: attraction.

Yuuri

Haute - Yuuri is a hot dancer and a dedicated fasionista. He doesn't care what the haters have to say on the matter, he knows it and his subscribers know it. Shockingly, Victor Nikiforov seems to think so as well. And when Victor's attention is focused on Yuuri, life begins to take an interesting twist.Has Victor always been so extra?

Unexpected, Uninvited, and Unwelcome - Aka, the fic in which Victor's family comes to stay with our favorite skating couple.Aka, the fic in where we learn why Victor really neglected his life and love for over twenty years.

Androgyne -  Yuri realizing and understanding what it means to be genderfluid.

SugarDaddyForMe -  "Katsuki Yuuri’s decision to sign up for a sugar daddy/sugar baby dating website wasn’t necessarily his idea - well, at least not wholly his idea. He may or may not have been inspired, then encouraged by his best friend, and roommate, Phichit to take the final step. Yuuri would be lying if he said he wasn’t nervous about what he would encounter on said dating website, he hasn’t even had a proper boyfriend in the 23 years he’s been alive. But he was a college student dealing with massive student loans, a crappy part time job at a coffee shop, and ice skating practice, which was not an easy feat.”

Morning Orchestra -  Victor is the most talented violinist that's ever come through the school, and Yuuri's looked up to him ever since he first heard him play. He didn't think that he would ever so much as talk to him, even though they're in the same orchestra at school. However, one day their conductor, Ms. Baranovskaya, decides to have them be split into smaller groups, and Victor just so happens to be in Yuuri's group.

how a professional dancer properly makes an egg sandwich - The video went viral. Literally, astonishingly, actually went viral. People started stopping him in public and asking him if he was the dancer from the egg sandwich video. To Yuuri’s absolute embarrassment, more than a few of these people shared lectures with him.Of course, about a month after the video had its fifteen minutes of fame, Yuuri is trying to walk as fast as he can to the chemistry lab without dropping the binders and papers in his arms when he crashes into Viktor Nikiforov. Viktor Nikiforov, most attractive person Yuuri has ever seen and internet personality that Yuuri keeps embarrassingly close tabs on, whose immediate reaction after Yuuri gracelessly stutters through multiple apologies is to smile blindingly and say, “Oh, you’re the boy from the video!”

Minami

Shiawase - To be happy is something that everyone strives for, whether they think about it or not.In that search, Minami had his eyes set on an ice rink where he would be able to skate with his idol again. He was determined and driven with energy bubbling underneath his skin and fire lighting up his eyes. What he hadn't expected was to get caught off-guard by his idol's best friend. He hadn't expected that laugh to be as contagious as it is.Phichit is aiming for gold just as much anyone else, giving everything he's got in every skate he performs because he loves it. He loves what he's doing and he loves his best friend. That's enough for now, but Minami catches him just as much with a sunshine bright smile and before he knows it, being near each other is just natural.

Otabek

Yuri on Ice: A Group Chat -  Phichit has the great idea of creating a group chat for the skaters! Y'know, to stay in contact. Not to spam memes or anything...

[englishchinesetranslations]

On the face of it, China’s new Civil Code wasn’t supposed to be controversial. In fact, when it was introduced at the start of this year, its very purpose was to focus on the mundane. Take, for example, the growing problem of so-called “train seat thieves” — railway passengers who refuse to move from their seat despite not having a reservation. Here in Britain, that hardly seems a big deal. But in China, where it’s simply not the done thing, a number of videos exposing “thieves” have gone viral on Weibo, its version of Twitter. So the new Code empowers train conductors to kick them off.

So far, so inoffensive. And yet over the past month, the Code, which is now the binding authority over all civil disputes in China, has become the subject of fierce internal criticism. Its origin? China’s increasingly outspoken new generation of feminists, who are furious at its introduction of a one-month “cooling-off period” before a divorce is finalised.

During that time, a husband and wife now have the power to revoke a divorce application without the other’s consent. That may seem like a mere technicality, but for China’s feminists it represents an infringement on women’s freedom to divorce, as well puts the victims of domestic violence in a potentially dangerous situation. They are also concerned that the ultimate purpose of the “cooling-off period” is to remedy China’s decreasing birth rates by keeping marriages afloat. In essence, they argue, it treats women as resources instead of rights-bearing individuals.

Since it was first mooted last year, Chinese feminists have launched a number of anonymous online social media campaigns against the move. And while they would seem to have failed, they have certainly succeeded in making their presence felt. Whether China’s ruling Communist Party (CCP) likes it or not, over the past year the country’s nascent feminist movement has become a force to be reckoned with.

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Indeed, Beijing was so rattled by this new feminist opposition that in recent months it has felt compelled to call in in legal experts to cite foreign precedents to the “cooling-off period”, as well as to emphasise that in extraordinary circumstances such as domestic violence, either side of a marriage can file a divorce lawsuit. Suffice it to say that these explanations did not convince China’s feminists, who pointed out that divorce is not easily granted by Chinese civil courts — not to mention that disadvantaged women may not be able to afford the lawsuits.

And so, last October, President Xi decided to take matters into his own hands — and in doing so, inadvertently assured China’s feminist movement a place in the history books. “Gender equality is China’s basic national policy,” he said in a speech to the nation. “Women are the pioneers of human civilisation and the promoters of social progress, and they have written extraordinary achievements in all walks of life.” Although he did not directly comment on the “cooling-off periods”, a clear attempt was made to placate China’s feminists; Xi identified gender equality as a principle in China’s post-pandemic recovery plan, and promised that the government will provide concrete help to females affected by the Covid-19 pandemic.

Xi’s response, as well as the recent opposition to his new Code, raise two important questions: just who are China’s feminists? And how did they become such a powerful force?

The typical Chinese feminist is, to put it simply, the embodiment of a new progressive activism which is often — and some might say paradoxically — rooted in support for the CCP and its scepticism towards capitalism. To make a direct comparison with today’s Western feminist movement is, to say the least, a frustrating, near-impossible task. China’s feminists are, after all, the product of not just a different culture, but an entirely different political system.

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What both movements do share, however, is youth. According to sociological research, Chinese feminists are predominantly born after the 1980s. It’s telling that this coincides with the country’s one-child policy, which was a binding rule in China between 1980 and 2016. Without having to compete with any brothers, these young women were usually well-educated and privileged. In terms of where they live, my own research has found that 57% of the feminist advocates on Chinese social media are from major economic centres in China. This partly explains why they tend to hold conscious or unconscious contempt for men from poorer regions — though this is partly a result of the boy-favouring traditions in those places. In the eyes of young feminists, such traditions are backwards, and often lead to the cruel treatment of women and girls.

As one might expect, it is the habits and interests of Chinese feminists which sets them most apart from their Western counterparts. Brought up in a culture that places an extraordinary amount of existential capital on the internet, they are huge fans of online shopping and are the driving force behind China’s $670 billion ‘sheconomy’. They also spend a lot of time cultivating a robust digital presence — in particular by browsing online forums dedicated to TV shows, films and ACG (anime, cartoon and games) fandoms. More recently, their craze for yaoi — female-oriented anime with a focus on fantasy erotic relationships between men — has made them natural allies of China’s LGBT community.

But don’t fall into the trap of thinking that China’s feminists content themselves with passing their time on online frivolities. When feeling threatened or attacked, the young feminists can quickly turn into a highly organised force. In this sense, at least, today’s well-educated, liberal-minded feminists draw inspiration from activists in the West, such as Emma Watson. And they are not afraid of challenging the CCP’s policies. In fact, the recent battle over “cooling-off periods” represents just one area in which they are starting to campaign.

Only last year, China’s feminists led a protest campaign against the disturbing rise of media monopolies in the country. It all started on February 27, when the fans of Xiao Zhan, a poplar Chinese actor and singer, reported the global fanfiction sharing website Archives of Our Own (AO3) to the Communist Party because one of its stories portrayed him as a cross-dressing sex worker who falls in love with a teenage boy. Xiao’s fans felt that the fictional portrayal tarnished their idol’s image and complained to the Chinese authorities about AO3 “showing pornographic content to underage audience” and “promoting child pornography”. The Chinese government responded by blocking access to the foreign site, as well as several other Chinese fanfiction hubs.

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Concerned that this violated authors’ freedom and constituted an attack on China’s LGBT community, China’s young feminists quickly mobilised. Together with other subculture groups, they launched a series of campaigns on Weibo — only to find that their posts were being suppressed: even though one thread had 700 million hits, it was somehow excluded from Weibo’s “trending stories” list. Meanwhile, supportive messages for Xiao topped the list almost every day.

Believing that Weibo was kowtowing to Xiao’s management company, feminist campaigners urged the Party to control media monopolies and impose stronger regulation on China’s wild “idol economy”. After facing a barrage of online protests, the Chinese government finally stepped in, and fined Weibo for “manipulating the display of information”. Its “trending stories” list was also taken down for a week as punishment.

No doubt China’s feminists chalked it down as a step in the right direction, although the CCP is yet to heed their calls to bring back AO3. What is particularly interesting about this emerging movement, though, is its symbiotic relationship with China’s ruling party: it both puts pressure on the CCP to enact change, while also embodying many of its values.

Take the feminists’ recent campaign against commercial surrogacy, for example, which is inextricably linked to the CCP’s antipathy towards capitalism. Commercial surrogacy is prohibited in China, though wealthy would-be mothers tend to get round this by travelling to the West to find a surrogate. Only last month, Chinese actress Zheng Shuang was effectively “cancelled” by the feminist movement after it was reported that she’d had two surrogate children through overseas services, whom she later abandoned. But while her treatment of her children was, of course, a source of criticism, it was the method of their conception which attracted the most ire.

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For while some members of the LGBT community support surrogacy — largely because they cannot conceive naturally— China’s feminists refuse to stand with them. One post by an anonymous user on social media platform Zhihu summarised their concerns: “Let’s use some imagination. What will happen if surrogacy becomes legal in China? The giant e-commerce companies will lead the price war. They will try to attract customers by promising the best surrogate mothers and the desired gender of babies. What do you think they will do to keep the promises? Don’t think I’m talking nonsense. Capital will trample on all human laws for profit.”

It was a comment typical of today’s generation of feminists in China: in many ways, despite feeling empowered by consumerism, much of their ideology is also rooted in the CCP’s political project. No doubt that will sit uneasily with a number of Western feminists. But just as Western women are a product of their culture, so too is the case with Chinese feminists. And while their priorities are certainly rooted in a different world, it is increasingly becoming clear that they do have the power to change it.