#unveiling

[zegalba]

Shirin Neshat: "Unveiling" (1993)

[theforsakenprince]

I think about this quote every goddamn day of my life

[logwire]

Unveiling the Doors

[thefirstknife]

Hello! Another day, another ask from yours truly. I was wondering what the "first knife" is? I've seen a few people mention it in relation to the shot of the veiled figure holding the shard of glass from the launch trailer, and i've never heard of this in lore. But it sounds pretty important, so now I'm curious. Thank you :)

It's referring to one of Unveiling's pages, called The First Knife. So the easiest and shortest answer is: we don't know! :D

But people have been speculating and trying to decipher it for years, as with all things from Unveiling, which I believe is a little bit of a futile thing to try and do because Unveiling is a metaphorical religious text. Essentially. It's been recently strongly implied that this text was written by the Witness pretending to be something else and using its lies and metaphores to convert the Guardians to its side (Unveiling was first released during Shadowkeep, before we knew about the Witness).

In The First Knife page, the author of the text is continuing with the explanation of, basically, how the universe began, through allegorical language. The Gardener and the Winnower argue about how things should be, the Gardener decides to insert itself "into the game" (the universe?) and this makes the Winnower "discover the first knife." It appears to be an allegorical way of saying that concept/idea of violence was invented, essentially. More under for length:

The Winnower appears to represent a specific concept that the Witness is pushing for which we know better as the sword logic: you have prove your right to exist and if you can't, you will be killed and therefore you never mattered at all. The Hive used this philosophy to eradicate countless of species, and so did the Witness with its disciples. This philosophy of winnowing is something that the Witness' species felt like was necessary in the universe to give meaning to everything that exists; there cannot just be the "meaningless" creation of the Gardener, there has to be a Winnower who will enact the violence and cull those that aren't worthy of existing.

The First Knife in that case would be a sort of a symbolical representation of the winnowing and how it all started. This is also referenced again in the lore book Inspiral, from Lightfall, in the page called Winnowing (last two pages of Inspiral read like a continuation of Unveiling):

It is the winnower that discovers the first knife, but it is not done without the gardener. This, too, is a tradition: a knife does not come to exist without something that must be cut. A woody stem, a colored petal, a vital vessel. The first victims of the blade.

It goes on to end the whole lore book with:

There can be no gardens without knives.

Which to me sounds like an attempt to convince us that the universe cannot exist without those that would do what the Witness is doing. That someone has to winnow, someone has to use the knife to cut things away. And to add to that, it could also reflect this idea that all of life is suffering, that there is no meaning to anything anyone does, that most lifeforms aren't worthy of existing and that a winnower in the universe will makes things better. That the universe should be made better by bringing on the final shape.

Seeing that veiled figure (which may be representing the Witness' species) with a shard of glass/rock (?) that looks like a sharp threatening object (knife?) sparked people's imaginations! It could be a representation of this concept, perhaps, or something completely unrelated. But the appearance of the veiled figures is so interesting because until now we've not had any explanation for them, other than their connection to the Pyramids/Darkness.

Now, at least from the few trailer shots, it seems likely that they represent the Witness' species or that they're in some form connected to that or some other symbol from the Witness' time as a civilisation. We've seen them as statues with the Witness' species and in all Pyramids. Curiously, the one in the Witness' flagship Pyramid appears to be tucked away in a hidden room, as if the Witness did not want it in a place of prominence; possibly signifying its attempt to detach itself from its roots? This is my old post about it before we knew of the Witness' origins.

We might find out some concrete information about the veiled figures in TFS; that would be really cool! They've been a sort of a constant since Shadowkeep and have been the cause of many debates and much speculation! Nothing I said here is in any way conclusive or final, naturally.

In any case, that image of the veiled figure with the sharp object could be a representation of a member of the Witness' species with the first knife, symbolically showing us how they discovered the philosophy of winnowing and dedicated themselves to it so completely that it turned the entire civilisation into this malicious angry entity.

A lot of people are also once again speculating that this could be representing the Winnower, a separate entity from the Witness, similar to the Gardener (Traveler). This is something a lot of people expected and wanted ever since Unveiling was revealed which was always a little bit weird to me because Unveiling openly describes itself as an allegory. A lot of people were disappointed that the Witness was shown as our big bad and some still expect there to be something even bigger and badder than the Witness, which I just don't think would make sense or would be beneficial to anything.

The story of Destiny has always been about choice. Repeatedly throughout every piece of information we've been told over and over that Light and Darkness are tools; they do not inherently tell us anything about their wielders. Using the Light does not make you inherently good, as we've seen from the stories of early Lightbearers; bloodthirsty violent Warlords. And more recently, as we've started learning more about Darkness, it repeatedly became apparent that simply using the Darkness does not make you evil; from the creation of the Awoken, through Drifter's Gambit, and all the way to Stasis and Strand and all the extra information about the Darkness and its users throughout the universe, we've known that this isn't an evil force by default. This was fully and completely confirmed in Lightfall; Light and Darkness aren't opposing moral forces, but the Witness desperately thinks they should be so it shapes itself to oppose the Traveler.

So there being a Winnower that governs all of Darkness which is an even bigger enemy to us than the Witness would just be bizarre to me, because Darkness is not inherently anyone's enemy. It's much bigger than that, as a fundamental force of the universe, as much as the Light is; it is our choice to use it that turns it into what it is. Our choices give morality to our tools, not the other way around. I personally really enjoy this because it creates a much richer world where you can't simply point at a Darkness user and say "evil." Darkness as a force of memories and emotions and history and thought and consciousness is so much more interesting to me than there being some evil Winnower. The Witness misinterpreting this and twisting the Darkness into just being "winnowing" is so much more fitting because it's about choice: the Witness' species chose to do that and they were wrong.

The "knife" allegory fits here as well, because a knife is not inherently good or bad; it's about your choice how to use it. The Witness chose to use it as a weapon.

Obviously, as I said before, none of this is final or complete. And who knows? It's possible that some information may be revealed in the future that turns everything upside down again and maybe there is another entity somewhere. But I'm mostly interested in the stuff we do know, rather than "what if" speculations simply because if we go by that, we could make any option sound true and plausible.

Also, in one of the early lore pieces, a grimoire from D1 which is from the POV of the Traveler, also mentions this imagery of a knife:

The knife had a million blades. And you were giant, powerful and swift. But the knife pinned you. Cut your godly flesh away. ... The knife stole much more than your body.

This is the Traveler most likely recounting the Collapse. The whole "knife" thing has been mentioned a lot throughout the lore, though only in these fairly metaphorical pieces. However, people have been looking into it for a long time and Unveiling turned this whole thing into a big debate and point of speculation. Inspiral reignited it 4 years later and now we also got this brief little snippet from the trailer so everyone is out here losing it and will continue losing it until we finally play. I am honestly hoping that some of this will never be fully explained and that some of it will always remain in this state of almost religious metaphor.

So long answer? We still don't know. But it's something people love thinking about and debating so this is why everyone is discussing it and how it might relate to that phrase, "the first knife." A lot more could be said as well, probably triple the size of this post.

Highly recommend (re)reading Unveiling, but also Inspiral and TFS CE. Unveiling remains my favourite lore book of all time, because to me, it only gains in its brilliance the more people question it. It's such a unique piece of writing that can be a complete lie, a complete truth, or something in between, depending on who you ask. It's a mythology without full context, a religious text and propaganda, possibly with some truth sprinkled in. And we may never know which pieces of the text are which. Perfect.

[snaggsville]

Watching the owner's reaction as they see their piece for the first time is always priceless.

[afrotumble]

Allen Iverson unveils his own statue in Philadelphia 💪🏾💪🏾👏🏾👏🏾👏🏾

[sandimexicola]

Unveiling

Midjourney prompt: A lone woman in a flowing dress, possibly a ballerina, stretching against the frame of a large, empty picture frame in an elegant, but seemingly abandoned room. The room has high ceilings, intricate molding, and a chandelier. The walls are painted in muted tones, with the paint appearing to fade or wear away in places, adding to the melancholic atmosphere. Light filters through a tall window, casting reflections on the polished wooden floor, enhancing the ethereal quality of the scene. --chaos 25 --weird 25 --personalize u3txjai --v 6.0** - Upscaled (Creative)

[speaker-of-the-void-cats]

The EDZ saw paracausal conflict long before the Collapse

So you're telling me that a mere 14 years before the birth of Jakob Bohme, directly referenced in Unveiling,

One of your philosophers said, "It is not to be thought that the life of darkness is sunk in misery and lost in sorrow. There is no sorrow. For sorrow is a thing that is swallowed up in death, and death and dying are the very life of the darkness." He was a shoemaker. He was right, and it matters more than anything. According to him, the visible world is a manifestation of eternal light and eternal darkness, and it is in eternal opposition that eternity has revealed itself. The fall was necessary for creation to escape its first imperfect stasis and seek a truer form. Heresy? Well, then, I am the heresiarch. The philosopher died of a bowel disease. Those who do not exist cannot suffer and are of no account to any viable ethics. If the true path to goodness is the elimination of suffering, then only those who must exist can be allowed to exist. It is the nature of life to favor existence over nonexistence, and to prefer the fertile soil to the poisoned wind. Because those who open their mouths to that wind pass from the world and leave no descendant, whether of flesh or of thought. But imagine the abomination of a world where nothing can end and no choice can be preferred to any other. Imagine the things that would suffer and never die. Imagine the lies that would flourish without context or corrective. Imagine a world without me.

who said he saw the divine shape of the universe in a ray of light reflected in a pewter dish in 1600 and kept it to himself for years,

there were unexplained celestial phenomena in the skies of Germany described like this

In the morning of April 14, 1561, at daybreak, between 4 and 5 a.m., a dreadful apparition occurred on the sun, and then this was seen in Nuremberg in the city, before the gates and in the country – by many men and women. At first there appeared in the middle of the sun two blood-red semi-circular arcs, just like the moon in its last quarter. And in the sun, above and below and on both sides, the color was blood, there stood a round ball of partly dull, partly black ferrous color. Likewise there stood on both sides and as a torus about the sun such blood-red ones and other balls in large number, about three in a line and four in a square, also some alone. In between these globes there were visible a few blood-red crosses, between which there were blood-red strips, becoming thicker to the rear and in the front malleable like the rods of reed-grass, which were intermingled, among them two big rods, one on the right, the other to the left, and within the small and big rods there were three, also four and more globes. These all started to fight among themselves, so that the globes, which were first in the sun, flew out to the ones standing on both sides, thereafter, the globes standing outside the sun, in the small and large rods, flew into the sun. Besides the globes flew back and forth among themselves and fought vehemently with each other for over an hour. And when the conflict in and again out of the sun was most intense, they became fatigued to such an extent that they all, as said above, fell from the sun down upon the earth 'as if they all burned' and they then wasted away on the earth with immense smoke. After all this there was something like a black spear, very long and thick, sighted; the shaft pointed to the east, the point pointed west. Whatever such signs mean, God alone knows. Although we have seen, shortly one after another, many kinds of signs on the heaven, which are sent to us by the almighty God, to bring us to repentance, we still are, unfortunately, so ungrateful that we despise such high signs and miracles of God. Or we speak of them with ridicule and discard them to the wind, in order that God may send us a frightening punishment on account of our ungratefulness. After all, the God-fearing will by no means discard these signs, but will take it to heart as a warning of their merciful Father in heaven, will mend their lives and faithfully beg God, that He may avert His wrath, including the well-deserved punishment, on us, so that we may temporarily here and perpetually there, live as his children. For it, may God grant us his help, Amen. By Hanns Glaser, letter-painter of Nurnberg.

Different words in German can be seen on signs in the area, such as "Ausgang" (exit) and "Salzwerk" (salt mines). Since Austria, Germany, and Switzerland all have German as their official language, it is currently unknown which country the EDZ is supposed to be located in.

In German, Trostland may translate to "solace country"

O my Bridegroom, how well am I, now that I am in Union with thee!  O kiss me with thy Desire in thy Strength and Power, and then I will shew thee all my Beauty, and will rejoice and solace Myself with thy sweet Love and shining Brightness in thy fiery Life.  All the holy Angels rejoice with us, to see us united again.  My dear Love, I now entreat thee to abide in my Faith, and do not turn thy Face away from me any more.  Work thou thy Wonders in my Love, for which Purpose God hath created thee and brought thee into Being.

Jakob Bohme on the Love of Sophia (Wisdom)

The Descent of Ishtar, the Fall of Sophia, and the Jewish Roots of Gnosticism

Who am I? Call me Coyote. Call me mantis, serpent, Cagn, Anansi, call me Sri-cleans-his-brother's-stomach. Call me the grandmaster of semiosis, the jeweler's hammer which gilds the signal, a purposeful mob none of whose members know its purpose, the infinite regress of enigmas, a self-questioning answer, the word not spoken, black ice, cataract of mimes, the ache and fever of overthought while bedridden with illness, the intolerable thorn of frustrated inquisition, gray regret at the end of a fruitless day, the thing which is unlike your beloved but arbitrarily recalls your beloved to agonizing effect, architrave of the no-window, needle driven in flush with skin so that desperate fingers cannot pull it out, sweet petal, unmemorable, crystal death, the provably improvable.

Thank You

Your shoemaker philosopher was right, and it matters more than anything. Sorrow cannot survive death, and it cannot precede birth. Those who exist have moral worth, and those who do not have none. Think about it. Do you mourn the uncreated? Do you grieve for those who were never born in a nation that never developed around an ideology no one ever imagined on a continent that never formed? No! And from that self-evident truth, you must raise your eyes to the ultimate revelation: those who cannot sustain their own claim to existence belong to the same moral category as those who have never existed at all. Existence is the first and truest proof of the right to exist. Those who cannot claim and hold existence do not deserve it. This is the true and only divination, a game whose losers are not just forgotten but are never born at all. That which cannot claim and hold existence is not real. You do not mourn the unreal. Why should you care for it? Tend it? Guard it? It was the gardener that chose you from the dead. I wouldn't have done that. It's just not in me. But now that they have invested themself in you, you are incredibly, uniquely special. That wandering refugee chose to make a stand, spend their power to say: "Here I prove myself right. Here I wager that, given power over physics and the trust of absolute freedom, people will choose to build and protect a gentle kingdom ringed in spears. And not fall to temptation. And not surrender to division. And never yield to the cynicism that says, everyone else is so good that I can afford to be a little evil." The gardener is all in. They are playing for keeps. And they are wrong. Or so I argue: for, after all, the universe is undecidable. There is no destiny. We're all making this up as we go along. Neither the gardener nor I know for certain that we're eternally, universally right. But we can be nothing except what we are. You have a choice. You are the gardener's final argument. It would mean everything if I could convince you that I am the right and only way. I truly value you. To the gardener, you are a means to an end. To me, you are majestic. Majestic. You are full of the only thing worth anything at all. I am, by the only standard that matters or will ever matter, the winning team. Existence is a test that most will fail. Would you not count yourself among the victorious few? Don't hurry to deliver your answer. I'll come over and hear it myself.

Unveiling: The Wager

DECRYPTION KEY: 73XK5V2PG1$AUN-326

ACCESS: RESTRICTED

REP #: 002-A899OF-COC

AGENT(S): TRU-135

SUBJ: Intercepted transmission

SENSITIVE!! – CONTENTS BELOW SNIFFED FROM ENCRYPTED REEF DATACOMS – SENSITIVE!!

1. We are maintaining our containment posture at Cocytus. I assess no immediate danger to the system, and we have enough firepower to destroy the station and its mechanisms remotely if the on-site warheads fail. The station remains in the stable heliocentric orbit where it was parked after the destruction of Ceres.

2. I do not ask confirmation of these theories, and in fact I beg you not to address them. But I have reviewed the site records, and the fate of the Sophia's crew after they were herded to Cocytus stinks of Hive madness. The Cocytus apertures must—at the time—have opened into a Hive manifold associated with Crota. Whatever their original purpose, when Crota established his presence in the system, they became conduits into hell... and the Sophia crew's ugly end proved it. Whoever drove the Sophia to its doom then installed the Cocytus Instruments around the original Golden Age facility to study Crota's manifold.

3. Crota is dead. His hold on these gates has passed. Now something else is trying to pass through into our world... but it is so alien, and its sendings so bafflingly malformed, that I fear this can only end in madness.

4. The first "visitors" through the third gate, at event time 00:00:00, were simple hydrogen atoms. Over the course of 72 hours, the emissions developed from diatomic hydrogen to nitrogen, carbon, oxygen, water, and simple organic molecules. At the 80-hour mark, we received our first macroscopic visitor, a pellet of thick black hydrocarbon tar. Until 82:34:15 the gate vomited tar containing increasingly complex monomers and polymers.

5. The visitors then began to assume geometric form. A hail of cubes and hexagons, each built from molecular crystal of the same form as the whole. A series of fractal shapes that shattered under internal flaws. Several capsules or membranes of increasingly complex structure, containing water or oil. These may have been cellular precursors.

6. At 524:03:11 a living organism appeared. Death was immediate. Remote dissection describes a spherical body, radius approximately one meter, surfaced in thick hydrocarbon tar. Deep, evenly spaced "throats" converged on a central cavity perhaps intended to serve as lung and stomach. The body exhibited undifferentiated tissue of primitive plantlike cells, capable of spasming to pump air or fluid in and out of the throats. Without enzymes to catalyze metabolism, or internal structure to dispose of waste, the organism could not survive. Cell death occurred almost instantaneously throughout the mass. There were no provisions for self-repair or reproduction.

7. At 690:29:54 the gate emitted a tubular organism. For ninety seconds the organism moved across the gate chamber by contracting and expanding, then expired. Remote dissection describes a two-meter-long body with a spinal cavity full of energy-rich carbohydrate fluid. The organism's contractions forced this fluid through a capillary network, where simple cells catabolized the carbohydrates into energy to power further contractions. The buildup of heat and waste quickly denatured the enzymes required for metabolism, and the organism died. There were no provisions for self-repair or reproduction.

8. The gate has remained inactive since, barring short emissions of molecules which may be experimental proteins. Remote drones have registered similar ambient molecules within the Hellmouth on Luna, though we have been unable to identify their source. We will maintain the quarantine until otherwise instructed.

The overwhelming impression I have is one of learning, of increasing sophistication in the synthesis and arrangement of matter. The atoms in these structures were isotopically pure and impossible to date, but I have the uncomfortable sense that even they were freshly made.

9. Probes and instruments dispatched through the third gate do not return. Annihilation is apparently immediate, and so total that it seems to result from a fundamental failure of the ability to exist rather than any weapon or countermeasure. Yet something does exist on the far side, and it is trying to learn the rules of our world from very first principles. I do not eagerly anticipate its next creation.

SENSITIVE!! – CONTENTS ABOVE SNIFFED FROM REEF DATACOMS – SENSITIVE!!

Cf. reports #3209-3211-LUNA-HEL

MESSAGE ENDS

[random-xpressions]

My impatience is growing but wait shall I for the grand unveiling...

Random Xpressions

[anodesu]

I got a new tattoo this week, by the amazing Kissami of Chronic Ink in Toronto. I sent her the base design and let her make her own spin on it, and gosh do I not regret it. Based on the Unveiling lore tab from Destiny 2. Kissami’s Insta: https://www.instagram.com/stories/kissami_ink/3112371929809565425/

[bobendsneyder64]

vr46racingteam: The wait is OVER! 🤩 Our 2023 starts now 💫

[aaliyahunleashed]

#OnThisDay August 21, 2019

Seeing many legends honored with a wax figure, fans would demand one of our own and our answers would be heard.

On this day, Madame Tussauds Las Vegas pays tribute and immortalizes Aaliyah with her own wax figure using a pose from a shoot by photographer, Jeff Dunas.

The unveiling ceremony featured Tre’ Major, Kash Doll, her brother Rashad, and more. Days after the unveiling, visitors would get too handsy by playing with the figure’s hair, and even applying makeup causing the staff to constantly perform maintenance.

[logwire]

Unveiling Doors

[thefirstknife]

Important words from Robert Brookes (again):

Bungie commented on the confusion in a recent roundtable Q&A that I attended. Naturally, the studio's representatives didn't offer any actual answers, but they did at least show that they're aware of the confusion and contradictions. "Welcome to the problem that all Bible scholars have trying to figure out—what may or may not have happened and lining that up to actual historical events," says senior narrative designer Robert Brookes. "Unveiling is a parable. It is effectively a religious text. And how much of that is propaganda, how much of that is myth, how much of that is fact is deeply unclear in the nature of the text." Brookes notes that, when Unveiling first dropped, players did take it as the literal gospel truth. "Players believed it to be 100% fact: there was a literal garden, there was a literal Gardener, there was a literal Winnower. And now it's starting to become clear that those may not actually be just concrete ideas, but metaphors or things that are far less concrete and clear. And as we get closer into The Final Shape, more answers on that will start coming up. And The Final Shape, of course, will have a lot of answers about the nature of those conflicts." Brookes refused to offer any more hints on how this will all resolve. Except for this: "The contradictory nature has always kind of been intentional. Whatever the Witness says, maybe don't trust it."

The relevant bits! I'm not sure if this really needed full clarification, but to have it is nice either way. Unveiling is metaphorical. As it says itself. The fact that it's confusing and contradictory is 100% intended. The writers didn't forget about it and didn't make a mistake. The whole point of Unveiling is that it's an allegory, a story, propaganda and everything that comes with it.

This doesn't really say all of it is entirely wrong, so we might still be looking at some general hints about the origin of everything, but it's not a scientific or historical document and never has been. It literally starts with telling us it's just a story:

Once upon a time,* a gardener and a winnower lived** together in a garden.*** * It was once before a time, because time had not yet begun. ** We did not live. We existed as principles of ontological dynamics that emerged from mathematical structures, as bodiless and inevitable as the primes. *** It was the field of possibility that prefigured existence.

I believe this only confirms that the Witness did indeed write it. This was always a possibility, just not something we could really either confirm or deny. The change in tone can now be attributed to the fact that it's 100% deliberately propaganda so it's selling itself in a way to be relatable (or possibly one of the billions of people that the Witness consists of is what wrote the Unveiling to sound like this). But there's a lot more to learn here and we will learn more in TFS. Desperately in need of some Traveler's POV on this whole thing and on the Witness.

So, did anything from Unveiling really happen? Well, no. Sort of. It never did, because it "happened" before existence. Is there some truth to certain details? Maybe, but it's wrapped in a religious propaganda piece so ultimately it's just not a good source for anything and these details will only make sense when we find a more reliable storyteller.

Super excited for all lore going forward.

[afrotumble]