#until we get the game and you actually see

[nam-the-nacho]

Mit2uba's Trauma: An Analogy

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Tw: I will be discussing the abuse Mitsuba has suffered from his environment, nothing that isn't in the manga, but I want to give a heads up. Additionally, I'm fortunate to have not gone though any severe traumatic experience myself, and am instead using my general knowledge, meaning if anything is incorrect here, please point it out!

(Also manga spoilers obviously)

I'm not pretending this hasn't ever been discussed, however I have yet to see an analogy of the consequences of Mitsuba's creation and (practically nonexistent) upbringing.

I'm going to divide this post into sections, but they won't really be organized, maybe chapters is a better definition. This thing is l o n g, so without further ado:

1: Mitsuba being paralleled to a puppet:

This is done quite often, although not in the same ways. Besides the psychological aspects of being Tsukasa's "puppet", as in being forced to do as he says and overall being under his control, but there are physical correlations too.

Tsukasa referring to Mitsuba as a "Thing"

Mitsuba lets Tsukasa hold him. This is much more then a surface-level fact considering Mitsuba usually rejects contact/uses it as an excuse to blame others. This is easily explained by "Mitsuba is simply scared of Tsukasa, he can't tell him no", except Mitsuba doesn't look scared when being held, he just looks, expressionless.

More then that, he completely trusts Tsukasa with his body weight, leaning into his touch and allowing himself to be comforted by it. This obviously occasionally backfires horribly

While Mitsuba being punched is framed in a humorous manner, the implications and weight of it are very heavy. It's all fun and games until you remember this is how Mitsuba is being raised, and it's all he's ever known. If Mitsuba doesn't want to do what Tsukasa tells him too, he gets punched. If he talks back, he gets kicked out of the broadcasting room (we'll get back to this later). If he asks to be Tsukasa's friend, he gets fireworks shoved down his mouth.

And the results of this... well:

This one in particular is interesting to me:

"It's just Mitsuba being surprised because Kou suddenly raised his voice". But that's not what's being illustrated. Upon hearing "brace yourself" even from someone like Kou, who wasn't planning on actively trying to hurt Mitsuba, he literally stiffens, pales, and begins to tremble and sweat, dropping the piece of chalk he was holding (those things break way to easily, yk he was serious). It's not shock or surprise being drawn, it's just genuine fear.

This could very well be me overthinking, but Mitsuba falls in what is almost a doll-like manner, arms and legs completely stiff.

2: Social rejection and trivial treatment:

The Mitsuba chapter (ch. 40) was worse then I remembered.

Mitsuba runs away from the broadcasting room in search of a better, safer place to stay. Only to understand he has none.

What's worse is that these are the characters we see being far kinder to the rest of the cast. We see Yako, Hanako and weirdo super-natural teacher together in his living quarters, watching tv together, but when Mitsuba approaches them...

(Tsuchigomori eventually does stay with him, but his opinion of him doesn't really change.)

"This guy's a pain, I'm out of here"

Tsuchigomori doesn't know Mitsuba, the only time we see them meet was when Tsuchigomori refers to him as emergency rations (above), and when he answered Mitsuba who asked him a question (answer starting with "You seriously don't know?" (YES SIR HOW WOULD HE KNOW HE'S LIKE ONE MONTH OLD)).

He probably heard he's a prankster from Hanako, which is why he wants nothing to do with him.

The point is despite Mitsuba needing to run from the closest thing he considers a "home", not a single supernatural actually understands his situation. Hanako borderline hates him, Nene barley understands he's a different Mitsuba, and Kou tends to accidently frame it as Mitsuba's CHOICE to stay with Tsukasa in the broadcasting room.

This is sadly something that can happen in reality, children trying to escape their less-desirable homes can often find themselves, sickeningly, returning after not finding somewhere or someone to take them seriously.

The most deranged part of this is that as a result of nobody properly digesting that he needs help, Mitsuba himself frequently convinces himself that everything is normal.

The implication that every time Mitsuba fights with Tsukasa he needs to just fend for himself until enough time has passed for Tsukasa to forget is sad. He's an outcast between the wonders for replacing the old No.3, despite his only other choice being death, which they don't know.

Sakura is probably the closest thing Mitsuba has to family, being in a similar situation to him, but it's incorrect to say she truly deeply cares about him. She's fond of Mitsuba, but never goes out of her way to help him when Tsukasa hurts him, and seems to have put her personal safety and goals as a higher priority then him (this isn't Sakura slander, I love my queen).

Natsuhiko treats him like a pet more then a human, and sometimes hits on him, which is just gross. Despite this Mitsuba genuinely appreciates him and sees him as an older brother. It's cruel to see this one-sided ordeal.

We don't actually know Mitsuba's true opinion of Tsukasa. In an almost realistic manner, his opinion is constantly contradictory. Mitsuba is scared of Tsukasa, but at the same time he only feels 'safe' when he's around.

Also, contrary to Sousuke, Mitsuba is more scared of Tsukasa then thunder, which could either mean that Sousuke's phobia of thunder was memory-correlated, or that Mitsuba is SO scared of Tsukasa that thunder is nothing in comparison.

Mitsuba freezing after hearing Tsukasa's voice

vs:

We know Mitsuba is aware that Tsukasa is not treating him okay, but by the time we learn this (pp arc), Mitsuba has half convinced himself that Tsukasa is doing everything he's doing to help him, and that "nobody else can help him anyways". Genuinely Mitsuba is one of the most subtle-yet-obvious victims portrayed in media I've even seen.

3: Ok-yeah-that's-not-okay moments

Do I really need to add anything.

I will anyways. Mitsuba is a dramatic by nature, unrelated to any of the emotional damage he's suffered. The fact that Tsukasa can make him stop crying just by demanding it really shows how bad he messed up Mitsuba. The ability to stop crying on command out of fear..... somebody save him.

Stay away!

Can't add to many pictures because of the tumbler limitations, but in every one of these scenes Mitsuba totally freezes, only regaining control and suddenly snapping once someone (aka Kou) does anything intimidating to him.

Going in-depth about the similarities between Kou and Tsukasa is an entirely different ordeal, but in short summery:

There's a carefully built connection between Tsukasa and Kou, that deserves a post of it's own.

4: Symptoms of trauma:

Trust issues are heavily associated with a problematic childhood, so it's not very surprising that Mitsuba struggles to trust anyone besides Tsukasa, even if he doesn't want to.

Very commonly appearing alongside trauma, self destructive behaviors are a tragically common coping habit. I don't think I need to add any pictures for this one, as practically every other sentence Mitsuba says have some 'Just let me pass away' coding to it.

Lack of memories is a symptom that appears in very severe cases, and while it isn't completely accurate to Mitsuba it's an interesting addition considering Mitsuba has no memories.

5: Character design:

Mitsuba has lots of chains and locks in his wonder form, a lock on his neck (which has multiple interpretations), one preventing his heart from beating, which could be a clever metaphor for Mitsuba further constricting his humanity by "choosing" to become a wonder, but most interesting:

What looks to be the remains of a leg shackle.

Mitsuba in a box labeled as fragile.

6: This definitely isn't symbolism for an eating disorder:

"I'm always hungry, no matter how much I eat" -M

"You starved yourself from all this moping around, just because you didn't want to eat something different?" -K

Can we talk about how the fandom collectively just skipped over the huge reveal that Mitsuba STARVES HIMSELF. Because I feel like that really wasn't talked about. As if this guy doesn't have enough going on, he now has to deal with constant starvation, dehumanization at new never-seen-before-pace, and the loss of his will to exist in the first place.

He is both metaphorically and physically falling apart, constantly in physical pain. When he isn't in physical pain it's because he's experiencing gut-wrenching psychological torment as he can't stop eating live beings. I don't blame this guy.

The only person who knew of this was Tsukasa, until he "told" Kou. Told is in quotation marks because it was never really Mitsuba trusting Kou enough to open up about the hell he's enduring, as mentioned before Mitsuba doesn't exactly know how to trust. The fact was forced out of him due to a dire situation, but Kou could not have reacted in a worse way:

Pro tip: If your reaction to learning that your best buddy is suffering from a complicated relationship with food, is shoving said food into their mouth violently, you might need therapy just as much as they do.

Kou is still unaware that Mitsuba's diet contains living things too, but if we're being honest that doesn't really put Kou in the right here. Like, man, I know you're freaking out because your friend just asked you to end him, but please take out your anger on something that isn't him.

And don't act surprised when this is his reaction:

This is arguably the a result of post traumatic stress disorder. Mitsuba didn't just escape, he hid in the nearest corner, making himself as small as possible, hid his head and trembled. The reason I'm calling this out as PTSD is because the only other time he panicked like this was right after Tsukasa shoved the bird heart down his throat.

So for both situations it's:

Tsukasa force feeds Mitsuba -> Mitsuba loses control (starts attacking everything)

Kou force feeds Mitsuba -> Mitsuba bites Kou

And the results are the same. He reacted the same way because mentally it was the same situation to him, It doesn't matter what the intentions were, Kou triggered an event(s (considering he's eaten multiple supernatural and is absolutely repulsed by it)) that Mitsuba had no intention of revisiting.

Summery:

Mitsuba's trauma is often overshadowed by more obvious displays of mental scarring, like with the Yugi twins and Kou, and is often represented with irony or humor, including by the creators themselves.

Even without everything he's gone though, Mitsuba was always a hopeless character. He just existed one day. He doesn't have anything, anyone. He's never been told he's loved, he's never felt sunlight, he never got to play, he's never had anyone tuck him into bed, or read him a story. He was robbed of his childhood, and any connections besides the few who remember him for someone that he isn't.

He doesn't even know what snow is, yet he knows how blood tastes like

This entire post wasn't even scratching the tip of the iceberg in terms of how much grave emotional turmoil Mitsuba has faced. And will face. Yeah I don't know how well his trust issues will cope with Natsuhiko leaving him to die. If he lives.

The idea of this long rant was to point out that Mitsuba's trauma and mental struggles are just as, if not more, relevant then his physical ones. And they do affect him, and they do have consequences. And they will most certainly come back 20x worse later on in the plot. I would say to prepare mentally, but I know tbhk fans can handle just about anything.

Thank you for reading!

ヾ(≧▽≦*)

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[solradguy]

I do think Sol has every right to throw Asuka into a wall as few times but I also ask for your proposed reason for why Sol would be making a big ass rocket to vist him. /gen

Oh, you know...

I genuinely don't know what else Sol could possibly be planning to do other than finish what he vowed to do at the end of Begin and at least once in almost every game release before and since haha

[henry7931]

Playing in the Attic

Kenton:

Chris and I are cousins (the youngest in the family), our whole family is gettin together this weekend at my Uncle Al’s house for his big birthday celebration. I was so excited to see Chris that I talked my dad into letting me come stay with them a night early. Al (my dad’s older brother) is Chris’s dad and when I got there I was surprised to see that my other uncle Tim (my dad’s younger brother) came to stay early as well.

Chris and I were having a good time catchin up but then Chris brought up how his dad never lets him go into the attic.

So curious me, talked Chris into going upstairs. We waited until we knew Uncle Tim and Al were too busy to notice that we snuck upstairs.

Both of us sneaked our way up and opened the door. We quietly shut it behind us and giggled out of excitement to see what’s upstairs.

Once the door was shut, we found a light to turn on. And both of us were surprised to only find one small box.

“What the heck? What do you thinks in it?” I said to Chris.

“I don’t know, should we open it?”

I gave him a mischievous grin and said, “we made it this far!”

I walked over and carefully took the lid off. Inside was an old lookin statue.

“Booo!!! That’s not exciting at all!”

I grab it and show it Chris and immediately felt strange. Chris touches it as well.

And that’s when things got crazy!!!!

One second we’re upstairs. And the next the second I’m in his living room looking at Uncle Tim.

I look down and notice my tummy is huge! So arms and my feet!!!

I wiggle my toes just to make it’s not a dream.

I look over at Uncle Tim and he looks just as confused as me!

“Uncle Tim?”

Uhhh no…. Dad?”

“Nope!,” I say back to him.

That’s when I start to put some of the pieces together.

I get up and go to the closet mirror I could find. That’s where i see my Uncle Al staring back at me!

“Holy crap!!!,” I say out loud giggling.

I turn over to Uncle Tim, “it’s me Kenton!”

“Kenton!!! I’m Chris or I guess—“ Chris looks at his new reflection seeing Tim’s face looking back.

“IM UNCLE TIM!!!”

We both grin excited about our new discovery.

“Wait a minute what about our bodies?!?”

We both dash up to the attic and see both of our bodies lying on the ground.

“Wow! That’s freaky!”

“So where is my dad and Tim if they aren’t us?”

“I don’t know maybe they’re still in here with us but we’re in control?”

“Freaky!!”

“Here grab your body and I’ll grab mine. Just don’t touch that status.”

“Haha okay!”

We both carefully pick ourselves up and it’s so funny carrying myself. I’m so light with Uncle Al’s big arms.

We place our bodies in bed and head back downstairs.

That night was the most phone I think I’ve had in a long time!!

Chris and I went out on the town. We went shopping, I bought Uncle Al a couple of things I thought he’d look cool in. I also got Chris all of the video games he’s wanted the last of couple months since I’m now his dad.

After we got dinner and I tries sushi for the first time. I wasn’t sure how I’d feel about it but Chris and Al eat here all of the time. Even the waiter knew Uncle Al’s order.

I didn’t want to make it weird so when he asked me if I’m going to have ‘my usual’ I said sure!

It was actually pretty good!

That night Chris and I got into some bathing suits and went into the hot tub together. We even both had a couple of beers which I kinda liked as well.

By 3 am both of were so tired, Chris and I went upstairs to bed. We both tugged off our clothes and was surprised that Chris got completely naked in Tim’s body.

I looked at him from head to toe, covered in hair— I pull off Uncle Al’s bathing suit and his junk came flying out.

“Kenton!! I don’t wanna see all of my dad!!”

“Well you started it!”

Chris and I laid in bed together. I couldn’t help but stare at both of our naked bodies. I kinda liked the way we looked.

I looked at Al’s big feet and rubbed them against Tim’s big feet.

Chris gave me a look and I said, “what??? These big feet are cold! I was hopin I could warm them up with yours.”

“Ugh fine!”

We wrapped our new big feet together. And I felt a rush go through me. I looked at his hairy belly, I wanna run my fingers through it but I stopped myself.

“You ready to go to bed?”

“Yeah I’m sleepy!”

The next morning I wake up and looked down at myself. I’m still uncle Al, I look over and Chris in Uncle Tim’s body still sleeping.

I pull back the covers and look at Al’s junk. I get a little handsy and start playing with it.

I try to slow myself down but it feels sooo good.

I watch my uncles big hands go back and forth. I rub his big feet together and rub my other hand up and down his hairy chest.

I tug faster and faster about 15 minutes until I make a mess everywhere!

Chris wakes up and doesn’t seem to notice the mess I just made.

He grins at me with half open eyes and says good morning. He gets up and heads to the bathroom. I guess he had to go real bad.

I get up as well and I pass the other room. I can hear Chris, he’s making a lot of noise in there.

I carefully crack the door open and see he’s standing in the shower tugging away at Tim’s junk!

I back away from the door and let him finish up.

Today’s the day everyone is coming over so I knew our fun had to end.

Chris walks out and I tell him we should probably get dressed and try to figure out the statue.

After we get ready both of us head back upstairs. I look at the statue and without much of a plan I say to him, “I guess let’s just grab it?”

We grab it and the same time. I feel kinda funny again but nothing happens!

“Well… that’s not good,” he says to me.

We both go back downstairs…

That’s when we hear voices coming from Chris’s room… it’s our voices!

2 months later…

So… turns out that when we touched that statue that just put Uncle Al and Tim right into our bodies.

We were in sooo much trouble! Especially when we found out that we couldn’t switch back to our bodies for an entire year!

Soo now im uncle Al for a very long time and Chris is gonna be Tim for a while as well.

But it’s all good, neither Al or Tim are mad at us anymore. No one in our family knows about it outside of us. So Tim lives full time with me in Chris’s body.

And the best part is Chris comes over every weekend! And we still get have a lot of fun even if Uncle Tim gets annoyed with us. Who cares! We’re the ones in charge now!

[weaselle]

Early human match ups with animals

Wolves: have a very similar social structure and lifestyle as early humans, benefit greatly from group dynamics -- teaming up with humans allows them greater access to food at less risk, safer sleeping, higher pup survival rate, better protection from the environment. One wolf eats about as much food as one person, so it's a normal member to add to the group in terms of resources.

Cats: have some amount of social overlap (cat sisters often help raise each other's kittens, and grouping approaches common in some cat species, notably in lions, but also for example in cheetahs, where brother cheetahs often stay together for life in groups of up to 4). Humans are HUGE prey attractors for them, drawing in rodents in large numbers - also meaning people don't have to give up their own food to feed them. Human housing is safer from the elements, keeps competitors and dangers like snakes and larger cat species away. Associating with humans gains special grooming and healing unavailable to wild species, such as draining and cleaning abscesses caused by infected bug bites or, very importantly, feeding and caring through a major illness or injury. A wild cat with a broken leg will often die, a human's cat with a broken leg will live to hunt again.

Goats (which we actually turned into Sheep): Herd structure similar enough to human social structure as to be compatible. Guaranteed food during winter and other times of scarcity -- and none of it is human food. Higher offspring survival rate, robust protection from predators and the elements. Horses : same. Cows: same. Deer/caribou: same but a little less so, actually surprisingly good at both fight and flight (cows, specialize in fight, horses specialize in flight) often travel more distance for resources so have better access during lean times; can match but less beneficial to the deer.

Other animals be like

Big cats like Tigers: Why the fuck are there so many of you in one place. This cold doesn't bother me at all because i'm so big my core stays warm. Just what do you think i need protection from? I'm super capable of feeding myself, and even if food is scarce? you have to sacrifice enough food to feed several people to keep me fed, which is a bummer for your group if food is scarce, and i cannot eat your stored food like dried fruits and grains. Your lifestyle is incompatible with mine, i hate everything about being forced to live with you and also it doesn't benefit me at all. Lions: yeah, plus I already have all the group dynamic benefits you could offer me, you're actually the weakest link in my group, be careful or we might outnumber you, being near us all the time greatly increases the number of times murderous male lions attack this group

Bears: Listen. Even if i get injured i'll just eat something that doesn't run from me until i heal (some brown bear populations spend a couple months a year mainly eating moth colonies, they will eat anything, including moss and fungus). This makes me a direct competitor for ALL you food, btw. Speaking of which it takes like 15 people's worth of food to keep me fed. If i get angry someone is definitely going to die. Protection? from what? The most dangerous thing to a bear is another bear, so also you can't really have more than a couple of me in any group, and staying near me greatly increases the chance of some territorial wild bear rolling up to camp with murder on their mind. What do you meeeean keep wandering around actively instead of sleeping in one spot for months at a time? My life is literally worse with you than without you, and your life is probably worse with me around too.

Weasels: Fuck off you can't keep up with me i eat half my body weight in food every day and bite everything near me. Try to contain me and see what happens i'm made out of teeth and murder and cleverness, and destruction of property and theft are my favorite games and i'm basically always bored unless i'm hunting or fighting or fucking with something. What do you meeeean hold still for 30 seconds now i'm mad and you'll basically have to kill me to stop me from going after whatever i want forever. I will absolutely try to murder every other animal you associate with no matter what size it is, and i will totally also eat all of your other food too because i love fruits and fungus and anything else you like to eat probably - you can't keep me out of your food stores and what i don't eat in the moment i'll steal and hide in my own stash for later. Excuse me now i have to sleep for 18 hours i do not understand why you want to keep doing things for so much of the day.

Don't ask me about ferrets they must have been bought with rodent hunting opportunities like the cats, total fluke if you ask me (ferrets are, in fact, domesticated, after more than two thousand years of human intervention. And it's kind of weird that it happened but i think they were the exact right size to make it work)

I think it's a common misconception that domesticating animals is somewhat like enslaving them. It really is more of a symbiotic relationship. No wild animal would have willingly put up with early humans if they didn't get something out of it. Wolves wouldn't have stayed with us and become dogs if they weren't getting food and safety out of it. Many large herbivores that are now domesticated could and would have easily trampled their early human captors or broken their enclosures open if they didn't have a reason to stay. Sometimes individual animals still do if we don't give them what they need.

The animals that have stayed with us for thousands of years have evolved to cooperate with us better. Dogs have additional facial muscles around their eyes that wolves lack in order to mimic human facial expressions. Sheep grow their wool perpetually while their wild counterparts don't because a bigger fleece means they're more likely to be allowed to breed and be kept around. Domestic dairy cows produce much more milk than wild bovine species and domestic hens lay more eggs. Do you know how energy costly producing eggs or milk is for an animal? It's pretty intense! They wouldn't be able to do that if we hadn't given them the food and safety from predators and the elements to.

And we really need to show these animals respect and gratitude for what they give us by taking excellent care of them. They gave up a lot to be with us, often including the means to take care of themselves in the wild. That's a huge reason why I'm not against using animal products, but I hate factory farming. They are still living, breathing creatures with needs and feelings. They deserve a comfortable life and, when the time comes, a humane death.

[myokk]

Hi! I'm still feral for these two, would you mind giving us some art of them in their later years together!?

Hello angel!!!!

Sorry it’s taken so long to respond🫶🫶 but I wanted to draw some new art for this ask💓

We have: Sebastian and Eloise trying out their new fancy camera with a selfie, pictures of them with their daughter, and finally…idk I just always felt like this drawing is when they’re a bit older💓

I want to take this ask as an opportunity as well to talk a little about how I imagine their future (I have no chill & you can ignore this and just enjoy the art if you want😇).

I am a COMPLETE pantser - I never know how a chapter’s going to end when I start writing it (I always just have a few scenes I know I need to include to keep the plot moving forward). Although I have different *big* scenes I’m always writing towards, and themes/plot elements I’m always foreshadowing (shout out to @elliecutte for catching *almost* all of my hints and appreciating my general no chill😆), IM STILL NOT 100% SURE HOW I WILL END THINGS !!! 😳 I have a lot of endings I see as possible, and I think soon it will become more clear to me what will work the best💓

HAPPY ENDING:

Eloise and Sebastian become Unspeakables. I have a LOT of thoughts on this profession that could be its OWN post, and I feel like Unspeakables are generally specialized in one or two departments, but as their interests/research change they also change.

Eloise becomes an Unspeakable in the Mind and Death departments, with the occasional foray into Time. Her ancient magic is connected with all of these things (my version of AM is NOT like the game) & the Department of Mysteries is one of the only places that gives her any useful information about these things. Plus she thinks too much (it IS her hobby after all😆💓) and is very introverted so a hermit job like this is a perfect fit.

Sebastian becomes an Unspeakable as well, but I feel like it takes him a long time to specialize in anything, if he ever does. I just feel like becoming an Unspeakable is the adult equivalent of sneaking into the Restricted Section🥹🫶

They grow old together (I won’t explain TOO much) & have a lovely little family🥹 at least one daughter that they both dote on. Sebastian had an amazing childhood (idyllic until it wasn’t), and wants to give his daughter the same, and Eloise works hard to make sure their daughter feels the love that she never had growing up🥺

When Sirius is burned off the family tree, Eloise and Sebastian take him in🥹🫶 (they’re like 100 years old but WIZARDS LIVE LONGER…) The same happened to her all those years ago, and she wants him to know that his whole family hasn’t abandoned him.

Eloise LOVED her nieces - Bellatrix, Andromeda, and Narcissa - when they were younger, but as Voldemort becomes more powerful & people realize WHAT he’s doing, she has to separate herself from them. Her heart breaks seeing Bellatrix go mad, and seeing Narcissa engaged to a Malfoy out of obligation😔 (iykyk)

I haven’t thought any more about happy ending but I think it’s fun to think about how their future story might weave in with the actual canon events, ESPECIALLY since Eloise is a Black🥹💓

SAD ENDING:

After Sebastian gets his hands on Slytherin’s relic, it really starts to consume him and makes him even MORE obsessive than his natural tendencies - I imagine it similarly “talking” to him like Slytherin’s locket/horcrux did in Deathly Hallows (😳)

Eloise is deathly afraid of the changes she’s seeing in Sebastian and steals it from him (he would never willingly give it to her ESPECIALLY if it starts to feel like a precious item to him)

BUT the relic triggers the latent Black Family Madness in her - the madness that afflicts almost every woman in her family since…🤭 - and she herself starts to lose touch with reality. Her body and soul are already destroying themselves between the curse and the ancient magic inside of her, and the relic is what triggers it in her.

Sebastian becomes an Unspeakable, focusing on the Mind, in a desperate attempt to find a cure for his Eloise🥺

He never gives up his research, and sometimes when he comes home she is lucid and they talk about his research - otherwise, he just loves and takes care of her.

(He’s never successful in finding a way to reverse what he feels he caused in the first place - his ambition and single-mindedness is, to him, the reason why all of this happened)

Honestly who knows if I end their story either of these ways😌 I just love thinking of AUs and different endings and I have a few others I’ve considered as well!!! And whatever endings I don’t write will be immortalized on this blog and in my art as well🙏

[lj-lephemstar]

Progress Checkup! (Nov. 2024) | Scratchin' Melodii Devlog

​​Hey again guys! Sorry if it's been a bit since the last devlog. With how much I've been up to, it sure feels like it!

Let's get right into it. For starters, the 3rd rival battle of Act 2 is complete! I'll likely be showing a gameplay preview of it sometime soon. This is the first song to use the new framework that I'll be using for all the other stages going forward, which also means I've had to spend the past couple weeks getting the previous songs working with this new system too... Did you know that in the demo builds, if I wanted to change something about the gameplay, I'd have to manually go back and change it for EACH individual song one by one? Well now, imagine all the songs had like a peace treaty to just share one good, clean, and organized system that I can easily tweak and add to as I please. So development is gonna be smoother than ever from here! This is how most games are SUPPOSED to work, but I was a liiittle too stupid to figure out how to do this until recently!

While I was moving Cream Cheese Icing over to this new system, I took the opportunity to make the chart a bit more beginner-friendly! For example, the first line went from this...

To just this!

As you can see, it has less notes, therefore it is less scary for new players. Believe it or not, I actually never intended for Cream Cheese Icing to be so difficult for new players in the first place! Naturally, being too good at my own game can make gauging the difficulty curve a bit tricky at times, but I think I'm figuring it out!​

You may have also noticed that the characters have new UI icons too! I felt like the old ones were too flat and boring, so I did a new take on them, aiming for more dynamic shapes and angles, not to mention how my art style's just kinda grown a bit in general since I last drew the icons. I also ended up leaving out the circles behind them. I was a little worried I was gonna run out of unique colors for all of them at some point, plus SOME of these guys can have really big hair and/or hats that pretty much just cover up the whole circle anyway. (hi rensa)

Speaking of artwork, here's a little look at some of the updated animation I've done for Stir & Mix! (Try to imagine it in not highly-compressed-gif-form. I promise it looks better in-game!)

When working on Stir & Mix related stuff, I can't help but feel a bit of a sense of dread knowing how people may react to it... Honestly, sometimes I kinda wish it never got as popular as it did in 2022. But hey, doing my own thing regardless of what's expected of me is the most Scratchin' Melodii thing I could do!

Speaking of which, Mia learned a ton of new stuff while doing the VOCALOID tuning for the last rival battle we worked on, so we might revisit Stir & Mix's vocals again at some point before release to give it even more style! (By the way, Mia and 2cada are the same person! Sorry if I refer to both names interchangeably! She's been the one doing all the VOCALOID tuning and vocal mixing for the game since 2023.)

Well, I think that's all for now! Here's another friendly reminder that there will NOT be anymore demos of the game. Any new content will be saved for the full game's release. I know I've said it before, but I probably won't stop saying it until people stop getting confused about it LOL. Thanks for reading!! I appreciate you. - LJ

[gothamite-rambler]

Damian's family meets his new friend

Damian strode into the living room, accompanied by a brown-skinned girl. His father, brothers, and sister were engaged in various tasks when they turned their attention to the girl beside him.

Dick: Damian, who's the girl next to you? Did you kidnap a Girl Scout?

Carrie (laughing softly): Have you done that before?

Damian: No, I simply wanted a box of thin mints. This is my friend Carrie.

Carrie waved energetically, a bright smile on her face something the family wasn't used to seeing.

Carrie: Hi, Damian has told me so much about you all! I wasn't expecting you to look this cool.

Damian rolled his eyes, clearly not agreeing with her assessment.

Carrie: Damian, who's the cute one next to your dad?

Damian (jaw clenched): Tim. He is not cute!

Tim: Wow, that was uncalled for! I was just sitting here. Hi, Carrie!

Carrie giggled, slightly hiding her face as a blush crept in. Damian sighed heavily.

Damian: Father, can we please change the subject?

Bruce (genuinely surprised that his son made a friend): Nice to meet you, Carrie! Damian’s mentioned you quite a bit. Though, to be honest, most of us thought you were just a figment of his imagination. I didn’t, but they did.

Carrie: Oh, that’s funny! No worries, I’m his bestie. He hates that I call him that, but it’s true. Damian, did you really say I was imaginary? The shock! I'm deeply offended.

Carrie dramatically placed a hand on her heart, eliciting a smile from Damian at her playful act.

Damian: No, my siblings just think I'm too antisocial to have a real friend. But as you can see, she’s right here, standing next to me. We’ll be in the library studying until 6 when her mom picks her up.

Carrie: I thought we were going to play video games!

Damian (exasperated): After we study, remember?

Carrie gasped, then quickly nodded in agreement.

Carrie: Nice meeting you all!

With that, Damian and Carrie exited the living room.

Cass: Was she actually here, or are we all losing our minds too?

Jason: I think she's real… but is he paying her to be his friend?

Dick: No way. He's not that desperate—he's Bruce's kid. They both try very hard to avoid people not pay them to befriend them.

Bruce : Okay, that’s true, but it was uncalled for. I’m genuinely happy for him. At least she’s not related to Clark.

Jason: It'd make you happy if he was friends with an actual villain than a Kent?

Bruce chuckled and nodded in agreement.

Bruce: There’s only so much I can handle with him. Either way, I’m glad Damian is making friends. I never had that chance.

Tim (annoyed): Because your parents got shot in an alley, which made you a nihilist who hates the world. We get it! Our parents died too, you're not special!

Dick and Jason laughed, nodding in agreement.

Cass (mumbling): I wish mine were dead.

Bruce (defensive): I was just about to say it’s because I studied a lot in school. Geez! I don’t use my parents’ deaths as an excuse all the time. Sometimes, I’m just terrible with social skills.

Dick: The fact that I don’t even doubt you speaks volumes.

pt 1

[thumperdaetime]

the music is punk because it challenges the norm. the clothing is punk because it challenges the norm. the politics are punk because they challenge the norm. it's not a sound, or a look, or a book, or a slogan. it's a way of thinking that puts radical acceptance and relentless pursuit of joy, face to face with a world that wants you dead. you can't put a price on it. the disabled woman that says "fuck it people know I can't hold my blatter anyway. I don't care if they can tell I'm wearing the rehab-provided brief. Get me my bright lipstick I'm going to bingo!" is flexing the same muscles as the suburban white boy who steals eyeliner from his conservative mother. they are both people using identity, to create joy and signal comradery in lonely times, reputation be damned.

not to mention, all of the clothes I have been able to afford new when I was in my poorest moments were shit quality anyway. anything you can do to extend the lifespan of a physical object that was made under the modern fast fashion system past "thrown out, unsold at the store" is a win. in the same way that any pressure you can keep against an actively bleeding wound is a win. cloths are a common class of tools we use to help regulate our comfort, with that is with the temperature or our cave-mates. if the clothes make you feel uncomfortable they are already useless. it is already trash. why not try anything to see if it works? there are intelligent capable people across the centuries who died dreaming of what to do with once gorgeous expensive trendy fabric, that will now look dated and trashy outside of "the spring of '32 when i fell in love with jazz." or whatever the kids are into these days. the stupid walmart blazer you took a chance on 2 years ago but now feel "too X to wear" is no different. either you trash it now, or live with that trash in your home until your kids do it for you, while crying about how they always thought you looked good in that color. you might as well see if there's enough fabric to re-make that halter top you loved in college. when it looks homemade you get to boast and explain all about how you're trying to make shit better in little ways. and who cares if it fails? Aren't you deserving of a little petty violence? when the last time you really didn't give a shit about seam Ripping and just went to town? don't you want to be able to yell at something with no moral consequences? so much in this world is complicated and nuanced and requires forethought and responsibility. Wouldn't it feel nice to have a hobby that lets you get reasonably angry at evil fabric for not doing the thing, and then you can just throw it and swear, and then never have to think about it again. because it doesn't matter. it was already cheep plastic made to feed a system that would rather watch the world burn than lose a shareholder. you eat credit cards a year. you can not hurt wasted disposable plastic more than it will hurt you.

and then if it works you have a cute top to wear around places to show you are the kind of person who has cool tops! and help you ease people into the idea that a political movements starts with people deciding what things they inherited they actually want to keep around. and then maybe one day you cut apart and re-make out of nice quality fabric, with the mistakes you learned from the first one. so you can weaponize your ability to present yourself as ""respectable"" when you have to play the politics game in big official ways.

or (imagine this) you can even use your new knowledge of what types of edits you often make to clothing to buy a quality garment that will be more worth investing in. Ones that are made in ways that add value to their communities will feel good on your body from day one, and you can be mened and adapt in ways that may let it outlive you.

or maybe you elevate that shity, guilt ridden- shirt out of the gym lost and found on the last day of freshman year, because "fuck it- I liked that middle-school library fit. and Its a size too small but I'm bound to get thinner eventually. and I don't think its actually stealing if no one else wants it." Maybe if you make it into a statement piece scrap in your favorite "look I'm not happy about it either!" outfit, to show that you want to fuck with the systems in a "hey we should still have A Library tho right?" sort of way. you might run into the middle school girl who gets to break the ice with a fellow "cool garment person" friend. and she gets to laugh about your shirt deadnaming her. and you get to apologize and offer to let her sign something over it. and now you are advertising the formative art of a local queer-punk-artisan who you know is also out there trying her best to make the shitty stuff a little less shitty when they can, even if it means learning how to thread a sewing machine.... eventually.... hopefully.

also, as a person who has spent about a decade trying to figure out ways to keep kids of all ages informed and prepared and enriched on a budget. "Tug of War turned tie-dye Party" would of been a smash hit, my queer and rural in the 90's type parents would have loved it. after growing up with Halloweens filled with pieced-together costumes that made room for sensory issues and accessibility aids. and family "vacations" taken on public land with what's left of the food stamps. i think there is definitely a market for how to teach your children the fundamentals of serving in a world that might find their misery profitable. without like... terrafing them.

imagine how much easier alot of it would have been if someone early in your life had sat you down and said "ok. a lot of times things are going to be bad and unfair and evil. and there's going to be complicated reasons you cant do much about it but feel bad. but if you feel bad all the time it will only get worse. so what you can do is take what is around you, figure out what it is and how it works and why it's there, and then break it in ways that are meaningful and delibrite. and re-shape it to help the actual people who are trying survive."

then they showed you and all of your little friends how to research, what fabric is and understand why you bought supplies, and then get their hands dirty testing how strong it is, and why jeans have rivets even when you want to sew right there. and re-asure them that it's ok you paved the way to make sure they can't hurt anything too bad even if they are really really bad at it. and then let them find joy and pride in making something unique and custom with their own tools for the cost of cleaning out a closet, and some rite dye.

and then the community has a couple new little baby punks making decent folks smile with little bold fashion statements, and turning heads when they experiment with which parts of society they want to bring into the new age. tl;dr: I think we need to start telling the “I’m too poor to dress punk” crowd that they’re posers. -polyamorouspunk, November 2024, tumbr.com

I think we need to start telling the “I’m too poor to dress punk” crowd that they’re posers.

[what-eats-owls]

It matters how you do it

I finished Dragon Age: The Veilguard and had some big feelings about it. Spoilers for basically everything under the cut, and frankly, it won't make sense unless you've finished the game anyway.

First of all: I had a blast with this game. I didn't find Act 1 slow, I did find Act 2 a bit of a whack-a-mole, and then Act 3 kicks you in the kidney (complementary) while insisting it's for your own good.

I've seen some recurring complaints: that it lacks depth/edge/darkness, that it abandons previous lore, that the previous choices don't matter. I don't entirely disagree. To me, it felt like a massive Dragon Age 4 game that pivoted to a different, tighter game after complaints about bloat in Inquisition. The key is that when editing down, there's such a thing as trying to trim the fat and taking a chunk of the roast with it.

I enjoy the concept of Lucanis's character, and the voice actor sold the hell out of him, but the storyline felt like being taken to a museum and allowed to see one (1) beautiful unfinished sculpture. Why did Spite, specifically, work? We know the spirit of Justice became Vengeance by abomination, we knew Solas was Wisdom before he became Pride, so what was Spite before, and why wasn't that tied to Lucanis's own personal arc? (Doubly so if you romance him!)

Similarly, Harding was a delight, and her greenhouse was such a lovely little haven. I would have loved to see more explanation of the connection between plants and the titans, and how Harding's own personal struggles with rage connected to that of the titans. She has every reason to be angry and scared, and the game tells us she pushed that away—but we don't actually see her toxic positivity manifest to that degree, until she abruptly has an angry clone.

On the flip side, I loved the other five character quests, and I felt they had solid, poignant arcs that delivered. I also adored their interactions with the codex—if anything, I wanted to see more of that type of interaction on the screen. You have to fill in a lot of the character work for Rook yourself; Rook has all these interesting potential backgrounds, but I think starting the game playing through those, a la Origins, would have gone miles towards establishing more personal stakes up front and made for a stronger start.

So that's all my nitpicking. But let's talk about the bigger theme: It matters how you do it.

In the first Fade conversation with Solas, he gets so mad when Rook refuses to let him DARVO them about the consequences of his botched ritual. This makes way more sense when you understand he's literally imprisoned by his own regrets, and he needs Rook to have that same kind of regret in order to take his place. His entire arc is about rationalizing binary choices and shitty actions that hurt others in the name of a hypothetical greater good that he wants.

Solas can't engineer every binary choice Rook's forced into, but he uses Varric to maximize Rook's regret. He is trying to quite literally mold Rook into him, and the game is great at presenting this both as a coldblooded manipulation and a broken plea for validation—if you let it. You don't have to give Solas a moment of consideration; you don't have to take time to view his memories, or kill his demons, or listen to those scraps of Mythal still holding onto the good in him. You don't have to do any of it.

But you can. And in the end, it matters.

It matters because for every companion, you can encourage them to either be more nurturing/compassionate or destructive/closed off versions of themselves, and that is frequently tied to continuing or breaking from a cycle. (The exception is either Neve or, presumably, Lucanis, who are forced into the Hardened version depending on which city you save.) These aren't presented as morally opposing choices, just who you want them to be. You can see how the Grey Wardens fucked up bad with griffons and decide they have a better place. You can help Emmrich face his fear by finding deeper meaning in life instead of indefinitely postponing death. You can help them do things differently.

So when you get to the final choice in the game, you may have two options: physically force Solas into saving the Veil, or trick him into it. The kind of binary choice Solas has molded you into making by pelting you with cruelty and manipulation.

Or, if you've taken the time, you can get him to understand he's wrong. You bring out the people who saw the best in him and speak to what he's had to endure, even as you're showing him there's another way. You reach him not as Pride, but as Wisdom. And he goes willingly.

Ultimately, I think DA2 and Inquisition grappled with big questions of oppression and violence, faith and authority. It makes sense for those games to delve into harder, uglier subject matter, and ask you to make binary calls.

But my read of Veilguard is that, at its core, it's about how those decisions are meant to trap you in regret at best, and numb you to rationalizing cruelty at worst. It's why the companion who loses their home city becomes colder, more isolated, in response—more like Solas.

That's why it offers you a third way at the very end, but only if you've worked for it. A better way is possible, yet it has to be more than words. You have to understand where the pain comes from, what maintains and is being maintained by the current cycle. Then, and only then, can you break it.

I can't wait to play it again.

P.S. Utterly obsessed with the Trevisan fish merchant.

[lairofsentinel]

Since this user's posts seem to have been deleted in previous opportunities I copy-paste their words here because they express exactly what I feel about this game. Dragon Age has died, unfortunately.

I'm a big time Dragon Age lover and have enjoyed every game in the series. Personally, I think Inquisition is the best in the series. And I was excited for Veilguard right up until I actually began playing it. Now, I want to clear things up at the start as to what I look for and believe makes a good Dragon Age game. To start, I DON'T CARE ABOUT COMBAT. I. Do. Not. Care.

You can make it Origins tactical. DA2 fast tactical. DAI hybrid. God of War action, I don't care. Dragon Age has always had combat that was...fine. A nice distraction and breakup in between the bits I actually care about: narrative ROLEPLAYING, story, characters, and exploration. I don't give a crap how great the combat is if the narrative roleplaying and writing are poor, I'm not playing BioWare titles for amazing gameplay. I am here for the story, the characters, and the roleplaying. Truth is, for a time I considered DATV's combat to be the best in the series.

And this is why I feel the game is a terrible Dragon Age, because it lacks or fails to respect those elements concerned with narrative roleplaying, story, characters, and exploration. Now, in many reviews and online videos you'll hear some reference often to the drop in writing quality. And a lot of time people will incorrectly say that the writing with the characters is to "modern" or "Marvel quippy" or not "dark" enough. I think these people are wrong, they recognize there is a drop in writing quality from previous games but aren't able to articulate why that is.

Dragon Age has never adopted any sort of faux medieval speech and vocabulary (though we'll get into this more later). This is a series that used "epic fail" as a thing someone uttered in the very first game. It's always had anachronistic dialogue and banter. So why is it such a drop then? Why is it considered poor? Simple. This is a game that does not believe in the world it has setup for over a decade. It does not believe in or engage properly with its own world and lore. I mean, look no further than the title "The Veilguard" a phrase that is never uttered by anyone in our group, and further proof it was a last minute marketing change. Compare to Inquisition where the title is apparent from the start in the game and has actual meaning.

You see, characters in DATV do not feel or react to events the way they should based on the lore. Why is no one constantly asking what the hell the Inquisitor is doing? The Inquisitor is kind of a BIG DEAL when it comes to Solas and Elven Gods, my Inquisitor drank from the WELL OF SORROWS! So why are we sitting around thinking at the start, "hmm lemme think who I can contact who might know more." The Herald of Andraste! They know more Rook, the guy that is technically your boss. The Inquisitor! Who else have you been working for this entire time? Who do you think told Varric to recruit you?!

But even removing the Inquisitor, the Elven Gods being real and also near synonymous with the old Tevinter Gods is kind of a BIG DEAL. It was only a theory fans crafted long ago that slowly revealed itself to be true. And it completely upends known religious dogma on all sides. Yet, why aren't people we meet going through a massive existential crisis? For instance, the Veil Jumpers we initially meet were presumably told off-screen about Fen'Harel, and are seemingly cool with this massive knowledge alone. But then we talk about those two other Gods being released and they're like, "well, shit those two aren't good." As if they have any clue if the fables about those Gods are real when we previously just upended everything they thought about the Dreadwolf! Why are you acting like this is another Tuesday?! Your entire religion is wrong. In that same conversation, Strife notes "Solas might be a bastard, but compared to the Evunaris? Let's just say they weren't know for being kind rulers."

My brother in Anduril, what are you talking about! Elven religion teaches that Elgar'nan was so beloved by the Earth that it "the land brought forth great birds and beasts of sky and forest, and all manner of wonderful green things." And that he fought the jealous Sun that tried to burn the land and all beasts away. Custom says that he and Mythal, "created the world as we know it" after defeating the Sun. He is literally described as one of the "good" Gods. WHY ARE YOU ASSUMING HE IS EVIL! It's like finding out Satan is real, but not as evil as have come to believe and then being told Jesus Christ is back and a devout Christian going, "well shit, that can't be good." WHAT?!

The same goes for Andraste and the Chant of Light, it took me 30 hours of playing before ONE character mentioned Andraste and the implications with the Chant and it was never brought up again. Our entire party is seemingly made up of unphased atheists. Now compare to something like Inquisition which explored this aspect HARD and was amazing for it. You'd get into great debates with religious figures and party members about the implications of Corypheus actually being a Tevinter Magister of old. And you'd talk about what it means towards the religious dogma preached and how much is true. And these intense political and religious discussions are present in every previous game, and not confined to a single conversation with one party member where it is seemingly resolved.

These conversations do not happen in DATV because there is no depth to the writing or engagement with the world. The Elven Gods are evil and need to be stopped. That's it. We don't need to think about the implications this has on Dalish customs and religion. Fuck it, all the Dalish are going to still wear their Vallaslin slave brand tattoos. Let's forget about Trespasser implying Solas was removing them from followers coming to join him. Let's even forget they were likely all told at this point that they are slave brands, nope still going to wear them yet speak blasphemy with every sentence against our Gods. No one cares about Andraste or The Maker or the Chant. Big deal if these Elven Gods contradict the overwhelming majority religion in Thedas. Not a single party member has religious or cultural objections to killing the Elven Gods; not a problem. Not one single elf wants to join Solas in tearing down The Veil and getting immortality again?

Again, let's forget about Trespasser setting up Solas gathering MANY Elven followers from Dalish clans who would be super inclined to join him after experiencing CENTURIES of discrimination and slavery by humans. The better question is what Elves wouldn't join Solas at the start? And what Elves wouldn't look at the other two Gods and go, "meh, maybe we should give them a try. They can't be worse than humans, right?" In DA2 you had elves joining The Qun to escape the discrimination of humans, but not ONE ELF wants to join Solas or Elgar'nan? Those Ancient Elves in the Temple of Mythal? I guess they all died, right?

This extends to EVERY single element of Dragon Age that previously had depth to it, it now has been completely removed. Those murdering Antivan Crows? Oh, they're just good Italian Mob Family that protect their city. Tevinter? Yes, it has poor people, but we're trying to do better. Oh, slavery? No, no we don't show that here. The Qun? The what now? No, they are all Antaam now, and so that means they are all generic evil warlords. No, they don't even attempt to follow their own hardcore view of The Qun like when Templars split from the Chantry, they're just warlords now that like plunder. Dwarves and their rigid Caste society? We don't do that here. Elves and racism across Thedas? Elves used to experience racism? News to me, what's a Shemlen? Never heard of that term, we like all humans. Pirates? That is insensitive, we are Lords of Fortune and we are sure to return any cultural artifacts found to their rightful owners; it belongs in a museum after all. The fucking Fade and spirits? Wait, you mean its different than generic fantasy spirit world? I'm sorry, that's too complicated here.

This either intentional disregard of the lore or plain ignorance also extends to environmental design. The asset reuse from Inquisition is particularly hilarious and must speak to the developers not having time after the switch from MP. Why are the same statues found in Val Royeaux in DAI also in Tevinter and Antiva? Why are those stupid Fen'Harel Wolf statues EVERYWHERE? Even in the catacombs of other Elven Gods! There are no statues of Elgar'nan or Ghilan'nain. Nothing for June or Anduril. Dirthamen. Falon'Din. Nothing. No, the only Gods that seem to get statues are coincidentally the ones who already had assets created for DAI or past titles that could be reused. Hmmm.

This continues into character designs too, why do the Veiljumpers and Shadow Dragons all dress richly? They are supposed to be poor as fuck. There's a codex entry about Veiljumpers finding a lost cache of old ancient elven armor and weapons and so boom they all get to dress like High Elven Lords and not the dirty, poor, wandering Dalish clans they are supposed to come from. Why do this? There isn't even an attempt to explaining why the Shadow Dragons, an organization supposed to be secretive, has branded clothing in bright rich colors and fabrics for all members. Naturally, it must be incredibly difficult for Tevinter authorities to not identify them.

This lack of depth and verisimilitude, naturally, affects all the characters. Because in this game you cannot roleplay and you cannot ask questions. In Dragon Age Inquisition, once you started the game, you could immediately interrogate Varric about what happened to every DA2 character despite the Inquisitor never meeting them, you know because it respects its players. You could speak to shop keepers, blacksmiths, your horse master. You could interrogate every single person to learn more about them and the world. The same goes for your player character in DA2 and Origins. You show in Denermin and find yourself knee deep in a quest to help Wade the Blacksmith craft the perfect armor. Here you can't actually speak to a single shopkeeper to ask questions and get some lore bits. You can't ask party members questions about their background, religious beliefs, upbringing, their factions, etc. You can't ask any returning characters any questions either about what they've been doing. Enter a brand new area? Great, you're not asking anyone questions about this never before seen place.

How does a lost Dwarven thaig survive every single blight? How are their immortal lichs in Neverra? How long has that been a thing? Why haven't they told anyone about the Elven gods or any other knowledge they've accumulated in an immortal lifespan? If immortality is so "easy" why can't Solas just do that to restore the Elves? Why are the Venatori, Tevinter Supremacists, following Elven Gods? Wouldn't that be a major identity crisis? Why would Antaam, who still preach the Qun, follow an Elven God that speaks blasphemy with ever breadth? Sshhhh, no questions. You get what is directly told to you and that's it, no follow-up questions.

Party members do not conflict with each other or interrogate each other's beliefs which is why their banter feels inconsequential and meaningless. Lucanis is a assassin, he kills people for money. The same organization that marked Zevran for death for failing a contract. The same one that took him as a kid and trained him to murder, often brutally, for coin. And yet no one really seems to care. He's just a nice Italian assassin from a nice assassin organization. Who cares. Let's instead talk about cooking, at length. Harding, a devout follower of Andraste, has no qualms with Elven Gods wreaking havoc on known religion. We get one conversation you can tell her to believe what she wants, and that's the end of that debate. Bellara also gets about two whole conversations about the conflict concerning her Gods wreaking havoc, both easily resolved. We don't need to think about any larger implications or doubt her loyalty when the Elven pantheon are seeking to restore her people that have been discriminated against since forever. Emmerich, a necromancer of Neverra, apparently has no religious belief. A codex entry even states that those of the Mourn Watch don't know where the soul goes after death. They don't like to think about it. Buddy, Mortalitasi belief is literally that our souls return to the Void alongside The Maker, but to keep balance a exchange must be wrought with The Fade to allow a spirit to house the now empty vessel. How do you not know the religion and customs of your own faction and land? This man has a whole quest line about funerary rights, yet not ONCE mentions religion and what he believes happens after death?! Sshhhh, no questions. No thinking.

Hey, remember The Fade? Remember how mages go to dream there every night. Remember how The Black City is always visible there? No? Well, we don't either. You won't see The Black City in The Fade. You might see it in The Crossroads in a closed off section, even though it is NOT The Fade. Oh, we're going to have you physically enter The Fade in multiple quest lines and no one will think it's a big deal. No, you still can't see The Black City. Now, The Fade is reduced to nothing more than your generic fantasy spirit world. It has none of the previous rules and lore that bound it before. Demons can bind to non-mages and we won't attempt to explain it. Solas fucks with The Veil and not a single mage notices a change in their dreams when they sleep at night. No biggie.

Lastly, let's return at last to the actual minutiae of writing. I stated at the start the writing isn't bad because of Marvel quippiness, which the series has always had. I was partly lying. Yes, the series has always had anachronistic dialogue. It has had meme language in its own previous titles. But, it was just that, a small joke here and there. For the most part the series actually tried to use it's own sort of "older" speech patterns. I think a perfect example has to do with Taash, she eventually finds her own identity and declares she is proudly "non-binary." Literally stating, "so, I'm non-binary." I have no issue with this sort of inclusivity in Dragon Age, it's what the series is known for. Yet, why does that sound wrong? Simple, it's far too anachronistic. It doesn't belong in Dragon Age. In Inquisition, Dorian let's us know he's gay. But he doesn't say, "I'm gay!" or "I'm a homosexual" those terms would not exist in his world. Instead he says, "I prefer the company of men."

And it's these little subtle changes in writing that makes it feel all the more different. We went from "I once ventured in to The Fade to serve the Old Gods of Tevinter in person. I found there only chaos and corruption. Dead whispers. Now I shall return under no name but my own, to champion withered Tevinter and correct this blighted world gone wrong. Pray that I succeed, for I have seen the throne of the Gods. And it was empty."

To: "Well, shit. That can't be good."

So, what do we have when all is said and done? Well, we have a decent generic fantasy action game. An intentional attempt by the developers to remove every edge from the world of Dragon Age in place of a very simple, easy to understand world with not much depth beyond what you see. You don't need to think, just play and have fun. This is beyond turning a MP game into a SP game, which so blatantly obvious in this game. DA2 was developed in 16 months, but is carried strong by its writing. You see, nothing prevented them from just acknowledging their own world they created. It costs very little to write around what already exists. Even if you can't make no assets or redesign the world. Writing is cheap and having characters voice these elements is not as costly as a redesign. No, they chose to remove the edge in every element because this was design intentionally for the masses with easy to understand world and zero depth.

But I wanted to play Dragon Age. I wanted to get into intense religious debates with party members as known lore is completely upended. I wanted to debate Elvish clans deciding to join Solas or the other Gods due to their treatment by human society. I wanted to debate the ethics of necromancy with the Mortalitasi of Neverra's Crypts. I wanted to engage in intense debating with Solas on the ethics of his goal. I wanted to see Tevinter react to a real push for anti-slavery and actually see the slavery in the slave capital of the world. I wanted to butt heads with the Antivan Crows and call them out for the murderers they are. I wanted to see the Black Divine and debate the Chant of Light with them. I wanted to speak to the Archon of Tevinter and see how he felt about the Venatori's past efforts in Inquisition. Hey, what happened to Meredith Reborn in Kirkwall and her idol and Red Templar worshipers? Forget about it.

We got none of this. I got a game that is pretty much disrespectful of its own world. I waited 10 years for this? Why even bother if this is the result? They may as well have just killed every previous character we ever knew, including Solas, offscreen and started anew with this game. Because as a Dragon Age game and sequel, it's terrible and no returning character is how they should be.

And when we get to the ending, that's pretty much what they did. Everything you did in all the past games? Well, that was pointless. Everyone is probably dead. King Alistair. Gaspard. Celene. King Bhelen. The Arl of Redcliffe. The Divine. The Circle of Magi. The Templars. The Seekers. Everything, everyone, and every organization that existed in the South is likely dead and destroyed. And now Dragon Age can become what they wanted, a generic fantasy IP.

But I just wanted to play Dragon Age.

[twig-tea]

GL odds and ends 10 November 2024

Still feeling out how regularly it makes sense to do this; first one was 2 weeks ago on 6 October, second was--oops--3 weeks ago on 20 October. If you're interested in GL older than that, check out my GL rec list through Feb 2024 and my update in July 2024. New series marked with an asterisk*.

Currently airing (with thoughts up to 10 Nov):

*The Fragrance You inherit 1/8 (Japanese, Friday/Saturday-ish, no official distribution but fansub on @isaksbestpillow's blog [thank you Siiri!] I wrote about episode 1 already, but just to keep it all in one place: this one looks great. Not really a GL, more a family drama with a lesbian at the center of the story. I'm doubtful we're going to actually get anything other than closure for the romance in this one.

Pluto ep 4/12 (Thai, Saturdays 9:30 AM EDT, YouTube) This plot continues to be absolutely wild (at this point both of them have suspected the other of being involved in attempted murder?!) but Namtan and Film stay gorgeous and serving so I am still tuned in.

Apple My Love ep 5/7 (Thai, Saturdays 11:45 AM EDT, GagaOOLala and YouTube) This show is very sweet and continues to hold up the recent Kongthup pattern of being great about things like sidestepping the most annoying drama tropes, showing great friendship dynamics including asking your friends about sex, and in this one, excellent sibling dynamics too.

The Loyal Pin ep 15/16 (Thai, Sundays 12:15 PM EDT, YouTube) Anin remains so brave. This latest episode felt a little like we rushed to the finish line, but I've really enjoyed the way this show has handled things overall to date. The show continues to enjoy faking us out in previews so I'm not going to speculate on the ending until we get it.

Red Whisper ep 7/8 (Korea, [schedule is kinda unpredictable; vaguely every 5 days??], YouTube) Oof we've graduated to actively upsetting me with the way this show has depicted nonmonogamy and bisexuality. For the record: Not all bisexuals are nonmonogamous, and entering a monogamous relationship under false pretenses and then acting like your partner is being unreasonable by not wanting an open relationship is shitty behaviour.

*The Nipple Talk 5/10 (Taiwanese, weird schedule: the first 5 dropped on Nov 8 and the last 5 will air Nov 22, GagaOOLala) I honestly owe this show a separate post, it is great! This is an ensemble show with the main character being a heterosexual woman but her two besties are a gay man and a lesbian woman, and the show follows all of them through relationship issues. There is a lot of sex, great conversations about sex, and different relationship styles from one night stand casual flings, to nonmonogamous casual regular sex partners, to long term monogamous relationships. It is very funny, fun, and charming as all hell. It's made a couple small stumbles in the first 5 episodes but I'm still enjoying it a lot. If you liked Diary of Tootsies, this is highly recommended!

Recently Completed:

Reverse 4 U 8eps (Thai, 3 Sept-22 Oct 2024, Netflix / YouTube) I did not like this finale--in the end I was sad where we ended up with this show and I hope we get to see these actors in something else. Also looking forward to more genre GL, which is in the works!

Unlock Your Love 8eps (Thai, 11 Sept-30 Oct 2024, GagaOOLala / YouTube) This show was a little slow, but it stayed cute and relatively low stakes, and the actors had excellent chemistry when they were allowed to do their thing, which was relatively often--I appreciated the amount of good kissing in this show lol. The plot meandered, and we forgot we were in a worklpace GL by the end, but I enjoyed this in spite of that.

Chaser Game W s2 8eps (Japanese, 19 Sept-7 Nov 2024, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up, but I'll add my thoughts to the finale here. Honestly this show did not do it for me for several reasons, but the main thing this final arc did that bothered me was introduce lesbian motherhood as a serious conflict, and then seemed to suggest that homophobia only exists because queer people are not brave enough. It rubbed me the wrong way. Plus the boss who sexually harassed characters in the first season was back to sexually harass characters in the second season with no consequence. I think this show was trying to do to much and as a result it didn't feel coherent.

Recent One-offs, Side Couples, etc.:

A very short and cute Chinese GL Oh General! My General! aired on bilibili and was subtitled by @douqi7s on YouTube This short manages to speedrun training, shared bath, cheek kiss, forced separation, timeskip, and happy ending in 2 minutes

The sapphic backstory in The Hidden Moon concluded with a happy-in-the-afterlife ending

We also got more of the Aim as a Lesbian plotline in the new Love Sick 2024 remake again (this was not a plotline in the 2014 version and it's one of the changes I really like and that I think works really well; her conversation with her mother was a good scene)

The Thai lakorn The Empress of Ayodhaya had a kiss that earned very high ratings on Thai television (This show does not have international distribution so I can't cover it in any detail unfortunately)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so; that being said I haven't had time recently so if I've missed anything good let me know!

Starting soon:

My Ex's Wedding [in theatres in Thailand 14 November]

Mom Ped Sawan, Thai, 17 November [international distribution uncertain; it should be on VIPA app with subs, but that is region-locked]

Petrichor, Thai, 23 November, iQIYI

Mate, Thai, 26 November, WeTV

[dazzlerwriting]

call me & i’ll come

robert ‘bob’ floyd x singer!reader

Pictures are not mine, credit to pinterest!

3.5k words

summary: inspired by “Watermelon” by Jane + John Q Public. after bob joins a D&D campaign to make friends in San Diego, he gets talked into also joining the band that is formed within the group. Over time he and the lead singer slowly get closer and closer. What happens when they kiss, but don’t talk about what the kiss meant to them?

warnings: slight miscommunication! fluff fluff fluff. a bit angsty at one point. the end gets a bit heated so 18+ MDNI!!!! Reader uses she/her pronouns, but theres no other descriptors! petname “darlin” is used twice. use of y/n (i tried so hard not to lol) flashback is bold and italicized

authors note: first off, thank you @lewmagoo for posting about drummer rhett, which in turn helped inspire this story! & everyone posting their Atta Boy stuff was also a huge inspiration to this!! only my second fic and i wrote so much. i just kept going and didnt stop until it was finished! im so sorry lmao. but i hope you enjoy!! this is mostly from bob’s pov!

Bob Floyd has a secret. Well, two. The first one is that he plays in a band in his free time, specifically, he plays the drums. Anyone who may watch how Bob acts when he thinks no one is paying attention, they would see him drumming on his lap, on the desk, or on any free surface. But the Dagger Squad isn’t that astute when it comes to their fellow workers lives. Natasha knows but, there’s a certain trust to be had between a pilot & their WSO. So Bob told her, and while she was taken a bit aback that the quiet Bob Floyd played the drums in an actual band, she was supportive.

Now, the secret that not even Natasha knows, the one Bob would swear he would take to his grave, is that he has a crush on the lead singer in their band. It's not just a silly crush that would go away with time; no, this crush has stuck since he first met her at a community D&D meetup.

───── ⋆⋅☆⋅⋆ ─────

Flashback

He saw a sign that read “New Dungeons and Dragons campaign, starting Wednesday! All leveled players welcomed!” on the board at the grocery store a week after being stationed in San Diego. He decided he needed a creative outlet after work and maybe to make friends that weren’t pilots. So he went, and that’s when he saw her. She was their Game Master and she was wearing a renaissance faire-esque outfit. From that first sighting, he was a goner. He would look at her theatrical storytelling during their sessions with a fondness that rivaled the way Orpheus looked at Euridyce. Quickly he would look away before she caught him, but if he had kept looking, he would have noticed her looking at him the same way.

Somewhere along the way, another member of the party, named Blake, noticed Bob drumming on his thigh when the game would die down for a bit. They suggested Bob joined their band, seeing as they were in desperate need of a new drummer, the last one leaving to hit it big time. He went on a whole spill about everything having to do with the band and Bob was apprehensive at first, performing was way out of his comfort zone. He wasn’t like Rooster, he didn’t think he had the proper stage presence to perform for a crowd, and he didn’t want to make a fool of himself.

But that’s when she walked over to the two, a smirk on her face as she looked at Blake and said “Blake… go easy on Bobby boy here. I’m sure he doesn’t need a whole infomercial on why he should join us.” She turned to Bob and put her hand on his arm, and for a second he was sure his brain short-circuited. Now with a soft smile on her face, she gently said “Bob we would love for you to join us, only if you’re comfortable. I know you could be called away at a second’s notice, but regardless it would be an honor to have you as our drummer.” He sat there for a second just taking her in, from the casual way she was dressed, to her kind demeanor. He realized at that moment he was royally fucked because he would do anything she asked. He looked her in the eyes and responded “I-I’ll do it,” stuttering a bit but getting through it. Her smile widened, her eyes lit up with what Bob thought could be adoration, and she jumped up a bit clapping, “Great! We rehearse every Saturday, usually, gigs are small just hangouts for friends or family! I’ll text you all the details.” He missed the warmth from her hand as soon as it was gone but her reaction was worth it. That night while Bob was getting ready to sleep, his phone lit up with a text.

Y/N: Thank you for agreeing to this Bob, it truly means a lot. I’m glad you decided to come to our session that first night :)

And after replying, he fell asleep with a grin on his face, not regretting his decision one bit.

───── ⋆⋅☆⋅⋆ ─────

Now after a few months, Bob and the rest of the members have gotten close. They hang out outside of rehearsal and game sessions, and they’ve even been to Bob’s apartment for dinner. That’s when he told Natasha that he was in a band, and introduced them to her. They had a great night and Bob felt like he had found his group of people. The thought of leaving them for a mission, where the outcome was unknown, was scary, but the idea of having them all there to come back to, outweighed the formidable thoughts. Especially when he thought about the kind, charming, and beautiful singer who made it her mission to text Bob every day to ensure he was having a good day. Over the few months they had learned a lot about each other, she made sure to ask him the same questions he would ask her. Including dreams, they had as kids, favorite movies, biggest music inspirations, etc. He opened up to her about the constant teasing from the Dagger Squad, including the “Baby on Board” joke. And he learned she was the biggest nerd outside of D&D, texting him updates on the latest comic she had read, the newest Doctor Who update, and random fun facts about his favorite movies. With every text he received, Bob fell deeper and deeper into Cupid’s chokehold.

It all kinda got turned upside down when he and Phoenix suffered from a Bird Strike during training, and they had to eject. Early morning, after leaving the hospital and getting home, he texted the band group chat to let them know he would be missing both D&D and band practice. He was bombarded with questions regarding his well-being, and texts lending out sympathy to him. But y/n had been quiet, that is until he heard a knock on his door. When he opened it, he saw her standing there with several bags full of groceries and a shy smile on her face. “Hi,” she said softly “I’m sorry for the intrusion but I just wanted to make sure your recovery was a stress-free time, and well, I just, I’m sorry I can drop all this off and go if you want me to. I should’ve texted beforehand and I..” she was rambling now and he thought he couldn’t find her any more endearing than he did right now. He adjusted his glasses and stepped out of the doorway, “N-no come on in, you are welcome here at any time, you know that.” At that, her shoulders dropped a bit in relief and he could see her let out a breath he doubted she knew she was holding in. He led her to the kitchen and watched her get to work doing whatever she was here to do.

“Okay so I have the stuff to make baked potato soup, Alfredo, and I also brought peanuts, chips, Gatorade, and a bunch of other snacks for you.” She quickly got everything out of the bags, putting things in the right place, and Bob was hit with a daydream of this being a normal occurrence. A domestic life with her, both of them dancing around each other in the kitchen, making dinner while dancing to songs like “I’ll Be Seeing You” by Billie Holiday. He was so caught up with his daydream, he didn’t even realize she was talking to him. “I’m sorry what did you say?” He asked with a bashful smile. She shook her head with a gentle laugh, and said “I was just saying you should go get comfortable, I’ll be in here for a while.” He looked at her and gave a soft nod, immediately going to lie down on the couch and continue his daydreaming. For a while, he could hear her gentle hums coming from the kitchen, and he let that lull him into a peaceful sleep where he dreamed of a future where they were together.

A few hours later he was woken up by someone gently shaking his shoulder. He rubbed his eyes, put his glasses on, and when he looked to see who it was, he swore he was still dreaming. She looked almost angelic standing above him with a caring smile and a bowl of something in her hands. “Sorry to wake you, it just hit 4, so I thought you might be hungry,” she gave a soft shrug and looked a bit nervous to see what his reaction might be. He took the bowl from her hands and gave a soft thank you with a smile he hoped was kind, and not some kind of grimace from still being a bit tired. He realized it was baked potato soup and he had to admit it was the best soup he had ever had, “This is amazing, thank you so much.” She gave another shrug and replied “It’s the least I can do, need our best sorcerer and drummer to get better soon! I put the rest in the fridge along with the Alfredo. The snacks are still on your island, but I should get out of your hair now. If you need anything please know I am a call away.” He really didn’t want her to leave just yet so he did something that even shocked him, “Do you want to stay, I’m sure you’re hungry as well and we could watch a movie or something?” Her eyes widened and a bright smile appeared on her face, “I would love to if you really don’t mind.” Of course, he didn’t mind, was she crazy?? If he could he would spend all of his time with her. “I don’t, please you’ve done so much for me today so please stay.” He didn’t mean to sound so needy, but it didn’t seem to deter her. In fact, her smile got brighter and she nodded her head.

They decided on watching Wall-E, it seemed like a good idea at the moment, but now they are both sniffling on the couch. “God who knew a cute robot could turn two adults into an emotional mess?” she said while turning to him, wiping the tears from under her eyes. He looked at her and she was gorgeous he thought. They sat looking in each other’s eyes for a moment and in a flash, their lips were on each other. He doesn’t know who leaned in first, all he knew was her lips were soft and he could feel her breath from her nose. As soon as it started, it was over and he chased her lips when she pulled away. “Oh my god, I’m so sorry. I’m so- I’m gonna go. Thank you Bob.” she rushed out, quickly grabbed her stuff, and practically ran from his apartment. He sat there dumbfounded, had he messed it up so quickly? Did she not like him in the same way he did her? He didn’t know, he kept wondering what happened while putting things away, and he fell asleep asking himself what happened.

───── ⋆⋅☆⋅⋆ ─────

A few weeks have passed, and things have gone semi-back to normal. There’s an awkward tension between them every session, every band practice, and the texts from her have stopped outside of letting him know of any changes to the schedule. Natasha could tell something was going on with her backseater, but he wouldn’t budge. He just told her it was nothing and that he was fine. But anyone with any common sense could see he wasn’t fine, he was distracted at work, he didn’t have the band members over for dinner, and he just seemed lost in thoughts every time someone talked to him at Hard Deck. But Natasha wasn’t having it, so she contacted Y/N, she told her Bob was acting strange. Y/N let her know what happened, and that she felt as if the kiss had only happened because Bob was emotional. She also let it slip to Nat that she had been harboring a crush on Bob since they first met, and despite trying to ignore it, it continued to grow. Nat told her the band should perform at the Hard Deck that weekend, and Y/N agreed only if Bob was okay with it. She texted Bob and he decided it was time to overcome the fear of the Dagger Squad knowing he was in a band. If he couldn’t overcome the fear of telling her how he felt, and how the kiss made him feel, then he could at least do this. And so it was set, the group would be performing at the Hard Deck, and Bob let that distract him from whatever else he was feeling at the time.

Saturday finally came, and Bob was a ball of nerves. He was sure the squad wouldn’t be too harsh towards him, but when it came to Hangman, he could never tell. When he arrived at the bar to do sound checks, he saw her again and a bit of his nerves calmed. She looked at him with a gentle but nervous smile “Hey Bob, glad you made it. We’re just gonna run through a few songs, and then we’ll get going with the show. I also brought a new song, it’s not too much but it will be the last song for the night.” He nodded his head, a bit lost in her eyes. He pushed his glasses up a bit and got his drums set up. After sound check, people started filling in the bar. Nat came up to him with a bit of a smirk, “I know about your kiss with Miss Gorgeous Singer up there.” She then lightly punched his arm, “Why wouldn’t you tell me, Bob? This is important information and I thought we were best friends.” She had a faux pout on her lips now and he shrugged, “I don’t know what happened Nat, it was going so well and then she just ran out.” He looked down, twirling his drumsticks, and she realized he was quite upset. She’s guessing the two idiots haven’t even talked about it. “I’m sorry Bob, but hey maybe things will work out after tonight,” she said with a comforting smile. It was at that moment, Jake, Javy, Bradley, and Mickey realized it was their own “Baby on Board” on the drums for tonight.

“Well well well, what do we have here?” Jake said with his usual smirk on his face. “Cut it bagman.” Natasha quickly replied, she realized it was time for the band to start so she gave Bob a final comforting smile, then quickly pushed Jake and the rest of the guys back.

You got on stage and introduced the band. The show started and everything was going well. Bob was keeping up, concentrating hard and using the quick time between songs to push his glasses up his nose. Finally it was time for the new song, and he was a bit nervous, seeing as they hadn’t rehearsed it yet. He heard you clear your throat as you said “Hey y’all, this last song is a new one I wrote about a week ago. Sometimes you just meet someone and realize you will always be there for them no matter what.” With that, you looked back to the group and nodded to let them know it was time to start.

I’m the watermelon slammed into your driveway

Crack me open so I feel the air inside me

Bob stared at her while playing and realized that in someway, she had cracked his introverted shell. She helped him become more comfortable. She even was a huge reason he had a group of people who cared about him, outside of the dagger squad. He quickly looked at Natasha in the crowd, just to see her smirking right at him.

Music boyfriend I’m your yum yum

Call me and I’ll come

Y/N’s words from weeks prior echoed in his head as she sang, “If you need anything please know I am a call away.” And it hit him in this moment that maybe just maybe, she did feel the same way about him.

Am I dreaming or did you just kiss me

You don’t know it but you already miss me

He looked back at her and realized she was looking at him. Singing this song to him. She had a bashful smile on her face, and he could tell she was a nervous.

Fuck the rest of them

Fuck em all

Fuck em all but us

In this moment, everyone else in the bar seemed to fade away. It was just them, and he made the decision to admit what he was feeling after the show. She was breathtaking, and he thinks he may not make it if he doesn’t tell her tonight. She finally turned away in time to sing the last line to the crowd.

Fuck em all but us.

When the song ended, the bar was full of applause, even the squad looked impressed by the show. Bob watched her walk off stage after saying her thank yous, and head for the back deck. He got up to follow but was immediately stopped by the Dagger Squad, they were all patting him on the back and smiling at him. “Didn’t think you had it in you Bob, but that was truly amazing. And it seems as if the singer thinks so too.” Jake said to him with a genuine smile on his face. Natasha pushed Jake out of the way and gave Bob a hug, pulling away she said “Go get her, we’ll all still be here when you get back.” With that Bob gave a quick thank you and rushed toward the back door.

He saw y/n standing there, arms crossed over the railing and head up to the sky. When she heard the door open, she turned her head and she had a sheepish smile on her face. He thought she looked so beautiful, a bit sweaty from the show, the moon as backlighting. Her beauty rivaled that of the ocean. She was gorgeous in every sense of the word.

“You did good tonight Bobby. Thank you for letting us come play here.” She said softly as he made his way over to her. He felt warmth crawl up his neck at the use of his nickname, and he put his hand on his neck as he told her “You were gorgeous tonight.” She gave a soft laugh and bashfully turned her head. Before she could respond he continued talking, “Thank you. For everything. You invited me to this band, not even knowing if I was a good drummer. You texted me daily just to make sure I was doing okay. You made me possibly the best food I’ve had in forever. Don’t tell my ma I said that, she would never let me live it down.” He chuckled while saying that, he took a deep breath in and continued, “You have changed me as a person, so thank you.” She looked back at him, eyes wide, mouth agape. She had tears lining the bottom of her eyes, as she rushed over to hug him. “I’m so sorry I ran out of your apartment that night. I was nervous you were only kissing me because of the emotions from the movie and the tiredness. But that kiss meant everything to me. I haven’t stopped thinking about it or you since it happened.” Her speech was a bit muffled from the way she was pressed to Bob. Now it was his turn to look a bit shocked, he hadn’t even thought about how she might have thought it was all her fault. He held her and said“Darlin’ I think we’ve both been a bit idiotic. I’ve wanted to kiss you ever since I met you, and after that night I thought I messed everything up. I truly like you, I think I might even be falling in love with you if I’m honest.” She pulled back a bit and looked him in the eyes for the slightest sign that he could be lying, when she couldn’t find one she put her hand on his neck and pulled his lips to hers. This kiss was different. This kiss held all of the unspoken feelings they’ve both kept bottled up for months. He grabbed her hips and pushed her back against the railing, she opened her mouth to gasp, allowing his tongue to slip inside.

She tugged at his hair and he let out a quiet groan. Just as he was making way to pick her up, the loud noise of several nosey aviators cheering burst their bubble. She pulled back and leant her forehead on his chest, shying away a bit. He turned back to see the group smiling, clapping, whooping, and hollering. He turned back towards her and lifted her face up to his, “I’m sorry about them. Also I’m sorry I feel like I’m doing this a bit backwards, but would you like to go out for dinner soon?” He felt a bit nervous asking the question but she just looked at him like he hung all the moon and stars. “Sure, how about we go talk to your friends for a bit, then go pick up some food, and maybe finish what we start at your place?” She asked with a flirty smirk on her face. Yeah she was going to be the death of him.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 致命游戏 / The Spirealm.

The Spirealm is a 2024 drama about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This show/book combo has gripped my entire ass. The second I knew I wanted to watch this, almost immediately after it started airing, I muted the tag. I was so right to do this, because this is worth not spoiling yourself about. If you are a Guardian fan in particular, you owe it to yourself to watch this for reasons I think will become clear as you go about watching it.

So! If all you need to know is that I think you need this show in your life, great! You don't even need to scroll down to the end of the post for the links; go to Viki and press play. In case you need more convincing than that, though, I'm going to give you here five reasons to watch it that are as spoilerless as I can make them.

Before we start, though, I'm going to take a moment to note that I had to torrent the video files so I could make screenshots of my own, and if I hadn't, this would have been a much uglier rec post than the others I've done. Not only were there not many promotional materials or official stills released, the show itself barely stayed up two hours on iQiyi, and that's because this drama is a...

1. (Barely) Censored Adaptation Of Same-sex Original Work

Ah, you know that MyDramaList tag well, don't you? Yeah, the original novel, Kaleidoscope of Death (which has a rec post of its own!), is supernatural story about grief and loss built on the love story between the two male leads. Now of course you know already that a mainstream Chinese television adaptation of something like that is going to straighten up everything and turn the horror romance into the sci-fi platonic love of besties.

...But damn, folks, it's still real gay.

Ling Jiushi, the sweet-faced newbie, is a canonical virgin and loving cat dad who plays the mysterious video game once, then finds himself suddenly able to enter the game worlds bodily -- and of course, if you die in the game, you die in real life. He's pretty much doomed, until he meets...

Ruan Lanzhu, the cool-as-a-cucumber veteran of the door worlds, who falls pretty much immediately for the completely oblivious Ling Jiushi, then has to spend the rest of the series consumed with lust while trying to keep him and a couple other dipshits alive.

The show preserves so many overtly gay beats and declarations of affection from the novel, to the point where it's just this side of suggesting that the romance is actually, textually happening just offscreen, every time the camera cuts away. I am forever grateful that working with Zhu Yilong on Reunion seems to have perfected sweet baby Junjie's ability to look at a man with nothing but love in his eyes.

I adore so much the dynamic they have, one where a man who has never told the truth a day in his life encounters a man so sincere and naive that you cannot seduce him with anything but absolute honesty or he's never going to get it.

There are three (3) separate door worlds where they share a bed, and in every one of them, they both sleep with their shoes on. Like the absolute freaks they both are.

2. It's puzzle solvin' time!

So if you've read some of my rec posts before, you know that I am critical of stories that center around cases that are unfollowable, uninteresting, or both (e.g., Mysterious Lotus Casebook and White Cat Legend). I am therefore thrilled to tell you that the door worlds are actually (largely) thoughtful mysteries with reasonable solutions, where you care about what's happening and why.

The way each door world is set up is that you have to solve the puzzle to find a key and unlock the door that will let you leave. One of the challenges is each world's door ghost, who has the key and does not want to give it up. The other challenge is the world-specific set of taboo conditions, where violating them means the door ghost can kill you -- and you are not always told what those taboo conditions are. That means that solving a door involves 1) figuring out what will insta-kill you, 2) not doing that, 3) finding where the hell the exit door is, 4) placating and/or scamming the door ghost long enough to snatch the key from them, and 5) running like hell to the exit door with that key before the door ghost fucks you up about it.

As the show goes on, you get introduced to the concept of door-passing shepherds, which are experienced door-finishers who take through lower-level players, building them up in the process. A lot of these shepherds work for organizations, such as the one Ruan Lanzhu runs. And a lot of them are ready to reach the exit by climbing over everyone else's corpses.

That's part of the fun of the setup: You're not just thrown in alone. You show up with a random number of other players, some with very different levels of experience. At least one of you will make it out; not everyone will. So you can add a step 6) to the list above, which is: surviving all the other players who will gleefully stab you in the back in order to be the first player out the door.

The door worlds are also lovely. They all feel like sets -- and I know that's a weird thing to say about places that are literal sets, but they manage it feel it even on film. In fact, even the show's uses of clunky-ass greenscreen feel appropriate, because of how unreal everything is supposed to be. Everything looks like a dream, which is only amplified by how beautifully everything's shot.

(What's that you say? You say the guy who directed this was the editor on Infernal Affairs? No kidding.)

From a fandom perspective, what's great here is that even though there are technically just twelve doors, there are canonically way more than twelve door worlds out there. That means that whatever worlds you want to create are valid. The best pieces of fanfic I've read are the ones that dream up their own door worlds, complete with taboo conditions, key puzzles, and world-specific perks that lead to gay sex, because come on.

3. A good middle ground of horror

So at this point you are perhaps wondering: How scary is it?

And the answer is, kind of as scary as you're willing to let your mind go with it. Everything has been science-fictioned real hard, including the video game premise that "explains" what's happening with these doors. It relies on dread way more than jumpscares. The blood/gore/gross content is extremely low, again on account of Chinese content censorship. Most icky things are done with offscreen sounds and shadows. I'm pretty squeamish about pain and injury, and I can't recall a time I had to look too long away from the screen.

However, that means the show works some real conceptual horror. That picture up there is of a man forcing three young girls to hold raw eggs unbroken in their mouths. There's nothing about that image that's not technically G-rated, and it's awful in context.

The best bits are when the monsters don't need a lick of CG to become horrors. They cast a contortionist in the Waverly Hills door world, and she absolutely earned her keep.

I have a lot of critiques about how the show handles things, especially in terms of defanging the horror elements (which it does), but one thing I think it absolutely gets right is that it understands that ghost stories are first and foremost tragedies. That's a thing I've always liked about Asian horror in particular, how often you wind up siding with the ghost. Yes, sure, she tried to strangle you with her hair, but have you ever considered she's the real victim here? There's always a bit of a calculus: Can you negotiate with the door ghost, or do you just need to stab them and run? The Spirealm prefers negotiation, and frankly, so do I.

So yeah, it's about as scary as you let it be. If your horror tolerance is low, watch it in a well-lit room and focus on the unreality of it, and you'll be okay. If you're looking for something genuinely spooky, spend some time thinking about the existential dread of the entire situation, and that'll be good for a couple good spine tingles.

4. The Obsidian Family (& Friends!)

In a show where death is always an option, you have to have characters where you actually care if they live or die. Fortunately, all your allies are charming and loveable enough that you are going to be real upset every time they get put in danger!

Obsidian is one of the organizations I mentioned earlier. It's run by Ruan Lanzhu, and it includes a cool and collected doctor, a mom friend who cooks for everybody, a guy who's maybe not having the best mental health day of his life, and two identical twins who could not be more different if they tried. They all live in the same amazing big fancy house, which is where Ling Jiushi too goes to live when he joins the group. They have big family meals, they look after one another, they hang out together -- I mean, if this is the kind of setup you love, then you will love this setup.

There are also plenty of allies who aren't technically part of Obsidian, but who are our friends nonetheless, and who come over to hang out in the Obsidian house from time to time. Some of them are rivals turned friends, some of them are clients turned friends, and some of them were just friends all along! Surely nothing bad will happen to any of them, and they'll all live happily ever after, right? ...Right?

5. Toast and Chestnut!

Of course, the true heroes of the show are Toast the Corgi and Chestnut the Kitty.

Animals are so good.

Truly, I love that one of Ling Jiushi's defining characteristics is that he is a Cat Dad. He is a simple man with simple needs, and one of those needs is to pet his kitty or he'll explode.

caveat: Some thoroughly bad adaptation choices

Yeah, so I keep talking about the novel (and talk even more about the novel in its own rec post), but I assure you, you don't need to have read the novel to feel the degree to which this is an adaptation -- and one that's had its rough, nasty, spooky, gay edges all sanded off in the desperate hope of ever seeing daylight.

Now, sometimes I consider batshit nonsense janky creative decisions to be a selling point for a show (see: Mysterious Lotus Casebook, Legend of Fei, Sand Sea)! In this case, however, I'm going to have to take points off for how incoherently bad they are here. We're talking Psych-Hunter levels of Why Would You Do That-- and the answer, as always, comes down to how you write around what censorship won't allow on television.

The novel says the doors are supernatural. The show says they're a virtual-reality computer game. Now, on the surface, this move sort of makes sense -- you can't have ghosts, but you can have computer games that make digital ghosts, which, sure, okay. But then the problem quickly becomes that the plot of the novel is not remotely built to support a sci-fi premise, so a lot of things have to be grafted awkwardly on. Like, say, a bad guy who stole his corporate logo from Even Worse Twitter. Or a game-designing bestie whose face is never seen. Or [late-stage spoilers about a major character].

The eventual explanation is that this whole setup is a righteous and good game that has somehow been corrupted by evil game-designing capitalists from the West, and that's why it can abduct you in broad daylight and kill you if you fail it. There are good people who want to purify (???) the game, and evil people who want to make money off the game. And I don't mind spoiling you for that part, because it's garbage nonsense. You will be deeply unsatisfied with the show's half-assed attempt at resolving it all. (You may, however, have that disappointment tempered with the amazing concurrent display of heterosexuality that is apologizing to your best bro by coding his perfect man for him. The Spirealm is a land of contrasts.)

Look, I consider myself a mild to moderate socialist, and even I was yawning and making jerk-off motions every time someone started to wax halfheartedly poetic about how evil American capitalism is. Like, yeah, but not because some college student made a vile and wretched video game that eats people! This show is a critique of capitalism like a five-year-old crying because he doesn't get ice cream before bed is a critique of authoritarianism.

And even this, I can't be too mad at it about, you know? I just assume that this was some absolute Hail Mary attempt at getting past censorship -- you know, maybe if we make all the right "grr, USA bad!" noises, they'll let our gay ghost story slip by? And it worked! I mean, just barely, but it did.

So yeah, fair warning that the Spirealm is a show that, if you love it (and I do), you will have to love despite some glaring flaws that haunt it all the way through and hit especially hard during what should otherwise have been an amazing endgame. But hey, we're c-drama fans! We're good at loving janky things, right?

Want to enter the World of Doors?

As I said at the start of the post, Viki's got it -- and only Viki. I'm not sure what circumstances got it up on Viki after iQiyi pulled it, but I'm glad. Watch it quick, before Viki changes its mind!

Hug him! Hug that boy!

[epitaph-of-rebirth]

now that act 1 dropped and we survived the caitvi divorce I have new theories of stuff regarding their reunion again on act2/act3 based on the teasers and what we know from season 1.

And guys I think things will get worst first before getting good so here is my theory of what will happen on act 2 based on the teasers for it:

First I really believe that Jinx will be the one to save Vi from her endless suffering drinking all day and night and fighting. She is secret following Vi on the teaser scenes so makes sense that when Vi finally hits rock bottom: Jinx will be the one to catch her.

Now probably what will make Jinx and Vi bond again and be able to be sisters like in act 1 from S1, probably will be their fight against Warwick:

From the red background we can imagine that they both are fighting him at the same time:

And we know that Warwick is Vander since this was revelead on the end of last season, if they both get to know this in some way while fighting him, we can expect a very emotional bonding between Jinx and Vi and probably have Vi and Jinx forgiving each other for their mistakes and getting their sistership back much more stronger.

So what this also means for the CaitVi reunion? well not so nice news.

Caitlyn probably is stil hunting Jinx, she will be even more deep on her rage and grief and probably isolated thanks to it. And totally manipulated by Ambess so my guess is that she will eventualy find Jinx and by proxy also meet Vi.

This Probably will be on this battle show on the act 2 teaser again, that we can see Jinx fighing that Noxian soldier who is always with Ambessa:

I imagine their reunion be maybe a paralel to Jinx and Vi first reunion where they meet and a fight starts imediatly. But this time Vi will willing choose Jinx, not only because Caitlyn hurt her, but because now Jinx is family again and Vi motto is what Vander told her: "protect the family"

And guys I'm a little excited for this confrontation, because for the first time, Caitlyn will have to face a angry, very protective and even mentally stronger Vi. Because after hiting rock bottom and finding herself again thanks to Jinx. I really imagine that Vi won't hesitate to put herself between Caitlyn and Jinx to protect her sister no matter what Caitlyn says.

My theory got a little stronger thanks to a very know interaction between Vi and Caitlyn on the league of legends game when they're in opposite teams, Caitlyn says: " I never imagine we would be on opposite sides again", we know that Arcane is prequel to LoL lore so this confirms that in some moment, Vi had to fight Caitlyn in the past, and probably will be protecting Jinx.

I really have no idea WHAT will make Caitlyn wake up and start her redemption arc, but the first thing to the ignite it in case all this happens I think will be having to fight Vi, and in such case: lose and again Jinx get free from her hands.

Also I expect a very emotional confrontation since in the first act was clearly the only person able to make Cait vulnerable until everything went downhill on episode 3 was Vi. And I don't think Caitlyn will be mentally good on this fight, Vi was always show as the thing that makes her hesitate and having to shoot Vi with the intention of actually hurt her and not by missing like was on episode 3. Probably will bring the question: "what are you shooting for?" in her mind.

[aurrsky]

The people need to let Stan wear pretty lacy underwear and fucked by Ford dammit!!!

OoOoo! YES, this is beautiful.🫶 You're so right – and it's unhealthy how much I've imagined this today!

How do we feel about power bottom, bossy 30!Stan in lacy, pastel pink underwear teasing 60!Ford (but then it kinda backfires), with Ford rimming him? Thumbs up, thumbs down? (in Soos' voice) Can you see my vision...? Should I write about my vision? Actually – I've written over 1,000 words about this, LMAO. Please enjoy!

–––

Stan’s legs were spread on the side of the bed, watching Ford who stood with his hands clenched in frustration, could hear him cursing underneath his breath as the tips of his ears turned a shade redder. Heavy tension gathered in the air, Stan could almost smell the lust floating above them.

He knew that Ford wanted to pounce on him the second he set his eyes on his crotch, covered in a lacy, pastel pink underwear with a little pretty bow at the front, above where his cock was. Stan was hard already – swelling, aching to have a large, six-fingered hand enveloping it.

Stan wore nothing but panties and his white t-shirt when he went down to the basement earlier, it was to lure out his brother, and get his revenge for the shit he pulled last night – Ford didn’t shoved his cock in him, only fucked him with his fingers even when he’d begged and moaned like a slut for him to fuck Stan right, but Ford merely smirked and hushed him with a fierce kiss.

If his brother wanted to tease him all night long, so could he.

Ford stopped whatever nerdy thing he was working on when he saw him, eyes widening slightly as he took in his figure. His glasses were askew when he shot up from his seat, but before he could dashed toward him, Stan turned around and pushed the elevator button close.

He smirked at the memories. Stan lifted his right leg and pressed his foot toward Ford’s sternum. Instantly, his brother knew his scheme once their eyes connected.

“You’re playing a dangerous game, Stanley.” His expression twisted into a disapproving frown.

Stan raised one of his brows, shifting to get comfortable. “Yeah? Well someone should’ve put his dick in me last night.”

Ford’s eyes narrowed before he let out a small, amused chuckle. “So cock hungry, aren’t you? Couldn’t handle a single night without something filling you up?”

Stan ignored his questions, and then, an idea popped in his head. He restrained a devilish smirk. Stan looked at Ford from underneath his lashes, slowly, as gentle as possible, his foot caressed down Ford’s firm body. He heard a sharp intake of breath as it stopped on his half chub, wiggling his toes there before he pressed down on it, just enough for Ford to feel a satisfying pressure.

A tiny gasp escaped Ford, he groaned out, “Stanley –”

“ – You wanna get a piece of my ass, old man? This big guy’s eager, huh?” His foot made a circular motion, he felt it hardening, smirking as it finally stood stiff and proud. Stan licked his lower lip, his heartbeat picking up pace, breath turning heavier.

“Get on your knees and kiss my legs – no hands.”

Ford’s face was flushed, with reluctance, and a subtle growl of, “You’ll pay for this.” Ford lowered himself until his knees touched the carpet, hands crossed behind him. Stan felt a shiver run down his spine as Ford’s intense gaze burned into him, his head bowing to place his lips on his shin, the soft noises Ford made as he kissed and nibbled it made heat spread through his cheeks.

Stan hummed, a pleased sigh leaving him. Ford trailed further up, leaving no place untouch from the assault of his lips, switching from one leg to the other. He groaned when Stan pressed harder, but never paused from showering kisses on his thigh. Stan palmed himself through his underwear, letting out a small moan.

“C’mon, put your mouth on me. Don’t remove my panties.”

Ford did it without hesitation, panting as he watched Stan touching himself before he let it go. He gasped as Ford mouthed at his clothed cock, licking and sucking lightly – he could feel his tongue; wet, hot, and perfect.

Fuck. He took back what he said about teasing Ford all night long – he couldn’t take it anymore.

“Touch me – now, give me your fucking hands!”

He yelped as Ford suddenly jumped on him, his back hit the mattress, and Ford got his hands on his t-shirt and literally ripped it off him. Stan’s jaw dropped as he watched the remains fall on the bed.

“Hey! You’re buyin’ me a new one!”

Ford’s lips formed a predatory smirk. “I told you, didn’t I? You’re going to pay for torturing me.”

Ford really meant it.

Stan spent his night moaning like a bitch in heat as Ford ate him out without removing his panties, it was pushed to the side to make room for his tongue. He held both his wrists in one large hand as his tongue plunged deep into him, grinding into that spot that made him mewled, toes curling – his other hand pushed two lubed fingers in him, preparing him quick, but it was enough for something bigger to fit in already. He played with himself earlier before putting on his panties – and judging by the chuckle Ford let out, he knew he did.

Both his tongue and fingers worked in sync before he removed them, Stan cursing and whining at the loss, and Ford stroked his own cock with lube, he thought that finally Ford would slide home – but no, the head of his cock was teasingly prodding his hole, and Stan knew the old fuck was laughing internally. He cursed, kicking one of his legs out in protest.

“Ford! I swear to fucking –”

“– Say it, Stanley, say that I’ve won this childish game of yours.”

Fuck, his ass was clenching onto nothing, wishing for a huge cock to plow it senseless until he couldn’t fucking walk.

Stan bit his lips, stubborn to admit defeat. When Ford slipped the head in, giving him a pleasant stretch – he gave up.

“You won! You sadistic fuck –”

Stan screamed when Ford shoved his cock all the way inside of him without a warning, letting out a long, low groan.

They were both on edge since this started.

It didn’t take long for them to come, with just a few thrusts, Stan stroking his cock in time with Ford’s movement, he screamed out his brother’s name before spurting out white all over his stomach and chest. Ford thrusted once more and came inside of him, moaning with his eyes shut, Stan clenched onto him hard, milking Ford until he softened.

His brother didn’t took out his cock afterward, but Stan didn’t give a shit, he could stay in him forever. They tiredly make out, a satisfied grin displaying on their faces.

This was a good fucking night.

–––

[more-than-a-princess]

She'd had, she remembered as she dressed, given him a run for his money. It wasn't as if she'd even grown up at arcades, but having a best friend who was a professional gamer did help at times. Even more so that she was patient, eager to instruct, and mostly just wanted to have a friend to play games with whether it brought her any amount of competition or not. Sonia smiled at the thought: she'd have to tell Chiaki about this soon.

Though perhaps, in an effort not to worry her, she'd leave the part about how Wylan had brought several firearms illegally (she guessed) into France as some sort of backup measure.

"How did you plan to use them, if so? On me?" She asked, perhaps in a tone far too light for the question. If just for the fact she didn't think he would, but he'd brought them for a reason. A roundabout question to get to the real one: What are you afraid of?

Another question for another day, particularly after the previous night had been so exhausting in a multitude of ways. Besides, he'd steered the conversation into something else meaningful: the denial they shared about their feelings for one another. Nevertheless, it still didn't stop her pausing as she applied her lipstick: he too had loved her, enjoyed her company, when she'd been either too oblivious or too wrapped up in her own self-sabotage to tell him as such.

"Did you, now," She spoke after her hands had moved again and finished applying the deep rose shade to her lips. Finishing, she placed the cap on the tube and the tube in her purse before standing up to face him. "I thought I was the only one. If I'd said something, I figured you would've pushed me away. I suppose spontaneously kissing you to distract another European aristocrat from recognizing me was a feeble attempt at a diversion and to express myself: how much I enjoyed being around you, seeing all the sights Las Vegas had to offer." Restaurants filled with junk food, fake castles that housed casinos, frozen alcoholic drinks in sizes Sonia hadn't known drinks to be served in. So much of it was a blur for so long but with him there, now, she was recalling the highlights of their adventure away from their lives, or at least her security.

Paris, however, didn't quite offer the same level of frivolity and tackiness, unless one knew where to go. Maybe she'd lead him to something equivalent later but first, clothes. "Oh, I would say this is our first date, yes," She replied, grinning as she let him pull her close. Sonia had guessed that, in their absence, the rest of the party would scatter. Her security, to prepare to discreetly tail them the entire day (though knowing Wylan, she felt certain he'd know their presence and approximate distance everywhere they went). Her family, because they didn't want to risk hearing anything they really didn't wish to. "If we are going on an outing where we are honest with one another about what we are feeling. Though I suppose with that logic, last night counts? Or does a date count if we went out with feelings for one another that went unshared?" She thought briefly of the various instances where he'd be telling jokes and attempting to get under her skin and she highly considered responding in kind with kissing him and seeing what happened.

Actually, that wasn't the worst idea to try now. But maybe not on the streets of Paris, after taking the elevator to the lobby and quickly crossing through it, head down and pressed into Wylan's side. She would do her best not to be recognized, though it was far easier at night than it was late morning.

"What would you consider our first date, then?" She inquired as she led the way north, away from the Tuileries and towards the famed opera house, near to where the department store was located. She hadn't really thought about it until then, but Sonia was reluctant to call the previous evening their first date: they'd both been hungry, for food and other things and were so emotionally wrung out that it simply felt like relief when they'd both been fed. But today...today was different. Today felt lighter, warmer, even if it was simply being held against him as they walked through the busy streets, avoiding various tourists, shoppers, and locals simply wanting to get from point A to point B.

It wasn't a long walk, the most difficult part of it all passing every cafe beginning to ready its outdoor seating for the early lunch crowd. Food and clothes could both be taken care of at the department store and rather well, in fact: she wondered if he'd have any interest in the food halls that spanned the Galeries Lafayette's third building. "Here we are," She announced once they'd arrived: less busy than the main store across the street, she'd taken him to the smaller department store of the three: four floors devoted entirely to men's fashion, accessories, and skincare. She'd grabbed the door first, mostly out of habit: without security detail, she relished in getting her own doors, her own shopping trolleys, her own bills. "Admittedly I haven't shopped for clothes with someone in awhile. What sort of style would you like to get?"

"I dunno, you gave me a run for my money at the arcade back when, didn't you?" A brow lifted at her words as the princess comments on her future spouse's ... accessories. Yes, she may have jewelry but Wylan gained confidence through. Other things. "Calling a 1911 a piece of artillery is being a little dramatic, I think. But having guns at all- yeah, I'm not going to deny maybe it was a bit much. The nine millimeter here was just a uh. Backup. In case something else..."

The more he thinks of trying to explain himself, the more Wylan realizes this is rather silly. Not so much bringing the weapons (you're good there champ) but convincing Sonia of the what's or why's of it. Or maybe he was excessive? Was he thinking excessively?

"I'm happy. Happier than I am disappointed that I didn't need to use them. Either way." All roads lead to that fact. A good way to cap of the idea before he starts getting defensive or something of that sort. Sonia was only teasing after all, flirting with various boundaries now that she had the open field to do so. Wylan smiles, realizing the same could be applying to him right now were it not an existential brew of crisis and realization.

Stewing in that happiness is a decent way to... waste time, he realizes. Basking in the afterglow not of sex (for once), but the way her words had made him felt was. Different. Nice. Appreciated. There's no longer a need to rationalize reasons not to like it, nor is there a need to leap from the window. It'd ruin his clothes, anyway.

"Heh. Yeah. There's been a lot of denial between us for awhile, hasn't there? I don't want to judge my past self too harshly but I think I'd be lying if I said there wasn't times before I ... well. Loved you. Really really enjoyed your presence." And now basking in the intimacy of watching her apply makeup and dress, enjoy her all the more.

Tongue glides over lips.

"So."

Wylan was back onto his feet, personal items put into their favored pockets and the coils of his inner springs preparing to add that spring into his step.

"Is this our first date?" He ponders. "I feel like we could call so many other things we got up to as dates, adding in the hindsight we have now as guy and gal." Comes the punctuation, an arm hooking around to take hers, and pulling the woman up to his side with both their preparations concluded. Door to the greater part of the suite thrown open so the two might venture forth.