#until Magical Kingdoms revived him

[simpingforcys]

Fuck it, King Candy/Turbo movie time stamps (According to Disney+)

First "Going Turbo" mention: 6:06

First King Candy Graffiti: 7:16

Second "Going Turbo" mention: 23:38

First Turbo Graffiti: 32:33

First King Candy appearance: 33:46

Castle Interrogation Scene: 37:38

Third "Going Turbo" mention: 38:27

Fourth "Going Turbo" mention: 45:31

Turbo Flashback: 45:36

Kart Bakery Scene: 52:04

Castle/Manipulating Code: 59:00

Ralph/King Candy Talk: 1:03:15

Deleting Vanellope's Code: 1:12:19

Final Race: 1:16:17

Turbo Reveal: 1:20:57

First Death: 1:21:50

King Candybug: 1:24:00

Second Death: 1:26:52

End Credits Cameo: 1:34:49

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[burningcheese-merchant]

What do you think of a burningcheese vampire au? Any head cannons to recommend?

That's certainly an interesting idea. One I admittedly never considered until now lol. Was never one for vampires (even in my cringey Twilight phase at age 11, I liked Jacob more lol), but I want and need BurningCheese in every possible timeline so let's see what I can come up with here

How about, instead of vampires that are harmed by the sun, we have vampires that are the opposite? That are empowered by the sun and weakened by the moon? With both Golden Cheese and Burning Spice already coming from hot places, I think that lends itself to that sort of arguably more fitting table-flip

With this in mind, let's look at the routes we can go down.

Vampire Burning Spice:

Cursed by a wizard/shaman/whatever as they lay dying in the ruins of a civilization BS had just destroyed

BS looks exactly the same as before, which enables him to hide what he's become quite easily

He becomes a full-on cannibal as a result of his curse/transformation. Already being violent and figuratively bloodthirsty allows him to quench his literal bloodthirst easily; he just munches on arms and legs + chugs whatever pours out of slit throats + gobbles up whatever he tears out of chest/stomach cavities to get his fix (and also the curse might have driven him slightly madder than he already was before, which is also why he's escalated from just torturing and killing people to eating them as well)

Very weak and lethargic at night. It is fire, heat, and sunlight that help keep him going; when the sun sets, he becomes tired and tends to squirrel himself away somewhere, skulking around in the shadows, waiting for day to return

Soul Jam becomes a huge crutch at night because of the aforementioned weakness to night/moonlight

Doesn't know how to turn anyone else into a vampire, or even if he can. Doesn't really care about that tbh. Or he didn't, until...

...He met and fell in love with Golden Cheese lol. His beautiful little bird. His precious Soul Jam thief. His sweet, delicious prey, with that scrumptious, intoxicating blood that he can smell from dozens of feet away, that he can almost hear pumping through those delicate veins... oh, those fights they had were hard on Burning Spice. She made him so hungry, in more ways than one. He craves her, he truly does. And he shall have her, in every way that he wants. What's she going to do about it, anyway? Kill him?

Golden Cheese, being stuck with a literal fucking vampire cannibal in love/obsessed with her and hunting her down constantly, tries to find a way to break his curse, if only to prevent any additional suffering to innocents and get him off of her ass even a little bit

Vampire Golden Cheese

In her grief and desperation to revive her subjects and restore her kingdom, GC ended up resorting to strange magic that she didn't understand, which backfired on her terribly as a result

Lives in almost complete seclusion, trying to maintain as much distance as she can between herself and... anyone, really. She would never forgive herself if she gave in to her newfound instincts and harmed someone for the sake of this disgusting, unholy appetite

She really is ashamed of herself. For her foolishness, for her cowardice... for the way she can feel her own mouth start to water when she watches the cheesebirds go about their work... She's damned herself and what few treasures she has left, by doing what she did. And now it's yet another albatross around her neck, that she'll have to carry for... who knows how long

Tries to channel her inner Dark Cacao and maintain extreme self-control and discipline at all times. Denies her bloodlust for as long as possible, until she truly cannot take it anymore (and then she just goes out and eats jelly worms, no matter how bad they taste)

Realizes she's weaker at night and does most of her work during that time, as it's when she poses less of a threat to the cheesebirds and any other life in the area

Same as V!BS, she relies on her Soul Jam to keep her strength up at night

Tries to find a cure for her predicament in any way she can without directly informing anyone of what's happened because she's too proud to admit she fucked up this badly and she fears that everyone will turn against her and persecute her

Fuck's sake, some buffalo looking bozo kidnaps her and drags her to Beast-Yeast and now she has to fight this big buff guy and... why is he looking at her like that? Why is he talking to her like that? They met five minutes ago and he already sounds smitten with her, what the fuck is this. She just wants to go home and get back to trying to fix herself-

WHY DID HE FOLLOW HER HOME? SHE LEFT HIM BURIED UNDER HIS TEMPLE, HE SHOWS UP ON HER LAND HARDLY A MONTH LATER, OH GOD WHAT DOES HE WANT-

Welp. He discovers what's wrong with her. And he coerces her into letting him stick around in exchange for his silence. At least he said he'd help...? But how he'll do so remains a profoundly irritating mystery...

That's what I have for now. I'll think of more later bc I already know people are going to flood my inbox asking for more of this lol

[princesssarisa]

Next on the list of Snow White tales in the book Sleeping Beauties: Sleeping Beauty and Snow White Tales From Around the World are the versions from France and Italy.

*The first of the three French tales is The Lay of Eliduc, composed by a medieval woman poet, Marie of France. It's not really a Snow White story, but it does feature a beautiful princess in a deathlike trance. A knight, Eliduc, is unjustly banished by his king, and forced to travel to another kingdom, where he helps the local king to win a war. During this time, he falls in love with the king's daughter, Guillardun, and she with him... but unfortunately, he already has a good, faithful wife, Guildeluec, back in his homeland, and is torn between his new love and old love. When Guillardun learns that Eliduc is already married, she falls into a swoon from which nothing can revive her. Distraught, Eliduc lays her to rest in a chapel in the woods, which he frequently visits from then on, even after he goes back to his wife. Guildeluec sets out to learn the cause of her husband's mysterious sadness, and discovers the chapel and Guillardun lying inside it. Then, in a detail that evokes the Grimms' tale of The Three Snake Leaves, she sees a weasel use a certain flower to bring its dead mate back to life – she uses the flower to bring Guillardun back to life too. After the whole story is revealed, Guildeluec graciously leaves her husband and becomes a nun, allowing Eliduc and Guillardun to marry.

**Besides the tale itself, the book includes an essay which highlights the parallels between this story and the Celtic Snow White tale of Gold-Tree and Silver-Tree, which will be overviewed later. The author suggests that Marie of France may have heard a variant of Gold-Tree and Silver-Tree and drawn inspiration from it.

*The book also includes two other French Snow White tales: The Mirror and The Stepmother.

**The Mirror is nearly identical to the Grimms' Snow White (a wicked queen stepmother, a magic mirror, a poisoned apple, etc.) with two chief exceptions. (1) Instead of seven dwarfs in a cottage, the heroine, Blanche, comes to live with seven giants in a castle. (2) The details of the ending. Some time after Blanche's "death," a royal wedding is held in another kingdom, and the seven giants are invited. Rather than leave Blanche's glass coffin unprotected, they carry it with them, but on their way they accidentally drop and shatter it, jarring the piece of apple from Blanche's mouth and reviving her. She then goes with the giants to the wedding, where, as it happens, her father and stepmother are guests too. Blanche reunites with her father and accepts the marriage proposal of a prince who also attends, while the queen is forced to dance to death in hot iron shoes.

**In The Stepmother, the heroine isn't a princess, but an innkeeper's daughter, and her jealous stepmother convinces her weak-willed father to abandon her, a la Hansel and Gretel. She meets a band of thieves who take her in. But sometime later, she shows kindness to an old beggar woman, who is really a wicked witch, and who offers to comb her hair, only to stick a magic pin into her head that freezes her in place like a statue. (Strangely, there's no mention of any connection between this witch and the stepmother.) The heartbroken thieves keep the "statue" on display in their house, until one day a prince discovers her, falls in love, and takes her back to his castle, where he secretly keeps her in his room. But one day the prince's sister discovers the "statue," tries to comb its beautiful hair, and takes out the pin, bringing the heroine back to life. The prince and the heroine are joyfully wed and have twins. But soon the prince is forced to go to war; while he's away, the wicked stepmother forges a letter from him and sends it to the castle, demanding that his wife and children be banished. But in the woods with her children, the heroine prays, and miraculously a house springs up for the three of them to live in, until in the end the prince finds them.

*I've also read another French variant, La petite Toute-Belle, which isn't included in this book. In that tale, the heroine is pushed down a well (evoking Mother Holle) by her wicked mother's servant, lands in the home of three friendly dragons, is later poisoned with a dress, then set afloat on the sea in her coffin, and washes up near the castle of a young king, whose mother takes off the dress and revives her. Why Heiner left it out of her collection I don't know.

Next come a long list of variations from Italy.

*The first is The Young Slave from Giambattista Basile's Il Pentamerone, which is often labeled a Snow White story, though it's really more of a cross between Snow White, Sleeping Beauty, Cinderella, and The Goose Girl. A group of young maidens, including a baron's sister, have a contest to see who can jump over a rosebush without damaging the single rose on it. The baron's sister knocks off just one rose petal, but she secretly swallows it so no one will know. As a result, she gives birth to a baby girl, whom she names Lisa, and whose birth she keeps a secret from everyone except the fairies because there's no father. As in Sleeping Beauty, the fairies each give Lisa a blessing, but one fairy twists her ankle while running to the cradle, and in her pain she curses Lisa to die at age seven when her mother accidentally leaves a comb stuck in her hair. Sure enough, seven years later, it happens. Rather than bury Lisa, the distraught mother places her in the innermost of seven crystal chests, which she hides in a secret room in her brother's castle. She then falls ill with grief and dies, on her deathbed warning her brother never to look inside that room. Some time later, the baron marries, and warns his wife never to look in the secret room either. But of course, out of curiosity, she does, and she finds the dead Lisa grown into a beautiful maiden. In a jealous rage she grabs Lisa's hair, and in doing so she dislodges the comb and revives her. Then she dresses her in rags, forces her to work as a slave, and constantly abuses her. But eventually, the baron goes on a journey and asks all the castle servants for gift requests, including Lisa, whom he doesn't know is his niece. Lisa asks for a doll, and when she gets it, she tells her troubles to it every day. Finally, the baron overhears her and learns her true identity. The cruel wife is sent away, and the baron becomes Lisa's guardian and eventually finds a good husband for her.

*As for the other Italian versions, there are too many to summarize each one, so I'll just overview the details:

**The heroine is typically a commoner, not a princess. As in The Stepmother from France, her wicked mother or stepmother is sometimes an innkeeper, who learns of the heroine's survival from travelers to the inn who saw her.

**Only a few of these versions have the villainess be the heroine's own mother. The majority seem to feature a stepmother, and several follow the pattern seen in some Cinderella stories from the same region, where she starts out as the heroine's seemingly-kind teacher, whom the girl persuades her father to marry. In a few versions, however, the heroine is persecuted by two older sisters.

**Some versions include a magic mirror, while others have the heroine's survival and whereabouts reported by a bird, an animal, or a beggar whom she was kind to.

**Two versions introduce the prince at the very beginning, and have him visit the three sisters and be smitten by the youngest while slighting the older two. This takes the place of the mirror proclaiming her the fairest in the land.

**There typically isn't a huntsman figure. The villainess usually just abandons the heroine in the wilds, or has a maidservant do it, or else convinces the girl's father to do it, Hansel and Gretel-style.

**The counterparts of the seven dwarfs vary widely. Sometimes they're fairies, sometimes a band of thieves, in one version an ogre and his wife, and in another just a kindly old man. In two versions, it's a dead lady trapped on earth in her castle as a form of purgatory, whom the heroine cares for until her sins are expiated and she rises to heaven; unfortunately, her ascent happens just before the last attempt on the heroine's life, so she's not there to warn her about the poison the way she was before. In yet another Italian version I've read that isn't included here, Giricoccola, the heroine's helper is the moon, who lifts her out of the attic where her jealous sisters have imprisoned her and carries her away to her heavenly castle.

***In the versions with the thieves, the heroine typically hides in their house for the first few days, eating, drinking, and cleaning the house while they're away, much to their confusion when they come home. But soon they discover her and welcome her into their family.

**The villainous mother, stepmother, or sisters typically don't practice witchcraft themselves in these versions, but consult a witch, who creates the poisoned items for them.

**The poisoned item that finally "kills" the heroine is almost always an article of clothing: e.g. a dress, a hat, a hairpin, or a pair of slippers. In some versions she simply falls down dead or in an enchanted sleep, while in other versions she becomes motionless like a statue, or actually turns to stone. But either way, the prince typically finds her, falls in love, and takes her home to his castle, where he lets no one else inside the room where he keeps her. But then one day a woman – his mother, his sister, or a servant – sneaks in, discovers the girl, and tries to make her look more presentable, removing the poisoned item in doing so. Her revival becomes a joyful surprise for the prince when he comes home.

***Only one version, The Beautiful Anna, has the heroine poisoned by a grape, which the prince later dislodges from her throat by stroking her beautiful neck while admiring her.

***Several versions use poisoned food (usually cake or sweets) for the first one or two murder attempts. But either the heroine is warned not to eat it, or else an animal eats it first and dies. It's an interesting contrast to the familiar Grimms' version, where the queen's first two attempts to kill Snow White with articles of clothing fail because they're easily removed, so she turns to the more seemingly foolproof method of poisoned food for the third try.

**In the versions where the heroine "dies" rather than becoming a statue, she's either placed in a glass, crystal, or jeweled coffin by her companions, or else she just lies where she fell in the castle where she now lives alone, to be found later by the prince when he ventures inside, a la Sleeping Beauty.

*The villainess is sometimes executed by the prince in the end, but in other versions she goes unpunished.

**Two versions, The Beautiful Anna and Maruzzedda, continue after the heroine revives with second halves that recall certain Sleeping Beauty tales. The prince marries the heroine and fathers two or three children with her, but he keeps his marriage and children a secret from his cruel, possessive mother. Eventually, the mother finds out and tries to have the heroine and children killed, but in the end her schemes are thwarted and she's put to death instead.

Coming up next: versions from Greece, Albania, and Turkey.

@ariel-seagull-wings, @adarkrainbow, @themousefromfantasyland

[quitealotofsodapop]

okay so, I was curious for something that’s been on my mind for a while….so, in slow boiled au, Wukong kills Mac because he was protecting his egg…my question is, What would have happened if Macaque did kill the egg?

I feel really bad for asking but it has been in my head for months.

Odds are; a version of the Century Egg Au (perhaps even happening within it).

Wukong exits the mountain with an Egg. An Egg that has a pretty high chance to kill him no matter the immortalities he's accumulated over the centuries. He's excited but terrified all at once.

Then the infamous fight between him and Macaque occurs, but unlike the other Egg aus... Macaque's strike at Wukong's stomach was true, or the stress of losing his mate was just too much for Wukong's body to handle. Because Wukong can handle a hit a or too - he's damn near indestructible and the Egg has magic of it's own, but what the Egg cannot handle is the mental and emotional anguish of it's parent. Stone Monkeys who are successfully revived from their stasis *do* often lose their Eggs as a means of ensuring the parent's continued survival - even if it means losing the last trace of their lost spouse.

Now suddenly there's no more Egg.

Wukong's body reabsorbs all the Dao the egg stored over the course of those years. He even experiences symptoms similar to what happened to Zhu Bajie and Tripitaka when they took the Spring Water in the Kingdom of Women.

He now knows that both the Egg and his Mate are Gone.

Wukong falls into a depression that takes decades for him to recover from. His Pilgrim brothers having no easy way to comfort him. Guanyin weeps for her adoptive son/brother as he sobs into their arms. Even the Ten Kings feel the Monkey King's sorrow from a Realm away - out of pity, Ksitigarbha ensures that the Egg's soul is kept safe for a time until when they may rejoin their parent.

DBK and PIF are informed of what happened, the two overwhelmingly sympathetic from their own losses. The birth of Red Son was the first light in Wukong's life for a long time after his tragedy. But he still fantasies of what sort of person his cub may have turned out to be if they had made it.

Then around 500 years before the present day, Wukong finally decides once and for all to take the initiative and bring his child back into the world - even if it means his own passing.

DBK's reaction to learning of his younger brother's intentions is... volcanic to say the least.

Wukong, already despairing the loss of his first child, his mate, and his Pilgrim brothers, now becomes responsible for the imprisonment of his older brother and the separation of his family. The very same people who got him through the toughest point of his life!

Informing Nezha that he intends on a "extended meditation" on his island, Wukong makes the preparations.

He wraps himself in Macaque's scarf before he buries himself into the dirt of Water Curtain Cave, only Nezha, PIF, and his dear Stalwarts privy to his location.

And he sleeps.

Until the reincarnated form of his dearest brothers find him.

[ena-writes-stuff]

— diamonds, clubs, hearts and spades.

˒ ⌕ in a world of magic, the Kingdom of Diamonds' greed sparks a war. after millennia, the Queen of Clubs urges peace for her daughter, and the King agrees. fourteen years of peace follow, until a letter proposes a union, threatening the fragile harmony.

— warnings: female reader, use of his real name

— words count: 742

· · ─────── ·𖥸· ─────── · ·

In ancient times, when the light danced in every fold of existence, the world was woven with the threads of magic and enchantment. Beneath the starry skies, the four Kingdoms flourished in harmony: Diamonds, Clubs, Hearts, and Spades, each a pillar of cosmic order, guided by human hands entrusted with the sacred task of preserving the balance and prosperity of nature.  

Yet, the ancestral peace was shattered when the golden caravels breached the shores, bringing with them the shadow of greed and avarice. Originating from distant lands, beyond the confines of the Sea of Night's Sighs, where the stars bent to whisper long-forgotten secrets, the vessels of the Kingdom of Diamonds advanced, propelled by insatiable desires for wealth and power.  

Driven by an insatiable longing for material possessions, for the fleeting sparkle of gold, and for the promise of boundless conquests, the King of Diamonds defied the limits of the known. Ignoring the teachings of the wise and the warnings of the stars, he coveted the magic once devoutly guarded by the sages and wizards of the Kingdom of Clubs. Greed, like a voracious flame, consumed his reason, causing him to forget the ancestral bonds that united the Kingdoms. Driven by his boundless ambition, he challenged celestial balances, defied the very gods themselves. And thus, the shadow of conflict stretched over the lands, threatening to unleash a storm that could forever sweep away the fabric of reality as it was known.

For countless eons, the world bowed before the primordial sources of magic, flowing from the four natural elements, and only the sons and daughters blessed by the magical Kingdom of Clubs could raise their wands and conjure the winds of destiny. Yet, in a moment of alchemy, a flash of understanding was born, a rainbow woven of mysteries that challenged the very laws of nature. Thus, the war between the Kingdoms took shape, a symphony of thunder and lightning, where the Realms of Clubs and Spades marched united, defending the sanctity of nature and the magical creatures that began to shrink under the hungry gaze of humans. Meanwhile, in the South, the kings and alchemists led an army thirsty for the right to manipulate magic, an art that only unfolded when the life force of creatures was extracted.  

Millennia passed since the first spark of discord was ignited on the border between the Lands. The war now dragged on like a wounded dragon, its flames weakened as the hills between the realms grew taller, rising like guardians of forgotten peace. In the shadows of the stone castles, the alchemists wove webs of mysteries, their cauldrons boiling with forbidden promises, while the mist of the unknown enveloped the destinies of the realms.

At the height of the winter solstice, when the snowflakes danced around the castle like magical beings, an aura of enchantment enveloped the atmosphere. The word "peace" echoed through the ancestral corridors, a melody long forgotten but now revived with the promise of a new beginning. The Queen of Clubs, a legendary figure whose courage rivaled the very light of the stars, lay upon her bed, marked by the scars of countless battles. Her weary yet determined gaze fell upon her only daughter, an eleven-year-old whose fate was intertwined with the threads of destiny, written in blood and mystery. She knew her final moments on earth were near and summoned the King, her beloved, to her side.  

In a final sigh, she pleaded that the future no longer be decided by the edge of the sword, but rather by hope and compassion. She urged the King to ensure the happiness of the young heiress and to seal the peace between the realms. With tears in his eyes and a heavy heart weighed down by impending loss, the King granted the beloved Queen's final wish. And so, in reverence to her memory and driven by the fervent desire to prevent further bloodshed, the King ordered the withdrawal of troops from the borders. For fourteen consecutive solstices, the world they knew lived in harmony, as if embraced by an aura of tranquility long forgotten.  

Then, on a morning bathed in the glow of the aurora borealis, a mysterious letter arrived in the Diamonds Lands, brought by a messenger raven that flew with a majesty befitting of legends. Sealed with the royal emblem, the letter carried with it a proposal for lasting peace: the union of the heirs of the Diamonds and Clubs realms. It was a symbol of an end to hostilities and the promise of a future where the shadows of war would never again loom over the land.

That’s how our story begins.

· · ─────── ·𖥸· ─────── · ·

— next chapter.

[zylian]

been thinking of an au of battle mage ro who’s like the only wizard that spent his whole life training in only offensive magic which makes him like a decade ahead of every other mage in combat

he’s also very willing to do self sacrificing spells which can wipe out entire cities/towns

ro has a deal with witch zam, who specializes in curses, since the day they met and found out they both dabble in ancient spells, ro asked zam to test resurrection spells on him so he can keep testing combat spells without the worry of death

zam would occasionally get a letter about twice a year saying “if this reached you, I’m dead” and would pause what he was doing to resurrect ro

after the 12th time zam practically perfects it, making sure ro’s mana flow is better than ever and in return ro goes on a murder spree on the people who won’t leave zam alone

when ro’s not laying his life on the line he’s partnered with relentless warrior mapic fighting whoever they both see fit

when ro dies on the field, mapic usually waits a week for him to show up again but from how frequent it starts happening, as ro loves to destroy many kingdoms, mapic goes straight to witch zams house who ro told him about after his 3rd resurrection partnered with him

mapic learns zam actually resurrects ro within one day and they both learn the letters actually take 5 days to arrive to zams place as ro just hasn’t optimized his mana infused letter since he was too occupied with learning more ancient combat spells

obviously instead of fixing the system he lets mapic keep travelling to zam and both mapic and zam fall into a routine of mapic showing up, drinking a cup of hot cocoa while telling zam how ro died as zam preps for ro’s revival

no one actually attempts resurrections since it goes terribly and mapic seems to think both ro and zam are stupid for continuously using cursed magic and suffering tremendously until it was right

the only person who knows outside of those 3 that zam can revive anyone perfectly (yes mapic did die in battle once and ro made zam resurrect him to laugh at him but zam did it so well mapic made them keep it a secret) was alchemist spoke

spoke is mapics potion supply guy who makes the oddest not normal potions ever but mapic always finds a way to use them in battle so he became his number one customer

due to a faulty package delivery, one of spokes very dangerous customers killed him for wasting their money and time

mapic spent a month trying different potion suppliers after his death but there was way too many issues aka it being too pricey, too long of a delivery, part faulty potions, not enough stock and not to mention being put on a waiting list

he was so tired he just dragged ro with him to zams place one day and asked him to resurrect spoke, zam surprisingly knew who mapic was talking about and had realized why he didn’t get his pending delivery yet

so as zam really didn’t want to go through the same hell mapic was ranting about going through with finding another alchemist, he resurrects spoke without question

spoke, who upon living again, takes a breath of fresh air and fully crashes out about what happened to him unprompted

as spoke wraps up his rage while having a nice meal in zams garden, he promptly questions why witch zam, his regular customer, is insanely proficient at resurrections

basically after a quick explanation zam now gets 50% off discounts on all potions, mapic said he was the one to bring spoke to zam so he should get it too but spoke convinced him that he and ro would get the discount after spokes dangerous customer who killed him dies a horrific death

all in all battle mage ro has an amazing time messing with ancient spells while using spokes discounted cursed potions to cause mayhem without fearing death in the slightest

[kingsnake101]

I had an idea for a FS/LU au a while back and wrote a little intro for it! Spoilers for Four swords adventures probably

Characters: Green, Red, Vio, Blue, Ganon

TWs: imprisonment, mind control, blood, injury

Green stared at the plain, lichen-stained bricks, counting them for what must have been the hundredth time. Anything to distract him from the sobbing boy curled up against his side. Green gave Red a half-hearted squeeze. He had given up on trying to cheer up his brother long ago. All he could offer now was a shoulder to cry on.

They had been appointed as smiths for Ganon's new kingdom. They were given two meals a day, a workshop, and two cots with megar blankets.

The second cot had barely been touched since they arrived. Although it was irrational, Green couldn't help but fear that his brother would disappear the moment they let go of each other. He knew Red felt the same.

“At least we have each other,” Green mused. Vio and Blue weren't that lucky. Neither of them had seen Blue since they were captured, and whenever Vio visited it wasn't really Vio. Thoughtful purple eyes were clouded over by an opaque red. Red still believed that Vio was in there, and maintained the hope that maybe, if he tried hard enough, he could break through the spell. Green knew better. Ganon was smart. If Vio was in there, he was buried deep. Their meager connection told him that Blue was upstairs somewhere, and absolutely furious most of the time. The times when he wasn't was when Green worried most.

Green had been mad at Link in the beginning. As time went on, however, he began to realize the futility of it all. Red didn't blame Link, because of course he wouldn't. Eventually, the anger faded and melted into the endless void of numb sorrow.

Red let out a few soft sniffles, having finally cried himself to sleep. Green sighed softly, shifting until he was able to lower Red onto the cot. He needed to finish an order of moblins spears. When he tried to stand, the hand on his arm tightened.

“D’nt leave…” Red mumbled, tears slipping down his cheeks. Green glanced to the workshop, then back to his brother. With a sigh, he lowered himself back onto the cot. Red was already back asleep by the time he brought the blanket over the both of them. Green would just have to finish the spears in the morning.

Late that night, something strange happened. A boy dressed in red shook his brother awake, pointing to a glowing portal in the middle of the workshop.

A boy in blue spat blood onto the arena sand, glaring up at his monstrous audience. Ganon only smiled cruelly, raising his hand to signal the next wave of monsters. The gate began to screech open.

The boy in blue braced himself, only to feel a rush of strange magic appear behind him. He spun to face it, snarl turning to shock when he came face to face with a divine portal. A grin split his bloody face. 

The boy wasted no time. His raised middle fingers lingered when he disappeared into the portal.

A boy in purple walked along empty halls, back straight and eyes glowing red. He carried a set of four identical swords. His eyes widened ever so slightly when the floor disappeared underneath him, and within seconds, he was gone. The portal winked out of existence after him.

Explanation: A few months after FSA (I'm basing this off the manga), Link got really lonely and depressed. In desperation, he pulled the four sword, thus releasing Ganon. Ganon kidnapped the colors and put them in the predicaments you see here. Shadow is dormant for now...

Let me know what you think! This won't become a full work, but I might post some snippets. Feel free to ask me any questions about it or write something in this universe! I think I'm going to call it Four Swords Revival AU.

[peach-top]

❝𝙑𝙄𝙎𝙄𝙊𝙉❞

➤ ACT I. | CHAPTER IV.

➤ RED SPIDER LILY

“And that's how I was able to use my magic for the first time.” [Y] finished while showing off his bow and arrow. “Wind Archer taught me. I have others like Moonlight Cookie to help me with my spell. Some were self-taught. For example; I taught myself how to heal and revive living beings.”

“You seem to be taught really well in the forest without having to go to the Blueberry Yogurt Academy.” White Lily praises the taller male. “Incredible.”

“Thanks. It's not that big of a deal.” The taller male shrugged as his weapon vanished in thin air. “It's not as strong as Wind Archer since I'm unable to control the wind, so I used other magic.”

“I've been in the forest for so long that I never know what could be waiting for me to discover. For example, I learned how to read foreign languages and write back in the Dark Cacao Kingdom. Still a little sloppy, but it's worth a try.”

“Oh, I can't forget that I tried ice cream coffee for the first time. It tastes bitter and sweet.” [Y] continued, “Dark Cacao was kind enough to give me a tour and taught me new things that I've never experienced before.”

White Lily blinked owlishly, “Oh? I've never thought Dark Cacao would be so kind to someone…He is always so serious, but he's not a bad person.”

“True, but I've been seeing him smiling and laughing a lot. Wasn't he always like that?” [Y] tilted his head. “Most of all…he grants me a kiss on the lip before leaving. I don't know what it meant, but I think it's nice.”

White Lily flinched. A kiss? Dark Cacao kiss [Y]? Why? Why was that all of the sudden? Was he an evil clone? Was he put in a good mood? Or…did Dark Cacao fall in love? That's unlike Dark Cacao.

“D…did he really kiss you?” The white haired female gasped.

“Yeah. I wouldn't lie about it.”

“...!”

“I see that you two are getting along. How's everything?” Elder Faerie approached the two.

“It's going pretty well. We were just talking about my travels.” [Y] answered.

The elder faerie turned his attention on White Lily and asked, “White Lily Cookie, are you feeling well? Well enough to open up to the faeries who are awaiting your arrival?”

“Ah…N-not yet…”

“...I understand. We'll wait until you're comfortable.” Elder Faerie nodded with understanding. “It’s getting late. I think you two should get some rest. I will give you two a place to rest.”

“Thank you…”

· · ─ ·𖥸· ─ · ·

Both White Lily and [Y] were given shelters next to each other, thanks to the faeries who lend them a place to rest. Elder Faerie has to keep watch of the flower that was once again trying to escape. Since [Y] is no longer in their sight, it was becoming much more aggressive, the more it lost the sense of the old master.

“What can we do?” One of the knights frowned.

“...I’ll keep watch of it. I know a magic trick to keep it from escaping.” Elder Faerie answered. “However, starting tomorrow, I would like to set it free.”

“B-but your majesty —”

“Don't worry, it won't attack [Y]. I would like to see if it can be tamed by him.” the elder faerie stated.

“?”

Unknownist to Elder Faerie, a white lily flower slowly turned into a red spider lily flower.

· · ─ ·𖥸· ─ · ·

White Lily Cookie wakes up to find herself in a black void filled with nothingness. She looked around in panic, calling out for the faeries and [Y], but there were no responses.

“W-where am I…?” White Lily whined. She felt white lily flowers suddenly appear beneath her. “White lilies?”

As she reaches out to touch the flower, only for them all to turn into red spider lilies, catching her off guard. What is even more terrifying, eyes starting popping out from around her.

“...?!”

The female heard heavy footsteps coming from behind her until it stopped. White Lily was too afraid to turn around and faced that person who happened to appear out of nowhere. The aura…the aura is what put her in fear.

❝so…you're white lily cookie.❞ a stoic and deep voice spoke. ❝you’re not someone who I expected. none of you so-called heroes reached my interest. however…you…❞

White Lily tense when the mysterious figure gently grabbed her braid then let it drop on the ground, ❝…are someone i despise. if i were to get control of your body, i would've use all my power to regain my body and memories then killed you…❞

“...W…why me…?” White Lily asked in fear.

❝why…? didn't you cause the birth of dark enchantress cookie? release the spirit? deal with a dragon? ah, can i not forget…you nearly awoke me from the dead. a pity…that i was reborn as someone pure and innocent by that tree…worse, you sealed my beloved friends before they can set themselves free…❞

“?!”

❝don't you realize how unfair it is to have someone precious to you being taken away and your own people you trusted betrayed you behind your damn back❞ the mysterious figure asked in a angry tone. ❝look at what i become. someone who was born with anger, betrayal, and distrust. i envy anyone who didn't suffer a similar fate.❞

“...Who are you…?”

❝you haven't heard my real name…you all call me “the watcher” but my real name is…red spider lily…don't you forget…❞

Before White Lily could ask a question, Red Spider Lily placed his hands on her throat, strangling her. He won't let anyone wake up from their dream without feeling any pain. White Lily struggled to breathe and break free, but unfortunately his grasp was getting stronger, making it impossible for her to escape.

❝you’ll feel little to no pain when you wake up, however you will be awoken with a mark on your throat…you won't remember this conversation either except my name and your encounter of this place. we will probably meet again…in person…❞

· · ─ ·𖥸· ─ · ·

White Lily jolted awake, holding her throat. [Y] was sitting next to her with a concerned look on his face, “White Lily Cookie…”

“...[Y]...” White Lily whimpered. The taller male panicked slightly, “Did you have a nightmare? You were whimpering in your sleep when I'm trying to wake you up.”

“...I can't remember what I was dreaming about…” the white haired female frowned. “All I can remember is…Red Spider Lily Cookie…”

“Red Spider Lily Cookie? Who's that?”

White Lily replied, “It's the real name of The Watcher. I'm not sure why I remember that.”

[Y] noticed a large purplish red bruise on the female's throat. He pointed out, “White Lily…Was that always there?”

“Huh? What is it?” White Lily tilted her head. The taller male grabbed a mirror from the shelf and showed it off to the female. White Lily gasped at the sight of the mark on her neck. It wasn't there before. So how is it there now?

“When I arrived here after hearing you choking and whimpering, I saw that mark on your neck.” [Y] pointed.

“...!”

· · ─ ·𖥸· ─ · ·

Elder Faerie frowned while witnessing the white lilies slowly turning red. He gritted his teeth, feeling anxious about this cause these lilies symbolize death, plus these flowers belong to someone he wished he could forget.

“The lilies are turning into…” Silverbell trailed off as he kneel down before a red spider lily and reached his finger to touch it, “...red spider lilies…It hasn't been seen for thousands of years.”

“Have he awoken…?” Elder Faerie whispered to himself. “No…impossible. I don't sense him anywhere or nearby. There had to be something else.”

“Elder Faerie? What's going on?” [Y] asked before turning his attention to the lilies, “Oh? Were the lilies always like this?”

Elder Faerie frowned, “[Y] seems the same. Nothing changed, but why the red spider lilies here?”

“Red Spider Lily Cookie…” Everyone turned their attention on White Lily who just arrived after the wanderer. Elder Faerie raised his eyebrows, “What did you say?”

“Red Spider Lily Cookie. It's the real name of the lord of all eyes…” White Lily replied.

“...! How…do you know his name? How can you be so sure about that?” the elder faerie’s eyes widened.

“...” The white haired female grasped on her staff tightly, “...I’ve met him in my dream. I don't remember the conversation, but it all felt so…real. He choked me at the end, leaving a mark.”

“I try to heal it, but it doesn't seem to go away.” [Y] frowned as the female removed the bandages from her neck, revealing the purplish red bruise on her neck. Elder Faerie gasped, “...Impossible…”

“White Lily Cookie…! A-are you hurt?” Silverbell panicked.

“I…I'm fine. It doesn't hurt.”

“He's trying to escape, isn't he? To gain back his power and his body. Red Spider Lily is still fighting to escape.” The elder faerie thought. “Millennial Tree was able to communicate with the master who created Red Spider Lily Cookie. If I could let myself sleep, perhaps I can find a way to communicate with the creator and the lord.”

╭ ⁞ ❏. facts

┊ ⁞ ❏. red spider lily can communicate with other in their dreams and leave damage on their body once they wake up

┊ ⁞ ❏. a special guest will be coming soon

➤ chapter iii.

➤ chapter v.

[sanyu-thewitch05]

Yandere Undead! Knight! x Princess! Reader Headcanons

Ko-fi link: ☕️

It was horrible enough to always be in your room in your family’s castle as a normal princess.

It was even worse when you were a cursed princess and had to be drugged so your curse didn’t spread.

In reality the curse wasn’t really a curse. Just a consequence of genetics.

Simply put, it was your parent’s fault. You see your mother had never told your father that her parents were some of the most evil sorcerers in the land.

It was easy for your mother to cover up the horns and bat like wings with her magic. She thought your father’s human genetics and royal divine blessings from the castle’s magicians would rid any child of hers of her shameful lineage.

But unfortunately, life likes to play the games, and the truth always come out one way or another.

So imagine your father’s surprise when his divinely blessed baby girl came out with black and purple hair, dark purple eyes with vertical slit pupils and black nails. Looking exactly like her maternal grandmother.

It was then your mother was forced to tell her beloved husband the truth.

Your parents still loved you, but you were to be kept inside the castle at all times.

Very few were trusted to be around you. You never had a true childhood celebrating festivals like the other nobles and village children.

Then, puberty hit and your magic started to develop. It started off small like levitation, purple auras, and energy balls. Then it increased to your presence killing flowers and plant life, and a more bat-like shadow.

Finally, the royal sorcerers developed pills for you to take to reverse your progress. It came at the price of your emotions and very sanity.

And so one day, when you were 13, you skipped taking a couple of them and ran away from your personal knight, and into the village . It didn’t last long, but it felt good to touch grass and have wind brushing your skin.

This cycle of running away from the different personal knights your parents got you continued until you were 20. That’s when the royal sorcerers divulged in a dark magic, and revived your kingdom’s greatest knight who had tragically died as a young man defending your kingdom to be your personal knight.

Sure, he’s been dead for over 100 years and missing an arm, but that can easily be fixed with a regeneration spell.

That night, Benedict Solomon, arose from the grave with orders to protect you.

Still in the armor he was buried in, he barged into your room and got on one knee.

“Here..to serve…you…”

You were surprised your family would go so far as to make an undead knight for you, but at least he looked tolerable.

The long dirty finger nails and extremely cracked lips were unnerving, but at least his body and skin seemed to be doing ok.

Besides, you’d run away from him again just like you did all the others so it doesn’t matter what he looks like.

That night, you sneak away into the night and head towards the village.

You cross the bridge, and you feel a strong hand on your shoulder.

“No…bad! Stay..in castle.”

You push his hands off you and continue onward.

Your back hits the ground as Benedict pins your body.

“I said no!”

His feral golden eyes dilate, focusing on you like prey.

“Alright! Alright! I’ll go back to my room!” You exclaim, pushing him off you.

His hand is tight around your wrist as you walk back to the castle. You look back at the village and see the dancing people in the tavern.

Benedict throws you into your room, locking the door behind him. He opens the drawer and pulls out all the pills you threw away.

He puts four in his hand and shoves them down your throat.

You scream as the pills go down your throat, almost choking you. You cough and Benedict strokes your face.

“Good..girl..beautiful.”

For the rest of the night, you face the window because Benedict has been staring at you like a statue making sure you don’t make a run for the door.

You hear the floors creak, and Benedict closes the window and curtains. He then sits on the bed, and starts spooning you. His arms tight like a corpse’s grip.

His cracked lips kiss your cheek.

You try to move away, but he wraps his legs around yours.

“No escape.”

For once, you realize that you can’t get rid of him like the others.

And so you spend the night with his split and cracked lips on your skin. Wary of his mouth opening up and sinking his teeth into your neck.

[marciabrady]

here are some sleeping beauty plot points/general details that i love and i would love to see more discussion around

the story team did such an incredible job with fleshing out aurora while still making her feel true to the mythos from which she was derived. in every novelization i've ever read that predates the disney film, she's only ever given one line of dialogue (something like: "what is that thing that spins so merrily?") before falling asleep. disney took that same princess and successfully expanded her into a living, breathing dynamic human who is filled with everything- ethos, pathos, everything, but is also authentic to her origins. they also did a genius job at creating a basis for why love is so revered in this tale. true love conquers all, we're told, and it's indeed what keeps aurora safe from maleficent for all these years, as it's the one thing the evil fairy can't understand. yet, the fact that the princess grew up surrounded by the love from the three fairies, which instills that care in her heart, along with the fact that she grows up in isolation, so connected to the universe around her and allowing her to be introspective enough to observe the animals about her and draw a connection to the human condition and that of the consistencies of nature is so...deep and profound and develops her and makes her an evergreen character that will always represent people, for as long as we're around, because aurora's struggle is one that speaks to everyone. she isn't just some "lovesick princess" but a character that's growing up and longs to be able to find her soul's mate and to express the love in her heart in a universe where she was socially excluded and deprived of others outside of her three guardians. as humans are tribal creatures, social inclusion is one of the main pillars of wellbeing. so to take aurora, who is already an innately romantic person, and to deprive her of that just gives all the more reason why the kiss of true love really would revive her. she isn't just some princess who grows to be fifteen or sixteen, pricks her finger, and then is awakened by a prince she never meets. she is someone who was raised in love, grows up and wants to become a woman and share that love and express it with someone else. when she finds it, it's suddenly stripped from her and she's induced into a magic slumber that's meant to symbolize her transformation from girl to woman. then, she's awakened by the same love she'd thought she lost and it's just...the structure of it is genius and incredible and they retain all of the qualities about her in the fairytale and storytelling devices but they develop it so much further and round her out so well but still maintain a reverence to her source material instead of condemning it or outright changing it and i just LOVE

i don't think enough people realized that, it wasn't until maleficent visited prince phillip in the dungeon and showed him the vision of aurora in slumber repose that he knew that aurora and briar rose were one in the same!!! like this is the moment it all clicked for him and it gave him the drive and determination to slay the dragon in her honor. he realized the woman he loved and the princess he had been betrothed to were both one and that's so important and it's just such a plot twist that, again, was so genius of the writers. it proves to us that he loves her enough to leave the kingdom for her and risk damning the princess he had been betrothed to to the curse she was under and he'd take her as she is, even if it were a peasant, but also that his love is so steadfast and true that he'd defeat a dragon for her. 10/10 and it sooo runs along the vein of the lyric "visions are seldom all they seem." this is a plot twist done RIGHT but with so much sophistication that it tends to fly under most everyone's radar because it isn't like loud

something i love about the original princess movies is how the female characters are forever in the forefront, and the fact that this film opens with the celebration of the birth of a female child is something that's so special! instead of having to think about how female children weren't celebrated in that time, or it was a disappointment she hadn't been a son, or something of the like, the fact that the spotlight is on their daughter and the opening of the film continues this matriarchy, where all in the land praise this female birth, before the fairies are introduced as their most "honored and exalted excellencies." we need to see more worlds like this instead of pixar films where there's like not a single main female character lol

THE FACT THAT PHILLIP WAS WILLING TO GIVE UP THE THRONE AND THE KINGDOM "for some nobody" and told his dad flat out to his face without hesitating makes me love him soooo much?? he loves aurora for who she is, not just because she was a princess to whom he had been betrothed to his entire life, and this proves how genuine his love is. it also paints how progressive and open-minded phillip was, seeming to be the first that would ever break the tradition of princes marrying princesses and opening up his country for a new type of culture and reign. love me a freak like that

one of the biggest facets to aurora's character, and something that further develops her relationship to phillip, is how differently she reacts to her guardians when told of the betrothal. where phillip already knows, and is aware of the king and queen and how his duty is to marry their princess daughter, aurora is just finding out that she has living parents for the first time and the future of a nation rests on her shoulders. she discovers she's to be married to a prince and must give up her true love forever. again, before i hear anything about "she just met this man for two minutes in the woods, why is she crying," this is a fairytale with magic that's meant to be archetypical. in the narrative of the film, and in the universe of this world, phillip is her true love- and this is confirmed when it is his kiss that awakens her from the curse. so to leave the one true love who was meant for you, when that's all you ever wanted in the isolation you were raised in, to accept your duty and responsibility over parents you didn't even know you had and to assume the obligations of a nation you aren't even prepared for...it's astounding. aurora does everything right, she even leaves love behind for the good of her people and puts everyone above her own personal desires, and yet people still criticize her and say she's dependent on a man and all she cares about is love. meanwhile, phillip never receives any hate, and he's literally willing to give up the throne and the kingdom and start a war between two countries for the girl "he just met in the woods for two minutes" but he's one of the most beloved princes...it really just makes me think about how misogynistic our society still is, without even realizing it. aurora literally couldn't have done anything better, by our modern standards, but people still condemn her just because? this is definitely a discussion piece i want to hear more about and, in general, i think it would behoof us all to understand why aurora has been so demeaned culturally as a character when her actions, in and of themselves, are exactly what we say we want and would appeal to modern sensibilities

this is a slight sidenote but i always was tickled by merryweather proclaiming, if she had it her way, maleficent would be turned into a "fat old hop-toad." i always felt like this was a nod to the original tale from which this movie was based on, where a magical frog tells the queen that her wish to be with child shall soon be granted and that it, just generally, was a very clever easter egg/allusion

in this film, they have enough action and movement to appease the more restless demographic/traditionally "masculine" crowd, but i love how the basis of maleficent's defeat lies still in the femininity of the three good fairies. it's these elderly women that save phillip from the dungeon and arm him, not just with weapons that will kill another being and are predicated upon violence, but with symbolic weapons that are laced with truth and virtue. i think it really reminds us all how transformative these values are and how, in arming ourselves with them, we'll alone be able to navigate the road to true love (whether that be familial, platonic, or romantic love) which will be "barred by many more dangers" and how it enables us to have a sense of autonomy where we'll be able to overcome anything that's thrown our way while still retaining the core of who we are

i wrote about this moment previously, but to piggyback off of what i wrote about phillip just above...i love how aurora is the most competent human in this world? much has been said about how the plot of sleeping beauty is essentially the fairy worlds dueling with one another and, in that, many of the mortals are somewhat...inept, to put it for lack of a better term. king stefan is unable to protect his daughter with the burning of the spinning wheels, even with all the power he harnesses within his kingdom, and the fairies are quick to see his folly. prince phillip would still be rotting in the prison had the fairies not interjected, and he would be burned to a crisp had they not sprung a final chant of magic upon his, already, enchanted sword. yet, maleficent has to hypnotize aurora for the princess to even succumb to her plan and, even then, aurora is temporarily able to snap out of the magic hypnosis she's put under. i don't think people realize how powerful that is? yes, i understand it's a minor moment, but the hesitation and the ability to counter magic while remaining totally unarmed is something that reminds me why aurora is our main character, despite what anyone else might say.

going along with what i said above, while many are quick to point out aurora's lack of screentime, the film begins with her birth, the plot is sprung forth with every character wondering what they could do to protect her, then when she pricks her finger upon the spinning wheel, she and the entire kingdom are put to sleep. it isn't until she wakes up, that the entire kingdom does, too. she holds the key to this entire universe in a persephone like way and i just love how important it is in the narrative of the film to wake her up. she isn't just this beautiful creature who's valuable because she's pretty, because if that was the case, her being a lovely figure posed to perfection in her slumbering mode would be enough...but the people of her universe value her so much more when she's alive and active and being her own person, that it ensues a fairy war, practically. she's also involved in every single plot, even if she isn't physically present. this is her movie and no one can take that away from her. but, just to restate, the fact that there's so much emphasis in aurora being alive and well is something that's so important

so, it's kind of a given at this point that every princess can sing, but i think the role that music plays in sleeping beauty is the most meaningful and well done? sleeping beauty makes much to do about its classical score and it skillfully combines realistic characters and storylines (like the fairies not knowing how to cook and clean, phillip being captured with no way out, the kings toasting to the impending nuptials of their offspring before getting into a quarrel centered around a misunderstanding) with the fantastical world of fantasy and opera. by giving aurora the gift of song, the narrative is creating a framework that explains her relationship to her singing voice in a way that's even more profound than that of ariel's connection with her singing. it explains why aurora sings more than she speaks and ties in perfectly with the thematic style of the operatic presence in sleeping beauty, which is that in the opera, instead of speaking about it, you sing.

OK but this scene of hubert's/his general plotline and character motivation that results from this is genuinely perhaps the best comedy disney's ever done? hubert is coming off of declaring war upon his best friend stefan, because he misunderstood stefan's caring for his own daughter as a snub against hubert's son. after challenging aurora's father to a duel, they quickly make up, before hubert hears phillip has arrived and rushes off to greet his son. there, the news is broken that phillip is actually in love with a peasant and that he plans to renounce the throne- which will actually cause a war- so that he can be with his beloved. hubert is convinced phillip is joking, especially as he happens to meet this mystery maiden on the date that aurora is set to come home- the most anticipated date for these past sixteen years in the kingdom- and his son is set to be a central figure in the celebration for the princess's homecoming! before he can reason with phillip, his son escapes, leaving hubert to be the one to break the news to stefan. heavy-hearted, as hubert tries to tell stefan, he keeps being interrupted by trumpets and the musical notes that are meant to accompany the princess in her debut to her country. then the fairies literally put hubert to sleep when he finally gets a chance to explain it to stefan and, when they're awoken from this fog like slumber, the first vision that greets hubert is that of his son and the princess??? the same son who said he had no interest in aurora, but was set to marry the peasant maiden. the whole thing concludes in a very charming "all's well that ends well" but i still think the whole "how am i ever going to tell stefan" dilemma, while continually being interrupted, and this king who declared war in 2 seconds flat and minced no words in being so short-tempered was suddenly at a loss for words and so hesitant and fumbling and nervous about this news his son sprung on him lol

one of the most haunting sequences in film is the one above. the three good fairies have endeared themselves to their mortal charge, even giving up their magic for her for sixteen years. their bond is so much deeper and meaningful than it would've been otherwise, as they probably would've blessed her at the christening and then only appeared in her life intermittently, at a distance. they clearly aren't close enough to humans to know too much about their customs, and their magic always gives them away as outsiders, which indicates they were always content to live in their own fairy-world. but then they give it all up for this baby, this child, and they change their entire world for her. she is their world, to the point where their sole purpose is protecting her, until that's all they can think about for close to two decades. they would do anything they could to make her happy, to give her a fighting chance at life. they're so protective over her- and the fact that they got this close to the finish line...only to leave her alone because they want to be respectful of giving her privacy as she's still reeling and processing from all the news they sprung about her at once. they were even discussing going to king stefan and attempting to convince him to let aurora out of the arranged marriage so that she could be with the boy in the woods. and this all leads to maleficent enchanting aurora to her demise. as the fairies place her in a bed for the last time, looking upon her in her princess form, all of the time they've spent with her runs through their mind. how this isn't their little briar rose anymore, but a princess who inhabits, not the woodcutter's cottage, but king stefan's castle. someone who will never be with them the way she once was ever again and who, presently, is dead for all they know. as they look upon their lost daughter, the faint chimes and musical notes of the celebration of her homecoming is heard in the distance. i could talk about this forever but it's just such a heartbreaking and sad but also eerie mood

in 2023, it's time king stefan gets his flowers. while, in the time period in which this film is set, it'd be totally realistic for a father to set his daughter up in an arranged marriage to further the prospects of his land, stefan displays an understanding that seems more contemporary than his counterpart, hubert. hubert doesn't think about prince phillip's feelings for a beat and concedes that the "children" are bound to fall in love with one another. meanwhile, stefan seems to display a much more well-rounded paternal instinct, even exemplifying a degree of care and concern for both aurora's emotional wellbeing and her consent. he urges hubert to calm down and remember that this might come as "quite a shock" to aurora and to not push all of these political arrangements upon his daughter before she's had a chance to react to them and digest them.

the duality of briar rose and princess aurora is so fascinating, but also the moments in which they overlap is more enchanting still. this is a fairytale that is meant to be archetypical, and aurora's enchanted slumber is meant to be symbolic for her transition from girlhood to womanhood. briar rose, the girl, is anxious about her future, the prospect of meeting her love and settling down and getting to the next stage of her life. she loves her guardians, but is frustrated at their inability to see and treat her as anything other than a child. she goes to sleep a scared, shy, unsure teenager and wakes up as a self-assured, mature, gracious woman- the princess aurora. she's a vision, descending the staircase on the arm of her beloved, and she paints quite the picture as she gracefully curtsies to her parents, the king and queen. yet, true to the girl from the cottage, briar rose takes over. unable to contain the love she feels, she bolts forward and rushes to embraced her lost parents. i love this because, for as calm as a character as aurora is, i've always been so mesmerized by the breathless excitement with which she speaks when she returns to the cottage. this is a girl that has more love inside her than she can contain and it renders her a beacon of light. her running into the arms of her parents, instead of resenting them for giving her up, putting her in an arranged marriage, or even pausing to question whether or not she should be so warm with these figureheads of state, is such a tender moment that i don't think i've ever heard anyone speak of.

i will never get tired of singing the praises of the three good fairies. this film placed three older, conventionally unattractive women at the forefront- without pushing forced hetero ships on any of them- and allowed them to be bad ass (ie saving phillip from the dungeon, providing him with the tools and guidance with which to defeat maleficent, coming up with all the plots and actions that propelled the plot forward), while reminding us that love and kindness is truly the most powerful force on earth and placing an emphasis on the strength and power of femininity. the entire transition, from them being business women in the kingdom essentially (this is more in modern jargon; them being the fairies who are invited to political organizations for their contributions and not knowing anything about things like cooking or cleaning or rearing a child) to learning how to raise a baby and the film ending with them beaming over the shining achievement of their assigned charge finally being safe and happy is...it's everything. how beautifully the film focuses on them and the relationship with their adopted daughter and how that's the driving goal in all of this is something that's been unable to ever be surpassed

[bokettochild]

hello! I have an ask for you! I’ve seen a post or two of yours mention that four ends up corrupted and was curious if this is a head cannon and what it’s based on! I don’t know much about four at all, so I’d love more background on his cannon and what your head cannons for him are!

Alright, so this is somewhat founded in canon, but the long of the short is this.

Nintendo released a GameBoy copy of A Link To The Past that was packaged with LoZ: Four Swords. In this special edition of the game there was a bonus addition to ALTTP. In the dark world, at Ganon's Pyramid, there was a small hole in the wall of the pyramid that hadn't been there in the initial release. If you'd already completed Four Swords, you could enter this hole in the wall which would take you to a bonus dungeon: The Palace of the Four Sword

In this dungeon, Link (Legend) must face off against four hero look-a-likes as the bosses in different rooms, before reaching the main chamber where he faces off against all four together.

Because it's called the Palace of The Four Sword, some fans believe that the four beings within are, in fact, the Four Sword heroes. How would that happen though? Why would the hero still be alive almost a thousand years after his time? Why would he attack the new baby hero who stumbled across him?

A couple of theories include:

The Hero of the Four Sword (from here on he will be called "Four") died some time after his adventures and was buried in a crypt beneath Hyrule Castle as an honor for his service to the kingdom. Ganon's power animated Four's corpse, and when a young hero stumbled into the crypt through the Dark World, the demon used Four as his puppet to try and get rid of the hero.

After his adventures, Four decided to try and find a way to revive Shadow. This led to meddling with dark magics and becoming corrupted, forcing princess Zelda to seal him away. Because he's her dear friend (or lover, depends on the writer) she can't make herself kill him, but rather locks him away until she can find out how to rescue him. Corruption of his soul prevents him aging, so that when, a thousand years later, Legend stumbles across him, he's the same as he was the day his experiment failed and he became corrupted.

The beings within the Palace of the Four Sword are not Four, but rather the spirit of the damaged sword lashing out to protect their blade. Because he forged it, and was their only user, they maintained a similar form to his own.

Hope this helps!

[graveyardzhift]

since i’m actually thinking about it today, i’m gonna talk about my very not-canon-compliant fake Mario & Luigi fangame

LINK TO THE CARRD WITH MORE INFO AND ART!!!

it’s viewed better on pc but im not stopping you

yea i know what you’re thinking and i PROMISE THERE IS A REASON FOR MAGICALLY BRINGING BACK ALL OF THE VILLAINS (it’s also because i miss them but there is a legit reason)

here’s where it gets long, so if you hate reading:

TL;DR, Alien kingdom is destroyed except for the king (King Galivus), his daughter (Princess Europa) and the royal advisor (Obriel). Galivus is separated from the two and doesn’t actually know they’re alive. The king speedruns thru like 4 stages of grief but he can’t accept this so he wants to rebuild his entire kingdom DIRECTLY on top of the Mushroom Kingdom.

oh and he’s only there in the first place because to rebuild his kingdom he needs dark energy and magic which he gets from reanimating the previous m&l villains since their souls are a potent source of dark magic. he promises them a new and better world (and a second chance at fighting the Mario Bros.) but in the end he’s only going to use them for their power to get back his family and his subjects and then discard them

bowser is the only one that isnt coerced into king galivus’ bullshit so he the bros team up with the princess of voidspell to stop her dad from destroying the world yadda yadda

yeah, that was the tldr now get ready for the big guns (longer and more detailed version)

King Galivus (new guy beside Fawful in the image) was once the noble king of a distant kingdom out in space, the Voidspell Kingdom. That is, until it was destroyed by a rogue Starswallower; colossal space wyrms closely related to Blarggs that are thought of as deities across the galaxy. Galivus was thought to be the only survivor, and so he reluctantly fled through a portal before he could be caught in the falling debris. This coincidentally led him all the way across space to— you guessed it— the Mushroom Kingdom.

Before he arrived, Galivus rashly decided that he would bring back his fallen kingdom at any cost. For that, he would need a tremendous amount of dark energy. Which is why he headed directly to the Mushroom Kingdom— he had picked up on such a powerful energy signal, and a dark one at that. It was clear, this was the place to rebuild. The energy signal is actually remnants of Mario’s past foes, Cackletta, Fawful, The Shroob Princesses, and Antasma. Their very souls are brewing with dark energy, a perfect source of power. With all this magic combined, it would be enough to rebuild the entirety of Voidspell AND bring back Galivus’ loved ones.

So, he does the sensible thing, and uses his Twisted Staff to revive each villain. Some are reluctant to go along with his scheme, and others are ecstatic to be alive/in working order again and will gladly go along with Galivus’ plan. In exchange for their cooperation, he promises a nice little spot for them in his new world… and another chance at exacting their revenge on the Mario Bros.

What Galivus wasn’t aware of, was that there were two other survivors; the royal advisor and the princess of Voidspell, Galivus’ own daughter. They had escaped to the Mushroom Kingdom in a separate portal, out of Galivus’ reach. The queen and the rest of the castle’s inhabitants had been lost, but with Princess Europa alive, there was a chance at bringing Galivus back down to earth and stopping his selfish acts. She and the royal advisor, Obriel, seek out Mario and Luigi to help stop Galivus from destroying the Mushroom kingdom, its neighboring countries, and possibly the entire planet.

Also, Queen Jaydes certainly isn’t happy about Cackletta (and the rest of the villains, but mostly her cuz she’s died like two times now) being let off the hook so easily. Her and the bean witch definitely still have beef with each other.

There’s probably a lot that I missed or haven’t written down yet, but that’s most of it!! If you’ve taken the time to read all that, i love you <3 HAHAHA

[ganondoodle]

Hi! Big fan of your work and I love evil Rauru, now I'm curious what would Mineru & Sonias' role be in this rewrite? Like "Dam, my husbands a fuckin madman..."

Hi!! thank you!!

so .... as of now mineru basically doesnt exist (im sorry) and sonia only has a little somewhat appearance

theres no time travel in my rewrite (both the first one and new one) and with the new version that works with villain rauru there are no flashbacks aside possibly some illusions rauru shows you to tell you just how great it was before bad bad ganondorf showed up (so .. kinda like in canon but with the direct contrast of him telling you a verrrrrryyyy one sided perspecitve vs what you later learn)

so i considered having rauru mention that he had a beautiful perfect wife back in the day and ganondorf murdered her for her stone (unsure yet if hes telling more or less the truth or if its another lie ... i dont want to make him too one note evil either bc whats the point then) and perhaps, before the final confrontation, the true end fight against rauru have her appear

it being on the great plateau where he builds his castle towards the end of your quest- which is sort of a dungeon- and just before you are going into the final room you might encounter sonia ....... s puppet really, like an apparition rauru made of her as part of his plan to revive his old glorious kingdom but not able to literally revive the dead, her greeting you and asking if youd like an audience with king rauru- but in an unsettling way, robotic, always smiling and super nice, oblivious to what you had to fight through just to get here (or alternatively .. she greets you at the start and begins to lead you in until zelda tries to talk to her about what raurus doing thinking she might just be real, but since its just a magic trick of rauru she turns on you and throws you into the dungeon, quite literally, as soon as its clear you/zelda intent to stop him)

i feel a little bad about it but as of now i dont know how to make use of them, i want to keep the past as much of a mystery as i can while still have it all make sense, i want it to be about saving the world as you know it, which is different from the past, very different, but not different in a bad way, and the idea of there being only light with no shadow being bad bc a balance is needed

[ultraericthered]

Coming back to this 'cause really, this does bug me quite a bit (though I can't say I find it too surprising given Wish is a very shallow and restrained movie in spite of all of this depth at its foundation).

A lot of people tend to misread what the "wishes" in Wish actually are and represent, similar to how "hearts" in Kingdom Hearts actually refer to a person's very self - their innermost spiritual essence that gives them their identity and personality - is also often misread.

The wishes that are materialized as magical orbs in the movie are of people's personal aspirations and dreams for their lives that comes from the heart, because "a dream is a wish your heart makes". But as King Magnifico explains, they're even more than that: they're a core part of a person's self. The best, most precious, most beautiful parts. So essentially, these wishes are splintered off pieces of human souls.

So when Magnifico goes and does this:

Notice how Sakina looks drained, clutches her heart, slumps over and reels in agony? That's not "feeling sad for a little bit" - that's her experiencing a piece of herself getting killed. It's a temporary murder, yes, but she's left feeling a quarter less alive after having her wish, that magically protected piece of her soul, shattered. She later says "My heart knows this feeling. This is grief." A connection to her late husband isn't spoken aloud, but that's how she "knows the feeling" of grief. She's paralleling losing this part of her own self to losing her dear husband. Because both instances involve the loss of life.

Later on, we get this moment:

To forge his scepter, Magnifico crushes the wishes of three citizens specifically selected because they'd been questioning him earlier. While it takes until after the wishes break for these people to feel the despair and emptiness inside them created by the loss, the wishes themselves are visibly in pain as they're getting broken. Because, as fragmented shards of human souls, they're semi-sentient. They're alive. They sense. They feel. Splintered off shards of a larger whole, getting disintegrated for their energy that goes inside of Magnifico.

We later see that with his scepter and dark arts mastery, Magnifico doesn't even need crush wishes to kill them. He can just drain them.

Like the Dragon Balls after wishes for Shenron have been used up.

So to clarify: after discovering what power the wishes held and how alike such power and the Star's was, Magnifico's endgame was to ingest whole parts of his subjects' souls and leave them in that disspirited, grief-stricken, miserable and only partially alive state while he used his hot new evil magic, plus the magical stardust power of Star added to it, to bind them all down so they remain on the soil of his kingdom (now with a perpetually dark, cloudy sky hanging over them) and he may oppress them with an iron fist forevermore as his magic bindings plus the brokenness of their souls from the consumed wishes pretty much gradually drain the life energy out of them, to keep their lives and all proceedings in Rosas tightly controlled, all for his own personal gratification and pleasure. Institutional and magical power enhanced = institutional and magical power retained, making him stronger, more glorious and majestic than ever. That is a man who wants to play God, Savior, and Provider for the sake of endlessly feeding his ego, everyone else be damned, and if that doesn't make him a true villain, I don't know what does.

Fortunately, Magnifico did not count on the united spirits of the masses awakening within them the celestial stardust that, according to this movie, forms the whole of a living being's internal essence - heart, soul, and mind included. Their combined magical stardust power reaches Star, whose own magical stardust power activating in tandem with their hearts revitalizes and revives all the dead wishes.

A resolution so fantastical as to be nonsensical? Completely! But hey, that's just the power of Disney and modern fairy tales for you!

Hmm. When I really stop and think about it, it strikes me: the wishes are like Wish itself! In the film's development it had a soul, but thanks to King Magnifico higher corporate management and studio notes, that soul got repeatedly fractured and scattered into what we got, rendering the film less alive and less magical than it should've been.

[xjulixred45x]

I was working on the requests but I remembered a conversation I had with my sister the other day about an interesting topic,

How Nakaba WASTED THE GOLDEN OPORTUNITY of using Morgana Le Fay as the VILLAIN of 4kota(Even if it's cliché)

and it could have been implemented much earlier!! After all, in the Arthurian legends, Morgana is Arthur's half-sister, she could have participated in NNT as an ally who little by little went to the dark side (like Cassandra from Tangled but without a happy ending).

Imagine this, Morgana was just born to Uther Pendragon, having a great ability for magic, but he decided that she could not inherit his throne for x or y reason (being a woman, some profession, being a daughter out of wedlock) and sent her away to Avalon, where She lives her entire life away from her father's influence, but with great resentment towards him for having pushed her away (maybe even killing her mother too?) so she hones her magic with the fairies and wizards of Avalon.

So time passes and Morgana becomes a very strong magician, but she learns from others that her younger half-brother, Arthur, has just pulled the sword from the stone, and that he will be crowned king of Camelot.

NOW, Morgana would like to believe that her hatred is only reserved for Uther, so she goes to Camelot as soon as possible and the whole way she doesn't stop thinking about all this: how long has it been since she went to Camelot? What is her younger brother like? Is he like his-their- father? Although in general I think that Morgana did not want Arthur to be alone running the kingdom, whatever it was, he was her brother after all.

I think Arthur wouldn't even know he had a sister until shortly before Morgana arrived, like "oh by the way, your sister is coming to visit, your half-sister from the king" and Arthur would obviously be nervous about Morgana rejecting him but VERY EXCITED once he hears that she is a powerful mage.

And when do they meet? It's like putting a black cat with an orange cat, but surprisingly they would get along, at first.

Arthur would take Morgana as an advisory figure as she was more in contact with the political environment and helped him adapt to the royal environment, they shared tricks for fights, etc. Everything seems to be going smoothly, they both get along well.

Arthur has a STABLE and loving figure who is willing to teach him and be a family figure at the same time. and Morgana has someone who listens to her and makes her feel important.

but during the series the problems begin.

As the series progresses and Arthur becomes stronger and more mature, Morgana feels that the hatred she had towards Uther is no longer enough, as she begins to doubt whether or not she should love Arthur as HE is her replacement for a "proper heir", yes, she knows that's fucked up to think like that, but on the other hand, is it really wrong if it's your birthright?

and Morgana may have had these moments of weakness where she questioned her recently found platonic love for Arthur and her former bitterness with the Pendragons, having her ups and downs.

She loves Arthur, but she's also very recent about what her father did, and she's trying SO hard not to let it affect him.

But that's not the only thing that pushes her to the limit.

Let's say when the holy war begins, Morgana has a thousand and one doubts about her place in the world and then Arthur DIES.

and what's worse! When he revives, she realizes what Merlin wants to do with him.

(It would be especially horrible if Morgana and Merlin end up having a relationship as friends or as a pupil and teacher themselves).

Morgana pleads, BEGGS, Arthur not to trust what Merlin tells him, that what she wants him to do will not be for the greater good, but for her own benefit and Arthur is confused.

On one hand he wants to believe that after everything he's been through with Morgana she wouldn't lie to him, but Merlin is the closest thing he has to a mother...and the baby is very confused about what to do.

and here two possible endings and how Morgana reappeared in 4Kota:

1- STICKED TO THE CANON:

Arthur ends up bringing chaos, realizing that Morgana was telling the truth, Camelot is destroyed (maybe even Avalon too?) and that makes Morgana lose faith in wanting to help Arthur and the deadly sins, since THEY were the ones who brought that destruction to HIS HOME, and decides to do what has to be done.

which means that a plot begins against the Monarchies, especially against Liones and the Demonic kingdom, seeing them as the main causes of the destruction of Camelot (Meliodas and Zeldris), at the same time that he would try by all means to usurp Arthur's throne. . Even if he tries to make her reconsider.

(good alternative, Sunshine Arthur with wife Guinevere but that has some congruence in the canonical story, but I have a better one:)

2: FUCK THE CANON

Morgana applies a Cassandra from Tangled and obtains chaos instead of Arthur, becoming an antagonist who, although she helps defeat the demon king and so on, at the end of the conflict becomes a full-fledged villain.

having been devalued and pushed aside her entire life NOW even by her brother, and finally having the power to have what rightfully belongs to her makes Morgana very power-hungry. At the same time, Arthur would be having a lot of regret for not having believed his sister at the time and wants to redeem her, but it is difficult when Morgana begins her sale to all those who do not follow her to her "new Camelot."

Arthur here would not have Chaos but he would have Escalibur, which would be his advantage against Morgana in a certain way. although she is working on a "bastard sword" to change that.

Arthur is still a cinnamon roll, only with trauma and above all WITHOUT THE CHAOS, so he thinks things through better and is not corrupted.

Morgana, on the other hand, suffers a great mental decline due to Chaos, but she disguises it under the face of a smiling Queen.

Can you imagine if she created a Mordred from Chaos? ☠️ she says he is her son but trains him so that he can face Arthur and win the crown for her (because Morgana knows she couldn't handle all the allies Arthur has in this reality).

or she just wants to make Mordred do her dirty work because deep down she still loves his little brother...

(it would be especially creepy if said Mordred is similar in appearance to both her and Arthur ☠️ as if she wants a child, but also a version of Arthur that if he had listened to her and joined her...)

anyway...what do you think?

regardless of that, FUCK YOU NAKABAAAAAA!!