#unreliable narrator billy

[phantom-z0ne]

"Billy wasn't sure what the creature ransacking his train car was.” Alternatively, Billy feeds a stray and ends up with a roommate.

WC: 1215

Serendipity (n): the occurrence and development of events by chance in a happy or beneficial way.

Billy wasn't sure what the creature ransacking his train car was. Granted, the train car wasn't in the most hidden place ever, but he had made sure to ward it against most creatures. The ward would have made one unable to see the train, and if they somehow saw it anyways, they would have been turned around. He usually was pinged if anything passed his wards, which was why he was so blindsided to see something moving around in his train car. It seemed that this one had slipped through his protections. 

The creature was strange and almost hard to look at directly. Its blinding white hair moved independent from the wind and twined around its long, pointed, mint colored ears. It was also small, small enough that Billy thought it could comfortably fit into his cupped hands, and wearing some sort of skin tight suit, black with a stripe of silver along its torso. Or what appeared to be its torso, Billy couldn't really tell when its lower body faded into a long tail.

From his perspective, it seemed to be rummaging through where he usually hides his food, showing slivers of its white paws. Did it pass through the barriers he set because it was hungry? 

Billy approached the creature quietly, making sure not to get too close, he wouldn't want to startle it. His efforts were in vain though as the creature snapped its head towards him. It's glowing eyes like headlights, as if staring into Billy’s soul. The green in its eyes swirling hypnotically as the creature bristled at his presence. 

Billy watched, amused but vigilant, as the creature puffed up like a cat. Even going so far as to swat a couple times in his direction. So far, it was quite harmless, but the buzzing in the back of his head that he usually equated to Solomon told him to be careful.

Billy slowly dropped to his knees, mindful of the creature's reaction, and shifted his bag to his front. He shuffled through his bag and brought out the small piece of jerky he was saving for later, sliding it slowly towards the creature.

The creature tilted its head, staring at the jerky suspiciously before taking a few steps to paw at it. It apparently passed its test as it devoured the jerky surprisingly fast for its small size. While it seemed to be starving, thankfully it didn't reflect onto its body. It wasn't gaunt or thin, but actually quite plump. Perhaps it just didn't eat for a day or two? 

Billy took a small step forward, then a few more when he realized the creature was focused on eating. “So,” He began softly, the creature startling as if it was just realizing he was so close. “What are you doing here, little guy?”

It stared at him silently before once again tilting its head. It was cute, Billy realized. The chubby cheeks and button nose paired with big, shiny eyes made it endearing to look at. His expression melted slightly as he took a closer look at the creature.

The creature's ear flicked as it padded up to him, paws on Billy’s knees. It let out an unintelligible sound, layered and harsh to Billy's ear, yet somehow melodious. Billy blinked, not expecting that noise. The creature looked at him almost expectantly, eyes shining brightly.

Billy hesitantly brought his knuckles closer to the creature, feeling its cold nose as it sniffed him. It was clearly unimpressed and trilled for more food. Billy chuckled under his breath as he brought another piece of jerky to the needy creature. It gobbled it up swiftly, looking up at him and once again begging for more, its eyes almost sparkling.

Billy folded under the cuteness overload and retrieved a sandwich from his bag, splitting it in half. He was worried that it would eat more than it could handle if he kept feeding it. He knew very well what that felt like.

The creature blinked at him, once, twice, before giving him a small, pleasant trill and headbutted his fingers. Billy cautiously set his hand over its silky hair? Fur? All he knew was that it felt divine, though not in the godly way. 

“What are you?” Billy asked as he wove his fingers through its hair, genuinely curious on what species the creature was. He had inputted a lot of creatures in his ward but he had no clue what this one was. The tingling at the back of his head spoke otherwise, Solomon knowing very well what it was. He could transform and ask Solomon, since he couldn't really speak to him unless he was Captain Marvel, but that would just scare the creature.

It gave him a look before resuming its lunch, finishing it in record time. Apparently, it deigned him worthy of its presence on his lap as it kneaded his legs then curled up onto them. The purring surprised him, pausing when the creature gave him an impatient look when he halted his ministrations on its hair.

He resumed, of course. Why wouldn't he? It was a nice reprieve from fighting villains as Captain Marvel and watching out for himself when he was on the streets. It was just a quiet moment between him and the strange creature that broke into his home. 

…He hadn't realized how lonely he was before this. 

He had friends, of course. Freddy, Tawky Tawny, and the Justice League. But… this just wasn't the same. As good as a friend Freddy was, he doubted that he would be willing to just sit and enjoy each other's company silently. Freddy was a huge superhero fan and couldn't help but talk about them in excitement. Not to mention his analyses on Billy’s techniques as Captain Marvel.

The Justice League wasn't any better. They had a professional relationship, thinking of him more as a coworker than a friend. The times he tried to deepen their friendship by inviting them out, he was unfortunately turned down. It seemed that they got along better when they were in battle than not.

Billy usually went to Tawky Tawny for advice, but Tawky Tawny never turned down the opportunity to just spend time in the other’s company. Unfortunately, those times were far and few between, usually because Tawky Tawny was traveling or busy with something else. 

With this creature— he’d have to name it eventually, Billy thought absently—all that was expected of him was companionship, nothing more.

Billy felt a cool paw pat his face, the creature looking up at him concerned. His eyes widened before he let out a huff, ruffling its hair. The creature let out a disgruntled chuff and phased through his hands then batted at them, settling down once more on his lap once it was done. 

It hadn't been with him long, all he had done was give it some food, and it was already trying to comfort him. Admittedly, it wasn't the best comfort, it stopped once he focused on it, but it wasn't something he expected from a creature he met not an hour ago.

Billy smiled, eyes soft. Perhaps it could stay, if only for a while.

Whipped this up in a couple hours while trying to get out of my funk 

Thanks for reading!!

Ao3

[r3dblccd]

Me before watching Chicago (2002) when I discovered WBRFTG and it became one of my favourite songs and I was listening to it without context: OH YES OH YES OH YES THEY BOTH OH YES THEY BOTH OH YES THEY BOTH REACHED FOR THE GUN THE GUN THE GUN THE GUN

Me after actually watching the movie: Wait a minute... I've been bamboozled

[randomnameless]

Glancing at something on Ao3 -

What kind of feelings Jerry was supposed to evoke, actually?

FE16 pushes the player - through Billy - to consider Jerry as a good parent, because it plays with the red herring about the evil lizard lady being evil.

And yet, even with all of his misgivings about his kid, Jerry is still the one who calls Flamey's bullshit and wonders if running away from GM wasn't the stupidest decision he ever made, just before kicking the bucket.

Being the cheap copy of the Ike'n'Greil relationship, Jerry's presence and death is supposed to be important to Billy - even in Tru Piss where they look pissed at seeing Emile and working with Uncle'n'pals.

And yet, unlike what we learn about Greil being the chadest amongst chads with 1 (one!) blackspot to his record, whenever you talk to characters about Jerry you're met with... less than rosy thoughts, even if the characters apparently handwave it away.

Let it be with Leonie, or even Alois, Billy learns that their dad wasn't the chadest of chads like Greil, but a drunkard (before Citrus' death, since Alois was a kid!) who apparently played dangerous games with people who idolised him, left his kid alone to be showered with praise by Leonie's village as he dealt with bandits, and left bar tabs all around the continent for his "apprentices" to pay.

Come the "journal" where, imo, we learn that dude was so afraid of his baby not being "normal" than he ran away from the odd lady who saved them "a long time" ago and who's pretty much not normal himself, and the place where his own wife, who displayed - partly - the same "abnormality" as their baby grew up and lived.

Then Nopes happened and did a number on poor Jerry - from mocking their kid's potential aspirations at being something else than a sword for hire, to their singing (done to cheer him up!) and actually learning he at times apparently let them go without food while he never invited them to the "thank you" parties throwns by the people his company saved...

Billy still loves their dad, but is he a good dad by any means?

With all that knowledge, after playing both FE16 and Nopes, can we really feel upset when Jerry kicks the bucket? For Billy maybe, because Jerry is important for them, but does it has the same echo as Greil's death, or even, to remain in Fodlan, Rodrigue's?

I guess if in Nopes, Jerry acted on his heel-face turn (or suddenly growing a brain) from his penultimate FE16 dialogue, we could have had a character growing beyond the red herring and the "unreliable narrator" stuff FE16's first part gave us, and maybe make for a more grounded-complete character, like confessing that he panicked after Citrus' death and worried for Billy, but regrets not being able to bring them the best life they dreamt of, and willing to apologise and let Billy grow in the same environment Citrus did.

Or maybe even explore what Jerry did in 300 years, if he never bothered to wonder why the fuck was he living to be as old as the elites, or his thoughts and feelings about Rhea periodically using hairdye to pretend to be someone else and "aging" even less than him...

Given how - or maybe i'm tainted by the fandom - FE16 thrived on the playerbase feeling characters/situation "relatable" from a doylist pov, I guess Jerry running away with bby!Billy because they weren't "normal" wasn't as weird as it sounds, babies should rightfully have a beating heart!

Bernie is a hikkikomori (forget the part where she's supposed to be the heir of one of the most important lands in Adrestia which would rightfully make her father disappointed with her (lbr, Greg would either have tried to get another kid with Bernie's mom, or got a second wife/bastard, or picked a branch member of his house to take his succession), Linhardt falls asleep and doesn't want to do his job as the next minister of Finances/whatever his dad does and prefers to hyperfocus on academic research ? How lol (please ignore the implications of House Hervring's heir being, uh, not interested in whatever his father does and how he is supposed to inherit his job (at least before Supreme Leader starts her war and pulls out her "reforms")).

Between the brackets are the first arguments that come to mind, if we consider the world those characters live in, aka Watsonian wise.

Jerry is worried about his baby's heart not beating and them not being normal? Jerry, you're not "normal" per Fodlan's standards yourself, you're over 300! Your wife had the same difficulties to emote than your kid and she might or not have had the same "heart not beating" syndrome given how it's her own heart that was transplanted in your kid

You know that what is "normal" for regular humans in Fodlan do not apply to you, your wife or your boss who oddly looks like your wife. So why was that argument even considered when you decided to run away and condemn your child to a life of "sword for hire" and danger at each day ending with a -y ?

IDK, it's as if, in BK, Kalas' bro, born without wings - which is an oddity since apparently everyone is born with some in this verse - finds Kalas weird for only having "one wing" and not two like everyone. It would be the pot calling the keetle back (but since BK is a game with coherent writing, this never happened).

Jerry runs away with the baby because the baby isn't normal despite the midwife assuring everyone they are?

Legit

300 yo Jerry runs away with the baby because the baby has the same condition as their mother despite the "immortal lady who saved his life" assuring him the baby is alright?

WTF

So, in the end, what are we supposed to think of Jerry?

Was he a character who made the best situation out of the shitty cards he was handed regarding their kid?

Or a character who swallowed an idiot plot ball to play with the doylist red herring, made errors but ultimately saw the light before being Clownya'd?

Or, given his supports and Nopes, a shitty character whose only redeeming point is to be Billy's dad, and who receives a lot of leeway by virtue of being Billy's dad by the writing team (given two fans) and the first game being from Billy's POV?

[ask-mark-stuff]

Billy, what do u think of lettuce mark

Aw! This reminds me of the time we ate lettuce for lunch! Don't u remember that, Mark?

..Uhh yeah.

[thomastair]

so i have a question that i think it's interesting but do you think camila was completely selfless during the hotel scene with daisy?. Don't get me wrong, i think camila cared about daisy but also i think she was trying to make her stay away from her husband because there was a huge part of her that was afraid of billy loving daisy and being stupid enough to leave his family for her. That doesn't take away from camila being a genuine person but i think there was a little bit of malice in her actions (understandable, she's human) and a part of her was trying to push daisy away from billy because she knew there was something really strong there that she couldn't hold back. Also her keeping daisy's number but not sharing it was a huge giveaway because i think deep down, she lowkey knew that daisy was always going to be really important for billy

camila is the hardest character to get an accurate picture of because every character is telling her daughter the best version of her recently deceased mother. none of them want to tarnish her memory Especially daisy and billy when they talk about anything between the two of them. if she acted completely selflessly in the hotel room scene then she’d be the most unrealistic character of all time tbh. she’s protecting her family against someone she perceives as a threat at the end of the day, however i think because she’s so empathetic and has experience with addiction she’s able to tell daisy what she needs to hear. there’s also always the chance that she said something to daisy in that moment that daisy wouldn’t want to tell julia. the number thing i think is less jealousy and more to do with the fact that billy probably wanted to never talk to or mention daisy in the aftermath of the band splitting because at that point theres no reason for camila to think he’s going to leave her she’s absolutely secure with the knowledge that he’d give up anything for her

[mzannthropy]

Something felt off to me about that scene where Billy and Daisy are arguing after the press conference and now I know what: nobody argues with faces that close together. Cheap, soap opera style drama. I'm going with it being a misremembered memory.

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[banditllanura]

Before Techland were working on parkour and zombies! they made an amazing Fps western cult classic!

[pincushionx]

BOOK OF BILL SPOILERS

One thing I like the most about Bill is that he’s an unreliable narrator. He’s a liar

His dimension is flat but he can see 3d. In the show he claims that everything was flat. Flat minds, flat dreams and that he “liberated” his world. Which we know now was him destroying it. This paints him as a cold killer but yet in the book it is stated he misses home and can’t return but that he’s happy, but that he’s a lair. (Stated by axolotl, a being older and more powerful than him)in the book, it also states that everyone loved him in his dimension but that may also be a lie. He may have been ostracized and looked down on for his mutation, except we know his mother loved him. Him wanting to show what he saw to his race led to him burning down his dimension. It was an accident I believe, that there was no malicious intent , just him wanting to show others what he saw. He wanted to show them the stars. But he went too far. think he caused a some sort of rift that sort of just decimated his dimension or his powers going haywire and reduced it to atoms. It’s stated he was left covered in blood.

I’m pretty sure he’s blocking memories. I think the trauma of destroying his dimension left him cold and allowed him and his morals become skewed.He only became worse as he traveled realms and into the nightmare realm and became obsessed with chaos. He and his awful being and it’s good that he’s locked away in therapy prison.

I like that’s he’s a crazy irredeemable person with such tragic backstory. I’m curious about his history and what led him to be the way that he is. He’s trillions years old so who knows what else he been through. I doubt he’s always been this all powerful dream demon. I think he’s tries to paint himself as this being who was always evil but I don’t think he was like that. (He literally blacks out when he thinks about it too much, it’s easier to lie and say it was on purpose and that he’s just evil)

Yes he’s Bill Cipher, a dream demon no one should trust but once he was just Billy who liked his sandwiches with no crust.

[bokettochild]

Ketto's Whumptober 2024 Prompt Master List

No. 1: RACE AGAINST THE CLOCK - Kit & Violet (r by localicecreambiter)

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES - Warriors (anon)

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE - Legend & Sky (requested by notadragon)

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS - Legend &/or Warriors (anon)

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED - Legend (requested by tiredkiwilol)

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES - Time (FD) & Wind (requested by chuchujellybean)

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION - Hyrule (requested by starwolfie)

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD - Legend (also tiredkiwilol)

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE - Four (requested by mermain123)

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION - Wild

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY - Wild & Four

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA - Wind (requested by mermain123)

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS - Wild (requested by zips-quips)

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO - Wind (theoneeyedgoldenwolf)

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE - Sky (requested by icy-hot-0111)

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL - Twilight (r by toyouhellohowareyou)

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST - Warriors (requested by aeghina)

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR - Wind & Four (requested by tritailed-shenanigans)

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES - Hyrule (requested by mermain123)

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE - Time (requested by boingobeepis)

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING - Wild (requested by abbycrashing)

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY - Twilight & Warriors (mermain123 again :3)

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES - Legend (requested by mermain123)

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS - Twilight has a Violet Incident (requested by zips-quips)

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY - Wind & Legend & Warriors (because I want to!)

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

-

Feel free to send in requests for this year! Any relationships (barring romantic) are optional, and you can give as much or as little detail for what you'd like to see as you like! And if the prompt you wanted is already claimed, no worries! I AM capable of whumping multiple boys at once >:)

(NOTE: I can see your requests best in the post replies, asks WILL most likely get lost in the slew of my askbox!!!!!)

Alternatives List:

Body Swap - Four and Wind (tritailed-shenanigans)

Communication Barrier

Finding Old Messages - Wild (requested by zips-quips)

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

[runraerun]

**NOW WITH ART! (Everyone go shower @stervrucht with love & reblogs because she is a treasure to this fandom and her generosity knows no bounds🖤thank-you bestie!)

AO3 | WC: 7.8k | Rated: E | CW: Internalized homophobia, references to the death of a parent, lots of swearing and general vulgarity from the both of them. Drug usage. Discussions of trading sex acts for drugs. Billy being an asshole but hey what’s new. | Tags: ADHD Eddie Munson, Semi-closeted Eddie, Fully-closeted Billy, One-Sided Steddie (or is it? We don’t know because of unreliable narrator reasons) Bully Billy Hargrove, Bullied Eddie Munson, Coming In Pants, Dry Humping, Eddie calls Billy ‘m’lord’ in here god help him, Happy Ending, some angst sprinkled throughout, but overall quite fluffy.

(Title is inspired by a song of the same name by Chromeo.)

Summary:

“I’ll cut you a deal, Munson,” Billy says, his icy-pop blue eyes and dark lashes illuminated by the end of his stolen cigarette. “I’ll let you have something. Y’know, as payment.”

But pretty as Billy is, Eddie’s no sucker. “I don’t do trades either.”

“You’re gonna wanna hear this trade.” Billy exhales a cloud of white smoke between them.

Eddie doubts it, but the sooner he hears it the sooner he can shoot it down. “Spit it out then.”

Billy Hargrove stands there, half-smirk on his face, hips tilted forward. Like he’s God’s fucking gift. “I’ll let you suck my dick.”

And that.

Well.

Eddie isn’t exactly sure what he was expecting but it sure as hell isn’t that. 

Or, Billy tries to pay for drugs by offering to let Eddie blow him.

Of all the mugs Eddie expects to see in his neck of the woods, the one attached to Billy Hargrove, resident bad boy slash heartthrob with a notoriously short fuse and a mean right hook, is not one of ‘em.

The fact that he’s alone isn’t much of a comfort, but it’s… well, it’s something. It means if Billy’s planning on jumping him and stealing his stash, then at least Eddie’s got a shot at running and actually getting away with all his teeth intact.

Eddie sucks back on his cigarette, grateful he has something to do with his fidgeting hands as he eyes Hargrove’s approach. Tries his best to keep still—something he’s always been absolute dog shit at. Even as a little kid. They tossed words at him like Attention Deficit Disorder and Hyperactivity ’til the cows came home. Never changed anything, though. Mom always just called it ants in his pants. For Uncle Wayne, it was worms up his butt. All said in love, of course. Eddie was ant and worm-free, far as he knew. Just had a lot of energy is all. And a lot to say too. That isn’t a crime! But right now, under Billy Hargrove’s slow approach, he tries his damndest to get all his ants and his worms to settle down. No sudden moves in front of ticking time bombs.

“You’re Munson, right?” Hargrove asks in a low, slightly nasally voice. He’s stopped a few feet from the picnic table that Eddie’s perched on, his canister of goodies sitting unassumingly beside him.

Eddie fights his nerves—bulldozes over them, more like, and smiles wide, holding out his arms in a display of showmanship. “The one and only.”

Billy scoffs as his eyes travel around the clearing. Doesn’t seem too impressed by the ol’ Munson razzle-dazzle. “You alone out here?” he asks, eyes finally returning to Eddie’s.

Eddie shifts, leaning forward slightly—literally on edge. Why the hell did he have to say that so fucking ominously? “I was ‘til you showed up,” Eddie answers.

Billy hums noncommittally and doesn’t even try to hide the way he’s looking Eddie up and down. Sizing him up. Double-checking to make sure Eddie’s not a threat, maybe. Eddie fights the urge to duck his head and pull his shoulders in to assure Billy that he isn’t one. He’s a lover, not a fighter. In theory, anyway.

“Now what can I do for you on this fine evening, Mr. Hargrove? I don’t keep everything on me…“ Eddie trails off before he continues, “But I got anything you’d want.”

Billy snorts, “Yeah, I’ll bet.”

“You’re from Cali, right? I got weed from there. Stuff that tastes like blueberries,” Eddie leans forward and bounces his brows, “I got some shrooms from the coast too that could even knock someone like you on your ass. So, what’re you into, Hargrove? What’s your poison?”

Billy’s got an amused look on his face. He’s smirking, but no part of it’s warm or welcoming. It sets Eddie even further on edge than he already had been. “You sure know a lot about me.”

Eddie shrugs, feigning innocence. He takes another pull from his cigarette. “It’s a small town; people talk. Especially around people like me. Y’know, the kinda people who don’t matter in the grand scheme of things. And you, Billy Hargrove, you’re, well…”

Eddie bites his tongue before he continues to embarrass himself. Clears his throat instead, tries to think of something not entirely stupid to say, but the words rush around his noggin so quickly that he can’t seem to catch and pin down any one of ‘em.

The forest floor crunches under the sole of Billy’s heavy black boots as he takes a slow, purposeful step forward. “I’m what, freak?”

Eddie swallows. Feels the hair on the back of his neck stand. Jesus, does this guy ever blink? Fucking blue-eyed people and their zombie stares…

He smiles despite his nerves. Then, with a tilt of his head, he answers. “You’re hard to miss.”

It’s grounds to get punched, Eddie knows. Innocent as the comment is, Eddie’s been hit for less. Shit, he got shoved into a locker for looking too long that one time in middle school. Spent the whole fucking lunch break with no one but his ripe gym socks to keep him company. So yeah, maybe Eddie’s a little jumpy around jocks like Billy Hargrove who look like they could fold Eddie into a pretzel without breaking a sweat.

Billy doesn’t look like he’s gearing up to punch Eddie, though. Not yet anyway. He just looks sort of… amused.

It’s getting late. The sun’s low in the sky, and every few seconds it catches on Billy’s earring or his chain, both temporarily blinding him. Eddie doesn’t let his eyes wander, though. He’s got enough self-discipline for that at least.

“I’ll take some of that blueberry kush,” Billy finally says, checking over his shoulder one last time before he flicks his head towards Eddie. “But I don’t got any money. Not until Monday. I’ll have to owe you.”

“Sorry pal,” Eddie leans back, palms against the flat of the picnic tabletop. He blows the smoke from his cigarette up towards the sky. “I don’t do I.O.U’s.”

The air shifts between them. Eddie can feel it. The blue-eyed zombie stare darkens, and Billy takes another step forward until his hip nearly knocks up against one of Eddie’s bent legs. “What? You don’t think I’m good for it, pal?”

“I don’t know you, man,” Eddie mutters around his cigarette, shifting uncomfortably. He always hates this part of the job. He’s been a punching bag on and off for most of his life, but that doesn’t mean he’s gotta like it.

“You just went on and on about how you did.” Billy spits, and Eddie flinches as it hits his cheek. He doesn’t dare raise a hand to swipe it off though, lest it be interpreted as a move to strike.

“Look, I can hold it for you until Monday, but that’s the best I can do.” Eddie offers, but it’s not enough. He knows it’s not even close to enough. Guys like Hargrove aren’t used to being told no.

“C’mon man, there’s gotta be some deal you can cut me. I just wanna have a good fucking night. You can understand that, can’t you, Munson?” Billy asks, his voice going soft. Smooth. Breathy.

And even though his insides are fucking liquifying in real time as he does it, Eddie shakes his head, his long hair curtaining his face as he does. “Can’t do it, man.”

“Well, maybe I’ll just beat the shit out of you and take your shit anyway, huh? How about that?” Billy asks, his bottom lip caught between especially sharp-looking teeth. Eddie looks up, his dark eyes lock onto Billy’s salt-water blue ones. Stormy fucking seas. Eddie sure as hell doesn’t want to get beat up tonight, but if he starts cutting deals and giving special treatment to everyone who threatens him he’d be intimidated right out of business. And he needs the cash. Can’t leave all the bills to Uncle Wayne.

Before Eddie can think up a clever answer, Billy’s got his head thrown back, and he’s cackling. “Shit, I’m fucking with you, dude. Put that face away. I swear, no one in this fucking town can take a goddamn joke.”

Eddie doesn’t bother defending himself, just takes his cigarette from his mouth, knocks off the ash and gives a shaky exhale before putting it back between his lips. He barely starts in on his next inhale when the damn thing is plucked out of his mouth.

Lightening fast. Eddie hadn’t even seen his hands—but there was his cigarette, half-smoked, between Billy’s lips. Eddie feels his face heat at the idea of Billy’s mouth being where his own was, just a second before.

“Ha ha,” Eddie mutters, his eyes narrowing. He’s feeling somewhat brave, despite feeling distinctly like a mouse that’s being battered by a cat's paw. “Very cute.”

Billy tips his head, accepting the comment as if it were a compliment. He doesn’t give Eddie his dart back though—the guy just keeps smoking it with a swarmy fucking grin on his tanned, well-proportioned face.

Because the truth is that Billy is easy on the eyes. Nice to look at. It’s entirely counteracted by the fact that the longer you look at that aforementioned face the higher your chances are of getting a knuckle sandwich sent hurtling your way… but Eddie’s still got functioning eyeballs. He can see that Billy’s… well. Beautiful.

In a weird way, though. Like how Eddie pictures the elves from Middle Earth might look.

Fucking ethereal and shit.

“I’ll cut you a deal, Munson,” Billy says, blue eyes and dark lashes illuminated by the cherry of that stolen cigarette. “I’ll let you have something. Y’know, as payment.”

But pretty as Billy is, Eddie’s no sucker. “I don’t do trades either.”

“You’re gonna wanna hear this trade.” Billy exhales a cloud of white between them.

Eddie doubts it, but the sooner he hears it the sooner he can shoot it down. “Spit it out then.” He sighs.

But Billy doesn’t ‘spit it out’. Instead, he shifts weight from foot to foot, looking suddenly agitated again. Billy sniffs and scratches his nose with the nail of his thumb. Like he’s tweaking. Eddie waits him out. Curiosity officially piqued.

Finally, after doing his little dance, Billy leans forward, wetting his bottom lip with his tongue. “I’ll let you suck my dick.”

And that.

Well.

Eddie wasn’t exactly sure what he was expecting but it sure as hell wasn’t that.

The shock is written all over Eddie’s face, he’s sure. He’s never been good at concealing his emotions—an open book, his mom called him. Shit liar, is what his dad called him. Either way, he knows the surprise of what Billy’s offered up plays across his face by the way Billy’s eyes dance around it, looking pleased.

“What?” Eddie squeaks out, face suddenly on fire.

“You heard me,” Billy snaps, “I ain’t sayin’ it again.”

Eddie blinks, looks away from Billy Hargrove’s icey freeze-pop eyes. It’s no easy task. “You’ll let me…?”

Eddie motions towards the crotch of Billy’s exceptionally tight jeans. Jeans that leave very little to the imagination, Eddie might add.

Billy grins, his pink tongue caught between his teeth as he leans back, jutting his hips out a little.

“I’ll let you,” he confirms. Standing there like he’s God’s fucking gift.

Though he’s got very little air left in his lungs, Eddie gives a weak scoff. “Shouldn’t this be the other way around?”

And for the first time tonight, Eddie does feel at risk of being sucker punched. Billy’s eyes flare, and just like that his beauty melts into something ugly. Like a spell is cast over him—beauty to beast. “I’m no cock-sucker.” He spits out.

In a show of surrender, Eddie raises his hands. “I didn’t say you were. I just—usually when someone is offering sexual favors it’s… Y’know what? Whatever. Doesn’t matter. I’m not—I don’t trade in pleasures of the flesh, ‘kay? That’s not what I’m doing here, Hargrove. It’s cash only.”

But Billy’s either got a hearing problem or a comprehension problem because he rolls his eyes and just keeps on bartering. “Fine, I’ll give you a handjob. After my blow job.”

Now. Eddie isn’t a prude. In fact, he’s probably something of a pervert if his porno of choice is any indication of that, but this—with Billy?

Eddie’s spent this entire interaction scared fucking stiff, and now Billy’s offering to go and get him into an even more vulnerable position—with Eddie’s pants literally around his ankles?

“No.” Eddie aggressively shakes his head, sending his curls in motion. No no no. Fuck no. As hot as Billy is—no. The decision is final. Take it or leave it, Eddie thinks stubbornly. Heels successfully dug in.

Billy sighs through his nose, takes a step back and chuckles dryly to himself. “I know you’re a queer, Munson. Don’t—!” Billy snaps, pointing a finger in Eddie’s face when he dares open his mouth to deny it, “don’t fucking lie to me.

Eddie swallows, promptly shutting the fuck up.

Is he really that obvious…?

Billy continues, “I know you’re a queer. I saw the way you used to look at Harrington, back when we were all in school together. Gym class,” Billy leans forward, back in Eddie’s space, their shared cigarette bouncing between them as he speaks, “the showers. Remember?”

It’s been a year since Hargrove and Harrington both leap-frogged him out of Hawkins High, diplomas in tow. A full year, but apparently Billy’s got a fucking photographic memory. Eddie feels his t-shirt stick to his back, slick with sweat. “Whatever, man. It’s not a crime to look.”

“It is in this shit hole of a town,” Billy chuckles, dark and humourless, “so you get it now? I know you like dick. And I like pot. So, let’s work something out, here, Munson.”

Billy claps his hands together between them, loud and jarring. “Time’s a’wastin’, amigo!”

Jesus this guy…

“Even if I did like dick,” Eddie tilts his head and scrunches his nose, “it doesn’t mean I want your dick, Hargrove.”

“A dick’s a dick, man. And trust me, I got a nice, big fat one for you to choke on, trust me, you’ll love it,” Billy laughs as he speaks, watching in amusement as Eddie rubs a hand over his heated, blotchy face. “C’mon, you’ve sucked cock before, right?”

The simple answer is yeah, a couple of times. Every time it ended pretty much the same though. With him being shoved off after they’d finished. Being told they weren’t gay, that if Eddie were to ever tell anyone about the encounter they would deny it, call Eddie a liar, or worse, beat the shit out of him.

He’s not a dummy; Eddie knows being queer in Hawkins is a risk, so it made sense to want to keep it hush-hush. Eddie’s the rumoured gay kid, so if you’re gonna experiment with someone, why not let it be with him? But after a handful of times being treated like trash—something people needed to wash their hands in Javex from after simply touching him—he stopped. It didn’t feel good.

“You don’t gotta answer. I already know you have.” Billy mutters, smug. “Mouth like that.”

There’s no way Billy knows, but Eddie ducks his head, tired of how this entire fucking conversation has him feeling like he wants to crawl out of his skin. Tired of how the darker the sky gets, the brighter Billy’s eyes seem to turn.

And what the fuck’s wrong with Eddie’s mouth..?

“Cash only,” Eddie repeats. Monotone. Suddenly overstimulated as fuck.

Billy finally pulls the last bit that he can from the cigarette, down to the butt, before he flicks the remains of it into the grass. He gives one final, frustrated exhale of smoke. “Fine. Jesus, Munson, you drive one hell of a bargain. But I’ll sweeten the deal for you, alright?”

“Jesus, Hargrove, are your ears not working? Or did you get hit one too many times with the basketball during your jock days? I said I’m not interested. In your cock or your hand or whatever else you try and offer up.” Eddie exclaims, voice going high with strain.

But it’s like the more worked up Eddie gets, the more Billy wags his fucking tail. He’s all lit up, shiny white teeth built for puncturing. He gets back to crowding Eddie—Eddie, who’s one hair’s breadth away from raising his hands and shoving this smug asshole away from him, not caring if he gets his ass kicked as a consequence, but then Billy’s talking again. And Eddie… Eddie’s listening.

“We could kiss a little,” Billy drawls out, angling his mouth towards Eddie’s ear. He lets his voice drop to a low rumble, his words vibrating in that wide chest of his. It sends a chill down Eddie’s spine. “Y’know, make out. You got a van, right? Nice and private. You’d like that.”

Eddie turns his head towards Billy, so close they’re nearly touching each other. His mouth hangs open, slack, but Eddie can’t get a fucking word out. His whole fucking life, all he’s ever heard is ‘Jesus, does this kid have an off switch?’ ‘Eddie, give mommy’s ears a break, please,’ ‘Eddie is very disruptive in class with his constant chatting’. And now he can’t make a single goddamn sound!

Billy, on the other hand, seems entirely pleased at rendering the great motor-mouth-Munson to a mute. “I’m a good kisser, too.” He adds, eyes dropping down to Eddie’s mouth. Like he’s gonna do it right here and now. Eddie’s throat clicks when he swallows.

The embarrassing part is that, well—Except his Mom and his Meemaw and his weird cousin that one time, he’s never… y’know. Been kissed.

Sucked cock? Sure, yeah. That ship has sailed. Sayo-fuckin’-nara.

But kissing? On the mouth? Romantically? It hasn’t happened for Eddie yet. Not that any of what Billy’s propositioning here is in any way romantic, of course, but…

Eddie watches as Billy darts a pink tongue out between his lips, wetting them so that they glisten. Jesus Christ. How can he say no to that? Rules or no, Eddie’s only fucking human. Does he not bleed if he’s cut? Does he not get hard if he’s presented with an absolute fucking smoke show like Billy Hargrove offering to make out with him? All for the low low price of his dignity and a couple of ounces?

“You… actually want to?” Eddie frowns, counter to the nervous smile that’s pulling at the corners of his mouth.

Billy clicks his tongue and shrugs a shoulder, eyes scanning the horizon for like, the hundredth time. “What I want is for you to cut me a deal. That’s enough, ain’t it?”

No, is Eddie’s knee-jerk answer. It’s not enough. Not even close. But, maybe the first kiss fantasy he’s got built up in his head wasn’t ever gonna happen. Especially not for someone like Eddie. He’s probably lucky. Billy’s hot. Willing. And Eddie’s… well, there’s not exactly anyone lining up at Eddie’s front door for the pleasure of his company, let’s just say that.

He feels himself nodding before his brain has even had a chance to catch up. “Yeah. Fine. Okay.”

“Yeah?” Billy grins, canines flashing, “Guess I should’ve started with the chick stuff first, huh?”

Chick stuff? Eddie makes a face. Suddenly emboldened, he shoves a hand against Billy’s shoulder, which just makes him laugh harder. “Don’t be a shithead, Hargrove, or deal’s off. Got it? I’ll walk, I swear to Christ!”

Billy doesn’t agree nor does he disagree, he just leers after Eddie like a fucking bonafied weirdo. And as someone who’s all but cornered the market on being a bonafide weirdo, that’s saying something. He hops off the picnic table, scooping up his lunch box of goodies as he does, not daring to turn his back on Hargrove. “I’m parked just through here.”

Eddie starts towards his van, stealing glances over at Billy as he trudges on after him, only a step behind. Just enough to make Eddie nervous. “Don’t you have like, a job?”

“Two of ‘em, actually.” Billy answers, hands stuffed into his pockets. “Why?”

“How do you not have any cash on you?” Eddie asks, blunt as always.

Billy stiffens, just a little. “That’s none of your business, Munson.”

Eddie raises his hands in yet another mock surrender, “sure, whatever. Remain a man of mystery, I don’t care.”

Just seems stupid, is all. Billy must be fucking terrible with money. Probably spends it all on his obnoxiously loud car. Eddie doesn’t voice any of his many theories though. Billy’s covered in live wires, and Eddie’s not overly eager to start touching and testing ‘em.

The woods aren’t especially dense, but it’s new growth—the old forest chopped down a few decades back and left to grow back all weedy and skinny. There’s lots of branches to duck under along with dirt holes to roll your ankles in. Eddie knows his pathway like the back of his hand by this point, but Billy; not so much. There’s a bundle of eye level branches that always used to smack Eddie in the face when he was focused on his footing, so he makes sure to turn and holds the offending branches back for Billy so he doesn’t totally eat it.

Thinking back, maybe it’s a weird thing to do for another guy, but Eddie’s radar for what’s weird and what isn’t has been busted since he first got cut out of his mom. Always difficult, even back then.

So yeah, Eddie doesn’t get a thank you, or whatever—instead Billy just eyes him with an air of suspicion as he ducks under Eddie’s arm. Like he’s waiting for Eddie to let the branches go or something. Who knows.

Either way, it’s the last great hurdle before they’re back at Eddie’s van, which is right where he left her; parked in the middle of the small gravel lot behind the watershed. Nobody came back here, especially not at night.

His hands shake when he takes out his keys, feeling Billy’s eyes on him. Briefly wonders what kind of mess was waiting for them in the back, but whatever. It’s not like Billy’s expecting The Ritz.

He gets the doors unlocked, and because he’s a gentleman, he holds the door open for his hook-up.

Despite his nerves rattling around under his skin, Eddie gives a little flourish for good measure, holding out an arm for Billy to take. “After you, m’lord.”

Billy scoffs, blue eyes rolling back in his head. And as dim as the light is, Eddie swears he can see two pink spots form on the apples of Billy’s cheeks. He counts it for a win.

“You’re so fuckin’ weird.” Billy mutters as he crawls into the back of Eddie’s van, pointedly ignoring Eddie’s offered arm, the whole thing shifting with the heft of him.

“Wow, y’know what, Hargrove, I had never heard that one before.” Eddie says, hot on Billy’s heels. He swings the door shut behind him.

The back of Eddie’s van is pretty spartan, but only because he’d just finished using it to lug a shit ton of gear to and from a Corroded Coffin gig. What’s left behind is a couple of ratty blankets, some old sweaters, a scattering of sheet music and some candy bar wrappers. It could be neater, but overall it’s not terrible.

Billy sits with his back to one side of the van, his legs spread, knees bent. He sits like a man. One used to taking up room and not apologizing for it. Eddie backs himself up against the opposite wall of the van’s interior, knees bent to his chest, legs crossing at his ankles. There’s not much light back here, but Eddie’s eyes adjust quickly to spot Billy’s agitated-looking face.

“Well?” Mr. California barks, one of his legs begins bouncing restlessly. It shakes the whole van.

Eddie swallows, “well?”

“Where’s the weed?” Billy asks.

Oh.

Right. Wake up, Munson.

Eddie scrambles to get his feet back under him before he squeezes his upper half into the front of the van, reaching into the glove box to grab a baggie.

“Here y’go.” Eddie winces as he pulls himself back through. He sits on bent legs, closer to Billy now. He bestows upon him the sacred sandwich baggy of goods. “Premium blueberry kush, 100% indica. So it’ll mellow you right out. Not that you need to chill out, of course, but, y’know. It should, in theory, help with that scary vein you get in your forehead sometimes.”

Billy glares at Eddie as he swipes the bag out of his hands, the scary vein threatening to make an appearance right there and now. He turns that glare toward the bundles of dried herbs.

“You got a bong or a pipe or somethin’?” Billy mumbles.

“Duh,” Eddie scoffs, breathing entirely too hard, “Why?”

“What’d’ya mean, ‘why?’ To smoke this shit with.” Billy gives the baggy a few vicious shakes in front of Eddie’s face.

Eddie feels his eyes cross as he follows the weed. “Right now?”

“Unless you feel like rollin’ it.” Billy shrugs, sounding like his already thin patience is beginning to wear even thinner.

“No—uh, I just thought you’d wanna smoke at home or whatever.” Not with Eddie.

A crease forms between Billy’s eyebrows as he frowns. “What, you don’t wanna smoke with me, Munson?”

Eddie snorts, shakes his head, “hey, I’ll smoke with anyone—“

“Then shut the fuck up and get the bong already!” Billy shouts, fuse burnt down to the quick.

And if there’s one thing about Eddie, is he responds well to yelling. Or, not well, per se, but shouting always seems to snap him out of whatever fog he’s in. It works on him. So, yeah, he responds. Jumps to attention. His mom used to have to snap her fingers in front of his face to ‘bring him back’, she said. No one else seems to bother with that sort of gentle touch with Eddie though, except Uncle Wayne, but he usually just gives Eddie’s hair a tussle instead of a snap.

So back to the front he goes, sliding the keys into the ignition and starting the old girl up while he’s there so that they’ve got some music to fill the silence. And if memory serves him correctly, Billy’s got pretty decent taste, music-wise.

When he sits back down, bong in hand.

“Ta-da!” Eddie sings, holding the contraption up by the neck to Billy in victory, careful not to tip it over. Billy looks entirely unimpressed as he grabs it out of Eddie’s hand and slots it between his thighs.

Lucky bong.

Billy starts grinding up some pieces between his fingers and packing the bowl with a familiarity that Eddie can respect.

Technically, it’s still Eddie’s weed that Billy’s prepping, since he hasn’t exactly gotten payment for the pot yet, but… maybe Billy needs the vapour courage before he can face the idea of kissing another dude. Of kissing Eddie.

Eddie watches from behind the hair he’d let fall in his face as Billy lights the bowl, inhales, and takes a hit. It’s sort of pretty, the way he slowly exhales the smoke out of the side of his mouth. Away from Eddie.

Then the bong is being pressed into his hands. Eddie’s turn.

He takes a rip, then another one once Billy’s taken another hit of his own, and that’s all it takes for the both of ‘em to get laid out on their asses. They end up flat on their backs, the round part of their shoulders touching, both staring up at the ceiling of the van, with rolled-up sweaters and blankets under their heads in the way of makeshift pillows. They’re the kind of high where time feels like it’s barely moving. Something made up. A concept. Like there’s a very real possibility that Eddie and Billy have been lying here for an eternity, and then some.

And Eddie still hasn’t gotten any kisses from Billy.

But he also hasn’t gotten any punches by Billy either, so there’s that…

“You ever seen the ocean, Munson?” Billy murmurs in a voice that’s gone a little rough thanks to all the smoke still floating around the van. Now successfully hot-boxed. Drawing out their high.

Eddie’s arms feel heavy. “No.”

Billy turns his neck to look at Eddie like he’s re-evaluating his idea of him paired with this new, disappointing information. Eddie turns his head away from Billy, just a little, feeling weirdly embarrassed. “Never even left the state.”

Small town, trailer trash… that’s probably what Billy thinks of him. Billy, who’s been everywhere. Especially compared to Eddie. He expects to get laughed at, but Billy keeps surprising Eddie. He just looks… bummed out.

“You’d probably hate it,” Billy states, sure of himself, eyes dancing across Eddie’s face. “You’d burn right fuckin’ quick. Get sand all up in your shorts. D’you even know how to swim?”

“A little.” Eddie means to say defensively, but it comes out as little more than a sigh.

“Not in waves, though, I bet. You’d end up swallowing your weight in seawater before I hauled your ass out,” Billy’s smiling at the strange little fantasy where Eddie’s tormented by the elements. Eddie’s giggling along too, though he’s entirely unsure as to why.

“A crab might even,” lighting fast, Billy reaches over to punch the barely-there roll on Eddie’s stomach, “get’chya.”

Eddie yelps—or maybe he squeals. He can’t be sure. Either way, whatever sound he lets out isn’t in any way charming or cute. Which; no surprise there. Instinctually, his hand’s gone and encircled itself around Billy’s wrist, but he’s too fucking blitzed out to do more than just squeeze it, trying to appear threatening. Sort of tough when you can’t stop fucking giggling. “Stop, stop—I’m gonna piss myself, dude.”

Billy’s got his tongue caught between his teeth, laughing along, low and rough in his throat, but to his credit (and probably a desire not to be covered in piss) he releases his hold on Eddie’s stomach.

They settle back on their backs, one Metallica track leading into another. It’s the only way Eddie can be sure the clocks haven’t all stopped entirely. Proof the passage of time is still in working order. He exhales in relief, staring at Billy’s profile.

For someone so fucking scary, he’s got deceptively cute features. An honest-to-Christ button nose, along with some ridiculously long eyelashes. Golden ringlets fall around his face. Freckles too, all over his cheeks. Even a Cupid’s bow. When Billy fell from heaven, he didn’t hit like, a single ugly branch on his way down.

Eddie blinks before his brain catches up with what he’s looking at; Billy, staring back at him. When did Billy turn his head? How long have their eyes been locked? A second? A year? Time’s fucking with him so hard, Jesus…

“M’not really an outdoorsy kinda guy.” Eddie admits, unable to keep from smiling.

Because of the weed.

Billy gives a lazy snort as if what Eddie had just said was the understatement of the year. “That’s weird, because you kinda look like a bug.”

It shouldn’t make him laugh as hard as it does, but Eddie feels the rumble of it in his chest, and he can’t help but let out a series of very unflattering sounding laughs. Billy’s not laughing along, but he seems entirely entertained by Eddie’s fucking display.

When he finally catches his breath, Eddie indignantly squeaks out, “How do I look like a bug?”

“Because,” Billy flicks his chin towards Eddie’s face, teasing half-smile still firmly in place, “you got them big buggy eyes.”

Eddie blows a low-energy strawberry, rolling his eyes before they land back on Billy. Can’t seem to take his eyes off of him for long. “I’ll have you know that my ‘big buggy eyes’ are my best feature.”

Billy narrows his eyes, clearly amused. “You think so?”

“I know so. It’s what everyone tells me.” Eddie widens his eyes to drive the point home.

Everyone being his mom when she was still alive, and… well, just his mom. But she was a real smart lady. And like, super pretty. A total knock-out. She knew about this sort of thing. He remembers how she used to go on and on about his big brown puppy-dog eyes, about how they’d break hearts one day. And no one, especially not Billy Hargrove, can take that away from him. Even if it is something all moms say to their funny-looking kids.

“Well, everyone’s lying to you,” Billy says, in that casually cruel way of his.

Eddie drops his jaw in an exaggerated show of the offense. “Is that so?”

“Yep,” Billy confirms, smug. A true blue asshole; through and through. “Your best feature’s your lips, no question.”

And. Well, no one’s ever said anything about his lips before. Not his mom, not his hook-ups—no one.

They’re just… lips. Not especially big or small. Kind of right in the middle. They’re even kinda chapped right now.

“Gee, thanks.” He murmurs, from lips that Billy Hargrove apparently approves of. Maybe even likes. His fingers twitch at his sides, palms growing sweaty.

Billy just looks away, like Eddie’s caught him doing something wrong. Caught him being nice. Guess it probably hurts the ol’ bad boy image to compliment other boy’s lips. Eddie resists the urge to raise one of his hands and feel along the ridges of his mouth, to map ‘em out. Try and figure out what Billy likes about them enough to say it out loud. He’s buzzing with the compliment.

“So, you still want… y’know, payment or whatever?” Billy asks, keeping his words to little more than a low murmur between them.

The song playing through the speakers stops—a brief pause before it leads into the next one. It’s deathly quiet in those tense few seconds.

Eddie doesn’t answer Billy right away. He can’t. So instead, he just… lets the questions hang between them. Because the thing is, God help him, he does. And yeah, maybe he didn’t plan on his first kiss being with big bad Billy Hargrove—maybe instead of golden curls and freckles Eddie had envisioned dark, fluffy hair and a splattering of moles. Big brown bedroom eyes instead of sharp, icy blue ones. Either way, he’s way out of his depth. Out of his league. In fact, Eddie should be on his hands and knees thanking Billy for even considering sucking face with a guy like him. He should be psyched. And he is!

Fuck, this weed is making it hard to keep his thoughts linear. He stares back at Billy, realizing suddenly that he’s been waiting for an answer to his question.

“Nothing is ever free, Hargrove,” Eddie answers, cryptic, even to his own ears, “you should know that.”

Because it’s the truth, isn’t it? Nobody just does shit out of the goodness of their hearts. Everyone expects something in return. Everyone’s gotta pay the piper. And if something seems too good to be true, then it probably is. So yeah, Eddie gives what he can, but he also takes what he can get. Same as Billy, Eddie suspects.

Billy’s got a real perplexed sort of look on his face. Golden and tan, even in the cold, sterile light of night. His eyes momentarily dart to Eddie’s lips, just for a split second. But split second or no, Eddie’d caught it. The tiny motion sends his beat-up little dime-store heart all a’flutter. Billy likes these lips.

“Close your eyes,” Billy tells him, voice cigarette rough.

Eddie does it, trying to keep his breathing even. Shallow, so he doesn’t puff hot air in Billy’s face when he approaches. His hands lay limply by his sides, with his hair splayed around his like some expanding ink blot on the floor of his van.

He has the sudden and quite frankly embarrassing image of Snow White lying dead in her glass coffin, pale-skinned and raven-haired, waiting for a kiss of her own.

It’s so stupid that he ends up snorting.

“What? You think this is funny, Munson?” Billy growls, voice sounding like it’s still to the right of him, but that he’s propped up on an elbow or something.

Eddie shakes his head, keeping his eyes closed. A smile tugs at one of the corners of his mouth, totally beyond his control. “No, no, it’s stupid. I. Just—fuck. Sorry. Forget I did that.”

“If you think this is stupid, then I can go. I don’t need this shit—“

”No! Stop—“ Eddie reaches out and grabs the front of Billy’s shirt, his eyes popping open in panic. “You’re not stupid—I’m… shit, you’re gonna laugh.”

“Just tell me, shithead.” Billy snaps, face getting more and more red as his temper rises.

“Fine. Jesus.” Eddie squirms under the intensity of Billy’s gaze. All hard edges and intimidation now. Eddie’s only had the Billy that tickles him and tells him nice things about his lips for a fucking millisecond, but he already misses him.

“I’ve never kissed anyone before, alright?” He blurts out, quick like a bandaid.

And with that, Billy’s eyes go a little funny. The icey shards in his eyes melt back to tumultuous waters. “Seriously?”

“No, dude, I’m lying about being a total loser with no game.” Eddie snorts, emboldened by his buzzing high.

Billy frowns, “Aren’t you like, two years older than me?”

“Look, I had opportunities, okay? But mostly… It was, y’know. With girls. Pretty ones, too!” his brows shoot up, attempting to emphasize the point, “but I just… I never wanted to.”

Billy’s stone-still while he listens. Looking like he’s hanging off every word that Eddie’s stumbling over.

“So, you can’t even fake it?” He asks.

Eddie blinks, suddenly lost. “Fake what?”

“Liking chicks.” He answers quickly.

“Nah,” Eddie huffs out a laugh and shakes his head, “I’m a shitty liar.”

“Poor bastard.” Billy mumbles, mostly to himself. Then he clicks his tongue, “That’s a real tough break, amigo.”

Eddie’s shoulders twitch. “I get by.”

A corner of Billy’s mouth turns down and he tilts his head like he’s allowing Eddie some small, indiscernible mercy.

“I just feel bad,” Billy says, low and smooth, “you starting at the very top like this. Everyone else after me is gonna feel like a major fuckin’ letdown.”

Eddie snorts, looking up at Billy, who’s got himself propped up on an elbow and is sort of hovering above him. “Big talk, Hargrove.”

Canines flash. “Well I got a big game, Munson.”

“You’re a real cocky b—” Eddie’s words are smushed back into his mouth when Billy suddenly leans forward and presses his lips against Eddie’s.

Billy’s got a hand against Eddie’s neck, the pad of his thumb against the edge of his jaw, tilting his face up just so. Eddie can hear his heart thundering in his chest, white noise overtaking For Whom the Bell Tolls.

His first kiss.

It’s warm and soft. Drier than he expected it would be. The stubble of Billy’s moustache scrapes against his upper lip, sending shockwaves up and down Eddie’s spine. Billy smells like cologne. Or maybe that’s aftershave—he can’t tell. Eddie fills his lungs with it, breathing deeply through his nose.

The thumb resting against Eddie’s jaw begins stroking along his cheek. Delicately. Like Eddie’s something fragile. Precious, even. He’s gone all tingly everywhere Billy touches him—like magic.

It’s about this time that Billy parts his lips, sliding a tongue along the seam of Eddie’s mouth, gentle prodding—like he’s looking for a weak point. Somewhere to gain entry.

Or maybe he just wanted to taste Eddie’s lips.

Hey, can’t a guy dream?

Billy shifts his weight, further encroaching into Eddie’s personal space, his broad shoulders caging over top of Eddie’s narrower ones. Then Billy raises a leg and swings it over before letting his hips drop over top of Eddie’s own. It’s like touching a fucking live wire. He can’t help the way he reflexively gasps and bucks up into the solid bulk above him. And sweet Jesus Mary and Joseph… he’s rock fucking hard in his jeans. When did that happen?

Flood gates open. Billy—clearly emboldened by the discovery of what he’s doing to Eddie’s body—deepens their kiss by sticking his tongue down Eddie’s throat. The sensation is weird as hell—Eddie’s only ever had his own tongue in his mouth, but there Billy’s is, swirling around, dipping in and out as the sound of their smacking lips fills the van, harmonizing with Hammett‘s insane, face-melting guitar solo.

There are teeth involved now too; Billy’s biting Eddie’s lower lip and pulling, stopping right before it gets painful. It brings sounds out of Eddie that he’d never heard himself make before. Didn’t even know that he could make. All breathy and moany. Maybe he should be embarrassed about how loud he’s progressively getting, but it’s hard to think straight when Billy’s slowly grinding his hips down against his. And Billy’s—fuck, Billy’s hard too. That’s gotta be what that is, right? Jesus H. Christ…

Their hips move in tandem now, the same way their tongues seem to. It’s like Eddie’s body just knows what to do. It’s fucking incredible. He’s never been naturally good at anything in his life. Nothing comes easily to Eddie Munson. Every talent he’s got has been hard-fought, earned through blood, sweat and tears.

But this… Eddie might actually be kinda good at this.

Or maybe Billy’s just a really good teacher.

He’s a cocky asshole, but Eddie fears he might have been serious about everyone else being a letdown after him. Because how the hell is anyone else going to compare to this? To Billy Hargrove. Mr. California King. Eddie could swear he’s glowing right now—like Billy’s spent so much time laid out in the sunlight that a couple of rays got trapped just underneath his skin. Dude can’t help but shine.

Yeah, he’ll be a tough act to follow.

But that’s another Eddie’s problem. Future Eddie. Meanwhile, the here and now Eddie, is getting kissed. He’s got Billy’s big arms wrapped around him, like Eddie’s somehow worth something to someone like him.

Down south, there’s just the right amount of pressure on his denim-trapped dick. He can feel the line of Billy’s own cock bump against his own when he pushes hard enough. He could fucking weep. It’s almost too much—too good. Too perfect. What’s he gonna do with himself now that he knows he could be doing this? God, how’s he ever gonna jerk off when this—when Billy… oh fuck-!

His orgasm hits him like a goddamn freight train. The switch on his brain had gone off and it didn’t even have the courtesy of letting him know!

Eddie’s jaw drops open, mid-kiss, and he pants—moans—into Billy’s mouth. His hips go stiff, stuck in its lifted position, trying to drive upwards into Billy as hard as he can. He can feel himself shake all over as the waves crash over him, one after the other in quick succession, nearly whiting out his vision. He shuts his eyes as he finally comes down on the other side of it, releasing a choked-sounding exhale.

He goes limp. Boneless. Buzzing and tingling and vibrating all over. Waits for the feeling of mortification to overtake him. It should be here in 3… 2…

“Did you just…?” Billy asks, lifting his own hips to examine the scene of the crime. Eddie imagines the wet spot steadily growing on the front of his jeans, a little off to the left, is pretty hard to miss.

“Holy shit, you did,” Billy chuckles, slightly awed sounding, “you just creamed your fuckin’ pants.”

Eddie whimpers. The sharp contrast of absolute bone-deep humiliation paired with the fluttery, intensely content feeling he's still got working its way through his nervous system is enough to make his head spin.

“Sorry.” Eddie blinks his eyes open.

Eddie didn’t think it was possible for Billy to look any more smug than he did before, but somehow, he’s achieving the impossible.

“Don’t be,” Billy insists, a chuckle still at the edge of his words. He grunts a little as he rolls off of Eddie and drops down onto his back. Taking up his previous position of laying shoulder to shoulder next to each other. “I take it as a compliment.”

It’s kinda sweet of him. Because what happened was embarrassing. No two ways about it. Shooting off like that, like Eddie’s some horn dog who can’t control himself?

But, well, if the boot fits…

Billy reaches down and roughly adjusts himself before sitting up. Gentle touches all used up for Eddie, apparently. Then he lifts his ass just enough that he can slide a hand behind him to retrieve a crumpled-looking box of Marlboro reds. Shakily, Eddie sits up too, engaging muscles that still feel jello-like.

Billy knocks out a cigarette and puts it between his lips. Then he knocks out a second one, and without asking, puts it in Eddie’s mouth. Billy leans forward, and Eddie mirrors him—still just trying to keep up—moving until the ends of their cigarettes line up. Billy ignites his lighter, temporarily blinding them both, but he holds it in front of them, and they inhale in tandem.

Smoke fills Eddie’s lungs. The familiar, soothing burn in his throat makes him feel a little more solid. Present. It makes what just happened all the more bewildering.

They smoke in silence.

Well, except for the music from his cassette still humming from the speakers. Billy mumbles something about loving a certain drum solo, but other than that, it’s crickets. It goes on like this until their cigarettes are half their original size and Eddie finally grows a pair.

“What about you?” He murmurs around his dart.

Billy exhales a stream of smoke out of his nose, looking like a sick ass dragon before he answers, “What about me?”

Eddie flicks his chin towards Billy’s general direction. “You wanna get off too?”

Billy just snorts and shakes his head, like Eddie had said something prosperous. “Nah.”

A pit forms in the center of Eddie’s gut. Souring any of the leftover post-nut happy chemicals that were still rolling around his noggin. That sting of rejection. The knowledge that Billy doesn’t actually want someone like Eddie touching him. Like Billy’s itching to go take a shower and wash all the Eddie-cooties off of him, before heading back to his actual life. Like being with Eddie is something embarrassing. It’s a sinking fucking feeling, one he knows no post-high buzz or cigarette is going to touch. Sometimes Eddie forgets that he’s just a detour. Never anyone’s destination point.

“Maybe next time.” Billy mumbles, so low that Eddie almost misses it entirely. He finishes his cigarette before stuffing the butt of it into one of the many makeshift ashtrays Eddie’s got kicking around back here. Then he starts making his way to the back doors, slipping out into the Indiana night.

Next time.

The words echo in Eddie’s head. Bounce off the walls, does couple of cartwheels, spins. The letters get all scrambled up before he’s able to make sense of them.

Next time.

“Pleasure doing business with you, California.” Eddie hollers out a split second before Billy can close the door.

A half-smile forms on that Cupid’s bow-tipped mouth. Pretty as a picture. How did Eddie never notice before? And how’s he supposed to think about anything else?

“See you around, Eddie.” He purrs, knows exactly what he’s doing, Eddie’s sure of it—then slams the door shut between them. He’s engulfed in darkness again. His eyes are back to their unadjusted state, while specks of nothing flit across his blackened vision. He gnaws on his bottom lip to keep the laugh that’s threatening to bubble up from his chest at bay.

Next time.

—

Permanent Tag List: (dm me if you’d like to be added or removed—OR if you’d only like to be tagged for specific ships. ie, ONLY Steddie or ONLY Harringrove, etc.)

@stervrucht @dame-zoom-a-lot @lawrencebshoggoth @morallyundefined @thepossummoldypasta @wheneverfeasible @sanctumdemunson @chaotic-waffle @bookworm0690 @lifelessstar

[shmowder]

In case you missed it, Game Rant did an interview with Nikolay Dybowski about Pathologic 3. Here is the link for it.

And here are the bits that stood out the most to me:

Q: The non-linearity of time and how it will be related to the nature of the Town are also core story components. How did this affect design and direction?

A: Connecting non-linear time with a long, narrative-heavy story that involves many characters and cause-and-effect chains would be extremely difficult. We focused on what the player feels in the moment rather than on gathering information in the right order. The latter approach works well in shorter formats like Her Story or 12 Minutes, but in Pathologic, it would be overwhelming.

We wanted players to feel like “everything, everywhere, all at once”—similar to Billy Pilgrim in Slaughterhouse-Five. Different versions of reality coexist simultaneously, creating a “quantum” feeling for the player. Look at the time travel mechanic as an opportunity to correct mistakes, or even to make deliberate mistakes in order to unlock new paths and ideas. It is like a "sanctioned save scum."

-

Q: Conversely, how will it (Pathologic 3) connect to and consider the events and characters in Pathologic 2?

A: Consider it as two subjective retellings of the same events. This is the same Town, the same twelve days, the same participants and events that occurred in the Haruspex’s story. But this is a different perspective. Like two witnesses recounting the same event in Rashomon, the stories vary greatly, each focusing on different details. Finally, we always give our heroes the right to make honest mistakes, forget, and even lie. Every narrator is an unreliable narrator.

-

Q: How did Pathologic’s previous philosophical explorations help inform or play into the narrative and themes here?

A: Everything we now see as true and valuable, we’ve kept. Everything we’ve outgrown, like childhood clothes, we either reimagined and reinterpreted to give these ideas new meaning, or let go of them. After all, we’ve grown a lot (hopefully, along with the industry). When I first conceived Pathologic, I was 21 and completely alone. Now I’m 47, surrounded by incredibly talented people who enrich this universe as much as I do, and that makes a difference.

We’ve kept the idea of the tragedy of utopian projects. We kept the idea that the plague is a voice of the natural order—one that the thinking human mind cannot accept—and that it has its own truth. We retained the belief that evil cannot be defeated with its own tools or outplayed on its field; yet it can be defeated realistically in a different, orthogonal way. In another dimension.

-

Q: It’s mentioned that the Bachelor is searching for an immortal man in Pathologic 3. Can you say if this is in reference to Mark Immortell?

A: No, there’s no connection between Simon Kain (one of the town’s rulers) and Mark Immortell (the director of the town theater). Mark is a clown. He awkwardly mimics Simon, parodying him, which is why he takes on this pseudonym. He's fully aware that he’s a jester, and the gesture itself is ironic.

-

Q: What do you hope players will take away most from Pathologic 3?

A: The hope that humanity remains a promising and capable species.

-

Also, new game pictures and screenshots dropped:

(some are old ones I forgot to post)

[shelbyshaper-art]

Bill has proven himself to be an unreliable narrator in the book, right? So why are we taking his childhood story at face value?

My theory is that no, he was not beloved by all, but feared. Imagine a child having strange mutations and dimension shattering powers. His world was probably terrified of him.

But his parents, they weren’t afraid of him, no they loved him. They sang him songs and told him he was special despite his funny little eye, said that there was a holiday just for him. They worked overtime to make sure that no one could tell him otherwise.

They probably didn’t realize what his motives for the “liberation” were and ask “why did you do it?” Even beyond the grave. They loved him so much and protected him from so many.

So why did you do it, Billy?

And they’ll probably never know, he did it for them.

[ask-mark-stuff]

mark have you ever heard of an insane asylum???

Not really-

I have! It's a place where crazy people go, Mark. There they get isolated from the outside world and lose touch with everyone they used to know. Making sure they will die sad and alone.

That sounds..horrible!

Don't worry, silly! It's just to protect us from those people! You don't have to worry about anything...unless you're crazy?

I'm not!

That's good! Now go, you promised me you'd draw today! :)

..Did I? I don't...remember it-

Oh Mark, I think you're starting to become crazy. Perhaps you need to be there too.

What!?! NO!-

(Camera suddenly cuts off)

[basilthesnakingthing]

I love how the book of bill turns Letting The Triangle Into Your Dimension into more of a moral dilemma than it was in the show, or even Journal 3. “To Bill this is only a game, but to us, it would mean the end of the world.” Except that actually, to Bill it’s his home, and it’s the ragtag gang of scrappy orphan rascals that he took charge of, gave purpose to, and became the protector/leader of, and all of their lives at stake. He tried to brush it off, but it seems like he genuinely feels responsible for them. They’re scared. Of course, they’re still criminals. If you did let them in, they would wreck your home and end/ruin lots of people’s lives, and that would be wrong. But just leaving them to die feels messed up.

I love that the book humanizes Bill without trying to convince you that anything he did wasn’t as bad as we thought. (Well, Bill is constantly trying to tell you that, but we’re all very well aware that he’s an unreliable narrator.) But he doesn’t know how the Edge of the Nightmare Realm came about. He gets defensive. (this was touched on in weirdmageddon, but I don’t see nearly enough people talking about how he can’t take what he dishes.) He’s not some master manipulator who knows you inside and out, better than you could ever know yourself or him, he just scans some of your memories for some stuff you might care about and runs with it. The only reason it worked so well with Ford was because they already had similar trauma and compatible personalities. I honestly think that if Bill had just told the truth about the true purpose of the portal that they would have been great friends. Ford -knowing what would happen this time- wouldn’t have ever tried to build the portal, but he would help Bill problem-solve to find a way to not be eaten by the Edge. Bill could get him all the information, and the context, and the what the living there was like without ever getting interdimensional travel involved, because you know he could, and then nothing bad would’ve happened, and how it really went was fucking tragic.

I love that we get even more psychological horror journal pages, even more intense than Journal 3 had. And I love that it shows us that Bill made a mistake and the consequences of it were so traumatic that his memories of that day are repressed. He’s just . . a guy. Who has too much power how ill adjusted he is.

But I am deeply annoyed at how Bill all but told us that his relationship to Ford was romantic in nature. I maintain that Ford never thought of Bill in a romantic way, because he is aroace. It’s very clear in the show, but especially in Journal 3. Anyone who tells you otherwise either has no reading comprehension skills or is retconning something. But I can’t deny that Bill clearly outlined how he would court someone, and that he has done those things to Ford. Can I pretend that was just him screwing with us because he knew we would come to that conclusion? *deep dramatic sigh* Probably not because of how how he acted when he was drunk. To yoose guys this is delightful, I know, but to me all the stuff above that I said I did like were enough to make this a fascinating dynamic. The romance part is just kind of there. All inconveniently. Making it feel less interesting and meaningful.

Will definitely do an essay on what the book of Bill implies about Billy’s home world at some point. Might make a comic about The Good Timeline where Bill was honest to begin with.

[suzukiblu]

currently having EMOTIONS abt your 'Billy adopts kon and it goes p good actually'. Billy's there just like oh man I'm rambling they're gonna think I'm so lame...meanwhile I as a reader (and presumably also Kon and possibly the other characters present??) are actually going 'oh my god. oh my god he's known Kon for like one singular minute and already arranged a flat according to his best predictions of Kon's needs/wants, gave Kon FIRST PICK OF BEDROOM, and has freely offered to learn how to cook AND how to drive for the sole purpose of taking better care of Kon'. like. oh my god. oh my god. Billy is so precious and I want to give him a hug. I hope Kon isn't too overwhelmed or suspicious due to Billy's enthusiasm tho lmao. (pls could there be..more? more Billy adopts kon, if possible?) anyway I love ur writing. thank you. idk how to ask from a sidelong but this is tryingahandinholdingapen btw :D

I gotchu, friend, lol. @tryingahandinholdingapen But yeah I love a good unreliable narrator, one way or the other it's just so fun peppering in all the bits of "the actual situation that the narrator is oblivious to", hahaha.

Rich people are weird, Billy decides, then sets the swiss rolls and zebra cakes and rest of the strawberry shortcakes on the counter in case Kid Flash is still hungry or Superboy wants any of them and closes the pantry. Batman’s just doing his best, he guesses. Though Billy hopes he knows how to coupon, if he’s always buying brand-name. 

Well, he’s Batman. It’d be weirder if he didn’t know how to coupon, Billy figures.

It looks like Superboy ate all of his snack cake while Billy and Kid Flash were in the pantry, at least, which Billy hopes means he liked it. He doesn’t know how much real food Superboy’s had, but Batman’d said he should be fine eating solid stuff and not just whatever he’d been getting in his cloning pod. Though Billy’d still asked if they could get some bottled smoothies and protein shakes and stuff like that to keep in the fridge, just in case. He figured those might be easier for him to eat and digest, if it came up. Or like, maybe appeal to him more, if nothing else? 

Billy has no idea, honestly, he’s just doing his best here. The wisdom of Solomon is pretty useful but it’s not really, like, that much of a parenting guide. 

He is not going to cut Superboy in half. Like, ever. Like he understands the idea of that story but also it is an insane and incredibly freaky story and he is just not invoking it, ever. Just no way.

“If it’s alright, Captain, we should get going. We’ve got a bit of a drive to get home,” Mrs. West says, then sighs as Kid Flash empties the boxes of swiss rolls and zebra cakes in lightning-fast succession, though he leaves the strawberry shortcakes alone. Billy checks in the fridge and offers him a couple of the more filling smoothies–peanut butter and banana should be more filling, anyway, even with a speedster’s appetite. He steals those from convenience stores sometimes, when he can. He can’t be Captain Marvel all the time. 

Well–maybe he could, he guesses. But he does miss being himself, sometimes.

“Thanks, man,” Kid Flash says eagerly, then immediately shotguns both smoothies. 

“Wally,” Mr. West says in exasperation as Mrs. West sighs again. “Don’t eat Captain Marvel out of house and home.” 

“It’s okay, we’ve got lots of food!” Billy promises cheerfully. “I work with Flash, I know how hungry he gets. I bet it’s way worse when you still have growth spurts to get through.” 

“It is so much worse,” Kid Flash mutters vehemently, eyeing the empty smoothie bottles in his hands accusingly. Billy gets him another peanut butter banana one on principle. He really doesn’t want Kid Flash to be that hungry. It’s . . . not a good feeling. 

“We appreciate it, Captain, really, but we’ve got snacks and a cooler in the car,” Mrs. West says. 

“Oh, good,” Billy says, relieved. Mr. and Mrs. West both give him strange, inscrutable looks, then glance back to Superboy. Billy wonders if he likes peanut butter banana smoothies. Though if he liked the snack cakes, there’s strawberry banana ones too, so that might be better? And strawberry kiwi, but that’s probably less filling. “Superboy, do you want a smoothie too?” 

“No,” Superboy says. Billy pauses again, then gets him a strawberry banana one and tosses it over. Superboy catches it, eyes it, and then opens it and takes a sip.

Okay, Billy thinks he’s getting the hang of this. But also they should probably talk about how “no” needs to actually mean “no”. Like, for Superboy he’s sure it’s just like that phase when toddlers want to say “no” to everything no matter what, but it’s still important for him to understand. Billy doesn’t want to accidentally upset him or overstep because Superboy doesn’t know how to really say “no” to something.

Yeah, they definitely need to talk about that, he decides.