#unrelated though the mention is mostly for my future reference | Explore Tumblr posts and blogs

yutzen · 2 months ago

Text

A Quick Biological Primer on Subterraneum Citizens

(From the archives again, this time more a lorefile than a story. But I would prefer to rescue this one quickly for the sake of clarity in the future. I will be linking back here often.)

So, if you've been following me for any length of time, been keeping up with certain writing prompt accounts, or generally just stumbled onto the things I've been writing that have the Subterraneum_(Yutzen), you may have a variety of questions. Mostly ones like "the fuck's an Ifchi".

In the interest of giving folks and also myself a reference for the more appearance-based or species-related questions, and keeping track of general biology and capacities, here's a quick (by my standards) primer on each of the Subterraneum's major sentient species. Arranged in no particular order, with names (formal and very informal), basic measures and some elaboration on their looks, anatomy and more esoteric capacities, if any are involved. I will get to elaboration on their nations' actual setups on some other primer in the future, hopefully.

Included is also a quick, but probably necessary introduction on the "magic system" (for lack of better terms) in the Subterraneum, intentionally vague as it may be. The stuff goes deep enough to be biologically important after all.

Anyhow, here goes, hope it helps! And I apologize if any numbers seem ridiculous, which they'll probably be. Feel free to correct me but also physics are a little weird down there.

A NOTE ON AFFINITIES AND AMBIENT ENERGIES: It’s not just creatures that enter the Subterraneum through its various Exits. Ambient energies, background fields and other phenomena have been leaking through the rock for centuries on end, and the ever-present Radiance has blended them together over time into an uneven backdrop of strange, unrelated and even contradictory essences. The residents of the caverns have been affected by these background fields, and have changed to attune to and manipulate them in turn, with varying amounts of success.

The so-called “elemental” energies tend to manifest strongly and directly, by infused terrains and by the various species alike; whether this is part of how the elements work or an interaction (if not direct “preference”) from the Radiance it’s mixed with is unknown. Nevertheless, each of the usual species can often manifest such energies in their own unique ways, and individuals often show shockingly different affinities, even within the same species. Affinities with the Radiance itself vary similarly, though not one species can be said to be untouched by it.

It bears mentioning that the Radiance often interferes with other energies even in the midst of manipulation, adding a dose of unpredictability to the results. Those that can harness this, and tap into the Radiance’s unique metaphysical properties, can reach what is known as one of the ill-understood Sparks: Manipulation of a given element or property that actively, though selectively, breaches specific rules that usually govern it, reaching into metaphysical and sometimes even semantic territory.

Ifchi/Olms

(Singular and Plural are both Ifchi)

Average height: ~1.65 m, with length (including tail) closer to 2.2 m

Average weight: ~75 Kg (including tail)

Description: In truth they’re hardly olms, as most of their traits are closer to axolotls, down to the color variations; it varies on a spectrum, as stories tell of them being two species once that merged together post-arrival with Radiance-granted ease, leaving axolotl traits as dominant - though olm traits have been known to assert themselves in old age. Bipedal, slimy and damp at all times when healthy. They have four-fingered, nail-less hands with little strength, wiry limbs made more for quick movements than strength, and large, paddle-like tails that drag across the ground and let them swim faster than they can run. They have the expected branching frills, growing with age until they sag and droop during older ages; in especially ancient individuals they can even touch the floor. These frills can be a whole spectrum of colors themselves, too, solid but highly variable. The color tends to indicate affinity to ambient fields and energie, for these frills can sense, connect to and work as a focus when manipulating the ambient energies in a given area, Radiant or otherwise. As a result, “spellcasters” are widespread among the species, and their their manipulation of ambient fields oft takes highly recognizable, obvious forms, usually one-off high energy movements that do plenty, but don’t last long.

Ferigozi/Shard Moles

(Singular and plural are both Ferigozi)

Average Height: ~1.4 m

Average Weight: ~70 Kg, mostly (but not entirely) muscle

Description: Stout and bulky creatures on short hindlegs, with powerful forearms and hands bearing oversized claws that can crack solid stone. They have beady eyes and elongated, sensitive snouts that in some strains have extra-sensitive “whiskers” like star-nosed moles do, while others have more proper whiskers running along their snouts. Their eye-sight is lacking even by Subterraneum standards, but they have excellent senses for vibrations in the area, even minor shifts in the breeze. Early in their lifetimes they are almost entirely mole-like, with short, dense and very smooth fur in shades of brown and black; as they age, however, they start developing interlocking chitinous plates like pangolins do, reaching full tesselating coverage around middle-age. Their underbellies always remain furred, however, sometimes necessitating protection. Affinities with ambient energies are limited, and concentrated almost entirely in hands and claws, moving limited amounts of energy with very high precision. Given time and skill, however, Ferigozi can learn to infuse any and all materials with higher concentrations of a chosen ambient energy, with great control over the way they manifest into the material in question; such concentrations can take decades to dilute with a reasonably skilled practitioner.

Bannerbound/Hobgremlins

(Bannerbound works for both singular and plural)

Average height: ~1.7 m, though Bannerbound fluctuations are an exercise on why averages are more useless than you'd think

Average weight: ~70 Kg, with the same warning as above

Description: It’s theorized they started as an abundance of species rather than just one, and that the Subterraneum’s effects merged them into one; with the sheer variance in their forms, this is both likely and near-impossible to actually prove. They are the single most Radiance-susceptible species in the Subterraneum, displaying the changes of excess exposure even during early stages in their lives and going from there even when hardly exposed further. The basic and initial framework would be called humanoid, if the Subterraneum knew humans, ones with glowing eyes all over the spectrum and whose “skin” tends towards single, solid hues; beyond that everything from skin colors and hair to internal anatomy can vary depending on the individual and their affinities. Even things as basic as number and nature of limbs can vary in especially attuned Bannerbound. Their cultural imperative to hide their bodies under multiple layers of garments and secretiveness about their bodies does not help either. This extends into their interaction with ambient energies as well: They are attuned enough to the Radiance that they can infuse specific actions and even creations with the capacity to stretch, and even breach, specific principles and laws. They also have easier access to the Sparks than most other species in the Subterraneum, though their affinities with non-Radiance energies tend to be lower than usual.

Korves/Deep-Crows

(Singular Korve)

Average height: ~2.2 m

Average wingspan: ~4.7 m

Average weight: ~55 Kg

Description: Unquestionable corvids, barely straightened from a theropod stance. Tall, black-feathered and with tough beaks (and necks) that can crack flarewood with a peck. Their eyes are solid in color, often red or yellow, but highly variable in number; anywhere from one to six have been observed, often arranged asymmetrically. By themselves, Korves lack fingers on their wings, with the closest being the dexterous talons they stand on; unusually for the Subterraneum, such growths never came to pass, leaving the limbs only useful for flight and stunning blows. In theory, and in times past, they’ve made do with their legs for tasks requiring fine motor skills, but the species-wide symbiosis with otherwise infectious fungal species in the Valley have given them options: Korves are especially compatible with mycotic infiltration and growths, resisting most harmful effects and taking particular control of the species’ unique structures to the point of commanding its growth and movement. Often inoculated as hatchlings, even the most average Korve can grow finger-like protrusions at the end of their wings that can manipulate objects with a slow, but certain and powerful grip. Other such manipulations have been observed, from carved and immobile growths to whipping tendrils and all in-between, and in rare cases even modification of the symbiote with ambient energies. All this is available to a skilled and willful Korve – so long as their ravenous combined appetite remains sated at all times.

Chelies/Swallows

(Singular Cheli)

Average height: ~1.2 m

Average wingspan: ~2.5 m

Average weight: ~30 Kg

Description: While clearly avians, Chelies are more anthropomorphic (and smaller in all aspects) than the Korves, standing more directly upright. Their wings are thin and thickly-feathered, with flat, claw-like growths on the inside of the wingtip that can grasp like hands would and still fold back into the wing to keep its shape aerodynamic. In addition, they have a similarly bony, though much thicker spur closer to the base of each wing, naturally sharp and often given further edge by the Chelies themselves. Between that, their raptor-like talons and beaks that have lengthened and sharpened with generations, their resemblance to actual swallows nowadays is dubious – though they still retain their red and blue plumage, even thicker and more intensely colorful than ever before. Their need for flight has given them strong, though wiry musculature that grants them speed and agility alike, showing less maneuverability but greater speed than Vezarym in the air. Unlike the Vez – and most Subterraneum species at that – Chelies have excellent eyesight, both close up and at a distance, able to pick out details and movement even in the most spore-choked of caverns. When it comes to ambient energies, they seem entirely unable to affect inorganic materials, or themselves for that matter: Every effect they can induce through their claws and spurs is a “slow burn” applied to other living beings. This is most often applied in their well-known fungal gardens, manipulating otherwise mundane species into something else entirely.

Troxi/Quillskinks

(Singular and plural are both Troxi)

Average height: 1.3 m, with length including tail closer to 2.1 m

Average weight: ~45 kg (including tail)

Description: Skinks is not necessarily the right term, they have too many hints of theropod (and maybe even kobold) in them to truly call them such, but they are reptiles nonetheless. Troxi always have long, whip-like tails that can be shed and regrown, almost always longer than the rest of their bodies, their eyes have invariably slit pupils, and their scales are always in patterns of three different colors. As a norm, their bodies and limbs are toned and slender, with small, yet rough scales. However, this is but a guideline: Variations and mutations – scarce at first, yet reliably transmissible unlike Bannerbound alterations – have made themselves present startlingly quickly, putting the species in biological flux since the establishment of the Republics proper. It’s speculated this is the same process of accelerated “evolution” that affected all previous dwellers, though all projections hint that it’s happening far faster than expected, for unknown and oft-speculated reasons. Whatever the truth may be, Troxi can be seen with different scale patterns and types, spikes along their sides, variable tongues, among many other possibilities. The newest generations even exhibit one uniform change in comparison to their forebears: The emergence of a pattern of colorful feathers along the ridge of their backs, never equal between Troxi yet always present. It’s this newest alteration to the species that’s given them their informal (and sometimes unwanted) nickname.

Shumhaq/Sandhusks

(Singular and plural remain the same)

Average height: ~0.9 m (length including tail is closer to 2.1 m)

Average weight: ~85 kg

Description: Semi-upright arthropods like the rest of their “family”, Shumhaq are closer to arachnids than insects, and closer to scorpions than spiders in that regard; they are the tallest of the Hive members, with the hardest exoskeletons as well. Their framework varies relatively little compared to other Subterraneum species: Six strong, chitinous legs their bulbous, armored abdomens stand on, a scorpion tail that stretches back complete with a sharp stinger, and an upright, armored half with an eighteen-eyed head with grinding chelicerae. Their grasping limbs are “concentric” pincers, with a large, crushing pair surrounding a smaller, more dexterous set of pincers that fit neatly within sockets at the base. Their stingers secrete toxins, with variable but powerful effects that can be affected by the infusion of ambient energies – the only manipulation of such Shumhaq appear capable of – which change how they affect biology and even inanimate materials. Much like other Hive members, they have different castes, but they vary very little in comparison, simply altering their anatomical proportions; mostly, their stingers and their claws tend to be inversely correlated in size. Shumhaq as a whole are, in fact, particularly hardened against any altering and mutating effects, whether Radiance-related or not – it is suspected their genetic sequences and general anatomy have “hardened” in response to such exposure to the point of “burning out” any capacity for further change.

Syhaq/Candlebees

(Singular and plural remain the same)

Average height: ~0.7 m (length is closer to 1.8 m)

Average wingspan: ~2 m

Average weight: ~60 Kg, though often heavier thanks to wax production

Description: Semi-upright arthropods like the rest of their “family”, Syhaq are undoubtedly bee-like in look and physiognomy; they are the shortest of the Hive members, and often the portliest. They all have iridescent wings, fuzzy, stout abdomens striped in black and white, four furred legs to bear their weight, and four-fingered hands at the end of two chitinous limbs, as well as oversized compound eyes with unusual white bioluminiscence. Their antennae are often thick and a foot long at minimum, and the main source of the beeswax Syhaq are known for: They’re used to both secrete the substance in significant amounts, sculpt it as it goes, and even infuse it with varied elemental energies that create different “recipes” with very different properties. This is far from the only place this wax comes from, however; their entire bodies are almost always covered in the stuff, clumping together if not groomed, and in certain overproductive castes they often form stiff “tendrils” (much like planthopper nymphs) that the Syhaq can sculpt to their leisure for different purposes. Another anatomical matter that depends on the caste is the presence of a stinger; not all of them have one, and in those that do its effects can vary from a simple, empty stabbing weapon to an injector of powerful paralytic toxins.

Zivhaq/Flayer Bugs

(Singular and plural remain the same)

Average height: ~1 m (length is closer to 2.7 m)

Average weight: ~45 Kg

Description: Semi-upright arthropods like the rest of their “family”, Zivhaq are the longest, slimmest and most anatomically complicated of the Hive members, most resembling a blend of centipede and praying mantis. Their elongated, wingless abdomens stand upon dozens of long, sharp legs that stop abruptly once the thorax begins – from there, four more limbs sprout, two of which end in four-fingered hands while the uppermost pair ends in sharp, scythe-like extremities that can be tucked almost completely into their bodies. Their faces have flat compound eyes, elongated, flexible chelicerae and long antennae that split apart into multiple shifting protrusions. The entirety of their frame is highly flexible, and Zivhaq have a highly developed kinesthetic sense that gives them excellent control of it. They can squirm through gaps mere inches in diameter, curl themselves up tightly and stretch their own limbs to almost twice their size. This combination is the result of unique adaptations for the sake of disguising themselves as other species: Zivhaq gain their nickname by the capacity to use discarded exoskeletons, pelts and actual skin of other creatures to impersonate them, by crawling and puppeteering such exteriors with their abundant extremities and highly flexible vocal apparatus. Such capacities have naturally pushed them to the fringes from the expected paranoia, making their societies highly secretive. This has made the deeper details of their anatomy, including any ambient energy manipulation, very difficult to publicly discern.

Nirhaq/Longbrook’s Moths

(Singular and plural remain the same)

Average height: ~0.8 m (length is closer to 1.8)

Average wingspan: ~3.5 m

Average weight: ~25 Kg

Description: Semi-upright arthropods like the rest of their “family”, Nirhaq are entirely lepidopteran, closest to moths but still bearing elements of butterflies when it comes to their wings; their anatomies are the most enigmatic of the Hive members, with little study in comparison to the others. Standing upon four fluffy legs, with elongated and thickly-furred abdomens, and six-fingered hands at the end of two fuzzy limbs at their thorax, they tend towards darker colors in both fur and chitin. They have large, compound eyes that shine in the dark with elaborate patterns, curled antennae that twitch and twist, and dexterous proboscii with tiny chelicerae at the end that can slowly snip off solid food. The most intriguing part of their anatomies is their wings: Moth-like or butterfly-like, with the occasional merge of transparencies and opacities between them, they always bear elaborate patterns that shift at the Nirhaq’s will, and have a variety of instinctual displays seemingly kept in their “genetic” memory, which can be expanded further through learning. It is here that their intrigue lies: These Hive members have instinctive access to a variety of supernatural symbology and “languages” that bypass mental filters on perception and directly “tell” the brain to perceive certain things, imposing audiovisual illusions over their forms that are partially at the Nirhaq’s control. This makes them the most secretive of the Hive members, often passing themselves as citizens of other species throughout their lives.

Vezarym/Thrumhorn Bats

(Vezarym works for both singular and plural)

Average height: ~2.4 m

Average wingspan: ~5.5 m

Average weight: ~45 Kg

Description: Tall, slender chiropterans with enormous wingspan and powerful footclaws, graceful in flight and upside-down yet always hunched by the weight of their wings when standing upright. They have arms beneath their wings, an additional pair of limbs with vestigial membranes of their own to aid in steering, and actual (if delicate) hands. Their snouts are closer to fruit bats, though unusual protrusions from their noses are very common, and their needled fangs work on meat and mushroom alike. Their eyesight is decent, but very short, aided by their bioluminescent eyes (usually but not always yellow) when it comes to perceiving what’s right in front of them, but falling off mere meters away. Vezarym have appropriately huge ears with “concentric” growths within that seemingly aid in focusing sound, aiding their pin-point echolocation alongside their powerful lungs and bony throat ridges that serve as both amplifiers and protection. Sitting between their ears are short horns shaped like a lyre, that thrum with sound both emitted and received – this is believed to aid in both echolocation and regular listening, but it’s theorized they are also fundamental in ambient energy perception and manipulation. Said manipulation is always subtle, never forceful, seemingly resonating and either amplifying or dampening a given element (or several) in the area, with stronger effects when working together: Multiple harmonizing Vezarym can completely shift a place’s elemental alignment for however long their ‘song’ lasts.

Toskars/Shard Badgers

(singular Toskar)

Average height: ~1.9 m

Average weight: ~120 Kg

Description: Heavyset creatures, taller than the Ferigozi while keeping similar (initial) musculature. Their tough and unruly fur is always vertically striped, often black and white, though there are some who can have very light cyan and/or deep, dark blue instead. They have somewhat oversized hands and feet on relatively short, though muscular limbs, with tough (though blunt) claws upon all digits. Toskars are not wholly badgers, and even in their early lives they show some seal-like traits like webbing between their fingers and a layer of insulating fat under their hides. With age, their fur grows thicker and tougher still – with time, the fur on their backs starts to harden into chitinous, sharpened quills that bristle when the Toskar feels tense or threatened. More pinniped traits start manifesting more intensely as well, with males and females alike growing further, bulking up and often growing thick, quilly mustaches; some select castes even develop small tusks where their fangs once were as they reach middle age. Their affinities with ambient energies rarely manifest more than a few inches outside of their bodies, with no clear focus organ or limb. Much like the Ferigozi, they can learn to infuse material with such energies, but such infusions rarely last beyond a few hours. However, they find the manipulation and infusion of energies within their own organic material much easier, letting skilled practitioners empower their bodies in unpredictable ways.

4 notes · View notes

nyctophobia-au · 11 months ago

Text

Pinned Post

Hi! My name is Rot, though I also go by SFBE (Sexy Fictional Bug Enthusiast). I mostly make art and write fanfic related to my Hollow Knight AU, Nyctophobia. I also occasionally post HK art unrelated to my AU, or I reblog art and other things sometimes, but the main focus of the blog is Nyctophobia.

You can find my other art content on my main blog, @rottika and all my socials are linked on my Carrd.

Important Note: I am no longer working on my HK AU and this blog will be dead for the forseeable future. All of my older content remains, however.

◇——•. .• ——◇

Tags

#answered asks ▸ Tag for all answered asks.

#au asks ▸ Tag for asks specifically related to Nyctophobia.

#neurodivergent mind prison rambles ▸ Text posts in which I ramble.

#nyctophobia au ▸Main au tag I use for all Nyctophobia content. This includes art, fics, rambles, asks, etc.

#rot’s art ▸ Art tag.

◇——•. .• ——◇

Disclaimers & Personal Boundaries

◇ I’m mostly just working on the AU for fun and for comfort reasons. I originally wanted to make it a whole fic, but I think it’s just going to be a collection of art and ideas and short one-off fics rather than a linear story (for my own sanity lmao). Note that things may get retconned or changed as I go, or I may slip up and there might be inconsistencies.

◇ Nyctophobia is canon-divergent and I’ve taken a lot of creative liberties when it comes to my interpretations of the characters, so be aware that my ideas or my ship preferences might be different than yours.

◇ If any of my ships or content make you uncomfortable, don’t be afraid to block me and DNI. I won’t take that personally. :]

◇ Please don’t repost my work. If you want to use my art as a pfp or banner or something, you may do that, but only with credit.

◇ I personally don’t have any problems with headcanons or ships outside of my own, so don’t be afraid to interact with me if your opinions differ from mine; that’s completely fine! I’m only really uncomfortable with adult/minor or incestuous pairings and content.

◇ Though all my content on this blog is non-explicit, I may mention suggestive topics or reference NSFW subjects here and there. There might also be some heavy themes in some of my work, but it will be tagged accordingly.

#pinned post #basic info #about me #needed to update this desperately lmao

4 notes · View notes

bloviating-vy · 1 year ago

Text

WIP and Fic Updates

HALLOOOOOOOOO!!

Since the results of the last finished poll indicated that some of you would be interested in both FIC updates as well as FIC teasers, here is me attempting to do just that. Of course, I was almost done writing it all up when TUMBLR (I despise this site) ate it. A;SLDKFJASK;LDFJAKSDFASDKFJSJAK

So, this one will be much abbreviated because I’m annoyed at my user error or this site’s error and this is killing very precious baby sleeping time. Also, this post will not refer to fics I haven’t updated in the last year so please consider those on permanent hiatus.

Here they are in no discernible order:

WIPs

Timeless - This is the fic that is occupying a big majority of my thoughts. Though I haven’t started on the chapter itself, I have been thinking a lot about it and know some of the major beats. I will likely be working on this fic and bopping back and forth between this, No Matter How Far You Go, Untitled Soulmate Yoongi fic, and Soul on Fire.

Indomitable - Realistically, I will not be working on this one until at least a few fics are out of my system. I know the major beats, where I want it to go, and even have some parts written.

Home - Currently, I have no plans to add more to this fic, though I intend to come back when I have more ideas (as well as bandwidth).

No Matter How Far You Go - Since I’ve written myself into a corner with the previous two chapters, I have to figure out how to write myself out of it. I have some written already, but I am mostly marinating.

Soul on Fire - Similarly, I have written myself into a corner here, too. I have some of the next chapter written, but I have set myself into a quandary of really liking Lucas and Chae-Yeong and I’m not looking forward to smashing and breaking things. Still marinating but occasionally, I henpeck at it.

Until All the Monsters Are Dead - I have no plans to write anything else in the near future. However, I do plan on finishing this at some point because I have finally figured out how to resolve a HUGE plot point. But I just have to have the motivation to finish it out. (And maybe one day, I will turn it into a proper novel.)

Unreleased Partial Fics

Only Human - The sequel to Super Human, I have a few chapters already written except I have no idea how to continue. Which is unfortunate. But when I finally figure out how to get myself out of a self-made hole, I will be back with exactly 6k fic, with each chapter being 500 words.

Untitled Soulmate Yoongi fic - I started this a year ago but it lay stagnant for a bit until I realized I wanted to make it a soulmate touch fic. (It originally was just a regular fic unrelated to soulmates in any shape/form.) This is likely the fic that I’m working on and thinking through the most at the moment. (Hence the poll.)

Untitled MOB Supernatural Fic - I have super ambitious plans on Vampire!Yoongi x Fallen Angel!Seokjin x Fae Assassin!Reader with creche-mates Jimin and Taehyung. The opening starts off with "Kneel" and is inspired by the Haegeum police investigator Yoongi pics.

Additionally, I’m supposed to be editing a novel and writing another one. Oh, did I mention that I’m in Taiwan and have been here for about a month now and will be here another month? So, things are all up in the air and as;dlfksalkdfasklfsakdfasdkfj.

Thanks for your patience. I try really hard to make sure I don’t leave too many unfinished fics and at least resolve some plot lines, but I guess I can no longer say that I always finish fics. I have a pretty good track record on finishing the vast majority though! I do firmly believe in the trust that readers place in writers and I take that responsibility very seriously. There are so many great stories and ways we can use our time. I am so ever grateful for my readers who give me a little bit of their hearts and allow my fictional characters to take up space in there.

Thank youuuuuuuuuuuuuuuuuuuuuuu!!!

#fic update #vyduan fic

4 notes · View notes

aroaessidhe · 1 year ago

Text

let me introduce you to one of my favourite books Archivist Wasp! it's a YA-ish postapocalyptic scifi/fantasy about a ghosthunter priestess who helps the ghost of a supersoldier from the past find his friend, so she can escape her cult. it has hate-to-begrudging-friends and ride-or-die platonic soulmates and 0 romance sex or anything - the only mention of such is like a couple vague references to parents pretty much offscreen. the author is aroace. there's two books plus a mostly unrelated book + novella in the same world (adult, nearer-future dystopia), plus a bunch of extra content around.

(I also have a database of books with no romance! haven't mentioned sexual content, though most of them have little to none)

I've heard some people say to "just watch shows without sex" and that kind of stuff, but never any actual suggestions. and while I do think it should be allowed to show love, sexual, romantic and otherwise, I do have the impression 99% of media that isn't made for 7 year olds has romance, crushing and/or sex and even some of the stuff made for 7 year olds has it. especially if you count any romantic relationship shown or married people, but even if you ignore that.

do people have any recommendations of media (especially TV series) WITHOUT any sex, romance and crushing? (ideally without partnerships shown, but idk if that exists)

I can't find anything that's in any physical store or library or streaming service, only Amazon books (I'm not getting something in the mail from outside my country the tax for that is like 100%).

#never pass up a chance to talk about #archivist wasp

203 notes · View notes

bluemoonpunch · 3 years ago

Note

I just discovered your website and fell in love with your readings! I love how you give your insights and your approach to the reading. One thing I want to ask is does the group energy reading represent the energy of the group at the time of the reading, or just the energy as the group exists? This is mostly towards the Stray Kids group reading. I'm curious, because as a fan watching them from afar, I think there has been a dynamic shift among them. (1/2)

(2/2)This is not me asking you to do another reading for them though, and I also believe it's not the time yet. They are still in the middle of a shift that is not yet ripened. They are going to join a survival show with big exposure this year too, so they might drastically change as a group after that. On a totally unrelated note though, I let out the ugliest wheeze as you refer to page of wands as the Signature Jungkook' Card.

📕 Referencing:

Stray Kids Group Energy Analysis Part 1 (2018)

Stray Kids Group Energy Analysis Part 2 (2021)

A: Yes, any reading I do should be looked at as more of a "snapshot" of the state of things there at the moment of doing the reading, which is why I always provide the date that the reading was performed as well as when the reading was posted as I can sometimes do bigger readings a week or so in advance. I've done two different group energy readings for Stray Kids and there is a noticeable change between them, but, for example, before the first group reading for them I posted, I had done the reading a couple of times before that and got a lot of negativity which didn't really change that much between those first couple of readings.

It's good to keep in mind that with group energy readings, I look at what the individuals project into the group, which is sometimes a lot different from the general energetic projection of the individuals separate from the group. I then look at how those projections mix together, how they interact with each other, which can vary between conscious level interaction and energetic interaction. Then, after all that, I look at the overall projection, the general ~vibe~ of the group as a whole, how they function as a unit, what they are able to produce physically or energetically through the group projection. It can be quite complex and fluid, but there are many factors to take into consideration, so just because some things seem different doesn't always mean that things have changed in terms of their energetic balance and connection.

Of course, major changes in career or how things are done superficially in relation to their work and routine, as well as any dynamic changes with members leaving or even changes in contracts, can alter the energetic projection of the individuals and change up the overall balance of the group. So, for sure, in the future, I'll probably look into them again if there's a demand for it, but yeah, they do need some time to settle into new things before anything would come up as being different.

XXXX

Q: thank you for the reading!! I'm glad that there has been progress for them personally, that was good to see. I've been getting that vibe from them and it seemed like taehyung's core was no longer split so I'm glad that it actually isn't. I hope that even with the not-so-good energy that they'll be okay. the end of the reading had me feeling kind of 😔 it would make sense if it has something to do with any kind of enlistment. im hoping it's not disbandment. im aware it could happen but it'll still hurt lol i just want them to be happy either way =( but thanks again -Anonymous @ BMP Tumblr

📕 Referencing:

BTS OT7 2021/2022 Outlook Reading

A: Yeah, the reading was a bit of a bummer toward the end, but overall things were relatively balanced for them as individuals on a more personal level. However, I do think we're seeing a lot of that general tension now with how a lot of fans are responding to the new music, specifically their last three releases. I'm sure that's stirring up some debate and conversation behind the scenes both with the group and the company overall. So, it seems like one of those things where work-life can be a bit stressful going forward, but personal work and personal life for them can be relatively smooth and enjoyable, which can be more rewarding in the long run.

XXXX

Q: oh wow, I did not expect ur 2022 outlook to hit me that hard lol, I was hoping for something more positive for BTS but on the other hand they have been doing all this for over a decade so it's natural for it to finally come to close. still feeling emotional tho hahah -Anonymous @ BMP Tumblr

A: Same, honestly. 😥 But yeah, it tends to be a natural progression for a lot of artists that get that big, almost as if their careers grow past them and they just ride the wave the rest of the way. Still, a fascinating thing to watch play out over the years, definitely something to appreciate and be proud of.

XXXX

Q: love love love your dream and georgenotfound reading! I agree dream's reading is especially interesting, and an individual analysis on either of them would be amazing!! -Anonymous @ BMP Tumblr

Q: This might sound crazy but I read your tarot reading on DNF and remembered you mentioning Cecil? I'm watching their geoguessr stream happening live rn and just saw them go past a sign that said Cecil. I thought that was a funny coincidence -Anonymous @ BMP Tumblr

Q: Hi! All of your readings are so well written and I loved your reading you did on Dream and George and I was wondering if you could do a reading on Dream. You mentioned maybe doing one. -@glimmercherr

📕 Referencing:

How do GeorgeNotFound and Dream connect?

A: Yes, most likely I'll be doing an Elemental Alignment reading for Dream at some point and maybe I'll include some stuff about his birth chart as he has some underlying cosmic imprinting that I think is really interesting. And yeah, coincidences like that are my favorite, just the little things that pop up that seem to tie things together in a funny way, lol. I'm sure there's always some underlying meaning to it somehow.

XXXX

Can you do a mini reading on jimin and jungkook? Whether it’s more equal now? Idk maybe because I am a Pisces I have been able to read other people’s vibes (I call them ) better I am no expert but I feel jimin thinks of jungkook as like an individual grown-up but still would always see himself as a protector kinda like powder siblings too? Also because this doesn’t show up consciously Like they always seem like equal and above sand all in behind the scenes too? Can you explain or clarify if I am right? -Anonymous @ BMP Tumblr

A: Yes, things are definitely more equal now. There's a very interesting progression for them that plays out energetically and even as deeply as on a soul level, lining up with their personal development and separation from the Soul Body. Of course, with Jimin being older and having had known Kook for so long, I have no doubt that no matter what, some part of him would always feel protective of Kook, the only difference is that Kook is in a headspace now where he can be protective back, be more of an equal support for Jimin right back. And, I agree, behind the scenes when they're not performing and not "in character," they can definitely display more of that equalizing push and pull, more so reflecting their energetic connection on a conscious and physical level, which tends to show a very strong soul bond that is being supported on both sides.

If you haven't already, I recommend reading these readings in order as they can really display that development between them over the past few years:

Relationship Reading for Park Jimin and Jeon Jungkook P1 (2018)

Relationship Reading for Park Jimin and Jeon Jungkook P2 (2020)

The Internal Alignment of Park Jimin (2020)

How do Jimin and Kook connect? (2021)

#bmpasks #stray kids #bts #jikook #jimin #jungkook #georgenotfound #dream #dreamnotfound #dnf

34 notes · View notes

nordleuchten · 3 years ago

Note

Hey! I love your work about Lafayette and I'm slowly going through your posts,there are so many! :D I have 3 random unrelated questions that you might have already answered somewhere, so feel free to ignore them if you have. 1) what's your reasoning behind choosing to use "La Fayette" rather than "Lafayette" as he mostly styled it himself? I know the (possible) reasons why he did that, just curious about you. 2) where does your URL come from? And 3) have your ever written about the Hermione?

Hello echo-bleu,

it is always great to hear that what I am doing here is not merely for self-amusement but that people enjoy it :-)

You asked three questions so you shall receive three answers.

First - the spelling. I mainly spell La Fayette the way I do out of habit. The first book I ever read about La Fayette (Memoirs of the Marquis de La Fayette, Major-General of the Revolutionary Army of the United States of America, 1825 by Fredrick Butler) spelled him in two words and that somewhat stuck with me. Furthermore here in Europe he is quite often still referred to as “La Fayette” instead of “Lafayette”. “La Fayette” is furthermore the “original” spelling of the name. His ancestors spelled themselves this way (although it should be noted that we have letters from his grandfather that probably say “Lafayette”) and it is also the name that appears on official records (La Fayette’s marriage contact for example). He himself spelled his name any way he wanted. Many editors of his papers have unified the spelling but a look at the handwritten originals shows you that he wrote “Lafayette”, “LaFayette” and almost any other variation one can think of. Some people say that there is no letter that has a space between the La and the Fayette while other people (myself included) would argue that there are letters with such a spacing. Same goes for his friends and acquaintances - you see different spellings in their writings and sometimes even different spellings in one and the same document. “Lafayette” in one word though is definitely more time efficient to write and easier to remember, especially for his English speaking friends. The Marquis also often used abbreviations of his name, in that case it was most often “LA”, “L.F” or “L.F.” and the placing of the dots can be used as an argument that La and Fayette were intended to be separate. Some of the most well regarded La Fayette-scholars could not agree on the spelling. It seems that that now and then many people were unsure of the spelling and that La Fayette himself more or less did not care and with all this confusion going on I stick to what I initially learned and came in contact with - although I am aware that it is not the most traditional choice to say the least.

You sometimes also see the theory that the purposely changed the spelling of his name with the onset of the French Revolution but this theory is mostly discarded now. I just recently read an essay by Louis R. Gottschalk on the whole spelling matter (an article I only partial agree with, but then again, who am I to disagree?) and he explained that there is not really much evidence for such a statement. There is the writing of one rather questionable biographer to back this up and the circumstance that apparently Adrienne purposefully changed the spelling from “la Fayette” to “Lafayette” during the Revolution.

Second - I chose the URL “nordleuchten” because it reminded me of my home, northern lights and lighthouses (and because that one was still available ;-))

Third - yes and no. I have a number of pictures from Hermione here on the blog and also mentioned the ship several times in my posts but there is no post solely dedicated to this special ship. If you would like, I could make one in the future :-)

I hope you have/had a phenomenal day!

#ask me anything #echo-bleu #lafayette #marquis de lafayette #general lafayette #la fayette #historical lafayette #frederick butler #louis r gottschalk #adrienne de lafayette #adrienne de noailles #hermione #history

38 notes · View notes

galaxy98 · 3 years ago

Text

With the recent confirmation that we'll get to see more of Yunan and Olivia in season 3, I thought it would be nice to give a little rundown of a certain idea I had for a story prior to the trailer. Will I ever go through it, maybe not. For one thing, I have so many ideas that I want to do on AO3 so some things may have to be sacrificed. Not only that, but despite the episodes having a limited runtime, thus having less depth, it's likely going to turn out better than what I put out. That and it would be less convoluted. So here's a bullet list of the idea:

The working title for the fanfic is called Lady and the Newt. I wanted to go with Lady and the Merc or Lady and the General, though the former didn't made sense since Yunan is not a Mercenary. Also since it's a Disney show, I thought it would be funny to make the title a tongue-and-cheek reference to Lady and the Tramp.

The best way to describe this story is 2 lesbians on the run. There's also a butch and her daughter but we're not there yet.

Obviously, this would take place after True Colors, but based on the clips I've seen, it would've been drastically different.

For starters, it would begin with Olivia and Yunan trying to find a way to escape Newtopia. While Yunan is more concerned about finding a way out, Olivia didn't want to leave Marcy behind. At the same time, Yunan is also reluctant, albeit in denial, of wanting to go back there since she felt betrayed by both Andrias and Marcy, despite the latter being a child who was just being manipulated.

However, Olivia feels like she's complacent in letting this all happened, so she wanted to back there for the sake of ridding herself of that guilt. In other words, the both are still shooken up about the whole revelation.

They would eventually escape, but it will be a hollow victory.

This would be the first time we get to see Yunan without her armor. She took most of it off when trying to save an unconscious Olivia from drowning. By the time they set up camp, she will chuck her medals into the river in anger. She does keep the claws since they might come in handy, but other than that, she's completely vulnerable.

The fanfic would explore on the aspect about the expectations and pressure that Newtopia places on its society and how Yunan and Olivia were both affected by this mentality. Yunan ran away from home when she was in her teens because of her strained relationship with her family (Something that I will get into later on) and how due to being found by Andrias was she able to show off her skills that would work her way up to the ranks and then eventually the youngest general in the army, Scourge of the Sand Wars, Defeater of Ragnar the Wretched, yada yada yada. However, you would see why her family relationship was dysfunctional due to the infighting with her sister and mother who just happened to be a famous artisan (hint hint). Prior to becoming general, she felt like she had nothing to show for and that being a part of the court made her felt like she was special. But the problem is that she feels like she's nothing without the rank. So while Yunan constantly introduces herself because it's effective, it's also because that's all she has.

Olivia, on the other hand, didn't want to be a part of the court. The only reason she has that title in the first place was because her family already had connections to Andrias's so she was basically forced into the role. Royalty never particularly interest her but because she was so ingrained into the role, she ended up living a very isolated life. It's why she has a very stoic demeanor. Only when there's nothing else to do does she masks off the whole facade after keeping appearances for a whole day. During the night after they escape, she would lament about where it all went wrong.

There would be a retcon where Olivia originally planned on running away from Newtopia and she wanted Yunan to come with her. But with the combination of Yunan's commitment to the general rank, taking care of Marcy Wu, and then the events that soon follow, it never came to be. Olivia wondered if going through with that decision would've only make things worse.

There would be flashback chapters where we get to see the dynamics between the newts and the 13 year old girl. Any one of them involving Yunan would be an explanation as to why she initially felt betrayed by Marcy's actions. It's only later on in the story did she reconcile with those feelings.

Most of the story consist of them trying to get far away from Newtopia as possible, all while the fear of Marcy's fate lingers. In tale of dramatic irony, they assume that she may have escaped along with the others. But once they found refuge at Wartwood, they notice that Sasha was the only that's still here. That's when they figured the out news. Again, dramatic irony.

So that thing I mention about how there's also a butch and her daughter in this story, well here's what I mean. Priscilla and Pearl are the additional characters in this journey. The reason for their inclusion is because I had a particular subplot in mind. I loved the headcanon of Priscilla being Yunan's older sister because the potential dynamic makes so much sense. During their childhood, they were both competing for their mother's love, despite the fact that she didn't want them to fight. So due to jealously and the strained sibling relationship, it prompted Yunan to run away.

On an unrelated note, you can check out my poem fanfic on AO3 called O' Sister Of Mine. It explores the dynamic between Priscilla and Yunan as siblings.

The entire subplot would be about Yunan and Priscilla trying to repair their sibling relationship after years of fighting and not seeing each other. When her and Olivia cross paths with the two of them, Priscilla initially rejected their offer of going together. Because of Yunan and Olivia's status, she was worried that it was not only going to put a target on her back, but also her daughter's, which is the last thing she wants. But since they can't stay in one spot, they have no choice but to go together.

I think by looking at the pattern of where this story is going, the entire lesson is about not taking things for granted and being the change you want to be. The three girls may be the main focus of the show, but this fanfic explores on the side characters who were affected by the events.

Well there you have it. This is mostly just a rough draft of ideas but it does get the main gist across. Like I said before, this likely isn't going to see the light of day, especially when Matt Braly's crew is going to come up with something better than I can. This is one of those big AO3 projects that I'll have to keep on the shelf, at least temporarily when I don't have a lot on my plate right now.

But if you want to express any interest in me doing this in the future, feel free to reblog or leave a comment in the notes.

#amphibia #general yunnan #lady olivia #fandom discussion #writing

31 notes · View notes

ladykatibeth · 1 year ago

Text

Possibly, we know he’s done it in the past (see Ed and Jack discussions) so he could have done it in the future. (Could not would, not making a statement on that.)

(Though I would argue that hurting others who are unrelated after just being egged on is it’s own statement of character wether or not you would have otherwise)

I mean my friend could completely dig into all my deepest insecurities and leave me a wreck but I’d still be an asshole if I went out and slapped someone afterwards because I’m in control of my actions. Even if I wouldn’t have otherwise slapped someone.

This is also separate from how shitty my friend doing that to me would be (very). Even if she had no input on my actions afterwards her actions would be shitty on their own.

Regarding the p.s assuming that’s at me in reference to my recent blocking posts, that was a different person I’d argued with, my main problem was their attitude, I know you haven’t blocked me, and I feel like it’s been a mostly respectful disagreement so far.

I was mostly upset because it had been in response to my fairly respectful disagreement and in the exact post they replied to they mentioned being annoyed by others being so quick to block for disagreement. I always get angry by people acting like they’ve got flawless reasoning skills where everyone else doesn’t in a way I never do about disagreeing over fiction.

I want to talk about Izzy's rant to Ed in episode 10, the one that brings out the Kraken. I've seen a lot of different descriptions of what is going on in this scene – death threat, homophobic slurs, etc – and I don't think either of those are what's actually what's happening.

Let's look at it closely, line by line, and the way Ed reacts, from the very beginning of the scene.

Ed: Well, feels nice to tidy up a little. Can't believe I was living like this. Can you, Iz? Izzy? Izzy: I'm going to speak plainly. Ed: Wonderful. You know we share our thoughts on this ship.

Izzy, cont: This, whatever it is that you've become... is a fate worse than death.

Okay. So there we've got what some have interpreted as a death threat. But does Ed seem threatened? He's startled, certainly, put on his back foot – literally – but he doesn't look afraid or alarmed to me. He draws in a slow breath, assessing the situation, but overall seems more confused than frightened.

In fact he laughs it off with his next line:

Izzy then escalates the level of aggression in the conversation:

But Ed, again, looks more confused than anything. Check out that furrowed brow, that head tilt! This is a man going "what is your deal?", not a man thinking "uh-oh, you might kill me!".

Extremely noticeably, even when Izzy storms right up into his face, Ed holds steady. He doesn't run, doesn't lean back, doesn't hunch his shoulders or drop eye contact – there is no vulnerability or defensiveness in Ed's body language at all. Ed is in supreme control of this confrontation – look at the slow way he deigns to turn back to the paper Izzy's holding! As though he's making the point that he chooses when to turn, not Izzy:

Then we have the "homophobic slur". But watch closely:

Ed does not react to "namby-pamby", "silk gown", or "pining" at all. He doesn't even blink. He barely seems like he's hearing Izzy. His entire attention is on the picture.

Ed's body language and behavior changes at one word and one word only, and that is "boyfriend". As soon as Izzy says it, Ed's furious:

(It's even easier to notice when you actually watch the scene instead of using gifs, because Izzy really draws out 'piiiiiiining', putting a lot of time between the first half of the sentence and 'boyfriend'.)

Why is the use of the word 'boyfriend' so important?

Well, what has Ed been doing all episode? He's been crying in a blanket fort and singing sad songs, yes, but he's been keeping a careful level of mystique about why he's doing it. Ed often uses distanced circumlocutions instead of directly acknowledging his emotions, but he's doing it in this episode even more so than usual:

Here are the lyrics to his song:

(Version one, with Lucius) Hanging on By a thread Hanging on Shouldn't let go If I let go, all will fall Fingers bleeding down to the bone now Can't let go Nothing makes sense Hold on Hold on Hold... on

(Version two, performed for the whole crew) Just let go Make yourself let go Make it go away Away, away today Life's a hard sad death And then you're Deaaad

Notice something? There is no mention of Stede, or love, or break-ups, or abandonments, or relationships in general. All Ed discusses is a vague life-sucks attitude, which could apply to basically anyone under any circumstances. He seems pretty okay with people knowing that Blackbeard is having some sort of weird emotional breakdown as long as he convinces himself that no one knows it's specifically from having his heart broken

This is true of everything Ed says and does for this entire episode. He never once even mentions Stede's name, unless "Farewell, Bonnet's playthings" at the very end counts. The only thing Ed openly admits to feeling bad about is a fictional character who's having a hard time "holding on" (holding on to what? he never says). There are no allusions to heartbreak or romance anywhere in his dialogue.

Now, Ed's not stupid. I'm sure he knows Izzy and Lucius and the rest of the crew can connect the dots and realize that something bad happened with Stede, even if Ed doesn't fill them in on the details. But Ed is also traumatized, and has a whole host of coping mechanisms set up to help him avoiding thinking about things that he doesn't want to think about. If he's not a murderer because "technically the fire killed those guys", then no one knows he's heartbroken because technically he hasn't acknowledged it.

Until Izzy says the word 'boyfriend'. Suddenly the secret is out, and Ed can't handle it. Izzy knows his weakness. That's why this word effects Ed more than anything else Izzy says in the whole scene.

At the end of the confrontation, he hears the crew calling for another song. Look at Ed here. He looks as haunted, as disturbed, in this moment as he does at any point in Izzy's rant.

This is an important part of the scene, not just a closing note. Because if Izzy (the Caribbean's most emotionally constipated man) can see through him, obviously the whole crew can too.

Obviously Lucius – who advised Ed on his and Stede's relationship, who played along with Ed's 'fictional character' claim, who wrote down Ed's lyrics – can do so most of all.

There's a direct emotional logic to Ed killing Lucius because he had a fight with Izzy, and it doesn't involve Ed having been threatened or hate crime'd at all. Ed doesn't deal well with his own feelings (from Stede), so he chooses to become Blackbeard/the Kraken and gets rid of all the witnesses who saw otherwise.

532 notes · View notes

carolmaximoffs · 4 years ago

Text

teacher’s pet

summary: ransom gets a tutor per his parents meddling, lest his family pull all financial support.

pairings: college! ransom drysdale x virgin! reader

warnings: cussing, dirty talk, sort-of public sex (fingering... in a library...i’m sorry), reference to drinking, brief brief mention of hookup! (not w reader), loss of virginity, oral (f! receiving) uhh it’s filth alright it’s innocent reader and ransom drysdale what did you expect

UNPROTECTED SEX BUT THIS IS A WORK OF FICTION SO PLEASE WRAP IT UP

a/n: per request by someone who’s no longer on tumblr, but i wanted to finish SOMETHING in my drafts. (i started this in...gosh, august? it’s way overdue)

You’ve got to be kidding me, is the first thought to bounce across Ransom’s brain when he walks into the library that evening in January. It’s practically deserted, except for one occupant of a back table. You’re huddled over laptop, doesn’t even notice him walk in. He studies you from the doorway for a moment.

His second thought is, she’s kind of cute. He pushes that far, far away and all but stomps over to the table. You look up with a start when he clears his throat, sliding out the chair across from you and dropping his bag unceremoniously onto the table.

“Lets get this straight,” Ransom declares, folding his hands together into one fist and tucking them under his chin. It’s a move his mother had pulled in many ‘I’m-not-trying-to-control-your-life-but’ conversations. She usually paired it with an exasperated and slightly pouty look meant to guilt him into seeing things her way. He pairs it with a glower. “I don’t need a tutor, I don’t want a tutor, and quite frankly, I don’t even want to be taking this fuckin’ course. However slash comma, I need this course, so I can get the degree, build some shit from the ground up like everybody else, blah, blah, blah. So. Let’s get started.”

The girl across from him just blinks for a second. Maybe he did come off a little harsh, but he didn’t say anything that wasn’t true. You blink for a little longer, like you’re confused. Ransom is just about to ask if you’re deaf when you speak up. “O-okay. Right. So, I spoke to your mother-“

“Fucking fantastic.” You glare.

“I talked to your mother and she-“

“Wait a sec,” Ransom interjects for a second time. Your eyes get wide, like you’re about to lunge across the table and strangle him. “What’s your name, sugar-tits?”

You pull a face at him, somewhere between murderous and disgusted. “Y/N. Can you please stop interrupting me?”

Ransom only smiles, and you continue. His mother had emailed you in depth, evidently. Told you all about how he failed last semester, desperately needs the credit, et cetera, et cetera. Great. It sounds almost rehearsed, though, not as nervous nor hesitant as everything you say after. He gets the feeling you don’t quite know what to make of him, yet, and he intends to keep it that way.

—————————

Be-beep. Be-beep. Be-beep.

Ransom sweeps his arm out wildly; he hears the thunk of his water bottle and the rattle of the aspirin bottle he’d preemptively put out as they hit the floor.

Be-beep. Be-beep. Be-beep.

Finally, he manages to grasp his phone, the source of the wretched noise. Christ, his head is pounding, but he swipes to answer the call without even looking. He blinks through his migraine in the gold evening light as he croaks out a hello.

“Where the fuck are you, Hugh?”

He looks at the clock - right, right. Ransom forces a laugh through his dry throat. You’re pissed, and rightfully so. “Ransom, please, princess-“

“Don’t ‘princess’ me, prick. This is the third time this week. I’ve been at the library for thirty fucking minutes!” You hate him, hate him, hate him, but it’s been a handful of weeks now, and you know he’s positively beaming on the other end of the line. “I talked to Marcus-“

“Sweetheart,” He tries again, reaching for his water, “Marcus? C’mon, what’d I say about talking to my friends-“

“And what did I say about getting drunk off your ass the night before we’re ‘sposed to meet up? Ransom,” And you’re so angry your voice shakes and blurs with it, with the disappointment, and oh, that shouldn’t make him stir. “Seriously. Get your ass down here. I’m not letting Linda fucking Drysdale down.”

Ah yes, Little Miss Perfect, Future Miss CEO who idolizes his mother. There’s a little click as you hang up, and Ransom chuckles to himself as he takes a swig of water. He’s really considering meeting you, too; he’s just about to slither out of bed, throw on some clothes, grab his textbook. Then his latest conquest sits up beside him and stretches tanned arms, shaking long curls from her shoulders.

“Hope that wasn’t your girlfriend. I was really hoping for a round 3.”

And hell, who is he to deny a lady? (An asshole, and a liar, and an unreliable piece of expletive along with a few other colorful insults, according to the myriad of texts from Y/N. He puts his phone on silent.)

—————————

“I’m not shocked you failed this chapter twice in a row,” Your murmur as you trace your finger under the header “Strategic Differentiation is Key: Listening to and Working with Others”. It’s late spring, the library a little more crowded as more students brave the trek across campus. He sits beside you, instead of across from you, now, thigh to thigh. “You only talk to people if it benefits you. Actually, strategic differentiation is beneficial, so I guess I am a little shocked.”

“I never wanted to be a businessman,” Ransom shrugs, leaning his chair back on two legs. Your brows furrow, and you set your pen down hesitantly, like you know they’re broaching a tedious moment. The sort of thing that doesn’t occur often - Hugh Ransom Drysdale, being vulnerable. You’re quiet, though, and he finds himself continuing.

“I wanted to be a writer like my grandpa,” He admits softly, and he doesn’t know what’s made him say it - did he hit his head in his sleep last night? - but it’s out there. It hangs between them heavily. Your fingers curl around the edges of the textbook they’re sharing.

“I...That’s really sweet, Ransom,” You murmur finally in that stupid, adorable, fucking annoyingly soft way of yours. “Really sweet.”

“Yeah, whatever,” Ransom scoffs. He shrugs it off, like everything else, shifting and slinging an arm over the back of your chair. “Tell me something you’ve never told anyone.”

“I-What?”

“You heard me. I told you something, you tell me something. Call it leveling the playing field. An eye for an eye.”

“‘An eye for an eye leaves the whole world blind’,” You mutter uncertainly. You remain silent for a beat too long afterwards. Ransom leans his weight on his forearms on the table, ducking his head to speak in your ear.

“C’mon, what are you? A virgin?” He laughs at his own clever jab, but when he sits up, you still aren’t answering, face mortified. Ransom gasps exaggeratedly, grinning wickedly at his own fortune. “You are. Holy fuck. You’re a goddamn virgin.”

“Not so loud!” You hiss, slapping at his arm. You want to puke right into his stupid lap. Not that there was anything wrong with being a virgin, but hearing him say it like that... Damn him, you think, and then you huff, “Damn you.”

“Aw it’s okay, princess,” Ransom coos, and he’s mocking you, you know he’s mocking you, but something sparks in your stomach. He pinches your cheek in the way old ladies do to small children. “Nothing to be ashamed about. Not like you’re a junior in college and perfectly pretty enough to find yourself a hookup. What’s the hold-up, sugar?”

She presses her thighs together. Ransom pretends not to notice, still intent on an answer. Consumed with a combination of embarrassment and need (though mostly the former), she shrugs. “Just...waiting for the right guy, I guess.”

Ransom snorts, as if to tell her “that’s a waste of time”, or maybe because they both know it’s bullshit. But he utters nothing more on the subject, and instead picks up his pen.

“So, I think this is what tripped me up here...”

She can’t focus on his question. His free hand is tracing funny little patterns on her knee.

—————————

“Ransom....”

“Shhh,” He huddles closer to her, hushing her wary pleas. They’re at a different table, today, further in the back. He’s got a hand slipping up beneath her skirt. “Just trust me, princess. Keep on teaching me, while I teach you.”

And she does; her voice trembles, be it with nerves or need, as he dips his fingers beneath her panties. Ransom traces over her clit, teasingly, just to hear her stumble over the sentence she’s trying to explain to him. Fuck Management Skills - he was managing just fine, if he did say so himself. He prods at her entrance, gathering her slick on his finger tips, before sliding one slick digit in to the hilt. She makes a sound somewhere between gasping and choking. Ransom grins uncontrollably, ducking his head into her neck.

“So wet for me already, princess,” He whispers, a second finger joining the first. She bites her lip as he teases a third, so soon. “Come on. Focus.”

“Ransom, I can’t,” She half-whines, pages crinkling as she grips the textbook desperately. She squirms, but he’s unrelenting. “Please, we’re gonna get caught...”

“Not if you stay quiet,” Ransom replies gruffly. He experiments, just a little; they’d been making out before, after, during their sessions for a couple of weeks now. Each time, he grew bolder. Ransom hooks his fingers one instance - pumps them rapidly the next. When she’s come apart all over his hand, receiving a pinch to her oversensitive clit just to see her flinch, your lip is bleeding from biting so hard.

Ransom hasn’t learned shit about delegation, but he knows now how to make her cum.

_______________________

You’ve never been to Ransom’s before; of course, he’d swung a small apartment just on the edge of campus. Your skin trembles even as you try to steel yourself. You know Ransom hadn’t asked to relocate your tutoring session because he was tired. The two of you had practically finished the course, anyway, and he really was grasping it without your guidance at this point. You weren’t naïve; he wanted privacy.

Your suspicions are proved right as soon as you step inside. The moment you’ve toed off your shoes, he’s sweeping you into a heavy kiss, fingers twisting into the hair at the nape of your neck. His thumb presses into your throat; just pressure, nothing serious, but you still squeak. Ransom all but growls, free arm hooking about your hips.

“Jump, honey,” He says into your mouth, and you do, legs tight about his waist. He carries you through the apartment without a hitch; you knew there was some beef hiding beneath all those damn sweaters. You’re dropped a little carelessly onto what is unmistakably his bed; of course the bastard’s got silk sheets. Ransom tosses his shirt somewhere behind him, sliding cold fingers beneath your shirt. “This alright?”

And you half think it’s sweet of him to ask, but you also know his mother, and would frankly be surprised if he didn’t ask. Embarrassment and, honestly dignity out the window, you arch into his touch. “Please.”

Ransom makes quick work of your pants and undergarments; he’s still clad in sweatpants that probably cost more than you want to imagine as you lay naked before him. He looks more like a predator than ever, expression absolutely ravenous as he levels his face with your dripping center.

“Oh, I’ve never-” You stutter, face burning as he looks up at you as if bored with your voice. When Ransom speaks next, his breath has goosebumps crackling down your thighs.

“I know, baby. Just let me take care of you, hmm?” And all you’re capable of is a rigid nod before you’re throwing your head back as his tongue traces figure eights on your clit.

“Fuck!” You cry, and he hums something akin to a laugh into your core. His thumbs spread you open further as his tongue laps at your impossibly wet entrance; when he sucks at your clit, you almost scream. Ransom, still teaching himself your ins and outs, reaches up to tweak a nipple, and you thrash. That’s when he sits up.

“Was so...close...” You pant, bringing your chin to your chest with more effort than should be necessary. His weight has left the bed; he’d stood to rid himself of his pants, unsurprisingly having gone commando. You’re gifted with the glorious sight of his impossibly thick thighs as Ransom smirks, pumping his thick, leaking member lazily.

“When you cum today, baby, it’ll be on my cock,” The blond promises darkly as he clambers back onto the bed. His bulbous tip slides up and down between your glistening folds, and he groans, basking and unashamed in his own arousal. “And only...gah, fuck....only on my cock.”

You whimper in response as he pushes right in to the hilt. He wiggles his hips, swivels a bit; you’re unsure of whether it’s to fuck with you or make sure he’s snug within your throbbing heat, but you moan none the less. Ransom takes this as the okay to begin thrusting, and any discomfort quickly dissipates as he thumbs at your clit in tight circles. For the first time since you’d met him, there’s not an ounce of snark or irritation; he swings a knee over one arm, managing to angle up against your sweet spot each time, and your hands scrabble for purchase on his shoulders.

“Ransom...fuck, Ransom, please, I-” You whine as he pushes your knee toward your chest, pounding you ever harder in juxtaposition with his soft shushing.

“I know, princess, I got you,” Ransom grunts, forehead sweat-slick as he presses his face into your neck. He nips, just barely, breath coming hard and heavy. “Just let go, baby, right there with you, c’mon...”

With a cry that has Ransom clapping a hand over your lips, you cum, legs practically vibrating as you thrash with the force of it. Ransom’s hand doesn’t leave your clit until you’re nearly sobbing from the overstimulation; just like he’d promised, moments after your own orgasm, he slips out of your channel. You can’t truly identify the feeling swirling in your gut as he spills his seed across your torso, nor as he trails two fingers through it and brings it to your lips.

“Hey,” Ransom heaves after a heavy silence, the both of you still naked with his fingers still being laved by your tongue. “Did I ever tell you about my A in Management? Grade went up like, two weeks ago. I told you that, right?”

You bite down on his fingers in reply.

#ransom drysdale x reader #ransom thrombey x you #ransom thrombey x reader #ransom drysdale x you #ransom drysdale smut #ransom thrombey smut #carolmaximoffs #ransom drysdale au #knives out

391 notes · View notes

feeling--pink · 4 years ago

Photo

Recently I decided that the fireside girls are phenomenal and deserve much more characterization than they got in the show. I’m very sorry for how long it took me so long to realize this!

Anyways to start off here’s some casual clothes since we never saw them outside their uniforms in the show!! Explanations for each under the cut as per usual! :D

Just a disclaimer that while I used every scrap of evidence I could find from the wikis and rewatching the failed pilot episodes that I did have to make some stuff up for these. In the future I hope to build on what the show gave us for more fully fleshed out characters but until then here’s a start!!

Gretchen

I should let y’all know now that I did base their color schemes off of those in act your age! But I gave everyone a secondary color as well (if they didn't already have one)

Gretchen, according to the wiki is “Extremely Smart, happy” (extremely smart being unique)

She is also the only (known) one with the Saying A Word No One Else In The Room Knows Patch

From that we can take that she’s in the same sort of archetype as Huey Duck, Violet Sabrewing, Frida (hilda), Clemont (pokemon xyz), etc.

So I tired to base her outfit on them!

In this case it’s mostly Huey, Violet, and Frida because pokemon outfits follow different rules

Violet and Frida’s outfits are more similar because they’re what I consider “comfortable”

And while I love their designs I decided to go the other route!

The other route being Huey! Aka I wanted to give her a polo shirt skjdfhgk

Besides, for Gretchen’s age up design I think her outfit fits in the same category as Violet and Frida’s do! So we’ll get there eventually!

But anyways yes, I took the polo shirt from Huey then decided I should probably give her pants because she isn’t a duck where its socially acceptable to not wear pants sksajdhfgaks

So yeah a pleated skirt just seemed the right way to go yes? :D

Katie

Yes Katie is wearing crocs

Why you may ask?

BECAUSE WHAT ARE THOSE SUPPOSED TO BE OTHER THAN CROCS

LISTEN- I tried, I really did, to come up with something other than crocs

But I couldn’t hecking do it

Well I couldn’t without ignoring this part of her character design which is 90% of what I have to go off of

Anyways from her wiki entry her personality is described as “Kind, helpful, cute”

This makes cute her only unique trait among all the fireside girls (except technically Isabella)

She’s also the only (known) one with the semaphore patch (that isn’t on her wiki but it is stated in bee story)

btw this is totally unrelated to my design but I’m thinking what if Katie got into color guard when she’s older? skjdhfakasj idk I think she would like it

Anyways!! At another point in the wiki it mentions her “running gag” (running gag in quotations because it only happened once I watched the episode specifically looking for this) where she says/does unusual things to get a glance from the other girls

I’m taking that to mean she’s silly!!!!!

Hence the crocs sksjdhfak

The overalls just seemed to fit her nature, and like I know Baljeet already has overalls but she’ll fight him for it k? skjhdsak

Milly

I’ll say here that Milly and Holly have the least characterization from their wikis which I’m very sad about

Okay so Milly’s “Kind, helpful, Happy” (no unique traits), is bad with secrets (operation crumb cake), and has one more Help Thy Neighbor patch because she went back to Phineas and Ferb’s house after everyone left at some point

Unfortunately from first glance we don’t don’t have a lot to go off of character design wise with these

However!! I know another character who's bad with secrets, helpful, and wears a bow in her hair!! That's right- Webby Vanderquack (btw very sorry to anyone who hasn't watched Ducktales I’m gonna keep bringing it up because I love it a lot I’m sorry)

So I loosely based this design on Webby’s! Aka dress shirt thing (in this case, a blouse) and a skirt that I think is neat!!

Webby’s design leans more into her nerdy side and so I made Milly’s lean toward sweetness!! (not saying Milly isn’t nerdy, there's just no evidence to suggest that she is so I didn’t lean into that) (also that would be too close to literally just drawing Webby’s outfit which I also didn’t want to do)

Holly

I’m restating that Holly and Milly get practically nothing from their wikis (Holly getting the least)

Like “Kind, nice, helpful” -The P&F wiki on Holly

Go girl!! Give us nothing!!!!!

skjdjhf okay but actually there is exactly one thing we can get from the wiki

While she doesn't have any unique patches, if we look at my patch reference sheet below

You may notice that for all the patches that 3 people got; Gretchen and Holly have all four (Ginger being replaced with Adyson for the Rodeo Clown patch)

In conclusion: Gretchen and Holly are best friends.

Look I know I’m blowing this a little out of proportion, but they gave me literally nothing so I’m running with what I have

Anyways!! I’m taking Gretchen and Holly being best friends as Holly is also wicked smart!!

So in conclusion that all adds up to I’m also making Holly’s outfit nerd-esq because I can

This time basing it loosely of of Satsuki from My Neighbor Totoro because she’s who I think of for an orange and yellow color scheme!

(she also gives me Boyd (DT again) vibes from the color I chose for the shorts though haha)

Adyson

Starting right off the bat the wiki gives us “Sometimes comical, helpful, accident-prone, nice”

Accident prone gives us bandages

Adyson also has the unique patch of the appliance repair patch

She also used to have the record patch for earning six patches in one day before Candace broke that record!

So I gave her running shorts and a sleeveless hoodie because I take that as she’s slightly sporty (athlesure but more casual)

Adyson was really much more straightforward than the others

I had an idea in my head that made sense so I went with it, y’know?

Ginger

okay but WHY IS GINGER SO TALL

I’m not even talking about how much taller I made her here because I was basing it off of the show!!! She’s stupid tall!!!

And like I know Stacey and her mom are both tall so of course she would be too but LOOK AT THIS

I MEAN ?????? BRO-

Anyways moving on! :D

I REALLY liked her light blue and indigo color scheme in aya so I tried to keep that!

I wish I could have incorporated a little more light blue but with the style of dress I went with that wasn’t really possible

Speaking of her dress!! Why’d I do that you may ask?

I dunno I thought it looked cute!

Listen- I love giving explicit reasons for each and every choice I make, but honestly there's usually a point where I have no ideas and go “eh its cute”

and thats what happened here!

Thanks for reading if you got this far!!

If I missed some details or you have ideas please come talk to me!! I really want to do a good job for these guys (they absolutely deserve it) and could use all the help I can get!

#fireside girls #the fireside girls #fireside girls troop 46231 #gretchen pnf #katie pnf #milly pnf #holly pnf #adyson sweetwater #ginger hirano #my art stuff #once again im mostly talking under the cut!!#I really want to do a good job for these guys so feel free to talk to me about them!!#also rip Isabella im sorry I didnt include you #to be fair she has plenty of characterization and plenty of yall love her #but shes important to these guys so she'll probably show up more as I continue with these guys!!#fun fact this all started because I was looking at the firestar girls designs for a personal project #and I wanted to see if there was more information on them for their personal wikis #which opened my eyes to how little these guys have on said wikis #which is a crime!! so once again sorry it took me a while but I care them and promise to do my best for my interpretation!!!#k I think thats it bye folks!! :D #phineas and ferb #phineas & ferb #pnf

107 notes · View notes

galadrieljones · 4 years ago

Text

The Walking Dead: Episode 4.12, “Still” Rewatch

So I rewatched “Still” in honor of the Stilliversary tonight. My thoughts are not related much to Team Delusional stuff, more so just thoughts and idle analysis, but I had fun and definitely did not cry.

Here we go!

Beth is already feeling it, right away, after the trunk scene, ie: what he must think of her. She’s just another “dead girl” who needs to be protected. It is both insulting and embarrassing at the same time.

Daryl misses that squirrel and breaks an arrow! Dammit, Daryl. This is just another trial, but it’s interesting in how we see Daryl in like rote provider mode, and yet he makes a mistake.

The suck-ass camp begins with some Garden of Eden imagery: While Daryl skins and cooks the snake, Beth is admiring the beauty of a ladybug crawling on a leaf. The music is actually full of wonder. Beth sees the beauty in the natural world while Daryl sees it only for what he can use. It is an essential masculine vs. feminine moment, in terms of their individual themes, and what propels them and their actions. Their masculine and feminine energies will be subverted later though, and well-complicated, because the writing is good.

Beth brings up Hershel’s death early: “He’s not exactly around anymore so...” She wants to have a drink, maybe to rebel against her father, maybe to honor his memory, maybe to seal her own fate. It is a complicated choice for Beth. It’s not just some “dumb college bitch” moment. She knows this, but how is she supposed to communicate it to Daryl?

Daryl is like an animal eating that snake while Beth tries to talk to him. Literally, out of body. I imagine being her and just like, Ugh. Gross, dude. Then, when she leaves, Beth totally expects him to come after her. When she doesn’t see him right away, she mutters, “Jerk.” She called him a jerk in season 3, too, after he takes off with Merle. I think Beth is used to being treated nicely by boys. Ofc, Daryl, while he may not be an overt gentleman in his scarfing of that disgusting snake, was there watching her the whole time.

“You wanna spend the rest of our lives staring into a fire and eating mud snakes? Screw that. We might as well do something.”

I sort of missed this before, the mention of “the rest of our lives.” It is a small acknowledgement that they are now “stuck together.” Ofc, Beth’s idea is to “make the most of it,” to go out into and DO something! Embrace the future! Daryl sees only the here, the now, and the past. He would prefer to stay still.

Unrelated but: God, Daryl is peak hot in this episode.

Anyway, so, the state of Pine Vista, and what happened there. Jfc. It’s very ugly and very sad. The Dogtrot seems a reference to a dogtrot house, which is an old Appalachian style home. Basically like two shacks connected via a breezeway. I see some sort of backcountry types having moved in here and tortured the rich folk. There is evidence that “fun” was had. “Rich bitch,” etc. Maybe it’s the same psychopaths who tormented the OG Terminus crew, ultimately turning them into crazy cannibals.

Beth finds the Washington D.C. spoon. Why?? It’s such an odd, pointed shot, with a slow zoom. Is that where we’ll find her? Does anybody else know anything about this?? Anyway maybe this is a TD post lol.

Beth finds that bottle of wine and it’s a shame she has to break it! I remember feeling so bad about that the first time I watched this episode. Like NO BETH YOUR BOOZE!! She uses it to stab the shit out of that walker though, and to defend herself. She’s kind of pissed at Daryl for not helping her, again used to only the kindest of attention from boys. But Daryl isn’t like other boys (lol). He was there the whole time, once again, but he let it play out, because he knew she could do it. I like that her first (almost) drink here sort of has to become a weapon instead. Nothing is ever easy! And sometimes, the environment IS best observed, not in terms of its beauty or promise, but in terms of how its use can best be served to survive.

Tempus Fugit - Time flies! Oh, yes. Yes it does lol.

Daryl and Beth both need to escape their old selves here. Beth with her pretty cloths and Daryl stealing the cash and the jewels. They need to shake that shit off. Burn it all down, if you will. I think this episode we mostly associate with Daryl changing and having his epiphany, but Beth changes, too. She is just quieter at it.

It is 3 o’clock! The grandfather clock is this interesting motif that puts pressure on the situation literally while also bringing the symbolic pressure of time passing, running out, etc. It makes us feel detached from reality, like this is a purgatory episode. I like when The Walking Dead does this, like when they take us to a new place in which we become critically aware that this thing we’re watching is fiction, and by the rules of fiction, anything (ANYTHING) can happen.

“I know you think this is stupid, and it probably is, but I don’t care.” She just is who she is. She doesn’t give a shit what he thinks. I think that attracts Daryl to her in this moment and emboldens him. I think Daryl actually really cares what other people think of him, that he is keenly self-aware in this way. We see this fear manifest as Merle in Chupacabra, ie: that the rest of the group thinks he’s a “freak,” a piece of “redneck trash,” and that they’re all “laughing behind [his] back.” Meanwhile, Beth is just like, “You probably think I’m just some dumb bitch. But guess what, Daryl? I DON’T CARE.”

Beth sitting at that bar trying to clean out glasses: “Who needs a glass?” She clutches the bottle longingly and then cries. I would argue she is thinking of Hershel and the line of questioning that arises in this moment. Should she do this? Is she betraying him? This moment also contradicts what she tells Daryl in 4.1. “I don’t cry anymore Daryl.” This is the moment that breaks him.

Beth keeps trying to make him feel normal, while they’re walking to the shine shack. She thinks he used to be a motorcycle mechanic. But Daryl’s normal is not hers, and he doesn’t really do small talk. In these little moments, we see him being who he is. Daryl is really good at being who he is when who he is revolves around passivity and silence.

They go from country club to moonshine shack. What we see is how a class divide might differ in longevity. A country club full of walkers, made out of humans who turned against each other, every bottle dry in the house vs. an empty shine shack, no death in sight, absolutely full of booze. When societal protections collapse around us, it is the ruthless and the bereft who will know how best to survive. It’s like Beth sad about Daryl, being “made for this world.”

They are trapped! Tropes. So many romantic tropes! Lol at people who would like to ignore that any of this happened or that Bethyl was never canon.

This:

Anyway, I think Daryl is actually pretty mean to Beth toward the end here, out on the porch, like the way he treats her, kind of tugs her around physically. He doesn’t hurt her, but he is not gentle. This puts things into harsh perspective for Beth, as I do think that, while he is not right in how he handles her here, he is right in some ways about who she is. She is not naive but she is used to protection and safety and relying on others, the same way he is used to the opposite of those things. Both of them need to learn how to exist from the other side.

Beth also sees what’s going on, however. I think she also might be used to this sort of quasi-violent, performative, drunken behavior. Her dad was a drunk. I think it’s interesting that so much of this episode hinges on alcohol in Hershel’s wake. I always thought this might be one reason Beth is drawn to and accepting of Daryl. We only really see Hershel while sober (I mean, mostly). We never saw him in his deep element of alcoholism, but Beth did. She is not innocent to vices or men spinning out of control. It’s why Beth responds to Daryl’s whole insane story about the tweaker and Merle with, “You miss him, don’t you?” She doesn’t care that Merle was a degenerate drug addict. He was Daryl’s brother who died. She has loved and lost an addict, too.

Before, Daryl was just “drifting.” In this episode, Beth gives him a quest. I think that’s very important. She also gives him something to look forward to:

“You got away from it.”

“I didn’t.”

“You did.”

“Maybe you gotta keep on reminding me of it sometimes.”

The hint at their future: “You gotta keep on reminding me,” he says, counting on them staying together. Beth is so kind to him here, too, even doting as she talks about him being the “last man standing.” I can’t imagine a girl has ever treated Daryl like this. I think she scares the living shit out of him.

Daryl suggests they go back into the shine shack, but Beth says they should burn the place down instead. Again, stillness vs. action. See their complimentary traits: Daryl is passive. He needs someone to tell him this is okay. Beth is active. She does what she wants. It is uniquely antithetical to their gender roles and subverts the power dynamic we might otherwise expect from a relationship like this: Daryl is older and a man. Ofc he should be the more aggressive, assertive one. The actor. But he’s not. It’s Beth who makes their choices in this episode. Daryl follows her and protects her along the way.

The ending is so happy. Oh my god. Anyway.

Thank you for humoring me. Happy Stilliversary!! 😭🥺❤️

#the walking dead #bethyl #daryl dixon #beth greene #daryl x beth #4.12 #still #stilliversary #❤️❤️❤️

58 notes · View notes

foryoumyheroes · 4 years ago

Text

Stan Twitter

[Midoriya + Todoroki + Bakugou + Kaminari] and their secret stan accounts.

A/N: Gender neutral reader and [H/N] stands for [Hero Name]. Aged-up AU and everyone is already a Pro-Hero. Kinda SMAU?

Disclaimer: I recently became aware that the word “simp” has been appropriated from AAVE. As someone who is not from the black community, I genuinely apologize and I don’t have an excuse for my ignorance. I am removing it from these hcs! I consider myself an ally (but I clearly have a lot of work to do) and it is my own fault for not educating myself, which I hope to do more of in the future.

I also have to give credit where credit’s due I love @myherowritings ‘s SMAUs and was inspired to write this from their works so please check them out if you’re reading this!

Izuku Midoriya:

Goes the whole mile. Has a [Name] stan account with 10k followers. Interacts with other [H/N] stans regularly. Retweets edits and compilations. Makes his own fancams and edits.

Vote [H/N] for the top ten @[H/N]might345 I am so lucky to be able to get the entire @official[Hero Name] x @Super_Groupies collaboration collection!! It sold out within minutes! 💨💨 It was kinda stressful haha. 😅 Thanks again to everyone who supported our favorite Hero! http://bit.ly/G4peUrTd36A

Vote [H/N] for the top ten @[H/N]might345 Thank you to tik tok user @rainbowinureye for giving me permission to post their playdate edit of [H/N]! It’s so well done and the cuts and the scenes line up perfectly 😊 http://m.tiktok.com/WrqKOXWpYbU

Vote [H/N] for the top ten @[H/N]might345 I made another [H/N] edit to the song “This is Love” by Illene Woods slowed and pitched version 😊💕💕 Please tell me what you think and how I can improve! http://bit.ly/dK9-c7QOcWg

Of course it’s edited perfectly with all of the clips synced up perfectly?? It’s a byproduct from his All Might days. He’s still sure to respond to every person who gives him constructive criticism on how to improve his edits.

Unintentionally becomes a meme?? Becomes known as the fanboy to end all fanboys. Like this guy is EVERYWHERE. He’s in the comments of every [H/N] funny moments and [H/N] battles but every fight is poorly edited to the sound of vines and every official interview posted by official YT channels.

Stream Fine Line @randomaccount360 The wildest thing about Twitter is that one [H/N] stan account that comes running whenever you mention their name.

Vote [H/N] for the top ten @[H/N]might345 replying to @randomaccount360 hahaha! I am here! 😁

High-key people think that he’s one of those stalkerish fans?? Like he’ll post pictures of you eating at super close angles that no other news site has and it isn’t like a pic a fan has asked for either... it’s like a candid photo of you shoveling back food

But you guys are legitimately dating?? He lives with you?? It’s just so embarrassing to know that he runs this popular stan account of you that you rarely bring it up asdfg ;; You ;; politely look away.

Vote [H/N] for the top ten @[H/N]might345 Isn’t @official[Hero Name] the cutest? Here’s them eating the souffle pancakes at Flipper's! It was super good! http://bit.ly/fQE__7riZko

Mashomallow @mashomallowfood replying to @[H/N]might345 OP how do you know what the pancakes taste like

Pinky step on me @Minastannn replying to @mashomallowfood OP pls respond it’s a legit question

thehighground @ayeyeye replying to @[H/N]might345 @official[Hero Name] if you are in danger please wink twice

OHH if you get hate?? He will respectfully put that person in their place in the most eloquent way possible. Five pages, doubled-spaced, MLA format, works cited page.

[H/N] > Deku >:( @[H/N]might345 It has recently come to my attention that people online have been saying that Deku is a better hero than [H/N] and I am here to say that is not the case. Not only is pitting two heroes against each other extremely toxic but [H/N] has shown time and time again that they are the more successful Hero. [1/24]

Show this thread

He exposes himself by being tagged in those “Get to know them better” trends and it wasn’t like he was ever hiding the fact that he ran the stan account so he has no problem doing it. He’s so casual with posting a selfie of himself and saying his name and likes and dislikes but the people who tagged him just thought that he was just a regular fan?? Not Pro-Hero Deku??

#WTFDeku is trending for a whole day in Japan.

It answers a lot of questions but opens up more.

Everyone legit thought that @[H/N]might345 was just a rich kid with a lot of free time this whole time. But no?? It was Number One Hero Deku?? Does he make the edits when he’s fighting villains or something asdfg

It makes him so happy though!! You guys would be chilling and his phone dings from notifications and he’s turning to you so happily like, “Look, [Name]! Another popular fan account retweeted my compilation of you! I can’t believe they noticed me!” Asdf i love this boy.

Shoto Todoroki:

LOOK even before you two debuted as Pro-Heroes he was your number one stan buying all the merch, watching all of the interviews.

Interacts with other fans occasionally. 5K followers. Verified by Twitter for some reason. Has a generic name like @[Name]snumberone and thinks that it’s polite to always end his posts with a simple :)

He’s told you about his side account before, but you know that he has one dedicated to Endeavor hate, so you always think that he’s referring to that one.

Horny on main for some reason?? People think that he’s socially inept and doesn’t really understand a lot of jargon or slang, but thanks to Kaminari and all of the other stans he’s studied up because he thinks that’s how you’re supposed to talk on the internet.

Like someone will post a pic of you holding something between your thighs like a water bottle or your phone or wallet while you tie your hair up or sign something for a fan and he’ll be like “goD i wish that was me.”

it’s photosynthesUS @queenking[H/N] Can you believe that there are people out there that don’t think about [H/N]’s thighs at least once a day?? coughcough anyWAY on an unrelated topic here’s several pictures of those beautiful legs http://bit.ly/pH6KeOjpKeI

[H/N]’s biggest fan @[Name]snumberone replying to @queenking[H/N] I can die happy if those legs suffocated me

[H/n]’s biggest fan @[Name]snumberone Another fan messaged me saying that they liked my account :) thank you. I love [H/N] more than anything.

[H/N]’s biggest fan @[Name]snumberone Someone messaged me this from a site called Archive of Our Own? They said since I like [H/N] so much I would like this. It’s pretty enjoyable :) although kind of OOC? (is that right?)

[H/N]’s biggest fan @[Name]snumberone I thought I would try my own hand at [H/N] fanfiction since it was so fun to read I binged the entire tag last night :) But please be warned that it’s not for underage readers.

Would try to fight the haters in the most passive-aggressive and aggressive-aggressive way possible. He had no problem with trying to square up against the chief of police and he’s incredibly stubborn. He immediately responds to their post and tries to shut it down as quick as possible and sometimes it’s ;; kinda hurtful

One time a hater account was spreading negative things about you and after Shoto came on the scene they quickly ended their thread with a “Of course [H/N]’s white knight came to save the day again 🙄🙄”

Within the next hour he changed his bio to “[H/N]’s white knight”

Doesn’t get that trend where after someone posts something thirsty about someone else another user will reply by thanking them for something random?

[H/N]’s biggest fan @[Name]snumberone Has anyone seen [H/N]’s arms after their most recent fight with a villain? They can break my back like a glowstick :) and stick their tongue down my throat ig

Stradandelous @pikadeegeek replying to @[Name]snumberone Thank you for paying for my anger management classes :))))

[H/N]’s biggest fan @[Name]snumberone replying to @pikadeegeek Oh, do you have me confused for someone else? I know that @realbakusatsuou needs anger management lessons

He gets exposed after someone posts a picture of you and him smiling at each other cutely and someone responds with “🥺🥺 get someone who looks at you the way Shoto looks at [Name] and soba. It must be nice to kiss one of the cutest Heroes of the century”

[H/N]’s biggest fan @[Name]snumberone replying to @bossbiccc Thank you but soba will always be number two to [Name] :) and it was nice.

Everyone then collectively LoSeS their minds and connects the dots like hUH?? You included!! You aren’t spared from this shit!! You spend your whole day with your jaw dropped to the goddamned grOUND as you scroll through his side account. Did he try all of that before or AFTER writing his fanfiction??

Endeavor gets news of it and learns just how horny his youngest son is and nearly goes into cardiac arrest.

He just slurps his soba when everyone under the sun confronts him about it and he’s just like “what about it?”

Katsuki Bakugou:

About 600 followers. Doesn’t interact with anyone other than retweeting posts and liking them. Rarely comments. Never answers DM’s. Only follows one person and that’s @official[Hero Name].

You don’t know about it. No one knows about it. If he had it his way, no one will ever know about it.

Occasionally he posts, but it’s mostly him flaunting the fact that he got limited edition or super expensive [H/N] merch that gets sold out in seconds and he’s super fucking smug.

my hero [Name] @[H/N][Name] check out my limited edition [H/N] figurine. their costume is covered in real strakowski crystals. they did a good job with the face too.

Whatcanisayyyy his parents are designers. He has a taste for the finer things in life.

He’s not much of a texter in general? So he doesn’t go off on lengthy arguments with people who post hate like the other two. Surprisingly mature when he does this. He reports or blocks them, but he’s always proud to know that these lowlife people can’t bring up a good argument because he always finds holes in their points. (They also don’t have the whole story. Which is? He loves you.)

NEVER retweets or likes content that involves you and another Hero being shipped together. Purely Ground Zero x [Hero Name] only. Who gives a damn that Creati x [Hero Name] got the most votes from the Official [H/N] Fan Club?? Bakugou ,,, does not see it.

Kinda boring really ;; he only has that many followers because he only retweets the BEST [Name] content and he’s fucking proud of it.

He gets exposed when you and he get dragged to a club with Bakusquad one day. You’re on the dance floor with Mina and Sero and he’s just reclining in the booth retweeting paparazzi pictures of you that night and Kaminari manages to sneak up behind him and takes a picture of him without him noticing. People ofc zoom into his phone screen and find out that hE FUCKING HAS A WHOLE STAN ACCOUNT DEDICATED TO YOU?? When y’all are dating?! He’s retweeting photos of you in your outfit that night when he was right there?? He sometimes uncharacteristically comments 🥺 or 😍 or “my love”???

The goddamned UWUs that are passed around that night!!

The unsuppressed anger 😨😨

Pikachu’s long lost son @NOTjammingway @realbakusatsuou YOU WERE THE CHOSEN ONE!! IT WAS SAID THAT YOU WOULD DESTROY THEM NOT JOIN THEM!!

Red Riot @theofficialredriot replying to @NOTjammingway The PLOT TWIST OF THE CENTURY! NOT EVEN THE SHARINGAN COULD’VE PREDICTED THIS

Cellophane @Serophanetape replying to @theofficialredriot No wonder he’s changed since our school days... 😔😔 as his bros we should’ve seen it... the good in him...the c o n f l i c t

Pro Hero Ground Zero @realbakusatsuou replying to @NOTjammingway Shut. The fuck. UP!!!

Pikachu’s long lost son @NOTjammingway ASDFGHJKLHELPMEEEEE http://bit.ly/DVtNve4qySA

Show this thread

woah pass that @hellofolksclapclap Transcription of @NOTjammingway’s post that was taken from his IG live for anyone that needs it 😊

[Chargebolt]: [to Red Riot] and anyway, I there I was barbecue sauce— [two knocks appear on his door]. Huh? [Red Riot]: [walking to the door] were you expecting anyone? [Chargebolt]: No—? [Door slams open loudly. It falls to the ground off its hinges.] [AHHHHASDGHSPE?] [T/N: how did he manage to keysmash in real life?] Bakugouuuu! [Screams impressively high pitched.] [Ground Zero]: I’m going to fucking kill you! [Red Riot]: Bakugou, no! Stop! What would [Name] think?! [Ground Zero]: [Name] can’t fucking look at me without laughing anymore! [A whole bunch of voices interlap and more screaming ensues.] [A faint ‘wheee’ is heard.] [END.]

Eventually he just fucking owns it and is like yEAH!! I HAVE A [NAME] STAN ACCOUNT WHAT OF IT??

hero for all @official[Hero Name] Love you too, @[H/N][Name] <3 <3

Pro Hero Ground Zero @realbakusatsuou replying to @official[Hero Name] ...You’re lucky I didn’t deactivate the whole fucking account.

He still retweets things to this day, but now he’s getting more bold.

Denki Kaminari:

Unlike the others his official twitter IS his [Name] stan page.

He’s going back and forth from posting about his battles, his promotional content, and then splits them all with retweets that are like “I’ve NEVER wanted to hold a hand so bad before in my life. I SWEAR!”

IMAGINE if he did have a stan account though. He would be going back and forth between his official and stan account and like fake beefing with each other.

Pikachu’s long lost son @NOTjammingway [Name] just defeated 28 villains today!!! FUCK👏ING👏TWENTY EIGHT👏 The talent in this household... the sexiness... 😳😳

i sent you my love pls respond @[H/N]steponme replying to @NOTjammingway Dude I’m going to steal your lover

Pikachu’s long lost son @NOTjammingway replying to @[H/N]steponme You wouldn’t dare 😤 😤😡

i sent you my love pls respond @[H/N]steponme replying to @NOTjammingway If that’s your lover why are they buying MY animal crossing turnips?

Pikachu’s long lost son @NOTjammingway replying to @[H/N]steponme @official[Hero Name]... say it isn’t so...

hero for all @official[Hero Name] replying to @NOTjammingway What the FUCK is going on

Pikachu’s long lost son @NOTjammingway Replying to @[H/N]steponme They’re in your acnh island but they’re replying to MY tweets we are not the same

Since he’s a Pro-Hero and therefore a public figure, sometimes he gets flagged by karens on the internet for saying stuff like “pls sit on my face [Name]” on his official twitter and he always replies to comments that are like “Think about the children!” with “This AINT about them!!”

If his S/O is getting hate he’ll reply to them such as

dog mom coffee lover @lilyjargon920 I’m sorry I can’t help it, [H/N] is so ugly ESPECIALLY after a fight

Pikachu’s long lost son @NOTjammingway replying to @lilyjargon920 That’s a strange way to say that you’ve never gotten anyone hot and bothered

Flip-flops between being super horny and “Can i hold your hand ;;; PLEASE”

Whenever he takes mirror selfies in his bedroom his bed is like ;; half [H/N] plushies

Because he’s not hiding anything he’s able to interact with your page freely and most of the time his retweets get more likes than your tweet because he’s just randomly thirsty without it having anything to do with your og tweet.

He tries tik tok trends on you and reposts it on his twitter as well. He tried the “getting naked in front of partner” challenge while you were in the middle of working at your desk at home and you just looked at him like “Put some clothes on HOE” while laughing and getting back to work.

He posts Boyfriend ASMR POVs but most of them are like self-indulgent fanfiction and he’s talking to “[Name]” instead of making it open to everyone.

Everyone in Class 1-A clowns him so hard for this.

Present Mic plays one of them during his radio one day as a request from a listener and he had to leave the room but since he’s so loud his laughter was basically the only thing people hear.

183 notes · View notes

miraculouscontent · 4 years ago

Text

Ask Explo--

...you know what, you’re right. Name change effective immediately.

Askplosion #10:

(unrelated to everything by the way but I DEMAND THE ANON WHO MENTIONED “REMARRIED EMPRESS” A WHILE BACK COME FORTH AND ANSWER FOR THEIR CRIMES. IT’S SO GOOD BUT IT’S UNFINISHED AND I’M HOOKED, HOW DARE YOU)

Asks responding to previous posts:

It’s okay! I figured that was what it was but it’s been so loooong.

Ah, wow.

Um, that’s definitely not a part 2; I think that’s more like a four-parter/five-parter or something.

Sorry! No can do!

That’s totally fair!

I think the reason I so quickly agreed with it is like--

I’ve been watching the Inuyasha sequel and it’s not like I don’t think the narrative’s apparent punching bag Moroha (who is fourteen years old) shouldn’t be punished when she does something wrong/sneaky/manipulative, but they punish her as if she’s Miroku (who was eighteen years old).

Basically, I want the punishment to take the age into account, or at least only affect Marinette on a more personal level and not be “Heart Hunter” where they take totally understandable feelings of heartache (remember, it wouldn’t have mattered which miraculous she took because Hawk Moth got the Miracle Box and Fu regardless; even beyond her emotions, I feel like she chose the best option available to her considering which temps she knew the location of) and then punish her for them by memory wiping Fu and taking away all of her temps and giving Hawk Moth the grimoire translation.

Yes!! I really wanted to respond to this one, thank you! (It’s this one and then there was another one talking about Luka and Adrien, then talked to me about how I refer to Luka as “soft” but not in a bad way; I unfortunately don’t remember the whole thing.)

Ahaha, and yeah, I feel you. Anti-salters are a very strange conundrum I still haven’t figured out; like, I get not liking salt, but...

I mean, when I don’t like certain content, I just blacklist it. If I end up seeing it anyway due to cross-tagging or a lack of tagging, then I just blacklist the person themself. You won’t see me going after people for that very reason; I only see what people send/ask me if it’s content I don’t like.

I’m glad you’ve found some peace in this blog! Hopefully it continues to be that way for you in the future!

(and yay, a fellow INTJ!!)

New Asks:

There are female writers? ;P I just assumed they were all locked in a closet until the male ones were like, “okay, pretend to help us here, we need one female writer to claim girl power.”

As for Ladybug all like, “Cute, isn’t she?” I think it was rhetorical (she could also be messing with him but “Glaciator” tells us that she didn’t know he crushed on her so who knows). The writers do this thing where Marinette is all panic-y and occasionally self-conscious as herself, but then as Ladybug, she suddenly gets a bit of an ego. I think it’s meant to be there in order to make Chat Noir look less... idk, “obnoxious” when he starts boosting his own ego; trying to balance the two by giving them both big heads, so to speak.

Honestly, I feel like Adrien needs less screen time. :|

Even when he’s not on-screen, characters are usually talking about him, or you see his face in Marinette’s room/somewhere in Paris. I’m become so jaded by the guy that I don’t even think it’d matter if they remade the series and gave it a “totally good and interesting Adrien.” That’s how badly the show has made him out for me; “Adrien Agreste” the character is just... sigh, I’m so done with him.

And yeah, this whole idea about, “Marinette is [x], we need more AAAAAADRIEN!” comes off really bad, lol, especially when Adrien has very little going for him.

(this ask ends off like there should be a part 2 but there isn’t one in my inbox, so sorry if there’s meant to be something else!)

The exact lyrics according to the wiki:

My wish for a cat who's in love, with our own Ladybug. Is that he'll get what he's always wanted! She doesn't know she loves him, only sees Adrien, But Christmas miracles always happen!

Yeah, especially nowadays, those lines bothers me. Not only does it imply “true selves,” but that it’s Chat who should be getting what he always wanted and Ladybug is the one with a problem.

Like, excuse me?

Probably Stormy Weather, even in the first episode. Ladybug and Chat Noir couldn’t even touch her until they arrived on top of the TV station.

+ With all those effects and shots, it made it feel more action-y than typical episodes.

Marinette, Aurore, Luka, Anarka, Jagged...

basically any name that I haven’t really heard before (”Luka” makes me think of Vocaloid but the Luka there was female), or a name that relates a lot to the character (like “Aurore” for “aurora” since she loves weather things).

dfjbghfkdgfdgnjfdg this anon really like, “I NEED ANSWERS!!!”

It’s as if these characters hit 18 or something and just grow overnight, I swear. I’m hypothetically fine with some more variety in character height (it’s not like the show tries to be realistic, after all), but maybe don’t give us official heights if they’re gonna be this weird/inaccurate.

Especially when they change it just for the sake of a shot anyway. If you watch “Simon Says” when Ladybug and Adrien stand next to each other while looking at the picture of Adrien’s mother, the very next close-up has an obvious difference in their heights from what you just saw.

They’re 3D models!!! This shouldn’t happen!

I... honestly never thought of the “less threatening” thing! Dang!

And yeah, Marinette isn’t helpless or incompetent, but because of the Adrien crush, it makes her that way at times since she’s always falling on him and--

...ugh, actually, yeah, don’t wanna think about those implications. Hard pass.

Gross.

I’m not familiar with that one, though Astruc deletes his tweets all the time (there was one tweet where he confirmed that Luka was poor and it only exists in screenshots now because it didn’t get archived and he deleted it almost like he realized that he was pointing out the blatant classism in the show, oops).

Yeah though, I haven’t seen anything like what you’re describing. Sorry!

It’s okay! Sorry for having you clarify but him choosing and Marinette deciding to never give it back are very different things.

I don’t recall Chat Noir having much purpose in the final fight (in terms of both contributing and actual fighting; I know Cataclysm broke the object to release the akuma but was it needed?) so Marinette might either go cat-less or get a temp. Plagg could also be helpful in his own right because he’s small and blends in with the night, so he could hypothetically sneak up on the bad guy.

Afterwards, there’d need to be a new cat, but Adrien would also have to reconsider his actions and really think about what happened. I could also see Plagg going to Adrien’s house, half to apologize for giving the idea to Adrien that Adrien leave without telling Ladybug, but also half to call him out for giving up without consulting anyone. Adrien is a lot of conflicting things (see Adrien’s passivity compared to Chat Noir’s recklessness) so he’d have to find a middle ground within himself.

Marinette might carry Plagg around in her purse for a while and let Plagg have a say in who he goes to. Plagg might grieve for a bit over not having Adrien around (even if Adrien was flawed, Plagg didn’t ask for any of this so Marinette is doing her best here).

O-oh.

That’s always the rough patch with “endgame ships.” Once it’s obvious to the audience that they’re endgame, no more effort needs to be put into them.

The other thing too is how Kagami, for example, is friends with Marinette. Even once Adrimi sinks, she’ll presumably stay friends with her. Luka, meanwhile, is Juleka’s brother.

They have lives outside of their love interests. Adrien is so into Ladybug that he doesn’t have that; I mean, Nino is Adrien’s best friend like once in a blue moon.

The entire class is just watching an episode and then calling on raised hands to answer what was wrong with what they just watched.

“Everything?”

“I mean, yes, but I’m sorry, you have to be more specific to get credit.”

I think Aeon herself is fine. It’s mostly just her transformed and that transformed name that I have a problem with (she doesn’t even look uncanny so I don’t get it). I heard there was something wrong with the name “Aeon” but searching the name doesn’t give me anything I would qualify as such so I have no idea. I just wish she was given a little less “I’m programmed to--” (makes her seem less sentient) and more “[anything that doesn’t have to do with pushing the love square]” because I feel like they might’ve done the latter to make her more “likable”? I think fans of anything usually like the “matchmaker” character provided it’s for a ship they like. Also strange that they make her a robot but Max and Markov don’t extensively interact with her, but that’s a nitpick and not a criticism of her character.

...I’m rambling, my bad lol.

(Ohhh, she was supposed to be a mummy? Like, foreshadowing her “dying”?? That went right over my head but I guess that’d be where the name Uncanny Valley came from? No clue.)

Best case scenario is probably the middle or the end of Season 4.

And yeah, it really doesn’t matter to me what they do with the love square. Marinette had gone through too much suffering and the show goes out of its way to show how much stress Marinette is being put under (and also keeping Luka away during episodes like “Gamer 2.0″ even when it makes sense for them to be there, as if trying to make sure Marinette doesn’t have enough moments with him to forget Adrien).

Like, ah, yes, I totally believe that Marinette is in a position where she can make reasonable decisions about her love life while all circles of her life are on fire.

If the Sonic movie of all things can have an interracial couple, there’s no reason why this show can’t, just saying.

And, even with Marinette, she’s white-passing (according to what basically everyone says, I’m really awful about recognizing race so this isn’t my field; I wasn’t aware that Ondine was Asian, for example).

Does Nadja count? Manon’s dark-skinned (I’m still not over the fact that all the kids in this show are dark-skinned; it’s not like it’s a problem from a representation standpoint - though all the kids are also all generically bratty/whiny so there’s that - but the percentages in this show are weird) while Nadja is really light-skinned, meaning either a dark-skinned husband or Manon is adopted.

Though I guess the problem then is that we don’t know, so there’s no established couple there.

Non-Miraculous Asks:

w-who gave you the right to say such things????

Uhhhh, that might be too broad of a question, I’m sorry!

I know this isn’t satisfactory, but I will say that my favorite genre is Fantasy/Romance (it’s why I adore Red Shoes so much; by the way, an anon asked for my opinion on that a while back and I will get to it! I’d need to watch it again to get screenshots) and my least favorite is probably Tragedy/Horror.

I don’t think I’ve watched enough to really be able to say? I’ve kind of been all over but I’ve never fully gone through any of them outside of Miraculous. I’ve seen bits of Sailor Moon, Tokyo Mew Mew, Star VS the Forces of Evil (don’t know if that counts), and I meant to watch Yuki Yuna is a Hero but never got around to it. I saw the entirety of Puella Magi Madoka Magica but you guys know how I feel about that one.

Maybe Cardcaptor Sakura by default then? It was definitely not perfect but I liked some of the character dynamics (I also have a clipcut of it - basically where I go through a series/movie and cut out parts I don’t like so it’s only good stuff - so I’m cheating a little) and the male love interest was a tsundere type that I actually ended up liking, which is really rare.

!!! That sounds sweet~ I know Sailor Moon is popular so I’ll definitely take your word for it on that one.

I would also accept a “reincarnated”/”destined lovers” trope if maybe the ship themselves are the one who set it up in the first place. I have a Lukanette AU, for example, where they basically got together and then prayed to the shrine of the renewal god that they’d “always be together,” which ended up allowing them to reincarnate over and over (as if they set up their own soulmate AU ;P) and continuously find each other.

Though I guess that’s not technically a “meant to be trope,” but still, it’s a form of it but where it was totally consensual on both sides.

Also, I finally thought of a show that ended with the ship I wanted: Gargoyles. I didn’t see the entire series, mind you, but I saw most of it and Goliath and Elisa were just... quality, I adored them.

+ With Beauty and the Beast being my favorite Disney movie, they fit right in with my tastes.

I forget that AangToph (I think the “official” name for the ship is Taang, but don’t quote me on that) exists sometimes, maybe because I’ve never shipped Aang with anyone; I’ve got no problems with the ship though.

Ugh, and this is what I mean when I talk about people who set up these reasons behind people shipping something based on what they saw a few people do. It’s like, “you only ship Adrimi/Lukanette to spite Adrienette!!”

Meanwhile, me having shipped all three at one point and then dropped off the love square.

Also, me shipping Zutara has nothing to do with it being dark/edgy because I’ve never seen it that way (intriguing, sure but dark and edgy? lol) and also avoid dark/edgy ships like the plague.

I still laugh at people who are like, “you can’t ship it because it’s not endgaaaaame!” as if shows can dictate how and why I enjoy something. Like sure, if you want to let a show/movie spoonfeed you how you’re supposed to feel, then by all means, go ahead.

I suppose people may be theoretically happier that way, but it doesn’t make for an analytic mind.

I legitimately thought that “AssClass” must’ve been the actual name for something until it registered with me what it actually meant.

And eh, I guess it depends on the comparison and how accurate the comparison actually is? Like, comparing Puella Magic Madoka Magica to Miraculous... they’re not really close at all, but comparing... idk, Bunnyx to Homura or the concept behind “backfiring wishes”... maybe?

(note that the rest of this post is more Puella Magi Madoka Magica salt so you can stop reading here if you’re not interested in that; I’m not sure if this is all the same anon but I don’t mind letting people vent so I let them go off~)

why can’t we just have nice things

I agree, and I give a little eyeroll every time it’s like, “oh, this person had [miraculous]”

+ even just in general, I feel weird about any show that mentions/implies that real world famous people are [x] or [y] in their show. It breaks my immersion; real world locations are one thing but when it’s specific people (unless they’re made up characters like Santa Claus) or games just--break me.

I also don’t know what to think when there aren’t magical boys but you have these magical girls in this frilly outfits/skirts. The demographic is girls so I presume the reason must be like, “you can look pretty and still beat people up” (;P) but having so many magical girl shows without a hint of a magical boy makes me suspicious that it’s for fanservice. Sailor Moon has Tuxedo Mask but I also don’t know what that guy did outside of the meme of him doing nothing so I’ve got no clue.

(edit: I should correct myself that I’m not talking about Sailor Moon specifically; I don’t know magical girls that well, though I do know there are ones clearly intended for fanservice (you could say that for anything, to be fair, but still). It’s just that I see things like super short skirts or very “questionable” shots and I’m just like, “hm”)

Hmmm, good question. I feel like there has to be a lot but I’m also the type who doesn’t watch a lot of TV lol. I’m just familiar with cliches and tropes and such.

The reason I try not to use “ism”s of any kind is mostly because it’s too broad. Like, you know how the English language only has one way of saying, “I love you,” but other languages like Spanish have multiple?

It’s like that, and sometimes I think it’s too easy to throw those words out there. A “small” (possibly completely unintentional/misunderstood) offense is sexism, and then a “large” offense is called the exact same thing. I’d rather go into why something is sexist than just call it that, y’know? The only exception I make is “classism” because I feel like that’s not as... I dunno, divisive?

Anyway, for that same reason, I can’t answer firmly that, “Madoka Magica is sexist.” I will however say that it makes me uncomfortable with how the show makes out the girls being emotional because they’re young and female and then proceeds to make their life a living hell before they’re old enough to properly answer to it (I know that’s the point but that kind of makes it worse?). It doesn’t help with how all the girls have different personalities, so it’s not like you have only “crybaby girls” who are being taken advantage of; it’s basically like... all girls.

Not helped is the fact that their soul gem not only deteriorates naturally, but it can also do so faster if the girl falls into despair, which then turns them into a monster (and I know it’s kind of like an akuma thing, but the fact that it’s only girls is... I dunno, it comes off wrong?). It seems cheap that the soul gem deteriorates no matter what so it constantly needs fed even if the girl is consistently happy.

I would probably opt for the show being centered more around Kyubey being new to this or something - like, magical girls are a new thing - and then have Kyubey being surprised because they presumed that the soul gem would deteriorate naturally since “emotions are powerful but destructive to the person having them,” but then all the girls team up and help each other work out their problems. Maybe the reason magical girls are usually alone isn’t even because of the grief seed (I think that’s what it’s called?) thing not being able to be shared, but because Kyubey intentionally separates magical girls so they can’t do what the main group is doing, but Madoka is so into the idea that, “We shouldn’t have to be alone,” and so she’s constantly pulling all the girls together, which keeps them healthy.

Maybe Homura’s backstory could be that Madoka originally was more sheepish and more afraid to put herself out there, especially since she was a magical girl (who are encouraged to go it alone), which is why their soul gems were both deteriorating; they were friends but kept more of a distance, or maybe they were a team but that’s all they were. Then Madoka gives Homura the last grief seed to save her and that’s what inspires Homura and makes her see Madoka as something more than a teammate, which is why Homura actively tries to save Madoka specifically (which then encourages Madoka to want to keep everyone together as friends).

In the case that Kyubey doesn’t separate them out of concern of fRiEnDsHiP, but for another reason altogether, and then it’s ultimately their own downfall when they allow the girls to hang out and realize that it’s doing a lot of good for them.

“cute and innocent”

That was exactly it. It’s on Kyubey’s trivia section on the Puella Magi Madoka Magica Wiki.

Before the anime's first dark plot twist aired, head writer Gen Urobuchi said on his Twitter account that the "Kyu" in Kyubey's name comes from the English word "cute". This was a lie meant to further mislead fans into thinking that Madoka Magica is an innocent happy show. In a later episode, it was revealed that "Kyubey" is, in fact, short for "incubator".

In my personal opinion, a spoiled plot can’t be “ruined” if it’s a good plot. If you told me that Kagome was trapped in the Modern era for three years and then decided to stay with Inuyasha at the end of Inuyasha, it wouldn’t/shouldn’t decrease the value when I finally see it for myself because it’s good. That’s not to say that everything should just be spoiled right out of the gate, but it’s saying that maybe your plot isn’t good if you have to rely on shock value to make it work??

I FEEL THAT “ASSIGNING IT TO THE WHOLE GENDER” THING SO BAD. It just adds to my “the girls all have varying personalities so it’s not like Kyubey’s only after emotional crybabies or anything” salt.

I have no idea about any of the stuff about the writers so I can’t confirm or deny them. I will very much agree on the target audience thing though, especially with the whole “keeping the dark plot a secret” because really? Who is this for then? Like, the first two and a half episodes are for one demographic and then the others are--???

I dunno. Me personally, I just like feel good stories. I do like some good conflict and drama (for context, Remarried Empress is basically a webtoon that gives you things to feel salty about and then makes its own salt fic as its plot, allowing for endless streams of feels and catharsis, so I’m definitely not against drama), but there are other times where I just want to feel good watching something.

I feel like the show expects the characters to be selfless/perfect and then punishes them even though it’s their writing that’s causing them to act out. I can’t really talking about “out-of-character” but sometimes it’s just obvious where “we did this because we needed a plot/conflict.”

Like, hello? We don’t need the main characters screwing up; why can’t we just have some feel good thing where they take the day for themselves (seriously, imagine a Miraculous episode where Chat Noir actually tells Ladybug to take a couple days for herself, like maybe someone else gets the earrings for a few days as a temp while Marinette gets to breathe; IMAGINE IT). Not everything needs to be high-stakes to be interesting and you need those calmer moments so that the action-packed ones feel more intense.

SAYAKA DESERVES BETTER.

I feel like the magical girl genre as a whole can be way more complex than it’s made out to be. I think people hear the word “magical girl” and think “cute girls in short skirts talk about girl problems and fight evil with the power of friendship and accessories.”

Ugh, just the mention of Rebellion makes me sigh internally.

Congrats on working on your own magical girl story! I hope it goes well for you!

I know it’s not technically a magical girl show, but there was also Totally Spies that Astruc worked on to some degree (I think there was some characters who were based on/a loose reference to the mains from that show but I don’t remember exactly).

The thing about the female characters suffering is that they could make for good lessons on positively directing one’s emotions (like Usagi from Sailor Moon, for example, maybe having a problem with taking her anger out on her friends, but learns that she can save that rage for the bad guys; “Gamer 2.0″ from Miraculous could’ve done that, honestly, by having Ladybug absolutely WRECK all of her gaming opponents in “violent” (cartoon violence obviously) fashion). It’s just a shame that it’s not taken advantage of.

Sayaka??? Selfish???????

*does not compute*

(Also, I wasn’t tired of them, don’t worry! It was a little overwhelming in my inbox but it’s me who’s allowing all the asks to flow in so the blame isn’t on you lol.)

I’m not sure where this obsession came from with, “you have to be selfless and you’re not allowed to use your powers for yourself.” It’s like the world’s going to end if a character leaves to go Self-Care or something. I think what happened is that shows got this idea that promoting only the giving of others is great and it’s not important to take time for yourself (even with “Gamer 2.0,” it was still Marinette playing games with everyone else, and they treated her dedication and seriousness like a bad thing when she literally did not have time to waste and they didn’t give a reason why it was good for her to take a break, only that she should).

This usually leads to the “demonization” of characters who sport a lot of self-confidence or any sort of ego. It works on both sides; Marinette is a punching bag because of her anxiety and occasional lack of confidence, but if she had an ego as Ladybug, there are parts of the fandom who deem her “obnoxious” (i.e: “Reflekdoll”). There’s a delicate balance between “be confident” and “be humble” and it’s a tightrope act.

#((Yes! This strategy works for not losing asks.))#((In other news--))#((I gotta test out this new microphone so I wanna do a ''Voiced Askplosion'' where I record my answers instead of writing them))#((Anyone who sends me a 🎤 alongside their asks will get a voiced response next time!))#((I probably can't answer everything but you know how it is~))#(((i swear that someone is going to do it just to see if they can get me to swear when I read out their asks)))#((or... like--))#((''ok i don't actually have a question''))#((''but plz say the words 'adrien and marinette are meant to be' because i want to hear how much u struggle to say it''))#category: salt #other: non ml talk #category: ramble #character: Marinette Dupain Cheng #category: fandom #episode: Evillustrator #character: Chat Noir #character: Ladybug #character: Adrien Agreste #character: Stormy Weather #category: me myself and i #category: staff #relationship: Adrien Agreste & Marinette Dupain Cheng #character: Aeon #character: Uncanny Valley #relationship: love square #MC's Renders #render: persona

37 notes · View notes

infinitelytheheartexpands · 4 years ago

Text

So a while back, @monotonous-minutia did a short yet comprehensive review of every production of Les contes d’Hoffmann they’d seen, and now, in much the same vein and because a) I think about this opera way too much for my own good and b) I’ve actually seen all ten available filmed productions of this opera (and several multiple times), here is my semi-replication but with Les Huguenots instead of Les contes d’Hoffmann.

And yes I am up at 5:30 on a Friday morning DON’T JUDGE ME

The Productions And The Unique Attributes That Come To Mind Immediately:

Sydney 1990: the OG for yours truly that was also Joan Sutherland’s farewell to staged opera so that’s cool

Montpellier 1990: the production that had strikingly-colored sets but gave pretty much everyone a form of one of three or so costumes

Berlin 1991: there is a wall. also it is in German. also pretty much the entire third act is cut for some reason.

Bilbao 1999: the production that had horrible lighting and that’s most of what I remember thinking tbh

Metz 2004: the one that had the monstrosity of a Black and White Checkered Floor and also fucked up the ending very badly and I’m still mad about it almost a year and a half later

Liège 2005: one of only two productions to follow the stage direction of Nevers sailing in on a boat at the end of Act III (the other was Bilbao). fittingly, Nevers looked like a pirate.

Bard Summerscape 2009: the production where the director looked at the libretto and went “this opera isn’t dark and violent ENOUGH”

Budapest 2017: the one that looks like it was operated entirely with Baroque stage machines and also GIANT WORDS

Paris 2018: what if we set this opera in the future

Genève 2020: what if we set this opera in a movie studio but not consistently and then shipped pretty much everyone with everyone else

Further thoughts under the cut:

Sydney 1990: as mentioned, the first production I ever watched. a great way to hook first-timers. the production is rather heavily cut but in such a way that if you don’t know the opera well it seems to flow quite nicely, cutting about an hour of music. Urbain’s insert rondo is included but slightly cut, the ballet is cut in half, the ball scene is not included. the cast is one of the stronger ones out there: in addition to Sutherland, who still manages to be impressive, both of the other main ladies (Amanda Thane as Valentine and Suzanne Johnston as Urbain) are excellent. the guys are all good too; special mention to John Wegner, who is one of the few Saint-Brises who doesn’t disappoint me. production is traditional, occasionally a bit static, but it works well.

Montpellier 1990: despite my nagging about the costumes and the occasional standing around, probably my favorite overall production. the ball scene is included; neither Urbain’s rondo nor the ballet are. other cuts (remember, this is before the critical edition) are minimal. the most consistently strong leading septet; all of the principals are towards the top of my favorites for their respective roles. production is traditional erring towards minimalist; this works surprisingly well. unfortunately there are no subtitles and the video quality isn’t the greatest.

Berlin 1991: this production is just so confusing to me. cuts are...confusing to say the least. almost all of Act III is cut; all that remains are the first five or so minutes, the nightwatchman’s scene, and the finale, which are fused into an unrelated scene in which a Catholic/Huguenot game of tug-o’-war turns deadly. the ballet, the ball scene, and Urbain’s rondo are all cut. as earlier stated, it is in German, and the translation used has some odd differences (Marcel becomes Raoul’s brother in this staging for no specific reason). Richard Leech’s Raoul, Angela Denning’s Marguérite, and Camille Capasso’s Urbain are all excellent; the rest of the cast is decent but no more. setting seems to be Berlin in the 1960s but references to World War II are continually made through various production elements. the production handles the last two acts surprisingly well but messes with characterization some.

Bilbao 1999: it’s freaking DARK in here did the lighting designer later move to Vienna or something??? ball scene and ballet included; Urbain’s rondo no. one of the lesser-cut productions, actually: it’s in the ballpark of about thirty minutes. cast is mostly unmemorable (which is both a good and bad thing), with the exception of Marcello Giordani as a wonderful Raoul. production is traditional. would help if I could have SEEN MORE OF IT

Metz 2004: the production started off well enough and I had high hopes but things RAPIDLY went south in the final act. the amount of material cut wasn’t so much the issue as what they cut (more on that in a bit), as not much was actually cut. the ballet and Urbain’s rondo were cut; so was the aria portion of the ball scene but not the ballet, which meant (oh God how did I forget about this) we were treated (?) to what was presumably a group of Huguenot TAP DANCERS who were all eventually shot midroutine. total cuts are also around thirty minutes or so. cast once again mostly unmemorable, although Jean-Philippe Marlière is another of the very few who isn’t disappointing as Saint-Bris. speaking of which: the director completely fucked up the ending BY CUTTING THE PART WHERE SAINT-BRIS FINDS VALENTINE GODDAMMIT IT STILL MAKES ME SO ANGRY. production is traditional, except I certainly hope that hideous Black and White Checkered Floor didn’t exist in the 1570s

Liège 2005: pretty production although it also has some lighting issues. nowhere near as egregious as Bilbao, though. one of the more heavily-cut productions: Urbain’s rondo, the ballet, and the ball scene are all cut, as well as a whole lot else, shearing off about 75 minutes of music. cast mostly good: Philippe Rouillon may be my favorite Saint-Bris. I do apologize though for this but I gotta say it: the Raoul and Marcel are terrible. at any rate, the production is traditional. Saint-Bris shoots Valentine at the end, so there’s that.

Bard Summerscape 2009: what??? the??? ever-loving??? hell??? is??? this??? production??? it feels like an extremely violent fever dream. yes, this opera is violent. no, you do NOT need to hammer this into our heads through everything from a mixed martial arts match to onstage sexual violence to a dude getting stabbed with a processional cross. also the production aesthetic is WEIRD. one of the less-cut productions; Urbain’s rondo is not included. cast for the most part holds up admirably; Michael Spyres and Erin Morley are Babies but already great as Raoul and Marguérite. the Saint-Bris is a huge disappointment though (and the poor guy has to sport a hideous tiny beard). I don’t even know what time period this is supposed to take place in. I just don’t know.

Budapest 2017: very pretty production. also largely very boring. one of the more-cut productions, cutting a little over an hour (including the ballet and Urbain’s rondo) but almost paradoxically being one of only three productions to include the full ball scene (the Montpellier and Genève ones are the others) and the post-2011 production that uses the most critical edition material in Act III, including the only filmed production to include Marcel’s Act III aria. Catholics in white, Huguenots in black, the set consists largely of flats with 16th-century images that get raised and lowered; otherwise, the stagehands (and sometimes cast) move around big letters to form certain key words such as Bachus, Amor, the Hungarian word for mercy, etc. at various points in the score. cast is mostly decent. Gabor Bretz is an excellent Marcel. the main issue: there’s no life, no activity, no passion in this production. the Raoul and Valentine have zero chemistry. lot of standing around. it doesn’t feel compelling. in any rate it’s traditional.

Paris 2018: the concept is surprisingly sound albeit somewhat of a head-scratcher when considered on its own. production aesthetic is very minimalist, clean, and bright. about thirty or so minutes are cut, including both ballets (but not the aria in the ball scene) and Urbain’s rondo. one of the most solid overall principal casts. no one can top Lisette Oropesa’s Marguérite. Yosep Kang, particularly given the circumstances surrounding his participation in the production, is excellent and deserves better than what the Parisian public gives him. overall very good musically. the production is set in an imaginary France in the year 2063. it is very interesting.

Genève 2020: the least-cut production of the bunch; it mostly just cuts a bunch of critical-edition Act III material. as previously mentioned: it’s supposed to be set in a movie studio but this is largely pushed into the background for both better and worse. the cast, for the most part, is excellent (will give you one guess who disappointed me in this bunch). John Osborn and Rachel Willis-Sorensen are a phenomenal Raoul/Valentine duo, Michele Pertusi joins them for a thrilling final scene (having expertly navigated his other material), Léa Desandre is the world’s most adorable Urbain. production design is excellent. directorial choices are very interesting, to say the least. the directors apparently woke up and decided to try to establish as many romantic relationships as possible. I am not opposed to it in principle; in fact, I really like a lot of it. however, the directors completely ruined it by trying to put forth the idea that Marcel has a crush on Valentine??? that was just...extremely uncomfortable to watch (also it COMPLETELY missed the point of the duet) but yeah, the production, although weird and confusing in places, is mostly good. setting, specifically I’m not sure about the location but the time period is somewhere between interwar and WWII fashions. so yeah.

anyway, if you’re here now, thanks for reading this unsolicited article! ask me any questions you may have!

#opera #opera tag #Les Huguenots #reviews #productions #analysis #Meyerbeer #Giacomo Meyerbeer #the ravings of a tired 17-year-old brain

7 notes · View notes