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sneek-m · 5 years ago

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Monthly Listening: April 2020

Listening to music during quarantine has been... interesting. This might sound obvious but I’ve been putting on more indoor music. Calmer stuff. Especially because those indoor listens happen in the morning or at night. I’ve been saving more of the dynamic stuff like upbeat pop and rap, energetic techno or loud ass metal for my walks. It makes me realize just how much environment and activity plays into my listening choices now that I don’t have work or my work commute to determine those.

Here is this month’s playlist. 303 songs! Below is the full list of albums I checked out during April.

2020 albums

2KBABY -- Pregame Rituals (Warner)

4s4ki -- Your Dreamland (SAD15mg)

AceMo -- Mind Jungle (self-released)

Akai Ko-En -- The Park (Sony)

Andrea -- Ritorno (Ilian Tape)

Aoi Yamazaki -- Marble (Space Shower)

Apink -- Look (Play M)

April -- Da Capo (DSP Media)

Ashley McBryde -- Never Will (Warner Music Nashville)

Buoy -- Sandmiru (Fabienne)

Caeca -- Hanauta (T-Palette)

Capolow -- Room 304 (Capolow 304)

Code Kunst -- People (AOMG)

Cosmos Train -- Ashitanome (Mastard)

CS + Kreme -- Snoopy (The Trilogy Tapes)

Dempagumi.inc -- Ai Ga Chikyuu Sukuunsa! Datte Dempagumi.inc Wa Family Desho (Toy’s Factory)

DJ Lycox -- Kizas do Ly (Principe)

DJ Python -- Mas Amable (Incienso)

DJ Trystero -- High Speed Wind (The Trilogy Tapes)

Dua Lipa -- Future Nostalgia (Warner)

Ehnahre -- Quatrain (Painted Throat)

Ferri-Chrome -- From a Window EP (Testcard)

Fiona Apple -- Fetch the Bolt Cutters (Epic)

Flora Yin-Wong -- CSS068 (Cultivated Sound Sessions)

(G)I-DLE -- I Trust (Cube)

Ga Eun -- Walnutful (Most Works)

GWSN -- The Key (MILE)

HA:TFELT -- 1719 (Amoeba Culture)

Hailey Whitters -- The Dream (Pigasus)

Haruru Inu Love Dog Tenshi -- Lonely EP (Ourlanguage)

Hockrockb -- Yumewo Akirametai EP (self-released)

Invictus -- Catacombs of Fear (FDA)

Jasmine Infinity -- Bxtch Slap (New World Dysorder)

Keita -- InK (Pony Canyon)

kZm -- Distortion (Yentown / bpm tokyo)

Laura Marling -- Song for Our Daughter (Chrysalis)

Lyrical School -- OK!!! EP (JVCKENWOOD)

Malcolm Mask McLaren -- Unfinished (Fiveridge)

Masayoshi Iimori -- DECADE4ALL (Trekkie Trax)

Meimi Tamura -- Ichijiku (Jvckenwood)

Memex -- Dear Thinking Nodes (self-released)

Minor Science -- Second Language (Whities)

Namida Ai -- Taiyo Kosoru Umbrella (Rainy Canvas)

Oh My Girl -- Nonstop (WM)

Oranssi Pazuzu -- Mestarin Kynsi (Nuclear Blast)

Pearl Center -- Humor EP (RALLYE)

The Peggies -- Anemone (Sony)

Sary Moussa -- Imbalance (Other People)

Serpent Column -- Endless Detainment (1516887 Records DK)

Shin Sakiura -- Note (Park / Space Shower)

Sleepy -- Hope (PVO)

Stella Jang -- STELLA I (GRDL)

Tofubeats -- TBEP (Warner Music Japan)

Tokyo Health Club -- 4 (THC Recordings)

Tokyo Incidents -- News (Universal)

Tri-Sphere -- Tri-Angle (Primal Glow)

UZA -- Banality of Evil (Coreesounds)

Yaeji -- What We Drew (XL)

Yonawo -- Lobster EP (Warner Music Japan)

Yuzion & Futuristic Swaver -- Melodic Trapstars (Starex)

Non-2020 albums

Above & Beyond -- Tri-State (Anjunabeats)

Artful Dodger -- It’s All About the Stragglers (London Records 90)

The Band -- Music from Big Pink (UMG)

Bellring Shojo Heart -- Undo the Union (Aqbi)

Dir En Grey -- Arche (Sun-Krad Co / Firewall)

Farben -- Textstar (Faitiche)

Freestyle Fellowship -- Innercity Griots (Island Def Jam)

The Future of London -- Accelerator (Jumpin’ & Pumpin’)

Group Inou -- _ (GAL)

Herbie Hancock -- Sextant (Sony)

Luna Sea -- Mother (Universal J)

RIP SLYME -- Tokyo Classic (Warner Music Japan)

Surgeon -- Force + Form (Tresor)

Stetsasonic -- In Full Gear (Tommy Boy)

Vladislav Delay -- Multila (Keplar)

#Monthly Listening

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thtransthepaleblood · 6 years ago

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[trans]FROM YG (190208)

*note:ข้อความทั้งหมดเป็นการแปลจากจดหมายของยางฮยอนซอกในเว็บyg-life ยกเว้นในส่วนที่เรา(ผู้แปล)ทำการอธิบายเสริม เราจะใ��่เป็นตัวย่อ T/N แบบนี้นะคะ*

ผมจะมาเขียนต่อเกี่ยวกับเพลงใหม่ของBLACKPINKนะครับ

Q: เมื่อไรBLACKPINKจะปล่อยเพลงใหม่?

A ทางเราคาดว่า BLACKPINKจะปล่อยเพลงใหม่ในช่วงกลางเดือนจนถึงปลายเดือนมีนาคมครับ

จะเป็นการปล่อยแบบEPที่มีเพลงใหม่หลายเพลง (*T/N: EPเป็นการปล่อยเพลงในแบบที่มีมากกว่าซิงเกิ้ล(1เพลง)แต่ไม่ได้มีจำนวนเยอะเท่าอัลบั้มค่ะ ก่อนหน้านี้ BLACKPINKเคยปล่อยEPมาแล้ว2 EPด้วยกันคือ Square OneและSquare Two)

เนื่องจากBLACKPINKไม่ได้ปล่อยเพลงมามากเท่าไรเมื่อคิดถึงระยะเวลาในการทำกิจกรรมของพวกเธอนับตั้งแต่เดบิวต์มาแล้ว แฟนๆก็หวังว่าBLACKPINKจะปล่อยเพลงใหม่ให้บ่อยกว่านี้ และหวังว่าพวกเธอจะปล่อยอัลบั้มอย่างเป็นทางการที่มีเพลงใหม่มากมาย

ตัวผมเองก็เห็นด้วยกับความเห็นเหล่านั้นครับ และรู้สึกเสียใจอยู่เสมอที่ผมไม่สามารถเติมเต็ม/ตอบสนองความต้องการของแฟนๆได้

การปล่อยเพลงใหม่บ่อยๆนั้นเป็นเรื่องสำคัญ

แต่ในกรณีของBLACKPINKในตอนนี้แล้ว การปล่อยเพลงใหม่ที่มีคุณภาพส��งและMVที่เสร็จสมบูรณ์เรียบร้อยเป็นสิ่งที่ยิ่งสำคัญเข้าไปอีก

เพลงใหม่ของBLACKPINKที่คาดว่าจะปล่อยมาในเดือนมีนาคมจะเป็นการปล่อยเพลงในรอบ9เดือนของพวกเธอ เพราะBLACKPINKก็ได้คัมแบคในเดือนมิถุนายนปีที่แล้วพร้อมกับEPที่มีเพลงไตเติ้ลอย่าง ‘DDU-DU DDU-DU’

เมื่อหวนคิดถึงช่วงเวลาที่ผมได้ฟังเพลงใหม่ของBLACKPINKเป็นครั้งแรกจากTEDDY

ผมจำได้ว่าตัวเองรู้สึกโล่งใจ เพราะเพลงเหล่านั้นมีคุณภาพสูงกว่าที่ผมได้จินตนาการเอาไว้

ได้โปรดตั้งตารอด้วยนะครับ

Q: เมื่อไรจะปล่อยเพลงโซโล่ของโรเซ่ที่มีการประกาศว่าจะตาม(มาภายหลัง)การเดบิวต์โซโล่ของเจนนี่ออกมา?

เพลงโซโล่ของโรเซ่คาดว่าจะปล่อยออกมาหลังBLACKPINKปล่อยอัลบั้มEPของพวกเธอครับ

พวกเราได้เลือกเพลงที่เหมาะกับเสียงของโรเซ่เรียบร้อยแล้ว

ส่วนลิซ่าและจีซูก็กำลังเตรียมเพลงโซโล่ของตัวเองด้วย

ภายในปี2019นี้ เป็นความเป้าหมายและความปรารถนาของผมเองที่จะให้BLACKPINKคัมแบค2ครั้ง ในขณะที่เมมเบอร์ที่เหลือทั้ง3ก็ปล่อยเพลงโซโล่ของพวกเธอตามลำดับโรเซ่-ลิซ่า-จีซู

Q: กำลังมีการประกาศข่าวเรื่องการไปออกรายการTVในอเมริกาของBLACKPINK แล้วเมื่อไรการโปรโมทในสหรัฐฯอย่างเต��มที่จะเริ่มต้นขึ้น?

A เริ่มต้นจากการแสดงที่กำลังจะมาถึงของBLACKPINKบนเวทีหลักของงานCoachellaซึ่งเป็นหนึ่งในงานเทศกาลดนตรีที่ใหญ่ที่สุดของอเมริกา ในวันที่12และ19เมษายน BLACKPINKมีแผนจะทัวร์ในอเมริกาเหนือและยุโรปเป็นเวลาสองสามเดือน

เพราะฉะนั้น การโปรโมทในท้องถิ่นจะเริ่มขึ้นพร้อมๆ/โดยสอดคล้องกับตารางทัวร์ครับ

ด้วยการสนับสนุนจากUniversal Music Group (UMG) และ Interscope Records คาดว่าBLACKPINKจะโปรโมทตัวพวกเธอไม่ใช่แค่เพียงผ่านรายการTVชื่อดังเท่านั้น แต่ยังผ่านรายการวิทยุ นิตยสาร และหนังสือพิมพ์อีกด้วย เนื่องจากเมมเบอร์3ใน4คนสามารถพูดภาษาอังกฤษได้ ทางเราก็หวังว่าการโปรโมทที่หลากหลายและactiveยิ่งขึ้นจะสามารถเกิดขึ้นได้

Q: ในฐานะโปรดิวเซอร์แล้ว คุณทำนายการเข้าสู่ตลาดสหรัฐฯของBLACKPINKไว้ว่าอย่างไร?

A นี่เป็นเพียงแค่บทวิเคราะห์ส่วนตัวของผมเท่านั้น

ในช่วงสองสามทศวรรษที่ผ่านมา ไม่มีเกิร์ลกรุ๊ปที่เป็นที่นิยมในอเมริกาและยุโรปครับ

วงสุดท้ายที่ผมจำได้คือSpice Girls วงเกิร์ลกรุ๊ปที่มีสมาชิก5คนซึ่งเดบิวต์มาในปี1996

มันอาจจะเป็นเพราะไม่ค่อยมีเกิร์ลกรุ๊ปเดบิวต์ออกมาเองด้วยซึ่งเป็นสาเหตุมาจากระบบทางวัฒนธรรม/สังคม

เพราะฉะนั้น ผมจึงหวังและคาดว่าตลาดอเมริกาและยุโรปจะเป็นน่านน้ำสีคราม*สำหรับBLACKPINK (*T/N:น่านน้ำสีครามหรือblue ocean เป็นกลยุทธ์ทางการตลาดอย่างหนึ่งซึ่งไม่เน้นตอบสนองต่อความต้องการของตลาดที่เป็นอยู่ แต่จะเน้นสร้างความต้องการหรืออุปสงค์ขึ้นมาใหม่ค่ะ อ้างอิงจาก-https://www.design365days.com/Site/BlogDetail/37/Blue-Ocean-Strategy-%E0%B8%84%E0%B8%B7%E0%B8%AD%E0%B8%AD%E0%B8%B0%E0%B9%84%E0%B8%A3)

ความคาดหวังเหล่านี้มาจากบทวิเคราะห์ข้อมูลเกี่ยวกับBLACKPINKนะครับ

เมื่อคุณลองดูบทวิเคราะห์เกี่ยวกับยอดวิวYoutubeของเพลงใหม่ล่าสุดของBLACKPINK “DDU-DU DDU-DU” โดยจำแนกตามประเทศแล้ว รายรับส่วนใหญ่ที่สุดของBLACKPINKมาจากสหรัฐอเมริกา สหรัฐฯอยู่ในอันดับ5ของจำนวนยอดวิวครับ บราซิลและเม็กซิโกอยู่อันดับ7และ9 ส่วนฝรั่งเศส รัสเซีย อังกฤษ และเยอรมนีอยู่ใน20อันดับแรกทั้งหมด ถ้าการโปรโมทในต่างประเทศอย่างเต็มอัตราของBLACKPINKเริ่มต้นขึ้น พวกเราก็คาดว่าตัวเลขเหล่านั้นจะทะยานตัวตามขึ้นไปด้วย

ตอนที่ผมได้พบกับคุณ Lucian Grainge ประธานของUMGและท่านประธานJohn JanickของInterscope Recordsเมื่อเร็วๆนี้ที่อเมริกาเพื่อคุยกันเรื่องข้อตกลง

ผมสัมผัสได้ว่า พวกเขาชอบBLACKPINKมากๆและผมยืนยันได้เลยว่า พวกเขากระตือรือร้น/มุ่งมั่นที่จะสร้างแผนการโปรโมทที่ประสบความสำเร็จขึ้นมา

ผมหวังว่าพวกคุณจะมีวันหยุดสุดสัปดาห์ที่ยอดเยี่ยมนะครับ

แล้วผมจะกลับมาอีกครั้งในวันจันทร์หน้าพร้อมข่าวเกี่ยวกับการปล่อยเพลงใหม่ของศิลปินในค่ายของเรา รวมถึงWINNERและiKON ขอบคุณครับ

8 กุมภาพันธ์ 2019 FROM YG

source:YG-life-http://www.yg-life.com/?lang=en#qtranslate-2-chooser

TH:thepaleblood

📌 กรุณานำออกไปพร้อมเครดิตทั้งหมดค่ะ และหากมีข้อผิดพลาดประการใด ต้องขออภัยด้วย 🙏 รบกวนเมนชั่นหรือDMมาบอกที่แอคtwitter @thepaleblood นะคะ

#thaitransthepaleblood #fromyg #yg

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lalisabrasil · 6 years ago

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TRADUÇÃO | BLACKPINK foi citado pela a MTV UK como um dos 5 atos do K-pop em que devemos ficar de olho em 2019

Fonte: MTV UK

Tradução: Letícia (LISA BRASIL)

Não remova sem os créditos.

O K-pop tem tido este como o maior ano quando se trata de sucesso internacional, com BTS e BLACKPINK liderando o caminho para boy bands e girlgroups - e estrelas solo, iremos explicar - no UK e nos EUA.

Da imprescindível colaboração do BLACKPINK com Dua Lipa - a qual fez o TOP 40 no Chart de Músicas do UK após o lançamento - para o mega-hit do BTS 'Idol' recebendo o número 21 em UK, o sucesso deles é imparável e tem muito mais por vir das duas bandas, os membros individuais e alguns grandes novos atos. Algo novo, algo crescendo recentemente - nós estamos dando a vocês a colher.

Se você é novo no K-pop ou um Stan dedicado, aqui está tudo o que você precisa saber para 2019...

Debut Ocidental do BLACKPINK

BLACKPINK in your area! O girlgroup de 4 peças - formado por Jisoo, Jennie, Rosé e Lisa - estão para chegar no mercado Ocidental com seu 'Ddu-du Ddu-du' em 2019. Não, não queremos dizer que elas estão relançando aquele fenomenal hit de novo com promoção específica para UK e USA (apesar de que elas deviam) mas sim que o BLACKPINK agora está assinado com Interscope Records e estará fazendo movimentos através das fronteiras

Terá um EP de músicas em inglês? Talvez. Terá uma tour em UK? Talvez. O céu é o limite agora que elas assinaram um acordo com Interscope Records e UMG, e mais, elas já tiveram seu primeiro TOP 40 no Reino Unido com a colab épica com Dua Lipa, 'Kiss and Make up'

O produtor do grupo, Teddy Park provocou coisas maciças que estão por vir após o anúncio em Outubro, dizendo "podemos mostrar o potencial do BLACKPINK em uma escala maior." Maior? MAIOR?! Nós já estamos arrepiados até o núcleo. Podem vir, rainhas!

#tradução #mtv #informação #111218

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mysmorgasbordoffantabulosa · 3 years ago

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BTS: 3 Reasons Why They Are About to Announce a New Album and 2 Reasons Why a Tour...

The Album

Reason 1 - They've been very vocal about it...

In interviews, they've mentioned music, particularly Korean music, when questioned about the recent English language songs.

Also, they basically told us in BTS In the Soop 2 (Ep. 4) that there is an album coming. Additionally, in the same episode they showed (silently of course, no spoilers here) JK and Suga working on a song for said album.

Reason 2 - They've never not released an album annually...

Since debuting in 2013, they have always released a Mini Album or a Studio Album (excluding repackaged) every year:

2013 - O!RUL8,2?

2014 - Dark & Wild / Skool Luv Affair

2015 - The Most Beautiful Moment in Life, Pt. 1 and Pt. 2

2016 - Wings

2017 - Love Yourself: Her

2018 - Love Yourself: Tear

2019 - Map of the Soul: Persona

2020 - Map of the Soul: 7 / BE

So are they really not going to release an album this year?

Reason 3 - They've just changed US distributors...

So last month they changed distributors, from Sony Music to Universal Music Group. UMG will want to benefit from said deal, and what better way to do than with a new album and lead single.

The Tour

Reason 1 - Everyone in K-Pop is about to go on tour...

Several big K-Pop groups have just announce world tour for 2022, which means things are opening up again in relation to tours. So it makes sense that BTS also goes on tour.

Reason 2 - They've basically been signalling it...

Permission to Dance MV, officially cancelling MTS Tour, the PTD on Stage (particularly in LA), the Jingle Ball, taking a break from Run BTS and the new BTS content... all roads lead to Seoul, Los Angeles, New York, London, France, Germany, etc...

Bonus - They are about to release a new album...

Oh Yeah, and they're about to announce a new album, and usually with a new album you get a

TOUR BABY!!!

#bts #bts tour #bts comeback #bts album

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girlsbtrs · 3 years ago

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Growing Up One Step Behind Lorde

Written By Lila Danielsen Wong. Graphic by Paula Nicole.

It’s late July of 2015. It’s a little past two a.m. and I’m in the basement of my parents house. My parents left me home alone for a night, so I did what any newly 16-year-old would do; I got a bottle of cheap vodka from someone’s older brother and threw my very first small party. Two of my closest friends are sleeping inches away. Out of my cheap drugstore headphones come a slow synth build, sounding distant and underwater. It erupts into a pulse, just too fast to be a heartbeat. Lorde’s “Ribs” pushes on in all its teenage glory. “Mom and Dad let me stay home,” she tells me before confiding “it drives you crazy getting old.” In the next pre-chorus this morphs into the more tender, “I’ve never felt more alone, it feels so scary getting old.”

Before a live performance of “Ribs” in 2014, barely 18-year-old Lorde tells the audience that she wrote this song about a big party she had when her parents left town when she was 16. She was with her best friend afterwards at 4 a.m. unsuccessfully trying to go to sleep. He asked her what was wrong, and she said, regarding the party, “There’s something really crazy about throwing a party like this and doing something this huge. It feels grown up, and it feels like a rite of passage, and that's cool. It's cool to do stuff for the first time, but it also really freaks me out because once you do something that feels grown up it's really hard to come back, and if you've only ever been a kid the thought of having to be an adult is really terrifying.”

Three years after Lorde had this conversation with her friend, I’m sitting in my own basement all the way across the world after my own party listening to that very song and letting every word vibrate through my entire self. It feels so scary getting old, but hearing a girl from suburban New Zealand say exactly what I was thinking makes me feel a little bit less “so alone.”

In 2013, Ella Yelich O’Connor wrote an EP called The Love Club with local musician Joel Little and put it on Soundcloud under the name Lorde. To the surprise of both of them, it blew up. After collecting 60,000 downloads, UMG released it commercially and it managed to hit the charts in New Zealand and Australia. However, it was the release of “Royals” as a radio single that put Lorde on the international radar.

“Royals” was penned as a sort of wry defiance to celebrity culture and a call out to it’s disconnect from the general public. She noticed that many popular musicians based their clout on trashing hotel rooms and diamond watches, and this was so removed from her and her friends, at a house party not knowing if they would get a ride home. “Royals” and The Love Club EP were followed by Lorde’s debut album, Pure Heroine, a collection of songs about “the feeling of being [her] age” and “the weird social issues that come with being a teenager.”

After her global success made her visible worldwide, those who would be attracted to listen beyond “Royals” and become fans were fellow teens at fellow parties who also were “counting dollars on the train to the party”.

In 2017, Lorde released Melodrama. If Pure Heroine is about what it’s like to be a teenager, Melodrama captures life as a fledgling adult. Lorde has said that Melodrama is an album about a break up. She also has called it a concept album about a house party, telling The New York Times “it’s a record about being alone. The good parts and the bad parts.”

This release coincided with my high school graduation. It was the soundtrack of my final months of childhood and what I listened to through the transition to the next phase of life.

I spent my first year after high school in my hometown. I remember sitting in my house in September after all my friends had left for college and listening to “Liability”. My parents had left for a weekend trip and I was home alone, this time with no one to invite over. “Liability” is the second single from Melodrama. It’s a stripped piano ballad about the depths of insecurity, driving people away until you find yourself startlingly alone. “Every perfect summer’s eating me alive until you’re gone,” she sings; getting older comes stark changes in social circles and lifestyles, some of which can leave periods of time in which you find yourself startlingly alone.

I related to these feelings of disconnect and isolation and felt the song intimately just as I had felt “Ribs” two years earlier. Whereas the loneliness in “Ribs“ was the feeling of distance from everything you know when you’re on the cusp of adulthood; this loneliness comes from the other side of this cusp, when you look up and everything has changed. Melodrama ushered me into adulthood, and Lorde was like a voice from the future reassuring me that this was normal. If two years ahead of me Lorde the international star was sitting in a taxi feeling the exact same way I was feeling, then perhaps this happens to everyone and is just part of growing up.

The following summer, after a party I helped someone else host, I put on “Ribs” before I went to bed and was surprised to find that it didn’t “vibrate through my entire self” anymore. That stage of coming of age had come and gone for me.

The parties in Melodrama had grown up too; we’re no longer worried about getting caught by our parents. “Green Light,” the lead single, Lorde described as a song about the girl at the party who is a crying mess but doesn't seem to care. “Sober” asks about the morning after; “But what will we do when we’re sober?” “Liability” is looking in the mirror and not feeling so great about who you are and where you are. Growing up is reframed as self-discovery, mainly through the common young adult experience of a house party.

Sometimes, this is where I lose her.

In “Sober II” she cites the “glamour and the trauma,” and my life is nowhere near “glamourous”. The desperate feverishness of these more grown up parties of Melodrama are not what my life looked like. At the end of the day, I was reminded that she’s a pop star who already has her life financially set for her, and I was a college student with a limited social life and a whole lot of homework.

I wonder if I am just ready for the next album to usher me into the next phase of my life, or if this is this where our paths diverge.

Although the reception of “Solar Power” has been relatively positive, some fans noticed that the new single was missing some of the, well, angst of her previous catalogue. This is especially striking because for a lot of us this year has been somewhere on the spectrum of angsty to agonizing. Her most recent release, “Stoned at the Nail Salon,” ponders the nature of being settled. This second release contextualized not only “Solar Power,” but also why some fans may be feeling a little disconnected from her newest era. I listen to Lorde talk about how she loves her quiet, stable life, with “the vine hangin' over the door, and the dog who comes when [she] calls” from the corner of my sublet of someone’s living room, which I rent as I apply for yet another job that isn’t really hiring because of covid or is going to be taken by one of the millions of 2020 and 2021 graduates who got a serious delay on their quest for the peace and stability Lorde is talking about. This is not to say that me or any of her other listeners won’t relate to her new music, especially as she sprinkles in lines such “as all the music you loved at sixteen, you'll grow out of”, but it’s still up in the air whether or not the fact that she is a wealthy pop singer from New Zealand will finally effect her ability to “vibrate souls” of her younger fan base like she once did.

Lorde’s fanbase is just enough younger than her that, so far, once she has written an album about whatever phase of life she just went through, they are on the cusp of experiencing it. Teenagers are known for their “no one understands me” angst, and growing up one step behind Lorde reminded me how deeply universal the feelings and experiences that came with growing up are. Whether it’s coming from a teenage girl from suburban New Zealand (who must have been way cooler than me because her first party topped mine by about 100 more people) or a full blown star crying in a New York taxi, Lorde captured the most intimate moments of youth, offered them as a preview of the next age to her young fan base, and gently reassured them that these glimpses of fear and loneliness are perhaps what unites us as humans who are slowly but somehow rapidly getting older. However, how much longer will her experiences be this universal? As an artist whose fan base is largely built around her ability to connect and relate, will she be able to maintain this intimate connection as her life looks significantly different from most of the people she entertains? Perhaps the appeal of the Solar Power era will be more in the preview of the growing security of your mid-late twenties. Perhaps none of the differences of her lifestyle and her fan base will matter, because she will continue doing what she does best, stripping memories down to their universal truths, and feeding them back to a slightly younger generation with just a bit of dramatic lighting.

Sources:

https://en.wikipedia.org/wiki/Lorde

https://www.youtube.com/watch?v=88oR5GjjZ6k

https://genius.com/Lorde-royals-lyrics

https://www.washingtonpost.com/news/arts-and-entertainment/wp/2013/10/24/5-things-to-know-about-lorde/?utm_term=.1072aea0ec9c

https://www.nytimes.com/2017/04/12/magazine/the-return-of-lorde.html

https://www.thenation.com/article/lorde-grows-up/

#lila danielsen wong

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dribs-and-drabbles · 1 year ago

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The Thai Communal Wardrobe item #20

Vice Versa ep 11:

UMG ep 4:

Hidden Agenda ep 7:

for @slayerkitty 💙

#vice versa #vice versa the series #umg #unidentified mysterious girlfriend #hidden agenda #hidden agenda the series #the thai communal wardrobe #a bl advent #you asked for a random number so I'm giving you this one #which seems like yet another stripy shirt #and at first I only noticed the two blue ones #but then I saw the red one AND that the stripes are different sizes on the back #and my eyes lit up! 😍#I want this one to appear again. and again #like the other stripy shirt that's been in a million shows #anyway...#I hope you like it!

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jmagofficial · 6 years ago

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S/O my brudda @joeyramone._ for always having my best interest. Whether behind the scenes or financially investing, he always believed in me and never gave up on our journey. When I started Home Grown he went full throttle for the cause, introduced me to some of the biggest names in the industry and connected dots while financing it. We came from the mud together and all this hard work will pay off I promise 🥀🥀 • Oh..and do remember my first EP “Theres No Place Like Home” will be out everywhere 4/22🥀🥀 ************************************* #cardib #rocnation #drake #umg #jayz #defjam #fabolous #pushat #kanyewest #epicrecords #capitolrecords #beyonce #republicrecords #deathrowrecords #atlanticrecords #300ent #yslrecords #cashmoneyrecords #dmx #eminem #interscoperecords #50cent #complex #djakademiks #garyvee #masterp #meekmill #rickross #eonemusic #joebudden (at Philadelphia, Pennsylvania) https://www.instagram.com/p/Bv4-MpzhDI8/?utm_source=ig_tumblr_share&igshid=11pk76miblbq5

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227snewfacebookfries · 7 years ago

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227's™ TRAGEDY ALERT! Avicii "Wake Me Up" 1.4 BILLION Views on YouTube, Dies in Middle East! NBA -- Jamaal Al-Din's Hoops 227, Inc. | PRLog

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Qatar lifts daily flights to Muscat

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Heinz asks if America is ready for Mayochup

Watch the US send an aircraft carrier to the Middle East while the US and Russia feud over Syria

St Patrick's Day and March 2018 Dublin's busiest despite Storm Emma

Germany: Crackdown on Middle Eastern Crime Families

from Jamaal Al-Din's blog 227's™ YouTube Chili' NBA Mix! http://hoops227.typepad.com/blog/2018/04/227s-tragedy-alert-avicii-wake-me-up-14-billion-views-on-youtube-dies-in-middle-east-nba-jamaal-al-dins-hoops-2.html via http://hoops227.typepad.com/blog/

#Jamaal Al-Din's blog 227's™ YouTube Chili' NBA Mix!

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bixpicks · 7 years ago

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Bix Picks 2017

20. The Clientele - Music For the Age of Miracles (Merge)

The sound of Autumn Or a fading memory That you never had

19. Cornelius - Mellow Waves (Rostrum)

Elegant songcraft And prob great lyrics too, if You speak Japanese

18. Jarvis Cocker & Chilly Gonzalez - Room 29 (Deutsche Grammofon)

Wry meditations Delivered with a subdued Melancholia

17. Father John Misty - Pure Comedy (Sub Pop)

Tragi-comic take On modern life. And wayyy more “Tragi” than “comic”

16. MIKE - May God Bless Your Hustle (self-released)

Brainy bedroom rap A truly dusted affair With nods to DOOM, Earl

15. Mac DeMarco - This Old Dog (Captured Tracks)

Woozy, wobbly synths Late-summer yacht-rock guitars Chilled out hazy bliss

14. Rolling Blackout Coastal Fever - The French Press EP (Sub Pop)

Aussie jangle pop, In debt to Flying Nun, and Smooth as a VB

13. Kevin Morby - City Music (Dead Oceans)

Fine batch of dusky, Dimly lit confessionals Plus a few rockers

12. Kamasi Washington - Harmony of Difference EP (Young Turks)

Spiritual jazz Ruminations on difference And equality

11. A. Savage - Thawing Dawn (Dull Tools)

Rustic version of His main gig. Laid back, low stakes. More Texas than Queens

10. Mount Kimbie - Love What Survives (Warp)

Like ‘79 Or when Punk boned Electro And Post-Punk was born

9. Charlotte Gainsbourg - Rest (Because)

Cool, wistful chansons Inscrutably moody but Rich with atmosphere

8. Vince Staples - Big Fish Theory (Def Jam/Blacksmith)

Cerebral dance-rap Marks an abrupt left turn for Long Beach trailblazer

7. Slowdive - Slowdive (Dead Oceans)

Sonic pillows formed By celestial swaths of Delay and reverb

6. Ariel Pink - Dedicated to Bobby Jameson (Mexican Summer)

Legit freak show and Possibly insane, like all Musical genii

5. The War on Drugs - A Deeper Understanding (Atlantic)

Still lost in the dream Where “I’m on Fire” is played On an endless loop

4. Moses Sumney - Aromanticism (Jagjaguwar)

Soulful, inspired Blend of the corporeal And ethereal

3. LCD Soundsystem - American Dream (Columbia)

Fusing words with sounds To expertly capture the Dick-punch that is life

2. King Krule - The OOZ (True Panther/XL)

Alien soundscapes Back a slew of inchoate Half-garbled free thoughts

1. Kendrick Lamar - DAMN. (Interscope/Top Dawg)

I’m an Atheist But if there is no God, try Explaining Kendrick

HONORABLE MENTION (in alphabetical order)

Björk - Utopia (One Little Indian) Destroyer - ken (Merge) Grizzly Bear - Painted Ruins (RCA) Hand Habits - Wildly Idle (Humble Before the Void) (Woodsist) Hiss Golden Messenger - Hallelujah Anyhow (Merge) JAY-Z - 4:44 (Roc Nation/UMG) Daniele Luppi / Parquet Courts - MILANO (30th Century/Columbia) John Maus - Screen Memories (Ribbon Music) Milo - Who Told You to Think??!!?!?!?! (Ruby Yacht) Thurston Moore - Rock n Roll Consciousness (Caroline) Omni - Multi-task (Trouble In Mind) Kelly Lee Owens - Kelly Lee Owens (Smalltown Supersound) Shintaro Sakamoto - Love If Possible (Zelone) (Sandy) Alex G - Rocket (Domino) Ty Segall - Ty Segall (Drag City) RF Shannon - Jaguar Palace (Cosmic Dreamer) Kane Strang - Two Hearts and No Brain (Dead Oceans) St. Vincent - Masseduction (Loma Vista) Terekke - Plant Age (L.I.E.S.) Colter Wall - Colter Wall (Young Mary’s)

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