#tzekel-kan

[frustrated-writer-skyeknight]

That one scene in El Dorado in a nutshell...

For those who haven't watched El Dorado yet (why?) spoilers of said scene at the undercut.

[skyeknight-hyperfixations]

Me when I see a silly ship that doesn't make sense on first glance:

"What?"

Me after seeing fanarts, fanfics, headcanons, etc:

"Yes!"

[kakarorin]

Defending "The Road to El Dorado" from a couple racist claims, or how I, being so cheeky, like to call it: Covering myself in sugar in order to attract some nasty little bugs🐞

For some reason, 2024 seems to be the year when I can't tolerate "The Road to El Dorado is packed with racism" discourse anymore. A couple days ago, I stumbled across a very colourful gifset which encapsulated perfectly all the objectively wrong arguments (save for half... one... one and a half... It depends) I've ever seen people give out to explain why they don't like the movie (@/neechees: If by some unlikely chance you're reading this, I wish we could have talked about it calmly. I'm a very open-minded person, unlike you seem to be). I've seen them SO many times that I think I hit my limit. Long story short, I got defensive, which I regret, shame on me, told the op they were wrong, as they are, op responded, and I got blocked before I could respond back. I honestly don't know why they blocked me after responding. I don't know if they sensed I know much more about the Aztec Conquest than they do, but well... Occam's razor.

After I calmed down, tried to reach to them because I genuinely wanted to talk about it, and failed, I decided I was going to break their post down as minutely as I could, even if just to get it off my shoulders and toss it into the void, and polished what I told one of the people who reblogged op's post saying they were right into this lengthy post. Purely because I love debating about movies I love. And boy, do I LOVE this movie.

Before starting, I'm letting you know that, as far as I know, I'm 100% white. And I'm also from Spain (Europe. Clarifying this for the Americans), which understandably gives me the advantage of having lived (and living) through the subtle remnants of the wretched Spanish Black Legend. Yet none of these two things stopped me from looking up historical papers, podcasts and documentaries (further than YouTube's video essays, I mean) so I could understand that this sort of... slander was indeed, part of that concept. I don't see how being of a particular race or ethnicity gives you the right to speak about recorded history as objective facts without doing your research and applying your critical thinking to it, either. Does op think that just because they're Native-American, as they say (just in case, can't believe anything you read on the internet these days), a person who has spent hours, days, months educating themselves about Hernán Cortés, poor Malinche and the Aztec Conquest from serious sources can't have more knowledge than them? Smh, op, smh. It does give you right over feelings, and obviously, your own experiences, though. Hope you still understand that factual knowledge is an entirely different thing.

That being said, at the end of the day, save for the very easy-to-check historical facts (which I will provide sources for if asked, although I believe you can very easily research it yourself), this is my opinion about why "The Road to El Dorado" is regarded as much more racist than it actually is. If you want to give me yours or respond to it, please, by all means, do it. Respectfully and with clear and valid reasons, of course. Otherwise, I'll have to ignore you. Understand that what you read below is the limit of my thinking and reading. Enjoy, or hate. Call me a racist. Send a WHITE meme my way. Up to you.

I'd link you to the post, but I don't feel like it. They blocked me, after all. You can search my blog for it. It's tagged as "neechees". And be sure to read their tags on the post as well, for context. Anyway, here go their "objective truths". Debunking time starts... now:

(EDIT: This is filled with edits. See how my opinion can change and I can clarify or rectify? Anyway, stating the obvious, but I believe Spanish colonization is bad. In any part of the world. I won't give you a single good aspect of it, except for that at least it was based on a different mindset than British colonization. Maybe there are fairly good aspects. After all, they say Romans gave us Spaniards roads and sewage systems. We'd have to take a look at an alternative reality where it didn't happen to make an objective claim. But, believe me, if it had been for me, I'd have pushed Cortés off the ship a good bunch of nautical miles before he reached what is now known as Veracruz, whatever good things he ended up doing. Bear that in mind.)

1. The cultures are mashed up in one city, that is true. But there is no explicit racist (implying prejudice, discrimination or antagonism, as I understand racism, or as racism is actually defined) motive behind it. I don't think it's done out of unthoughtfulness, either. I'm pretty sure it's just done to leave the place ambiguous, because (tell you more later), with Cortés involved and what went down with him historically, that place is much more meant to be Tenochtitlán than the legendary city of El Dorado. They didn't want to make that so explicit because this is a retelling, after all (tell you more later). I honestly don't see how anyone could think that the resulting city and culture are portrayed in a negative way. Sometimes, I'm not even sure these people were paying attention when watching the movie (if they ever did). In fact, if it weren't for the title of their post, I wouldn't even understand the point in this.

2. Oh boy, this is exactly what triggered me to say something instead of just putting it on my blog silently. This is how I know the op has ZERO knowledge about the historical event behind it, because they wouldn't say this is right if they did. There is no such thing as a (EDIT:) sufficiently collective "Spanish lie that Native-American (NA) people believed they were gods" (NEVER listen to a Spaniard who claims this. EDIT: Like López de Gómara. They're delulu), this has never had any kind of historical relevance (in the outcome and influence of history, I mean), and the NA people in the movie are not worshipping the white guys because they're white. The whole plot, arriving in a city and being mistaken for a god because your arrival coincided with an ancient premonition in such a precise way that it is fascinating, is exactly what happened to Cortés when he reached the capital of the Aztec Empire, Tenochtitlán. He was believed to be the reincarnation of Quetzalcóatl, and that's why he could enter the city peacefully and live in it for a short amount of time. The concept of the movie seems to be "What if this, instead of happening to a conquistador (in which is implicit the catholic element) who quickly said he was no god when he realised what was happening (because of the sin of idolatry), happened instead to two atheist looters who are ultimately good-hearted (NOT colonizers, because they didn't try to claim the land or control it) who weren't stopped by the fear to sin and took advantage of the situation?" That's it. The premonition happened to fall on a white man hundreds of years ago (who also came from the east, same place Quetzalcóatl left to and said he'd return from) and so does in the movie story because it mirrors real history, and, again, I fail to see the negative portrayal in all of this because it's certainly NOT because they're white. I think the op also took it salty that I said they had zero knowledge about "the very people they're trying to defend", which I still believe, but this is complex and I'll only explain this if asked. What I meant by that, on the surface, is that NA people also enslaved NA people. I seriously hope op doesn't think NA slavery is more acceptable if it comes from other NA people than white people. Who knows, at this point.

3. This is essentially right. It's the only thing I think is mostly right, actually. It's no problem for me, though. I love Chel, she's beautiful and aesthetically pleasing to me. But I can understand why it may put someone off. All good. However, I still wanna say that the Aila test is just a way of assessing indigenous women representation as positive and negative, and not the work in itself as problematic if it doesn't pass it. The Lord of the Rings doesn't pass the Bechdel test and I have never seen anyone calling it problematic because of that, nor do I need positive representation (I'm a woman. Sort of. It fluctuates) on it to enjoy it. Although I figure I'd feel the same if I were NA, I can't and won't speak for one. So I still give you that.

4.1. This is wrong in three ways. First, Tzekel-kan is not "demonized as evil". He is evil. He's not evil because he's NA, he is evil because he killed, he lied, and he abused his power. There are NA people in the movie who are kind and good (everyone but him, I believe), and then there's him. In every race and ethnicity, there are good, neutral and bad people. And people who are sometimes good, and sometimes bad. If all the NA people were painted in a morally white and good way, that special treatment would come off as positive discrimination to me. Why can't he be a sociopathic genocider AND indigenous at the same time without being considered as racist? Does that mean all indigenous people have to be/are morally white? If all the other NA characters were demonized, I'd understand it, but it's the opposite. Also, Tzekel-kan is loosely based off Moctezuma, the (redundant) emperor of an Empire who enslaved other NA people. And, surprise, just like Cortés, I don't think the guy was evil. I think this is probably another reason why they didn't want to make clear the specific culture. I could see the racism if they had tried to directly compare Tzekel-kan with Moctezuma, I would perfectly be able to see the claim that Moctezuma was a sociopathic genocider, and I'd recognise that as racist. But in this case, it's just loose inspiration. Not a parody.

4.2. There was NO genocide in the Spanish NA colonies. There was NO legal slavery, save for a few unfortunate loopholes (tell you more later). (EDIT: careful, I'm NOT defending his monumental fuck-ups or justifying him in any way, just so you know. In my opinion, he was a fair lot more bad than good, but not 100% bad. If you get me) Hernán Cortés did a lot of undeniably wrong things, but he did good things too. I don't think you can say he was a good person, no person who'd say that would be a friend of mine, but I don't think he was a 100% evil person. Just a person, sometimes good and sometimes bad. Still, when he was bad, he was bad. And what op said about that they didn't care enough about him to write his name properly, BOY how that ticked me off. People, for all you hold dear, you have to CARE to know about such important historical figures in order to understand the history behind them and the outcomes of their actions. Especially within such a sensitive topic. It's when stories like this are ignored or forgotten, that history tends to repeat itself. The fact that I care to spell Hernán Cortés well has not the respectful positive connotation they think, either. And despite what you may believe, we Spaniards do NOT think he did everything right and much less that he was a hero. I think some Mexicans think we all do, but I don't know why. Only the most idiotic "fachas" (ultraright people) do.

4.3. One, he was not enslaved (tell you more later). Two, well, since he tried to mass-murder the inhabitants of the city, I... I do reckon putting him away was a good ending. Jesus, he tried to purge the city of citizens HE deemed unworthy in the name of a divine power (=on a religious basis) with the clear intention to wipe them out. It's clearly stated more than once throughout the movie. If you didn't know, by objective definition, the name of that starts with 'G' and ends with 'ENOCIDE'. And when that failed, he actively tried to drive the colonizers to them. Only because of that, he was technically much more of a genocider than the historical Cortés ever was. Are his actions really justified just because he's indigenous? Doesn't he deserve a punishment just because of it? I see "slavery" (if it were. Since enslaving NA in Spanish colonies was illegal at the time, I'd say he was kidnapped, in the strict sense of the word. Bit funny to word it like that) as a punishment more than fitting for his crimes. I think you all should drill this into your head: ANY abusive leader involved in (I can't believe I'm going to say this, but socially unacceptable) murder deserves to be punished in some way independently of his race, ethnicity or religion. This is something I believe firmly, so you have very little room to debate with me on this one. Do try, if you want.

By the way, I LOVE Tzekel-kan to death. Just the way he is. A charismatic, fanatical, sociopathic fictional high priest who tried to cleanse his city in the name of his gods through murder and human sacrifice, a practice that the other NA inhabitants very obviously did NOT enjoy (well, that definitely rings a historical bell). If you hadn't noticed, or perhaps thought it was impossible, let me tell you this: you can actually love evil characters without justifying their actions. It's legal. 100%. Unlike slavery in NA Spanish colonies at the time.

5. I don't see exactly how spirituality is portrayed as evil. More specifically, I don't see how the movie's actual magic is considered Aztec spirituality. Not a fan nor a hater of Hazbin Hotel, but I've seen one of the demon characters around Twitter using literal voodoo in a very unthoughtfully wrong way. That's a big no-no, in my opinion. And I see a clear difference with this because there is nothing in the stone jaguar magic that single-handedly resembles what Aztec religion actually was. I'm not saying this can't be done in a wrong way with indigenous NA spirituality, nor that they didn't take elements from it (they did), I just think that with all the context behind the movie, here it's just magic that serves a plot function. Aesthetic Aztec/Maya patterns appear here and there, arguably because those are the "places" where it's geographically based (and because Tzekel-kan is loosely based off Moctezuma, who was the religious spiritual leader who received the Quetzalcóatl premonition), but at the end of the day, I don't think it's much more than the fantasy you typically find in a kids' movie. No specific religion was portrayed as evil, no specific gods were portrayed as evil, the magic in itself wasn't portrayed as evil. In the movie, it was black magic because Tzekel-kan, who was evil, used it for evil. Who says that a giant stone cat can ONLY serve evil purposes? I'd use it for good, personally. Maybe transportation. Maybe architecture. Decoration. Festivities. (CW: 26-year-old making a boomer joke) Maybe to instill cordial fear among my neighbours.

EDIT: I've been thinking about this these days and I realised that in the specific stone jaguar "spell", Tzekel-kan needs to toss his poor aide into the mix for it to "activate". That is much more evil than neutral, so maybe I can kind of see this point now. And human sacrifice was part of some of these religions, after all, so maybe it does point towards Aztec spirituality. Still, as it didn't come off as evil to me until I've THOROUGHLY thought about it, I feel like questioning things. Does the "spell" need a human body, or an animal body would have served? The "recipe" doesn't state anything. It's Tzekel-kan who pushes him in. Do ALL the "spells" need a body to "activate"? Maybe not. I feel like maybe I can give you a part of this argument. But still... Hmm. I don't know. We were stuck with an evil religious high priest, but that doesn't necessarily mean ONLY he could use magic. Nor that ALL the magic was evil. But yeah, alright. I can sort of see this now... a bit.

6. I can give you this... for the most part. Knowing it mirrors history, and that historically, it was white men who rid the NA people enslaved by the Aztec Empire (which I believe is what the people of El Dorado ended up portraying, somehow oppressed by Tzekel-kan's sacrifices) of the Aztec Empire (even if woefully just to take their place), I'm not sure it's so simple. I still don't fully see it as plain white saviour narrative with that background info. In any case, I think my mind can be changed about this with the right argumentation. Surely not by a person who has no knowledge about history. Sorry, op.

7.1. For my next trick, I'll blow your mind: Cortés was no big bad evil genocider. He wasn't a golden-hearted saint or saviour either. Frankly, I believe most people think he was similar to Christopher Columbus (of whom I don't know as much, but sounds pretty 100% evil to me with what I have) by default. I'm also very certain they watched the movie and took that version of him as a faithful representation, but in reality he was very different. He was short, he was slender, he was way more charismatic, way less solemn and serious, and he had the reputation of a womanizer. He committed atrocities, like torturing and murdering the last Huey Tlatoani for rumours (Jesus, the Cholula massacre), but he also treated most indigenous people with respect (when he wasn't pathologically obsessed with gold), he talked with Moctezuma as if he were his kin, he always tried to negotiate before grabbing his arms, he listened to and followed the advice of an indigenous woman (Malinche). And once he had done the deed, his reputation was sunk, he was stripped of most of his titles and compensation for what he had done (karma? Possibly), and he had practically no say in the new territories. He went there for the gold above all, and all the crimes he committed were in its name. But unlike Miguel and Tulio (this is the reason why they're not colonizers, only looters), he ALSO wanted to seize control of the land for the Spanish Empire. As an anti-colonialist Spaniard, I can't help boiling up in anger every time I see someone call Miguel and Tulio colonizers. They are NOT coloziners, just like we are NOT colonizers. Our country was, hundreds of years ago. The people who claimed that land as theirs and believed that gave them the right to exploit it for centuries were. And believe me, if we're still here and have descended from humble families for more than 5 centuries, none of our ancestors saw a single piece of gold.

7.2. This is part of a broader topic but Cortés acted in the name of the Spanish Empire, who, thanks to Queen Isabella the Catholic and the laws she passed, considered NA people as citizens of the Crown and therefore could not be enslaved (legally), not to mention genocided. Physically genocided, I mean, because the cultural genocide is undeniable. And still, while so many parts of so many different cultures disappeared, some things like the Maya and Nahua languages were kept. Even if little, that means something. I find some comfort in that, especially when you take a look at what happened to indigenous people in British colonies. In relation to this, there's this something that's been haunting Spain since a thousand years ago that gains relevance when talking about this, called the Spanish Black Legend. Basically anti-Spain propaganda coming from other European countries demonizing everything the country had done/does. It started out of rivalry and envy. Nowadays, it's hard to say. This is why Hernán Cortés is always seen as an evil genocider, but not other colonizers like Julius Caesar from the Roman Empire. It also makes my blood curdle because it sticks with us in the most annoying ways possible. While American people tend to think Spain is part of Latin America, European people tend to think we're dumb, don't know other languages apart from Spanish and only like partying, and our collective international sentiment, especially facing other Europeans, is often shame. Ashamed to say you're from Spain, because there's only so many "España mucho fiesta and siesta" a sane person can take from people who only come to your country to raise the living costs, drink, sunbathe and throw themselves off balconies to jump in hotel pools. Look "balconing" up. God I HATE British people. In any case, to wrap this up, this Black Legend is also why everyone believes the Spanish colonization was the same as the British colonization. By norm, the British predated, but the Spanish generated (in America, because the Spanish DID enslave African people), despite all the horrible things it did. Because it did them.

Lastly, and just because it was also part of op's response, I want to say that I have no opinion about what negative impact this movie could have in terms of being a version of the Colombian legend of El Dorado. I don't know anything about that. I don't understand it, either. If someone wants to explain to me in which specific ways making a movie like this about it could be harmful to anyone (not the legend in itself, I think you can see I know as much), please tell me so I can think critically about it and contrast it. But please, specify the harm and consequences so I can understand them.

Jesus, I'm tired, but I want to say you CAN dislike the movie. I don't give two floating specks of dust whether you do or don't. What I do care about is that most arguments people use to say so are wrong, or rather, lack historical knowledge to support them. Or rather, there is historical knowledge which flat-out cancels them out. There IS negative portrayal on the basis of unthoughtfulness (like Chel and the Aila test), but NEVER in a mean way. On the whole, it's not the unsalvageable blatantly racist skeleton that has to be kept in the closet under lock and key that some people think it is. And, by the way, I'm very curious about why I have yet to see the same discourse about Inca portrayal in "The Emperor's New Groove". Feel free to toss it my way in case it exists and it's just I haven't seen it yet.

If you've reached this point, congratulations. Here's a disturbing little fact about me as a reward: this whole fixation that I have started because in 2020 I had a dream about this Hernán Cortés and Tzekel-kan having sex.

[strawberico]

rewatched el dorado >v<

my sona and my besties sona with tzekel-kan hehehehehe

also tulio cuz why not

[nemononame]

Tzekel-Kan in modern clothes

So, I watched this video (https://youtu.be/Ero8AATy4ck) and got inspired, 'cause Tzekel dressed as a lawyer is cute and funny.

I gave him a vest with golden rectangular buttons (they match his earrings). Vests are good for carrying books and other stuff with you, now Tzekel can do it without breaking laws of physics, anatomy and logic

[realtimefanduboutofcontext]

Real-Time Fandub | "The Road to El Dorado: The Lost City of Chocolate" (2024)

[ur-fav-bpd]

Tzekel-Kan from The Road to El Dorado has BPD!

(requested by @xxthroatslitterxx2 ^_^)

[tvkuimach]

I love him very much, like yessss so flamboyant work that stupid little smirk I see that strut *gay snaps*

[fl3shm4id3n]

I want to write for Rameses II from the prince of Egypt and Tzekel-Kan from Road to El Dorado so bad, they are fine af. I might as well do it.

[ben-the-hyena]

The more I thought of Chel, her motivations, and the more I read trivia and headcanons about her, the more I came up with my own backstory

She is actually not from El Dorado. Unlike everyone there she wore no gold and was perhaps not allowed to until a "god" gifted her gold earrings, dresses up differently and sexually in fact, she doesn't believe in their religion, she wants out and KNOWS gold is a precious currency outside of the city hence why she tries to steal some, and even her nose is different implying she may be of a different ethnicity. El Dorado people are fictional and the place where they live is ambiguous and for this the creators of the movie gave elements from different people in their aesthetic, Aztec, Ican, Mayan... yet her name is Chel, and in Mayan Culture Ix Chel is the goddess of water and midwifery. So is Chel Mayan and named after a god in protection like a lot of cultures ?

So perhaps she was captured after a war (we do see that the El Dorado people don't stay locked up and can go out of the waterfall and are quite war-like and strong) or held prisonner after a conflict against the Mayans, or was already a slave in Maya and they traded her like an object, and this is why she had many less rights than literally everyone else, resulting in her being a thief with no regards for them not hesitating in stealing from them and scamming them while wanting to get out as soon as she could. Heh, perhaps she hae to become a prostitute too hence her clothes in order to make a living

Also, in earlier concepts, she was meant to be Tzekel-Kan's sacrifice. So maybe she was HIS slave (which is why despite not believing in their religion she greatly knows about it and knew before everyone else he would try to sacrifice that guy) and how she had access to the temple to steal from it. And with HIM as a master who probably considered sacrificing her too at some point and in fact might have planned to (hence why she finally decided herself to steal and try running away when we see her for the first time) until Miguel and Tulio took her in, I too would love to get the fuck out of here as fast as I can

[halfbakedbread]

[dontbenicetome]

Rewatched “The Road to ElDorado” for the second time in a month, apparently.

[arrgh-whatever]

[inkpotgoddess2137]

I don't need to explain myself to anyone, as what I'm into and what I'm not is only my business...

So I made this.

[nemononame]

Tzekel-kan without makeup

I wiped away Tzekel-kan's paint. He kinda looks younger

[ranminfan]

Oh my god I have a type....

And it's creepy men with full on lips