#tyrant god

[sneakingpasta]

11 NEW DANMEI LICENSES AND A FINALE!!!! WE FEAST IN 2025

[nellasbookplanet]

The fandom god discussion is interesting, but I feel it’s sometimes hindered by an unwillingness to separate gods from mortal society, or even a sort of over-eagerness to project our own reality onto them, which simply doesn’t work. I've seen the gods referred to as rulers or tyrants demanding worship (which I kinda understand because it’s something Ludinus says in-game, though it’s funny to see fandom corners confidently repeat the inaccurate talking points of the antagonist) but more interestingly I've also seen them referred to as a higher/the highest social class, as colonizers imposing themselves on mortals, the raven queen specifically as new money. Overall these comparisons tend to talk about the gods and their actions regarding Aeor in the past and predathos/the Vanguard in the present less as if they're about saving their own lives and more as if they want to preserve their powerful position.

The gods, by their very nature, are above mortals. They cannot be compared to any mortal ruling class because they didn’t choose or strive for that power and cannot feasibly get rid of it/step down/redistribute it (nor do they actually in any sense rule; killing the raven queen, unlike killing an actual queen, will not end the 'tyranny' of death), they simply have it by virtue of being gods. Saying that’s unfair or unequal and that the gods should be killed because of it is akin to saying it’s unfair a mountain is bigger than you and demanding it be levelled, except the gods, unlike mountains, are living, feeling beings who shouldn’t have to die because some people can’t stand the idea of not always being top dog. Thing is, the gods themselves ultimately understood this power imballance and that they can't help but hurt Exandria the way humans can't help but step on bugs, and thus removed themselves from the equation by creating the divine gate. Saying this isn’t enough and that they're clinging to power is just demanding they line themselves up to be killed.

[the-eclipse-is-in-me]

Artemis Loves Apollo

Need I say more

(im crying)

[starry-bi-sky]

Out of Context Danny Phantom Memes for a fic i haven't posted (yet)

[mythalism]

from @/elfbotanist on twitter who is posting from trick's bluesky; they elaborated a bit on exactly what the intention of the solavellan ending is

[maegalkarven]

The "You have ruined me" Durgetash but with a twist.

Gortash ruined Durge for Bhaal, making them desire something over than death and destruction, making them want something (someone) for themselves. Making them lower their defences around him and inevitably providing Orin an opening to strike (I'm a firm believer Orin shifted into Gortash to get close to Durge).

And Durge ruined Gortash for Bane, making him...dare I say a little bit soft, making him wish to SHARE power and not hoard it all in his steely grasp. Making Gotrash seek an alliance, wanting an equal. Wanting the things for himself, things what contradict what Bane tells him he should seek or want.

In the end they both are worse by that, but in the unexpected way.

Neither Gortash nor Durge are what their gods want them to be. They're traitors, if merely in thoughts, of their goals, their paths, what they were meant to be.

In the end The Absolute plot falls because mortals do what they always do: act by their own will, compromising carefully constructed plan of the gods.

[vigilskept]

gnashing my teeth thinking about how veilguard talks about the gods only as a joke when they could've gone somewhere truly crazy.... you're so right.

Yeah... you get it. It's just such a missed opportunity!

I don't even mind the jokey tone they use a lot of the time, because we all joke about things we struggle to understand/cope with.

Except Veilguard refuses to let you even try to broach the subject beyond that surface level. In fact, when it does let you engage with it at all, it manages to make things even less nuanced!

I'm just going to talk about Bellara's quest here since it's the most directly linked with the elven gods, and it's already a lot. Fundamentally, her companion quest is asking us two things:

Should elves be blamed for the actions of the Evanuris?

Should they preserve any of their past at all?

The first one is absurd to even begin with. It's not even a good or interesting take on the (very christian!) question: "Are we responsible for the sins of our ancestors?"

The Evanuris are not the ancestors of modern elves. Dalish religion implies that modern elves descend from those who the rebels never freed from slavery to the Evanuris.

This setup is already awful without looking at any of the parallels Bioware has (intentionally) drawn between the elves of Thedas and Jewish/Indigenous people. I have to put the rest of this under the cut because I genuinely don't think it can be shortened without making it sound flippant. In the context of the coding of the elves, the theological/social implications of all of this are so much worse.

TLDR: the indigenous/jewish coding of the elves makes bioware's treatment of elven religion in veilguard thoughtless at best, cruel at worst. they did not have to write themselves into this corner. there was a way of handling this lore reveal without the implication of elven religion (again, jewish/indigenous coded) being obsolete

So, the religion of the Dalish was part of their enslavement. It's the belief they were forced into by the cruel gods they are still devoted to. That's already pretty bad. How could it get worse, you might wonder?

Whether Bioware deviated from their initial inspirations for the elves or not, the implications for these lore reveals in light of those parallels are particularly cruel. Those two core questions in Bellara's quest? Yeah. Those have both been levied against the oppressed groups that Bioware chose to draw inspiration from. Both historically and presently. To justify atrocities against them.

And to be clear, Bioware does not deviate from or subvert the usual indigeous and jewish-coding of the elves in their writing here. If anything, they end up actively endorsing a very significant element of antisemitic and anti-indigenous sentiment.

Indigenous-Coding

Advocates of colonisation have always justified it by arguing they were 'saving' groups of people who were stuck in the past. They had been ‘left in the dark’ through ignorance of Christianity. In the more secular sense, this was framed as Europeans having journeyed through history to reach enlightenment, while the rest of the world was still in an ‘uncivilized’ state.

Christianity and progress had to be brought to these people to save their souls and bring them into the future with everyone else. Their Gods? There were only two possible ways to frame those. Either they were not real at all, or they were evil. Either way, they were obsolete.

In the Americas, these arguments were still used when corralling indigenous children into residential schools or tearing them from communities through the adoption system. Governments pushed the idea that they had to be forced to assimilate because they were 'backward' in their practices and beliefs.

In the settler-colonial state Canada, where Bioware is based, it's still common enough to hear people justify all of this as having been done "for their own good." Even those who admit that the ways colonization was perpetuated were cruel will still try to defend it by telling you, "it was bad, but their ancestors weren't saints either."

Sounding painfully familiar yet? A little uncomfortable in the context of Bellara's questline?

Jewish-Coding

Since the dawn of Christian Church, Jewish people have had a very fraught place in Christian theology. Christianity claims that that the coming of the messiah in the person of Jesus Christ makes the religion of Judaism obsolete. Christians believed the obvious answer to this problem was that Jewish people should convert.

When many did not, they were labeled as ignorant, obstinate, stuck in the past. They were so focused on their history that they couldn't see the truth which had been revealed in the present. There’s a significant legacy of this idea in Christian artwork with depictions of Synagoga blindfolded next to the clear eyed Ecclesia. You still hear echoes of this sentiment in antisemitic language today.

As for the nature of the Jewish God... there is some deviation here. For some Christians, He is God the Father, and He is good. For others — and this idea has been around from early Christianity till now — He is the Creator of the material world, but He is evil.

There are innumerable variations of Christian gnosticism that probably wouldn't be productive to get into on a Dragon Age Blog. What I need to underline here though, is that the idea of the Old Testament God as the devil/the demiurge/fundamentally evil, has been used to justify atrocity towards Jewish people for over a thousand years.

Should elves be blamed then? For the sundering of the Titans? For the Veil? For the Blight? For the evils of this world, created by their Gods?

Implications for Veilguard

Not only is religion in Dragon Age: The Veilguard often devoid of nuance or ignored outright, when the game does engage with it at all, it does so in a way that quite literally draws on these incredibly harmful antisemitic and anti-indigenous sentiments that have been (and still are) used to perpetuate real harm.

To be clear, I don't think the writing here intends to endorse the idea that elves should be blamed for any of what's going on. Bellara's anxieties are being projected onto her people as a whole while she grapples with what this all means for her, I get that. In fact, you could be generous and read some of this as a critique of this particular kind of anti-indigenous/jewish bigotry.

However, I don't think that absolves the writers of any of the implications they've created by confirming that the elven pantheon did exist and was canonically evil.

Elements of Dalish/elven culture might be preserved after all this, but the conclusion the game railroads you into is that their religion is obsolete. Just like Judaism. Just like the many Indigenous religions around the world. Except in Dragon Age: The Veilguard, it’s no longer just the bigotry of outsiders claiming that to be the case. It’s now the objective truth of the setting.

Going forward, the elves of Thedas can keep their culture, but they can’t practice their religion. If they continued to practice, they would be framed the way the Venatori are: evil and stuck in the past. This really can’t be overstated: this is the exact rhetoric that has justified centuries of violence and oppression of Jewish and Indigenous people. This rhetoric is still around and still weaponized.

It’s so cruel to create an in world ‘lineage’ that draws so heavily from their cultures and histories, then validate the rhetoric that has been used to hurt them. At best, it’s thoughtless. But as a company based in a settler-colonial state, this is something they should���ve put thought into, given that they chose to code their elves and Jewish and Indigenous. That was their responsibility, actually.

What gets me about all this is that they actually didn't need to force that conclusion at all. They could have kept the Evanuris as cruel tyrants without demonising the Creators and their worship at the same time.

The Evanuris weren't always Gods. They weren't even always rulers.

In Trespasser, when asked how they became Gods, Solas tells Lavellan that they did so slowly. That it started with a war. That fear bred a desire for simplicity. For right and wrong. For chains of command. That generals became respected elders, then kings, and finally gods.

Veilguard confirms all of this. The addition it makes is that before all this, the first elves were spirits who made their bodies out of the Titans. This all occurred over the course of thousands of years.

None of this needs to be retconned in order to allow for a respectful yet nuanced portrayal of religion!

TLDR pt2: bioware, u could’ve avoided literally ALL of this by making the evanuris part of a priestly class who seized power after the war with the titans. it wouldn’t even have undermined ur lore! u could’ve kept dalish religion alive! u could’ve implied complex political dynamics for your ancient elves without even having to write it! why didn’t you even try?

Trying to Fix This Mess

Say the elves took their bodies from the Titans and settled the lands of Thedas. Say the Titans even allowed this for a time. The dwarves were made from their own bodies after all.

Yet the elves didn't have the same connection with the Titans as the dwarves did. They had no stone-sense, so they couldn't understand the Titans' song.

Generations down the line, some of them took too much from the Titans. More than they were willing to give. That was when the Titans lashed out, making the earth tremble so that all the elves had built crumbled beneath them.

And what if the firstborn among the elves had taken up priesthood to guide the younger ones. They were closer to spirits than the elves that were born into this world, and so the younger ones looked to them for guidance. Maybe they were the ones who were trusted to reach out to the more powerful of the spirits who chosen stay in the Fade, their old kin who preferred to keep their distance from the physical world to preserve the essence of what they were. The spirits of Justice, of Benevolence, of Craft. Those who the elven people paid homage to, and trusted to preserve them in turn.

So when everything seemed to fall apart, the elves turned to their Keepers, their priests, and asked of them what they ought to do. How could they make the earth stop shaking? What would they have to do to be at peace again?

Whatever the spirits themselves may have responded, many of the Keepers (among them the Evanuris) took up arms and chose war. They saw it could be won so they fought, sundering Titans from their dreams and stilling the land.

And yet there was no peace.

Some Keepers sought to hold on to their power as generals, and wanted to wage war on new shores to keep it. Some Keepers thought they had already gone too far, claiming they had acted without the guidance of the spirits who hadn't wanted war.

These Keepers could've caused chaos and endless bloodshed, so the Evanuris formed their alliance to suppress the others. Likely, they thought they were doing so for the benefit of all the elven people. More war meant more death, and it was needless now that the land was still. And even if what they did to the Titans was wrong, it was done and they could not fix it. Better to silence those who meant to stir up fear among the people.

The Evanuris fought until they were the last faction left, naming the few holdouts the Forgotten Ones. They were praised for bringing peace to Elvhenan, and trusting in their guidance their people crowned them as rulers.

Yet some dissent always remained. None of them were infallible. They were no longer spirits, they hadn't been for thousands of years. They were now more accustomed to command than to priesthood after all that war. They had drawn on the power they had stolen from the Titans to gain the advantage over their enemies, and the corruption of the Blight was starting creep in, ever-so-slowly.

Maybe some of the people, unhappy with their rule, started to voice the thought that was expressed by their rival Keepers once more: that the Evanuris had grown distant from the spirits. That Elgar'nan didn't serve Justice anymore. That Mythal had strayed from Benevolence.

So Evanuris took the mantle of godhood for themselves. It was only for peace and stability.

It would be too dangerous if anyone could claim they were deviating from the will of the spirits, so they would claim they were those great spirits. Elgar'nan was Justice, Mythal was Benevolence. They would use their rule only for the benefit of the people, not abuse their power.

And there you go. None of what I've written above can't be neatly incorporated into the existing lore of Veilguard. It leaves the elves of Thedas precisely where they started in Dragon Age: Origins. Distant from their ancient Gods, trying to pick up the pieces of their forgotten past.

[sunbloomdew]

absolutely obsessed with the "i died and went back in time and now i'm going to prevent my death" and "i died and/or got transported into the world of my favourite game/novel as the villain/side character and now i need to prevent my death" webtoons. there is so many of them and i'm reading them all

[happypeachsludgeflower]

I know that technically when a god dies they die completely, unable to reenter the cycle of life and death, but the way a god dies is by all their believers abandoning them. Shi Wudu was decapitated by He Xuan, but I don’t think that necessarily destroyed his following. After the main series, it’s plausible for Shi Wudu to reform (whether as a god or a ghost) out of devotion and love for his brother, now with the purpose to save Shi Qingxuan from his inevitable death.

[lafaiette]

Gods I feel you I'm only 10 hours in after having received the game as a gift and I REALLY try to like it but it just ... doesn't feel like Dragon Age. Characters know stuff they shouldn't know about, the game keeps talking down to me, nothing I did in the previous games mattered, the tone is completely different, the mature storytelling of the previous games seems to be missing so far & what I heard so far of how the lore and the characters from previous games have been handled is honestly the worst part and breaks my heart. idk even if i wanna finish the game at this point anymore, I'm just kinda ... sad.

I'm so sad and disappointed, too, I remember our conversations, fics, and headcanons about DA! We were so excited and happy, because Inquisition, DA2, and DAO were genuinely well-made and aimed at pleasing the fans, despite their faults.

DATV is a good action game, no doubt about that. The combat is fun, there is a lot to explore and discover, and many locations are beautiful, even though some are terrible to navigate (Dock Town's structure makes no sense). But that's it - it's a good action game with the name "Dragon Age" pasted on it. It doesn't feel like it's part of the series, it constantly treats the player like an idiot, some references to past games and characters are literally hidden in the brief descriptions of the mementos, and there is even a Glossary to make sure the new players don't get frustrated.

Everything is safe and aseptic, cleaned of every deep piece of lore that could have scared new fans into buying or continuing the game. Even the banters lack the depth of the previous games.

A good game company should lure new players in not by rejecting their past entries, but by making them look even more interesting with their sequels.

Bioware wasn't afraid of offering piece of lore after piece of lore in Inquisition - it was a game set in a precise moment, whose prologue was directly tied to the events of the previous game, and new players had to accept this if they decided to buy it and play it. If they liked that premise, all that information and those details, then they were more than welcome - they were encouraged! - to go back, try the older games, and see how it had all started. It was a game made for the fans the company had already managed to win over, not for possible fans who may or may not bring new money in.

In DATV the new players can jump right in after quickly learning who Solas is and what he's trying to do, and old fans are left with an empty shell, with minor references that are supposed to make us feel happy and accomplished peppered here and there, while all our past choices and our favorite characters are forgotten or brought back with a terrible case of amnesia. It's lazy, infuriating, and very sad, and it smells of reboot, because the new devs probably realized they couldn't keep up with the amount of lore and choices the series contain, and they needed to start anew.

[writeshite]

Asking Bucky if you can put your hands down his pants?

Bucky lifts his newspaper and looks down at you, you’re both laid down on the couch, you atop him swinging your legs idly with a grin. “Can I help you, doll?”

You tug at the waistband of his pants, “Can I put my hands down your pants, Buck?”

Bucky snorts, “Sure thing.” He goes back to his reading, you unbutton his pants, and pull down his underwear as much as you can before playing around with his dick.

[kermitthesog]

All the series combined, (pjo, hoo, toa) I think Trials of Apollo might be my favorite. I’ve said Heroes of Olympus for a while, but after finishing toa, I was actually really sad in a way that I wasn’t with the other series. This is my reasoning: *TOA SPOILERS AHEAD*

Lester/Apollo’s narration and character development was top notch. In The Hidden Oracle, at first I thought the book series was gonna be full of arrogance and whining. Oh, how it was the complete opposite. He went through stuff that no other god will ever go through. Pain, and grief. The empty feeling of not being yourself anymore. And he finally realized how the gods are, how clueless they have been about mortals and demigods. Everything that happened in toa was just building up to the perfect Apollo, the Apollo that’s not in fact perfect.

The characters. Like, these characters are so good? First of all, they are so fleshed out. Meg McCaffrey, who saw her own father dead and got mentally abused by the emperor who killed him. “The Beast,” was just himself, but Meg was too scared of him to stand up for herself. And like, how is an arrow kind of making me empathize with it? The arrow of Dodona was supposedly the worst piece of wood in the forest, and so Lester needed to prove the others wrong, and I think he did. Especially in that final battle against Python.

The amount of different stories and adventures. Obviously you would have sooo many adventures, because you need to get a different oracle in each one! In every single one, we’re introduced to a new character and new goal. It doesn’t really start in the first one, as it’s just introducing the main characters. In the second one, it’s Emmie, Jo, Calypso, and Leo. In the third one, it’s Piper, Jason, and Grover. In the fourth one, it’s Lavinia, Reyna, Hazel, and Frank (a lot of characters from SoN). In the last one, it’s just a lot of chb campers. Will, Nico, the Troglodytes, and more. See what I mean? There are so many different stories in just one series.

And lastly, how powerful it is. The fact that it could make me cry is impressive, because I don’t cry at much (book and movie wise). Jason’s death, Lester’s misery, Meg’s abuse, and so much more. It’s just so sad but powerful at the same time. If you prefer a different series, (PJO, HOO, TOA) then tell me why!

[lady-menrva]

PJO Meta (6 of ??)

"Roman gods are just Greek gods with slightly different, more militaristic personalities" what the heck?!

(I am not commenting on equivalents in pantheons. I am commenting on Rick’s notion.)

That's not how it works. Multiple mythological pantheons have at least some influence from other cultures, and syncretism as well.

To put it simply, syncretism (in this context) is the practice of reconciling certain aspects of gods from one pantheon with gods from another pantheon. Moreover, the etruscan myths and gods also influenced Roman mythology. Examples which come to mind are Minerva, Diana, and Mercury. There are many more, but I’ll focus on these three.

a) Diana:

No, Diana was not just "punk" Artemis. She is thought to have an indigenous origins in Italy i.e Diana Nemorensis. Eventually, she was heavily syncretized with Artemis. In spite of this, she possessed unique aspects, such as that of a "triple goddess"- Diana herself, Luna and Hecate. (She had associations with the underworld which caused her to be conflated with hecate).

b) Minerva:

Contrary to what Rick would like you to believe, It was the Etruscan menrva (also spelled menerva) who ‘lent’ her character to the Roman minerva. Minerva was equated with Athena by the romans, but not a lot of influence was directly drawn from Athena.

c) Mercury

Likewise, mercury was also syncretized with multiple gods from multiple pantheons under different epithets.

The Roman pantheon did have gods that were truly 'Roman' [no, bellona is not included]. Besides the Greeks also syncretized their gods with gods of other pantheons, and were influenced by other cultures.

[redeemed-wren]

There is an interesting shift in The Tyrant's Tomb in how Apollo/Lester talks about his father.

Cos in the previous books, i got the vibe that Apollo and Zeus never got alone, but that was more of the 'dysfunctional olympiad family' vibe, maybe with a slight added power dynamic of Zeus being Apollo's father and the ruler of the Olympians, which meant Apollo tended to get the short end of the stick.

Even when comparing his relationship to Zeus to Meg's with Nero, which is blatantly and narratively painted as abusive from the start, I didn't necessarily get the vibe that Apollo necessarily was ready to admit that Zeus was outright abusive, which as we're seeing it from his pov, meant I didn't fully put the pieces together.

But then we come to book four and Camp Jupiter, and now Apollo is outright saying 'yeah, he abused me and it was traumating,' to the point where he's almost triggered by the presence of his father's symbols at Camp Jupiter.

And I think it's a facinating shift and brilliantly written. It takes him a while to be able to look it fully in the face. It's only after he sees some examples of good parenting, after he meets and loses Jason--his brother who stood up to their father-- after he sees Meg slowly confronting her past, after he finds himself in the slightly triggering environment of Camp Dad that he's able to fully face it and name it.

Its also interesting to me that this is fully brought up in the same book that touches on a lot of the most horrible things Apollo did as a god. It's the victim becomes the victimiser theme, its paralleling those two sides of him, and its making the audience continue to sympathise with him, even though he admits to doing horrible things, and I love it.

[too-many-blorbos]

Wait. WAIT.

Kuo-Toa are native to the Underdark. One of their racial traits is that they make up deities and have such STRONG faith in them that they manifest actual divine powers.

When Drizzt leaves Menzoberranzan, he stumbles onto a tribe of Kuo-Toa. He beats an enemy in front of them. They fall down at his feet and praise their new god. He is confused but sticks around because the fish-people are so nice to him and he's lonely. In return, he protects them and teaches them to fight better (and also reins in their murder instincts). The tribe prospers. Their faith grows.

By the time House Do'urden hunts him down, they're facing a small-god with a fishman army.

[richincolor]

December Releases

As we prepare for our hiatus, we are gathering the releases for December all in one place for readers. Next week, we'll start posting our favorites from 2024 and then we will have a bit of a break and see you again in 2025. Here are the books we're watching for in December.

December 3

Encanto: Nightmares and Sueños by Alex Segura Disney Press

Return to Casita where we find seventeen-year-old Bruno from Disney’s hit animated film Encanto, where readers will finally learn what happened to make people never want to talk about him.

Fans will love this dark and mysterious young adult novel by Alex Segura, a NYT bestselling author who also wrote Poe Dameron: Free Fall and Araña and Spider-Man 2099: Dark Tomorrow.

Seventeen-year-old Bruno has never really fit in with his family—why can’t he be as outgoing as his sister Pepa, or as friendly as his sister Julieta? Does he like being the awkward loaner who never seems to find where he can fit in? But it’s hard to be popular when you have the power to tell the future and people don’t always like what you are telling them. So Bruno devises an act, and begins to model the behavior he feels the town wants to see in a hero.

But is being dishonest to himself and others the right path to walk down in order to make friends, or is Bruno just kidding himself as he hides from his own destiny that threatens to destroy all he holds dear?

My Fairy God Somebody by Charlene Allen HarperCollins

The way Clae’s mom tells it, her dad took off when Clae was a baby, end of story. Ever since, it’s just been the two of them, living in the coastal city of Gloucester, where Clae is one of the only few Black girls. But when Clae discovers clues about a mysterious person she calls her fairy god somebody, she’s determined to know more.

Her chance comes when she’s accepted into a summer journalism program in New York City, where her parents lived before she was born. With a couple of leads and a steel resolve, Clae leaves home for the first time to find out about her history.

New York is as full of magic as it is mystery, not to mention romance. From Brooklyn to Broadway, Clae and her new friends, Nze and Joelle, explore neighborhood haunts and hustles, discovering a family trail that someone’s tried hard to bury. So who is the fairy god somebody? And can Clae use her sleuthing skills to find out the truth?

Set against one unforgettable NYC summer, this is the story of lies that run deep and patterns that are meant to be broken. Clae, Nze, and Joelle will stick with you and remind you that every girl deserves to write her own story.

The Last One by Rachel Howzell Hall Entangled Publishing, LLC (Red Tower Books)

Thrown into a desolate land of sickness and unnatural beasts, Kai wakes in the woods with no idea who she is or how she got there. All she knows is that if she cannot reach the Sea of Devour, even this hellscape will get worse. But when she sees the village blacksmith fight invaders with unspeakable skill, she decides to accept his offer of help.

Too bad he’s as skilled at annoying her as he is at fighting.

As she searches for answers, Kai only finds more questions, especially regarding the blacksmith who can ignite her body like a flame, then douse it with ice in the next breath.

And no one is what—or who—they appear to be in the kingdom of Vinevridth, including the man whose secrets might be as deadly as the land itself.

When the Mapou Sings by Nadine Pinede Candlewick Press

Infused with magical realism, this story blends first love and political intrigue with a quest for justice and self-determination in 1930s Haiti.

Sixteen-year-old Lucille hopes to one day open a school alongside her best friend where girls just like them can learn what it means to be Haitian: to learn from the mountains and the forests around them, to carve, to sew, to draw, and to sing the songs of the Mapou, the sacred trees that dot the island nation. But when her friend vanishes without a trace, a dream—a gift from the Mapou—tells Lucille to go to her village’s section chief, the local face of law, order, and corruption, which puts her life and her family’s at risk.

Forced to flee her home, Lucille takes a servant post with a wealthy Haitian woman from society’s elite in Port-au-Prince. Despite a warning to avoid him, she falls in love with her employer’s son. But when their relationship is found out, she must leave again—this time banished to another city to work for a visiting American writer and academic conducting fieldwork in Haiti. While Lucille’s new employer studies vodou and works on the novel that will become Their Eyes Were Watching God, Lucille risks losing everything she cares about—and any chance of seeing her best friend again—as she fights to save their lives and secure her future in this novel in verse with the racing heart of a thriller.

December 17

Spell of the Sinister (A Fairy Godmother #2) by Danielle Paige Bloomsbury

Two magical sisters. One more chance at revenge. . . .

Ever since Cinderella disappeared with Prince Mather the queendoms have been in disarray. Now with her magical power completely unchecked, Galatea intends to exact revenge on humans for using the Entente. Her plan? Send Bari off to find a new prince and take over one queendom at a time. But Bari’s mission is complicated when South joins her and sparks begin to fly . . .

Meanwhile, Farrow is on her own journey to reunite with Cinderella and Prince Mather in the first Queendom. Amid brewing conflict, Farrow grapples with her feelings for Mather, her friendship with Cinderella, and her loyalty to the Entente’s original purpose–to influence with helpful magic, never take total control.

Once as close as sisters, Bari and Farrow now find themselves on opposing sides. Will malice win out, or will the next generation of Entente chart a new path to “happily ever after” for their magical coven of fairy godmothers?

December 24

Heavenly Tyrant (Iron Widow #2) by Xiran Jay Zhao Tundra Books

After suffering devastating loss and making drastic decisions, Zetian finds herself at the seat of power in Huaxia. But she has also learned that her world is not as it seems, and revelations about an enemy more daunting than Zetian imagined forces her to share power with a dangerous man she cannot simply depose. Despite having vastly different ideas about how they must deconstruct the corrupt and misogynist system that plagues their country, Zetian must join this man in a dance of truth and lies and perform their roles to perfection in order to take down their common enemy, who seeks to control them as puppets while dangling one of Zetian’s loved ones as a hostage.

With political unrest and perilous forces aiming to undermine Zetian at every turn, can she enact positive changes as a fair and just ruler? Or will she be forced to rely on fear and violence and succumb to her darker instincts in her quest for vengeance?

December 31

Ex Marks the Spot by Gloria Chao Viking Books for Young Readers

For Gemma’s whole life, it has always been her and her mom against the world. As far as she knew, all her grandparents—and thus her ties to Taiwanese culture—were dead. Until one day when a mysterious man shows up at her door with two shocking the news that her grandfather has just recently passed, and the first clue to a treasure hunt that Gemma hopes will lead to her inheritance.

There’s just one major to complete the hunt, she has to go to her grandfather’s home in Taiwan. And the only way she can get there is by asking her ex and biggest high-school rival, Xander, for help. But after swallowing her pride, Gemma finds herself halfway across the world, ready to unearth her life-changing prize. Soon Gemma discovers that the treasure hunt is about much more than money—it’s about finally learning about her family, her cultural roots, and maybe even finding true love.

Filled with ingenious puzzles, a vibrant Taipei setting, and a delicious romance, Ex Marks the Spot is an exciting adventure by award-winning writer Gloria Chao, perfect for fans of Loveboat Taipei, The Inheritance Games, and Thirteen Little Blue Envelopes.