#type of fabric material

[catominor]

post no longer cancelled though actually. take my hand. look at their littwle shoesies with me :')

[duck-n-clover]

Not that I have the resources or the space set up yet but godddd I wanna make dolls of my ocs. I was always thinking Fragile would be an excellent candidate but I got it in my head Opal would be amazing too.... cursed by visions nerfed by not having the experience etc

Edit: imagine. My little tuoys

[jcmarchi]

A More Realistic Artificial Skin May Lead to Medical Advances - Technology Org

New Post has been published on https://thedigitalinsider.com/a-more-realistic-artificial-skin-may-lead-to-medical-advances-technology-org/

A More Realistic Artificial Skin May Lead to Medical Advances - Technology Org

A new bioengineered skin model could improve testing of skincare products and lead to better ways to heal damaged skin.

Paul Dalton and Ievgenii Liashenko in the lab. Image credit: University of Oregon

University of Oregon researchers have teamed up with scientists with the French personal care company L’Oréal to develop a multilayered artificial skin that more accurately mimics real human skin, and can be grown in just 18 days. The advance relies on a novel 3D printing technique invented by Paul Dalton, an associate professor in the Phil and Penny Knight Campus for Accelerating Scientific Impact at the UO. 

The research was published in the journal Advanced Functional Materials.

“This is the first known case of replicating quality skin tissue at full thickness, using different kinds of cells separated by a membrane,” said Ievgenii Liashenko, a research engineer in Dalton’s lab. 

Creating an artificial skin isn’t as simple as growing cells in a petri dish. Real skin has multiple layers, with different kinds of cells that perform distinct functions. And in the body, cells are supported by an external network of proteins and other molecules. Called the extracellular matrix, this system helps cells stay in position and communicate with their neighbors, which is key to keeping all systems working properly.

To replicate this complex environment, the researchers designed a two-layered artificial skin, with the layers separated by a membrane.

A 3D printer making the extremely fine strands used to create a new generation of artificial skin. Image credit: University of Oregon

Researchers from Dalton’s lab and L’Oréal co-developed plastic scaffolds that mimic the extracellular matrix via a network of finely structured 3D printed threads. Then, L’Oréal researchers grew cultured cells in those scaffolds to create the artificial skin, with different cell types growing in each layer. The membrane prevents the cells in the different layers from mixing as they develop. 

“Other attempts don’t have the same layering—it actually looks like real skin,” said Dalton, who is the Bradshaw and Holzapfel Research Professor in Transformational Science and Mathematics.

The underlying scaffolds resemble a mesh material made of many spaghetti-like threads, each much thinner than a human hair. To make the porous scaffold, members of Dalton’s team used a 3D printing technique they’ve developed called melt electrowriting. In that technique, an electric field pulls the molten printing plastic from a nozzle into a thin thread, enabling very precise control over the printing.

Some 3D printing techniques can create very fine details, but only small objects, Dalton said.

Other techniques allow easy fabrication of larger pieces, but at the expense of resolution. Melt electrowriting bridges that gap, allowing engineers to create relatively large objects with fine details.

The new skin model can be grown in just 18 days, the researchers found, rather than the 21 to 35 days it took to create previous scaffold-based artificial skin models. That makes it more viable to use in commercial lab testing.

The final product. Image credit: University of Oregon

L’Oréal is currently using the artificial skin to test cosmetics and skin care products. Going forward, both Dalton’s team and L’Oréal researchers plan to explore the many other potential uses for the underlying scaffolding in skin tissue engineering.

Other potential skin-related applications include healing diabetic foot ulcers and creating skin grafts for burn patients. Beyond skin, the scaffolds developed by Dalton’s team could support myriad biomedical applications, such as artificial blood vessels and structures to help regrow damaged nerves. 

“While we’ve made this big advance with the skin, the design of the scaffold is crucial and could be applied more broadly,” Dalton said. “There are so many diseases and injuries in the world that aren’t being solved, so having an extra tool to try to tackle these is really valuable.”

The materials used in the scaffold are already FDA– approved for use inside the human body, making the path to real-world application smoother. 

The fabrication facilities at the Knight Campus make it possible for Dalton’s team to scale up production of the materials, Dalton said. “This is the part of the Knight Campus projecting its expertise beyond UO to influence state-of-the-art research fields globally.” 

Source: University of Oregon

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[anielskaaniela]

How to Sew with Stretch Fabric: A Guide for Beginners

In this post you learn how to sew with stretch fabrics like a pro. Do you love wearing clothes that hug your curves and move with your body? Then you need to try sewing with stretch fabric. Stretch fabric is a magical material that can stretch in different directions and bounce back to its original shape. It’s made of elastic fibers like lycra, spandex, or elastane (don’t worry, they are all the…

[dangerous-realms]

Lucrium

Type- Fabric

Lucrium is a type of fabric that doubles the current max carry weight of the one wearing clothes made from it by syncing up with the energy coursing through their bodys.

Clothing made from it is breathable, durable, form fitting, and optimal for warrior type species to wear as a way to train their body without actually training.

If wearing more then on peice of clothing made from Lucrium they all sync up with the other peices so they all equal the same weight as to not overburdened the wearers body.

Lucrium can be bought in a vast amount of colours so there's plenty to chose from.

Prices may very on every planet but a roll of Lucrium fabric typically costs 5 Novas for 15 yards of Lucrium.

15 yards = 45 feet = 540 inches = 1,371.6cm

5 Novas = $500

[darling-birdie]

ok so back on mission ‘making my own underwear cos everything is ill fitting and terrible quality theses days’, I was looking at fabrics at the craft story near me yesterday, and bro I’m so sad. all the Halloween/spooky fabrics are the wrong type of material :’] … I just want fun patterns on my bras n shit, is that so much to ask for universe ?

[vijaytextiles]

BEST SUITS SHOP-VIJAY TEXTILES CHANDIGARH

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Unmatched Quality At Vijay Textiles, quality is paramount. Each suit is crafted from the finest fabrics sourced from around the world. Whether it's luxurious wool, rich silk, or breathable linen, every material is chosen for its durability, comfort, and elegance. The suits are meticulously tailored to ensure a perfect fit, making you look sharp and feel confident.

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Affordable Luxury At Vijay Textiles, luxury doesn't come with an exorbitant price tag. The shop offers high-quality suits at competitive prices, making luxury accessible to everyone. Frequent promotions and discounts provide additional value, ensuring that you get the best deal without compromising on quality.

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[tradeunofabrics]

Check out our exquisite Silk Fabric collection at TradeUNO Fabric store. With a wide range of fabric types, captivating colors, and premium quality materials, we have everything you need for your next project. Whether you're looking to buy online and enjoy incredible discounts or order in bulk for your fabric endeavor, we've got you covered. Shop now and elevate your creations with our luxurious silk fabrics.

[curatedattire]

Choosing the Perfect Fabric Unveiling the Best Material for Men's Dress Shirts

When it comes to dress shirts, there are a variety of materials and fabrics to choose from. The type of fabric you choose can make a big difference in the overall look and feel of the shirt. So, let's dive in and take a closer look at some of the most popular options.

Twill Twill is another great option for dress shirts. It has a diagonal weave pattern that adds depth and texture to the fabric. It's also a durable fabric that's resistant to wrinkles.

Oxford Oxford is a classic fabric that's often used for dress shirts. It has a basket weave pattern that gives it a unique texture. It's a versatile fabric that can be dressed up or down. 

Poplin Poplin is another popular fabric for dress shirts. It's a lightweight, tightly woven fabric that has a silky finish. It's perfect for warm weather.

Sea Island Sea Island cotton is a luxurious fabric that's made from extra-long staple cotton fibers. It's incredibly soft and silky to the touch. 

Linen Linen is a lightweight, breathable fabric that's perfect for warm-weather dress shirts. It has a natural texture that adds depth to any outfit.

Silk Silk is a luxurious fabric that has a soft, silky feel. It’s perfect for formal dress shirts, and it drapes beautifully on the body. 

Wool Wool is another great option for dress shirts. It’s a durable fabric that’s perfect for cooler weather. It has a natural texture that adds depth to any outfit.

The fabric you choose can make all the difference. When selecting a fabric, consider the occasion, the weather, and your personal style. Choose a fabric that makes you look and feel your best

[shankartechx]

What is Geotextile & Why We Are the Top Geotextile Manufacturers?

Shankar Techx is a leading Geotextile manufacturer in India that provides versatile and durable Geotextile materials and is one of the leading geotextile fabric suppliers offering these technical fabrics with superior performances, exceptional uniformity, and strong durability to sustain damage in installation Contact us today for all your geotextile requirements.

[jelreth]

just got a papercut drawing out the armour fuck this gay earth

so i wrote a longgggg post even before i got to my thermodynamics rant but . whatever. anyways. exoskeleton, belt of first aid and misc junk, little skirt wrap to implicate wings, segmented armour for flexibility and airtime maneuvering , i think you get the drill

[silkentine]

Me when they are the sisters ever: 😭😭😭 They came out soooo freaking well. I won’t lie, they took me a thousand years to finish but through the constant support from all of my buds (and my latent bisexuality), we made it 😤

Hopefully you guys know the deal by now: design choices, easter eggs, and (NEW!) closeup shots below the read more. ⬇️

I wanted Ace to have a very down-to-earth vibe and looked at Aussie beach-girls, coastal cowgirls, and vaqueras for reference. (IDK, I’ve just always envisioned Ace as part-Australian🌺 and Mexican 🏴‍☠️) Her clothing choices are mostly natural or utilitarian materials like the painted wooden beads on her top, her woven fabric and leather belts, and her denim jumpsuit. I gave her bikini top a zen-garden kind of feel because I read the first Ace’s Story Novel and I loved how idyllic and peaceful they made Sixis Island sound so I wanted to invoke that in some way.

Speaking of her painted wooden beads, they hang off the back of her top and represent her connection to Sabo and Luffy. They watch her back once she sets sail. She only wears one red glass bead earring because the other one got ripped out of her ear when a child, leaving her earlobe torn (don’t think about it too much 😢). Also, YES! she does wear a hibiscus flower just like Rouge (because I hate you and I want to make you cry, muhwahahahaha).

Also, I really wanted her to have super textured curly hair that licks behind her like flames. I am always considering whether or not a character should have long hair or not because I don’t want it to be a hindrance if they’re in a fight (or if they ARE a fighter with long hair, how to they avoid an enemy making use of that?). Ace is, of course, a Logia-type Devil Fruit User so I think she wouldn’t have trouble with people grabbing it LOL I get the feeling that she doesn’t take very good care of it even though it looks amazing. Like you’d think it would be soft and bouncy just by looking at it but if you ever get the chance to run your fingers through it, it’s a total rat’s nest and there’s sand and food all up in it. She still falls asleep while eating 😂 but she tries her best to only do it around people she can trust (woman moment 😔).

Honestly, her design is not that different from Ace’s canon look. It feels really vital to Ace’s character to have a lot of skin showing. And he’s always hanging all over himself with his hips all cocked like the weight of the world is too much to stand up straight. It is certainly not my OWN preference to make her an absolute smoke show. That’s just the character, okay? (I’m partially lying and the proof is that I turned the emblem on Ace’s hat strap into a sternum tattoo for no other reason than that it is sexy af.)

Here are some closeups of Ace:

Now for Sabo, I’ve made her very girly. I tried putting her in pants or something more militant but she told me that she’d wear the big poofy sleeves and hiked-up ruffled skirt. I think Sabo has always had a strong grasp on his fashion sense and individual flair and I truly believe that his personal style is one of the major influences for the rest of the Revolutionary Army resulting in the very flashy, queer, steampunk aesthetic (aside from Dragon’s plain-ass cloak). So of course I had to implement her nonconformist look when reimagining her as a woman and dress her up to the nines.

I’ve given her very ornate jewelry that is there to tell a story, even if she herself doesn’t know it. I like to think she picks up stuff from her travels that resonate with her, such as a damaged set of earrings with one stone missing or red cup-shaped shells featuring three nestled pearls. Another accessory that cannot go unmentioned is her dragon claw hat pin that keeps her top hat resting on top of her hair (and is definitely used as a weapon when the situation simply doesn’t call for trusty metal pipe). She also has a veil that obscures her prominent facial scar. I imagine she’s not very keen on the reminder of the incident from her childhood that took away her memories. I also kept her chipped toothed because 1) it’s fucking adorable and 2) is a visual reminder that she no longer aligns herself with the nobility who would have gotten such a thing fixed. She is so poised in almost every outward facet of her life from her dignified role as the Chief of Staff to the elegant materials in her clothing that it can be easy to forget she was also a rough and tumble forest dweller. Every time Koala remembers this, he lets out the biggest sigh.

Her hair is inspired by Gibson Girls and Elizabeth Swann from the first Pirates of the Caribbean movie. I wanted it to be fussy and tidy but fall apart when she’s in moments of distress. For example, when she remembers her sisters, her hair starts to look like Ace’s flaming mane. I’m so in love with her, I think she looks like an adorable little porcelain doll that would fuck you up. I made an effort to keep her eyes a little bit manic. I get lost in her steely black orbs (and also Ace’s warm brown ones, but we’re talking about Sabo rn).

Here are her close-ups:

Plot notes for this AU:

For this series of character designs, I wanted the expressions and outfits to be aligned with the canon plot but I don’t know if I have the heart to kill fem!Ace in my AU. I’m too attached and ASL has suffered enough!!!!! But Ace’s death is also a major defining moment for Luffy so it feels disingenuous to completely avoid it. Also a huge aspect of Sabo’s character is carrying on Ace’s will and I have so many thoughts about how the Dressrosa Colosseum scene would play out if they were all women. Oh well, I’ll cross that tragic bridge when I get to it. I’m definitely going to draw some Modern AU Girl Piece ASL though. They deserve to hang out with no stakes 😭 They are sisters!!!

Check out the tag “girl piece” on my blog for my other One Piece genderbends! 🥰

[fashionsfromhistory]

Day Dress

c.1855

England

This type of widely protruding skirt that appeared around the middle of the 19th century came to be known later under the name of the "crinoline style." As can be seen with this dress, large design motifs proved immensely effective on these voluminous skirts. The border pattern here is wood-block printed and repeats every 20.6 cm. Compared to small-scale designs, large patterns require a solid technique to avoid misalignment of the print colors. Considering that this mixed fabric of silk and wool is a material hard to print on, this dress with its bright and cheerful colors is a particularly fine example on how much cloth printing techniques had evolved.

The Kyoto Costume Institute

[taliabhattwrites]

I don't think there is a significant or notable number of people who believe transmascs are not oppressed.

I feel slightly insane just having to type this out, but this is rhetoric you inevitably come across if you discuss transfeminism on Tumblr.

The mainstream, cissexist understanding of transmasculine people is the Irreversible Damage narrative (one that's old enough to show up in Transsexual Empire as well) of transmascs as "misguided little girls", "tricked" into "mutilating themselves". It is a deliberately emasculating and transphobic narrative that very explicitly centers on oppression, even if the fevered imaginings misattribute the cause. As anyone who's dealt with the gatekeeping medical establishment knows, they are far from giving away HRT or even consults with both hands, and most transfems I know have a hard enough time convincing people to take DIY T advice, leave alone "tricking" anyone into top surgery.

Arguably, the misogyny that transmasculine folks experience is the defining narrative surrounding their existence, as transmasculinity is frequently and erroneously attributed to "tomboyish women" who resent their position in the patriarchy so much they seek to transition out of it. This rhetoric is an invisiblization of transmasculinity, constructed deliberately to preserve gendered verticality, for if it were possible to "gain status" under the sexed regime, its entire basis, its ideological naturalization, would fall apart.

Honestly, the actual discussions I see are centered around whether "transmisogyny" is a term that should apply to transmascs and transfems alike. While I understand the impetus for that discussion, I feel like the assertion that transmisogyny is a specific oppression that transfems experience for our perceived abandonment of the "male sex" is often conflated with the incorrect idea that we believe transmasculine people are not oppressed at all. This is not true, and we understand, rather acutely, that our society is entirely organized around reproductive exploitation. That is, in fact, the source of transfeminine disposability!

I know I'm someone who "just got here" and there is a history here that I'm not a part of, but so much of that history is speckled with hearsay and fabrication that I can't even attempt to make sense of it. All I know is that I, in 2024, have been called a revived medieval slur for effeminate men by people who attribute certain beliefs to me based on my being a trans woman who is also a feminist, and I simply do not hold those views, nor do I know anyone who sincerely does.

If you're going to attempt to discredit a transfeminist, or transfeminism in general, then please at least do us the courtesy of responding to things we actually say and have actually argued instead of ascribing to us phantom ideologies in a frankly conspiratorial fashion. I also implore people to pay attention to how transphobic rhetoric operates out in the wider world, how actual reactionaries talk about and think of trans people, instead of fixating so hard on internecine social media clique drama that one enters an alternate reality--a phantasm, as Judith Butler would put it.

Speaking of which--do y'all have any idea how overrepresented transmascs are in trans studies and queer theory? Can we like, stop and reckon with reality-as-it-is, instead of hallucinating a transfeminine hegemony where it doesn't exist? I'm aware a lot of their output isn't particularly explicative on the material realities of transmasculine oppression despite their prominence in the academy, but that is ... not the fault of trans women, who face extremely harsh epistemic injustice even in trans studies.

The actual issue is how invisiblized transmasculine oppression is and how the epistemicide that transmasculine people face manifests as a refusal to differentiate between the misogyny all women face, reproductive exploitation in particular, and the contours of violence, erasure, and oppression directed at specifically transmasculine people.

You will notice that is a society-wide problem, motivated by a desire to erase the possibilities of transmasculinity, to the point of not even being willing to name it. You will notice that I am quite familiar with how this works, and how it's completely compatible with a materialist transfeminist framework that analyzes how our oppression is--while distinct--interlinked and stems from the same root.

I sincerely hope that whoever needs to see this post sees it, and that something productive--more productive dialogue, at least--can arise from it.