#two quilt tops will be part handsewn

[flocon-tourne-en-rond]

(I have 4 quilts and a shirt in progress and am also wanting to add pockets to my dresses and it could have become overwhelming but I have no deadline on any of this so I'm planning a 5th quilt.)

[aroworlds]

Pride Month Cross Stitch Patterns (and Pattern Master List)

I’ve again compiled some not-aromantic LGBTQIA+, queer and pride cross-stitch text patterns for Pride Month ... including asexual, bisexual, bigender, genderqueer, intersex and non-binary text patterns! Plus three, four and six-stripe “queer” patterns so folks can stitch non-digital versions of my pixel text headers!

With all this going on, I thought it a good time to update my pattern and tutorial master post.

Some tutorials will work for--or can be adapted for--a wide variety of pride flags. Most aromantic text patterns can be adapted for other a-spectrum identity flags.

These pieces are designed as handsewn patches, pendants or keychains (depending on the materials used). Aida, other types of evenweave fabric or vinyl canvas/plastic mesh is best for cross-stitch. They may also be adapted for freehand embroidery on non-evenweave fabric (like quilting cotton, drill, homespun, canvas or denim) by tracing the letter outlines and using filling stitches for the stripe colours.

Beginners--especially if Australian--may find my materials post useful.

Patterns

Complete Pattern Gallery

Flag and Symbol Patterns

Arrow Patterns

Five and Ten Stripe Text Patterns

Three, Four and Six Stripe Text Patterns

Seven Stripe Text Patterns

These pages contain additional/extra patterns not included in the tutorials below.

Tutorials

Basic Striped Flag Patches (adaptable for any striped flag)

Zigzag Striped Flag Patches (adaptable for any horizontal stripe flag)

Aro Text Patches, Part One (covers aro and alloaro text patches)

Aro Text Patches, Part Two (covers aroace text patches)

Arrow Patches, Part One (adaptable for any horizontal stripe flag)

Pride Month Pride Hearts (covers horizontal three, four, five, six, seven, eight, nine and ten stripe pride flags)

Aro Text Patches, Part Three (covers aro text patches and the letters “A” adaptable for any horizontal five-stripe flag)

Pride Patch Jacket, Part One (covers attaching patches to a garment)

Aro Alphabet, Part One (provides a full lower-case alphabet for any horizontal five-stripe flag)

Ace of Spades (covers ace of spades symbols for horizontal four, five and seven-stripe flags)

Aro Text Patches, Part Five (covers an array of patterns for a-spectrum identities)

Inset Rhombus Patches (adaptable for select horizontal five-stripe flags)

Pride Month Pride Text (covers pride text patches for horizontal three, four, five, six and seven stripe pride flags)

Aro Text Patches, Part Seven (covers pride text patches for seven-stripe pride flags, including the agender flag)

Aro Alphabet, Part Two (covers a full lower-case alphabet for any three, four or six-stripe pride flag)

A is for Aro Patch, Necklace and Keychain (covers a design for five-stripe flags starting with the letter “a” as well as turning freehand embroidery into a patch or pendant)

Arrow Patches, Part Two (covers three to ten-stripe horizontal pride flags plus multi-flag combinations)

Arrow Patches, Part Three (covers specific aromantic spectrum identities like apothi, demi, jump and spike)

Aro Alphabet, Part Three (covers a full upper-case alphabet for five-stripe flags plus tips on stitching long patches)

Yeah, that’s a lot. Happy Pride Month, my fellow queers and stitchers!

Image descriptions beneath keep reading:

[Photo description 1: nine cross stitch text patches sitting on a blue microfibre blanket. From top to bottom: "apl" in aplatonic colours on a blue-purple background; "Q" in rainbow colours on a black background; "trans" in trans colours with a light blue felt backing; "queer" in rainbow colours on a black background; "pride" in trans colours on a black-navy background; "aromantic" in aromantic colours on a yellow background; "quoi" in quoiromantic colours on a teal background; "pan" in pansexual colours on a black packground; and "pride" in nebularomantic colours on a mint background. Words are a mix of capitals in a blockish style of text with rounded corners or lower-case letters in a pixel-style text. Each is outlined in backstitch. Most patches are finished with a buttonhole stitch edging in colours similar to (lighter or darker than) their background colour, with exceptions being the pride patch in trans colours (mottled pink, white and blue) and the queer patch (mottled maroon and mahogany).

Pattern description 1: queer cross stitch patch pattern with the text queer in lower-case pixel-style lettering, striped in the colours of the pink/aqua-green/cyan polysexual pride flag, with a dark teal background. Pattern is set on a light grey grid. Letters are outlined, indicating backstitch, in light mint.

Pattern description 2: queer cross stitch patch pattern with the text queer in lower-case pixel-style lettering, striped in the colours of the purple/pink/yellow/lime sappho lesbian pride flag, with a purplish-black background. Pattern is set on a light grey grid. Letters are outlined, indicating backstitch, in light yellow.

Pattern description 3: queer cross stitch patch pattern with the text queer in lower-case pixel-style lettering, striped in the colours of the red/orange/yellow/green/blue/purple rainbow pride flag, with a greenish black background. Pattern is set on a light grey grid. Letters are outlined, indicating backstitch, in seafoam green.]

[jedimanda]

May I present, DOCTOR STRANGE! Yes, I’m Mr. Cumberbatch can’t you tell?! Well I will tell you that I’m not Stephanie Strange. Who isn’t a character in the Marvel Universe but yet I get called that for some weird reason? Hmmm.. I wonder why.🤷‍♀️  #womenincosplayprobs. BUT, I digress. Let’s chat about how I made my favorite cosplay, yes I said it, MY FAVORITE COSPLAY I EVER MADE. That’s a tall order since most people would believe that my Star Wars cosplays are my favorite. Queen Amidala is right behind Strange in the “favorite costume line up of mine”. It’s all about the connection to the character. I love Doctor Strange. He is my favorite comic book character. I will say I came into this Strange dimension later than most. I’ve read some Avengers and Defenders comics before and I’ve always been intrigued by the character but never really dove into his storyline. It wasn’t until the movie in 2015 that I just fell in love with the character. I really loved that movie. So, I immediately dove into all the comics I could get. From the old 70s comics to the newest ones, I became enthralled. To show my appreciation for my new found comic love, I had to make his outfit.

I knew this build wouldn’t be a super long build (like 9 months for Amidala), but I knew I would be figuring things out along the way. The cloak was the first piece I wanted to tackle. I fabric swatched at Joann’s Fabric and on the first go, I found the exact fabric for the cloak. It was a special order upholstery fabric. More like fabric for a beautiful red couch. I needed that heavy drape looks but still have a little free flow to it. Next, I found a sensible red velvet and boom. The outer fabric has been sourced. Then, I headed over to Spoonflower.com to find the lining. Easy! Click here for the link to Spoonflower! The design was created by Shawna Lay. Thanks, Shawna!

Yippee! Fabric found. The next items I found were all the trims, cording, interfacing, and thread that I would need for the details on the cloak. I did use some pretty special interfacing for a lot of stiff parts of this whole cosplay such as the collar and shoulder padding on the vest. This stuff is pretty awesome, it’s called Super Structure Foam from the company Sew Much Cosplay. Click here to grab some and check them out.

With all the fabrics and notions for the cloak, it’s time to build. First, the draping. I did drape the cloak, so no pattern exists from me. If you are interested in finding a pattern for the cloak. Use the McCall’s 7676 Doctor Strange pattern. You can easily chop it up and use it. In my case, draping was the easiest.

Once the cloak was draped and I had the shape I wanted, I moved to the details that needed to be handsewn or machine sewed on. The collar has couching details on the back, check it out. This took some time.

From here on out it was a lot of topstitching trim and sewing on big pieces made like the shoulder pieces. Take a look.

I got creative with the trims and textures I had. Luckily Joann’s had a lot of great choices so I didn’t have to dye anything. Let’s move to the magic checkboard velvet pattern I created by accident. The cloak has these distinct velvet checkboard pieces on it. It really boggled my mind on how to get that exact design on the velvet. I thought that I would have to use chemicals to achieve that “burnout” look, so I purchased some. I really couldn’t get it to work well and I just hated dealing with it. I was using wax based chalk to draw out the designs on the velvet to establish an area for the chemicals. At one point, I made a mistake and to remove wax chalk mistake, you hit it with an iron and the chalk marks are removed. So I did that, and surprisingly a residue was left behind on the velvet causing the velvet to have a darker tone where the chalk was. GENIUS! So I grabbed my chalk and rulers then went to town.

It was pretty easy, draw out the design you want, hit it with the iron. Don’t forget to place a press cloth in between just to be safe. Turned out great!

The next couple of images are showing where I placed the checkerboard velvet pieces.

Here are some close ups of the shoulder piece creation.

With almost all my costumes, custom embroidery is added. This time, the custom parts were added to the borders of the cloak. I was able to find a blurry image of the piece online and then I cleaned it up in Adobe Illustrator, transferred it to my Embroidery design software, made it into an embroidery file, then moved it to my embroidery machine. Off it goes!

Now! It’s time to add the lining and call it done!

Very proud of this build so far! The cloak was a task. Let’s take a break.

I wanted to take a tiny break from sewing and work on some of the prop pieces for Doctor Strange. I was very lucky to have a great buddy from Twitter 3D print me the Eye of Agamotto (that works!), a sling ring, and the 2 triangle clasps on the cloak. SO MANY THANKS TO @JediJeremy. Seriously dude, thank you. Once I got the pieces, I painted them with gold leaf paint and then weathered with acrylic paint.

After the gold prop pieces were done, I moved to make the vest and tunic. Originally I thought I was going to completely draft these pieces with my own measurements, but I was just getting tired and I knew I could chop up the McCalls 7676 pattern to fit me just fine I made some mockups and did a lot of alterations, but it worked and fit great. If you want to use this pattern for your own Doctor Strange, go for it! Just be aware of the alterations you will have to do especially if you are trying to fit it around curves. I ended up raising the waistline up like 4-6 inches, thus also raising the hems too. Plus taking it in a lot on the sides and shoulder line.

As I stated above, I used simple linens and cotton for the fabrics. Just having the tunic and vest color is a tad different than the other. I completed the tunic using the McCalls pattern and added my own details like the striped pattern around the neckline. Those are just top stitched ribbons layered on each other. I ultimately ended up removing the zipper and just having it open. Worked better for the neckline. 

Now the vest. The details I added into my vest are some of my favorite parts of the entire outfit. The best part of that is that it was pretty simple just time-consuming. Following the pattern from McCalls and then altering to my size, I then chose an X shaped embroidery stitch on my Bernina sewing machine. With about 4 different blue colored thread, I stitched vertical line after vertical line alternating the different blue colors. Take a look.

Neat! The last thing I added to the vest was to the shoulders. I wanted a sharp shoulder with a bit of padding but not a lot. So I grabbed the super structure foam that I spoke about above, cut a should pad shape and ironed it on. Then ran some more vertical stitches through to give it a quilted look. Loved it! To finish out the vest, I added random ribbons and selvage edges of fabrics to the armhole edges. Turned out great!

OK! Almost done. The waist cincher corset was simple.

I just used McCall’s 7555 Yaya Han underbust corset. I altered it to what I needed but it worked just fine. Used some heavy black cotton fabric.

Now what’s left are the belts, cuffs, boots, and wig. I purchased two “belt” trims from Joann’s and did little to no major alts to them. The main belts were made from black yarn woven into a 5 strand braid, the other belt I purchased was some black vinyl trim woven into a 4 strand braid. BOOM! I added brown vinyl bias to the black vinyl belt on the edges then hand sewed on snaps. Next, the woven belt was a bit different. View the photos below to get a good grasp of the pattern of that particular belt. Once I figured out the shape, I created the silver ring from EVA foam coated with plasti-dip and silver paint with black weathering spots too.

The details I added next are near and dear to me. With every costume I create, I give the opportunity for anyone to become a part of my costumes via donations through the site, Ko-Fi. Any donation made to my cosplays fund, I will add your name into my outfit somewhere/somehow. For this outfit, my donators got their initials etched into the metal details on my belt. Take a look!

To finish up the belts, I took some black leather strands and wrapped the silver ring. Then I took more of the leather strands and wove it into the knitted black belt. See below

  Ok, belts are done! Move to the cuffs, these were easy in my opinion. First thing is to pattern your forearms, yes both because most people have two different sized forearms, then cut out 4 pieces of fabric with your pattern. 4 pieces because you will need to layer to make the cuffs more durable. Joann’s gets another win here because the trim pieces I found where from here too. Thanks Joann. Also, don’t forget to grab two separating zippers for your cuffs. Take a look at how I created them below, don’t be afraid to get a little haphazard with your placement.

After the cuffs where done, I then hit it with an airbrush to weather it. Anytime I can airbrush things, I’m all about it.

ARE WE DONE YET?! Nope! Hang tight, boots and wig left. My boots were super easy, basically, I purchased some cute knee high lace up boots from Amazon, then stitched on blue linen scraps. Yup, done. lol. I also airbrushed them too. Can’t stop, won’t stop. AIRBRUSH!

LAST THING! HERE WE GO. Wig time. I had the wonderful opportunity to win a seasonal sponsorship from Arda Wigs for my Doctor Strange cosplay. The sponsorship would cover my wig costs. THANKS, ARDA! So the wig and wig parts I chose are the Virginia Classic Lace Front in Dark Brown and Silver weft to tie in the sides of the wig. I actually made a Youtube tutorial video on the creation of the wig so take a peek below!

The last thing I want to add is my super awesome spell prop made by my buddy, Bubblesgal0re. If you are interested in grabbing one for yourself, shoot her an email!

If you have any questions at all, please feel free to contact me through email or any of my social media. I’m always ready to answer questions you have about your or my builds. Thank you so much for reading another long How-To blog post. I do appreciate it. My next posts will be all about my Luke Skywalker and Qi’ra build. MTFBWY ❤ Amanda

Doctor Strange photos from Alexandra Lee Studios

  Let’s get Strange. May I present, DOCTOR STRANGE! Yes, I'm Mr. Cumberbatch can't you tell?! Well I will tell you that I'm not Stephanie Strange.