#tw 6x03

[forbescaroline]

TOP 5/10 CHARACTERS PER SHOW (as voted by my followers) ↳ teen wolf edition #7. Malia Tate portrayed by Shelley Hennig

[spnstillstudies]

107/327 (KO-FI♡)

S6E03, “The Third Man”

[bloodydeanwinchester]

🩸Bloody Dean Every Episode🩸 ↳ 6x03 || The Third Man

[maximilff]

ouch

[gallavichfanficlibrary]

Hiiii ❤ I'm looking for a fic but I don't remember much of it. It's about when Ian was at that bridge with the car accident, he ends up on the hospital and I think the police saw the camera footage and starts to asking him what he was doing there. Maybe Lip and Fiona gets worried with him. Do you guys know what fic is?

And do you guys have any rec about the scene in the bridge?

Thank you guys so much ❤️

Hi!! ☺️ The fic you're looking for is when the party's over.

Other fics about the bridge scene:

could've followed my fears all the way down - Mickey asks Ian one night why he wanted to be an EMT, which leads to Ian telling him about the car crash and the night on the bridge.

I'm So in Love With You - Mickey never went to jail in s6. Ian calls Mickey when he’s standing on the bridge.

balancing on the ledge [chapter 3] - Ian listens to Mickey's voice messages while on the bridge.

The Echo I Created - AU. Ian and Mickey meet while standing on that bridge.

[eusuntgratie]

6x03 Sundowning

more spoilery than usual, i think, so be warned.

“i think i loved him” from the recap ruuuuuuuuuude on so many levels

the “hot” teacher (he isn’t) talking about a metal rod and power? mmmkay, teen wolf.

IS THIS GUY THE NAZI? I told you he was suspicious

okayyyyyyy

wait malia is back in the credits? i swear she wasn’t in 1 & 2 but maybe i was engrossed in folding and missed it

HE IS HER ANCHOR FUUUUUUUCK

oh damn if he only knew how awkward that moment was. but yay for being chill about nudity. love it.

papa you are KILLING ME

I FORGOT ABOUT THIS WOMAN WHAT THE FUCK IS HAPPENING

ok is the stilinskis house totally different or have i just concocted a fictional one in my brain bc of the fic i’m writing?

okay i’m overly fixated on this bc it was a whole thing to figure out for my fic but has scott always called papa sheriff? that’s weird, right? why would scott call him sheriff? he hasn’t been sheriff the whole time he’s known him...he’d call him mr. stilinski, right? unless... *sobs quietly in the corner*

DADDYYYYYYYYYYYY (argent). oof. that jacket, that voice. i’d give that man whatever he asked for. mama mccall deserves some fun, yeah? ruin her a little, she deserves it.

baby pack! wtf scott? love malia. so much wasted potential but i love her.

ah yes, love those high school parties with DJ’s they’re my favorite

THIS IS A HORRIBLE IDEA MELISSA GONNA FUCK YOU UP

fun facts this isn’t how you should talk to someone with dementia

WAY TO STAY FOCUSED BABY WOLF

OH SHIT OH SHIT OH SHIT THAT WAS A LOT

Mason, baby <3

like are they gonna bone in the morgue or what?

baby wolves doin’ their best <3

YEAH YOU SHOULD HAVE

I’M TOTALLY RIGHT about Scott calling him sheriff. They wouldn’t have a relationship without Stiles. Elias only knew who he was bc he didn’t forget bc hand-wavy-memory shit. Otherwise he’d have no reason to know Scott. AHHHHHHH

HOLY FUCK. papaaaaaaa omg 😭😭😭😭😭😭😭😭

OKAY please address why they would call him Stiles?!?! If that is where his name comes from? I AM BEGGING YOU. Why would you (nick)name him after that man? WHAT IS HAPPENING?!

that was a fuckin’ lot. i need a nap. is the whole season like this? good lord i’m tired.

[spuffygifs]

spike + grieving buffy’s death & resurrection (requested)

[booasaur]

The Expanse - 6x03 - One Ship: Win or Lose

[nightmarebees]

[aceofwhump]

Outlander 6x03

Fergus tries to end his life but Jamie stops him in time.

TW: Suicide Attempt

mod note: I've been watching this scene so many times that it was just easier for me to cut the scene and share it. The emotions going on are just so good. I love the father son relationship between Jamie and Fergus and both César Domboy and Sam Heughan were amazing in this part.

[thatsgonnaleaveamark]

The 100 - 6x03

[thewanderingace]

Outlander 6x03

[blodreina-noumou]

The Salt, 6x03

Okay, we all knew this was coming.

How and why does Bellamy suddenly trust Clarke so much that he’s willing to say “she is” to the question of whether or not she’s their leader?? (Oh man I just realized that shippers must’ve gone nuts for that 5x03 callback.) She left him to die like a week ago!! They have had exactly zero conversations about anything important in their histories, and no, the fucking radio calls do not count. It just feels so fan-servicey and wrong. I don’t know if the new writers missed all of last season or only got a synopsis of what each character has done, but a lot of people are regressing and Bellamy is getting the worst of it. I now completely see what Bob Morley meant when he responded to a fan’s question about what s6 Bellamy would say to s1 Bellamy with, “They’re not that different.”

It feels like s5 basically didn’t happen for them. Everyone else is still rightfully seething at Clarke, questioning her leadership abilities (Raven you’re doing amazing sweetie), and Bellamy’s just blindly trusting her again. They keep sharing these tender, quiet moments that, without shipper goggles, just feel unearned. 

I’m worried unearned emotional moments are going to be a theme this season. We are diving headfirst into the dynamics and problems that come with Sanctum as a society and Alpha as a world. The reasonable gap for actual, meaningful conversations about these things is narrowing faster and faster. I suppose I shouldn’t have expected anything else, but I am disappointed.

On some level, I can see the writers’ attempts to make this feel genuine. All of the emphasis on “a second chance” and “a new world” is supposed to make us feel like the slate has been wiped clean. But only for Clarke, and only in Bellamy’s eyes? It’s just weird that everyone else is demanding she give better apologies, is demanding she do “good works” to redeem herself, and Bellamy suddenly understands everything because Madi told him about some radio calls, and Marper woke them up first, and yadda yadda yadda. Even Echo’s defenses of Clarke have been more practical than anything else, in line with how she tends to defend Octavia. Murphy and Raven are the only ones having reasonable reactions to things, and Murphy is now going to be distracted with trying to drink away his existential crisis. Emori has gotten 5 minutes of screentime, and while the spectacle of her breakdown was fun, it was so devoid of any complexity towards anyone but Murphy.

I’m not fooling myself, I know the B/C dynamic is the major focus of the show. But since that’s the case, I want their relationship to feel fleshed-out and fully conveyed to the audience. Bob and Eliza do some amazing work, and they have great chemistry, and thank god for that, because they’ve carried every single B/C scene alone since like, s3, on the workhorse that is their acting abilities. The writers have not helped them in the slightest. If I’d been given these scripts, I would’ve been confused as fuck.

I know it’s television, it’s a bombastic post-apoc teen drama on a network known for its cheesy teen drama. There have just been enough bright spots in The 100′s narrative overall that I expect a little better from them.

My main issue with this whole narrative is that if B and C are endgame, but if they’re not going to start forcefully moving that potential plotline forward, they are wasting everyone’s time by not actually addressing the issues between them, on-screen. And it is clear that there are still issues! Psychosis or not, Bellamy was speaking the truth when he asked Clarke how many times he’d tried to kill her, when he told Clarke he didn’t need her anymore. But everyone’s just kinda goin’ “Wow what a crazy day lol” and moving on.

I’m intrigued by Murphy’s arc, his new belief in an afterlife - specifically one where he’s doomed to an eternity of torture. I’m also anxious about how it’s going to pan out, because The 100 has rarely treated religion with any level of dignity, grace, or reverence. Even the Faith of the Flame has been stripped down to a science-fiction explanation, so far removed from the original spiritual grounder belief of “reincarnation” that everyone pretty much just accepts that Madi is walking around with a computer program in her brainstem. And yes, this show plays with the whole idea that “any sufficiently advanced technology is indistinguishable from magic” but I think we can all agree that the way The Flame works is a Little Much. Even I know that, and I am a sucker for that storyline. Just knowing how it plays out makes me concerned about where this Sanctum stuff is going, and the Children of Gabriel, and how “two opposing cults” it all is. 

There are a lot of things about this season I’m enjoying. Unfortunately, too many of our main characters and their arcs don’t make that list. I’m going to do my best to distract myself with the strangeness and wonder of Sanctum and Alpha moving forward, and try to lower my expectations in terms of what this show will actually do in terms of meaningful, character-driven conversations that exist to do more than just further the plot. This season has been an exposition overload, and on some level, it feels like they’re trying to distract from how quickly s5 was tied up, and how so much was left unaddressed.

I don’t think I hated it as much as a lot of people did. But I was definitely disappointed, and I’ll be relying a lot on a good plot to keep me interested, since the character moments have been so lacking, and so frustrating. Given how haphazard the plots have been the past few seasons, I’ve got low expectations. They have planted quite a few seeds for an interesting conflict, one with two distinct sides and a host of main characters who all have different motivations around which side will be best. Obviously I think the Children of Gabriel are basically the grounders in s1 again - they seem really scary now, but they’ll be friends later. And while Sanctum is beautiful, there’s a lot of potential pitfalls there. I’m absolutely expecting Sanctum folk to end up as “the bad guys” and the CoG to end up as “the good guys”.

Spill your salt, my friends. Tell me what bothered you. Air your grievances. Even if I don’t agree, I always love seeing what other people think.

[anthonybrxdgerton]

I saw your post about the stilinskis. When did we find out that sheriff stilinski's name is Noah? I completely missed it and I'm confused about it.

Hi! It was in 6x03 when Scott, Lydia and Malia were visiting Elias Stilinski and Sheriff comes to pick them up (cause that male nurse called him after Malia hit him), Sheriff is asking “What the hell were you thinking?” AND THEN ELIAS SAYS “Noah, we were just having a nice conversation.” And when Malia, Lydia and Scott are leaving the room, Elias says: “Noah.” but his son keeps ignoring him, so he yells: “That’s right! Act like I’m not even here! Go crawling back to your dead wife and your loser son!”

I know, that Elias has a dementia, but he remembers Stiles and knows that Claudia should be dead, so I believe him regarding Sheriff’s name :)

(the coloring is shitty, idk why this show has to be so dark, but the scene starts around 27:19 min)

[naturallyglamorous]

okay, but the guilt veronica feels regarding nick??? she was friends with this monster for years, she invited him into her hometown, she trusted him only for him to do that to her? to cheryl? she definitely blames herself for what went down even if she might not show it

[fergusandmarsali]

TRANS!FERGUS: A HEADCANON

“Well, his name is really Claudel, but we decided that didna sound verra manly, so he’s to be called Fergus instead. A suitable warrior’s name, that.” – James Fraser in Dragonfly in Amber (Diana Gabaldon).

International Transgender Day of Visibility (March 31) seemed like the perfect time to share this longstanding and tragically detailed headcanon of mine: trans!Fergus (FTM). Just like every other day of the year, I am sending love and kindness to those in the LGBTQIA+ community as well as all those who support us. Enjoy! x 

TW: Vague references to canon suicide attempt (6x03)

Claudel is not yet a man when he receives his new name but for the first time in his life he feels like one. Sometimes when it's late at night and the rest of Paris is asleep he whispers it aloud, the taste forever sweet on his tongue. 

Fergus.

In the blink of an eye Fergus has moved from the dark closet under the stairs into a home filled with love and kindness and mystery and excitement and despair. But still, James and Claire Fraser stay together despite their broken hearts. They board a ship and he’s thankful when they take him too, to a new country, a place Milord and Milady call ‘home’.

News travels fast and it isn’t long before the villagers hear not only of the Laird and Lady’s return but of their child Fergus, adopted from the streets of Paris, a small, slender and fine boned child who must surely have only dressed as a boy to avoid the horrors so many girls face when they have no-one to protect them. And now that he has found a home here at Lallybroch, they wait with barely veiled interest for the child to return to their true self.

But when the war is over and time goes on and what they’re expecting still has not yet come to pass, they begin to talk. 

They begin to wonder. 

What of the lass’s future? Their prospects? 

But then Fergus stands up to the Redcoats and subsequently loses a hand in the most brutal of fashions and suddenly everyone comes to the realisation that this – this bold, brave and arguably stupid – child is Fergus. 

And as the villagers talk moves on to far more interesting topics such as the prospects of someone with only one hand, Fergus thinks that while he couldn't prevent Milord's arrest it might have been worth it after all, if only to quiet the noise that often fills his head. The noise that says ‘you’re not whole’, ’you’re broken’ and ‘you’ll never be enough’.

Time passes and Milord has returned from Helwater, and he's sitting outside the window as he unabashedly listens to Jenny Murray express the worries she has held on to all these years. Of how she had spent many a night awake, in the comfort of her husband’s arms, worried that Fergus didn’t feel safe with them here at Lallybroch. Didn’t feel loved by them enough? 

And Fergus smiles to himself when he hears Milord say exactly what he is thinking, that there is no doubt in this home you keep, and his sight becomes blurred with emotion when he hears, “Ye’ve done a fine job of raising him in my absence and I must thank ye for it, a piuthar. For he is exactly the person he was destined to be. A fine man that I am proud to call my son.” 

He finds the expectations for a one-handed pickpocket from France different to those of his peers and he uses that to his advantage. 

With the money he makes running errands and selling contraband, he indulges in purchased pleasures in Edinburgh where, in the shadows, he can explore all that he is and all that he wants without judgement, without gossip, without expectation.

Then comes Marsali and a relationship that leaves him breathless and trembling with barely a touch and he realises what it truly means to love a woman.  

And when Milord asks ‘Have you bedded her?’ he hears what the man is truly asking loud and clear – Have you told her? Does she know who you truly are beneath your clothing? And though it hurts – it hurts so much it burns – he understands. 

He knows he is different. He has never forgotten. Not even on the purest of days, when Marsali looks at him like he is everything he wishes to be, he knows deep down inside it isn't so.

It never will be. 

On his wedding night, when the Father asks if he's lost his manhood and he says nay, he doesn't need to lie for he never had never possessed such a thing in the first place.

And then he is given the name Fraser and he feels like he is nine years old again, being given a piece of his identity – a missing piece of the person he feels to be inside – but this time it’s all the more overwhelming because it’s not just for him but something that he can share with Marsali, the woman he can only hope to be deserving of one day.

Marsali tells him she doesn’t want bairns, that she just wants to enjoy being together, and he desperately wants to believe her but doesn’t know if he can. Because all he wants is to create a family. On days when he sees the look in her eyes as she watches other families from afar he wonders if her words are simply placating, a filler for what is sure to become a vacant, empty, place in their lives. 

But time goes on and Marsali never wavers but neither does he and they make their dream a reality and Milord and Milady rejoice when they announce Marsali is pregnant with what proves to be the first of many, many, many.

The life they've created in North Carolina is the fresh start he’s needed, a life where the people of Wilmington and of Fraser’s Ridge assume he is the man he presents himself to be and he happily does nothing to contradict them. 

And it works for a while. It does.

But a man with only one hand is no man at all and ever so slowly something inside of him builds. It's dark and heavy. It's something that keeps him awake at night, something that constricts his chest to the point he's left on the verge of suffocation for minutes that feel like hours, days that feel like months and there's nothing he can do about it. Something thick surrounds him and while he can see the sunlight, he can't feel it. 

He can't feel anything other than an uncomfortable skin that's so tight he's drowning in a nausea no drink can fix though he tries and tries and tries. 

It becomes too much.

Too much. 

Too much.

He finds himself down by the river, led there by determination or desperation…maybe both, maybe none, he doesn’t truly know. 

He also doesn't care. 

And with the point of a blade he digs a hole in the hope it might free him from the body, the mind, the soul that doesn't quite fit and at the same time free Marsali, too, from all that he is and all that he has done.  

Milord wraps his arms around him and holds all of his broken pieces together by force, by pure will and Fergus has no choice but to accept the warmth his father graces him with.

With time comes the realisation that there's no good in pretending and when his thoughts get too loud, too overwhelming he thinks of his family. Family that sees him for all that he is and all that he isn't and continues to love him anyway. 

A family that will not let him go even when he struggles to see the benefit of remaining here in the body that he has been given, that has been touched, that has been severed without his consent.

Wherever they build a home, be it New Bern or Philadelphia, they make sure he knows he is loved exactly as he is, both inside and out.

For he is Fergus Claudel Fraser. 

Son, husband, father, man loved by his family even when he can’t find it within to love himself.

A/N: I’m not sure I’ve explained this very well? Amongst the more obvious stuff, I think I really connect with Fergus because of his struggle with his mental health and I just love the idea of Jamie loving and seeing him for who he is really from the very beginning, and of course, Marsali being his biggest defender. The only thing that doesn’t quite fit canon even with my rainbow blinders on is Fergus and Marsali naturally conceiving 512 babies which is why I have - naturally - written a one-shot to be posted soon. Because what is fan fiction for if not to create the world we want to read?

I would love to hear your thoughts on the matter so feel free to DM or drop a note in my ask box especially if you’ve got your own headcanon/s you would like to share.