#just so many feelings

[tomboy-disaster]

I'm not crying.... definitely not crying 🥲😭🖤

"in every life"

curse reincarnation, fluff

ryomen sukuna x reader

Synopsis: you, a former sorcerer and sukuna's wife, are killed in the heian era. sukuna does not believe in a life without you, so he takes it upon himself to bring you back a thousand years later

to sum it up: you are sukuna's life, and no matter how long he has to wait, he will bring you back to him by any means necessary

WC: 3,621

Warning(s): angst in the beginning, reader death (but you're revived), brief icky descriptions of a vessel's possession

-> ask | sukuna fic list

Sukuna remembers the exact moment you left him, soul fluttering almost gracefully from your eyes as your body fell limply into his four arms.

The moment replays in his mind as though it had only happened yesterday, or perhaps as recently as a few hours prior. Time has never been something the king of curses worried himself over, for his strength and existence exceeded such mortal constructs, but when his thoughts wander to you as frequently as air fills and deflates from his lungs, the very concept grows skewed and suddenly, time is a matter of great importance to him.

A king is nothing without his queen beside him, his rock, his partner, and that is what you are. That is what you were, but Sukuna refuses to address you in any form of past tense because your temporary withdrawal from the planet and from his side would never alter the fact that you are his, that you have been his, and that you will be his until the end of time. 

Sukuna has never been one for romantics, for connections that tie his free spirit down from the unfettered, terrifying rule that he leads, but when you entered his life, his opinions shifted and his ambitions changed, making room for you at his side upon his throne. 

The two of you had been married for years before you left him. Sukuna had never bothered to count, but now he finds himself mulling over the years’ contents in search of a piece of your memory that can stay with him until the time comes for you to return to his hand. 

When you were alive, Sukuna never fathomed you leaving his side. He almost feels he should punish you for so abruptly taking an absence from him without permission, castigating your spirit until he feels that the space you once occupied close to him emanates remnants of an apology, of guilt, of a promise to never do such a foolish thing ever again. 

When you were alive, you were a sight to behold, a perfect fit for the title of his wife. You were deserving of each and every privilege he bestowed upon you; of holding his face in your small, dainty hands, of pressing your lips to the textured plate of his face, of throwing your legs over his thighs as you settle onto his lap with a large, burly arm coming around you and securing you there for all of his servants and former concubines to see how high you sit amongst him and how low they remain beneath the two of you. 

You always said what you were thinking. While he ensured that everyone within and outside of his temple feared him, you were always unaffected by his intimidating presence. He remembers one instance in which you were lying beneath him, a mess of silk fabrics swarming your bare figure over your reserved place in his bed with your hair splayed out messily over the pillows and your eyes weighted with a foolish look of what he could only describe as enchantment and tender allegiance.

He feels the ghost of your fingers trace his jaw as he looks down at you quietly, dwarfing you in his mass. A smile touches your soft lips with a rosy hue swirling over your (s/c) skin. 

“Your eyes are quite beautiful.”

Your voice is a whisper of past enamorations through Sukuna’s ear as his brows arch in reminiscence. He remembers how he glared at you in confusion, face hard though he always allowed you to continue admiring him, to continue touching him without consequence. His eyes, which mirror the color of fresh, crimson blood as he has watched it gurgle from the mouths and limbs of his victims, staining the streets, his hands, and his monstrous legacy, are windows you believe to be… beautiful.

Your sentiments never failed to befuddle him. He never did understand why you associated such a ferocious beast with beliefs so light and pure. He is not beautiful, he had thought. He never desired to be beautiful. He is simply Ryoman Sukuna, enough of himself to be categorized in unique isolation, separate from your labels of aesthetic charm and peace. 

You’re silly. Silly with love and submission, he thinks, but he has never denied you of these admirations though he fails to agree. 

Besides, you are his wife. He would have allowed you to worship him in any way you pleased if you asked, and in truth, you hardly did ask. You knew what you were to Sukuna, how you and only you remained the only soft spot that the salmon haired demon withheld in his breast. You were beyond requesting approval to love him in the ways you saw fit, and Sukuna was pleased because you knew, in all spaces, that you were his and he was yours. 

Among all the trophies of battles won, of cities conquered, of titles obtained, you are Sukuna’s greatest prize. 

His love for you was always silent, long glances and grips of the waist, orders to slaughter on your behalf and the pat of his hand over his beefy thigh to beckon you over. His love was an unrestrained space for you to express your desires, to demand his attention, and his compliance with a veil of frustration poorly masking his easy willingness to give you anything you pleased. His love was long, sleepless nights, the marking of his territory by means of stinging bites and purple bruises over your smooth skin that no living being in his wake could mistake for anything but a reminder of your connection to him. 

His love was you incarnate, just a woman before hell’s greatest crown, but his love no less. His wife. His queen. His eternity.

Sukuna does not know why he mourned you when you died. He found himself reacting impulsively, in a short-lived panic when your blood spilled over his skin and your eyes lost the light that he’d been following through the tunnel of his rein for years. 

He knows death is a taboo concern only for mortals to fret over, but when you die, he feels as though he has died himself. Your life flashes before his eyes, your time with him, and this strange ache swarms his body and manifests as a ball in his throat as his ruby hues melt over you in alarm. 

He struggles to accept your parting. He’s viciously angry, a horrible wreck that his servants fear stepping too close into proximity as the time passes and your vacancy weighs itself over his temple and his body like a mountain. He had believed your death to be painful, but the period that follows, the period of waiting stings him like no pain he has endured before. 

A king needs his queen, and without you, no matter for how long, he feels empty. He rampages his heartache away, but it no longer holds the satisfaction it did when you were with him, watching from the sidelines and cheering him on. His estate feels colder somehow, the dent you’ve left in his bed losing its shape and the memory of you fading from others’ minds, but not from his. Never from his. 

Sukuna knows that he will see you again. In any era, no matter how much farther into the future, he will find you once more, bring you back to his embrace, and dust off the crown that he has reserved for your pretty head alone. 

He holds onto a piece of you, storing it safely, awaiting the time to revive you even within his own cursed slumber after having sealed himself for a millenia, severing parts of him and scattering it over the country.

You, however, remain stowed safely in one place. A place he will remember to return to when he reawakens in rebirthed flesh.

Now, a millenia following your untimely death, Sukuna stares emptily at the woman before him, curling and tossing around with bound wrists and ankles at his feet.

She’s crying, screams of horror rising into the starry sky as Sukuna’s eyes glint menacingly beneath the moonlight. He watches her carefully, curling his lips. He looks at this pest, this fragile, forgettable mortal woman and sees everything that you are not. For a moment, he hesitates, his fingers clutching over the ancient parchment wrapped object he holds protectively within his grasp at his side. 

His brows draw together in frustration induced by your vessel. He knows he picked wisely, however, he can not deny the hesitation that captures his mind when he contemplates whether this vessel will do your worth justice. Whether it will truly bring you back the way he plans for you to be. 

He holds up the object in his hand, your energy emitting from behind the paper and through his veins, easing into his blackened soul. You are practically calling to him, holding his hand, murmuring into his ear that it will be okay. 

Sukuna is reminded then and there solely by the spirit of you that nothing in this world could even begin to dwindle the brilliance in which you shine, that even within the body of a bird or a squirrel, your essence would burst through. You will reincarnate wholly as how you left him, and as nothing less. 

With a heavy exhale through his nose, Sukuna unravels the object, tossing the parchment to the ground, and takes a step forward to approach the young woman squirming in the grass before him. He walks over her, feet planted on either side of her figure, and bends down. Her eyes go white with terror as snot and tears dribbles over her nose and down her cheek. Sukuna looks into her coldly, grasping a hand over her face and digging his black nails into her jaw. 

She shudders an agonizing, shrill screech that is soon muffled by the manner in which Sukuna squeezes her cheeks inward and forcefully pries her mouth open. 

With a steely, disconnected glare, Sukuna takes the object imbued with your cursed energy, your ring finger. He pulls your wedding band from the decrepit digit and pushes it to the woman’s lips. Her eyes go wide as she chokes over her jaw’s lack of mobility, and the taste of something foreign and timeworn on her tongue. Her stuttered, whimpering gasps release and she gargles once Sukuna pushes the object down her throat. He slaps his hand back over her mouth as it slides down her throat and she twitches uncontrollably, eyes cracking with red veins. 

The king of curses holds her still as her body flops wildly, her chest lurching forward and limbs flying about. Her body can not handle the intrusion of a thousand year old sorcerer’s influence, so it fails. Her eyes roll into her skull and her fingers twitch once her limbs have stilled in the grass. A symphony of crickets chirping lifts into Sukuna’s ears as the woman beneath him goes completely silent, dead, still.

He waits. After a millennia of existence confined to cursed flesh, after years of the cold left in your wake nipped at his skin, after battling bodies for dominance over a vessel, he waits just a few seconds more for you.

After it seems as though he has lost you for a second time, the body’s eyes flicker. Sukuna stills above you, pupils shrunken in anticipation.

Movement shifts beneath him. A chest rises, and breathing begins steadily through it. The color of this vessel’s skin shifts, transitioning slowly, milking into the hue of gentle (s/c) that Sukuna once caressed with his rough fingers. Color flushes through pale cheeks, and irises of (e/c) roll back from the skull and stare widely ahead, directly into Sukuna’s gaze. Finally, your voice comes, a gentle hum of confusion and discomfort as you regain your lost senses.

Sukuna’s heart skips as the familiar warmth of your body emanates from beneath him again, and his hand is slowly sliding from your parted lips. He feels as though he’s just run a marathon despite his inability to wind himself. He breathes out heavily, gradually, and silence envelopes the two of you in the darkness of the late night. 

While Sukuna had planned this from the very moment you went dead in his hands, he feels somehow starstruck by you. You look as beautiful as you were centuries in the past, skin smooth, brows curled, lips soft as though you had not been gone from his life for more than a brief second. You have returned to him as he had thoughtfully calculated, and yet, he can not fathom the fact that you are here at long last, mere centimeters away, manifested into truth by his graze of your chin. 

The muscles in your brows pull together in disbelief, glimmering eyes shining over as you take in the sight before you. The last thing you felt was a blade slicing into your heart and ripping down through your body, the last vision of Sukuna racing to throw you into him as your opponent met his end with the selective mutilation of his internal organs at your husband’s hard, feral, red glance.

You blink hurriedly, shooting a hand out to your husband’s bicep. “...Ryo?” you whisper in a trembling voice, knowing him by gaze and presence and touch alone. 

The said demon’s brows angle and his body lurches forward with a sharp exhale upon hearing your voice utter his name outside of the confines of his mind’s nostalgia and imagination. He is overcome by the return of you to him, eyes fiery with longing for his once lost love and shoulders aching as the weight that had been crushing down finally releases. The sensation of your fingers curling over his arm sends chills down his spine, for time has never altered Sukuna’s course of existence, but time tells in the way he physically shivers when your loving contact revives on his skin after having been stripped of him for what feels like eternity.

Tears pool in your eyes and your shaky hands raise to smooth over his face, exploring his marked skin and familiarizing yourself with the structure of the being you fell in love with many lifetimes ago. Sukuna’s brow flinches as you feel over his face, and his own palm cradles over your cheek, dwarfing your head in the fashion it always used to as the back of his fingers skim over your heated flesh. 

“Ryomen,” you say his name again, voice crumbling and your shoulders jerking in awe.

He trips down into you, hands clutching over your head as you guide his face down with his hasty movements. Your name tumbles hoarsely from his rumbling voice, against your lips, and slotting into your mind in a haze as his lips meet yours urgently. 

You cry gently into him, lips parting and pushing back in as he kisses you fervently, savoring you, burrowing you into his body’s memory to recover the time he has spent deprived of you. Your hands fly over his neck, down his back, detailing the ridges and the muscles rippling beneath the fabric of his shirt that you know so well. He presses himself down into you, pulling you in closer by your head, flushing your chests together to intertwine your souls once more. Heady grunts and growls heave into your mouth between frenzied, stunned, satisfied kisses, and each time a tear of yours catches into the liplock, Sukuna is pulling it into his lips, saltiness swirling through the sweet release of his misery. 

He’s missed you. So very much, he’s missed you. He doesn’t know how he has managed to go so long without you now that you are here again, now that he is holding you again, kissing you again. 

“My king,” you whimper when you get a chance to break away, foreheads bumping as Sukuna shushes you gently.

“Do not fret, peach,” he soothes you, lips brushing yours as his now loving gaze spills into your own. “You are alright.”

Despite Sukuna’s ruthlessness and his wild murderous expeditions, as well as his blood-curdling tone that further accentuates the weight of his threats when thrown into the direction of others, Sukuna melts into calmness for you, his low voice mellow and meditative, enraptured in the peace that you bring him. You know all sides of your dear husband, and yet this is the rawest side of him that you know, that he treats you with. 

“What happened?” you whisper as his hands run over you, catching your tears and tracing the curves of your flesh. “Where are we?”

“In the garden,” he answers you easily, kissing the corner of your mouth gently. 

“At… at home?” 

He hums in affirmation, leaning back just a bit to stare into you. The pairs of your eyes shine as they absorb the image of one another, still and sincere. Grass tickles your ears and your arms, and you look down, realizing that you are lying in a patch of greenery. You slowly tilt your head to the side, and Sukuna keeps his gaze glued to you like you will disappear before him. Your eyes capture the stems of daffodils and lavender that sprout around your head, pointing into the night sky and swaying gently in the warm breeze. You recognize the plants as the ones you had always taken to tending by the creek behind Sukuna’s temple, which he had the servants fashion as a suitable garden for you to indulge in. 

You do not recall being here last. You recall dying. You recall your world going dark.

You turn back to meet his heavy eyes. “What did you do?”

He is silent for a moment, taking his time to study you before answering as though the question is the simplest one he has ever been asked. “I have brought my queen back to me. As I have always sworn to do if we were ever separated.”

“...How long have we been separated?”

“It does not matter.”

“How long was I away from you, Ryo? How long did I leave you for?”

“It does not matter,” he reiterates gently yet ever so firmly. “Do not think of it.”

“Please-” you frown, eyes shining over again. “I hadn’t- I didn’t mean to leave you. I don’t know how I even let it happen… I can’t imagine what that must have gone through…”

Ryomen catches the guilt in your gorgeous eyes and he is quick to gather you up in his arms. He pulls you up slowly, keeping your eyes locked as you allow him to lift you from the ground with his arms wound tightly over your waist. Your hands go to Sukuna’s shoulders as he kneels over you, keeping you steady and upright, face to face, nose to nose, eye to eye. 

“I refuse to allow the first thing you do in reincarnated life to be reminding me of what life was like without you,,” he says. “I do not wish to revisit it. It does not matter,” he repeats for a third time. 

You tilt your head with the tug of your lips downward sadly, threading your hands through his pink locks and holding onto the nape of his neck. The moonlight milks over you regally, as though the stars have aligned for this very moment, to illuminate you both in the universe’s joyous eye. You swallow hard. “Am I a curse?”

“You are my wife. I will not tolerate you labeling yourself as anything different..”

You inhale deeply, bringing your forehead back to him and closing your eyes. His arms pull you in tight, rhythmic breaths easing you into this reality complacent, affectionately, lovingly. 

“I’m sorry I left you, my love,” you murmur.

Now that he’s heard you apologize, seen your remorse sparked by something out of your control, he doesn’t fare well with it. 

You are not a plague to him, a burden, and telling him that you are sorry in his mind now insinuates such. Even after leaving him, after stealing away his warmth, after haunting his slumber and his consciousness for eons, he does not fault you. He would never fault the woman he chose to keep by his side in wellness and in death. 

He does not accept your apology. You have done nothing but love him, yet Sukuna is the one who should have protected you. 

He runs a hand over the back of your head, down your hair, and exudes his message of impenetrable love to you through his embrace and sweltering red eyes. “All I ask of you is that you stay. In this era and the next. Stay by my side as you are meant to be.”

You nod eagerly against him. “I will,” you whisper. “I will, I promise.”

Sukuna reaches down at his side for the ring he had set down. With one hand to your back, he pulls your wedding band forward and presents it to your twinkling eye. You gasp. 

“You still have it,” you sigh.

“In what world would I not?” 

You bring your hand down, spreading your fingers, and you watch as the kind of curses slips the rusted treasure over your finger, fitting it perfectly into place with the renewal of your marriage and the reunion of your hearts.

You admire the way it looks upon your hand happily, and Sukuna drags you back into his lips, pecking you tenderly before moving back in with his hands firm to you. You shift further up so that his arms can completely take you in, heads bumping as your lips swim together in commemoration of a rebirth into a new life.

[inkskinned]

it's extremely critical that you see the photo of the perp walk for luigi mangione as being propaganda. i've seen so many people wave it off and instead fawn over his looks. and trust me, i know it ended up being kind of pathetic and weird - but please don't brush it off as a "modelling opportunity" for him. it's a fucking terrifying message the police are sending.

i want to make a few comparisons here, in case you're not from the US or familiar with why the perp walk thing is something to pay attention to. just to set the groundwork for why this is a purposeful, unusual, and cruel act by the nyc police - for why this is not a common occurrence and for why that matters.

the prosecution alleges the show of force is due to the charge of "terrorism." for comparison, in june 2015, tsarnaev was found guilty for the boston marathon bombing, which killed 3 people and injured hundreds. his actions are considered to be an act of domestic terrorism. i have spent the last hour looking through google for pictures of similar to mangione's perp walk - and so far, i have found zero. i also just do not personally remember a moment like that, despite living in boston at the time.

they allege that luigi is a stone-cold killer who carried out a longterm plan, making him particularly dangerous. again for comparison: in nyc, recently cory martin was found guilty of the killing of brandy odom. the murder was planned and premeditated to steal insurance money. and yet no staged perp walk. why didn't her life matter enough for a "show of force"?

but mangione gets paraded by a veritable army of police officers as if he is a rabid animal. for a single citizen who allegedly killed one other single citizen, the "largest perp walk ever" occurs.

so what is the "strong message" that the mayor and the police were trying to send here? the mayor speaks as if mangione is already convicted of terrorism. there is a very thin number of people who feel threatened by the CEO's death. none of us felt like mangione needs to be under massive armed guard.

the message is that you shouldn't resist. they are trying to "make an example" of him - that if you behave badly and kill a single rich person, you'll be treated as if you killed hundreds of people. you will be treated worse than a man who was found guilty of terrorism. you will be considered guilty without trial. the message is that the rich are a protected class, and you cannot touch them without massive punishment. they are trying to prevent a revolution by showing dominance and force against you.

the message is that the police are a puppet of the wealthy and that the law is not equally applied across class disparity. it is "some are more equal than others." it is "one life is more precious than another."

the show of force wasn't for luigi. it was for us. it was a warning. they are trying to remind us who is really in control.

[perrieedwards]

i feel like people are skimming over the uk riots in a way that makes me want to tear my hair out. muslims in the uk are in active danger. immigrants in the uk are in active danger. refugees in the uk are in active danger. people of colour in the uk are in active danger. asian communities in the uk are in active danger. black communities in the uk are in active danger.

there are massive far right riots throughout the country right now and people like fucking elon musk and nigel farage are inciting it and still have a platform to speak. people have used three young girls deaths, people's genuine grief in southport, to try and gain traction for their own racist bullshit and it's working.

a lot of refugee charities have been forced to close leaving many people without support, homes, funding, food, etc. if you aren't able to donate please consider sending a message via the conversation over borders campaign! it will send a hopeful, welcoming letter to a refugee in the uk. there is also a guide to staying safe here.

please do your own research and donate to refugee charities, anti-islamophobia charities, mosques who are trying to rebuild after being destroyed, counter protesters, here are some i've heard positive things about but the list is extensive; southport strong together (support for the southport victims and their families), southport mosque rebuilding, riot repair fund, middlesbrough vulnerable residents, nasir mosque rebuilding, hull help for refugees, bristol welcomes migrants,

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[bereft-of-frogs]

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[honeypleasejustkillme]

i thought i was at my lowest but holy shit it gets lower

[notbecauseofvictories]

I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.

Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.

[hinamie]

make it vicious, take a stab

[somewhereincairparavel]

"jason is a knockoff watered down percy" NO hear me out, jason actually parallels annabeth immensely, sharing SO many similarities with her personality, not percy, in this essay I will-

edit: my full analysis is out now! here

[thenotoriousscuttlecliff]

Sorry, but having Zuko actually fight back against Ozai during their Agni Kai is just wrong. He was a child, only 13 at the time, afraid to fight his own father and was mutilated as punishment, because Ozai saw Zuko's begging and unwillingness to fight as unforgiveable weakness.

The Angi Kai isn't meant to be a showcase of Zuko's fighting potential (that's what the Zhao fight is for), but to show the utter cruelty of Ozai.

[voltaical-art]

HE WAS SEVENTEEN. AGHHH ULDER WHEN I GET MY HANDS ON YOU

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

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