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spaceorphan18 · 4 years

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Kurt Duets Ranked

Part 2 of my Kurt Performances series, we move onto duets -- which will probably the least exciting of conversations, because this isn’t going to be much different than my Klaine Duets rankings. I didn’t go check that, however, so we’ll see how I feel about them now that more time has passed.

Meanwhile, the thing about the duets section is that while there are a ton of great songs in this one, it feels limited. Glee didn’t like to stray from what it knew worked, and therefore, we get Kurt having only a handful of duet partners, and only two of them make up a majority of the songs. It’s unfortunate that we didn’t get more Kurt and Mercedes duets, but even more unfortunate that Kurt didn’t sing with a larger variety of people. I mean, could you imagine a season 4 Kurt/Santana duet? Or something season 1 or 2 with Kurt/Quinn? Lots of possibilities, little room for experimentation.

That said - I do enjoy a vast majority of these songs, and like the solos, most of them complement Kurt’s story nicely.

Kurt Duets Ranked:

27. Candles (Original Song, 2x16)

You guys can’t seriously be surprised by this, right? As with all of these numbers, I went back to listen to see if I’ve changed my mind. Nope. And here’s the funny part - I actually do like this song. But the arrangement, production, and context of this number is terrible. My theory is that Original Song had so many songs in it that they were rushed to get this one done. Coupled with the fact that that the arrangement was redone (by Darren? - idk, Darren’s usually better than this.) and probably rushed means that it was just sloppy by the time they got to production.

From a music point of view, the arrangement is not complementary to either of their voices, and both of them clash on harmonies and go out of tune multiple times throughout the song. On top of that, the emotion of the song is completely off. It’s a break up song -- purposely more tailored for the Finchel story line at the time -- but doesn’t mesh well with Klaine’s getting together story. It feels awkward and out of place, and one of those times where I think who ever picked this song made a bad choice.

I know there are those out there who like it -- and that’s great! Don’t let me slow you down. But it will remain a weak link in an otherwise solid discography.

26. Get Back (Tina in the Sky with Diamonds, 5x02)

While this is way, way better than Candles, I do think it’s a weaker number for Kurt, and Kurt/Rachel, seeing that you’ll see they have some fantastic numbers coming up on this list. Not a favorite Beatles song of mine in the first place, not helping is the fact that this song should have a grittier and harsher sound than either of these relatively more classically trained vocalists can give it.

There is some fun with the choreography (weird NYADA piano tuning thing aside - that’s not how you tune pianos...), and Kurt and Rachel’s voices mesh just fine, but the rest of songs on the list just offer a bit more.

25. Memory (Old Dogs, New Tricks, 5x19)

This one is... rough. And it makes me sad to say that about a song picked specifically by Chris Colfer. For Kurt’s part, it’s a perfectly adequate rendition of Memory, though I think it lacks any of the deeper emotion that Kurt normally brings to his solos. But marring it further is the addition of June Squibb (who doesn’t have the same caliber of voice) and the fact that the scene itself is a bit of forced sentimentality. I get what Chris was going for in the script, but we’ve barely met these people, and they’re not memorable enough for us to get a tug on the heartstrings that this song wants us to have. The scene just kinda falls flat. (I’m sorry Chris!)

24. Lucky Star (Old Dogs, New Tricks, 5x19)

I promise, I’m not picking on Chris, even if the two songs he specifically wrote for himself are down here at the bottom. At least this one has more entertainment value even if I think it’s not a great performance. Kurt flying around as Peter Pan is super cute, and the song choice works relatively well with the scene. Once again, though, June Squibb’s Maggie is not a vocalist (And that’s fine - she’s a super cute old person), as well as this is bogged down in that weird sentimentality Memory was going for. It’s not really good, but at least it’s entertaining.

23. Story of My Life (The Back Up Plan, 5x18)

On a list featuring the what works and doesn’t for Kurt’s performances, this one just... oy. First of all, technically, the boys sound fine. Their voices mesh just fine, as usual, though Blaine’s voice is better suited for these slightly melodramatic boy band numbers. It’s a fine song to listen to in the car. Watching the performance, though, is rough. It’s done that way intentionally, to fit the context of the story -- and while it’s supposed to be comedic, to me it comes off as awkward and cringeworthy. Kurt has some odd performance choices, but normally a good performer, and this makes him kind of a bumbling idiot for the sake of the story, to the point where I rarely ever watch this one. I get what they were going for, and enjoy the song as just a song, but am not really a fan of the actual performance.

22. It’s Too Late (Jagged Little Tapestry, 6x03)

This one I definitely have some mixed feelings about. The song is fine, albeit a little on the pop-y side, though that’s intentional for the theme of the episode. And it’s the first time one of these songs directly commentating on the story that’s actually going on with Kurt. On the one hand, the angst of the scene is played well, and these boys pining for each other works for this part of the story. On the other, the vocals are a tad on the generic side (though these boys always sound great each other), and I’m still not sure I understand what was going on with the fantasy element during the middle of the song. Still, it accomplish the feel the story needed, which is why it gets bumped up here.

21. I Am Changing (New Directions, 5x13)

We only get two Kurtcedes duets on this show, which is a damn travesty. But what makes it harder is this one is, well, a little one sided. Mercedes freakin’ brings the house down with her half of the song -- clearly Amber Riley deserves all the credit she got for doing Dream Girls. Kurt, on the other hand, sounds a little rough here. I’m not sure if it’s because Chris’s voice changed during the show, and it actually got deeper, or if it’s due to the weird production values of season 5, but Kurt’s solo verse is a bit harsh and unrefined, and not in a good way. Mercedes saves it and steals the show, and when the two come together they sound fantastic, but this one gets dropped a little further down because it’s just not a strong one for Kurt. Add to that the fact that they’re trying to make Rachel and Santana be friends again, and the song is unfortunately a weaker one.

20. I Believe In A Thing Called Love (Frenemies, 5x09)

Look, I love Elliott, and I love that Adam Lambert came onto the show. He and Chris had some great chemistry, which actually does show through this performance. It’s fun and crazy and a bit out of Kurt’s normal repertoire, but that’s okay, because Kurt lets loose a little, and it’s really fun to watch. No - Kurt can’t match Elliott when it comes to the heavier rock material -- this is much better suited for Lambert than it is for Colfer, and there are times when Kurt kind of gets overshadowed and out performed, but that’s fine. We get to see Kurt pole dance - I think that’s justification enough to have it where it is on the list.

19. White Christmas (Glee, Actually, 4x10)

Believe it or not, out of the three Christmas duets Kurt and Blaine have, this is my favorite to listen to. I love this song, and I love this arrangement. They sound gorgeous on it as it highlights the strengths of their voices when singing together. My biggest issue is, really, with the scene overall. Look - it’s not easy choreographing people who aren’t used to doing routines on ice skates, and I get that. But due to that fact, the performance ends up being a lot of shots of people who aren’t Kurt and Blaine, and that’s a shame. The other two Christmas duets are much more in sync than this one, and this one is really being held back by the technical difficulty. Still - I like the song, and the context that it’s in, which is why it’s as high as it is.

18. Let it Snow (Extraordinary Merry Christmas, 3x09)

While lower than it perhaps deserves, upon watching it again, I know I’m placing it higher on the list of Klaine duets. It’s an incredibly hard number to do with all the dance steps and vocal runs, and the two of them nail it while being in character as their characters and as the Christmas special characters. I’m kind of in awe at the technical ability of this one, and it’s a shame the writers didn’t always play to Kurt and Blaine’s (and Chris and Darren’s) strengths. It’s not a personal favorite of mine, nor does the song hold much weight with their story, but it’s an incredible embodiment of what makes Klaine - Klaine, and showcases how well they can work together when given really good material.

17. You Make Me Feel So Young (New, New York, 5x14)

This is one of those songs that I go back and forth on, and really could write a dissertation on it, because I think there are a lot of elements both internal and external going on, which makes the onscreen performance... weird. But I feel like that would get way too long for the likes of this already too long post. So, I’ll say this. Vocally, they sound fantastic together, which is why I think it deserves to be up there on the list. It’s also one of the few times that we get to see genuine domestic Klaine being themselves with each other, which is also very cool. My issues with the acting and directing of the scene are very nitpicky, and it all lines up with my growing consensus that one of the weaker elements of season 5 were the musical numbers, but if y’all want more, I’ll do another post on just this song specifically. For now, I’ll just say that I enjoy the good things about the song, even if some of it leaves an awkward taste in my mouth.

16. Animal (Sexy, 2x15)

Animal is one of the few truly comedic performances Kurt gets to do. Between the silly sexy faces, euphemistic foam, and overkill addition of plastic balls, it’s hard to take this one very seriously, but that is the point. Both boys sound great on it, and it’s a lot of fun to watch -- being cringy in a good way. I really don’t have any criticisms of it besides I just prefer the others on the list just a bit more. But we’re getting into that territory where I think all of these songs are solidly good, and on any given day, I could rearrange the whole list.

15. 4 Minutes (The Power of Madonna, 1x15)

The second, and original, of the Kurtcedes duets, this is the first time in the show that Kurt gets to turn his sexy on, and it’s really awesome that they give him the chance to shine in such a way. Despite the fact that Kurt is doing the occasional weird hand gesture and choreography in this one, he and Mercedes play off each other incredibly well, and it’s a shame they never let these two really get to do anything once the juggernaut of Hummelberry came along. No, the song isn’t the best for Kurt’s voice, but sometimes it’s the spectacle of what’s going on during the number rather than how it sounds.

14. Love is a Battlefield (Tested, 5x16)

Showing that not all Season 5′s numbers were, well, not up to par as everything else, we’ve got this Klaine duet, which might be one of my favorite pieces of choreography and showmanship on the show. I really don’t like the song, at all, which I know goes against the grain of a lot of you, but it’s a testament to how powerful this number is visually that I’ve ranked it so high. (It’s about anger sex guys, and more sexual than the scarcely few sexy time-ish scenes we actually got.) The boys sound great on it, and the layered acting in it is pitch perfect. I love this duet, even if I’m not a fan of the song.

13. Ding, Dong, The Witch is Dead (The Purple Piano Project, 3x01)

Well, there is a reason Hummelberry was what it became, and this showcases that to perfection. The song isn’t worth much story wise, but it does show just how wonderfully these two play against each other, as well as sounding great together. This song is playful and light and the perfect showcase for what real talents they both are. I have my issues with Hummelberry (really, I do) but I can’t deny that they’re standout performers together, and everything about this number comes together to show that off.

12. Perfect (I Kissed a Girl, 3x07)

Look, this list is subjective. Yes, there are a few that stand over the rest and a few that are really not that great, but most of Kurt’s duets, like his solos, are really all solid performances. And I just happen to really love this song. I’m not going to defend Blaine’s questionable rapping or the context this song is performed in the episode. But what I will say is that I love what the lyrics have to say about Klaine’s relationship at the time, and the fact that they both (but especially Kurt) sound so great here. Plus, I enjoy jamming out to this one in my car.

11. Daydream Believer (Dreams Come True, 6x13)

This just happens to be one of my favorite songs ever, and I’m so glad this got to be the last Klaine duet. I have no issues about how well they sound together. As cute as they are dancing with the kids, I do wish the context would have been totally different -- I wish that they were singing this to each other -- or their own child. But I still think it’s a pretty meaningful song, and I love it, so here we are.

10. Just Can’t Get Enough (I Do, 4x14)

I unabashedly love this song. Sure the song is rather repetitive and is going on during other people’s plot lines, but every time I hear this one, I just want to get up and dance along with it. The boys sound great on it, and they get to be rather flirty in the moments that the camera is actually on them. If only the had more screen time, I probably put this one higher near the top.

9. Somebody Loves You (Transitioning, 6x07)

A lot like Just Can’t Get Enough, this duet is flirty and adorable and I love everything about it. They sound great together and, as usual, play off each other well. On top of that, the song itself plays nicely into the Klaine story of the moment, which I appreciate. It’s not a perfect performance, but an incredibly enjoyable one, and that’s what matters.

8. American Boy (The Untitled Rachel Berry Project, 5x20)

Are either Kurt or Blaine suite for Rap and R&B? No, not really, but do I care? No. As you’ve probably noticed, I love these flirty duets, this is one of the best ones. Sure, they don’t really capture the style or tone of the original very well. But they’re having a lot of fun out there and being adorable while doing it. And Kurt simulates having sex. I mean, do I really need to say more? But really - I actually enjoy this song a lot, so there we go.

7. Popular (2009, 6x12)

This is easily the best performance of Kurt’s limited performances in season 6. Kurt and Rachel haven’t head a duet together since Season Five’s Get Back (interesting right?) but they’re able to turn right back on the magic that was going on in the earlier seasons. This song is near perfection -- the acting is solid, the performance is layered -- being both comedic and a commentary about the both of them, and they sound wonderful together. This is truly a treat for the end of the series, and I’m a little sad the rest of the season didn’t put as much effort into its musical numbers.

6. Come What May (Girls and Boys on Film, 4x15)

The thing about Come What May, for me, is that it’s deeply a romantic song - and shot (intentionally) in a very movie-like way. I love so much about this, from the staging, to the bit of flashbacks setting the tone at the beginning, to the misdirect and reveal that it’s really Kurt’s fantasy and not Blaine’s. Vocally, there are a few weaker spots towards the beginning, but that can be overlooked when visually and lyrically there is so much wonderful things going on here. I love when a performance can have layers to it -- and this one say so much about Kurt as a character and the head space that he’s in, while being deeply romantic without being vulgar, that it firmly takes a spot near the top of the list.

5. Got to Get You Into My Life (Love, Love, Love, 5x01)

The thing that’s so great about good Klaine duets is their push and pull of each other. This duet has a ton of that -- each of them playing against each other in such a flirty way. They sound great, they look great, the number has a ton of energy, and the bright tone is a nice change from all the somberness that came along with season 4. It’s a visual treat as well as a aural one, and nearly flawless in execution, which is why it’s ranked so high on the list.

4. Rockstar (New, New York, 5x14)

Is this really one of Kurt’s best duets? Technically, probably not. I don’t really care - I. Love. This. Song. Really, I listen to it all the time, and it’s just a song I never tire of. It’s really Adam Lambert’s show, and Kurt is kind of dancing around like the littler brother of the rockstar that is Elliot ‘Starchild’ Gilbert. And I do think Kurt and Elliot’s voices mesh rather well -- even if Kurt’s overshadowed a bit here. But that’s all fine - because this song makes me happy for no other reason that it does, and that’s a fine reason to be near the top of the list.

3. Baby, It’s Cold Outside (A Very Glee Christmas, 2x10)

I keep trying to think of reasons not to put this as the number one Klaine duets. I keep looking at the list thinking that something else about one of the other duets will stand out more, and I just can’t. This scene and this performance is damn near flawless. I’ve already talked about this scene at length, and I really don’t have anything new to add, but here’s the thing -- this song sounds wonderful, the game of cat and mouse they play with each other is one of the best scenes on the entire show, and I can’t say enough at how brilliant and layered and amazing this scene is. Hands down, best Klaine duet, and one of the best overall duets on the show.

2. Happy Days Are Here Again/Get Happy (Duets, 2x04)

The thing is, about this duet, is that it’s iconic. Just hands down iconic. Not only were they able to take an old school mash-up done by Babs and Judy and make it their own, but they gave it the same amount of power and emotion the original had as well. I don’t think it’s easy to sit on a stool and make any kind of song engaging but these two are able to do it. They sound flawless on a technically difficult song. There’s subtly and nuance in the performance. There’s balance and give and take. And contextually, it fits in nicely with where each of the characters are at. On top of that, it’s a really great arrangement of these two songs in the first place. I have nothing but good things to say about one of my favorite songs and favorite performances on the show. And while Hummelberry has so, so many issues as a friendship -- their ability to make amazing performances together was not one of them.

1. For Good (New York, 2x22)

I went back and forth on what the order of the top three would be -- they could easily be interchangeable they’re all so good. But here’s the thing about this one. I feel like this one just takes an extra step up in, well, everything -- the performance level, the context, the layers of emotion woven through this song, it just hangs itself up a little higher than the rest of them. Yes, Kurt and Rachel sound as good as they ever do -- playing off each other and meshing with each other brilliantly. But this song is a grand musical theater piece that they pull off masterfully.

But on top of that... The weight this song has is given is higher than pretty much any other song on this list. it’s a perfect fitting song that punctuates their paralleling journey throughout the season. This song is a final statement and thesis of everything that became before it, and because of that, I’m ranking it as the best of Kurt’s duets.

#finding kh #kurt hummel #non link no photos version #because tumblr is the worst and has a million restrictions

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ship-obsessions · 5 years

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The 100 Season 6 Speculations

Okay, so first of all I want to say I’m loving season 6 so far. Give me all of the delinquent interactions. I’m also obsessed with the Bellarke crumbs they are ALREADY GIVING US and how their repressed feelings for each other were shown (although not directly) in 6x02. A while ago I saw on Twitter that a reviewer compared The 100′s 6x02 episode to Motel California in Teen Wolf and now I totally see it. The way the plant toxin affects the delinquents parallels the werewolves being affected by the wolf’s bane... and the focus on the main group of delinquents (specifically Clarke, Bellamy, and Murphy) parallels the focus on the original core 4 in TW (Scott, Stiles, Allison, Lydia). I absolutely LOVED the core 4 dynamic in TW and I’m already loving this trio dynamic between Clarke, Bellamy, and Murphy. Give me more episodes like this! (and maybe add Raven after her and Clarke make up).

That said, I watched the first two episodes when they were leaked, so I’ve been DYING for the next episode 6x03. (Note: I’ve also been streaming them again since they’ve officially aired, so I’ve watched each one like 4 times). Since new content is finally coming next week, I wanted to get out some of my random speculations for what’s coming up later this season even though we literally know so little about this new planet, these new people, the creepy children, etc.. Of course, being curious (like a psychopath), I went through all of the season 6 episodes on IMDb to see what (if anything) it could tell me. I’m sure someone else has probably already done this, but I found some interesting things I needed to put out there...

6x03

We already have a name “The Children of Gabriel” as well as a description (Clarke tries to win over the leaders of Sanctum in order to let her people stay. Meanwhile, Bellamy, Octavia, and Echo discover a new threat while on a mission to retrieve the transport ship.), so we have somewhat of a gist of what is coming next week. I don’t think they will fully go into the backstory of these “children of Gabriel” but we obviously know the geneticist from the flashback was named Gabriel and the actor, Ian Pala, is only listed for 2 episodes on his personal page and one of those is Sanctum (uncredited). So I’d assume this means we won’t get another flashback of him specifically or the origins of his “children”. But I do think when Clarke meets Russell and the other people somehow this backstory/history (at least a shortened version) will be explained. We know that the episode titles are all explicitly mentioned or referred to in the episodes themselves somewhere, so that’s my reasoning there.

However, I noticed one other small thing in the cast list that stuck out as strange/interesting. Sarah-Jane Redmond’s character (aka the Sanctum hostage that tried to hijack the mothership) is named Taylee in 6x02 but Tilly in 6x03. At first I thought it could have been some kind of error (idk) but it’s listed the same way on her personal IMDb actor page. Is she playing twins?? Is there validity to this clone theory I saw floating around and read about in the Hypable review?? Either way, I’m definitely interested in whatever that’s about.

Also, I’m excited to meet JR Bourne’s character this episode! We obviously know he is Russell Lightbourne but after all my research (lol I’m taking this WAY more serious than I ever took school), I’m wondering if he’s not just a descendant of the Lightbourne’s but is actually a clone or somehow has the same consciousness from Mr. Lightbourne (Josephine’s dad) in 6x02 (again saw this in the Hypable article around a similar flame storyline theory since Becca created Eligius tech as well). It’s worth noting that we don’t actually know the character’s real name and Sean Maguire is just credited as Mr. Lightbourne -- no first name. Hmmmmm

6x04

Again we have a name “The Face Behind the Glass” and a short description (Clarke embraces the traditions of Sanctum and tries to make amends for her past actions.), but not much else... (or do we??) This episode is probably where we will see Clarke dancing in the room painting and maybe even the lanterns floating in the sky (ie. Sanctum tradition?) -- I’m thinking several “happy” moments with her. I also have a theory -- going out on a limb here -- that it is where we could see the whole “flashback” scene of Clarke in Mount Weather from the trailer. It’s probably not an actual flashback but some kind of hallucination or psychosis thing again, (or maybe even a dream?) but maybe that is where the title comes from -- she’s literally looking at herself from behind the broken glass in MW’s contamination rooms. OR we’re not quite there yet and it’s referring to the stained glass-looking red window/door thing that Emori was trying to open before going crazy in 6x01.

The kicker for me in this episode’s listing was Jordan Bolger’s credit as Shaw, who we all saw die in 6x01. In what capacity is he coming back? Maybe it’s Raven’s hallucination or even a dream? I could see them showing us her full reaction once she knows what really happened to him, but I’m not sure how or in what way he would come back at some point in the episode (I say “come back” because the actor will actually appear). It will be super interesting how the sci-fi elements work on this new planet. We’ve already seen the eclipse-induced psychosis but what other strange things will occur or happen to our characters? If they are all facing their demons (ie. Clarke with Mount Weather and Octavia with Blodreina) I wonder how those scenes will be played out.

6x05

Again Jordan Bolger is credited... is Miles Ezekiel Shaw back again??? What is going on?

6x06 - 6x07

I didn’t really notice anything super strange in episode 6, but GUESS WHO IS CREDITED FOR EPISODE 7: none other than Chris Browning as Jake fucking Griffin. Maybe this is another flashback or memory or hallucination -- assuming by Clarke.

Note: Madi is not credited to appear in 6x06 or 6x08 so I’m thinking her “kidnapping” or whatever happens with the creepy person who is holding her captive in the woods happens in 6x07. Or maybe it’s even earlier in 6x05?

6x08

In episode 8, the cast list introduces 2 notable new characters: Josephine VII and Hope. Okay, so with Josephine VII it could be some descendant of the original Josephine Lightbourne in the 6x02 flashback, but it could ALSO be another hint at this clone and/or flame consciousness theory. But Hope... where have we heard that name before? Oh yeah, Diyoza’s unborn child. But Diyoza hasn’t even had her baby yet and in the promo trailers it looked like she was shot (and possibly killed?). Also, this actress who plays Hope is like 6 years old, not a newborn baby. It’s still weird to me though because what are the chances there is another character -- another child, no less -- with that same name Diyoza mentioned she was planning to give her baby. Just seems a little too coincidental to me.

6x09

Okay, I’m going out on a limb here, but THIS MIGHT BE THE ICONIC RAVE SCENE FROM THE TRAILER. Stay with me... I was originally thinking this would happen earlier in the series when I saw this in the trailer, probably like everyone else, but in the IMDb cast list there are 5 “dancers” credited. I mean it is more logical for a rave scene to happen early in the season (because usually all the good things or happy stuff comes in the first half of the season and NEVER this late), but what else would “dancers” be credited for??? The 100 doesn’t do dance numbers LOL. Anyway this idea has me shook because if it is this late in the season, there is a better chance that Bellamy and Echo have ended things by this point and that super short blurry speck in the bottom right corner of the rave dance scene could be Bellamy (you know what I’m talking about). Will they actually make my LIFE and have Bellamy and Clarke dancing at that rave together? Seems way too good to be true, but I had to throw the possibility out there. I mean who knows, my Bellarke-owned ass can always hope for the best.

After the slim possibility of that amazing possibility, here’s a scary thought to consider (sounds kind of like the show itself), this is the last episode of the season that credits Lola Flanery as Madi... WHAT IS GOING TO HAPPEN TO HER. Does whatever experiment being done on her in the promo trailer kill her? Pls don’t hurt Clarke’s smol child.

6x10

So here is where I started low key freaking out because the cast list dwindles DRAMATICALLY for credits this episode. We only have Eliza as Clarke, Shannon as Jordan, and Luisa as Emori out of ALL of the main characters we know and love. Something major has to happen for everyone else to suddenly become absent from this episode. And I’m a little scared to know what that is.

6x11

Okay thank god, the main characters are all back on the credits list for this episode. ALSO there is a new actor credited as young Echo. OMG an Echo flashback?! Will we finally understand who she was and why she is the way she is? Will I even care to get invested in her this late in the game?

Also, IMDb lists that this is the episode Bob Morley directs!

6x12 - 6x13

Our other mains are gone AGAIN from the cast list. It’s back to only listing Clarke and Jordan among the characters we already know. WTF is going on. I need answers NOW. To reiterate, I’m saying that IMDb doesn’t list Abby, Bellamy, Octavia, Raven, Murphy, Echo, Kane, Madi, Miller, or Jackson in episode 10, 12, or 13 (+ Emori in 12 or 13).

I’m honest to god just hoping that IMDb isn’t fully updated with the entire cast list in these last episodes yet -- is that a thing? pls tell me it is -- because if we don’t have a finale that includes Murphy, Raven, or most of all, BELLAMY... I swear to God I will riot. Of course, I’m hoping no one dies (obvi), but now that we know there is a season 7, could J Roth be trying to kill us with some dramatic cliffhanger where Clarke and Jordan are separated from the rest of the group? (PSA: STOP SEPARATING CLARKE FROM EVERYONE). But if so, why would this absence of all of those other characters be TWO WHOLE EPISODES? And during the two part finale of all things. UGHHH my mind is spiraling, someone pls calm me down.

On the plus side, 6x12 lists Antonio Negret as the director for the episode and we all know he brought us the brilliant (yet angsty AF) episode 5x08 last season where Bellamy poisoned Octavia to save Clarke. But if Bellamy isn’t even in this episode WHY SHOULD I EVEN BOTHER CARING.

What’s left that I missed? Probably a lot LOL. I tried going back to watch what I might have missed from the extended trailer but I couldn’t find the video ANYWHERE. It’s like disappeared from YouTube (says it is “unavailable”). What is that about?

Anyways, the scene with everyone together in the house (standing at the bar, shot looking at us) has to be in one of the episodes where all main cast members are credited -- I don’t think it will be the next one so maybe 6x04 or 6x05? Same thought for the Madi/Clarke reunion, I feel like that is in the same episode. I also have no idea when in the season Bellamy is going to strangle Russell with Clarke and Murphy in the room (again my favorite new trio!). And that being said I’m confused on JR Bourne because he was all hyped up as a new character this season but he’s only credited in the next episode 6x03. Does the strangling take place next week? It can’t right? Because Bellamy is off with Echo and Octavia on the other mission and Clarke is the only one in the castle. Also if 6x04 is Clarke trying to embrace the traditions of Sanctum and make amends, there is no way she could do that the episode after Russell (the leader of Sanctum) is killed.

Sorry for the crazy rambling and this long AF post, but I have so much on my mind after this speculation deep dive. I need to just go to bed.

#The 100 #the 100 season 6 #the 100 speculation #bellarke #bellamy blake #clarke griffin #john murphy #sanctum #the 100 6x03 #the 100 6x04 #parallels #teen wolf #teen wolf 3x06 #motel california #wtf did i get myself into #my mind is going crazy #i need the rest of the season now

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paperclipninja · 5 years

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Younger post-ep ramble 6x03

This week’s episode of Younger, ‘The Unusual Suspect’, was a big one. No scenes felt wasted, each one moving the story along and it all felt very purposeful. Despite some capital H hotness and really light and funny moments being scattered throughout, mostly thanks to fave (and only) NYC agent Redmond and the resurrection of some truly classic Diana Trout, there was definitely the sense of tension on the rise. It’s been simmering since the end of this season’s first episode and I feel like this week we have hit an apex.

We open with brunch at Maggie’s and what one can only assume is a time jump (either that or Clare has recovered remarkably well from birthing a baby the size of a four month old) and right away an overarching theme for this episode is established, as Lauren enters raving about the latest hit podcast, Exonerated. I’m gonna come straight out and say that I am so into this premise. The excitement around the table sounded like the break room in my office most days, they definitely nailed the trend of true crime fixation. It immediately allowed for Maggie’s quip about white women loving murder, a delightful array of OTT facial expressions from Liza and Kelsey dropping in that Millennial will be meeting with Audrey Colbert, subject of the podcast, to nab her book before anyone else does. Of course the other big news is that Josh and Clare appear to be happily family-ing it up (though mommy wipes, daddy dipes = vom in my mouth a little bit) and Maggie is dealing with unresolved BoUBT (Back of Uber Birth Trauma). Lauren’s vow to help get Maggie back on the ‘h for hunt’ once again epitomises why I love her character so and I want to record her sympathetic ‘oh Divaaa’ as my ringtone. I just love that Maggie, of all characters, is the one who seems like she should be the most pragmatic when it comes to something like birth yet her coping level is zero here.

You know who else wasn’t coping? Me and my Liza and Charles loving heart as Liza suddenly up and left the brunch because she ‘was late for a thing’, cue the scene that was released as a sneak peek last week that I have definitely only watched a normal number of times *cough*. The set up for The Rubin Museum from the opening conversation was fab and the fact that Charles and Liza are using the podcast to frame up a role play situation is just too much. Obviously I had seen the scene prior to the ep and while it is certainly *insert flames here*, I can’t help but wonder what it would’ve been like not to have expected it (actual combustion probable). I mean regardless, I will never think about a trip to the museum in the same way again. The voice-over narrating what we were seeing was such a great device that is really different to anything the show has done before, it built the anticipation of what was playing out and it felt like a scene from a movie. The moment when Charles turned and came face to face with Liza was a great reminder of how electric the chemistry between these two can be (actual lightening bolts were sighted) and quite frankly, seeing these characters being adventurous and lustful in their relationship is a yes on all fronts. I think the fact it all took place in a place of intellect and culture was extra fitting, it somehow kept the whole thing true to the characters and I am here for the #nerdlove.

The office drama was amped this whole ep and that of course was largely due to the ever growing reign of our season 6 villain, Quinn. With the time jump since last episode confirmed by the fact that Quinn’s book is both published and sitting on the best seller list, Kelsey and Diana’s first encounter with Quinn as she uses the WiFi for a conference call included a) Diana saying goodbye in Mandarin, which was yet another lovely tidbit to add to this character while also setting up the classic Diana we got throughout this ep and; b) some of the best fashion and hairstyles all in one scene (and episode as a whole) ever. I mean the fashion on this show is always next level but this episode in particular took it up a notch: Diana’s high-neck printed electric blue top and Kelsey’s hair/makeup/outfit in the conference room were so stunning I was actually distracted by them.

Kelsey’s office refurb was also noted, loved Liza’s ‘set it (Claw) on fire’ comment and of course, Diana telling Kelsey that now she is publisher, maybe she should stop speaking like a trucker was D. Trout golden line no.1 for this episode. Even better was seeing Kelsey, Diana and Liza settling into this new way of working. I adore the dynamic between these three and the way we’re seeing Diana adjust to her former assistant now being a peer without a fuss is why this show is so wonderful. It would have been easy to have Diana trying to assert herself and maintain some sort of authority, but to see her just want to get on with the work and do the best job she can gives a great credibility to the notion that this character is the best in the industry. I could pretty much write out every Diana Trout line from ‘The Unusual Suspect’ and leave this entire ramble at that (’why is everybody in this country obsessed with true crime? Actual people have died and they’re selling branded beanies on Etsy’ LOLLLLL) but I would then need to do that for Redmond because the fave one and only agent in NYC was back this week and as always, he was in fine form.

The pitch of Audrey Colbert’s book is up there with the funniest scenes of this series, from the creepy af Audrey (A+ casting of Willa Fitzgerald) to Liza and Kelsey trying to play it cool while being hella freaked out to Redmond’s attempt to present a compelling pitch being railroaded by Audrey’s ‘crippling lack of media training’, it was Younger writing and delivery at its finest from start to finish. Seeing Redmond so unnerved by Audrey was unnerving in itself and really, I am so happy with the amount of Michael Urie in this episode. Our next encounter was of course when Kelsey and Liza interrupt his infrared sauna treatment (again, so many hilarious lines, I really feel that a transcript of the entire episode is about the only way to do it justice but may be problematic to pass off as a recap/review…or would it?) and discover that Audrey’s book is being shopped around thanks to the dagger next to Claw on the bestseller list, which = bulk sales = dodgy business = Chinese bots tweeting = Quinn is the worst (math doesn’t lie) = Audrey doesn’t want to be associated with anything suspicious on account of the fact she’s been accused of murdering two ppl (fair). I do want to back this truck up a little though to the way Kelsey and Liza discovered their next big hit was being pitched to half the major publishing houses around town.

Diana Trout hobbling into the office on crutches before dropping the bomb that her injury was the result of being so frazzled upon hearing the news re: Audrey going elsewhere, that she got caught up in her reformer (just go and re-watch this scene, you will not be sorry) is everything I never knew I wanted to see. The reference to Jackie Dunn, who you may remember has been a longstanding nemesis of sorts of Diana’s, was such an utter delight as a long time fan and once again, seeing Kelsey, Liza and Diana all equally vexed by the news was so great and continued to solidify them as a team. I promise no more direct quotes* (*this is a very loose promise), but ‘postpone the power-trip Kelsey, I am handicapped’ in response to Kelsey’s stunned expression upon Diana’s request for espresso, is so outrageously funny and makes this whole scene an absolute stand out on account of its hilarity.

I missed Lauren and Diana interacting this week, however I appreciated seeing Lauren be the wonderful friend she is to Maggie and Josh. Taking Maggie to the support group obviously allowed us to meet Beth, who Maggie engaged for some one on one tutoring (looking forward to seeing where that goes this season) after returning to the store to apologise for running out during the group session. While Maggie was lining up her ongoing therapy, Lauren and Josh shared a sweet and heartfelt moment that highlights why their friendship is such a lovely one on this show. Obviously Josh had told Lauren that he and Clare had a moment that made him think, ‘maybe we should make this relationship work’ and Lauren is following up to see where his head and heart are at.

I absolutely loved said scene between Clare and Josh, when he had finally settled the baby, asks Clare if she wants to go to her bed and then joins her on the floor when she says she sleeps where she can now. There was such a sense of unity and care and it made my heart swell. So in his discussion with Lauren we also find out the baby is named Gemma (last name TBC, for both father and daughter) and when pressed about what he actually wants, Josh reveals that he doesn’t think he and Clare are right for each other. I have said it before, but for all the wacky that Lauren can be, she is the most incredible friend who only wants the best for those around her in such a relentless and genuine way and this scene really highlighted that once again (the line about her dad having such a little bottom though brought us straight back to Lauren light in the best possible way).

The divorce proposal was such a great scene and while I was hoping that perhaps Clare and Josh could work things out, I am thrilled to see that the writers put both these characters on the same page right from the get go. I love that this show constantly bucks stereotypes and expectations of how certain characters and relationships will play out, so to see two adults who have an agreed desire to put their child first but know they need to do so outside a romantic relationship is something really unique on television. I have always enjoyed Josh and Clare’s dynamic and I hope we get to see a real, loving co-parenting arrangement play out.

Kelsey’s interaction with Zane when she is buying a bottle of Dom Perignon to celebrate scoring Audrey’s book (eek!) is my favourite interaction of theirs this season. Their banter was really effortless, Zane’s, ‘you’re not listening’, as he pulled out the cash to pay for the one remaining bottle smooth and a little bit over confident, but really played up that he has something in the works that is legit. I especially love that we later discover both are buying champagne to celebrate the same win. I feel like we also need to stop and appreciate that they were about to drop $400 between them on two bottles of bubbles like it was no big deal. What is this life? How do I get it?

Though admittedly Kelsey deserves a nice glass of something this ep considering all that she is dealing with. I have made no secret that I have struggled with Kelsey’s character these past couple of seasons and no one is more surprised than me at how much I am getting on board with her this season. Kelsey calling out Quinn point blank that she faked her best seller was so good to watch and seeing Liza backing her up and standing her own ground made this extra satisfying. Gah, I just LOVE how Laura Benanti plays Quinn and her stating that ‘the money is real, what else do you need?’ is so cold and matter-of-fact. What I love most about this whole confrontation is that it immediately made me think back to the first time we met Quinn - her whole presentation was about the fact that no one wants your success more than you do and that women helping women is actually holding women back. That right there should’ve been the red flag that her “helping” Liza and Kelsey was not legit.

And so her true motivation for investing in Empirical becomes evident. It had nothing to do with saving an ailing publishing house, it was to ensure her book would be published, she could have some control over how big it would become and be seen to have the support of a reputable publishing house, all in order to gain name recognition so she could successfully run for Senate. In her mind, Kelsey and Liza benefit from the whole thing financially so it’s a win win but she also holds the power so feels like she has the upper hand. Which is why the scene at The Cut (which is so fab, the looks Quinn shoots Kelsey are searing), when audience members question the dagger next to her book, is so damn satisfying. Kelsey’s move to announce Quinn’s run for Senate is so bold, I am very on board and boy oh boy Kels, I think you’ve got yourself quite the adversary. I was very much Liza watching this all unfold, shocked, impressed and a little bit scared for and of Kelsey and what this all means.

Now Liza was late to the event because she was living out the next chapter of the podcast at the Brownstone which we need to discuss, however I first owe some of you an apology. At the end of last week’s ramble I suggested you may need a fire blanket at the ready after seeing the museum scene sneak peek to you know, contain the flames. I fear some of you may have deployed it prematurely (this is not a euphemism though I am very aware it sounds like one) in response to how damn hot that scene was, but I was not to know that we were going to get this later scene, in which Liza just wanders into the townhouse BECAUSE SHE HAS A FREAKING KEY (suspected ep 2, confirmed ep 3, appreciated always) and decides to have a good old snoop at her bf’s mail. Similar to the museum scene, this set up felt more like a movie than a typical Younger episode. There was an ominous weight to it; the music, the lighting, the Charles padding silently up behind her (barefoot again?) and the tension was palpable.

Liza asks Charles about what’s going on, he provides a vague answer about moving some things around before asking her if she’s listened to chapter 7 of Exonerated, which conveniently mirrors almost exactly what just occurred, with Audrey’s ex finding her going through his things. Ok, so this is where it gets tricky for me. This entire exchange, from the way these two fall into that speaking in third person and wrapping a narrative around themselves, the way Charles wraps his arms around her, the way they look at each other, I mean, this whole thing makes my heart spontaneously combust because it is sexy and flirty, dripping with desire and just really really hot *reaches for backup fire blanket*. But then Liza is clearly distracted by that letter and Charles’ deflection and part of me is wondering why on Earth she isn’t pressing him harder for an answer or following up, I mean, we saw how open they were with one another last season, but then the other part of me looks at Liza and thinks, you are a person who has eyes and that whole situation is right there in front of you so I get it, go with it and worry about it later.

I am aware of how long this ramble already is, but I am going to do something a little different here and digress slightly away from the episode itself and put out some conjecture on my part. It could well be completely over-analysing (lol, I’m neck deep into a freaking novella about a 25 min episode of TV, I think that’s a given) but I know that there is concern about Charles behaving secretively and I have seen some people expressing disappointment in this season so far.

For what it’s worth, my take on it is that it might seem as though some of the characters are behaving a little out of character but I feel that actually, the characters are behaving in ways we haven’t seen before because they’re in situations we haven’t seen them in before. As invested viewers we feel like we know these characters as whole people in every aspect of their lives when in fact, we’ve not seen Liza at the top of her game in her career or Josh as a parent or Charles in a romantic relationship or away from the office. So while the way they behave might not be the way we imagined it, to me it isn’t so much out of character as seeing a new dimension of the character. Also, the addition of flaws does not necessarily equate to destroying a character, it builds them out and makes them more real, if anything.

In relation to Charles and Liza’s relationship and the ‘Charles is being shady’ concern, IMO the key purpose of that is to create tension and you can FEEL it building. As crazy as it may sound, I think the Liza/Charles dynamic thrives in the build and resolution of tension and that’s why their moments in this episode felt so electric and hot, it’s like those unspoken, unresolved tension points charge their chemistry. As much as I think I would love to have Charles and Liza sitting around blissfully happy (I mean, I would obvs), the reality is, it’s not that fun to watch. I believe the tension is building towards a resolution of sorts that will actually put them in a better place and move the relationship forward. (*Full disclosure: since writing this I listened to the podcast from ATX fest and Joe Murphy, one of the writers for Younger, said very similar things so if you listened to that podcast I promise I have not just taken what Joe said and pretended they’re my thoughts, I legit had this written and then heard (ngl, I may be feeling a little smug as a result). I’m putting it down to us both being Australian because clearly that is a thing that makes sense).

I also think there is an unsettled feeling this season because the entire premise of this show, the roles these characters played, the interactions we have grown accustomed to week after week, has been completely flipped upside down. As viewers we garner comfort from the routine of watching a show but also from knowing where the players are positioned, how they will behave and what it looks and feels like. I think the writers know exactly what they’re doing and are achieving exactly what they would’ve hoped (apologies writers if this is wildly inaccurate and I’m just assuming things incorrectly left, right and centre) - everyone is sitting in discomfort and it’s largely due to the unfamiliarity of it all. The set up, the way we’re seeing characters etc, it reflects what the characters themselves are experiencing on our screens, which is all kinds of meta and actually pretty cool. But the further you push that discomfort and make viewers sit in it, the greater the impact and more satisfying the resolution. It’s like waiting for a beat to drop in a song, the build up can become almost unbearable but damn it’s good when it lands. That’s how I feel this is all going to go.

That is what I meant by this episode feeling like an apex, it feels as though there’s a limit to how far an audience can be taken in a state of flux without some resolve somewhere. And the writers know this, it’s what they do, it’s WHY we tune in. I’m not suggesting that everything is going to go back to the way it was, the evolution of a show like Younger is exciting and part of the fun is seeing where it goes, but we are three episodes in to a twelve episode season and while we consume it week to week, it ultimately has to make narrative sense across the whole season. It’s as though we’re at the end of an ‘establishing’ phase right now. So I am reserving any judgement until I see how it all comes together, but have no doubt there will be many resolutions and many new points of tension throughout.

Right now, I am thoroughly enjoying all that we’re getting and I think the writing this season has been excellent so far, with moments like the final scene of ‘The Unusual Suspect’ providing us with the first true cliffhanger of the season. Our last bit of Redmond for the ep was peak Redmond (I love that he dashed off to a better table uptown), and of course the big Mercury reveal, YESSS. That moment of realisation washing over Liza’s face, props to Sutton Foster, and I cannot WAIT to see how this all goes down. The prospect of inter-generational team ups of Kelsey/Liza vs. Zane/Charles while members of each team are in relationships with one another is the kind of set up I live for in a TV show. Is it July 10th yet?

#original post #incorrect spelling in link

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millennialfangirl · 7 years

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“Next of Kin” Arrow 6x03 spec fic

*waves shyly* this is the first thing I’ve written in over half a year. here goes.

beware of spoilers for tonight’s episode. also, i’ve seen numerous theories and fics about the present being a key...i add a bit more on to that. it’s alright if this is not your cup o’ tea.

“Next of Kin”

Felicity’s eyes blur as she reads page after page of documents for her and Curtis’ new company. Her laptop burns hot on her lap where she’s perched on her sofa. When she hasn’t been worried to death over the FBI’s investigation into Oliver, she’s been planning.

After reading a paragraph for the third time, her fourth attempt is interrupted by a familiar knock. Oliver.

Her heart thrums faster with anticipation. It’s been doing that more and more recently as a possible reunion becomes more and more likely. There are soft smiles and lingering glances, blushes and feather-light touches. It’s new and invigorating, and each time they see each other, they seem to take one step closer in the right direction.

She stretches her sore limbs and forces herself to ignore the fact that she’s still in the pajamas she woke up in over 16 hours ago. When she opens the door, she’s breathless. Oliver’s standing there in one of her favorite leather jackets, but it’s his lighthearted smile that takes her breath away. Immediately she knows they’re about to take another one of those steps in the right direction.

“Hi,” he says softly, his head tucking in slightly.

“Hi,” is all she can manage as she waves him in. As he enters, she doesn’t miss the way he carefully keeps his arms behind his back.

“I guess you’re not here on arrow business?”

“No...yes. Not exactly,” he corrects with a bemused smile.

“I still can’t believe you passed the mantle over to Diggle. I mean, I get it, but still...woah.”

He chuckles when she mimics her mind being blown.

“It feels right.”

She nods in understanding, anxious to get to the root of his visit.

“So...,”

“Right,” he says, clearing his throat. “I have something for you...if you want it.”

For a moment, all she can do is stare at the neatly wrapped box. Her mind instantly going to rings and engagements, and she chides herself for being so presumptuous. She wasn’t sure of how fast she wanted things to move with Oliver once they reunited, but she can’t silence the tiny voice in her head telling her she’s ready for it all.

“It’s not a ring...I mean, at least not this time,” he admits.

She takes it from him, deliberately grazing her fingers against his palm in the process. If at all possible, his doe eyes go softer.

When she gets it unwrapped and opens the lid, she can’t help but be confused at its contents.

Her mouth opens, then closes, then opens again, but no words come out.

“It’s a key,” Oliver says shrewdly.

“Obviously,” she snarks back, her forehead wrinkling further in confusion.

He huffs out a sigh.

“It’s a key to mine and William’s place.”

Her mouth forms an ‘O’ as the puzzle pieces click into place. Then her eyes start to tingle as she rapidly blinks away the moisture. He quickly steps into her space, his hands wrapping hers, the gift nestled beneath them both.

“What does this mean?”

“It means I want you in our lives, whenever and however *you* see fit. Which I hope is often,” he finishes, his thumb coming up to wipe away an errant tear from her cheek.

He doesn’t pull his hand away. Instead, the rest of his fingers brush softly into her hair. On instinct, she settles her face into his palm.

“Do you accept it?” he asks, the slightest fear of rejection showing on his face.

She nods her head softly, a soft “yes,” escaping her lips before she brings them to his mouth.

It’s a slow and passionate kiss, unhurried and deliberate. It’s an affirmation.

Several moments later when they finally break apart, she leans into him, resting her head on his chest. For a while they just hold each other, their hands running lazy and soothing circles over various expanses.

Then Felicity remembers what he said earlier.

“How does this ‘kind of,’ have to do with arrow business,” she asks against the warmth of his chest. She can’t deny how amazing it feels just to stand in his embrace once again.

“Um...,” he starts slowly, and immediately Felicity knows he’s nervous.

She goes to pull back from him to get a better look at his face, but he holds her tighter, keeping her tucked under his chin.

“I’ve been making some changes, as you know. And some thinking. Just because I’ve passed the mask on to Diggle, doesn’t mean something can’t still happen to me.”

She can hear the seriousness in his voice, and it does nothing to calm the dark thoughts his words are making her mind conjure. As if reading her mind, he squeezes her tighter in reassurance.

“I have a lot of enemies, but life also likes to throw curve balls, and none of us really know how many days we have.”

He nuzzles her hair, and she can hear him breathe in a calming breath.

“What is it, Oliver?”

Finally he loosens his hold on her, and they step back from each other. He takes a hold of her hands before answering.

“Would you be William’s ‘Next of Kin,’?”

“I mean, it’d just be a document a lawyer would draw up, saying you could make medical and parental choices for him...you know, just in case.”

She takes in a deep breath and studies him. She should be questioning this more, taking more time to think about it, but right now his eyes are unflinching.

“You’ve put a lot of thought into this, haven’t you?”

“I have,” he responds seriously.

“And you’re sure you want me?” she asks incredulously.

“Felicity,” he says, and with that one word, she knows he means it.

“Yes.”

At that Oliver lets out a sigh, and she’s shocked to see tears forming in his eyes.

Quickly, she brings her hands up to rub up and down his arms as he closes his eyes.

“Hey, hey. It’s okay,” she tries to soothe.

He opens his red-rimmed eyes to look at her.

“Felicity, you have no idea what this means to me, the comfort it gives me...I never want him to be alone.”

They immediately reach for each other, returning to their tight embrace from earlier.

“I love you,” he whispers into her ear.

“I love you too,” she whispers back.

He pulls back far enough to look into her eyes again. A zing travels from her head to her toes.

“I never stopped.”

She can hear the conviction in his voice, and see the truth in his eyes.

“Me neither,” she responds just as honestly.

Their lips meet for a second time, this time hungry and earnest. As they stumble towards her couch, more and more clothes disappear.

Felicity can’t help but think about how many steps in the right direction they’ve taken today.

Um...this probably sucks and I’m hella rusty, but thanks for reading!

@scu11y22 @sharingmyworld @onlyhere4olicity @missmudpie (if you’re still watching) @dust2dust34 @redpensandgreenarrows

#arrow #olicity #arrow spoilers #arrow fanfiction #olicity fanfiction #my fic #arrow: next of kin #felicity smoak #oliver queen

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twdmusicboxmystery · 7 years

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The 5 Theory

Good morning and Happy Saturday! Hope everyone has some fun plans.

So I’m actually super excited about this theory. It makes so much sense and reinforces what we already believe about Beth returning in S8. Full creds to @wdway for this one. In this case, I really didn’t add much (except enthusiastic applause, of course. ;D)

So here’s the thing: we’ve seen lots of 5s in the background of the show, especially during S5 episodes. I’ve always said it just points to the season they’re in. And I still think that’s true to a certain extent. But then, a lot of Gimple’s symbols have double meanings.

For example, in this first scene in Slabtown when Beth first wakes up, if you notice the clock behind Dawn, it reads 5:20, which proves our clock theory. The clock points to episode 5x04, which this is.

But it’s SO much more complicated than that. Beth’s time at Grady is spent on the 5th floor, and we constantly see room numbers in the 500s in the background. Again, it could all just point to this being S5, but why the overkill? And not all the numbers are ONLY 5s. There are other numbers included.

Meanwhile, we’ve also seen fives since then, in S6, at least. Probably some in S7 as well, though I’m not going to remember every instance off the top of my head. I’ve also said before that symbolism always points forward, rather than back. So how to do all these things jive? Why put 5s in later seasons to point backward?

Well, even before this theory I could have answered that. I do believe all symbolism points forward, but in this case, it’s okay to use the 5s because Beth will be back. If they’re pointing us back toward S5, there must be a reason. Something that’s still relevant. And we believe that is Beth being alive, right?

Well, @wdway wasn’t satisfied with this explanation (and I’m so glad she wasn’t). She started messing around with the numbers, trying to figure out what ELSE all the 5s mean besides just S5 and it’s importance. And she realized something.

Gimple took over and, for all intents and purposes, started Beth’s arc in S4, right? (Yes, she was in S2 and S3, but she only had a small arc in S2 and had very small part in S3. Nothing major. Nothing that was hers alone. In 4x01, she came front and center with the Bethyl hug.)

I’d also like to point out that S4 is when all the foreshadowing and parallels began. Yeah, we can look back at earlier seasons and see where things began or were built on, but the instant S4 began we already had tons of clues. Clues in Beth’s cell, clues at the Big Spot, Sasha/Ty/Bob stuff, and by 4b, they were already heavily paralleling Glenn, Rick, school buses, etc. We didn’t see anything to that extent in earlier seaosns. So S4 was really the beginning of Beth’s (and many of the other characters’) current arc.

So take a look at this:

S4 =1, S5=2, S6=3, S7=4, S8=5.

Could it be that all the fives actually point to S8? That it’s not a season number at all, but rather the number of seasons from the beginning of the arc until all the symbolism is fulfilled?

I love this idea. It wouldn’t have worked for S6 or S7. Only S8.

Now let’s look at some specific numbers.

We’ve seen a LOT of clocks that read 5:10. There are three in particular that come to mind: Rick’s watch when Carol finds it at Terminus, reads 5:10.

Then there’s all the clocks in 5x09. Seriously, EVERY clock in that episode points to 5:10.

And then there’s Glenn’s watch in 6x03, right before his death fake out. There are probably more, but let’s talk about the clocks.

We have ample evidence that the hour on the clocks = the season number and the minute hand = the episode number. So if that’s the case, these clocks really all point to 5x02. And that makes no sense. While there is some TD symbolism to be found in 5x02, there’s not enough that’s significant enough to Beth’s arc for SO many clocks, especially after the fact, to point back to it. Why would Gimple do this?

We’ve always seen these clocks as pointing to 5x10. Even though I’ve always known that doesn’t entirely fit the pattern, I’ve always accepted it because 1) symbols often have multiple meanings/interpretations and 2) 5x10 = music box. So we’re really not imagining that. It’s SUPER important. So I was always cool with it deviating from the clock pattern a little bit.

But with this 5 theory, 5 is actually the fifth season from when Beth’s current arc started. It shows we had to go 5 seasons before seeing the fulfillment of the symbolism. So if we substitute an 8 for the 5, suddenly, this clock points at 8x02. And guys, look at where we see these clocks. 1) After Carol is separated from TF, and then saves and reunites with them. 2) In Ty’s death hallucination, which is rife with Beth symbolism and all kinds of contradictions. Where Beth herself appears and “keeps singing” even after her death. 3) Right before Glenn’s death fake out, which had a crap-ton of parallels to Beth. He was revealed to be alive a few episodes later.

Pretty convincing if you ask me. We’ve also seen some 101s, though not as many, which also point to 8x02 as being a super important episode.

@wdway even pointed out that in 5x09, Beth was there in the hallucination, but not physically. That’s also true of 5x10 and the music box. She’s there symbolically, but not literally. So perhaps the 5 = S5 being her physical arc, and S8 (five seasons in) we’ll see her physically again.

Other random 5s:

There’s one on the bus in 5x05. With all the bus stuff we’ve noticed this time around, I think it’s safe to say we’ll see the bus fulfillment in S8.

There’s a 5 on a pipe in 5x07 when Rick and Daryl are discussing the plan to rescue Beth and Carol from Grady. So maybe it shows that the real rescue/reunion won’t happen until the 5th season (S8).

I know in 6x01, we saw a sign that said, “Quint,” which means five. It also happens to mean some of the equipment (the ladder, I think, which is also significant) of a fire truck. But once again, there are some suspicious sequences in 6x01 during Operation Lead the Walkers Away that point to Beth stuff. And we have the Quint sign.

Here’s a great one that @wdway found in S6. In 6x10, when Rick and Daryl first meet Jesus, there are some numbers (cigarette prices) on the marquee behind them. It reads 5.45 and 5.69. I know there’s been a lot of speculation about what these numbers mean. Most have to do with comic book numbers, which is important. And applying this theory to them makes it even better.

See, if you put the 5 aside for a minute, CB issue #45 is where Andrea wakes up from her gunshot wound to the head, and finds herself alone, without the rest of TF, because they presumed she was dead and left her behind. Issue #69 is where TF arrives at Alexandria.

I know people zeroed in on the numbers as being CB numbers before, but the 5s are harder to explain. Nobody woke up from a GSW in S5 (that we know of; of course there’s the music box, but no one that the GA would know about or that we obviously saw). And while TF did arrive at Alexandria in S5, why would they feel the need to reiterate that in 6x10 when Rick and Daryl meet Jesus?

But let’s swap out the 5s for 8s. Perhaps this then shows that in S8, the person who survived the GSW, like Andrea, will both wake up, and arrive at Alexandria. Make sense?

We have numbers in Coda that point to 8x03 and 8x04 once you swap them out with the 8.

Slabtown has some interesting ones too. We see the numbers 550 and 556 very clearly.

@wdway did some research I wanted to include here. The CB issue numbers pan out, and obviously there are only 16 episodes in a season, so she started looking at the series numbers. Episode 50 was Us. Like 5x02, while there is some Beth stuff to be found there (*coughs Daryl claims the strawberries*) there really isn’t tons in that episode for it to be point there. So instead of 50, she chopped the final number off and they both point to 55. Episode 55 is Slabtown. Interesting right? Which means episode 56, just to be thorough, is Self Help with all the bus stuff, including the number 5 on the bus. Also, that’s when they acquire the fire truck. Just saying.

So the series numbers from Slabtown point us toward episode 5x04 (Slabtown) and 5x05 (Self Help). If we swap out the numbers, that becomes 8x04 and 8x05.

Are we seeing how this works? I’m absolutely sure there are tons of more instances of 5s throughout the show, and I’ll continue to look for them as I rewatch. Like I said at the beginning, I won’t remember every instance.

But if the 5s point, not only to S5 but to S8, which is five seasons after the arc began, that makes way more sense than them JUST pointing us back to S5. And most of the cases we’ve examined specifically point to 8x01-8x05, which include the episodes Gimple already said would melt our brains.

The evidence is stacking up, my friends. Is it October yet?

#td #beth greene #beth greene lives #beth is alive #beth is coming #td theory #td theories #team delusional #team defiance

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tobns · 8 years

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Greys, for the in-depth fandom questions 😝 (I did them earlier they're fun lol)

UGH agreed

Top 5 favourite characters: lexie, mark, cristina, izzie, jacksonOther characters you like: meredith, callie (didn’t like her for a hot second in s7 though), arizona, addison, BAILEY THE QUEEN OF EVERYTHING, george, april, karev only in the later seasons when he grows tf upLeast favourite character: burke. get it away from me. Otps: slexie, japril, merder, calzona, alex and izzieNotps: cristina and burke, romantic izzie and george, romantic mark and callieFavourite friendship: i feel obliged to say the twisted sisters, but i really loved lexie and derek’s friendship a lot. also, callie and derek’s friendship. too fucking hilarious in s9Favourite family: the greys Favourite episode: 5x22, 6x22, or the s6 two-parter finale Favourite season/book/movie: season 6Favourite quote: either mark’s advice about love to jackson in s9 or my baby lexie when she’s like “i’m calm, i’m so calm, i’m the calmest person here.” and then twenty seconds later “BACK THE HELL UP, RIGHT NOW.” also, bailey’s speech to the nurses against mark sloan was iconic as hellMoment that made you fangirl/boy the hardest: i lost my SHIT when mark came up to lexie and told her she could have a husband, i also got unparalleled chills in the s5 finale when george writes ‘007′ on meredith’s hand and she realizes who he isWhen it really disappointed you: when izzie left for what seemed like no good reason???? WHEN MARK AND CALLIE SLEPT TOGETHER. AGAIN. Saddest moment: when mark’s voice cracks when he tells lexie to stop bc she’s going to be fine, when he starts kissing her hands and telling her he loves her over and over again and his voice cracks once more, when mark sees the body bag on the plane and literally diesMost well done character death: mm, i know this is super random but probably adele webber??? literally one of the most heartbreaking and honest moments in all of s9. that and all the other character deaths were ones i couldn’t stand by Favourite guest star: leven rambin i’m biased she’s my everythingFavourite cast member: chyler leigh, eric dane, sara ramirez, ellen pompeo, kate walsh sarah drew, jesse williams, jerrika hinton, caterina scorsone….i love casts yall you can’t make me pick just one (but if i had to it’d be chyler)Character you wish was still alive: ….do i even have to say itOne thing you hope really happens: everything goes supernatural and all my babies return from the deadMost shocking twist: when george wrote 007 on mere’s hand, i’m still shook tbh. i also didn’t see the merger with mw coming so i suppose that countsWhen did you start watching/reading: october of 2016Trope you wish they would stop using: let’s all just not communicate our wishes and desires before we run off and get married and then fight until we’re blue in the face over it!!! also, everyone leaving and dyingOne thing this show/book/film does better than others: knowing when to bring in new characters and how to make sure you fall in love with the newbies and have them grow on you before they (shonda) start to subtract and addFunniest moments: i’ll limit this to a few if i can–6x03 when lexie goes insane and mark is like why god why me, mark’s reaction when he finds out the blonde he’s hitting on is lexie, meredith confronting lexie in the shower and lexie’s like MERE I’M NAKED AND IN THE SHOWER, george and istan, cristina losing her shoe and no one else seeming to care, cristina when she sees owen and grabs meredith and they take off runningCouple you would like to see: slexie. sorry i’m not sorry.Actor/Actress you want to join the cast: i have literally no idea…i want kim raver back if that counts for anything??Most boring plotline: all of season 4 i don’t know herBest flashback/flashfoward if any: the mark flashbacks in 9x01, and all of 9x02 since it’s pretty much a flashbackMost layered character: ameliaScariest moment: s6 finale my heart was in my assGrossest moment: anything to do with eyes, i can’t stomach it and that’s why i couldn’t like julia was bc OPHTHALMOLOGIST EYES NOPE CAN’T DO ITBest looking male: eric dane or jesse williamsBest looking female: chyler leigh (esp as a blonde, hallelujah amen) or addison montgomeryWho you’re crushing on (if any): i mean…have you seen who they castMost beautiful scene (scenery/shot wise): the mark/lexie kiss in adrift and at peaceUnanswered question/continuity issue/plot error that bugs you: HOW ONE MINUTE ALL THE INTERNS ARE THERE AND THEN NEXT IT’S LIKE OH LOL ONLY ONE OF YOU IS LEFTAt what point did you fall in love with this show/book: um, one episode in. i knew i was a goner after the train crashed

#long post

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paperclipninja · 5 years

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Younger post-ep ramble 6x03

Kelsey’s interaction with Zane when she was buying a bottle of Dom Perignon to celebrate scoring Audrey’s book (eek!) is my favourite interaction of theirs this season. Their banter was really effortless, Zane’s, ‘you’re not listening’, as he pulled out the cash to pay for the one remaining bottle smooth and a little bit over confident, but really played up that he has something in the works that is legit. I especially love that we later discover both are buying champagne to celebrate the same win. I feel like we also need to stop and appreciate that they were about to drop $400 between them on two bottles of bubbles like it was no big deal. What is this life? How do I get it?

I am aware of how long this ramble already is, but I am going to do something a little different here and digress slightly from the episode itself and put out some conjecture on my part. It could well be completely over-analysing (lol, I’m neck deep into a freaking novella about a 25 min episode of TV, I think that’s a given) but I know that there is concern about Charles behaving secretively and I have seen some people expressing disappointment in this season so far.

#youngertv #younger tv #repost #link issue #liza miller #charles brooks #kelsey peters #zane anders #maggie amato #lauren heller #diana trout #liza x charles #team charles #review #ramble #6x03 #younger season 6

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