#turned out a lot better than i had expected!! will try more of this perspective and angle thing lmao. luffy's foot had to go tho. need to

[sualne]

captain trio in silly glasses redraw

the original from last year:

[oh-no-its-bird]

Fic where, in practicing to get edo tensei right, Orochimaru uses Izuna as a test subject and tries to substitute DNA to make it work, using Suigetsu's bc like it's extra flexible or whatever bc shape change

Edo tensei mermaid Izuna locked in a tube somewhere in Oro's lab,,

He's SO mad about it and has literally no information ab what's going on at all bc hes locked in a fucking tube !!

Bonus points if Orochimaru doesn't even specifically know who he is

They unearthed him w the rest of the founders on a whim but bc no one really requested him specifically, the body just kinda sat there and eventually got mixed in w the rest of the Uchiha corpses, till Orochimaru requests an Uchiha corpse and they shrug and send him over

He still has Madara's eyes too (left alone either by oversight / or bc they decided not to pull them before he got mixed in w the other bodies, who had by then already gotten scooped of their eyes so they assumed he'd already been harvested)

Ok but like. No one even tells him what happened/where he is/that madara made the village. Why would anyone?? The only one Izuna sees regularly is Orochimaru, and he doesn't know those facts would matter??

Izuna doesn't even know what Konoha IS, he isn't gonna recognize the name

From Izuna's perspective, he died in his bed and then BOOM. Tank time.

Orochimaru might tell him it's been some years since his death (thinking he died in the massacre) and even if Izuna doesn't believe him bc like, enemy, enemy territory, he sure as fuck probably won't be thinking "Ah yes it's been decades since my death and my brother went against my dying wishes to make that village"

Tho he might get nervous and start picking up those cues when he sees the tech

Oro mentions offhand that the Uchiha were all killed and Izuna immediatley assumes the Senju won the war and loses it

He'd figure it out eventually obviously (probably after being set free, most likley by Sasuke w Suigetsu) But he'd also probably keep that to himself, bc like, enemy territory n stuff

Mermaid shapeshifter Izuna terrorizes the shinobi world,, Sasuke doesn't know what he just unleashed.

Ok actually but like. Suigetsu's shape-shifting but bc Izuna has a fire chalra nature, make it liquid fire shape-shifting. Fuckin, fire mermaid Izuna. He has an awful time retaining his form and actually for the first chunk of time, him being in that tube is genuinley just for the best. He keeps turning into liquid fire with no real solid body and can't put himself back together for hours.

Izuna hears his brother is still alive and running Akatsuki and is so down to clown till he realizes THATS NOT HIS FUCKING BROTHER HOW DARE YOU USE HIS NAME

Anyways oh my god Izuna on team Taka,,

He and Sasuke would be SUCH a dynamic actually, they look alike so much?? Sasuke doesn't recognize him but he's clearly a close relation, so there's some mystery there. Sasuke is like super shaken by finding a member of his clan and Izuna, by that point aware that apparently the rest of his clan is dead, is sticking to him like GLUE. Sasuke is bitchy little brother coded and Izuna understands this is probably karma bc he is also bitchy little brother coded

They probably clash a lot, especially bc both are expecting to be in charge here, but ultimately I think they'd get along better than Sasuke does most people, and there's also that bonus vulnerability of like. Izuna is an older Uchiha boy who's trying to brother him (with a noticeably different brother-ing style to Itachi too) and Sasuke has been alone for so, so long.

Sasuke accidentally calls him nii-san then promptly has several break downs about it

Suigetsu and Izuna either get along ALARMINGLY well or they hate eachother. I think I wanna go with the first bc it sounds more fun. They couldn't talk to eachother in the tanks but they could still see eachother, so maybe they kind of developed some sort of code to communicate?

They are "cause problems on purpose" friends. They're also "wdym I can't kill him???" *looks of genuine confusion* buddies. They're giving Sasuke the biggest headache actually, someone stop them. If you leave them to "take care" of a problem, there will be carnage.

Also, like, Izuna literally has Suigetsu's DNA in him. That's a thing.

Mmm maybe some complex thoughts ab how Izuna has effectively become a bloodline thief against his will (the ULTIMATE taboo for shinobi from his era) and he's like, actually fucked up about it.

Running joke where they refer to each other as cousins, could be funny. They argue over who's the bastard child (it's Izuna obviously but he won't just take that title lying down)

Izuna is like, in his 20s, and Karin is around 16 or 17 at this time I think?? She definatley has a bit of a crush on him (which helps take the edge off Sasuke) but like, he's not acknowledging that beyond patting her on the head. She'll get over it eventually. (Sasuke hides behind Izuna when Karin is trying to flirt w him and Izuna absoloutley laughs at them both)

Izuna is actually really impressed w Karin's sensing abilities specifically. I think he'd be a bit on edge around her at first, bc Uzumaki -> Senju ally. But he'd quickly assume she's a deserter (he has no idea the Uzumaki are pretty much wiped out rip) and becomes cautiously chill after a minute or two (also when he first escapes, he REALLY doesn't have the luxury to pick and choose his allies. He's instantly attached to Sasuke and cautiously fond of Suigetsu, and Karin seems to have Sasuke's trust at least, so he'll keep an eye on it but otherwise trust Sasuke's judgment)

Izuna and Karin besties arc where they paint eachothers nails is a must. I love the take that Izuna is really into fashion n stuff and he and Karin should like, trade hair tips or smthn. Karin knows modern soap brands where as Izuna bought his soaps from clan vendors who no longer fucking exist, so like, it's definatley helpful.

Karin is the only one of them to have any real hint of where tf Izuna came from (tho even she doesn't have the full details) it'd be cool if she was the one to figure out more details ab his general mystery— maybe something about her chakra sensing gives her a hint as to how old he really is?? Or she finds the paper trail that hints towards the bodies being mixed up???? Idk but she deserves to have an "aha!" moment

Also Izuna's medical knowledge/standards are NOT up to modern and Karin is so mad about it, she's giving him hella lessons on first aid n shit and he's very, very interested in all this free medical knowledge

I know the least about Jugo so bear with me on this one pls— I think Izuna would find Jugo to be pretty fascinating as a person actually. He enjoys tentatively poking him with sticks, and comes to genuinley like him as a person (when he's calm) pretty quickly

Also cats love Izuna so he gets bonus points from Jugo bc of that, they can bond while petting Izuna's contracted cats or smthn idk

Yeah I really don't know much ab Jugo so that's all I have to offer sorry

Ok let's backtrack a bit, back to Orochimaru ->

Fun scene towards the very start of the fic, where Izuna still has no fucking clue what's going on, but recognizes Orochimaru as a member of the Orochi clan. He says as much, and Orochimaru has to pause.

No one's mentioned his clan to him in years. They haven't been relevant in Konoha since Orochimaru was born— even before that, they were barley relevant. Izuna should not know who they are.

(The only reason he does know is bc they had a neutral to positive relationship w the Uchiha back in the warring era, and Izuna had visited them once before)

Immediatley, Orochimaru is squinting at this guy. He's giving Danzo a ring asking who exactly he got sent over, but Danzo doesn't actually have anything to offer him??? The paperwork is a mess and there were a LOT of Uchiha. He's not registered as a shinobi tho.

Hmmmm.... ok.

Orochimaru is suddenly aware there's some kind of mystery here now, which is dangerous for Izuna. Izuna is, again, in enemy territory, and he's able to pick up on the fact that Orochimaru doesn't actually know who he is. This ofc means that HE sure as hell won't be telling him.

Maybe he bares his teeth and sarcastically says he's the second coming of Uchiha Madara (not even that big of a lie when u think ab it)

Pivoting time ->

Izuna is listed in the data books as like, being equally as talented as Madara and I think we should talk ab that more actually

I love Tobirama but he really did get him by surprise

Izuna just got cocky and taken by surprise!!

HE DIDNT EVEN GET COCKY HE JUST LOGICALLY DIDNT EXPECT TOBIRAMA TO FUCKING INVENT TELEPORTATION

Then he went down in the history books both in canon and out of it as the weakest of the 4, that's so tragic

Izuna gets mermaid edo tenseid and (once people know who he is) everyone is like "Ok well at least he's uhh. The weakest of the 4 right?? I mean tobirama killed him when they were like only 19/20 so we'll probably be fine???"

Then he just fucking bodies them all bc hes a nightmare actually AND on whatever special test trial edo tensei steroids they gave him

Izuna is fueled on rage and spite and he's full up on both

Imagine he gets the full story of everything that happened while he was dead too, like.

Ok so Madara goes against his EXPRESS dying wishes and makes his village. (what the fuck!!) Then backs out (yay!!) but in an awful way that effectively fucks over the entire clan for years to come (nii-san what the FUCK)

Then gets literally backstabbed by Hashirama (HE FUCKING TOLD YOU!!! WHAT DID HE FUCKING SAY!!!!!)

Then the Uchiha seem to thrive and like. Ok. He's still mad about it, but at least something... kind of nice came out of it.

THEN BOTH THE VILLAGE AND MADARA'S(?????) SCHEMES KILL THEIR ENTIRE CLAN

Izuna is SO mad at literally everyone, holy shit. The only one safe from his rage is Hikaku, god rest his poor, poor soul

Actually, I think it'd be funny if Izuna was like, indescribably extra awful mad at everyone— but then is like. Normal mad amounts at Tobirama, who was a bitch but at least didn't seem to carry on a personal fucking vendetta against the Uchiha like EVERYONE ELSE INCLUDING FUCKING MADARA FOR SOME GODDAMN REASON

Izuna is going like, "FUCK you, FUCK you, OH, EXTRA FUCK YOU—" then squints at Tobirama and goes "...fuck you." Then goes back to screaming

To be clear, Tobirama absolutely contributed to the end of the Uchiha, but like. A) it'd be funny, and B) at least his seemed slightly less on purpose than literally everyone else

There's also I think a difference of like. Izuna never expected Tobirama to suddenly turn around and be pro Uchiha

Where as everyone else (again, including his brother!!) Was like. A genuine betrayal

Tobirama fucking over the clan was never a surprise

He never pretended to be on their side (like Hashirama lowkey did)

Tobirama vs Izuna but it's them getting to relive their rivalry where as Izuna vs literally anyone else is emotionally charged as hell and filled with demented screaming

Leaving it there for now, I might actually try to write this one but who tf knows

[alwaysurvalentine]

Three Strikes and You're Out! - st fic

This is a follow up to: this - wc: 2.8k - cw: nothing to worry about I think!

enjoy! 💛

Eddie decides to talk to Robin first. He’s not sure what to expect when she swings her front door open and yells over her shoulder to Mrs. Buckley. 

“I’ll be back in a bit, go ahead and eat!” 

And then she’s stomping over to his van and looking at him expectantly from the passenger seat. He almost trips rushing to follow her, but is able to start his car in one piece.

“I was wondering when you were going to come by. Steve mentioned things didn’t go over well the other night.” She says it bluntly and Eddie flinches. He knows the other night could’ve gone better. Like a dog with a bone, he’s been dissecting the other night in great detail. Can’t stop thinking of how frustrated Steve seemed with himself, how the words ‘stupid’ and ‘bullshit’ dripped vitriol from his mouth, and how he let the other boy leave in such a hurry. He taps his hands against the steering wheel softly before answering.

“Yeah. It wasn’t good, Birdie. I really messed up.” Personally, he doesn’t think ‘messed up’ really covers it. He feels like he walked himself right off the edge of a pier into icy waters. Steve hasn’t answered the couple of times he’s called and the only reason why Eddie’s not searching town for him is knowing that Steve has at least been giving the brats rides to the arcade. Hearing his voice on the radio has been enough, but Eddie can’t take the closed off silence he’s getting now. 

“So I’ve heard. Wanna tell me how things went from your perspective?”

He tells her the story once they get to the diner. There’s a plate of fries between them but Eddie just picks at them instead of actually eating. Robin’s blue eyes feel like daggers so he’s been more focused on watching the parking lot than looking at her.

“Like I said, I know I messed up.”

It’s quiet for a moment before Robin speaks up again, words calm.

“Do you even know how you did?”

And Eddie realizes, he doesn’t really. He knows Steve is upset but to be this upset over a D&D game? There’s something more under the surface – that’s why he was drawn to Robin. If anyone is going to know what the root of the problem is, it’s Steve’s own nerdy band soulmate. She has to know why Steve pulled away halfway through the session. Eddie had thought things were going well; Dustin had helped Steve with his character, Jeff let him borrow some of his dice, and Steve had been asking questions. But they all asked questions when they started! Sometimes Gareth even had to double check an action versus the rules during his turns. 

The more Eddie thinks about it though, Steve had only asked a couple questions before Mike had made some comment under his breath. It wasn’t long after that that the ex-jock had said he’d be gone for a quick break but to continue without him. A quick break turned into him not coming back to the table at all and Eddie wrapping up the session early to everyone’s disappointment. After everyone went home is when things went downhill, but he still doesn’t know why it bothered Steve so much.

“Eddie.” Robin’s voice sounds pitying, like she’s sad he wasn’t able to make this connection on his own. “You said it yourself, you can’t be good at everything you try the first time. But this is Steve we’re talking about. He feels like he can’t mess up. If he ever slips up, you know what those kids of his do?”

Eddie does. He knows the kids, especially Mike and Dustin, tend to fixate on Steve’s slip ups. They’re just like siblings in that way, but Steve’s always been an only child. Eddie can imagine that the constant harping probably sits a little heavier on Steve’s shoulder than the kids realize. He pulls his gaze from the window and looks at Robin again. 

Something like regret is crawling up his spine – he helped make a space where Steve felt bad for messing up, and then yelled at him for not trying.

“Oh Birdie, I really messed up. How do I fix this? I just wanted to share this with him. And I know all the kids did too. He’s their glorified big brother, whether he realizes it or not – they just want to have more in common with him.” 

She’s nodding along to his words, plate now empty except for the last dredges of the ketchup she’d put there earlier. “Maybe it’s not so much that they need to share what they like with him, but that you guys need to share what he likes. I may not care about sports as much as he does, but I’ve played on bleachers long enough to follow a game. Sometimes that’s what our hang outs are: he puts on the latest game and I paint my nails or work on patches for my jacket. He’s got his own interests, you know? That’s what makes him who he is – he just goes along with what everyone else likes because no one really likes his stuff except for-”

“Lucas. Robin Buckley, you are a genius.”

~

That’s how Eddie finds himself at the Sinclair’s house a couple hours later. He’d radioed Lucas as soon as he dropped off Robin and was pleasantly surprised to find out he was free that afternoon. Things were rocky between them for a while, with Eddie replacing him with Erica while he played the championship game. Steve had been the one to get Eddie to apologize about it. Made Eddie see how important both games had been to Lucas, how unfair it was to force him to pick one over he other. Especially since one has a coach breathing down the players necks to make sure they’re at every game, unlike the Hellfire Club getting to pick their meeting days and times. Lucas forgave him as soon as he said sorry but Eddie vowed he’d do better in the future about re-scheduling to make sure there weren’t issues. He couldn’t imagine having a show and none of his friends showing up. 

“Hey Eddie! Lucas mentioned you were coming by.” Mrs. Sinclair welcomed him in, gesturing for him to follow her into the kitchen. It was nice to be accepted so easily into their home, he’d worried when meeting all of the party's parents that they would decide he was the hell raiser people claimed him to be without giving him a real chance. Looking back, he should’ve known better – there’s no way his sheep would have parents that weren’t at least a little open minded. 

He follows her to the kitchen and gets hit with a wave of warmth and the smell of brown sugar. Mrs. Sinclair slips on a faded blue oven mitt before pulling a tray of cookies from the oven.

“Are the cookies done yet?” Little Erica comes around the corner and raises an eyebrow at Eddie. “And when did you get here?” 

“Just got here. Your mom just pulled the cookies out, so you’ve got impeccable timing as always Lady Applejack.” He grins down at her when she brightens at the promise of warm cookies. It’s nice to see the kids getting to be kids after everything. 

“Lucas is in the backyard, will you bring him some of these before someone tries to eat them all.” Mrs. Sinclair smiles and nods her head towards Erica, who’s trying to save a cookie from the floor since it’s so warm it’s falling apart. 

Lucas tosses the ball as soon as Eddie steps outside and lets out an excited ‘whoop!’ when it goes into the basket. “Nice one?” Eddiesounds less confident when he says it but he’s also very aware he wouldn’t be able to do the same thing no matter how hard he tried. The smile he gets from Lucas rids him of his nervousness though and he holds out the plate of cookies. 

“I’ve been sent with snacks.” The plate’s taken from his hands quickly, cookie in Lucas’ mouth in seconds. 

“Thanks. So what’d you wanna talk about? Not that I don’t like seeing you, we just don’t usually hang out one on one.” 

Guilt fills Eddie’s stomach, especially since he’s here to ask a favor. But honestly, maybe this is good for him. To learn more about Lucas too. 

“Well. I’m gonna level with you. I need you to teach me about sports.”

~

Sports are much more complicated than Eddie ever gave them credit for. Lucas spent the afternoon going over the different rules for basketball. He’d tried to follow as best he could, and while some stuff stuck, like what exactly a three-pointer was and why dribbling was so important – Eddie knows he’s far from being a sports fan. When Lucas had mentioned that Steve’s favorite had been baseball, he’d hoped to learn some there too. But baseball wasn’t Lucas’ passion so he’d put off that research for later.

Even if he didn’t get all of it, it was nice to see Lucas so excited. He’s seen the kid during campaigns, planning out different attacks with the group, but now he’s kind of excited to see him in action on the court. Kid’s got a good heart and with how strongly he adores the group, Eddie knows the passion has to show when he plays. 

So he leaves with a smile on his face and his heart full. He really is lucky to have these people in his life. 

~

“Uncle Wayne! Just the man I wanted to see!” 

Just like he expected, Eddie walks in to the trailer to see Wayne watching a game on the couch. It’s his day off and usually that means Eddie lets him have the trailer to relax until dinner time and then they eat together. Eddie’s cut into a couple hours of what he likes to call ‘Wayne’s TV Time’ but he knows his uncle won’t mind. 

After toeing off his shoes and hanging his vest, Eddie plops down next to Wayne. The older man jostles with the movement but doesn’t say anything as he turns the TV down. All of a sudden, Eddie is nervous. He knows Wayne won’t judge him for asking, especially once he knows why he needs to know all about baseball. But he also hates admitting he hurt someone, unintentional or not.

“Out with it, Ed.” 

Eddie stops messing with his rings at his uncle’s voice. “I need your help with something.” 

“You know I always have your back, what’s going on?” 

And it all spills out. Trying to play D&D with Steve, the conversation after, his goal to understand Steve more before apologizing properly.

“Sounds like you’re already on track. Whatcha need me for?” 

“Well, I’m so glad you asked. IneedyoutoteachmeallaboutbaseballsothatIcantalktoSteveaboutit.”

“How about you try that while breathing?”

“I need you to teach me about baseball so that I can talk to Steve about it.”

~

Thankfully Wayne has the patience of a saint because Eddie asks him a question nearly every time he goes to explain something.

“How do you know it’s in the strike zone?”

“There’s different ways to throw the ball? And it’s all based off of one guy’s hand code on which one to do?”

“So what you’re saying is that every player has different ability scores that make them better players in different positions?” 

“You can steal bases?”

“How come a run isn’t a point?”

“A top and bottom inning? Kinky. Whose idea was that?” 

~

Wayne’s been asleep for a couple of hours when Eddie hears a soft knock at the trailer door. He’d heard a car pull up a few minutes before but just figured it was one of the neighbors finally getting home. He definitely wasn’t expecting to see Steve on his doorstep. 

“Steve?” “Eddie-”

“Come in -” “I just want to say-”

Steve huffs a laugh, eyes crinkling at the corners for a second before a small frown overtakes his face. The shadows of the porch make the expression deeper, somber almost.

“Come in for a minute?” He sounds pleading to his own ears, but it doesn’t stop Eddie from backing into the trailer – trusting Steve to follow him to his room. His room is a bit of a mess, clothes on the floor and a couple boxes still left unpacked from when they moved. There’s a a few notebooks laying open on his bed, notes he’d taken today and connections he’s tried to make. He wasn’t quite ready for this talk with Steve but he’s more prepared than he was the other day.

“So, Eddie...I just wanted to say I was sorry.” 

Eddie whips around to face Steve, notebooks now in a stack in his hands. 

“You’re unbelievable.” 

Steve’s brows furrow at Eddie’s words, confusion and indignation filling his eyes. 

“What?”

“Only you would apologize for something that’s not your fault. Unbelievable. Steve, I’m sorry. I didn’t mean to hut your feelings the other day. I was just so excited for you to be playing with us that I didn’t think about you being nervous about it.” 

The indignation in Steve’s eyes fades and all he’s left with is the eyes of a sad puppy dog. He almost looks lost, shoulders hunched in slightly to make him appear smaller. 

“What does that matter? I still ruined the fun.” Somehow, he makes himself even smaller. Eddie’s stomach turns at the sight. Steve shouldn’t be so practiced in making himself small and Eddie’s going to do everything he can to get him out of that habit.

“No you didn’t. Us being pig-headed ruined the fun. Stop looking at me like that, come here.” His mattress sinks when he sits and he pats the bedding next to him. 

“I mean it, come here. I wanna show you something. It’s what I’ve been working on these couple of days.”

Finally, Steve comes to sit next to him. Unlike so many times before he’s stiff next to Eddie, not letting himself relax. 

“So I’m gonna be honest here. I was really confused when you left the other night. Some of the stuff you said didn’t seem like it was really about me. But that doesn’t matter. You know, why?” 

A shake of his head is the only response Eddie gets.

“Because at the end of the day, we made you feel like you couldn’t ask questions. I made you feel bad too. So I might’ve reached out to a couple of people for help. If it’s one thing that Wayne’s taught me, it’s to apologize. I talked to Buckley first.”

Finally, a small smile from Steve that stays there. 

“She pointed out something I should’ve been able to figure out on my own. We all have our own interests and you always make space for it. But we don’t ever do the same for you.” 

“Ed-”

“Don’t fight me on this. You always let us talk about what we want, you always host for us; you always look out for us. It’s about time more than one of us takes the time to do it for you too. Anyway, so then I talked with the other sports nerds in my life: Lucas and Wayne. And I came up with this!”

Steve hasn’t stopped smiling which is giving Eddie more confidence by the minute. He grabs at the notebooks he moved earlier, flipping back a couple of pages before leaning into Steve’s space. At the top of the page he’s written ‘D&D vs Baseball’. To Steve, the notes probably look crazy. There’s a couple doodles of dice and baseballs around the page and his writing is messy from where he tried connecting the two while laying in his bed.

“What is this?” Gently, Steve takes the notebook from Eddie’s hands, fingers tracing the rough sketch of a baseball field. 

“If you want to give D&D another try, I think I found a better way of describing it.” Eddie’s full on grinning now, knows his dimples are exposed with his happiness. “But, if you never wanna play again I get that too.”

“Eddie.” Only five letters, but Steve still chokes on them slightly. His hazel eyes are filled with tears and the smile drops from Eddie’s face.

“Wait – no, I didn’t mean to make you cry! Was this a bad idea?” He goes to take the notebook back but Steve tightens his grip. Honey eyes lock with Eddie’s even as a tear falls. 

“No, this is so nice.” Steve looks at the notes again and brushes at the tears on his cheeks. “I don’t know what all these notes mean, but it looks like you might be on to something.” 

Steve smiles at Eddie and sets the notebook to the side. And then Eddie’s being hugged. Steve can’t be comfortable, twisted and leaning like he is – but Eddie hugs back anyway. Wraps his arms around Steve and rests a gentle hand on the back of Steve’s head where he’s tucked into Eddie’s neck. Steve squeezes around his middle once and then backs up, tears no longer falling but his smile remaining. 

“Think you can try and explain these notes to me?”

Wanted to tag: @adverbally , @ravenfrog , and @blossomingblueberries. Thanks for your support/interest in another part! I hope this did it justice! 💛

Now officially with a third part! pt. 3

[morphean42]

Rewatching Falsettos I was suddenly struck by an epiphany that I’m sure someone else has had at some point, but I needed to write out. This ending scene from “March of the Falsettos” jumped out at me from the first watching, but even though I recognised the nod to the “See no evil, speak no evil, hear no evil (and lesser known do no evil)”, I didn’t know what it meant. Today, I tried to piece it together, and I think I’ve gotten it. These poses represent core attributes of the characters, as well as Trina’s view of them, so click the read more to hear the ravings of a mad man wayyyyyy too obsessed with this show

The idea of ‘evil’ to me is very loose. It can represent a lot of things for these characters; their actions towards each other, their character flaws, etc. But, for this analysis, one can replace ‘evil’ with ‘truth’. Each of the characters refuses to see, speak, hear, or ‘do’ the truth (please excuse the lack of grammar for that last one), and that is where the ‘evil’ stems from. Taking into account this is mostly based on Trina’s view of the men, I think ‘truth’ fits in well.

Let’s start with the one who fits in least— Jason. “March of the Falsettos” is a physical manifestation of how Trina views the men in her life (as childish and immature), but some slack is given to her son. He doesn’t sing his lines in falsetto, because we acknowledge he is in fact a child, and has more of an excuse to act as such. So, take his analysis with a grain of salt. The boy has every right to be a little selfish— he’s 10.

So, Jason has his hands over his eyes, representing ‘See No Evil’. This is a direct nod to his character flaw; his view of the world with him at the center. Although his parents are less than good to him, he still sees them through unfair lenses— ‘My mother’s no wife/My father’s no man’. He sings ‘everybody’s yelling and everybody’s ruining it’ in “Everyone Hates His Parents” because he is unhappy with how his Bar Mitzvah is turning out and wants to simply cancel it. He doesn’t have a concept of doing things for other people (again, he’s a child, I’m not blaming him per se), so he is blind to the will of others and refuses to see their side. In addition to this, even when Mendel tells him Whizzer will most likely die, Jason pleads with G-d to save him. He still views himself as the center of his world, thus Mendel’s line ‘Life’s not all about him’.

In addition to this, his ‘See No Evil’ means something when thought about from Trina’s perspective. She thinks her son is blind to the truth of the world, this son who stays inside playing chess alone, this son who ‘seems like an idiot to [Trina]’. She worries Jason will turn out like these other men in her world, blind to everyone but himself.

Now we come to Mendel, who has his hand over his mouth in ‘Speak No Evil’. Mendel’s flaw throughout the show is his refusal to accept the truth of any situation. He tells Jason to ‘feel alright for the rest of your life’ instead of actually trying to help, he is ‘frightened of questions’, he repeats over and over ‘I’ll make you well’ to Whizzer in the hospital. He will never say anything negative, nor will he allow others to do so. Even in the end of the show, he tells Jason they don’t know ‘when or if’ Whizzer will get better— he is still not accepting that it’s a definite thing. He believes that if he and those around him just don’t speak about the real problems, they’ll go away.

Trina’s view on Mendel is complicated here. In the next song she agrees to marry him, of course, and we know she at least likes him (the most of all three adults she knows). She says that Mendel ‘decides the role to assume’. She looks down on the fact that he can’t speak the truth to her, that he’s expecting this happy wife, this perfect new family. He wants her to play along with him and make their home together, even if she sings ‘liking our lives’ instead of loving. Even if he’s better than Marvin ever was, there’s still an element of control here. Mendel wants this family, and he wants them to all pretend nothing is ever wrong again.

Marvin, our titular character, is in the ‘Hear No Evil’ position. This one is fairly straight forward— he wants control and will never listen to the needs of those around him. He can’t hear what they actually need, he simply does what he wants. He also struggles with his masculinity throughout Act 1, his outward misogyny and need for the nuclear family (his treatment of Trina and Whizzer), so he imagines himself at the top of his family system. He will never take any other opinions, or counsel, in his decisions, seeing that as weakness. He’s similar to Jason in this regard, as he only hears what he wants to (like Jason only sees what he wants). He ignores the pain around him to pursue his own desires, he covers his ears and moves on.

Trina, of course, despises Marvin at this point in the show. Her subconscious showing Marvin in ‘Hear No Evil’ can tell us a lot about their relationship, how she was never seen as equal in decisions. Marvin always put her to the side, not listening to her needs, acting without thinking of her.

Whizzer is complicated. I’ve seen people laugh at his pose before, saying we’ve got ‘See No Evil, Hear No Evil, Speak No Evil, and Gay’, but I think he represents the ‘Do No Evil’. This final character is not often seen with the other three, and can be depicted with arms over the chest or covering the genitals. It wouldn’t make sense to have Whizzer be the outlier (especially because the fourth depiction of evil does exist), so I’m assuming he is supposed to be ‘Do No Evil’.

This fits in well with Whizzer’s flaws throughout the show. He doesn’t accept responsibility for his relationship with Marvin; seen in the lines ‘I’m not responsible’ during “Late For Dinner” or ‘I will not accept blame’ in “Games I Play”. He sleeps around, despite Marvin wanting monogamy, and clearly did not have an issue hooking up with a married man. Whizzer fundamentally doesn’t think his actions have consequences, he believes he has done nothing wrong (he has done no evil). Whizzer also has a hard time admitting to his love for Marvin. He says it ‘depends on the day’, he flat out says ‘no’ when asked if he loves him. He doesn’t want to show his love for fear of being too vulnerable, so he hides and doesn’t do anything about it.

To take this even further, him being ‘Do No Evil’ can represent his later question of ‘why me of all men’ when he is dying. He hasn’t done anything to deserve his death, and ‘all men get what they deserve’, right?

Moving on to how Trina sees Whizzer. He’s come into her life and ruined her marriage, though she ‘wants to hate him’ she can’t. She views him as the cause of her recent hardships, his actions being to blame. He is ‘Do No Evil’ to her because he has done evil in taking Marvin away (though it is obvious Trina is better off because of it). He has upset the careful balance of her world by breaking down the lies of her marriage and exposing the truth— Marvin never loved her, could never love her. She puts him in ‘Do No Evil’ because what he has done is what the rest of the men won’t— see, hear, speak the truth even at the detriment of her family.

Another way to view this is, of course, the fact that ‘Do No Evil’ is rarely seen with the others. Trina is separating Whizzer from the other men, not putting him in the same category as the rest of the ‘family’. He views himself as an outsider as well, yes he’s part of the group, but only as a technicality. Only as Marvin’s lover. Once he leaves Marvin, he is easily taken out of the equation and the remaining three do not feel the loss.

My conclusion is such: Each of the poses our men do represents the character flaw they must overcome throughout the show, as well as how Trina views them in her mind. I really hope this made any sort of sense, and if someone has already said all of this well… I guess it can’t hurt to be thorough.

I’m way too tired to read through this again so if there are spelling mistakes please print out this post, correct it in red pen, and send it to me by carrier pigeon.

[copperbadge]

Hi Sam! I wanted to ask if you feel lately like you've been getting anything positive out of your therapy, because a lot of your initial thoughts about it kind of mirror mine. I'm very logical (except when I'm upset at myself) and very skeptical, so I feel like a therapist either isn't going to tell me anything new, or that I'm going to just disregard it because I can't trick myself into believing things that I just plain don't believe.

But I'm also starting to come to a realization, two years after my ADHD diagnosis and letting go (without therapy!) of most of the executive dysfunction-fueled self worth issues I was having, that I'm kind of Not Okay in other ways. I'm safe —going to work every day and doing my job so I won't lose my livelihood and have never had a self harm urge in my life— But I'm not really okay. I'm having major self esteem issues related to my personality separate from the executive dysfunction that are putting me in a bad place. I don't want to take antidepressants for reasons I won't go into but that means my other option is therapy and... I don't know if I'm a person that therapy will actually work on. I found a lot of validation in some of your perspectives, about affirmations being bullshit and "mindfulness" exercises feeling impossible and useless, about not having an inner monologue and how that might be causing issues with traditional methods. So I was just wondering, do you feel like therapy is working now that you've been in it longer?

I've wasted a lot of money on "elective" (and ultimately useless, back to square one) medical nonsense this year and I'm not eager to waste more, but I've also met my insurance deductible so it's the best time to try it if I'm going to.

I mean, it depends on the modality a little but I don't think trying basic talk therapy can hurt, as long as you find a decent therapist. And it's better to try it now when you're feeling Mostly Okay than waiting until you are Really Not Okay. But this entire paragraph comes with a lot of context so....

A lot of what I talked about in terms of struggling with mindfulness, etc. was less related to the therapy I am still in than it was to the DBT class I took at Therapist's suggestion. We were both aware that she was basically throwing stuff at the wall to see what stuck, and while it was an interesting class I don't think for me it was helpful. As you mention, I struggled with affirmations and visualization since neurologically I'm not really set up for those; I don't think they're objectively bullshit but I do think there's an assumption within the mental health industry that they will have function for everyone and that's simply untrue, and the expectation that it will is very damaging. I also struggled with the physical-intervention aspects (called TIPP usually) which didn't work at all for me and felt frankly like doctor-approved self harm. DBT can get very culty, which set off a ton of red flags for me -- possibly false flags, but they still waved real big.

And that's because I also have a lot of trust issues surrounding therapy. To the point where, the minute one of the people running the DBT class made actually quite gentle fun of me for asking a question he couldn't answer, I checked out on anything he said. We were learning about a DBT concept called Wise Mind and I asked, "If wise mind is an identifiable mental state, how do we know if we're in it?" and when he couldn't quite answer beyond "It's different for everyone" I said, "But if we know it's real there must be some kind of common denominator, a measurable data point," and he said "Well, Sam, you're not going to levitate" and the rest of the class laughed. Sorry bud, this is almost certainly an over-reaction, but I'm me and you lost me when you came at me instead of just admitting you didn't know. (Also it turns out I just live in Wise Mind like 80% of the time which is one reason I couldn't tell.)

But basic talk therapy outside of DBT is just...you talk at someone about your problems and come up with ways to try and solve them, which is a lot more straightforward and way less frustrating. You have to be an active participant, you have to both have a goal and be willing to discuss reaching it, but that goal can be as simple as just "figure out what my mental health goals should be" at first. You don't have to learn like, vocabulary for it.

The thing is, while I have seen some improvement in regulation issues, I also struggle with basic talk therapy. Most people, and this blew my mind, see measurable improvement in nine to eighteen therapy sessions. A lot of people don't go long-term, they just are having a moment and get help getting through the moment and then can disengage, with their therapist's approval.

I was in therapy consistently from the age of nine to eighteen and only stopped because I reached legal majority and physically refused to go.

Not one minute of those nine years did I want to be there. And, because none of the three therapists I saw across those years actually explained to me why I was there or how therapy worked, for me it felt like "Your punishment for having feelings is to speedrun every feeling you had this week in an hour, to a stranger." There was also what my current therapist believes to be some extremely unethical behavior going on, which didn't help.

So it has taken actually a lot of time to get to a place where I would even allow her to understand what help I need. I've been in therapy for about a year (generally weekly but there have been some gaps) and it has only recently gotten deeper than very basic interpersonal problem-solving.

Like, two weeks ago I told her, "I had a thought this week that I couldn't tell you about something I was doing because then you'd have material on me" (meaning blackmail material) "and that's a fucked-up thing to think." And once I'd actually identified it as fucked up I had zero issue telling her about it, wasn't even nervous as I did so. Who's she going to tell? She's literally legally constrained from telling.

I think well over half of what she does is either validate that whatever emotion I'm having is normal, affirm my reactions so I don't keep believing I behaved weirdly, or praise something I've done that was a positive act. Does this work? Not always, because I'm unfortunately very aware that it's part of her job to do those things. But yeah, sometimes. Even if you don't fully believe it, "Hey that was a really smart move" is nice to hear. Sometimes she helps me come up with a plan for stressful future events or (rarely) behavior modification, and sometimes she either provides me with research or points me towards research I can do on my own. We don't do meditation or affirmations or stuff like that.

Like, last week I brought up the fact that I hadn't really ever thought about how if I have a disability that causes emotional dysregulation and I got it from my parents, they also likely had undiagnosed emotional dysregulation when raising me. So she said I should look into research on children with emotionally dysregulated parents. I was pretty annoyed by what I found (the ONE TIME adults are the focus instead of the kids is the ONE TIME I needed to learn about the kids, really?) but it led to something that was both informative and upsetting, so we discussed that. And when I was stumped about how to move forward with the information, she suggested that my general coping mechanism of writing about it was probably a good plan.

(At which point I just silently advanced my powerpoint presentation to the next slide, where I had a series of quotes from the Shivadh novels where Michaelis, acting as a parent, repeatedly does the exact opposite of the upsetting thing, because I realized even before the meeting that it's an ongoing theme in my work whenever I deal with people being parents. It's a good thing she has a sense of humor and also that I do.)

So yeah. Going into therapy you have to be ready to reject a therapist if you don't like them or if they get weird and pushy, you have to be ready to be a self-advocate, but you are the client; it shouldn't be super difficult to find someone who can at least walk you through what you want from it and agree not to do the stuff you don't want, and if you want to stop going you just...stop going.

Good luck, in any case! I hope you get what you need, whether or not that ends up being therapy.

[cherishedproperty]

A Submissive Origin Story

Most of the time when people ask what made me submissive, I shrug and say it’s just who I am. I don’t believe that submission inherently comes from somewhere; sometimes it’s just who we are.

But lately I’ve been working through a lot, trying to get to a mentally healthier version of myself. I’ve been thinking about the high expectations placed on me as a child and the stressful environment around me. My dad in particular was emotionally unpredictable. He could come home in a great mood, then lecture us for an hour over some small turn of phrase he didn’t like. And as the eldest daughter (yes yes, I fulfill ALL the stereotypes), he was particularly hard on me. I remember in 2nd grade, I brought home a spelling test and was proud that I got a 99%. My dad lectured me for more than half an hour about how I can do better. This is one example of many. A few years ago, my dad told me, “I never had to spank you or anything. I learned early on with you that all I had to do was make you feel like a disappointment. That always worked. And look how successful you are now.” His intentional parenting philosophy was to cause me psychological pain. Thanks, Dad.

And listen, I know it’s all fucked up. I know he was wrong to do all that. That’s why I parent very differently, and why I chose people to coparent with me who would parent differently. But it did shape me. It still does. All of this made me a person who can read people really well and take the perspectives of others. I know what people want and how to cater to their feelings, because I had to. It made me a more effective communicator because I always needed to choose my words carefully before I opened my mouth. It made me an overachiever—yes, very successful, but also someone who feels I have to work twice as hard as a normal person to have a chance at being good enough. Someone who thinks giving 100% means giving until I legitimately can’t anymore. Someone who needs clarity and validation, because I starved for it with him.

Lately I’ve been processing all this and also working through a present day set of issues with my dad. So all of this has been very much on the surface.

Then a few weeks ago, I was getting ready for bed one night, and it was very clear Monsieur wanted sex. Had been thinking about sex all day. Had the toys all laid out. And my brain was just…not there. But I didn’t say no. Didn’t even tell him where my head was at. And unsurprisingly, things didn’t go well for either of us. I was thinking about it after, and I had this epiphany.

I didn’t say no because some part of me deep down believes that if I say no, he won’t love me anymore.

In my conscious mind, I don’t believe that at all. Monsieur is one of the most unconditionally loving people I’ve ever been with. But what I realized is, no matter how many good things I do as a partner, I feel like all of that gets washed away by one wrong step. Because that’s what has happened in the past. Perfection is the minimum standard.

It got me thinking that maybe this is why I find such comfort in a D/s relationship. I know exactly what the parameters are and what it looks like to be a good partner. The rules and expectations are explicit, and the feedback is clear. Do good girl things, get good girl head pats. Basically, I know exactly what it takes to get an A+ in my relationship, which is both normal to want and possible to achieve.

It also made me wonder if this is part of why I haven’t been feeling as submissive lately. I have a partner who truly sees me—all of me—and accepts me. He loves me not in spite of my quirks, but because of them. And every time I get down on myself because I didn’t do XYZ and I don’t feel good enough, he tells me what a wonderful partner I am and recounts all the good stuff I bring to his life. Clarity and validation. Unconditional love. And maybe it’s because I’m so confident in his love that I can finally stop forcing myself to push through when it’s not good for me.

There have certainly been times in the past when I have pushed myself to submit to a Dominant when it wasn’t good or comfortable for me. I prided myself on being able to give even when I had nothing left. And I often got the good girl pats and validation, which made it all feel worth it. But the validation didn’t replenish me; it just made being empty feel a little less bad.

I don’t say all of this to make D/s seem dysfunctional or inherently bad in some way. I know many people in healthy D/s relationships. And I don’t actually think that my submission is just a product of all this insecurity and need for validation; I’ve had submissive feelings for as long as I can remember.

But I do think my past has shaped the kinds of D/s I pursue and how I conduct myself in those dynamics. For example, it shapes my difficulty safewording because I don’t want to be a disappointment. Even though my partner has done nothing but praise me when I safeword. Even though I’ve seen the negative consequences of my failure to safeword when I should have.

So here’s where I’m at with all of this: I need to understand where my submission comes from a dysfunctional place so I can move forward to build a healthy, soul-nourishing dynamic with my partner. I’m not sure what it looks like yet, but I do believe it’s possible.

[sordidmusings]

WIP TUESDAY - Sugar Daddy Headcanons with Shanks and Garp

Saw Schoute's wonderful art WIP and writing and wanted to join the fun! Have some ridiculous Blorbos as Sugar Daddies headcanons that have been on my backburner LOL I've got Shanks and Garp ready for y'all 🫡 They're pretty much done, I moreso have to fill out everyone else on the list 🤡 No warnings really! Just some allusions to spice but nothing explicit. Lots of silliness. I believe they're gender neutral but I'm going to tag as afab just in case because I fear it may be in the subtext since that's the perspective I wrote it from and the one people generally expect for sugar babies. Might be fun to subvert sometime by writing them with explicitly amab sugar babies. I will Ponder lol I'd also love to see what everyone is working on so please take this as a sign to post something of your own!!

The song I blame for everything (I love u Thot Squad):

“This fine old man, he played three

He can knickknack this coochie

With an Amex black card, get a girl a Benz

Reset and do it again”

Word Count: Shanks ~750, Garp ~400 (sorry about the favoritism Vice Admiral 😬)

Shanks

shanks absolutely pursued this type of relationship with you

Your pretty face and open smile snagged his attention but the way you easily met and fed his energy had him at you like a dog with a bone

He’s no stranger to helping people laugh their way into his bed, but the journey with you felt different. He took extra time simply because each moment with you was too good to keep from savoring

You didn’t hide your attraction at any point but he did appreciate that you would try and prod back at him in good humor to test his will and want

You found he had both in excessive abundance

It felt nice to have someone so attractive, established, feared, and adored seek your company and watch him become more interested with each minute he got of you. It also felt nice to see that while he certainly had an abundance of confidence he held no arrogance with you - he played no games in making you question his interest or to assert his importance to you. He treated you as a person (one he mainly wanted to turn to his bedroom tenant but still-) and it made him feel more like a man than a myth for you both too

And holy hell did you like that man - he made you laugh even if at his own expense, he impressed you when he’d let some of his cunning slip through the jovial pirate shtick, he kept your interest with how he could entertain any topic you brought forward, he made you feel beautiful with the way his eyes and hands soaked you in, and he made you feel wanted with the way he treated everything about you with genuine interest. 

The only thing that made it better is how he made sure you wanted for nothing. The first night it was making sure you didn’t pay a cent for anything, you always had food and drink right before you realized you wanted it, his coat found your shoulders the moment you felt a chill, you found yourself in fresh air right when the heat and the noise of the bar became too much. 

After that it was an endless stream of trinkets, from priceless to silly but sentimental, all coming with letters that had you laughing, blushing, and swooning.

Every time he’d visit you (and it was at first as often as he thought he could manage but that managed to get even sooner and sooner because of his need for you) you’d indulge in each other like it was the first and last time

He stopped wanting anyone else - there were enough people across the seas he had to apologize to after explaining why he’d gasped the wrong name and they were never right to scratch the new insatiable itch he had anyway

When it dawned on him how much you had him wrapped around your finger, not just physically and financially but also mentally, emotionally, and he’s pretty sure even spiritually, he may have had a crisis (the crew was very torn between amusement and true wory watching it unfold, especially when the usual rum and patented Beckman Shoulder Pat with Nod didn't ease his turmoil)

It wasn't because he didn’t want to love you, but he truly never thought he’d ever find someone he wanted and needed the way he does you. It was such a foreign concept to him that he felt like the world had tilted and left everything slightly unfamiliar. Especially coming from a relationship he stapled together with riches. Sure, there was also joy, camaraderie, and intimacy holding it together, but he found it harder to trust that someone such as you wouldn't find someone younger and more present to belong to than to trust that you could need him to sustain a lifestyle of ease and abundance.

If he couldn't be sure you'd want him, he'd try and find solace in you needing him, even if it was only for what he could afford you

When he finally told Beckman of his plight, he was slightly offended by the “it took you this long to figure it out?”

He’s currently trying to figure out how to convince you to live on his ship with him. He needed to let you know you’d be safe regardless of your experience level with the seas or battle. 

He’d bring the world to its knees if anything touched a hair on your head

Luckily for him, you knew. Anyone with eyes would from the way he smiles at you.

Garp

Garp was decidedly not in your plans. Yes, you wanted someone older, someone with wealth, someone with influence, someone who would take care of you, but you thought Gilfs were an urban legend told to see what face it would get out of freshies

You’re not complaining tho

He has certainly convinced you that the rarity of his kind just pointed to what a prized role it was to shack up with one

He was rough around the edges to be sure - brash and loud and stubborn - but he used all those traits to get you both exactly what you wanted

All your needs were met without you having to even think of them anymore (you were surprised that needs in the bedroom were included in that, but you supposed you shouldn’t have underestimated a man who could still punch apart battle ships, nor one with such a lust for eating)

Neither of you had any illusions of sweeping romance

You were more than happy with the care and respect that built between the two of you in your roles, growing with each act of service to each other, each piece of comfort, each unintended moment of vulnerability

Don’t get me wrong, the vulnerability ain’t common; most of your time is this man having fun watching you light up when he took you out and tossed his money around for you before taking you home to have multiple courses of dessert

You’ll never get over his gruff voice and curling accent - they helped your brain turn to mush while he coaxed and praised you through happily giving him everything he wants as a thank you for all his care

That voice along with all that burliness and age, which you thought would’ve been a turn off not on, ended up making you feel small yet so protected

Garp didn’t think he’d enter a relationship like this that went on so long and so easily but any reservation or second guessing was lost the moment he saw you and everything just felt natural

Tho he’d still make jokes that always make you groan about how you keep him young better than his troublesome recruits (that he is stuck between wanting to parade you around to see their jaws drop and wanting to keep you hidden away from any young bucks who may try to get your attention before he’s ready to let you go)

Thank you for reading 😘🤍🤍

Masterlist

[dark-frosted-heart]

Roger Barel Main Route - Blind Love Epilogue

As usual, can’t guarantee 100% accuracy on this. I’m doing this for archiving purposes and you can probably find a better translation out there.

nsfw, minors dni

A season had passed since I decided to continue being Roger’s exclusive Fairytale Keeper.

Kate: Lately, Roger’s been acting strange.

Victor: Roger’s always acting strange, so that's normal!

William: Yes, since he’s also Crown, he’s an eccentric who wears a mask of decency. Completely normal

While I told the two about my worries during a tea party, they just smiled gracefully as they sipped from their teacups.

When I raised my shoulders, William chuckled.

William: Heh, sorry. Victor and I are happy that we get to spend some time with you. 

Victor: Yes, since you’re always with Roger. This time we have is valuable, and we’re enjoying it.

Kate: Thank you, William, Victor. I’m enjoying my time with you two as well.

Victor: So…What do you mean by “strange”?

Kate: Roger’s always been very into his research, but recently, he’s been a little too into it…

~~ Flashback ~~

Kate: Roger, it’s almost midnight. Are you not heading to bed soon?

Roger: Hmm, nah. I’m fine, you go on ahead. Good night, Kate.

--

Kate: Roger, why not take a break since you’ve been working all day? How about some good beer…

Roger: I’m on a roll right now. Save me a beer.

~~ End flashback ~~

Kate: …Stuff like that.

Victor: It definitely is strange for him to refuse his favorite beer!

Kate: Right?!

After he and Victor exchanged glances and nodded at each other, William’s smile widened.

William: You’re feeling discontent that your lover’s paying more attention to his research than you, aren’t you? You’re so adorable.

Kate: That’s! That’s right… While I do want his attention, I’m more concerned about his health since he hasn’t taken a break…

Roger’s lifespan’s already been cut short because of his research.

That’s why I want him to live longer, even if it’s just for a second.

I want us to live together for as long as possible.

Victor: Kate’s right, he shouldn’t be reckless. However, sometimes working hard’s what makes you feel alive and brightens life up. From my perspective, Roger appears livelier than ever. Moreover…The reason why Roger’s been so into his research—I believe it’s to do with his relationship with you.

Kate: With me…?

Victor: I definitely don’t know for sure. That’s something you’ll have to ask Roger.

(...Victor and WIlliam are right)

Roger and I had gone through a lot before we became lovers, and we’re here now because we’d talk to each other every time.

Kate: Thank you, Victor, William. I’ll go ask Roger.

--

After Kate scampered out of the room like a dog, William narrowed his eyes.

William: You’re as good of a liar as ever. You know what Roger’s been “doing”.

Victor: I do. Despite being human, that man is likely trying to step into the domain of the gods.

William: You got them to stay together, expecting some sort of unpredictable reaction. Was this the outcome you expected?

Victor: It was more freeing and groundbreaking that I expected—I find it amusing.

William: …You really are evil.

--

(—I made up my mind to talk to Roger)

If I approached it the same way as usual, he’d turn me away again. 

Jude: Move, you’re in my way.

Kate: Ah, Jude. Good timing. I have a question.

Jude: Do ya have selective hearing for stuff that’s inconvenient?

Kate: How do you talk to someone about something when they’re always finding ways to avoid it?

Jude: *sigh* Gotta take their freedom and interrogate. Ya can also restrain ‘em, threaten ‘em, or use sleeping pills to cloud their judgment. 

Kate: I’d rather not do something extreme, but I’d probably get turned away again if I don’t. I think Alfons has some sleeping pills that are safe to use. Thanks Jude!

Jude: …O_O The hell is she doin’ that to.

--

Alfons shared some sleeping pills.

That night, I dropped them into water and gave it to Roger after his bath.

—But when he drank the water, he frowned…

Roger: This water tastes funny…It tastes like…sleeping pills.

Kate: What?!

Roger: Yep. I know what most drugs smell and taste like. Should’ve put them in something with a stronger taste if you wanted to trick me.

Kate: Then why did you drink it all…?

Roger: Thought it’d be fun to play along.

Roger smirked and looked at me leisurely.

Roger: Suppose I got about 30 minutes before I conk out. Better tell me what you’re up to now.

(...Since he’s already seen through me, I’ll have to tell him everything)

I first told him about how I tried to trap him so that we could talk properly.

Kate: I’m really sorry for trying something as stupid as that sneak attack…!

Roger: …Pfft, heh…

Kate: …Roger?

Roger: Nothing. Just didn’t expect you to use sleeping pills. You’re turning more into my type.

The way he happily ruffled my hair made any feelings of regret disappear.

(Roger really is a strange person…I also love that about him)

Roger: So, were you thinking I was doing some other research on top of my curse research?

Kate: Yes. What exactly is making you work so hard?

Roger: The ends of chromosomes have this structure. I believe they play an important part in chromosome integrity. The shortening of those structures might a cause of aging—

Kate: Um, Roger!

Roger: Hm?

Kate: …Can you simplify that for me?

Roger gave a knowing smirk and spoke again.

Roger: Research on extending lifespans.

(——Huh)

That’s not what I had expected and my thoughts came to a halt. However,

Kate: Extending lifespans. That…

Roger: I’m aware that what I’m researching is unethical. I’m not trying to be a god. It’s evil to speculate on and take human life under the guise of God. Humans can’t become gods. And I got no intention of creating a monster like immortality. But I can still get as close to being a god as possible and use that power properly and effectively. In short, I wanna fight back so that I can live for even just a second longer.

Kate: …Roger.

Roger: If you disagree with it, then—

Kate: I don’t. If I’m not mistaken…is it possible you’re doing this research… To live with me for even a second longer? 

Roger just smiled.

That smile alone was enough to explain everything.

Roger: I’ve already given you everything I have.

The deed to his land, property and assets, a lab coat…Roger had left me a lot of things.

Roger: But that’s no reason to give up on wanting to live a little longer. Never imagined I’d try to do something as stupid as getting close to being a god. It’s all because I fell for you, Kate.

Kate: …

What Roger was trying to do was self-centered and probably disgraceful.

But even if everyone criticized him, I’d rejoice in it.

I really am starting to become like Roger.

Kate: …You really are absurd. But…thank you, I love you.

Roger: I know. Ah…Damn it…I’m gonna pass out.

Roger removed his glasses and rubbed his eyes.

Roger: Haven’t slept much lately so this drug’s working fast.

His large frame flopped onto the bed like a puppet with its strings cut.

While holding me in his arms.

Kate: Roger?

Roger: …Gonna make love to you…the moment I wake up. So…stay with me…’til... I...wake…up…

After saying that, his breathing started to even out.

Kate: …If you say stuff like that…then I can’t let you go.

Lying in Roger’s arms, I listened to his heartbeat.

The thumping reminded me of  a small animal, and my chest tightened.

(...Even if it’s only for a second longer, I want to be with you forever) 

I ended up falling asleep in his arms and had a dream.

It was a dream about Roger and I living together forever.

We lived forever while fighting against despair—sometimes getting hurt, other times laughing together.

But I knew this was a dream, and that reality wouldn’t be as sweet or kind.

We haven’t found a way to get rid of curses or extend lifespans…

Such a future might not be possible.

But that doesn’t mean we have to give up.

Fighting against despair is what kept us alive.

--

A soft light shined on my eyes and I awoke from my slumber.

Kate: …Mnn…

Roger: …Ah, you’re finally awake. Morning, Kate. Well, I guess your body woke up first.

Kate: Huh? Ah…!

My nightgown was bunched up and Roger’s fingers were buried between my legs.

Even though I just woke up, I already felt so hot, achey, and wet…

Roger licked his fingers and then spread my legs—

Kate: Ahhh—

He lined himself up with my entrance before thrusting in.

Roger: Haaa…I got turned on but how cute you looked while sleeping…

He looked at me as he continued to thrust in and out.

Roger: So, what’d you dream about?

Kate: Nn, ahh… …It was…about your…dreams.

Roger: …O_O

He brought my hand to his chest.

(Ah…)

I could feel Roger’s heart beating a little faster than before.

Roger: I’m in good health. At this rate, I’m not gonna die even if I’m killed.

Kate: Hehe, then I’ll give you more things for your heart to beat for so that you’ll live longer.

Roger: …Since when did you get so good at provoking me?

Kate: Huh? Ahh…

I felt him grow harder and Roger laughed.

Roger: Then let’s do a lot of exciting stuff, Kate.

Kate: Roger, ahh…wait! Ahh! 

As I thoroughly received Roger’s warmth, I made a wish.

I wished that my days with him would last for even just a second longer.

I wished for a miraculous eternity.

Letter | Both End Clear Story

[yukidragon]

Sunshine in Hell Height Headcanons

It's June 15, which as many of you know from this official profile, that it's Sunny Day Jack's birthday today!

You might also know that it's [Redacted]'s birthday thanks to this ominous picture Sauce shared last year on this day. Funny how these two totally distinct characters share a birthday isn't it? 🤔

Anyway, I was hoping to have written something for this year to celebrate, but like last year my spoons are way too few and far between. I was also hoping to do something self-indulgent for my own birthday, but same lack of spoons halted me there too.

So, until I can stock up on more metaphorical utensils to help me do the stuff I feel like doing, I'm going to celebrate by rambling a little bit about some headcanon details.

Sunshine in Hell differs from the game demos in a number of ways, and one of them is Jack's height. As you might've seen from the profile link, Jack is canonically 6'2", but in my personal headcanon continuity, I decided to make the gentle giant quite a bit taller than that. Because it amuses me, and I struggle with imagining Jack as shorter than Cove Holden.

When deciding how tall to make Jack in my stories, I also decided to do a height chart for him and a few other characters as well. It helps to better imagine characters interacting when you can see how tall they are compared to others.

Yes, I threw in a few extra love interests to the mix, as well as a couple other MCs. I was curious to see how tall Alice would be compared to her sisters, and I had to throw in their love interests as well.

As an aside, it tickles me that even after I made Jack significantly taller, he's shorter than Bo's horny "Feed Me" form.

For those of you that need the conversion from centimeters to feet and inches, or have trouble reading the image, I'll write them down for easy reference.

Alice: 162 cm / 5'4"

Jack: 198 cm / 6'6"

Shaun: 178 cm / 5'10"

Nick: 173 cm / 5'8"

Ian: 170 cm / 5'7"

Bo: 180 cm / 5'11"

Barbie: 184 cm / 6'0"

Bo "Feed Me" form: 216 cm / 7'1"

Elias: 185 cm / 6'1"

Coraline: 172 cm / 5'8"

As you can see, Shaun, Nick, and Ian stuck with the canon heights in their profiles. It's just Jack who got a height increase because it's what I imagined his height to be from the start, and Sunshine in Hell is basically my headcanons that diverge from the game's canon, so I do what I want. It's also fun to imagine scary yandere Jack towering over every single one of the love interests. It adds to the intimidation factor too despite his gentle giant persona.

Bo and Elias don't have canon heights like the SDJ love interests, so I mostly just did whatever felt right to me for them. Bo's regular height was influenced by the mafia AU picture Sauce drew. It served as a very good height comparison chart all on its own. As you can see, Bo is just tall enough to reach Jack's smile if you don't count the ears and poofy hair.

All credit to the awesome Sauce for their lovely art of course and for feeding my headcanons. As always, I want to link to the SnaccPop Patreon as gratitude for being cool with me using their art in my posts. If you're a a free or paying member, consider checking out an important survey that went up to help guide the team in their future endeavors.

Bo looks so short compared to Jack, doesn't he? In my headcanon land, it's just a matter of perspective, and next to other people Bo is pretty darn tall. Though he's just one teeny tiny inch shorter than his puppy.

You bet your sweet bippy Barbie takes smug satisfaction in that one inch height superiority. Bo talks so big as a big bad alpha dog, but the puppy he's trying to dominate is just a bit bigger and badder than he ever expected.

Of course, Bo gets to turn it right back around on Barbie with his monster sized "Feed Me" form. Like werewolves that become huge compared to their human selves, when Bo's inner beast comes out to play, he adds on quite a lot of height and muscle. He towers over even Jack! Still, even when super sized, he's no match for Barbie.

As you can see, despite being the eldest child, Alice is shorter than her two younger sisters, especially Barbie! They got more of their dad's height genes, while Alice took more after their mom in that department. Barbie and Coraline are quite a bit taller than average, a fact that Barbie revels in, and Coraline can find a little awkward sometimes, especially during moments of weakness. It can be hard to help someone stand back up and walk when they're much taller than you are after all. It leads to some embarrassing moments for poor Coraline.

On that same note of surprisingly tall people with chronic illnesses, I thought it would be interesting if Elias would have been a very tall man if not for his illness. There's no canon height for him and he's floating with Jack and Bo in the Christmas picture, so it's hard to go with a comparative height. So, I went with what felt narratively interesting to me. With his legs being twisted, and him being hunched over with a cane, he probably appeared shorter than he actually was. It's hard to see his exact height with his lower half ghostly and indistinct as well. It's only when he actually bothers to give himself legs and stand with both feet planted firmly on the ground that he can show off just how tall he really is.

While I'm on the topic of height, I wonder if one of Ian's insecurities was his height. Some men have issues if they're shorter than their peers, and Ian is the shortest of the love interests. I can imagine it certainly didn't help if he was bullied for being short along with his general "nerdy" appearance back in school.

Still, Ian has nothing to complain about at the height he's at as a fully grown adult. Even if the other love interests are taller than he is, Ian is still above average for men in the US. He's just got the misfortune of being the shortest guy in a group of very tall people. At least he doesn't have to worry about taking the bottom spot in the height chart like Alice.

Yes, Alice is a bit self-conscious about being so short compared to her peers, even if technically she's also above average height for a woman in the US. She feels especially tiny when standing next to Jack.

Though, admittedly, Alice does find it very nice to feel tiny and delicate when Jack sweeps her up into his arms. It makes her feel less self-conscious about how chubby she is when her big strong giant of a boyfriend can carry her around so easily. Once she gets over the initial fear that he might drop her, she'll soon look forward to being whisked away by her silly clown.

Oh, and if you're wondering about Mary's height... I'm still debating if I want her to be around Alice's height or a little taller. She had the same eye color in both lives due to the eyes being windows to the soul, but there were other physical differences due to different parents introducing different genetics. I need to ruminate on that fine of detail more and see what feels more interesting to me narratively.

Though even if Mary was as tall as Barbie, she'll still be short enough for Joseph to sweep into her arms since he's just as much of a giant now as he was then. Not that it would stop him from trying even if his sunshine was bigger than him. Nothing will stop Joseph/Jack from showing his love for his sunshine!

I think I'll wrap things up on that fluffy note. I hope y'all enjoyed me going off on a headcanon ramble after such a long time. With any luck, I'll be able to get to answering some asks soon. Thanks for reading!

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

[iwritenarrativesandstuff]

When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.

[nayziiz]

Stay | LN4

Summary: A new romantic prospect puts things into perspective in the best and worst ways possible.

Pairing: Lando Norris x OC (Cara)

Warnings: Angst

Masterlist

CHAPTER 6

The music was louder than Cara expected when they entered the club. Maya immediately dragged Lando over to the bar to get drinks, and Max and Pietra went on a mission to find the private booth Maya had apparently arranged. Cara hung back for a minute and surveyed the scene. It wasn't her go-to place regardless of the country she found herself in. She sighed, defeated, knowing she would be spending most of her night being miserable.

Trying to make the best of it, Cara wandered over to the bar, deciding to get herself a drink. She squeezed through the crowd and managed to catch the bartender's attention, ordering a simple gin and tonic. As she waited for her drink, she couldn't help but notice Lando and Maya at the other end of the bar, Maya clinging onto Lando's arm as they laughed together.

Cara felt a pang of something she couldn't quite place—jealousy, maybe? She quickly dismissed the thought, reminding herself that she and Lando were just friends. Still, it was hard to ignore the growing discomfort she felt every time she saw them together.

“Here's your drink,” the bartender said, breaking her train of thought. She thanked him and took a sip, letting the cool liquid calm her nerves. She turned away from the bar and tried to spot Max and Pietra, hoping to find some solace in their company.

After a few minutes of searching, she finally saw Max waving her over from a corner booth. She weaved through the throng of people, grateful to finally sit down and escape the chaos for a bit. When she reached the booth, Pietra scooted over to make room for her.

“Never really been your scene, huh?” Max observed, a knowing smirk on his face.

“Not at all. But hey, at least I've got you guys to keep me company,” Cara shook her head, managing a small smile.

“Don't worry, we'll make sure you have a good time,” Pietra assured her with a pat on the shoulder.

“See, she looks so out of place,” Maya whined when she looked back at Cara. Lando followed her eyes and found Cara slowly moving towards Max and Pietra.

“Cut her some slack, she's trying,” Lando countered, a hint of frustration in his voice.

“Why do you defend her so much?” Maya asked, her tone a mix of curiosity and annoyance.

“Because she's one of my best friends, Maya.” Lando sighed, rubbing the back of his neck as he tried to find the right words.

“It just feels like she's always around, and I don't get why you prioritise her so much.” Maya pouted, clearly unsatisfied with his answer. Lando took a deep breath, trying to stay calm.

“Cara is important to me, just like Max, just like Pietra. We've been through a lot together. It's not about prioritising; it's about recognizing the people who genuinely care about you. You should give her a chance, get to know her better.” Lando continued. Maya rolled her eyes as she shifted closer to Lando, linking her arm through his.

“Baby, she's not like us, she doesn't fit in,”  Maya retorted, her tone dismissive.

“Like us? What does that even mean?” Lando asked, baffled by Maya's comment. “Alright, if you want to see me defensive, keep saying stuff like that.”

“Calm down, Lan. I'm just sharing my opinion,” Maya shrugged, trying to downplay the situation.

“No, you're being mean towards her, and that's not cool, Maya. She's only been nice to you,” Lando continued, his voice firm.

“Whatever, Lan. I just think you should focus more on us.” Maya rolled her eyes at him once more. Lando shook his head, feeling a growing frustration.

“It's not a competition, Maya. If you can't accept my friends, then this won't work.” Lando informed her. Maya stared at him, a mixture of anger and hurt in her eyes. “Give her a chance. You might actually like her if you got to know her.”

Maya didn't respond, instead turning her attention back to the bar. Lando sighed, knowing that this was far from over, but determined to stand by his friend.

Cara spotted Lando and Maya in an intense conversation from their reserved booth where she sat with Pietra and Max, who were also chatting away. She nudged Pietra, drawing her attention to the scene unfolding at the bar. Pietra turned to look at what Cara was indicating.

"Trouble in paradise?" Pietra asked, raising an eyebrow.

"Who knows?" Cara sighed again, feeling a pang of discomfort at the sight.

Max, picking up on the shift in conversation, turned his attention to the bar as well. "Looks like things are getting heated over there."

Cara nodded, taking a sip of her drink. "Yeah, it does."

Pietra leaned in closer to Cara. "You okay?"

Cara forced a small smile. "Yeah, just...it's been a weird night."

Max gave her a sympathetic look. "Weird how?"

Cara hesitated, glancing at Lando and Maya again. "Just...Maya's been making things a bit uncomfortable. I feel like I'm in the way."

Pietra put a reassuring hand on Cara's arm. "You know you're not in the way, right? You're part of this group, and we all want you here."

Throughout the night as the drinks flowed, Cara loosened up and even ended up on the dancefloor. She danced with some girls for a while, and then the men started approaching her. Lando ground his teeth, his jaw locked, as he watched her dance against a new man every few minutes, a goofy smile plastered on her face as she did so.

He could feel the frustration bubbling inside him, his protective instincts flaring up with each passing moment. He knew Cara was just trying to have a good time and shake off the evening's earlier discomfort, but it didn't stop the surge of jealousy and concern he felt seeing her surrounded by strangers.

Maya noticed Lando's attention was securely on Cara and nothing else the second she went on the dancefloor, so in a huff, she left the club without saying goodbye to Lando. She felt a sting of betrayal and disappointment as she pushed through the throng of people, heading for the exit. Her dramatic departure went unnoticed by Lando, who was too engrossed in his moment with Cara to see anything else.

Lando was able to contain himself until he saw another new man approach Cara. The man slid in behind her, grabbing her hips as they swayed, and pressed himself right against her. She didn't move away from him, not even when his hands travelled around to her waist and later to her butt and thighs. Lando's blood was boiling as he stood and watched.

Max, noticing Lando's agitation, nudged him. "You okay, mate?"

Lando forced a tight smile. "Yeah, just... keeping an eye on things."

Max followed his gaze to where Cara was dancing, understanding dawning on his face. "She's just having fun, man. Let her enjoy herself."

Lando sighed, running a hand through his hair. "I know, I know. It's just hard to watch."

Pietra, joining the conversation, leaned in. "Maybe you should go dance with her?"

Lando hesitated. "I don't know if that's a good idea."

Pietra gave him an encouraging smile. "It might be exactly what she needs. Besides, it's clear you're not happy just standing here."

He walked through the crowd to where she was. The man dancing with her had disappeared, and Lando took the opportunity to wrap his arms around her waist from behind to see what her reaction would be. Instead of pushing his hands away, she rested her hands on his and intertwined her fingers with his. She pressed her body against his and swayed to the beat of the music. She rested the back of her head against his chest and turned her head slightly so she could just, ever so slightly, brush the tip of her icy nose against the skin of his neck.

“You know it's me, right?” Lando asked, his voice soft yet tinged with a hint of amusement.

“Uh-huh,” she hummed, warm from both the alcohol and by Lando’s sudden presence behind her.

“I thought I'd join you,” he replied, trying to keep his tone light. “Looks like you're having fun.”

"I am. But I wouldn't mind a familiar face to dance with,” she admitted, a slight flush to her cheeks. 

“Well, here I am.” He grinned, relieved.

Lando and Cara continued to dance, their laughter and movements synchronised. The energy between them was palpable, drawing a few curious glances from onlookers but mostly just blending into the vibrant, carefree atmosphere of the dancefloor. Max and Pietra, seated in the booth, observed the scene with satisfaction.

“Looks like they’re finally letting their feelings take control,” Max commented, leaning back with a contented smile. Pietra nodded.

“It's about time. They both needed this.” Pietra agreed, hinting at all of the months and trips they spent watching Lando and Cara dance around each other and their feelings.

After their night at the club, the unexpected intimacy they shared on the dance floor lingering in their minds, Cara and Lando found themselves back at the apartment. The atmosphere was filled with a mixture of awkwardness and anticipation, as both of them tried to process the shift in their relationship. They had reversed roles for the evening: Lando took the couch, and Cara took his bed.

Cara lay in Lando's bed, surrounded by the scent of him that clung to the sheets and pillows. She turned over and buried her face into his pillow, breathing in deeply. His scent was comforting, but without him being close, it felt suffocating and incomplete. The bed felt enormous and empty without his presence. It was cold. Too cold. She pulled the blankets tighter around herself, trying to find some semblance of warmth, but it was no use. The events of the night replayed in her mind, especially the moment on the dance floor when she had felt so safe and connected in his arms.

In the living room, Lando tossed and turned on the couch. The cushions felt foreign and uncomfortable, a far cry from the familiarity of his bed. The eerie loneliness of the room gnawed at him, amplified by the silence of the early morning hours. He stared up at the ceiling, his thoughts consumed by the feel of touch and the way she had fit so perfectly in his arms. He couldn't shake the feeling of emptiness that filled the room without her presence nearby.

Both of them were restless, struggling to find comfort in their new sleeping arrangements. The distance between them felt greater than the physical space that separated the couch from the bedroom. They were both acutely aware of each other's absence, and it weighed heavily on their hearts.

His bedroom door creaked open, and Cara stood leaning against the doorframe, watching Lando toss from one side of the couch to the other. The sight of him struggling to find comfort tugged at her heart. She could see the unease etched on his face, and it mirrored her own feelings of restlessness.

“Not comfortable?” she whispered as she approached him, halting his movements.

“Something like that,” he admitted, sitting back with a sigh. He looked despondent, the weight of the night’s events clearly still on his mind. Cara took a seat beside him, their shoulders brushing. “Why are you still up?”

“I’m not entirely sure,” she confessed, pulling her sweatshirt’s sleeves over her hands. The fabric provided a small comfort against the cold, but it did nothing to quell the chill she felt inside.

Lando sat there, his heart pounding against his ribcage like a caged bird desperate for freedom. His mind raced, a flurry of doubts and uncertainties clouding his judgement. Was this the right moment? Would she think he was being too forward? A myriad of questions bombarded his thoughts, threatening to drown out the faint whisper of courage that urged him forward.

Yet, amidst the chaos of his mind, there was a flicker of something different—an ember of spontaneity and daring that dared to defy his apprehensions. It was that tiny spark that propelled him forward, urging him to take a leap of faith into the unknown. For a brief moment, he hesitated, his lips parting as if to speak, only to falter at the brink of uncertainty.

But then, with a surge of determination, he silenced his doubts and let his words spill forth into the space between them.

"Fancy a cuddle?" he suggested, the words hanging in the air like a delicate promise waiting to be fulfilled.

In that instant, time seemed to stand still, the world holding its breath as they stood on the precipice of possibility. Would she laugh it off, dismissing his offer with a gentle smile? Or would she embrace the spontaneity of the moment, taking his hand and diving headfirst into the unknown?

As the blush bloomed across her cheeks, Lando felt a surge of anticipation mingled with a hint of vulnerability. He watched her, his heart pounding in his chest, wondering what her response would be. For a moment, she seemed to retreat within herself, her gaze flickering away from his as if grappling with an inner turmoil.

Then, just as he began to fear that his suggestion had been too bold, she surprised him. With a deep breath, she rose from her seat, her hand extended towards him in a silent invitation. It was a gesture filled with a quiet determination, a silent affirmation of trust and curiosity.

Lando felt a rush of relief flood through him as he accepted her hand, letting her lead him back to his room. The air between them crackled with anticipation, the weight of their unspoken feelings hanging heavy in the space around them.

Once inside, he closed the door behind them, the sound echoing softly in the silence. He watched as she made herself comfortable under the covers, her movements graceful yet tinged with a hint of uncertainty. It was a simple act, yet it spoke volumes—a silent agreement to embrace the intimacy of the moment, to explore the connection that pulsed between them.

As Lando slipped out of his shirt, the fabric falling away to reveal the contours of his frame, it felt like shedding a layer of inhibition, a symbolic gesture of vulnerability and intimacy. It was a routine he had grown accustomed to, a small act of comfort and familiarity in the quiet moments before sleep claimed him.

With a silent grace, he joined her beneath the covers, the warmth of the blankets cocooning them in a world of their own making. And as he settled beside her, he felt a sense of rightness wash over him—a feeling of belonging that transcended words or explanations.

She welcomed him into her embrace with a natural ease, her body fitting against his like two pieces of a puzzle finally finding their perfect match. He could feel the gentle rise and fall of her breath against his neck, a soothing rhythm that lulled him into a state of contentment.

Wrapping an arm around her shoulders, he pulled her close, relishing the sensation of her skin against his own. It was a simple gesture, yet it spoke volumes—an unspoken promise of protection and comfort, a silent declaration of love and devotion.

With her hand resting on her exposed stomach, he felt a surge of tenderness well up within him.

“Tell me something nobody else knows about you,” Lando quipped in an attempt to distract himself from the feeling of her body against his.

“I am absolutely terrible at skiing,” she whispered with a small chuckle.

“Is that why you didn’t come to Finland with us?” he realised.

“Partly, yeah,” she chuckled. “I did have to work, too.”

“I can teach you, you know, how to ski,” he offered.

“You’d be teaching a wall how to walk, not going to happen,” she countered.

“Then it’s a good thing I’m a great teacher. Just look at how great you are now at karting,” Lando teased with a knowingly smile.

“Alright, fair enough,” she conceded, chuckling slightly at his cockiness.

The excitement of their banter dissipated into the tranquil embrace of the night as she nestled her head into the curve of his neck once more. Her breath, warm yet tinged with a hint of chill, ghosted across his skin, sending shivers down his spine.

Lando's fingers traced gentle patterns over her arm, the warmth of her touch a soothing balm against the tumultuous currents of his thoughts. He tried to coax himself into a state of sleep, to let the gentle rhythm of their breaths lull him into oblivion. But amidst the quiet darkness, the desire that simmered beneath the surface refused to be ignored.

With each passing moment, the urge to lean in and capture her lips in a tender kiss grew stronger, a silent plea that echoed in the depths of his soul. He turned his head slightly, his gaze meeting hers in the soft glow of moonlight filtering through the window.

Their eyes locked in a silent exchange, a wordless conversation that spoke volumes of unspoken desires and hidden truths. In that fleeting moment, the world fell away, leaving only the two of them suspended in the timeless embrace of the night.

“I really want to kiss you,” he confessed, his voice so soft it was barely a whisper.

“Okay,” she mimicked his tone and volume, her breath warm against his skin.

With a tender reverence, Lando cupped her cheek, his thumb brushing lightly across her skin. He leaned in, closing the small distance between them, and gently pressed his lips against hers. The kiss was soft and delicate, a gentle caress that spoke of all the unspoken words and feelings they had shared.

For the first time in a very long time, Lando felt butterflies fluttering in his stomach—the good kind that signalled something special, something real. It wasn’t a hungry or desperate kiss, but one filled with sweetness and tenderness, a reflection of how he felt about her.

When he finally pulled away, he watched her eyes remain closed, her face serene as she absorbed every moment of the lingering sensation. A smile curved her lips, and in that moment, Lando knew that this simple kiss had sealed something profound between them.

They spent the rest of the night wrapped in a cocoon of warmth and intimacy, gazing at each other with a mixture of wonder and contentment. The world outside their little bubble seemed to fade away, leaving only the soft glow of the moonlight and the quiet whispers of their shared breaths.

With tender curiosity, they traced invisible shapes into each other’s skin, their fingertips leaving trails of warmth and affection. Each touch was a silent declaration, a wordless conversation that spoke of their growing closeness and the trust they had built.

Her fingers played gently with his hair, twirling soft strands between her fingertips, while he marvelled at the delicate way she moved. In return, his hand found its way to her hair, smoothing it back from her face with a tenderness that made her heart flutter.

As the night wore on, their words grew softer, their touches slower, each moment drawing them deeper into the embrace of sleep. The rhythm of their breaths synchronised, creating a soothing lullaby that carried them towards slumber.

Finally, with their bodies entwined and hearts beating in unison, they drifted off to sleep, each wrapped in the comfort of the other’s presence. And as they slipped into dreams, the night held them close, a silent witness to the beginning of something beautiful and enduring.

[sampegger]

certain deangirls just frustrate me so bad. like. the ones who insist with their entire chest that dean loves sam more than sam loves him. even just talking early seasons. to see sam leaving for stanford as a betrayal to dean and proof that he loves him less is so. him leaving for college wasn't about dean. it was about wanting something better for himself than what hunting had to offer. him being able to want something more for himself than what he had with dean and john is not a betrayal. to claim that sams ability to endure misery is directly correlated with how much he loves someone is cruel and a terrible perspective to have on any relationship.

and in season 4, to claim that he chose a demon over his own brother while in the midst of having an active addiction problem, and to take that and make it about his loyalty to DEAN is so. that is so biased and evil. you should not see sams violation of his own autonomy as a betrayal to dean. i know the show likes to think they do in the later seasons but the choices sam makes do not all have to center around dean, and that still doesn't mean he loves him any less! viewing it through that type of lens will certainly make it look like he does, but that is objectively the wrong way to interpret any of sams arcs.

when it comes to season 8 i'll say a lot of the same stuff i said about sam leaving for stanford in the first place. while yes i do think him not looking for dean was slightly out of character, it is still unbelievably cruel to think of sams ability to endure pain and claim it marks the level of which he loves someone. especially when he takes on the trials this season, and the entire narrative thrown on sam is his newfound notion that pain purges sin. to have that level of misery thrown in your face (these trials are purifying me) and still insist that if sam is actively fighting against something that is making him miserable (staying in hunting) it's proof he never loved dean that much anyways is awful!!! and that whole "non-agreement" line in which bobby says that he and dean promising not to look for each other was just something that was said and it should've been obvious he was meant to look for dean. don't even get me started.

season 9 is the last season that i think people use as evidence for this. sams claim that he "wouldn't do the same thing for dean." and really. i guess i don't expect dean letting gadreel possess sam to be seen in any other light at this point. sam said he wouldn't have done the same thing for dean because he literally wouldn't have!!! there is nothing that can properly convey the absolute level of violation that that was, especially when sams entire storyline is about his struggle for autonomy. it was a selfish decision on deans end, as is most of the way that he loves sam. it is just so frustrating to see this arcs that revolve specifically around sam turned into evidence of how much he does or doesn't love dean, because that is literally the opposite of what they're about.

i could move onto later seasons as well and talk about how dean is outwardly abusive in them, but that would just be dean slander and that's not what i'm trying to do. the entire point of this post is that tying all of sams decisions to how much he loves dean is wrong and you fundamentally miss the entire point of sam as a character if you view the story through that lens.

sam's ability to endure misery is not directly correlated with his ability to love.

[genericpuff]

Hey quick question.

How do you know if you should make a webcomic? I have this story idea that’s been floating around in the back of my head that I think could work well for a comic series. But the problem is I’m mainly used to writing screenplays and more traditional writing.

What I’m saying is, how can I tell if making a webcomic is worth it or if I should stick in my comfort zone?

I mean, there's no definitive right answer when it comes to "knowing" if you should make a webcomic. It really just comes down to you. Do you really like the medium? Do you feel your story has to be told within that medium to achieve its goals?

Same thing goes for whether or not it's "worth it", it really comes down to how you define that. For some people, simply posting their comics online to a few readers each week is worth it. For others, if it doesn't get into print or publishing or whatever have you, it might not be quite so justifiable to keep up with. Neither is better or worse than the other, both reasons are valid because it ultimately comes down to what we as individuals are trying to accomplish and what we define as "worth it" on a personal level.

I actually live on both sides of the spectrum right now because with Rekindled, posting it on Tumblr and getting all the great feedback and company through the audience it's gained makes it worth it. But that worth was defined by my expectations going in - I wasn't making Rekindled for money (legally I can't), I wasn't making it to get an Originals deal or anything of the sort, I was just making it because I found myself deadset on going through with it after months of it living in my head rent free, and so what I've gotten out of it as a result is very much worth it, all I was really looking for was maybe some other readers who would enjoy reading a transformative 'foe fiction' from a former LO fan and I've found those readers in spades simply due to the demand.

Time Gate, on the other hand, was something that I wanted for years to be a 'successful' project, defined more by actual tangible growth and gain. Because I came up with it as a kid, for a long time it was my "magnum opus" project, the thing that I wanted to see get turned into books and an anime and a video game and all those sorts of things as 'proof' of how good it was. Of course, I know now years later that those expectations were WAY too high and it resulted in me feeling incredibly depressed over it for ages. It made it hard to work on and even though I did have some readers, I didn't see it as "worth it" because my expectations were a lot higher than that of Rekindled's going in. But that was simply a matter of experience at that point, because I had been making original comics for so long, when I went into Rekindled I knew a lot more what I was capable of, what I wasn't capable of, and what boundaries I was willing to put down for myself. Even still, I do still want to return to Time Gate some day and when I do, I want to still treat it like a series I want to get off the ground as an actual published piece of work - it's just that this time around, I actually know how to make those steps and be proactive in my approach (and I know where to keep my expectations) which is certainly a perspective and skillset I didn't have when I was 15 LMAO

I will say, realistically speaking, it is a lot harder to pursue webcomics as a writer, because the reality of this medium is that most people who go into it are artists who learn how to write to make a webcomic, not the other way around. Unless you're willing to learn how to draw - which is a whole other skillset that requires years of work and patience - you're likely going to have to seek someone to collaborate with and - I cannot stress this enough - it's not going to be someone you simply find on reddit who's willing to work for free. Again, many of us as artists went into webcomics with a project already in mind, so most artists are already working on their own passion projects, trying to convince someone else to work on yours is just not realistic or fair. I'm fortunate enough to have @banshriek along for the production of Rekindled and even then I still pay for their contributions out of pocket, they're as invested in an LO rewrite project as I am (and thus they're given a lot of room to make suggestions in both the set designs and the writing), and I still had to carry the first 20ish episodes on my own before they joined along, i.e. I would still be making Rekindled if they weren't onboard, but having them is a massive help that's taken the comic to a whole other level in its artistic production.

But that doesn't mean it's hopeless! There's a lot of interest right now in webnovels and writing comic scripts is still a completely viable way to get into the comics industry if you're really interested in doing so (fun fact: before I was making comics, I wrote fanfiction! This is probably not shocking to hear all things considered LMAO) There's a reason Webtoons owns Wattpad now, webnovels are a no-brainer when it comes to adaptations to visual mediums, and webcomics have become part of that environment by extension. So at the very least, if you want to get your story out there, there are loads of ways to do it that don't require you to make a comic - but if you really want to make one, there are ways to get into that industry through writing in other ways such as pitching scripts to comic publishers and/or going indie with webnovels. Ultimately, if many of us webcomic creators stopped drawing our works, we'd still be coming up with stories to write, because that's what's really at the heart of these sorts of projects. So even if you can't get into comics right away due to lack of visual artistry, that doesn't mean it's off the table forever ( ´ ∀ `)ノ～ ♡

Sorry, that was a lot of rambling but I hope it helps ! Remember to keep your goals and expectations manageable, and most of all, write lots! You'll be doing it anyways regardless of whether or not you get into comics, so whatever value you see in getting into comics is up to you to determine! You don't have to know right away, it might be something you'll find along the way or have to adjust as you get more experience, but don't stop yourself from getting creative and messing around until you find out what works! You won't know if it was worth leaving your comfort zone until you try it <3

Good luck! (•̀ᴗ•́)و

[joyouslee]

Fangs of Fortune - thoughts about Li Lun

Spoilers up to Ep 9 below cut

I'm starting to wonder if Li Lun isn't (wholly) a villain? Why would he make it clear to Zhuo Yichen that Zhao Yuanzhou was forced to/ had no choice but to kill his father and brother? If he's trying to sow discord among the team, why would he give Zhuo Yichen an excuse to forgive Zhao Yuanzhou when Zhao Yuanzhou is himself admitting his guilt each time he's asked?

He also revealed Zhao Yuanzhou's relationship with the Baize goddess - he knew how close they were, like siblings. The revelation really seems like something that would actually help his relationship with Wen Xiao, not hurt it. (And the way Li Lun said it - it was more like, you were so close with her, and yet everyone still thought you evil. Like Li Lun felt angry on his behalf. )

We know that he did something that ZYZ was very angry about - presumably killing the prior Baize goddess. Even locked away (by ZYZ?) he's still powerful enough to come into the human world and possess people/ control weaker demons.

ZYZ said that he made an oath to protect the Wilderness. There's the scene in Ep 4 with ZYZ and Li Lun where their blood mingles and the tree grows that parallels the original goddess' oath with Cheng Huang.

Did Li Lun also make the same oath with ZYZ? Did ZYZ promise "forever" at that time (to protect the Wilderness together with Li Lun), which would explain Li Lun's bitterness towards ZYZ's promise to Wen XIao when he said, do you mean just now or forever? (beyond the very jealous ex vibe he continues to exude)

Li Lun thinks being human is better than being a demon, and got Cheng Huang to open the Kunlun Gate so that demons can enter into the human world. Perhaps from his perspective he's saving the demons he can, letting them go someplace better than the place that is dying due to the lack of the goddess' protection.

The quote from Bai Jiu's mother about love turning to hate but still containing love... that seems like it's a good description of Li Lun. He loves ZYZ, but hates that ZYZ wants to return demons to the Wilderness, or hates that he's planning on getting killed?

Li Lun's the one who's obsessive and unhinged, but from ZYZ's expression whenever Li Lun shows up, and how well he knows him, it's clear he has strong feelings about Li Lun as well. There's a lot of disappointment, but why would he be disappointed unless he had high expectations before? ZYZ never really uses any lethal force against Li Lun, either - he's mostly defending the others.

What is the Eye of Truth? Did ZYZ give his to Li Lun? Does Li Lun carry a part of ZYZ with him always???? I'm going to go feral if this is what happened.

Ahhhhhhhh I'm turning unhinged and obsessed about this show!! With all the twisty motivations and reversals in this drama, I'm so looking forward to finding out their story. I don't think that after all these other stories are full of people who are doing bad things for good reasons, that there isn't a good reason for Li Lun, too.

[kryptonbabe]

Superman: Earth One (2010) by J. Michael Straczynski & Shane Davis: A Review

Clark Kent is a reserved young adult, he's leaving his familiar Smallville for Metropolis, looking to find himself, build a life. With an anguished demeanor and sad eyes he navigates the big city unscathed, but never satisfied. There's a veneer of trauma to the story, Clark talks more with his dead father, Jonathan, than to anyone alive in the book. While his parents are pumped to have a superhero son, Clark just wants to give his mother a good life, after his father's passing, and to belong somewhere, anywhere.

This had so much potential bringing this different perspective to the Superman mythos, exploring all these heavier feelings we are more used to seeing in the origins of characters like Batman or Hulk. The thing is that while Batman and Hulk earn their angst, Clark's behavior feels unjustified. It's never clear how his otherness can be an obstacle, his abilities are always described as achievements, he's easily accepted everywhere he goes. He could be depressed and that would be interesting (what to expect when the most powerful being on the planet is not evil, but isn't hopeful at all?), but that is never really mentioned.

Clark's feelings are exposed in dialogues and monologues, but his wallowing seems out of place, his father's death is not traumatic, he had a healthy relationship with his parents, he's a genius, he's super strong, he can make a lot of money really fast, but hmm, I guess everybody always asks where is Superman, but no one ever asks HOW is Superman. He's just sad, and we must embrace this.

There's also a kind of mall goth / 2010s emo to this art style and dialogue, the moodiness, the angst, the aversion to primary colors, the Welcome to the Black Parade palette of the underdeveloped villain. As an emo kid myself, I'd probably have a much better time reading this in 2012, when all was new and darkness was inherently exciting. But now, as an elderly decaying millennial emo, I just feel like I need more than aesthetics to make me interested in a story, invested in a character.

The freezing cold take of "Clark Kent is the costume of Superman" was already old in 2010, this view was popularized by the Kill Bill vol. 2 movie, released in 2004, and it's an oversimplified perception of the character, one that considers certain aspects of his history while ignoring several others, lacking the nuance a character as old as Superman deserves. It's jarring to hear this coming from Clark's mother, at this point in the story he is not Superman yet, he doesn't even know if he will someday choose to wear the cape. When Martha says "the mask is what you'll have to wear the rest of the time" she's disregarding Clark's humanity, the life he lived so far, the bonds he might develop when he's not in Smallville anymore. All of this belittled in front of the bigger goal: to turn Clark into a Superman.

In the flashbacks the couple seem slightly manipulative, Jonathan and Martha's only subject with Clark is about him becoming Superman, which might explain why the boy feels so on edge, as if deep down he's trying to run away from this fate of becoming an all achieving force of nature their parents want him to become. It's his parents who give him the Superman name, the costume and the idea to become a superhero. Clark has so little agency in this story, acting resigned, his intentions vague, it's frustrating.

On a positive note, I really liked the fact that Superman destroys a giant spaceship on board his baby ship, (even though, how exactly he stops a world invasion happening in multiple locations with multiple vessels by destroying only one single ship is never explained), overall the baby ship was a nice touch, the science fiction logic of it was very interesting too.

Superman Earth One felt like a very hopeless post-9/11 Superman story, surface level deep, moody and often bleak, without any of the positive emotional impact of the character. The art is nice though and emo Clark is cute. But I need to cheer up now. Thanks for reading this!

[queersatanic]

Hello !!! 💖 I'm a young satanist trying to figure out how to properly worship and live the lifestyle, but with all the Nazism and such that satanism is infected with, I'm a bit lost as to where to turn for good information that's not gonna accidentally get me on board with ideas that have nasty shit hidden in the shadows of them. Are there any good books/organizations I can look into or just some general tips? <3

We have a certain perspective on this, so bear that in mind.

What is attractive about Satanism as a concept is not really the "might is right" ideology of Anton LaVey and its worship of social stratification, and it's not The Satanic Temple's pyramid-shaped classical liberalism / Gen X trolling.

Rather, it's taking the idea that even if the story of Christian mythology were true, Satan is still the hero for looking at an omnipotent tyrant and that tyrant's proposed immutable hierarchy for the universe but choosing to rebel and grant people agency over their own lives.

And it's the idea that if the Christians say we are demonic or of the devil's party for being queer or seeking the common good of all people, well, then we're with the devil and down to party.

For that reason, anarchism is more central to Satanism than wearing black or lighting candles, even though the aesthetics are what distinguish it from other strains.

From that, Errico Malatesta is a good place to start because he wrote for a long time and focused on pamphlet-style works that could make sense to a typical person, rather than academics.

Malatesta is easy to read, and still relevant in lots of ways because he lived through so much and lived his ideals (famously, for example, refusing to talk to the cops after he was shot by a fellow anarchist over an ideological dispute).

"The ABCs of Anarchism" by Alexander Berkman is also a good introductory work for establishing fundamental values and why.

You also can listen to that one as an audio book over at Audible Anarchist.

Note that both of those are straight white men, and the "mainstream" of anarchism has often had a problem of failing to recognize or live by principles of opposing all hierarchies, including white supremacy and cishetero-patriarchy. The fact that anarchist Becky Edelsohn "dated" Berkman when she was 16 and he 36 (and that this was supported by Berkman's previous partner Emma Goldman) is one example of this. Mikhail Bakunin gave us one of the best quotes of all time regarding anarcho-satanism ("But here steps in Satan, the eternal rebel, the first freethinker and the emancipator of worlds"); Bakunin was also a racist.

Other people can give better advice and examples, but Indigenous Anarchism, Black Anarchism, Anarkata, Queer Anarchism, and Anarcha-Feminism are all areas that a person needs to put work into in order to undo the kyriarchy — the whole structure of interconnected systems of oppression we're indoctrinated into and subjected to.

"But what does that have to do with Satanism?" Mainly it's to help you spot when something you come across is engaging in the sort of hierarchical, fascistic, or even neo-Nazi ideas that LaVeyan Satanism and its offshoots have always had connected with them. They're not always obvious, and having good principles established is the best immunization and antidote to being exposed to new ideas with euphemisms and shibboleths you can't be expected to be prepared for.

You also can come up with your own rituals and ideas. For example, the Satanic Flame Ritual we have is not due to access to some secret knowledge but it helps externalize and objectivize an internal, subjective, emotional process. Things like candles and flames or altars are best seen in that light.

Anyway, hopefully that helps. It's not that you should never read something like The Satanic Bible or other esoteric works to get ideas. It is that Satanism is the exact opposite of place to look for good ideology or consistency, so you want to start somewhere else for that (we say anarchism) and then look to Satanism and other Satanists for aesthetics and inspiration for rituals that you can modify and integrate into your life in ways that best serve you.