#turn meta

[queerquaintrelle]

(Babe) wake up! New and shockingly extensive TURN meta just dropped!

[chaichai-draws]

Personally I think that Telemachus permanently and irreversibly changed Athena for the better, more on that at twelve

[nefelibatat]

So if I were to take away from this moment something deeper than “man Sevika's a freak”, I'd point out that we've seen the same tactic not long before.

What does this say about Caitlyn? She's fighting dirty. She's fighting like a cornered rat. She's fighting like a Zaunite.

And first of all there's hypocrisy. Caitlyn's been calling these people animals and monsters and whatnot but when placed in an identical situation she responds identically. Case in point: getting so mad at Jinx for terrorizing people out of grief that she goes ahead and starts to terrorize people out of grief. Sevika's expression afterwards is mostly “joke's on you I'm into that” but there's some surprise there too — you wouldn't expect that move from a Piltie.

Then there's desperation. Because she needs revenge; she needs it or she'll never ever forgive herself for what happened. So she'll throw away her morals and her dignity and just do whatever it takes to achieve the goal, whether it means chomping on someone like a feral raccoon or becoming a military dictator… which puts her in the same mindset as Zaunites, all of whom are desperate to survive and a lot of whom could never afford morals and dignity in the first place.

[akanemnon]

Despite everything, it's still you.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[bloominglegumes]

i love normal guys doomed by the narrative

[deancasforcutie]

Cas' fluster when Dean tells him how aesthetically gifted he is

if Dean heard "still beautiful still Dean Winchester" he would simply be more blushy and adorable and unable to words than ever

[bluerosefox]

Stellar Collisions

Back at it again with a DPxDC prompt.

It does have deaged Dani (Ellie)

Only this time its KonxDanny idea!~

Supernova, Kon's new hero name since Jon took over the Superboy name now, wasn't expecting to be called out to... especially in the sky... by another floating/flying person and-

WOW

They were cute as heck.

Glowing green eyes, and white hair, a bit shorter than him. He was floating in the air with a soft glow around himself as well.

And he was holding a white haired, very similar looking toddler in his arms, only the toddler had longer hair that was tied in pigtails. And the toddler was staring at Kon with large, almost sparkling eyes.

The young man, around Kon's age if he guessed, smiled and floated a bit closer, his face friendly and warm. When the young man stopped he kindly asked "Hey, would it be any trouble for you to autograph something for my daughter? She's a huge fan!"

[theriverbeyond]

It's sooooo interesting how in Harrow the Ninth, Harrow is constantly noting all the ways Ianthe is failing at femininity: the awful frilly nightgown, the clothes that don't fit (in the bust, in the hips), her hair, her attempts at flirtatious behavior, the specific way she is sucking up to Augustine etc. And like, this is a weird house for Harrow to be throwing stones from, sure, but I think it makes way more sense after The Unwanted Guest gave more context to soul permeability wrt the status of Naberius Tern, because it is now arguable that Ianthe is essencially being forcemasc'd throughout the entierty of HtN -- we just dont know about it bc Harrow dgaf. And this is doubly interesting to me because when we next see her in Nona the Ninth, she is now Ianthe Naberius, a Tower Prince in masculine dress and leather trousers and boots, and she no longer has any of that sort of gender failure going on.

[tunemyart]

But regarding the way Rio revealed herself to Lilia

She didn't choose just any old guise, she chose tarot imagery. She chose something specific to Lilia and Lilia's own language as a witch. She didn't appear as Death - Rio is always Death. She appeared as the Death card. Something so soul-deep for Lilia that the recognition would be instantaneous and unquestionable.

I don't think this is Rio's usual garb. I think she has a lot of control over how she chooses to present, and I think most of the time she probably looks like Aubrey Plaza. She's just Rio. She's a woman. She's the oldest, original green witch. That just also happens to mean that she's Death.

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[glazedcroissant]

I absolutely adore the meta knight battle in the forgotten land

Speedpaint pspsps

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[aq2003]

twelfth night main plot: haha bisexual love triangle that is gay in both directions! haha mistaken identity and gender fuckery haha

malvolio side plot:

[danielsarmand]

guys. guys. guys. look at me. i beg of you to think about it for one single second. do you really genuinely honestly think that armand. 514 years old never turned a human never made a vampire. would make his first and only fledgling OUT OF SPITE? look at me in the eye. come on. i know you don't genuinely think that