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inkedtae · 1 month ago

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the underground ⇾ bgc. [M] | PART I

⎡ In a city fuelled by greed and ambition, secrets are a currency. Yet here you are, gambling yours away on a captivating smile.⎤

PART II ➡︎

⌁ pairing; boxer!chan x curvy!reader (f.)

⌁ genre; boxing au, s2l, angst, smut, 18+

⌁ word count; 14.4k

⌁ summary; You’re just a runner. So why the hell are you straddling the lap of an undefeated boxer, massaging his chest and whispering secrets you have no right knowing? Oh, yeah— ‘cause he’s hot.

⌁ warnings; dark themes: mentions and depictions of graphic gang activity, abduction, possession and distribution of drugs, addictions, use of deadly weapons, violence, blood, gore, and death threats, explicit sex: dom!chan, sub!reader, daddy kink, size kink, multiple orgasms, ruined orgasm, oral (f. receiving), unprotected sex, rough sex, voyeurism, exhibitionism, overstimulation, degradation, dirty talk, handjob, thigh riding, spanking, face slapping (m. receiving), rimming, fingering, edging, manhandling, gun play, anal play, cum play, spit play

⌁ 🎧 now playing... ✩

❥ prefer ao3? keep reading here

❥ i want to give special thanks to jen ( @anobodyslove ) for being so patient with me and reading this monster of a fic over! 💕 and @awrkives for the most amazing banner! 💗

❥ and happy birthday to my channie! here's to another year of unhinged love letters. 🐺🖤

❥ okay so i'm moving this fully to tumblr as well as it being available on ao3 HOWEVER the entire fic is over the character limit for tumblr post so this one-shot has been divided into two parts. both parts are uploaded.

!! the following story contains mature themes, including mentions and graphic depictions of racketeering, gang activity, weapons, drugs, violence, blood, gore, and death threats. please do not read nor interact if these themes cause you discomfort !!

Dusk is a medley of tangerine and indigo. Peachy rays of the sun shine between drifting clouds. A quartered shadow of the moon makes a premature appearance. You breathe in the early October air, eyes fluttering shut with the exhale. Clutching onto the balcony’s rickety railing, the rusted metal so cold on your bare hands, you fill your lungs again, taking deep, slow breaths.

The world stops spinning. The muffled music, once pounding against your temples, fades away. Body steady, you sip on the fresh air and swallow away your nausea.

I can do this, you tell yourself. Just one last drop off. I hand it over and leave.

They probably won’t even recognise you. You let your hair grow past your shoulders and dyed it strawberry blonde. You changed your style, trading your baby pink and blue matching sets for muted mixtures of red and black. Fishnets, little gym shorts, a graphic KISS babydoll tee and an oversized, knock-off fur coat you nicked from a local bodega weeks ago, you transformed yourself into someone new.

You turn back to the glass doors now. Catching your reflection, you cringe at the smudged eyeliner and runny nose. You wipe your hands under your eyes and above your lip, sniffling your worries away. You fix your jacket, reapply your dark red lipstick, and frame your hair around your face.

“I can do this,” you mutter as you slide open the door and step back into the party.

You spot Vince by the DJ, Danni and Andrea lingering nearby. Your heart drops to your stomach. They once told you they hated Day-1 parties, yet here they are, taking shots of gin and robbing the entertainment of their equipment. They once told you they loved you too, that they would never leave you behind. All at once, the three of them turned their backs on you, forever haunting your every waking moment.

You push between bodies. Tonight is not about ghosts. You have a debt to settle.

“Name?”

“Don’t be an asshole, Vik.”

Viktor crosses his arms over his chest. “Think this a joke?”

You fight off a smirk. “Nah, that’s not what I think a joke looks like.”

He grits his teeth, tossing you a vulgar gesture before moving aside. “Bitch,” he hisses in your ear as you walk into the master bedroom.

Red lights, smoke, needles. Two topless women dance to the muffled music, bottles in hand. Three Day-1s watch, one with his hand on his crotch. The bed shakes by them, two junkies bouncing on it like children as another Day-1 makes out with their friend.

By the window, two more members stare out to the street.

Exit compromised.

Gagging erupts from the en-suite, coaxing your curiosity. Another topless woman hunches over the toilet. Horny Day-1 members crowd around the entrance, trousers around their ankles as they watch.

You redirect your attention to the table on the far right. Reggie, point-man of tonight’s drop off, sits facing the door. He flashes a toothy grin, racking his gaze over your curves.

Hands remaining by your side, you fight against the instinct to wrap your coat tighter around yourself.

Reggie calls you over with the curl of two fingers, puffing his cigarette smoke out through his nostrils.

“Name?”

“Vinny sent me.”

The three men sitting around him exchange glances.

Taking a drag of his cigarette, Reggie, dressed in a blood speckled undershirt and baggy cargos, sits up in his seat. “Is that what I asked?” He looks around his fellow members, drily chuckling with them before repeating, “Name!”

The rules for runners are very simple; there’s only one— Never state your name. It creates a trail and binds you to an affliction. Rival gangs won’t work with a spy, and your name will be the first they spill if caught. You’re simply a messenger, no different than the guy that delivers the same-day Amazon order, distributing grams of coke and meth instead of a Roomba.

Honour gangs, like Day-1, are tricky, however. They have a second rule:

“Never lie,” Vinny warned.

“What the fuck am I supposed to do then?”

“Figure it out.”

You shift your weight. His insistence on your name, knowing you will risk your safety, is simply a test of will and grit. You purse your lips, flirting your eyes over his all too arrogant, lanky frame, and reply, “Bitch.”

Reggie raises a brow. He stands, reaching a hand behind him.

“That’s what everyone calls me,” you quickly add, then you shoot him a wink. “Fat bitch, if you’re nasty.”

The room stiffens. Even the gags from the bathroom cease. You keep your attention tunnelled on Reggie. You watch as he fixes his shirt over his gun, holding your breath when he rounds the table.

Nearly an arms length away, a smile finally settles on his old face. “Where the hell did Vinny find you?”

You force yourself to return that same easy grin and peel back the lining of your coat. “Be sure to ask him that the next time you see him. I’m on a tight schedule.”

Reggie gestures for his members. You pull out the wrapped bags of crystal and pass them out, ignoring the way his eyes devour your frame.

“Are you handling the cash too, princess?”

You try not to cringe at the pet name. Licking your lips, you keep your features soft and peer at him from your lashes. “Not tonight. Vinny said you know where the drop point is.”

He hums.

You pull your coat back around your body, resisting the urge to recoil under his glutinous gaze. He looks no younger than forty-five, the wrinkles around his mouth and eyes not doing him any favours. Vinny warned you Reggie might get handsy. Under any other circumstance, you would have kicked him in the balls and spat on his face by now. But you’re in Day-1 territory and don’t have a gang of your own for support.

Reggie reaches his hand out. You take a step back.

Before the thrill of your resistance can poison his stare, you flash him a coy smile and playfully whine, “I’m working tonight.”

He nods towards the door, laughing to himself. “Go on then, princess.”

You turn your back to him, unable to force down a gag. Though you’re eager to escape, you keep your steps steady and even. You stride towards the door, knock thrice and shift your weight to make a show of your boredom while waiting for Viktor to respond.

A relieved breath topples out of you once the door shuts. You lean on your knees, shakily trying to catch your breath.

Viktor carefully scans your hunched frame. “You good?” He whispers, voice is strained, carefully void of emotion.

You nod, standing back to your full height.

Hazel eyes lock on you from the bottom of the stairs. Vince furrows his brows. Danni follows his gaze, Andrea already staring, lips moving.

Shit.

They can’t know it’s you, right? From the way Vince merely narrows his eyes, he must simply suspect something.

You turn to face Viktor.

He tosses you a cautious look, muttering, “I can’t help you.”

You know this, resisting the urge to roll your eyes. “Just tell me if they’re still looking.”

“Yes.”

Fuck. Fuck. Fuck.

Viktor keeps his features neutral, posture stiff with his hands clasped before him. “They still got a hit on you, yeah?”

You nod.

“You packing?”

“You know I’m not,” you snap.

Non-members are not permitted entrance if carrying a firearm. You left yours with Vinny before running. Shoving your hands in your pockets, all you feel is your phone, lipstick, and switchblade.

“On the move,” he warns.

“Give me your gun.”

Viktor casts you a sidelong glare. “I can’t.”

You sneak a peek over your shoulder to find Vince halfway up the stairs. You see Danni reaching into her pocket, catching the glare of the lights against a blade. They’re in no rush, but if they make it to the landing before you can secure a proper weapon, you’ll be out of options.

“Do you have a knife?” you ask, taking a step back.

Viktor stiffens.

Shit, are they close?

“Last room down the hall,” Viktor mumbles.

You know you shouldn’t have, but fear triggers adrenaline and soon overwhelms your nerves. Panic binds to your bones, snapping tense muscles into action. You bolt— alone, alarmed. Pushing between drunks, jumping over junkies, you hurry to the farthest room and slam the door. It doesn’t have a lock so you tuck a chair under the handle. Rummaging through drawers, digging through the closet, lifting the mattress, you look for a knife, a gun, anything other than a three-inch switchblade to defend yourself.

The door trembles from the pounding of their fists.

“Come on out!” Vince shouts.

“It must be her! She’s always fucking hiding!” Andrea adds. “Get the fuck out here! Have the balls to face what you did, bitch!”

You find yourself warped in a memory—

“No one wants your boyfriend, Danni,” you shouted. “He came onto me.”

Her open palm landed on your cheek.

Tears gathered in your eyes, face stinging. You stumbled back.

“You’re a lying bitch,” she spat. “At least have the decency to face what you did.”

You blink out of your thoughts, dropping the mattress.

Dresser, closet , bed— Where else could a weapon be? You scan the room, heart hammering with every forceful knock of the door.

“What’s the meaning of this?” Reggie asks, voice muffled.

Your attention settles on the window in front of you. You hurry towards it to find the fire escape.

“Viktor, you sneaky fuck,” you whisper through a relieved chuckle. He wasn’t directing you to a weapon but rather an exit.

You quickly push it up, catching rumblings of orders to blow the door open. Up and out, you jump, sparing a second to shut the window behind you. It might be counter-productive to waste precious time on a window but you know that concealing your exits always gives you a head start.

Rushing down the stairs, you don’t look back upon hearing the loud blast of metal on wood. You just catch their commotion over the heavy bass of the music.

Jumping the final steps, you run.

The Underground sits on the corner of Bank and Third Avenue, tucked under a row of red-bricked townhouses. You lean against the wall, stowing yourself away in the alley to catch your breath. Sirens whirl down the street, casting red and blue lights over your sweaty face. A man of very little wealth stumbles by, clothes torn and stained, waving a sign that reads, JESUS LOVES YOU.

You roll your eyes, wondering where the fuck Jesus was when your parents failed you, when the bank repossessed all you had and when the system passed you from house to house.

The thick stench of sewage and rotten trash suddenly sets in, blighting your next inhale. Leaning over, you succumb to a gagging fit. Thankfully, only bile and saliva gather. You cough and spit it out, then wipe your mouth with the back of your hand. An annoyed sigh escapes you at the realisation that you fucked up your lipstick yet again.

“Just some drunken slut.”

You carefully redirect your attention to the far end of the alley. Two men stand a couple of inches apart. One of them wears a grey tracksuit, glaring at you under the light of the backdoor. He has a towel resting around his neck, just over a thin gold chain. Perhaps in his mid-twenties, his relatively handsome twists with contempt. The other one wears an oversized jersey and low-riding jeans. Though dressed like a boxing fan, you can tell by his rigid posture he’s anything but. No one who gambles their mortgage away on Underground matches stands that straight.

And then you catch it, in the glimpse of the light, the flash of his badge nearly slipping out of his pocket. You wish you were surprised, but you know all too well that it’s dirty cops like this legitimising gang activity.

He pulls his pants up, and continues to pace. “Is he gonna throw it or not?”

“He won’t,” Tracksuit replies, looking over his shoulder.

The dirty cop curses.

“You know how Bahng is,” Tracksuit explains. “He’s too prideful. He won’t ruin an undefeated streak for a few thousand.”

“It’s five hundred thousand, Mickey. Did you tell him that? Does he know?”

Mickey nods, readjusting the towel behind his neck. “And I’m telling you he doesn’t think it’s worth it.”

A shiver dances along your spine at the way the cop’s face hardens. Sinister desperation gleams in his gaze and he pulls out a long knife. In a single motion, he shoves Mickey against the wall and presses the blade against his throat.

Mickey chokes back a scream, throwing his hands up in surrender. “W-whoa, Andy! C-Come on, man.”

Andy bears his teeth, quietly laughing to himself. “Do you think this is a fucking joke? Do you know how fucked I am if he wins this match? Day-1s, Ravens, Siphons— they’re all after me, Mick. I have a family— a fucking career.”

“That’s not my pr—”

“Problem?” Andy finishes, his laughter becoming more manic. “You think it’s not your problem? What do you think I told them when I promised that Bahng would lose?”

Mickey’s face drains of colour.

“I told’em Mick with the little dick can fix it for us.”

Tears gather in Mickey’s eyes. He swallows thickly before shakily asking, “Wh-Why would you s-s-say th-at?”

“Come on, everyone knows you have a small—”

“You know what I mean!” He shouts.

Andy applies pressure with his knife. You catch a trail of blood running down Mickey’s throat.

“L-Look,” Mickey starts, screwing his eyes shut, lips quivering. “He’s hard-headed. The only way he’s not w-winning this ma-tch is if s-someone gets to h-him bef-ore he makes it to the r-ring.”

Andy smiles.

“He takes the long way ‘round. He likes the attention, c-can’t resist it, you know?” Mickey continues. “He goes thr-ough the back h-hall to circle the a-arena and enters the c-crowd from the fr-ont.” He takes a second to swallow before continuing, “It-It would be a real sh-shame if someone g-g-got to him before he can m-make it.”

You watch Andy nod.

“What did you do?”

You jump, hand already grappling for your switchblade as you turn to face your assailant.

Vinny glares back at you.

Giving him a shove, you clench your jaw and hiss, “Don’t do that!”

He corrects his stance, hands in his pockets, then spares a look over his shoulder. “Day-1s are blowing my phone up about some blonde bitch. Did you lock yourself in Tatiana’s room?”

You look back to the other end of the alley. Only flies circle under the backdoor’s light.

“Hey!” Vinny hisses, forcing your attention back to him. “Are you listening?”

“It wasn’t me,” you lie.

He deadpans. “You’re the only bitch I know who has a score to settle with Vince.”

You avert your gaze.

“What happened?” He repeats. This time his voice is less accusatory.

You’ve known Alvin “Vinny” Tucker since you were sixteen. He lived in the apartment above yours and later became your foster brother. You dropped out of high school together a couple months later to sell bootleg Marvel movies on Sixth Street. He really wanted to see Madonna in concert and promised you a front row seat with him if you helped. He was recruited by the Sixers around the time your foster mom came to collect you off the street and force you back to school. He told her where you were, you later found out, to spare you the violence the Sixers had in store for you. He never said it was a debt, though you did feel like you owed him something.

Things changed when Vince set a hit on you. Your description and name were on the radar of every gang, the reward being the acquisition of new territory. The left port is the most sought after piece of land, currently managed by Vince’s father, Vincent Jones Senior. Anyone able to deliver you back to your ex-friends alive suddenly has access to the docks and a monopoly on shipments.

With nowhere else to go, you turned to Vinny. He called Viktor, cashing in a favour, and got to work. The dyed hair, new wardrobe, change of address, it was all done in a matter of hours. And all you had to do was run, hand over the rocks and not attract attention— the goal was simple.

“So how the fuck did you manage to screw that up too?”

“I told you that it wasn’t me!”

“Say that again and I will lose my shit.”

“They can’t prove it was me, okay? Tell Day-1 Vince is paranoid. Run them my old description. Tell them he’s desperate. Let him clean that mess up himself,” you reply, rubbing your temples. “It’s not that fucking hard, Vin.”

You could use a hot bath right now. All you want to do is scrub off the stench of the alley and chaos of the night. For someone who swears he doesn’t want you, Vince took one look in your eyes and knew it was you. He always acted strange but you just thought he was being friendly. It wasn’t until he was rubbing your thigh between shots and rounds of cards that you realised he wanted more than friendship.

You cringe at the memory, pulling your coat tighter around your body, and push past Vinny.

He grabs your arm, yanking you back to face him. “Not that hard? Jesus, you’d think there isn’t a bounty on your head,” he hisses. “You need to be more careful, alright? This is my life too!”

Guilt gathers bile at the base of your throat. You let out a shaky breath, redirecting your gaze to the floor. “I-I know,” you mumble. “I’m sorry, okay? I just—”

Vinny grasps onto your biceps, lowering himself to meet your remorseful gaze. “You can’t panic like that,” he reminds, cutting you off. “The guilty don’t run. You know this.”

“I’m sorry.”

You hate the shakiness of your voice, the admittance of guilt. It’s fucking Vince and Danni and Andrea, the same fucking people that swore they were there for you. It’s their fault everything is falling apart. You’ve known Danni for five years, Andrea for three and both of them just believed Vince when he told them that you were hitting on him, even going as far as kissing him. Had they always suspected you to be a conniving whore, the type of malicious bitch that would risk five years of friendship, of real connection over some guy?

And you were too nice to him— a mistake that now could cost your life.

Vinny releases you with a defeated sigh, pulling you out of your thoughts.

“Let me walk you home,” he offers, shoving his hands back into his pockets.

You nod and hug your coat tighter against your body.

He nods towards the entrance of The Underground. “After the match,” he promises. “Sixers have a bet to place.”

Bracing yourself, you follow him down the steps. “Against Bahng?”

“Boxing fan?” he half-jokingly asks, tossing you a confused look over his shoulder.

You shrug your reply.

The main hall smells of sweat and beer. One side holds five queues for refreshments and ticketing, while the other fosters chaos. Men clutching cash and shouting names crowd around the betting stands. Security struggles to keep them in line. Loud rap music plays over the looped announcement of tonight’s opponents — AIDEN MATTHEWS VERSUS CHRISTOPHER BAHNG. You watch their names flash over the screens, pictures of both boxers on either side of the doors. While Aiden is actively fit, muscles and abs on display, Christopher is the embodiment of perfect physique. Muscles defined, shoulders broad, chest puffed out, abs tight and chiselled, he stands with the grace of Adonis himself. Tall, confident, he leers over spectators through the screen with a cold-cutting glare.

Your knees almost buckle.

“It is the clash of titans! Reigning champion, Aiden Matthews, against the undefeated, the unstoppable, the undeniable, Christopher Bahng,” the announcer enthuses over the intercom before urging the audience to lock in their bets.

The only titan you see is Christopher, trailing your gaze up and down his televised body.

“You’re drooling,” Vinny teases.

You turn to cast him a sidelong glare to find he’s no longer by your side. His red beanie bobs in the crowd, through the doors and further into the arena.

“Vinny!” you call, trying to push your way through.

The crowd pushes back, almost throwing you against the wall. You curse under your breath, realising you might have to wait until the match starts to navigate through the arena.

Isn’t there a back hall that circles around, though? You recall Mickey’s words, scanning the crowd for that red beanie again. It still sits atop Vinny’s head by the ring on the other side of the arena. You look for a nearby door or access-point, finding a guarded door to his far left. If you can find the entrance on your end, you can skip through the large crowd and get to him easily.

You survey your surroundings. Another security guard stands before a door to your right. Pushing through the gamblers again and again, you force your way towards him.

“Authorised personnel only,” he gruffly informs.

“I-um—”

“You need to move, miss.” he cuts you off with a pointed look.

“I’m here to see Bahng,” you lie, letting your jacket drop off one of your shoulders.

He raises a brow. “Who commissioned you?”

“Mickey,” you reply before you can stop yourself.

There is much honour among gangs, this Vinny always makes sure you know. He always warns you against dishonesty, especially to certain gang members, since you have no affiliation of your own. But it’s just so easy when you have the right information and you like the way lies just happen to roll off your tongue, effortless and oh-so convincing.

The guard nods, much to your concealed surprise. “Just his type,” you swear you hear him grumble as he opens the door for you.

Hiding a smile, you make your way in without another word.

The back hall is dimly lit. The click of the door echos. Medleys of muffled bass and roaring fans only just seep through and bounce off the brick walls. You adjust your jacket on your shoulders and follow the turns of the hall.

DING!

You jolt, cinching a yelp at the base of your throat. Hastily, you dig into your pocket for your phone.

Vinny: where r u?

You: be there soon

“Lost?”

You look up at the sound of an Australian accent. To your left is an open door of a dressing room, casting a bright spotlight on you amidst the dark hallway. You put your phone away and take quick note of the bodies around the room. Mickey stands by some weights in the corner, eyes narrowing. A handful of medical professionals assess their equipment, rummaging through their kits and looking over clipboards just across from him. By the punching bag, right in front of a wall of mirrors, a couple of men, one with long, icy blonde hair and the other a short midnight black, evaluate your presence.

And there, in the centre of it all, stands Christopher Bahng. Jawline sharp, nose large and lips plush, those big brown eyes soften. You recall the way they were once glaring at his opponent on the screen, wondering what the hell it is about you that makes him opt for a gentler approach. Wrapping boxing tape around his hand, he approaches you.

“Can I help you find something, darling?”

The pet name sounds so casual, so natural, you wouldn’t have guessed that you just met. Your posture relaxes, coat falling off your frame, held up only by your arms. There is a softness in his deep voice that nurtures something forgotten deep within your soul. You feel it- whatever it is- sprout roots in your gut.

Searching his eyes, the cursed word escapes within a breath— “You.”

He smirks.

Does this happen often? Does everyone simply fawn over him?

He smells of leather and vanilla, towering over you. His minty breath fans your face. He rubs his thumb under your lip, cleaning up the smudged lipstick from your chin.

You lean into his touch.

“You’re early!” Mickey shouts from his place in the back. “Sister Maria knows you’re needed after the match.”

Sister Maria can fuck herself, you think. She has tried and failed to recruit you one too many times. Though, if you had known that her clientele was anything like Bahng, you might have reconsidered.

Looking at him now, you can confirm that those screens barely did him any justice. He’s big. It’s no wonder he’s undefeated, the sheer size of him dominating enough. He barely even has a scratch on him, just a couple of cuts on his perfect cheekbones and a bruise that is well on its way to being fully healed, along his jaw. You resist the urge to trace the length of his shoulders, or the ridges of his abs all while leaning in to kiss his wounds away.

Instead, you swallow thickly and nod, “Yes, I-I just got confused.”

Bahng curls a loose strand of hair behind your ear. “It’s okay, darling,” he smiles.

You bite back a moan. God, when did you get this pathetic? So what if he’s hot, and sweet, and beautiful, and huge, and—

“You can wait in here for me,” he nods back into his dressing room. “I won’t be too long.”

Blood rushes to your cheeks. He flashes a cocky grin, knowingly gazing down at you. He really is prideful, a bit arrogant too, but you’re not quite sure it’s misplaced. Undefeated in the ring, the only chance anyone has at beating him is by planning an ambush before a match .

Shit.

Your eyes flicker to Mickey. He’s going to kill him. In a matter of minutes, Bahng and his team will circle the arena to enter the ring and get intercepted. And for what? A fucking paycheque?

You shift your weight.

“No!” you shout, starling the room.

All eyes snap to you.

What? You mentally scold. I can’t just shout ‘No’ and expect the entire fucking shit-show to be called off.

Bahng raises his brows. A smile plays on his lips and he lets a chuckle slip. “That needy?” he teases.

Fuck, he’s insufferable… You need to ride him.

Fighting the urge to roll your eyes, you force yourself to concede, “Mhm.” You grasp the waistband of his crimson silk shorts and tug him closer. He lets you, pressing himself against your stomach.

A trembling breath slips.

He holds back a chuckle.

Say something, your mind shouts.

“Fuck me.”

Not that!

He cups your face. The way you instantly melt into his hands is truly pitiful, your chest raging with humiliation. But then his lips meet yours and those roots that grew deep in your gut begin to blossom up through your rib cage and around your lungs. Absolute serenity blinds whatever contempt took purchase in your chest. You try to grapple onto that anger, that disdain, finding this sudden light feeling much too foreign.

But just as his lips cradle yours, this incomparable feeling of pure contentment soothes your panicked instincts. And it’s as though those roots, those branches that sprouted around your lungs, bloom petals of… Acceptance? Approval?

The feeling of his hands trailing down your spine ground you back to him. You wrap your arms around his neck. Cheek by cheek, he cups your rear and squeezes, pushing your hips up into his.

You moan, the muffled sound so frail. His tongue slips through and, for a boxer, he doesn’t put up much of a fight. He lets you take the lead, following your tongue round and round until you release another fraught groan.

And then he’s torn away.

Mickey stands between the two of you. He shoots you a nasty look before pushing Bahng back into the room. You can tell Bahng allows the meek force of his coach to overtake him, lazily stepping back.

The ease of his movements is not what arrests your thoughts, however. It’s the mess of red lipstick around his mouth, of which he makes no effort to remove.

“… and I’ll say it again!” Mickey shouts, his voice finally registering. “No sex before a match!”

You blink your attention off Bahng as Mickey moves to shut the door in your face.

“Let her in,” Bahng orders.

Mickey turns to give him a look. “She’s a distraction.”

You catch Bahng walking towards the weights along the back brick-exposed wall, effectively ignoring Mickey’s protests. “Don’t make me come over there, Mick,” he playfully warns, taking a seat on an inclined workout bench, “Let my girl in.”

You’re in the midst of wondering whether he’s merely his coach, a friend, or both when his final words set in. You hold onto the door frame to keep from falling over. His girl? You’d turn yourself in, confronting Vince, just to hear those words in that Australian accent again.

“You commissioned her for me, didn’t you?”

Right, you think to yourself as you will strength back to your legs. You’re his sex worker. This is nothing personal.

You roll your shoulders back and adjust your stance, channelling bored seduction, as Mickey begrudgingly opens the door.

Bahng calls you over with a nod. He has heavy weights in each hand, curling slow reps.

You lick your lips and force one foot before the other. But his biceps are flushed, flexing with every lift. You can’t help gawking, bouncing your attention from arm to arm, and almost run into one of his men.

“Jacket,” Midnight-hair says, positioning himself between you and Bahng with an outstretched hand.

While there isn’t anything of value left in your jacket, you know that if they find the lining is removable, your cover will be blown. You cannot deny them it either, especially if you want to get close enough to warn Bahng.

So you slowly peel the jacket off, sticking out your chest in hopes of distracting Midnight-hair. He keeps his eyes trained on you, gaze hardening as if he is struggling to commit to his choice. From the corner of your eye, you see Icy-hair push himself off the wall to carefully watch. If they refuse to get lost in your show, you’ll have to switch gears. In one swift motion, you whip the jacket off and roll it to a ball.

Midnight-hair glares. He unfolds the jacket as soon as he takes it– a detail you should have anticipated. Rummaging through your pockets, he announces, “Switchblade, lipstick, phon—”

You freeze.

Though it is quick, occurring in a blink of an eye, you know he sees it, cutting himself off at the realisation.

The lining flaps open.

Shit. Shit. Shit. Shi—

“Hang it by the door, Seungmin,” Bahng orders.

You meet his gaze. That easy playfulness that once danced within it, now dims into calculated intrigue. You spare a quick glance at Mickey. A relieved breath escapes at the sight of him muttering into his phone, alone in the corner.

Looking back at Bahng, you finally see it. There, sprayed on the back wall in black and silver paint, is a three pointed crown. In the middle, drawn with jagged, lazy lines, are three letters— SKZ.

Of all the fucking gangs.

Stray Kids, speculated to have immigrated from Australia or Korea, have slashed their way to the top of the city’s food chain. The chambering of a round— chk chk boom — shoot first and ask questions later. It’s how they’re known. Notorious for money laundering, drug trafficking, vandalism, extortion, arson, street racing, they’ve swept the city up from the coast to the police department. You’ve witnessed gangs fall silent at their mention, caught the way they would take hold of their weapon.

While there have been whispers about the members, the leader remains faceless. Vinny once informed you that no organisation can become this connected without someone calling the shots. At the time, you wondered if that was the most terrifying thing about them— how unknown they really are.

Staring at Bahng now, white canines on display behind a wicked grin, you realise that his leader’s anonymity is futile compared to the intimidation of their members. It’s their silent power, the ease in which they can rattle bones with a single look, perhaps even crack them with a single blow. You are not sure who Christopher Bahng is to Stray Kids— the muscle, the brains, some money pawn as they infiltrate the underground boxing scene, but you know he is dangerous.

Arousal dampens your shorts.

“Take a seat, darling,” he purrs.

He’s lethal, and your lies are unravelling. If you are going to make it out of here alive, you must reassess your information. You inhale deeply, filling your lungs with wavering courage, and move towards Bahng.

Step.

Mickey is a rat.

Step.

This is Stray Kids territory.

Step.

Bahng knows you are not a sex worker.

Step.

Exits are compromised, Icy-hair now standing at the door.

Step.

Your life is now in the hands of an unrivalled boxer.

Bahng nods down to his lap. You carefully straddle it when it dawns on you— His life is in your hands too.

Half-hard, his cock pokes at the clothed apex of your thighs. Your lips quiver as you try to fight back a pathetic whine.

“My pecs tend to ache after working out,” Bahng sighs, continuing his reps. “Won’t you be a doll and massage them for me?”

You don’t need to be told twice, shifting yourself closer.

His jaw sets at the gesture.

Pecs of pure muscle, big and tight, you take a moment to gawk. They extend beyond the span of your palms, pale skin flushed under your touch. He’s sweaty but cold, nipples hard. You hold his gaze and kneed the heel of your hands into his chest. Again and again, you apply gentle pressure, watching as his brows furrow, large nose scrunches and full lips curl into a pleased sneer.

He hisses between breathless gasps. You resist the urge to catch another kiss at the sound.

“How does that feel?” you ask in a whisper.

Bahng sets his weights down. You notice Seungmin straightening his stance in the corner of your eye. Though your hands start to tremble, you continue massaging, knowing sudden movements might trigger a bullet.

Hands on your waist, he pulls you closer into him. “Have you done this before?”

You shake your head.

“Don’t do much massaging in your… line of work?”

You mentally curse. He knows you’re a runner.

“This is not the body part most people want massaged.” You try but cannot keep your lip from slightly curving, the thought of servicing him on your knees all too captivating.

He presses his fingers into your skin and parts his lips. You can tell from the force of his grip and shape of his mouth what he’s about to ask.

Sparing a quick glance at Mickey, you find he is still tied to his phone, muttering quietly into the receiver.

But then he catches your eye.

“Who—”

You throw your body over Bahng’s, exaggerating the force with a whip of your hair and a loud, erotic yelp to cut him off. You wrap your arms around his neck, press your lips to his ears and whisper, “Mickey is a traitor.”

While he originally hugged your waist to keep you from falling, Bahng now stiffens.

“Alright, whore,” Mickey shouts. “Get the fuck out!”

You spot him stomping towards you through the mirror. The collided image of your body intertwined with Bahng’s then overwhelms your attention. You have never felt small a single moment in your life, yet in his arms, you are minuscule. Your body relaxes into his, despite the chaos that ensues around you.

“…a fucking distraction, Chris,” Mickey argues. “You can fuck her after the fight.”

Chris. You like the sound of that, can see yourself moaning it as you bounce on his cock. You clench at the thought.

“Go back to your little corner, Mick,” Chris nods. “Don’t interrupt us again.”

“You want to win, don’t you?”

You can’t hold back your scoff. You can see the room stiffen at the sound through the mirrors. Peeling yourself from Chris’s strong frame, you fake a string staggered cough. The physicians ignore you, Mickey dismisses you, but Chris and his other friends remain observing, analysing.

“I’ve fucked plenty o’bitches before a match,” Chris confesses, flashing a smile so dazzling you almost abandon the jealousy that plagues your chest. “I always win.”

Mickey looks between your tangled bodies. His jaw sets, throat bobs. He wipes his face with the towel around his neck and forces a smile. It doesn’t meet his eyes, but it’s the thin scab on his neck that leaves you queasy.

Chris’s legs bounce beneath you, beckoning your attention. You grip onto his shoulder to maintain your balance as you meet his gaze. Wetness pools at the sight of his mischievous eyes. He peers at you under his brows, quirking one at your enamoured silence.

“Did I tell you to stop?”

What if you just kissed him again? How would he let it go? Knowing you lied and now leveraging information, would he be outraged if you closed the distance between you and played with his tongue? You know he enjoyed himself from the grip he had on your ass alone, not to mention the bulge pressing against your stomach.

You lean forward, leaving one of your hands rested on his shoulder, and brush your nose against his. He remains still, letting his gaze fall to watch your lips. While oh-so tempting, you don’t press them to his. Instead, you knead into his pectoral muscles deeper with your other hand, pushing into his skin with the heel of your palm. You’ve made sure to angle your head towards the mirror to gauge the distance of the other bodies in the room— particularly Mickey’s. Back in his “little corner,” he resumes his phone call.

Chris’s soft groan redirects your gaze to his features, contorted in relieved pleasure. Is he really tense or is it simply your touch?

Seungmin clears his throat from his place in front of the mirrors.

Chris shoots him a warning stare before offering you a softer version of one too. “Tell me what you know, runner,” he orders, voice quiet but full of command.

“I know he came to you with an offer to fix the fight,” you reply, keeping an eye on Mickey’s pacing frame. “I know you declined.”

His hands find a comfortable place on your thighs, and begin to glide up and down, soft and slow. Calloused, bandaged in boxer’s tape, they somehow provide tender care. You relax into him once again, resting your forehead against his.

“I know Mickey sold you out. I know he cut a deal to save himself and they’re coming for you.”

“Who?”

You nudge his nose with a shake of your head.

A ghost of a smile hovers over his plump lips at the gesture. He breathes half a chuckle and presses his fingers into the fat of your thighs, between the diamonds of your fishnets.

“You don’t know?” he practically coos. “Did you happen to catch a name, little one?”

Your attempts at pressing your legs together are pathetic. Instead of subtly easing your clenching desire, you squeeze his sides with your knees. Blood rushes to your face, heating your cheeks.

Chris lets that smug smile settle on his lips, tonguing his cheek. “Yeah,” he chuckles, “You like it when I call you that?”

“I like it when you talk to me like that,” you stupidly confess. You switch sides before he can reply, turning away from the mirrors to face Mickey’s corner, and kneed his other pec with just as much pressure, perhaps adding a bit more to combat your embarrassment.

He allows you, leaning back and watching.

He’s so patient, you fondly think, avoiding his gaze. Won’t he let you suck him before his fight? Even allowing you a little taste would suffice. Swallowing, you cannot stop thinking how empty your throat is, how wonderfully agonising it would be to try to accommodate him.

You spare a sidelong glance at Mickey, snapping yourself out your lustful yearning long enough to ensure you aren’t being overheard. When you find he is tapping away on his phone, you press your lips to Chris’s ear and whisper, “Andy.”

Chris continues rubbing your legs, asking, “What do you know about him?”

“I think he’s a cop.”

“You think?”

“He never said it.”

“So how do you know?”

You force your hips to remain still even as goosebumps rise in the wake of his risky touch, inching closer and closer to the apex of your thighs.

“His posture, he said something about his career being on the line, and I think I saw a badge. I just–” you pause to swallow the excess saliva gathering in your mouth. He’s barely even touched you and you’re already drooling. “I just connected the dots.”

Chris hums.

You lean back to get a better look at his face. His features are compressed in thought, brows knitted and eyes uncertain. Your hand has a mind of its own, abandoning its task on his chest to comb your fingers through his dark hair. Leisurely, he meets your gaze, even leans into your touch. You graze his scalp with your long nails, soft and slow.

You have had sexual partners. You have allowed your lust to cloud your judgement, tossed back drinks and spread your legs quite a few times between parties and side-jobs. But you have never been able to hold someone down, however. You have never been able to consistently see the same person over and over or even call them yours.

Here is Christopher Bahng— undefeated boxing champion, the best The Underground has seen. Sitting beneath you, erection pushing against your clothed crotch, he contently sighs. His hands move up to your hips, rubbing, soothing, adoring the shape of your curves and rolls. And his gaze gleams with admiration, bouncing around your features as if looking for a flaw.

You allow yourself to forget the world, the distant chants of fans and gamblers alike eager for the show to start. You forget the bounty on your head, your ex-friends, Vinny, Viktor, Seungmin lingering around the door with Icy-hair, Mickey texting in his sad little corner. You forget who’s territory this is and the title of the man sitting under you. You allow yourself to isolate this tender moment and pretend that Christopher Bahng is yours.

Your man, your protector, your love. He’d crush skulls between his fist and snap spines over his knee. He’d make sure you’d never have to run again. He’d make sure you’d never have to fear for your life. He’d hold you when you’re tired, and carry you to bed when you’re too lazy to make the trip yourself.

You wonder what that’s like— Love. You remember your mother once said something about it when you asked about your father.

“Love is a lie men created to seduce women,” she said while heating the bottom of her spoon. “Any man telling you otherwise is just desperate to fuck you.”

You mentally roll your eyes. You also remember instantly regretting your mention of it. You were about eight years old when she shared that nugget of knowledge. She then wrapped the conversation up by telling you the heroin she was preparing was her “special medicine” and you shouldn’t, under any circumstance, touch it when she passes out.

If that’s not motherly instincts, you’re not sure what is.

“How can I trust you?” Chris asks, lulling you out of your thoughts.

You make sure Mickey is still preoccupied with his phone before joking, “The word of a whore isn’t worth much anymore, is it?”

He cracks half a smile before leaning his head away from your touch. You take the hint, retracting your hand from his hair.

“You’re not a whore,” he states, voice gruff but quiet.

You swallow thickly. “I could be.”

“Yeah?” He quirks a brow. “Tell me what you’d do right now if you could.”

You wonder how honest you should be. Vinny always said that lying would get you killed, but you have an audience. Looking over your shoulder, you find Seungmin alone by the door. Icy-hair must have left when you let your delusions engulf you earlier. The physicians are desperately trying to look busy, sneaking glances at your proximity with their client. Everyone, save for Mickey who seems the most peeved by your presence, is already uncomfortable by your position on his lap.

How dangerous could the truth really be?

Meeting Chris’s playful stare again, you rest your hands on his tight abs and let a shy smile tug on your lips. “I would ride your thigh,” you confess. When he raises his brows, a surprised smirk gracing his lips, you explain, “They’re just so big and strong. I’m just curious to know what it would feel like on my clit.”

The transparent vulgarity of your confession dries your throat. Your chest heats, humiliation trembling your fingers. You part your lips, wishing you can take it back. But your voice fails you, as if standing firm with your statements.

“Interesting,” he muses. “Do it.”

You clear your throat, furrowing your brows. “What?”

“You want me to trust your word?” he asks.

He lets his hands fall to his sides. Your legs suddenly feel so cold.

“In—” you cut yourself off, taking another quick look around the room. “In front of everyone?”

He shrugs. “You told me you would do it.”

You projected two outcomes the moment they discovered you’re a runner and you decided to exchange information for your life.

One — You get laughed at and kicked out of the establishment.

Two — Chk chk boom.

You might have hoped that Chris considered fucking you before discarding you to the streets, wishful for a good orgasm or two. But you did not expect him to order you to grind on his leg in front of his team.

“Match starts in five,” Mickey announces.

While you turn to acknowledge the warning, Chris keeps his attention on you.

“It starts when I say so,” he replies.

Mickey grumbles profanities under his breath before turning back to his phone. You start to wonder what the fuck has held his focus all night when Chris cups your chin, forcing your gaze back on him.

“I’m beginning to lose my patience, darling,” he warns. “You’re either telling the truth or you’re not.”

You lick your lips. Of all the things you thought your life would depend on, you did not think it would be an orgasm.

Inhaling deeply, you adjust your stance and straddle his thigh. Your lips tremble at the sheer strength of his leg, so tense and taut under your wet shorts. You couldn’t have been more thankful for laundry day and the lack of clean panties available. With nothing but your tiny gym shorts between your crotch and his leg, you can feel every mighty muscle.

You notice movement in the mirror from the corner of your eye. One glance and you find Seungmin has turned to face the door. How often has Chris played with a whore in front of his friends? You clench your jaw as envy pesters your heart. What the fuck did those other girls have that you don’t? Why did he pick them? Why—

“Look at me.”

You obey, meeting his pacifying gaze. He curls your hair behind your ears, the gesture gentle and genuine.

You suck in your bottom lip, eyes wide as jealousy transforms into wonder. He may have picked others before you, but he chose to let you in now. He had a chance to turn you away and he fought to have you in this specific position, all to himself. And maybe he wants others to know that. Or maybe he really does have a fucked up way of verifying his sources. What matters is this time, it is you. And you’ll be damned if you don’t take advantage of that.

Hands on his stomach, fingers sliding between the ridges of his abs, you thrust. The first jut of friction is tentative. Hiccups of pleasure spark from your bundle of nerves and you wobble over his leg. Chris grabs your waist simply to steady you, and retracts once you regain your balance.

You continue, jaw dropping at the constant surge of satisfaction. Wetness gathers and stains your shorts, making the glide of your hips all the more effortless. One look in his eyes, and you know Chris feels it too. However, that wicked smile of his does not overwhelm his features until you moan.

Strained, frail, the sound cuts over the ruckus of the physicians. The room falls silent as you ground yourself hard against his thigh and release another fraught moan of pure enjoyment. Your hands travel higher on his chest, and you lean forward into him, keen to gain more leverage to arch your back.

Chris catches onto your intentions, his attention all too consumed by the curves of your rear. He grabs your waistband and pulls on it, tightening the fabric to sharpen the friction of the thrusts.

“Fuck!” Your voice breaks from bliss, orgasm already festering in the base of your gut.

It’s all too hot. Face, arms, legs, your skin burns, blood racing, nerves jittering. You need everything off. You need his skin on yours, his body engulfing you with more pleasure, more attention.

Lips quivering, breaths shaky, you sit back. You continue to chase your high while grabbing the hem of your shirt and pulling it off. Your hips don’t miss a beat as you reach back to unclasp your lace bra in a few simple manoeuvres and toss it aside as well.

Chris lowly groans. His eyes flicker between each bouncing breast, hands finally finding their rightful place on your backside. He digs his fingers into the fat of your cheeks and helps you with your final few thrusts.

“Can you go a little faster for me?”

You enthusiastically oblige.

A powerful smack, landing on your left cheek, triggers your most erotic moan, voice laden with submission. He issues another on your right and you whine this time, squeaky and breathless.

Chris leans forward so your breasts bounce against his face. He doesn’t bury his face between them however, eager to watch your face eventually contort in ecstasy.

“Good girl,” he praises. “That’s right, keep looking at me.”

Twisting and turning, your arousal gathers.

“You’re doing so well, riding my thigh just like you promised, yeah?”

His voice is condescending, almost making a mockery of your whimpering. He even momentarily mirrors your rounded eyes and slightly pouty lips, looking up at you tauntingly. So why does it fuel your desire, motivate your hips?

You nod, despite your humiliation, voice whiny as you confess, “I’d do it again too.”

A growl of approval resonates from his chest and into yours. He kneads your cheeks, letting a deep groan of his own escape and collide with yours.

“That’s my good girl,” he affirms. “Don’t stop, darling. You’re almost there.”

Your toes curl, tight in your platform boots. Your eyes roll back, twitching when you throw your head back. Your jaw drops, a loud, shattered moan escaping. You cum between sporadically clenching, pathetically gyrating on his firm thigh.

Chris holds you still, mumbling quiet affirmations between your breasts. He presses wet kisses on each one, pulling you back into him. Draping your arms around his shoulders, you fall limp against him. He moans from his smothered place in the valley of your breasts and rubs soothing circles around your backside.

Head foggy, chest heaving, you let your eyes flutter shut. You know you won’t be staying here for long, either meeting the barrel of his gun or the side of the street. There’s no harm in soaking in this moment then, is there? You pretend he is your boyfriend, issuing tender aftercare as you attempt to collect your sanity. You don’t have to try so hard to keep up the delusion with the way he delicately wraps you in a warm hug and comforts your hammering heart with his lips. He peppers kisses up your collarbone, neck, then jaw before meeting the shell of your ear.

“You know you’re really pretty when you’re cumming,” he teases. “Does your right eye always twitch like that? Or was that just for me?”

You open your eyes, squinting against the brightness of the room. Nuzzling the bridge of your nose under his jawline, you whisper, “Do you really need more convincing, Chris?”

You like the way his name rolls off your tongue.

The widening grin on his face tells you he likes it too. “I might,” he replies.

You tell yourself that it just slips, but you’re only lying again. You just want him to know. You want him to imagine you when he jerks off later, when he pounds that traitor to a bloody pulp, when he’s standing in the ring and winning his fight. You want him to be thankful for your presence tonight. You want him to repeat it over and over, to tell his friends about you.

So, shifting back enough to whisper in his ear, you offer your name.

Chris moves back to meet your gaze. He scans your features, his own a blanket of neutrality.

The weight of your action does not settle upon your shoulders until his eyes meet yours again, and you realise you cannot decipher them. Swallowing thickly, you blink back tears. How could you say that? Vinny just warned you against being this reckless. Your new image is tied to him too. You’ve been running around town, disturbing drugs on his behalf or Viktor’s. And you just offer your name, for what? A second of appreciation from a pretty face?

It’s my life too, Vinny’s voice quietly returns. He reminded you of that not even half an hour ago. Why the fuck would you tell some Stray Kids member your darkest secret? Why would you gamble the lives of your only remaining friends?

“I’m—”

Chris cuts you off with a shake of his head. So, you swallow your words.

He reaches for your shirt and helps you put it on. You don’t have the courage to tell him he forgot your bra. He then gestures for you to stand, and fixes your ruined shorts so they’re not riding up anymore. You watch as he studies the damp spot and clenches his jaw to force back a smile.

“Seungmin,” he calls, standing up and towering over you again.

You wonder how tall he is but know better than to ask now.

Seungmin reports to Chris’s side. Chris nods to your fur coat, “Grab it and escort her to the stands.”

“You’r—”

“Now,” he reaffirms, cutting you off again.

Resisting the urge to roll your eyes, you accept your coat and follow Seungmin out. You shouldn’t have, but you sneak a glance at the mirror eager to catch his reflection one last time.

Chris’s features harden as he faces Mickey. His fists clench.

Mickey stiffens, all previous irritation dissolving into fear.

The door shuts.

Waves of painted faces and torsos, endless banners, and flashing lights— the arena succumbs to insanity. Roars of chants echo upon the ring announcer’s behest. The thick stench of sweat and spilled beer is what overwhelms you, however. Scrunching your nose in disgust, you try to swallow your nausea.

You wonder how anyone here can stand it, turning back to take a final look at Seungmin. He stands at the doorway, arms crossed, gaze lingering around your rear. His ears flame a hot pink at the realisation he’d been caught.

A lazy smirk plays on your lips. He didn’t get a good enough look before?

Seungmin mutters something to the security guard stationed at the door then hurries back into the hall. You wonder if the guard is a Stray Kids member too. Is the ring announcer? What about the employees behind the stands? Or do they simply work for the gang?

“Runner!” Vinny’s voice cuts through the crowd. You turn at the call of your position, finding him standing on his seat and waving you over.

A relieved smile spreads across your lips. He meets you halfway as you push between rowdy spectators. He takes your hand firmly in his and leads you back to your seats.

“Where the hell were you?” He asks over the commotion.

“It’s complicated.”

Vinny’s face darkens with scepticism. “What the fuck did—”

“Who did you bet on?”

He clenches his jaw. “Matthews,” he practically screams.

So the Sixers are in on it too. You wonder if the gangs are onto Chris, knowing he might be affiliated with Stray Kids, and are working together to bring them down.

“Change it.”

“The bell rings in less than a minute,” Vinny shouts before looking over his shoulder to the front doors. He meets your gaze, uncertainty flooding those cerulean eyes, and mouths, It’s fixed.

You shake your head.

Vinny rolls his eyes shut, teeth grinding. He swallows his anger, knowing he cannot hurl insults right now with such an audience. Unlike you, he knows better than to call attention to himself. Exhaling sharply, he harshly holds your gaze and parts his lips.

Profanities? Threats? You expect both, bracing yourself with a clench of your fists.

But Vinny merely shakes his head in disappointment. He pulls out his phone and begins dialling. While waiting for someone to pick up, he yells, “If I die, I’m going to kill you!”

You suppress a smile and stifle the urge to respond with a joke. You fear you might have reached his limit. You’ve dragged him into your dark vortex of despair, endangering his life again and again. You should reach out to him now, pull him into a tight hug and offer endless apologies. You should have taken the chance he gave you when he called your foster mom, and stayed off the streets. You should have finished high school, applied for colleges outside of the wretched city of Crimson Heights, and never looked back. Instead, you continue to test his patience.

Side-jobs were simply more lucrative. You have a talent for blending in too, a permanent look of indifference plastered on your face. No one ever suspects some girl, twirling a joint between her fingers, to be running or organising hits on corner stores and local diners.

The first time you held a gun, power ignited through your veins. You carried the weight of life within a bullet, finger teasing the trigger. The first time you pointed it at some store clerk, black ski mask over your face and tongue swirling around a pink lollipop, you felt that stone cold power of metal and powder snake along your spine and caress the nape of your neck.

You rolled your shoulders back, angled your head and smirked.

The clerk soiled himself, hands up in surrender.

You pressed the barrel to his head anyway, boring your wild eyes into his fearful ones.

“Well, this is awkward for you, isn’t it?” you giggled before cocking your gun.

The memory lures a smile. While you didn’t shoot him, provided he was very cooperative, it was fun toying with him.

The lights begin to whirl around the arena, snapping you out of your thoughts. Vinny hangs up the phone, and though the crowd is deafening, you can still hear his heavy, nervous breaths beside you.

All lights converge in the centre of the boxing ring. The cheers increase, crowd buzzing with anticipation. A tall, slender man dressed in a clean, glittering suit enters and takes his place in the middle of the ring. He holds a hand up and waves, encouraging excitement.

“Ladies and gentlemen, boys and girls, welcome to The Underground!” He shouts into the microphone. Cameras capture his perfect white smile, projecting the image on the large screens hanging over the ring.

“My name is Jackson Wylder and I will be your ring master this evening. Now, I have an important question for you tonight.” He scans the audience, displays a look of curiosity and asks, “Are you ready to rumble?”

The cheers surge.

“I said,” he starts before darting around the ring, “ARE YOU READY TO RUMBLE?”

You clap your hands over your ears at the thundering roars of the fans. A group of manic men jump behind you, almost pushing you off your seat and onto the spectators in front of you.

Vinny links his arm with yours and pulls you into his side. You turn to give him a thankful look, but he avoids your gaze.

“Tonight, we have a clash of titans!” Jackson continues, turning to point to his left. “In this corner, weighing in at 210 pounds and hailing from our very own, Crimson Heights, give it up for the man who’s always up for a fight— the skilled and tenacious, Aiden Matthews!”

Aiden emerges from a dark hall closest to his corner. He wears a blue silk robe and white gloves, bouncing on his toes as he makes his way through the unruly crowd. They holler at him, either tossing praises or insults, and bump their hands against his fists. He waves his arms up to encourage their hectic energy then finally enters the ring. His coach unfolds a chair and then helps him out of his robe.

Jackson shakes Aiden’s hand. He mutters a few words before returning to the centre of the ring.

“And in the opposite corner, we have a fighter who needs no introduction—” Jackson starts again. A childish smile plays on his lips, like he’s a fan, himself. “A crowd favourite, a sensation, and the undefeated champion who makes every match feel like a blockbuster!” He’s giddy, practically giggling his words. “Standing tall at a staggering 6 feet 9 inches and weighing in at an impressive 215 pounds, please put your hands together for the man who’s taken the boxing world by storm, Christopher ‘The Phantom’ Bahng!”

The roars bellow deep from the crowd as they cheer and chant, “Bahng! Bahng! Bahng!”

Everyone, even Jackson, turns to the front door, waiting for Chris to emerge.

You swallow thickly.

The lights then shift to the other end of the arena.

Your heart already falters at his height. He’s still almost a foot taller than you in your thick platforms. You stand to see him, legs almost giving out when you spot his large figure appear through the back door. But it’s the mess of red lipstick still smeared on his lips, the blood speckled like freckles on his cheeks, and the dark patch on the leg of his shorts that wrings your soul. He didn’t even give you a chance to be grateful that he trusted you, slaughtering your sanity with such a dishevelled look.

Decorated in you, he enters the ring and shakes the hand of a bashful Jackson. No one seems fazed by his appearance. Jealousy pangs your chest at the thought of him being drenched in his past whores, the admittance of his pre-match rituals returning to you.

One look from Vinny might indicate otherwise. He glares at your smudged lipstick.

You roll your eyes and lean into him, too breathless and trembling to fight off his wrath.

“Tonight,” Jackson smiles, raising his hand to redirect the crowd’s attention. “Tonight, we’re in for a spectacular display of skill, heart, and,” he shoots the fans a little wink, “perhaps a bit of humour—because let’s face it, if you can’t have fun while throwing punches, what’s the point?!”

He takes a moment to laugh at his own joke.

You keep your eyes on Chris. Mickey does not unfold his chair and take his robe. Instead a shorter, just as muscled, man does. He gives Chris a weary look, of which Chris ignores, and squirts some water in his mouth.

You force yourself not to focus on the droplets that drip from his pouted, stained lips.

“This is not just a fight, folks,” Jackson informs with a raise of his brows. “No, no! This is a showdown!”

He lets the crowd go crazy before continuing, “Aiden Matthews is ready to prove that he’s a force to be reckoned with, but Christopher Bahng,” he turns to his favourite star and grins, “has captured the hearts of fans everywhere. Can Aiden dethrone the giant, or will Bahng continue his reign of dominance?”

You suck in a shaky breath and blow it out. You fill your lungs of tainted sweat-slick air, fighting the urge to gag, and release it once more. Looking around the arena, you swallow the growing lump in your throat. All these fans have come to watch Chris win, and have no idea that he almost died.

“So, buckle up, ladies and gents! Keep your drinks close, your snacks handy, and your eyes glued to the ring! It’s time to witness boxing history unfold right before our eyes!” Jackson’s eyes twinkle with astonishment and wonder. He holds his arms out and turns in a slow circle. “Are you ready for this showdown?” He asks as if truly probing for a personal answer.

“Let’s get ready to rumble!”

Mouth guards in, both fighters stand.

Aiden, while built and tall in his own right, looks like an ant compared to Chris. He pounds his fists together and grunts to assert his dominance. He bounces on his toes and shoots Chris his most menacing glare.

Chris flashes a lazy smile. He rolls his shoulders back and holds his fists up. He peers over his gloves at Aiden like a predator stalking its prey.

The bell rings.

“And here we go, folks! Round 1 is officially underway! Aiden Matthews is looking to prove himself against the undefeated giant, Christopher Bahng!” Jackson comments ringside.

Aiden cautiously circles the ring with Chris. He maintains a safe distance, the heat of his gaze wavering under Chris’s relaxed stance. Testing the waters, he tries his luck with a quick jab.

Chris has the height advantage, however, effortlessly leaning back to dodge. The punch barely grazes the air before him.

Aiden narrows his eyes.

“Ooo,” Jackson hisses. “So close!”

The crowd laughs, almost as one, before splitting between chants for each boxer.

Aiden, eager to recover, steps in quickly, unleashing a flurry of body shots aimed at Chris’s midsection.

You hold your breath and tighten your grip on Vinny’s arm.

But, Chris doesn't flinch. His arms, long and strong, keep Aiden at bay with precise blocks. The controlled ease of Chris’s movements highlight Aiden’s childish, tantrum-like fighting style. You can’t help wondering how the fuck Aiden made it this far. Perhaps other boxers can’t track the chaotic jabs as well as Chris does. Maybe they didn’t even try.

“Matthews is coming in hot, throwing quick combos, but Bahng is as cool as ice—deflecting every shot with ease!”

Chris, ever patient, waits for an opening. He keeps his elbows tucked in, movements minimal, letting Aiden expend energy. He evades each punch with swift swerves of his head, taking small steps back. Even hunched, crouched inwards, his frame still looms large over Aiden.

The majority of the crowd now chants Chris’s name, flooding the arena with jittery admiration.

Like a trigger, fast and smooth, Chris snaps forward with a sharp jab. The blow lands against Aiden’s guard, but the sheer strength of it forces him back.

“Bahng with the first real strike of the night!” Jackson shouts.

Aiden’s eyes widen. He finally feels the power, you realise, and his gaze floods with fear.

Jackson tosses the crowd a giddy look and gushes,“That jab was like a freight train!”

The crowd clamours with laughter in agreement.

You catch a ghost of a smile hovering over Chris’s lips. Is it insane that you find him even more attractive when he’s menacingly playful? An image of his face inches from yours, that same impression of a smile unable to settle on his lips, surfaces. Those feline eyes, teasing, daring, coaxing you to ride him.

You bite your lip and refocus your attention on the match.

Aiden resets and presses on. He bobs and weaves to avoid Chris’s long reach. Ducking low, he slips inside Chris’s defence to unleash a rapid combination of punches to the torso and a hook aimed at the chin.

Chris blocks the body blows then, all too calmly for someone being beat up, rolls with the hook, avoiding the brunt of it. That sinister smirk settles, oh so cunningly, curving the corners of his lips. Without delay, Chris counters with an uppercut from the right, the snap of his arms swift and steady.

Aiden only just manages to block it in time, but the impact leaves him rattled. He stumbles back with a loud grunt. Wheezing and regaining his footing, his eyes betray him, glowing with newfound respect for his towering opponent.

In awe, Jackson remarks, “Bahng is a mountain of patience—waiting for just the right moment to strike! Matthews is going to have to dig deep if he’s going to find a way in!”

You glance at the final seconds of the first round, glowing red above the ring. Less than thirty seconds remain.

Aiden, perhaps knowing he has to make a statement, launches a last-ditch effort. He levels a heavy left hook aimed at Chris’s side, almost mirroring the speed Chris recently displayed.

But Chris, as if seeing it in slow motion, smoothly side steps.

You gasp with the crowd.

He counters with a punishing fist aimed at Aiden’s temple. The punch connects cleanly, the crowd choking on their cheers. The thick sound echoes between the staggered shouts, twisting your stomach with unease.

Aiden stumbles towards the ropes, using their stability to keep himself standing.

The bell rings before Chris can issue another attack.

Jackson steps back into the ring. He eyes Aiden with wide eyes before sharing a look with the audience. “What a way to end the first round!” He laughs. “Bahng’s precision is something to behold, and Aiden Matthews has already felt the sting of that power! Can I get…”

The rest of his words fade as you fixate your attention on the boxers. Aiden returns to his corner with a shuffle of his feet. He’s drenched in sweat, face red and eyes tired. His coach wipes his face then squeezes some water into his mouth.

Chris leisurely walks to his seat. He wipes nose with his arm as he sits. Composed, unbothered, he stares his opponent down.

Aiden shifts in place.

You can’t help but do the same.

You’ve been wanting to leave since the fourth round.

You thought it was over when Chris landed an uppercut so sharp, you swear you heard Aiden’s jaw shatter. You watched as his eyes rolled back and he met the floor with a loud, echoing thump. Aiden’s team flinched, leering over the ropes only to be scolded by the referee.

Chris’s eyes gleamed with something ominous, standing over Aiden’s limp body. He tilted his head and tongued his cheek, lips heavy with the impression of a smirk. He doesn’t merely look proud, but gratified. You wondered at the time if he loves the splitting sound of a bone breaking just as much as you love the chambering click of a loaded gun.

But the crowd remained in the arena. Vinny gave you a reassuring look as if silently telling you it won’t be much longer, and the fifth round commenced.

Jackson returns ringside now, two more rounds later, announcing after the signal of the bell, “Round seven, folks, and this has been an all-out war! Aiden Matthews has been relentless, but Christopher Bahng’s defence is like a fortress!”

The crowd roars as Aiden and Chris step toward the centre of the ring again. Aiden, slick with sweat, jabs at the air, his face tense and determined. Chris, towering over him with his eyes ever so calm and calculating, bounces lightly on his feet.

As the audience resumes their chants for Chris, Aiden charges forward. He jabs with considerable speed and aggression. His punches are fast but painstakingly desperate. It’s almost embarrassing to witness, and you’re not even a fighter.

One glance at Chris and you catch his mask of cool flicker with hushed notions of pity, as if feeling sorry for his opponent. You scan his fighting stance, devouring his toned body with your eyes. His skin gleams with sweat and blotches of forming bruises. His left cheek holds a patch of purple; right brow split.

You swallow thickly, watching his muscles twist as he effortlessly weaves. He slips left, right, then ducks under an all too wide hook.

“Stay still, you fucker!” Aiden orders through gritted teeth, the microphones hovering over the ring catching every spit-splattered syllable.

Chris faintly smiles, eyes locking on Aiden's. He moves just enough to miss another jab by mere inches, dancing around the ring like he has all the time in the world. He then jumps high, resembling a kangaroo, once, twice, only to circle the ring again.

The buzzing energy of the crowd grows, their cheers building as if Chris’s little gesture is any indication of a shift in the round.

The screens cut to Jackson. He swallows thickly as his eyes track Chris’s movements then comments,“Matthews is giving it everything he’s got, but Bahng…” he takes a moment to let out a whistle, “Bahng is like a ghost out there! Just out of reach!”

Aiden presses harder, frustration creeping in as he tries to close the distance. He throws heavy hooks and uppercuts.

You almost scoff, wondering why he hasn’t learned yet. His efforts are useless against someone as skilled as Chris. Truly a phantom in the ring, Chris’s footwork is flawless, always just a step ahead, and he barely reacts.

He then ever so slightly adjusts his stance, leaving an opening wide for Aiden to pounce.

You furrow your brows.

Jackson voices his concern too, narrowing his eyes. “Is Bahng showing weakness?” He asks as if he cannot believe it himself. Then his eyes widen. “Matthews sees it—he’s going for it!”

Aiden lunges forward, hurling all his power into a swift right hook toward the exposed side.

However, as steady as his opponent commits to the punch, Chris sidesteps with speed that rivals lightning, and counters with a sharp left jab that snaps Aiden’s head back.

You stand again with Vinny, both gasping with the crowd. A hand flies to your mouth as you watch Aiden stagger back.

“OH!” Jackson beams, “Bahng saw that coming from a mile away!”

Chris is relentless. He moves in smoothly, landing a quick, precise combination—jab, cross, uppercut—that sends Aiden stumbling backward.

Aiden’s guard falters.

Chris steps forward. He drives a thunderous right hook straight into Aiden’s gut.

Aiden gasps for air, the force buckling.

Chris, collected and focused, steps back, allowing Aiden a moment to gather himself.

Your eyes widen at the pacifying gesture, wondering what he has to gain by giving his opponent a chance to strike again.

All thoughts cease within seconds as Chris feints an attack. It draws Aiden’s guard up high only for Chris to slip low and deliver a devastating body blow, placed perfectly under the ribs.

Aiden groans, dropping to a knee. The air is completely knocked out of him.

The referee stands over his kneeling frame, counting, “One!”

The crowd erupts with excitement, some jumping as they cheer for Chris, while others remain shackled in disbelief as Aiden tries to regain his strength.

“Two.”

Jackson is rocking in place, jittery with joy as he enthuses,“Bahng is not just beating Matthews—he’s outthinking him! Every move is a step ahead, like he’s reading Aiden’s mind!”

“Three.”

Aiden is wobbly, but pulls himself back to his feet. He shakes his head, attempting to refocus. You suppose that Jackson’s comment must have struck a cord because Aiden looks as though he is done thinking. He lunges again, impulsive and messy.

Chris is undeterred by the chaos Aiden becomes, this time feinting a right cross.

Aiden’s guard flies to the right. Then, Chris pivots and delivers a clean left hook to his temple.

“What a move!”Jackson praises. “Bahng’s precision is surgical!”

Aiden collapses against the ropes.

Chris steps back, watching, waiting.

The stillness of Aiden’s muscular frame worries the referee. He steps in, leaning by Aiden’s side to get a better look.

The camera pans over his swollen, bloody face. You cringe.

The referee stands back to his full height to wave his arms, calling, “It’s over! It’s over!”

The crowd explodes into catastrophic cheers upon the referee’s decree.

Chris raises his gloves in triumph and pride. While he is well within his right to gloat, and perhaps has done so before based on the fact that you know he likes to show off, he remains composed. The only emotion hinting towards elation is in the lightness of his gaze as he looks around the arena at his fans. He nods to them, lips finally curving into a smile.

If you didn’t know any better, you’d think he was shy.

Jackson returns to the centre of the ring. He gestures his hands towards Chris, encouraging the howls of the crowd. “Christopher Bahng has done it again!” He says, smiling fondly at Chris. “Not just with power, not just with speed, but with pure brilliance in this ring. He’s shown everyone why he’s the undefeated champion!”

You don’t get a chance to revel at the sight of Chris stiffening as Jackson holds his arms out wide for a hug. Vinny tugs on your arm instead, nodding his head towards the exit. You keep your arms linked and stay close as he pushes between the manic crowd for you.

“Explain yourself,” Vinny orders the moment you’re back on the street.

You look over your shoulder at the entrance of the arena, then whisper, “Not here.”

Vinny rolls his eyes but starts walking towards your apartment. After three blocks of silence, he says, “Talk.”

“I was looking for yo—”

“Don’t bullshit me,” he seethes, cutting you off. “How the fuck did you know Matthews would lose? It’s been fixed for the last week.”

“Just listen to me,” you plead, raising your voice. “When I was waiting for you in the alley, I heard some things.”

Vinny shoots you a nervous look.

You continue, “One of those things was that there were back halls that go around the entire arena. I really was looking for you in there, Vinny. You left me to fend for myself and those people were hard to squeeze through. So, I found one of the doors. And— listen, I know you’re gonna be mad at me, but I really thought it would be easier this way.”

His face falls into disappointment. “You lied.”

“I lied,” you confess, avoiding his gaze as you continue down the street. “I told the guy at the door that Chris—”

“You call him Chris?” Vinny interrupts, voice heavy with astonishment.

“Well—”

Vinny cuts you off with your name and a shake of his head. “No, no, you don’t understand,” he humorlessly chuckles. “No one but his inner circle calls him Chris. What the fuck did you do?”

“I told the guy at the door that I was his prostitute. It was only supposed to get me in so I could find you.”

“You didn’t,” Vinny says. Upon the guilty look in your eyes, he closes his own and sighs, “You fucked him?”

“Not exactly,” you hesitantly correct. “He’s really hot, okay? And he was really nice to me, and I don’t know if you know this,” you sarcastically start. “But not many people have been lately.”

Vinny offers you a vulgar gesture.

You roll your eyes. “I just told him what I heard and he needed convincing.”

“You fucked him,” Vinny concludes.

“Do you think I would be able to walk right now if I did?”

You try not to laugh as Vinny’s features coil in disgust. Parting your lips, you’re about to tell him that it doesn’t matter now. Chris is fine, the Sixers didn’t lose a dime and you can finally get that bath you have been craving earlier this evening.

However, the shriek of tires pierce through the silent night instead.

Vinny reaches for his gun, pushing you behind him. You go to grab your own only to remember you don’t have one. The switchblade will have to do if running is not an option.

A black van speeds down the street, darting past you to swerve onto the sidewalk and block your path. Seungmin jumps out of the passenger seat. Icy-hair and another tall, dark haired man, whose features remarkably resemble that of a fox, emerge from the back.

Vinny cocks his gun.

“Wait,” you shout, stepping between them. You hold your hands up, giving Vinny your most reassuring look. “I know them,” you explain.

Looking amongst the intruders, Vinny furrows his brows and asks, “How?”

“They’re Chris’s friends,” you reply, quietly adding, “I think.”

Vinny glares. “You think?”

“Walk away,” a deep voice orders.

Icy-hair steps forward with a gun of his own. However, he is not aiming it at Vinny.

You deadpan. “Did he tell you to do this? God, is he always this dramatic?”

“Tell me about it,” Seungmin mutters, then nods towards the van. “Get in.”

Turning to Vinny, you offer him a small, assuring smile. “I’m fine, Vin. Just go.”

Vinny scoffs, narrowing his eyes in disbelief at you. “He has a gun to your head.”

“Chris is an egoistic, attention-seeker,” you dismiss. “If they wanted to shoot me, they would have done so already.”

“How can you be sure?” Vinny shouts.

Chk chk boom, you think. Your brains would have already been splattered on the sidewalk.

Nodding behind him, you repeat, “Go. I’ll call you later.”

Vinny shakes his head, clenching his jaw and directing his frustrated gaze to the ground. As if wrestling his intuition, he resentfully lowers and uncocks his gun. He takes another look around at the men, swallowing thickly.

You wonder if they know he’s trying to memorise their faces. You wonder if they care.

“If you die,” Vinny says, voice wavering. “I will kill you.”

You suppress a laugh, tightening your lips. “Good.”

He breaths a baffled chuckle, gives you one final look, then forces himself to walk away

You turn to face the others, or at least you’re in the process of turning.

A black bag slips over your head. Arms pulled back, hands bound, you attempt to struggle against their grip. Too slow, your squirming does not distract them. Someone hooks their arms under your shoulders, another scoops up your legs. Heart pounding, you release a searing scream, attempting to wrangle your way out of their grasp. You kick and try to flail your arms, grunting as you fight against their hold. The three men look strong, but they are nothing compared to Chris. You doubt only two of them can maintain their grip this well when you feel another set of hands, then another.

Vinny shouts your name.

Your body is tossed into the back. You land with a loud groan, cursing at the impact of the pain.

He shouts your name again, the hard stomp of his feet echoing in the street.

A bullet sounds.

No, no, no—

“No!” You desperately scream. “Vinny!”

Tears gather in your eyes. This is all your fault. It goes beyond sticking your nose in business you had no right knowing. Since that day he found you back on the streets, hustling scammers out of their well-stolen money, you have dragged Vinny into your hole of reckless misfortune. You asked him to bail you out of one too many fuck-ups, forcing him to further implicate himself in your thoughtless schemes, often against the advice and support of his gang. He has risked his reputation, relationships, money, his good fucking sense, all in the name of childhood friendship.

And how do you repay him?

With a bullet.

Lip quivering, you ask between sobs, “Did you shoot him?”

You never deserved kindness. You never deserved freedom. You never even deserved compassion.

You are a tornado of vile anguish, a chaotic force of impulse and betrayal. You are a waste of space, your very existence is a curse set upon your parents. You should have known as much when the universe tore them away. You are not worthy of connections— all your friends withering in the wake of your misfortune.

What compelled you to believe that Chris would be any different? He might have been devastatingly beautiful and the look in his eyes might have continuously hinted at something tragically scarred. His kisses might have breathed new life into your soul, hands might have cradled every nightmare to rest. But he is still a victim of your calamity. You should have known a good feeling never lasts.

The back door slides shut. The engine revs, jolting the van into motion.

“Did you fucking shoot him?” You cry, voice breaking as a sob overwhelms you. “Vinny!”

Please forgive me, you want to scream.

“Shut up!” Someone shouts over you. You move to kick the speaker only for someone to grab hold of your ankles and bind them together too.

“He shot at us.” The same speaker clarifies. “And he has terrible aim for a self-appointed hero.”

Relief washes over you, ice-cold upon your trembling bones. You lean back, embracing the pain of the awkward position of your hands under you.

“He told us to knock her out,” Seungmin says, voice slightly distant. He must have returned to his place in the front seat.

“He did?” Icy-hair’s deep voice replies.

“I don’t think so,” someone else adds.

You lay limp amongst the shuffling of movements, ignoring their argument, too lost in thought to care. Though Vinny is alive, it does not alter the epiphany that has just dawned upon you— You inevitably ruin anyone foolish enough to come too close.

The edge of the bag lifts and a damp cloth presses against your mouth.

You embrace the darkness.

PART II ➡︎

note; please do not leave hate towards me or any other reader. please do not copy, repost, or translate any of my work.

#chantober 2024 #bang chan #bang chan smut #bang chan x reader #bang chan fanfic #stray kids smut

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aethelwyneleigh27 · 1 year ago

Text

Cod Characters General Dating Headcanons (part one)

+ Random and Some bits of Chubby Fem S/O Headcanons with mentions of different nationality S/O

+ What type of BF/GF they would be

Including John Price, Simon "Ghost" Riley, John "Soap" MacTavish, Kyle "Gaz" Garrick, Alejandro Vargas, Rodolfo "Rudy" Parra

Part 1, Part 2, Part 3

Fem terms and pronouns like she/her are used for the reader

ꕥ HOPE YOU ENJOY! ꕥ

My rules for requests and characters I can write for

Please comment if you want to be added to the taglist, the next part or cod content alone.

Taglist: @marshmallowinamess

A/n: Hi lovelies! Lia here, I'm back after a nerve-wracking week of school. This is a bit short but I hope you enjoy it otherwise. God I fucking hate school. I wrote all of this in a cold room, a heat pad on me (because period cramps) and at 3am so any mistakes will be edited out as soon as I'm aware of it.

This is divided into a multiple part thing (I think 2-3?) because God knows I can't fit them all in one post because of the limited amount of gifs and photos. I'll add more to these in the future, some are longer than others because I can't think. Also because I can't write them all at once, that's a lot to write okay 😭

Disclaimers/warnings: Typical Cod things, OOC characters???, Unrealistic, Some suggestive themes and language, I'm so sorry but English is not my first language so please don't come after me. Most of the content I've seen are on TikTok and Tumblr I don't actually play the game but I love the characters so much, same with any other content I have for other video games.

Tiny sidenote: the reader in this has been describe to be shorter than the characters and has been mentioned to have a soft body rather than the muscular type.

John Price

ꕥ (OH MY GOD LOOK AT HIS SMILEEE) (He's such a quokka)

ꕥ Price who literally is such a father figure, doesn't matter whether the relationship between you two is romantic or platonic. He often takes the dominant caring role.

ꕥ Doesn't smoke around you, doesn't matter if you insist he doesn't. He still won't and definitely will criticize you if you try or do smoke because he doesn't want you do end up like him.

ꕥ If there's a bit of an age gap between you, I'd say he's hesitant. Definitely afraid of what the rest of the task force thinks (He can't help it, they're basically his boys)

ꕥ John Price who wants to settle down with you, maybe have kids if you want but just a white picket fence life with you without the chaos that is war and his job.

ꕥ He only ever let's you have his hat, only when he gives it to you though. Most of the time it would be while you're out, he'd put it on your head from his. (Cowboy hat rule? I heard that in more respectful terms rather than sexual, it respectfully means that you are theirs)

ꕥ John Price who rests his chin at the top of your head no matter how much he needs to crouch down whenever hugging you from behind. Love doing it whenever you're busy doing something too. (Props for the effort because you cannot tell me he doesn't have back, neck and knee pains)

ꕥ Is constantly worried if you share the same line of work, like at first it was nothing but a tiny crush and slowly he finds himself caring about your well-being more and more over time.

ꕥ Can't help but think he's an acts of service type of guy, reaching up for things you need or better yet lifting you up so you can reach them and loves opening things for you like bottles or anything canned. (Girlies who get their nails done or wear press ons know this struggle ( I'm a press on girly)

ꕥ The kind of man who would turn on some oldies music and slow dance with you in the living room, your footsteps and breathing being the only other sounds as you smile at each other, foreheads against the other's.

Simon "Ghost" Riley

ꕥ Ghost who is such Doberman/Black cat boyfriend. Like have you seen this man? He's so tall and intimidating, one distasteful look from him and if it was physically possible that person would drop dead.

ꕥ Ghost whose a chubby chaser through and through, he just looks for something different from what he's used to.

ꕥ Is definitely a tits kinda guy, doesn't matter how big or how small they are. He'll definitely play with them in some way during doing the you know what.

ꕥ Feels like you can take him and his size better because of your plush body. Has a size kink and likes seeing it bulge a bit when he's inside you.

ꕥ You're just so soft and warm, he wants something away from what he usually feels doing his job. Not really that touchy but he gets quite clingy within closed doors.

ꕥ Likes to squeeze your thighs, his grip on them would not falter. Doesn't matter whether it's in a sexual or domestic way.

ꕥ Thinks you deserve better than what he can offer and needs constant reassurance, never says it out loud but you pick up on what he feels. (please be patient with him)

ꕥ More often than not, he thinks you're quite fragile. Even if you can protect yourself, one of his ways of showing you he loves you is through protecting you. Hence the Doberman boyfriend scenario.

ꕥ Doesn't like PDA but knows when it's necessary, him placing his arm around your shoulder is enough to keep perverts in their places. If that rando is really that bold then they'll most likely end up with a few broken bones depending on how pissed Simon is.

ꕥ If you work alongside him, he'd constantly worry about your well-being but at the same time is conflicted because he's confident that he can protect you.

ꕥ Only you and the TF141 can call him Simon, he still feels uneasy when he gets called that but when it's you saying it, it doesn't sound as daunting to him. Still dislikes in in certain tones of voice because his name reminds him of his past.

ꕥ You've seen his face, it took a long time but after that he trusted you enough to show him. The fact that you didn't find his face revolting and even kissed his scars while cupping his face was enough for him to want to marry you.

ꕥ Isn't fully insecure about his face but has his moments. (You know like the voice line where soap asks him to take off his mask and asked him if he was ugly and Ghost said "Negative")

ꕥ Takes a little while to get him to open up and little things like letting you hold him takes him a bit of time to get used to because it makes him feel vulnerable.

ꕥ God forbid something were to happen to you and he couldn't do anything to stop it, Simon would lose his fucking mind.

John "Soap" MacTavish

ꕥ Soap is a Golden Retriever boyfriend through and through. He's energetic, loyal and really affectionate.

ꕥ He's a lighthearted flirt at first because he doesn't wanna scare you off but damn does he gradually get bolder over time.

ꕥ Very hands on, touchy, and could be clingy at times unless you don't consent him, secretly always finding new ways to touch you.

ꕥ A sucker for cheek kisses, lips are his favorite but he can't help but break out a wide grin whenever you kiss his cheek. Can't help but feel kinda manly whenever you do.

ꕥ Adores making you laugh, no matter how stupid your sense of humor is he will absolutely say that joke if it gets a laugh out of you. Would be concerned if you had a dark sense of humor but will eventually get used to it. To describe it, hearing you laugh makes his heart feel full like in a content domestic way.

ꕥ Also, see the gif? You cannot tell me that he doesn't look at you that way because he absolutely would.

ꕥ Loves your weight against his body to the pint he's begging you to lay on him. You, him in the bed while he's shirtless with grey sweatpants on and you in your night clothes sharing each other's warmth with your head on his broad chest.

ꕥ Shows you silly and cute pet videos, especially the cat ones:

"[Name], look at this one!"

"Soap, we're not adopting a pet. Not right now at least"

ꕥ He was upset and gave you puppy eyes the whole time because the only time he had pet was when he was child, it was a hamster which was killed because it got sucked into the vacuum by his older sister.

ꕥ You're the only one allowed to tough his hair, he's very proud of his mohawk and will let you style it. Won't wear it out if you did something silly to it though.

ꕥ Soap who loves showing you off to everyone, loves light PDA but doesn't wanna potential put a target on your back.

ꕥ He definitely is the guy you want to take home to your family and friends (or found family <3), he's funny and easy to get along with. Very flirty with you but he'll straighten out because he's terrified on making a bad impression.

Kyle "Gaz" Garrick

ꕥ (HE'S SO FREAKING UNDERRATED WITHIN THIS FANDOM)

ꕥ He gives Labrador boyfriend vibes, you can't help but want to take care of him.

ꕥ Gaz who literally had to do a double take when he first saw you, he turned to Soap with that "Are you seeing what I'm seeing?" look in a good way.

ꕥ Gaz who literally had to ask you out multiple times before you said yes thinking he's only doing it for a bet or a cruel joke.

ꕥ Constant reassurance from him because he doesn't want you to feel insecure about your looks because to him you are literally an angel.

ꕥ Loves to chill with you, cuddling and just relaxing. Maybe scrolling on TikTok occasionally and show you the funny ones he chuckled at.

ꕥ He has a sixth sense whenever you crave something, say you want chocolate or drink of some sort then he'd definitely being home whatever it is you we're craving without having to ask you.

ꕥ Kyle who has your Starbucks order memorized because he likes being the one to order things for you. Will playfully argue with you on who'll pay this time. (Don't even try anymore, he always wins anyway)

ꕥ Puts his hat on your head mostly when you're out, has done it the first time because it was hot out and the sun was in your eyes. He's picked it up from Price and once you smiled at him through the shade of his cap, he has not stopped doing it.

ꕥ Definitely a words of affirmation and acts of service kind of guy when it comes to love languages. Sometimes whenever he'd give you two thumbs up and a cheeky smile, you can't help but laugh a little.

ꕥ He's very thoughtful, so much so that he prides himself in knowing you better than anyone. Everytime you two go out to eat, when he gets something and know that you'll want to taste it (he knows damn well whether you'll like it or not when he tastes it) he'll bring it upon himself to order you one before you even say you want some.

ꕥ Soft snores when he sleeps, it's cute but you know damn well he's tired. Also I think he's very cuddly, like he just likes reminding himself that he's not alone and that his bed is warm because you're in it. Therefore at minimum always has an arm around you in bed.

ꕥ Dances in the rain with you and loves it when you pull him gently on his arm while your hands are intertwined. Takes note of how the the raindrops sometimes fall on your lashes while you look up at him smiling.

ꕥ Kyle Garrick who wants nothing more in the world to see you happy and smiling. His "this is the woman I'm going to marry" moment was when you baked his favorite cake for his birthday despite it being so hard, you nailed it perfectly. (Whether it's out of luck or skill is up to you)

Alejandro Vargas

ꕥ (idk how to write for this angry Mexican man but I'll try my best, love him and his megamind hairline though <3)

ꕥ Alejandro is definitely a flirt, a very bold on at that. He's quite forward when it comes to liking someone so yeah.

ꕥ He lives for it when you boss him around. That being said, he isn't picky about body type or any of the sort.

ꕥ Will teach you Spanish if you don't know any, definitely prioritizes the curse words and laughs whenever you jokingly call him pendejo.

ꕥ Wouldn't mind you teaching him your own culture and mother tongue. Bonus points if it's similar to his.

ꕥ Has Spanish nicknames for you because I imagine his own culture is important to him.

ꕥ Would hate it if you had the same line of work but will never take it out on you, it's just that it's so dangerous given the people he's involved with. (It's definitely Valeria)

ꕥ Speaking of El Sinombre, I don't think they had anything romantic going on. It's mainly platonic and the "betrayal" sucked on Alejandro's side. They definitely had some rivalry and the tension was through the roof. (Mainly because I headcanon Valeria as Lesbian)

ꕥ Can be so romantic when he tries, you can't tell me this mf ain't a smooth talker because he definitely is. Can be very blunt like in a forward way with his affection too.

ꕥ Likes kissing your wrist and feeling your pulse against his lips because it reminds him you're alive. (The amount of angst this scenario carries would be something I'm up for to write)

ꕥ Is sent on a fit of rage when something happens to you, say you got kidnapped then this man would tears off the walls of every building if he had to.

Rodolfo "Rudy" Parra

ꕥ (ANOTHER UNDERATED CHARACTER)

ꕥ Another Golden Retriever boyfriend. This man is just loving and dotting, very husband material.

ꕥ Loves chubby women, has a soft spot for them and just likes holding them.

ꕥ He's definitely used to the insecurity that comes with the body, also doesn't get why such beauty standards are even in place. Has and would fuck the insecure out of you again if he had to. (It's in a very gentle and loving manner)

ꕥ If you hold him in your arms, he'd be absolutely living for it. He already has had a long day and being honest he hasn't had many lovers that went far so having you care in this way about him would have him wrapped around your finger.

ꕥ Worships the ground you walk on. That's it.

ꕥ Would take everything to heart whenever you teach him or mention something within your culture if you aren't of Spanish origins like he is. He just loves you so much that it makes him happy knowing more about you.

ꕥ Would adore slow dancing with you, brings him back to reality where he realizes that he has you and that you're there.

ꕥ Terrified that one day you'll end up leaving him so reassurance would be much appreciated by him.

ꕥ Definitely a sucker for receiving forehead kisses, as for giving he likes to kiss the back of your hand.

ꕥ If ever danger presents itself to you too closely, he would have a heart attack like full on crying but not in public though.

#cod x reader #task force 141 x reader #ghost x reader #soap x reader #gaz x reader #price x reader #los vaqueros x reader #alejandro vargas x reader #rudy parra x reader #cod headcanons #cod x female reader #Aethelwyne Lia writes

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1moreff-creator · 21 days ago

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DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him.

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible.

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways.

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea.

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person!

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet.

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

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pandalexoxo · 7 months ago

Text

OKAY BEAR WITH ME Y’ALL. I HAVEN’T PLAYED THE GAME SO I’M JUST GOING OFF OF SOME TIRED OLD MAN TROPES.

FRANCIS MOSES x READER

also, i haven’t written down any of my rules, but i don’t have any limits! i’ll write whatever requests people send me! whatever your dark mind can think of will be my pleasure to create!

i don’t mind if you’re not 18+, since, if i ever do make smut i’ll just label it as 18+ and TRUST that 18+ ONLY will read. you all have probably seen, but i’ve just written about my thoughts of different fandoms so far so there’s no 18+ posts YET. (maybe i’ll make this account SFW and do another for NSFW? idk, i normally post on other platforms but randomly decided to give tumblr a try lol)

as a NM/trans man myself, i TRY to keep my readers gender neutral by not really describing the characters features. hard on TRY bc i know the last blurb fic i made of dead plate was Rody x Male Reader lol, oopsies! anywhooo, enjoy~!

WARNINGS! doppleganger mention, possible unconsciousness, possible death, possible unfunny dialogue (bc sometimes i’m the only one who finds me hilarious lmfao), you’re kinda a baddie ngl, you and Francis are besties, Francis is a cat lover?! Francis is a tired old man who hates technology. phone mentioned despite the first wireless phone being made 23 years after the story takes place (use your imagination) uhhh, anything else i forget? comment below!

Francis let out a long sigh of relief, taking his cap off with one hand, using the other to dab away at his sweaty forehead with a handkerchief. Upon seeing the exhausted man, you can’t help but smile softly, shaking your head as you get ready to scold him, once again. You cross your arms, looking at him through the window with a playful disappointed glare.

“mhm mhm, what do we have here? you really should be getting more sleep, mr. milkman, your eyes are starting to sport their own eye bags.”

with this comment, Francis shakes his head but is unable to stop the small, yet tired smile on his face. he bends down to place the crate of milk jugs onto the floor before handing over his ID card. you hum, narrowing your eyes when Francis doesn’t give into your whims. you eye his card, glancing at it a few times before slipping it back to him with a chuckle.

Francis’s eyebrow raises in confusion at your reaction but ends up shaking his head, rolling his eyes playfully and sighing softly. he places his cap back on his head and huffs, deeming your reaction as a go ahead inside.

“now… what if i was a doppelganger? you aren’t even going to call my room to check if someone is there? such a reliable doorman we have.”

despite Francis’s playful tone, your grin slips into a frown as you study Francis from behind the glass. this causes him to tense up, suddenly feeling nervous, like he did something wrong. you hum, tilting your head into your palm as you seemingly analyze Francis for a little while before deciding to speak.

“what’s up brother?”

Francis blinks a few times in surprise, his head tilting in confusion at your question. His eyes narrow as he thinks about the question you asked.

“what’s… up… brother…?”

Francis looks up at the ceiling, taking your question to heart. upon seeing nothing on the ceiling, Francis can only shake his head and sigh at your antics.

“are you done with your tomfoolery, (Y/n)? i’m quite exhausted and would like to go up to my room and rest.”

you can only shake your head, clasping your hands together like a disappointed father getting ready to discuss their kids grades at the dinner table. you begin to explain.

“when Francis first walks in here, he always forgets one of three things… his keys, his hat or the crate of milk. you came in here, although exhausted, you seemed put together, unlike Francis, who is clearly going through a midlife crisis. Francis will then ask me about my cat, well, because he’s a cat person, though he insists no one knows. oh, and, Francis’s home phone has been broken for the past few days and is actually at the store, right now. so, Francis being here so soon, isn’t possible. that, and well, Francis never understands my references, but indulges me anyway… anything else i forgot, doppelganger?”

you bat your eyelashes, smirking from behind the window like you just cracked down the traitor in your group. with each statement, Francis’s doppelgänger’s face becomes visibly more and more angry until the doppelganger begins to completely change: black eyes with white pupils, a wide and eerie black mouth, adorned with long and sharp claws on the end of the doppleganger’s elongated limbs.

“you… you’ll regret this… i will get in one day and get my feast, starting with you. i’ll gut you, keep you alive so you can watch your organs fall out of your body and your blood splatter against-! *CLANK! BAM! PLINK!*”

before the doppelganger could finish his fantasy, much to your amusement, the doppleganger’s body tenses upon being struck before crumpling to the floor after becoming unconscious. you look up from the doppleganger’s body to see the real Francis hovering above the, possibly dead, doppelganger. you shrug, knowing that you wouldn’t have to call DDD services to take care of the mess, now you just have to clean up the body.

“mmm… tuesday… tuesday…? did i get that right?”

you hold back a chuckle at Francis’s response to your last question. you can only nod, letting Francis have the win this time. pinching the bridge of your nose and sighing, a loud laugh bubbles up from your throat as the two of you realized what Francis had hit the doppelganger with.

“ngh… i just bought this phone… damnit… his hard head must have broke it, ah, if i bring it back could i get a… refund…?”

#tnmn #tnmn milkman #tnmn fanfic #tnmn francis mosses #tnmn x reader #tnmn x male reader #that’s not my neighbor x male reader #that’s not my neighbor x reader #francis mosses x male reader #francis mosses x reader #doppleganger #d.d.d

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kaythefloppa · 8 months ago

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The Current Timeline of Wild Kratts:

Remember 3 years ago during the hiatus when I made that detailed post explaining the chronological lore of Wild Kratts and analyzed its timeline of a decade's worth of episode with a dash of my own HC involved in it and posted it onto the Wild Kratts fandom subreddit?

Yeah, I promised updates to it when the new episodes arrived, and here I am years later where the season has already premiered. Not to mention there were people who messaged me about legitimate errors I made that I accepted humbly, but didn't actually fix. Not to mention the crossovers that I completely ignored.

Well, much like in 2021, I had wayy too much free time on my hands and decided to go back and finally update that timeline. Unfortunately, Reddit's character limit prevented me from getting the edited version posted so I grit my teeth and decided to bring this fucker to Tumblr via copy and paste. Yeah, I'm not even kidding. So if you've ALSO got enough free time on your hands or are someone who read the original post who was desperately searching for an update, you've got it.

Full post underneath the cut: Warning, shit gets crazy down there.

The PBS Kids original animated show “Wild Kratts” has turned a decade old in the 2020's. Within that time, an autobiography, a 200 episode milestone, and a theatrical film based on the series is confirmed to be in development.

With new episodes of the show coming out, I figured that I’d analyze the show by making an analysis for its timeline. Like many shows, it does have continuity, but Wild Kratts is one of those shows which apparently has an extremely open universe where events happen within that universe, but they don’t seem to have a coherent timeline or any serialization. Many episodes are aired out of order and it’s hard to find a passage of time in a show which doesn’t rely on over-serialization in order to tell its own story.

I partly blame this on production errors as well as strict scheduling as well as the network focusing on releasing episodes in order of when they were produced as opposed to the intended date.

I’ll give it the benefit of the doubt that it doesn’t just rehash its timeline over and over again (unlike some other shows I know cough cough Arthur & Family Guy cough cough). Continuity does exist. It’s just figuring out how it falls in line that is the hard part.

I’ll update this post every time a new episode comes out. My plan is to analyze every single episode until the series finale so that we can determine how much time passes in the show. The way I'll order the timeline is by chronological order first. If there exists an episode or a group of episodes that do not contradict the order, but is not stated to go within this order, I will place them by original air-date and not production order.

I had found a website that lists every Wild Kratts episode (minus the hour-long specials) in order by air-date, unlike the Wild Kratts wiki & Wikipedia. Now, I did find some errors, as it claims that the first 2 episode aired on December 31st and not January 3rd, however I can forgive that as that has been a misconception for years and it got only the date wrong and not the order of episodes. So I was able to use that as a reliable source, more so than the fandom wiki. I am also running off of vivid memory based on my viewing experience as a kid, since I grew up with the show and have come to realize how much info I've retained from the universe of my hyperfixation and how I can use that to this post's advantage. Let's get into it.

Activate Analysis Powers!

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SEASON 1:

Let’s start with the very first 2 episodes to be released: Mom of a Croc and Whale of a Squid.

In that episode, we see that the Kratt Brothers are already familiar with what’s around them. They’re familiar with the Minaturizer, their Creature Power Suits and Disks, and adventuring with the coolest creatures from oceans to trees (sorry, had to squeeze that reference in).

We see that some animals and inventions are introduced into this episode like the Hippo Sub, Crocodilla, and her daughters. However, let’s focus on things which aren’t introduced in this episode.

Most notably, the Gharial Power Disks and the Miniaturizer. Let’s focus on the disks first.

Near the climax of the episode, the Kratt Brothers use the Gharial Power Disks to substitute for Crocodile Powers since they did not have a disk. Gharials and Nile Crocodiles are both in the order Crocodillia, but were not in the same species nor family. That, along with different designs, makes gharials and crocodiles in general very different animals, which is why the activation didn’t hold up (I hope to god they actually make an episode around gharials in the next season).

Many people assume that this episode only takes place after Kerhonk since Chris uses Gharial Crocodile Power, but this is actually false. Listen closely to what Chris is saying.

“Ha! Crocodile. And a gharial is a type of crocodile!”

Now we’ve already established that a gharial is NOT a crocodile despite being a crocodillian, but let’s get to the important part. Chris is saying that as he pulls out his Crocodile Disk for the Creature Power Suit. Now here is the thing. He doesn’t pull out a Gharial Disk. He uses the Croc Disk to activate Gharial Power, but he doesn’t use a gharial disk to activate the corresponding power suit.

So if Aviva did invent Gharial Power by the events of Kerhonk, Chris would’ve used that instead of using the Crocodile Disk as a substitute. And assuming that episode predates Mom of a Croc, the Kratt Brothers would’ve obviously used the Crocodile Disk since they have used it before.

So that means there was some off-screen adventure where Aviva made Gharial Powers which took place before Kerhonk.

...But that would mean Chris would already have a Gharial Power Disk by the events of Kerhonk and Mom of a Croc. One of 2 things is likely the case. Either Chris didn’t have access to the disk and used Crocodile Power as a last resort (as we see, the disk holder doesn’t exist until Season 2, so he probably stuffs them in his pockets), or that episode exists in an alternate timeline, which we know isn’t the case since that episode’s continuity is brought up later (we will see soon).

So we’ve established that Kerhonk takes place after Mom of a Croc, which takes place after an unseen series of events that predate the series itself as we know it.

Now onto the Miniaturizer. We see it in this episode, but 4 episodes later in Mystery of the Squirmy Wormy, the miniaturizer is invented. That leads me to believe that the episode takes place before Mom of a Croc. However, if you look in the background, you can see that the Walrus Power Suit is in the background with a harness and strap over it. This debunks my original theory of this episode predating the invention of the Creature Power Disks.

With the Walrus Power Suit in mind, it has a harness and strap over it, which brings up the question of why?

My answer would be that the harness and strap was meant for the Walrus Suit after it was damaged in Polar Bears Don’t Dance.

So now we’re at the original pilot episode, the first piece of Wild Kratts media produced by PBS Kids (excluding the Flash games that came out a month prior and were removed 9 years later, *sobs*). Here, the operation of the suits is different. Here, Aviva modified the suits for arctic survival and all it takes is for them to touch the animals with the gloves and then press the button. In many episodes, the modification occurs with the existence of a Creature Power Disc, or the disk is seen off-screen.

But the more I see into it, the more it makes sense. Ever wonder why we don’t see some creature power disks of creature powers in the earlier episodes? Maybe it could be the same reason why we don’t see the Polar Bear and Walrus Disk for the Creature Power Suit.

Aviva pre-programs the Creature Power Suits into the animal that the user can activate into not because she prefers this over making discs, or because the discs are already inserted into the suit, but because this was before she began making Creature Power Discs. This explains why in many Season 1 episodes, we don’t see the disc itself because the power is preprogrammed into the suit.

So at what point does this end and Aviva starts making discs? Any could be. All we know is that this would soon become the norm over preprogramming the power into the suits.

Polar Bears Don’t Dance could possibly chronologically take place around the earliest in the Wild Kratts timeline.

In Mystery of the Weird Looking Walrus, Aviva talks about upgrading features into the Walrus Power Suit. Maybe she isn’t talking about inventing the suits, but modifying the suits, which is fitting considering the walrus suit somehow malfunctioned and got jammed (which was presumably due to the cold arctic ice).

In the same episode, Zach and Donita’s interactions appear to be as if they had met recently, with Donita referring to Zach as the one who “vomitted from clams under the table.” So already we’re forming a coherent timeline with these episodes and we’re not even half-way through Season 1.

There would be one inconsistency. In this episode, Aviva says Jimmy’s controller is waterproof (along with food-proof) but in Seasquatch, 16 episodes later, Jimmy’s controller is protected by a shrink-wrap, indicating that it isn’t safe from the environment. Well, here’s the thing.

That episode shows a second appearance of the Squid Power Suit and Bumper the Sperm Whale from the episode Whale of a Squid which aired alongside Mom of a Croc on the premiere date of the series.

There’s no reason not to believe that the whale episode takes place after Mom of a Croc, which we have already established, takes place long after Polar Bears Don’t Dance. With that, my only explanation is that Jimmy’s controller wasn’t 100% waterproof since salty water can actually be very damaging to technology.

In Octopus WildKratticus Koki lists down many Creature Powers shown. This includes Honey Badgers, Polar Bears, and Octopi. This indeed indicates that these episodes where these powers debut are placed before this episode (some say it’s a retcon, but I disagree since Martin could’ve activated Honey Badger Power after the events of Honey Seekers).

Now let’s address the continuity in the series.

In Season 1, the Kratt Brothers have 2 adventures in the Australian Outback: Ones with kangaroos and koalas. In the koala episode, Chris mentions Aviva inventing Thorny Devil Disks for the Creature Power Suits the last time they were there. Considering that the kangaroo episode was 2 episodes prior to this one, I’m making it count.

Mimic is a sequel to Cheetah Racer, which takes place after Falcon City. In Mimic, the Cheetah Power Disk is invented, which is later used in Caracal Minton.

A Huge Orange Problem takes place after Kerhonk since Schnozzle (I think that is his name appears and Chris and Martin refer to him by that name.) This means that Kerhonk is in the official timeline of WK, meaning the only explanation as to why the Kratt Brothers had little access to either the Gharial and Crocodile Power Disc is that they physically had no access to it due to misorganization.

The Food Chain Game introduces new Creature Powers treated as familiar powers, which indicates that they were already invented off-screen. No episodes introduce these Creature Powers so that means the episode can't be out of order.

In Masked Bandits, Chris and Martin originally intend to use Wolf Power as costumes for their Halloween party, but instead Raccoon Powers are activated and Wolf Power is instead invented in Little Howler.

Ok so let’s go over the established time-line so far. When listing down the time-line, I’ll first do the episodes that chronologically fit together, then I’ll list episodes through air-date if there’s no connection or contradiction between them, then I will go back to chronology if I need to.

And that’s the end of the S1 timeline

Season 2:

Now already, we can see that Season 2 is a continuation of Season 1. The Tortuga HQ has an upgraded design, most likely from Aviva, which foreshadows the events of “Tortuga Tune Up.”

For the sake of things, I will put Speaking Dolphinese and Blowfish Blowout at the start of the S2 timeline because we don’t see the Tortuga so there’s a high possibility of it retaining its original design from S1 (I’m not including Lost at Sea because that was a terrible special that did nothing but combine 2 unrelated episodes into a movie).

The Seahorse Rodeo takes place afterwards since in Tortuga Tune Up, we see Blimpy (who is now an adult) and Ocean Pony.

Next we have Tortuga Tune Up, which shows Aviva modifying the Tortuga for swimming mode. Obviously I like to think the Tortuga’s redesign was an attempt to fix it, until Aviva had realized something was amiss.

Rocket Jaw: Rescuer of the Reef is a part of the Coral Reef saga of episodes so I count it at the beginning of S2.

Then we have Bad Hair Day, Race for the Hippo Disc, Creature Power Challenge, and Termites Versus Tongues, all of which are the first 4 ep. of S2 and take place in Africa. I consider those 3 chronologically connected. Plus, Zach recalls stealing the Creature Power Disc in one episode.

Happy Turkey Day is a Thanksgiving-related episode but I can easily consider it to be in the timeline.

Bugs or Monkeys serves as the first installment of the Central American Rainforest/Coral Reef saga. Followed by Shadow: The Black Jaguar, Rainforest Stew, Secrets of the Spider's Web, and To Touch a Hummingbird.

Then we get a bunch of episodes taking place in the Sonoran Desert. First we have Rattlesnake Crystal, which introduces the Sonoran Desert. I include this directly after the hummingbird episode because here, Aviva modifies Eyelash Viper Power for Rattlesnake Powers.

In the episode “Roadrunner” Chris and Martin say they have only JUST arrived at the Sonoran Desert. That episode’s plot is focused around the Tortuga getting a resupply, which is fitting considering they just recently crashed.

I would put “Skunked” after Roadrunner since it appears that they have enough resources by now. Then we’d get “Gila Monster Under My House,” then “Desert Elves”

Aqua Frog would come next I assume, I see no reason not to.

Groundhog Wakeup Call and Journey to the Subnivian zone have little ties to other episodes so I can place them in order of air-date. Since Attack of the Tree Eating Aliens takes place in the spring, we can have them come after those episodes.

So the Season 2 timeline goes like this:

Speaking Dolphinese → Blowfish Blowout → Rocket Jaw: Rescuer of the Reef → Seahorse Rodeo → Tortuga Tune Up → Bad Hair Day → Race for the Hippo Disc → Creature Power Challenge → Termites V. Tongues → Neck and Neck → Happy Turkey Day → Bugs or Monkeys → Shadow: The Black Jaguar → Rainforest Stew → Secret of the Spider's Web → To Touch a Hummingbird → Rattlesnake Crystal → Roadrunner → Skunked → Gila Monster Under My House → Desert Elves → Unnamed Burrowing Owl Disc Creation Episode → Aqua Frog → Journey to the Subnivian Zone → Snow Runners! → Groundhog Wakeup Call → Attack of the Tree Eating Aliens

Season 3:

Now, a lot of misconceptions have been made around Season 3 in terms of both continuity and air-date. My stance? Don’t believe a goddamn word that Google, Wikipedia, or the Wild Kratts wiki says. They have been getting the episode air-dates wrong since the very beginning, which is the reason I have to organize them.

As a longtime fan of the show who has been there since the beginning, I pretty much know the air-dates of the episodes by heart and the order.

The first episode is Hermit Crab Shell Exchange, second is Where the Bison Roam, third is Bandito: The Black Footed Ferret, fourth is When Fish Fly, fifth is Osprey. All 7 of these episodes premiered from April 7th to April 11th, 2014 as a part of PBS Kids' Wild Kratts Week, celebrating the show returning for its 3rd season.

The episode to air after that is the double-length episode, Back in Creature Time, which despite popular belief is NOT the Season 3 finale. The last episodes of Season 3 were centered around Madagascar. But before that, we see some adventures in the cypress swamp and the prairie.

Now that we’ve cleared up the misconceptions that people have had about Season 3’s episode order for the past 7 years (yeah a BIG fuck you to Wikipedia for that shit) let’s address the order continuity wise.

The first 7 episodes aired from April 7-11th as part of PBS Kids’ Wild Kratts Week! Celebrating the show’s renewal of S3. All but one would likely remain at their place. All except for Where the Bison Roam and Bandito since it introduces the prairie arc.

Back in Creature Time was after a LONG hiatus. Just to give you a good idea as to how long it was, the first 7 episodes of S3 aired in April when I was still in school, then the Back in Creature Time special aired months later long after I had moved into a different house during summer vacation.

The first episode to air after Back in Creature Time was Mosquito Dragon and Crocogator Contest (they were aired together as part of a special called “Swamp Things” but that special sucked for the same reasons why Lost at Sea did).

Now, this is something I noticed. Mosquito Bots were already invented by the time of Back in Creature Time, meaning that episode takes place after Mosquito Dragon.

And if we’re to include the cypress swamp saga, that means that Back in Creature Time comes in around the middle of the S3 timeline chronologically. That’s not even including the prairie episodes.

There were also Madagascar episodes. I consider Lemur Legs is chronologically the first of the order since the Kratts enter Madagascar here, and the finale of this arc is Golden Bamboo Lemur, where they leave.

This will be hard to crack, but I might be able to do it.

A thing that I noticed was that the Dragonfly Power Suits got redesigns frequently in S3. In Osprey and Mosquito Dragon, it has basket legs, resembling its S1 counterpart, but in Florida Panther and Back in Creature Time, they look completely different. In-universe, this can be credited to Aviva redesigning the suit, so I tried to arrange the episodes in a way that would make the suit's metamorphosis (pun not intended) feel less jarring than if you were watching the episodes in production order or viewing order.

So the S3 timeline is

Hermit Crab Shell Exchange → When Fish Fly → Osprey → Crocogator Contest → Mosquito Dragon → The Search for the Florida Panther → Opossum in My Pocket → Slider: The Otter → Back in Creature Time → Where the Bison Roam → Bandito: The Black Footed Ferret → The Amazing Creature Race → Prairie Who → Mystery on the Prarie → Under Frozen Pond → Capture the Fishmobiles → Praying Mantis → Lemur Legs → Chameleons on Target → Aye-Aye → Lemur Stink Fight → Tenrec Treasure Hunt → Fossa Palooza → Mini Madagascar → Golden Bamboo Lemur

Season 4:

Once again, this season was distributed out of order and the years that have passed since its release, however, as someone who, once again, watched every episode the day they aired, I can correct the misconceptions.

Firstly, the first episode of S4 was The Last Largest Lobster, and the last episode was Musk Ox Mania. The 3rd episode was A Creature Christmas, followed by 5 additional episodes, one of which introduced Paisley Paver and Rex into the show.

Now the confusion is that A Creatire Christmas aired as the 3rd episode of S4, yet animals and Creature Powers in that episode wouldn’t be introduced until later. So I’ll list down all of the episodes that come before the Christmas special.

The Last Largest Lobster comes before Stars of the Tide (they literally aired back-to-back).

Panda Power Up comes first in the China-located episodes. Next up comes Golden Snub Nosed Monkey Man. Red Panda Rescue features both Giant Panda and Snub Nosed Monkey Power, so I imagine it comes next. At the end of that episode, Aviva alludes to Red Panda Power, which is present in “The Colors of China”

Pangolin Rescue follows that (remember, all of these take place before A Creature Christmas). Along with the Two-Tusked Narwhal Adventure, the Snowy Owl Invasion, the Puffin adventure, the Other Martins, and This Orca Likes Sharks.

At this point, we’ve covered all of the pre-Christmas episodes. Now let’s do the ones we have left.

Liturgusa Krattorum, Eel-lectric!, Sea Otter Swim, Box Turtled In!, Animals Who Live to be 100 years old, Archerfish School, and many others.

Something to note is that Aviva narrates how the villains have never before teamed-up. Ignoring the fact that it is not true, that episode would have to come before Krattorum.

Here’s the timeline of S4:

The Last Largest Lobster → Stars of the Tides → Box Turtled In → The Other Martins → Sea Otter Swim → Animals who Live to be 100 Years Old → Spirit Bear → Panda Power Up → Snowy Owl Invasion → Golden Snub Nosed Monkey Man → Red Panda Rescue → The Colors of China → Pangolin Rescue → Archerfish School → Baby Tooth & Kid Musky → Musk Ox Mania → Puffin Rescue→ Mystery of the Two Horned Narwhal → This Orca Likes Sharks → A Creature Christmas → Cheetah Adopted → Eel-lectric → Liturgusa Krattorum → Creatures of the Deep Sea

Season 5:

I’m gonna throw in my personal opinion… This is my least favorite season of the show. The premiere episode, Alaska: Hero’s Journey was pretty cool and in my opinion, jumped the shark for Wild Kratts as we know it. Not only did it establish continuity with previous adventures and use it as a key-factor for the episode’s story, but it introduced a Creature Power Suit for Koki and had a very mature theme and an awesome message.

And then it went downhill from there. A lot of episodes, whilst enjoyable, felt pretty weak. Some were forgettable, and it felt like it talked down to its audience more, and there were just a lot of things that I felt didn’t work. This is where I think the show began a heavy seasonal rot and I know I'm not alone in this.

Ok, opinions aside, the time-line of this season is a lot easier to decipher than the earlier ones because there were less episodes.

Even though Alaska: Hero’s Journey was the first episode of S5 to be aired, the Bald Eagle Power Suit was shown, yet it wouldn’t be invented until The Fourth Bald Eagle.

Many listings show Mystery of the North Pole Penguins as the S5 premiere. And given that there are no continuity errors in that episode, I can see it being the start of Season 5’s storyline.

In the next episode, Temple of the Tigers, Martin and Chris head to India to adventure with tigers. A majority of S5 takes place in India, including the episode where Paisley Paver and Rex return, so I view the tiger episode as the start of the “India” arc.

There are also several episodes centered in Europe, as part of what I like to call, the “Europe” arc.

Creepy Creatures would go near the end of this timeline, as we see many S5 Creature Powers and animals by then.

So here’s the timeline for S5

Mystery of the North Pole Penguins? → Temple of the Tigers → The Dhole Duplicator → The Cobra King → Sloth Bear Suction → Elephant Brains → Cheeks the Hamster → Fire Salamander → Komodo Dragon → Wild Ponies ---> City Hoppers! → Blue Heron → Choose your Swordfish → The Erminator → Hercules: The Giant Beetle → Creepy Creatures! → The Fourth Bald Eagle → Alaska: Hero’s Journey

Season 6:

This season in my opinion, was a slight step up from the 5th season, since we get to see more interesting animals, and the writing feels a lot more breathable. The color palette, I specifically would go without, because it just looks weird. What I do like is how they recasted Koki, a character of color, to be voiced by a woman of color, and I'm glad this change is permanent.

Instantly, we get an instance of a continuity error: Martin is shown to have a Jackrabbit Power Disc in the 2nd episode of S6, yet he doesn’t get it until the Easter special, In Search of the Easter Bunny. There’s actually a reason behind this. The original title for the episode focusing on bunnies was titled “Spring Bunnies” and was listed as the Season 6 premiere, however this was cut and the bunny episode was released almost a year later. My working theory is that because of tight schedules, “Spots in the Desert” was released before the introduction of the Jackrabbit Power Disc.

We return to the Amazon once again with the double-length episode, Amazin’ Amazon Adventure and we get some newer amazon episodes after that.

In a promotional video for Hero’s Journey, the Kratt Brothers said that Season 5 would have at least 23 episodes. My guess is that they had to cut down the last 5 episodes because of COVID or something.

There are two things that stand out the most to me in this season's timeline. For starters, in the Hammerheads episodes, we see that the brothers have an Antelope Disc for the Creature Power Suit despite there being no episode centered around those creatures or introducing a Power Disc. Much like the Burrowing Owl and Gharial Discs, we're to assume that there was an adventure focusing around that animal/an invention of that Creature Power Disc that was not televised, and thus is part of this season's lineup.

The second was how in one of the first episodes of Season 7, Chris expresses a desire to adventure with wolverines, despite that happening in the previous season. So in a rare case, this has to go in a different season's timeline to remain consistent.

Anyways, let’s go onto the timeline of the most recent season. I’ll be going off of habitat here just to be consistent.

In Search of the Easter Bunny → Mystery of the Flamingo’s Pink → Spots in the Desert → Wolf Hawks → Deer Buckaroo → Unnamed Antelope Adventure Episode → Hammerheads → The Vanishing Stingray → The Real Ant Farm → Mystery of the Mini Monkey Models → Amazin’ Amazon Adventure → The Great Froggyback Ride → Parrot Power → The Race to Goat Mountain → Iron Wolverine → Adapto the Coyote → Tartigrade Xtreme → Uh Oh-Ostrich! → The Great Creature Tail Fail → Cats and Dogs →

Season 7:

The long-awaited Season 7 has arrived as of 2023, marking the return of the show to PBS Kids after two years of a hiatus. With eight episodes having been released, 13 more confirmed on the way, and the 200th episode milestone airing in S7, fans have a lot to hope for. And thankfully it means new fodder for my timeline list.

As I've said before, The Race to Goat Mountain cannot be a part of Season 7's timeline since it has to take place before their actual wolverine adventure.

This in of itself is purely subjective but I like to imagine that Clever the Raven would be the first episode of S7. For a few reasons. One, it was the first episode of the season to be confirmed (in an interview with Jane Goodall). Secondly, compared to Outfoxed, it felt more like a season premiere. With the fanservice-callbacks, the villains returning, the simple-structure of the plot with no rising or falling action and the episode's overall writing, it basically marks off a check-list of everything in the show that you were missing out on for 2 years and everything that you're coming back to after such a long break. Plus it's my favorite out of all of the S7 premiere episodes. Call me biased, but this one's going first.

Our Blue and Green World was the first of the episode batch in 2024. Personally, I am putting it as the most recent spot in the S7 timeline, after the other 3 episodes. The reason being is because with Paisley Paver's redemption, this episode feels like a huge game-changer, one that the writers hint will affect the rest of the series. I think this special should've been the last to air in the batch just to get viewers hyped for what's next. It's basically like a mid-season finale of some sorts:

Three new episodes will air in November of 2024: Salamander Streaming, Bumblezzz, and Chimpanzee and Me. Until the episodes come out, I will list them in the timeline in their release date order.

Timeline of Season 7:

Clever the Raven → Outfoxed → Owl Odyssey → No Name Dream → Backpack the Camel → Fish Out of Water → Our Blue and Green World → Salamander Streaming → Bumblezzz → Chimpanzee and Me

CROSSOVERS:

There are three shows that Wild Kratts has crossed over with. One of which came out after I made this post, two of which before, but I decided to add them here just for the fun of it and to commit to the lore-dump of the timeline. Whether or not I'll extrapolate that into forming a huge novel about the expanded universe of PBS Kids, only time will tell.

Night Shift: (Odd Squad)

This was the first crossover the brothers had done with another show, Odd Squad, a live action math-based cartoon that is set to air its fourth season in 2024. The Kratt Brothers have their traditional live-action opening that is interrupted by Otis and Olympia solving their 'odd problem' a running gag with various different characters throughout the series as a 'cold opener.' The reason there is such a massive overlap between the two fandoms is because of that scene in the episode.

How to fit it into the canon? Well, since this is shot similarly to a Wild Kratts live action opener segment, then we can equate it with the "what if!?" element of the show. It should be noted that the Kratts are following a white-tail-deer, an animal they would later adventure with in Season 6. So you could have this episode take place directly before the "what-if?!" section of that episode that transitions into the animated story.

Wild Batts: (Nature Cat)

In 2015, PBS Kids launched a new nature based show known as "Nature Cat" featuring the titular cat and his gang of animals exploring nature. This special aired directly after Wild Kratts: A Creature Christmas, so PBS Kids often marketed both the WK Christmas special and the Nature Cat premiere, so much so that at the end of the Christmas episode, the Kratt Brothers themselves promoted the new Nature Cat special. It only made sense that these nature brothers from another mother teamed up! And thus we had Wild Batts! In this episode, Chris and Martin "Batt" have to find a new home, after their old one is destroyed, challening Nature Cat and Ronald's fear of bats in the process and learning more all about them. Several references to the Kratt's show are made, such as the classic "Living free and in the wild!"

How to fit it into the canon? In the episode's context they are literally bats, but in the context of the show itself, they would probably be in Creature Power Suits. And one thing interesting is that Chris and Martin are said to be Indiana bats, an endangered species of North American bats. We know that there is no singular Creature Power Suit for a generalized species as we've seen with the crocodillian, owl, and snake-based Power Suits. So it's possible that Aviva modified the Little Brown Bat/Vampire Bat programing with Indiana Bat Power. So this would probably take place post-Season 1. I have it take place in Season 6 since Wild Batts aired around the same time that Season 6 just started airing, ironic ain't it?

Oh, and the episode also makes bat references to other PBS Kids characters, such as Peg + Bat (Peg + Cat), George the Curious Bat (Curious George) Daniel Bat (Daniel Tiger's Neighborhood) and the Bat/Cat in the Hat. Now, the logical man within me says that these are easy puns to laugh at and not look into. However, the sick twisted fuck that is me says, connect that shit together. Since we've already established Odd Squad, we can probably say that there was an 'odd problem' turning these random PBS Kids characters into bats (probably including the Kratt Brothers if you don't buy the idea that they're in very convincing Creature Power Suits) and that the Odd Squad is able to save them with a reverse-bat-inator and they all go their separate ways, never to meet each other again until their grand return in PBS: Endgame (ok maybe I'm going too far into it but just a funny thought, also yes that is the one MCU reference I decided to cash in).

Cry Wolf: Molly of Denali

The 3rd of the Wild Kratts crossovers, airing in summer of 2022. This was a massive thing in the WK fandom, mainly because around that time, news had come out that the show would not air any new episodes until 2023, which was a massive low blow. This crossover between Wild Kratts and Molly of Denali, while not enough... at least damaged this blow and is an okay entry point to Molly of Denali, another pretty damn good PBS Kids show.

The Kratt Brothers help Molly and her dad track a missing pack of endangered wolves, learning more about them on the way. In the episode it's established that Molly is a huge fan of Wild Kratts, referencing their show a lot, implying that the Kratts we see here are 2D representations of their IRL selves rather than their 2D-in-universe selves. Still, I came here to overanalyze, and overanalyze I shall! Since the Kratts did their whole "what-if!?" skit in Odd Squad, then I could see the same happening here, just not being necessary for the episode's plot. I'll suspend my disbelief again because what the hell.

How to fit it into the canon? I'd have it come between Season 6 and 7. It aired around that time, and again, it was almost certainly done so as compensation for making fans wait 2 years for the new season to drop. Plus it lines up with my headcanon of Clever the Raven being the first in S7's timeline, since the brothers would still be in the mood to adventure with wolves.

So to conclude, all of these crossovers I see as very recent in the show, you could cut them out and lose nothing, but add them in and get more of something, which is what I'm doing. In terms of timeline to the crossovers specifically, here it goes.

Wild Batts → Night-Shift → Cry Wolf

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CONCLUSION: THE CURRENT TIMELINE OF WILD KRATTS

Polar Bears Don’t Dance → The Mystery of the Squirmy Wormy → The Mystery of the Weird Looking Walrus→ Unnamed Gharial Crocodile Adventure Episode → Mom of a Croc → Whale of a Squid → Aardvark Town → Flight of the Draco → Platypus Cafe → Bass Class → Build it Beaver → Voyage of the Butterflier XT → Honey Seekers → Fireflies → Tazzy Chris → Octopus Wildkratticus → Walk on the Wetside → Elephant in the Room → Let the Rhinos Roll → Kickin’ it with the Roos → Koala Balloon → The Blue and the Grey → Falcon City → Cheetah Racer → Mimic → Kerhonk → A Huge Orange Problem → Caracal Minton → Zig-Zagged → Seasquatch → The Food Chain Game → Masked Bandits → Little Howler → The Gecko Effect → Flight of the Pollinators → Birds of a Feather → Googly Eye: The Night Guru → Stuck on Sharks → A Bat in the Brownies → Raptor Roundup → Quillbur's Birthday Present → Speaking Dolphinese → Blowfish Blowout → Rocket Jaw: Rescuer of the Reef → Seahorse Rodeo → Tortuga Tune Up → Bad Hair Day → Race for the Hippo Disc → Creature Power Challenge → Termites V. Tongues → Neck and Neck → Happy Turkey Day → Bugs or Monkeys → Shadow: The Black Jaguar → Rainforest Stew → Secret of the Spider's Web → To Touch a Hummingbird → Rattlesnake Crystal → Roadrunner → Skunked → Gila Monster Under My House → Desert Elves → Unnamed Burrowing Owl Disc Creation Episode → Aqua Frog → Journey to the Subnivian Zone → Snow Runners! → Groundhog Wakeup Call → Attack of the Tree Eating Aliens → Hermit Crab Shell Exchange → When Fish Fly → Osprey → Crocogator Contest → Mosquito Dragon → The Search for the Florida Panther → Opossum in My Pocket → Slider: The Otter → Back in Creature Time → Where the Bison Roam → Bandito: The Black Footed Ferret → The Amazing Creature Race → Prairie Who → Mystery on the Prarie → Under Frozen Pond → Capture the Fishmobiles → Praying Mantis → Lemur Legs → Chameleons on Target → Aye-Aye → Lemur Stink Fight → Tenrec Treasure Hunt → Fossa Palooza → Mini Madagascar → Golden Bamboo Lemur → The Last Largest Lobster → Stars of the Tides → Box Turtled In → The Other Martins → Sea Otter Swim → Animals who Live to be 100 Years Old → Spirit Bear → Panda Power Up → Snowy Owl Invasion → Golden Snub Nosed Monkey Man → Red Panda Rescue → The Colors of China → Pangolin Rescue → Archerfish School → Baby Tooth & Kid Musky → Musk Ox Mania → Puffin Rescue→ Mystery of the Two Horned Narwhal → This Orca Likes Sharks → A Creature Christmas → Cheetah Adopted → Eel-lectric → Liturgusa Krattorum → Creatures of the Deep Sea → Mystery of the North Pole Penguins? → Temple of the Tigers → The Dhole Duplicator → The Cobra King → Sloth Bear Suction → Elephant Brains → Cheeks the Hamster → Fire Salamadner → Komodo Dragon → Wild Ponies -> City Hoppers! → Blue Heron → Choose your Swordfish → The Erminator → Hercules: The Giant Beetle → Creepy Creatures! → The Fourth Bald Eagle → Alaska: Hero’s Journey → In Search of the Easter Bunny → Mystery of the Flamingo’s Pink → Wild Batts → Spots in the Desert → Wolf Hawks → Night-Shift → Deer Buckaroo → Unnamed Antelope Adventure Episode → Hammerheads → The Vanishing Stingray → The Real Ant Farm → Mystery of the Mini Monkey Models → Amazin’ Amazon Adventure → The Great Froggyback Ride → Parrot Power → The Race to Goat Mountain → Iron Wolverine → Adapto the Coyote → Tartigrade Xtreme → Uh Oh-Ostrich! → The Great Creature Tail Fail → Cats and Dogs → Cry Wolf → Clever the Raven → Outfoxed → Owl Odyssey → No Name Dream → Backpack the Camel → Fish Out of Water → Our Blue and Green World → Salamander Streaming → Bumblezz → Chimpanzee and Me

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And there you have it so far folks. Thirteen years, seven seasons, 160 televised episodes, plus four crossover episodes amounting to 164 canon episodes in the current Wild Kratts timeline. More are on their way and more of this grand Creature Adventure is beyond the horizon. Keep on Creature Adventuring, see ya on the Creature Trail!

Am I a genius, or am I a genius?

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