#ts love

[qqueenofhades]

Honestly, this sounds fucking FANTASTIC to me, and we should do it. Cry harder, Mitch.

[what-am-i-doing-in-this-fandom]

Suddenly, bell bottoms aren't so bad

Bonus sketch, because I had to vv

"Stop checking out my assistant, Stanley."

[cashmoneyyysstuff]

kaminari complains to his friends about how gross it is that you and katsuki kiss every morning in front of your classroom door. like, have some compassion for the singles, yknow ?! his friends tell him to just drop it.

what they don’t know is the reason he kisses you every morning is to guess which flavor your lipgloss is. and he’s a little too proud when he gets it right.

[vanessa-rafesgirl]

me since april 19th

[beanghostprincess]

I think we don't appreciate pre-ts Usopp because people keep thinking with their dicks. I know his boobs are awesome after the time skip, but look at this silly little guy. Love of my life.

[camembri]

you wanted zoro to be on whole cake island to fulfil your weird desire to see zoro punish sanji. I wanted zoro on whole cake island because I think he's stupid enough to right place wrong time the plan and accidentally marry Sanji in full view of the whole wedding party in what becomes the most elaborately constructed comedy of errors ever written. we are NOT the same.

[ruporas]

how to guide your mossball (ID in alt)

[mmemirrorball]

the fall album kitties are defrosting ♥️🍁

[gojuo]

Remember what they're taking from you

Fire and Blood, p. 398:

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Dangerous Women, The Princess and the Queen, p. 783:

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[lunar-years]

what's so clever about Clara Bow is that when she references her own name at the end, she's not talking about the present but the future, quoting the inevitable way people are going to one day talk about her, imagining it will only be in regards to the woma(e)n who surpass her. because there will be someone who surpasses her, eventually. that's the cycle of fame, isn't it? we're simultaneously captivated by the alluring trick of the past while looking for the next big thing. we compare current stars to the lights that shined before them, "you look like taylor swift." but we're also constantly waiting for someone new and greater to take the crown and captivate us anew, "you've got edge she never did." And half the song is about acknowledging that being revered is hell on earth for the people who are in it, because you're always trapped between what came before and what will come after. you're only safe insofar as you remain shiny. But the real beauty of the song is that it never succumbs to this dichotomy, but embraces it. It's Taylor acknowledging she wouldn't be who she is were it not for the women who came before her, who shared the same dreams, and recognizing her place in the chain of the women who will come after. The future's bright, dazzling.

[livebloggingmydescentintomadness]

i hadn't gotten around to watching staged 3 before good omens 2, and now i can't get over how great michael and david are together

[deostyx]

Crush…………

Details under cut :3c

[taylornation]

We have exactly a fortnight to go through the five stages of heartbreak before THE TORTURED POETS DEPARTMENT arrives. 💔 Thankfully, Taylor and Apple Music made these playlists to prepare us.

Press play and let us know what stage you’re in. 🥲

[biserker-kadan]

Reporter: What's your type?

Lucanis: My wife

Reporter: And you? What's your type?

Davrin: Lucanis' wife

[iberissims]

Rανєηωσσɗ

[petaltexturedskies]

Taylor Swift, Fortnight (feat. Post Malone)