#trying to do some fancy background work and have fun with it but mostly. this is because she's so fucking cute.

[tbcanary]

i just love the way they draw harley in the current poison ivy run....

[cookiescribble]

Interrupted

A/N: this is just a short little thing i’ve had in my head for a while, and the writer’s block is finally clearing up a little so i’ve been able to write more again :) hope you like it! - mod angel

Pairing: Spencer Reid x Fem!Reader

Summary: You and Spencer finally have an evening off, and are happy to spend it together. But nights off are never a guarantee when you work at the BAU. (based on 9x23)

CW: suggestive but not explicit behavior, reader gets a little wine drunk, mild discussion of sex lives.

~~~

You were enjoying a nice, quiet dinner at home, soft music playing in the background. You were a little dressed up, wearing a casual dress and some jewelry to match, trying to pretend it was a date night and not just spaghetti and wine you got from the grocery store. Making the best out of the little time you had to plan this.

Spencer was sitting across from you, smiling as he held his glass of water out to you. “To finally having a night off?”

You smiled back at him, clinking his cup with your wine glass. “To finally having you all to myself tonight.” You winked at him as you took a sip of wine. It wasn’t anything fancy, but it made the night a little more special.

He took a sip of his water, gesturing to your wine glass. “Be careful with that, you turn into trouble when you have too much wine.” His words sounded like a warning, but his tone was teasing, a grin on his face.

At that, you smiled mischievously, taking a bigger sip of wine. “I think I’m allowed to cause a little trouble on our day off.” You put your glass down, picking up your fork to start eating your dinner. “We deserve to have a little fun tonight.”

Dinner wasn’t much different than it usually was when you two were home together, but it felt nice to be able to sit at the dinner table across from each other after dealing with so much work lately. There was light flirting back and forth between you and Spencer through your meal, setting the mood for the evening. Every sip of wine you took made you feel a little more flushed and bubbly, making the flirting start escalating a bit. You could feel yourself noticing more things about Spencer as he ate across from you: the way his fingers moved around his fork as he twirled it in his plate, the bob of his Adam’s apple as he swallowed his food, the way his lips parted when he took a sip of water…

“That’s a dangerous look you’re giving me, you know.”

You were snapped out of your thoughts when Spencer spoke, a smirk on his face as he set his fork down. You met his eyes, matching his smirk, reaching out to grab his hand from across the table. “Is it?” You asked innocently, starting to trace patterns in the palm of his hand, making him shudder softly.

“It is,” he replied, his voice soft and deep. “I think you know what you’re doing when you look at me like that.” He slowly stood up, walking over to you and tilting your chin up with his finger. “You better be ready to take responsibility for this.”

You stood up, reaching up to tangle your fingers in his hair, bringing your faces close, your lips stopping just short of touching his. “Oh, I’m definitely planning on taking responsibility…” One of your fingers started to trail down his face, slowly tracing over his bottom lip. You could see his face start to heat up a bit at your touch, his breath hitching. “If you’re ready, that is,” you said in a quiet, breathy tone.

That little touch seemed to set him off, as he grabbed your face and crashed his lips with yours, bumping you into the table with the abrupt force.

Suddenly, you both were stumbling through the living room, hands all over each other as you made your way to the bedroom, closing the door behind you. You fell back onto the bed, Spencer taking you into his arms after shrugging off the shirt you mostly unbuttoned on your way here.

His lips were on yours again, the weight of his body starting to push down on you as he settled on top of you. He started pushing down the straps of your dress, his lips moving down to your neck. He started peppering kisses there, quickly at first, before they started getting slower and deeper.

“You look really good in this dress, you know that?” His voice was husky as his tongue met your skin, earning a lustful sigh from you in response. “So pretty…” he whispered between kisses, starting to gently bite down on your neck.

“Spence…” you moaned out, already turning into a mess underneath him, even though you were still fully dressed. The wine mixed with his sweet words and lustful bedroom eyes, you could hardly stand to wait anymore. Your hands tangled in his hair as his teeth grazed your skin, his eyes closed in concentration as he felt your body react underneath him. His lips started slowly trailing downward from your neck, starting to move under your collar…

Suddenly, you were startled by the sound of your phone going off, making you both groan.

“Please tell me it’s not what I think it is,” you pleaded as Spencer stood up to look at your phone. He held it out to you, showing you a text indicating that you had to go into work for a case. You grumbled as you sat up, readjusting your dress. “I swear to god, I am quitting this job. I mean it.”

Spencer laughed, opening the closet to start putting on a purple button-down shirt. “Relax, we’ll get some time to ourselves at the hotel later.” He took out a tie, putting it around his neck as he reached out his hand to help you up out of bed. He placed a quick kiss on your forehead. “Maybe we can continue this then?”

You sigh, starting to rifle through drawers to throw on a sweater over your dress. There wasn’t really time to find a whole new outfit. “I hope so, but I don’t know if I realistically see that happening.”

The two of you rushed to get dressed and ready, knowing you needed to be out the door as soon as possible. You skipped brushing your hair, tying it up for now and just throwing your hairbrush in your go-bag with everything else you needed. Spencer was pulling on a cardigan as he reached out to hug you from the side, kissing your temple before grabbing his messenger bag and throwing it over his shoulder. “Ready?” He asked as you started walking through the door.

“I guess,” you replied, rolling your eyes. Spencer reached down to kiss your cheek as he locked the apartment door behind you, making you smile. “The hotel rooms better be nice,” you added, grabbing his hand as you walked to your car.

“Agreed,” he replied, laughing lightly as you both entered the car, pulling out of the parking lot and heading for the office.

…

You were walking fast after getting off the elevator, rushing to meet up with everyone, when you heard some of the team members talking.

“So…” You heard JJ’s voice down the hall. “We get Henry to bed, and, y’know, we’re about to finally have some alone time with mommy and daddy, and…” She trailed off, and as you entered the room, you saw her roll her eyes from afar. “You guys know the rest,” she finished, sounding annoyed.

“Ah, trying to dust off the ol’ cobwebs,” Derek joked, laughing.

Penelope hit him on the shoulder. “Inappropriate!” She exclaimed, before turning back to JJ. “Seriously, though, how long has it been?”

You laughed, seeing her intense face as you walked closer to joining everyone. Always so curious. Or nosy, you could say. But it was a part of her that was endearing.

“Too long,” JJ replied flatly.

You finally reached the group, putting your stuff down and greeting everyone.

JJ looked over at you and Spencer, a slight smirk on her face. “Well, looks like I wasn’t the only one interrupted,” she remarked, noticing how you both still looked a little disheveled after rushing to get here.

You groaned, rolling your eyes. “Bite me,” you replied sarcastically.

She gestured over to you, pointing at your neck. “Looks like someone already did,” she snickered.

You looked down to see a small bruise starting to form on your neck. You didn’t really look in the mirror while you were getting ready, so you didn’t notice the mark there.

You looked pointedly at Spencer as your hand went to your neck. He gave you an apologetic look. “Sorry,” he mouthed silently, looking a little guilty.

You quickly took your hair down, grabbing the brush from your bag and starting to smooth your hair down. You could see Penelope open her mouth to ask probing questions. Everyone seemed to be too curious about your relationship, asking way too many questions when you finally told everyone you and Spencer were dating. Especially Penelope. Thankfully, she was cut off before she could say anything.

“Do we know what the case is?” Alex asked, letting you drop the subject of your evening activities and shift the focus to work. You snuck one last glance at Spencer, who smiled at you and reached out for your hand, giving it a gentle squeeze as you settled into your new evening plans.

[nohoperadio]

I want there to be a website similar to Genius, for annotating song lyrics (and poems and public domain texts and whatever else you want to do with that tech), but instead of each song having one page that just shows the "consensus" annotations, each user would have their own personal page for each song they annotate. So I would have my page with my annotations about Source Decay by the Mountain Goats and you would have your page for yours, and there'd be no such thing as the page for Source Decay by the Mountain Goats that just houses the top-voted contributions (or however it works on Genius, I think it's slightly more complicated but w/e). (Actually there would be a version of "the page" for each song but it wouldn't work like Genius, more on this in a sec.)

Genius is often very good at providing the kind of basic factual information that can't possibly be controversial (the song mentions a town, the annotation mentions that the songwriter lived in that town briefly during 2008, whatever), and it's often very good as a place to collect quotes from interviews of what the band has to say about each song, but on the whole Genius is not as fun to browse as it should be, and I think that's largely because the wiki-like structure prevents it from channeling more than a small portion of the passion and interpretive creativity of, say, songmeanings.com, a once-active site that Genius largely killed and replaced, but it still exists and if you check out old comment sections you can find a lot more rambling and theorycrafting (and crucially, a lot more bad ideas, which are vitally important to any kind of interesting conversation about art).

You will find some of that more speculative stuff on Genius, it's not just for factual background, but the fact that space is inherently limited and everyone's annotation is in competition with everyone else's does not make this impulse thrive. The least weird contributions tend to win out. If you want to add your idea about a particular line, but someone else has already annotated it, your options are: a) "propose an edit" to their annotation that incorporates your own ideas (awkward!), b) try to write your own annotation and have it displace theirs entirely as the thing that comes up when you click the line (you'll feel like a dick even if you're successful at this), or c) leave your thoughts as a "comment" on their annotation (Genius hides the comments by default and doesn't make the button to open them at all conspicuous, but even if that weren't the case your "comment" would still be lower in the hierarchy than their "annotation", and implicitly framed as a reply to the latter).

In my vision nobody's annotation would compete with anyone else's, the annotations are (what they mostly are when made in physical books remember!) more for the writer's benefit than for any other reader, and unconstrained by the responsibility implied in the wiki-ish project of contributing to a public resource you would be free to pursue whatever interpretive rabbit holes strike your fancy, fill each page dissecting evidence for how this record that definitely wasn't intended as a concept album is actually a concept album, fill them with entirely personal connections like how this line reminds you of a weird thing you saw in your Grandma's attic when you were ten, do whatever you want. Other people can come and leave comments on your stuff appreciating your brilliance/sending you death threats if you choose to enable that option, the way I'm imagining it this would actually be a big part of the life of the site and if all went to plan it would actually feel something akin to a social media site some of the time, but that side of it would be secondary to the main goal of each user having a place to house their own thoughts about songs in an organized, presentable, public way.

The site should make it easy to discover the annotation pages of other users writing about stuff you're interested in, the "main page" for each band and then each song would be a sort of hub for accessing other people's pages who have made annotations for that. If it had any substantial userbase this might benefit from some mechanism whereby the community identifies people who are writing particularly interesting stuff and makes those people a bit more visible, although I'd want this to be more subtle than a list ordered by likes/upvotes/whatever, and I'd want there to be some way to show off the range of different ways of using the site, with some people being more diaristic/personal on there, some people doing something like real scholarship (perhaps sometimes on a more ambitious scale than actually-existing Genuis allows for), some people might be doing something more spiritually akin to fanfiction.

I know that this site would be fascinating for (at least) me to browse if it existed and was active; I'm unsure whether there'd be enough interest to make it active. I think it's possible. There's a bunch of you guys I'd like to follow on there if it existed and if you were doing it.

[animeomegas]

Ideal Valentines Day - Omega! Aizawa, Mic, Toshinori, Dabi

A/N: For the anon who asked <3 I wasn't vibing with Shiggy today, so I left him off. I feel like these all ended up being home dates, but I think being a hero or villain makes those easier lol. There are hints of n-sfw, but it's non-descriptive and very tame.

Aizawa

Actions speak louder than words for Aizawa, and I think his preferred love language for receiving affection is Acts of Service.

He has no need for material items, and that goes doubly for anything covered in hearts. I don't think he's a massive fan of chocolate. And flowers are just another thing that he has to sort out and try to keep alive as long as he can. No, he much prefers practical care on Valentine's day.

He wants you to pick him up from UA after work so he doesn't have to drive, a warm cup of his favourite coffee, far sweeter than his image would suggest, ready for him.

He wants to go straight home of course. When he walks through the door, he would love to see the house sparkling clean and tidy. It lifts a burden off him that he didn't even know was there.

There's no fancy outfits with him. He wants to immediately get changed into the comfiest clothes he has, and he would love if you did the same.

Dinner should 100% be his favourite takeaway, eaten on the couch, of course.

I don't know why, but I don't get the vibe that Aizawa is that interested in sex on Valentines Day. I think he'd prefer the intimacy to come from a shared bath or a massage.

And ideally the night ends early, so he can face tomorrow well rested, for once in his life.

Mic

Hizashi loves cheesy romance, he lives for cheesy romance! He eats, sleeps, and breathes it!

I think receiving gifts is something he loves, so get him a pink teddy bear, get him a comically oversized chocolate bar, get him a sappy card filled with cheesy love poems (bonus if you write them yourself.) He loves it all.

He also wants to be at home, because he's worried about people recognising him and interrupting the date.

He would love, love, love if he came home to a trail of rose petals to follow, he's always wanted to do that!

I think he'd enjoy cooking dinner together, just making a mess, playing around, listening to music.

Please pull him to dance with you, he will melt.

Once the food is eaten and the mess left for tomorrow, I think he'd want to do some sort of activity. A board game, a video game, painting together, anything! He's having fun as long as he's with you.

And then... well he's certainly not going to complain if one of your gifts to him was lingerie or a new 'toy'. And it would be rude to not try them out 😏

Toshinori

His idea of romance is old school. He developed his taste mostly from films, rather than experience, after all.

He wants roses so badly. He can't decide if it's more romantic to get a dozen roses, or just one, so he'll let you decide.

I think something private would be more meaningful to him because he's spent his life in the spotlight.

He wants you to meet him at the door with a rose/bouquet of roses, and then lead him into the living room of your home, where you've laid out a fancy dinner.

He wants the fancy dinner table to be set to the nines, he wants candles, champagne, and some food that he can eat. He wants classical music playing in the background.

And then he wants you to pull out his chair for him and wine and dine him until he's completely smitten, not that that's hard.

He doesn't mind if you order the food, but he'd prefer if you either made it by hand, or had it ordered from a special place as opposed to just off a food delivery app. He wants everything to feel special.

The best way to finish the night after dinner is with a movie. One of his favourite films, probably a ridiculous American action film or terrible romcom.

He needs some good old fashioned cuddling at the same time of course.

And because he's getting old, he wants to spend the final moments of the day tucked up in bed, talking about feelings and the future, and all the fuzzy things you're both looking forward to in your relationship.

Dabi

Dabi is softer than he will admit, which means Valentines Day with him involved tricking him into feeling loved.

You can't do things that are too typical, because he'll get spooked. If he comes home and sees heart shaped balloons or dozens of roses, he will flee the scene.

Luckily, he is utterly weak for pizza, so if he comes home and you've ordered his favourite pizza and got a video game/film set up, he can't resist.

"This isn't some weird Valentine's shit, is it?"

"It's just pizza, Dabi, but if you don't want any, I'll eat it all."

"What? In your dreams, knothead."

Once you've lulled him in with pizza and games, you can start putting the moves on him.

He's almost always down for sex, so that part is easy. The hard part is stopping him from escalating it into something rougher, and keeping it gentle.

He gets frustrated at first that you're being too soft on him, and it's at this point that you start lavishing him in praise and body worship. His frustration turns into bashfulness and Dabi gets kind of shy.

Let him know how much you love him.

And then, right when you're both about to drift off, wish him a Happy Valentine's Day.

[13thdoodle]

[ ECTOBERHAUNT 2023 BANNER ]

I'm doing the banner for this year's @ectoberhaunt event~ The theme is Science vs Magic

I had so much fun making this~ Sam get the fantasy AU fit while Tucker gets Cyber/futuristic style

Sketch Progress

I like the idea of Sam being a druid bc nature connection tm

And Tucker would vibe very well with fancy future stuffs. i was gonna draw him with a bigger puffer but I couldn't figured it out. I like the one we got here too so yay

Okay so I was a bit pressed on time while working on this so I couldn't do as much research and references as I should.

On Sam's part, the somewhat floating book was inspired on how genshin impact's catalysts have their books/weapon just floats and it looks fancy n magical n Sam deserve that honestly

Her glowing tattoo are highkey inspired of this beautiful Sam with tattoos art by @the-stove-is-on-fire Mine is nowhere close to that but that's my main inspiration for this

I was gonna give Tucker his usual orange sweater but I noticed a lot of neon or cyberpunk outfit relies on dark backdrop to pop.

And since the background color is gonna be bright yellow, I gotta put the dark color somewhere else. And his sweater would be the perfect spot to balance out all the brightness with a bit of darkness

And it matches with Sam too so it works out great uwu

The magic circles on their back were mostly there to balance out the composition bc it looks too empty as is, gotta spice it up a lil bit uwu But a direct halo would look.. too out there? I mean I can but like.. Sam is magic/fantasy based, why not lean on that n go for magic circles :D

Tucker's random bits on the background took the most out of me bc like.. its hard qwq I literally try to look up aesthetic bg to figure out how to work with his?? Eventually I just settle on less is more and added shadow under the bits to make em pops out against the orange

source

And for the color choices, I wanted the two of them to have purple, yellow, and green on them. The green color on to symbolize Danny bc I'm an Everlasting Trio shipper lmao

I wanted Sam to have some yellow and green on her magic, which kinda.. got covered with the whites honestly. But the greens stays with the vines so we'll go with that Tucker was harder to figure out, so I settle with him with blue and greens instead of purple qwq

In the end, only the green end up staying lmao It ends up unifying both sides so hell yea it all works out lol

[demigod-shenanigans]

Have not posted about mine and @queenjunothegreat’s next gen kids in way too long so: Pipeyna kiddie

-Her name is Emilia McLean. Her go-to nickname is Em. When she’s in trouble, Piper calls her Lea. Yes, she‘s named after Leo. He would not stop wailing when he was told about this.

-Em is Sofía’s best friend. She’s three years older than Sofía and they grow up considering each other sisters. (Good luck trying to tell Sofía they’re not sisters because they’re not related, she’s not related to her dads either and they’re still her dads, so checkmate)

-When they were small, Sofía followed Em around like a little duckling, insisting to play whatever Em was playing and do whatever Em was doing. There’s nothing these two wouldn’t do for each other. (Also yes I gave them matching earrings in different colors because they’re dorks and they would.)

-Em loves skirts and dresses and putting her hair up in fancy braids. Reyna’s got the braiding covered due to her time on Circe’s island, but when Em asked her moms to show her how to do her makeup, they were both sweating profusely because Piper hasn’t let anyone put makeup on her since she was twelve and Reyna’s just never really bothered with it? They spent like an hour trying to watch a makeup tutorial before giving up and admitting they need help. Hylla never lets Reyna live it down, but Emilia is thrilled because “the queen of the Amazons taught me how to do my makeup” is a pretty cool thing to brag about. (There was a discussion on whether or not to call Drew instead but in the end they settled on Hylla because they knew Hylla would be annoying but not as overly smug about it.)

-Drew absolutely takes Em clothes shopping sometimes because she’s decided Reyna and Piper are both useless. Piper lets it happen because it makes Em happy but is also fuming about it. Reyna is honestly just grateful to be getting out of clothes shopping lmao her closet is almost entirely made up of work outfits.

-Piper and Reyna have a rescue dog named Kitty (Em named her when she was three, in honor of that the name is spelled in all caps in all official documents) and Em loves that dog so much. It’s entirely mutual. Kitty is wildly protective of Em and will bite people if they so much as look at her weird.

-Leo is Em’s chaotic fun uncle and they get into so many shenanigans together. Jason is a significantly less chaotic uncle than his husband but somehow always ends up caught in the crossfire of their uncle-niece shenanigans.

-Leo being the chaotic fun uncle inevitably comes back to bite him when Em takes a page out of his book and starts getting into shenanigans with Sofía. Piper is absolutely cackling in the background.

Some more lore stuff under the cut since this is getting kind of long

-Em is actually the only next gen child named specifically after another demigod. This is both because Leo is close friends with her moms and because in a universe where names have power, choosing the name of the guy who beat the odds and quite literally rewrote fate—who defied death not once but twice so he could have his happy ending—is the greatest blessing Piper can think to give her daughter.

-Leo has thought of himself as a curse for a large chunk of his life. The concept of having his name used as a blessing is something he never fully recovers from.

-Speaking of names: Reyna’s bloodline and family legacy was meant to be intricately tied to New Rome’s survival. It ruined her life and took away almost her entire childhood. She happily laid her family name to rest and took Piper’s when they married. They mostly live in the mortal world and her ties with New Rome aren’t nearly as strong as they used to be when she was growing up, but there’s a part of her is terrified that this will come back to haunt her daughter one day. She never tells her daughter about Bellona’s prophecy. She won’t allow for her to grow up with the future of New Rome on her shoulders.

-Emilia is a natural leader. Aside from her general proficiency with various weapons, her main power is a sort of motivational charmspeak—not quite Piper’s ability to control others, and not quite Reyna’s ability to project her own emotions outward, but a milder combination of both that allows her to demand the attention of other demigods, instill confidence in those listening to her and rally her troops. Everyone knows she’d be a praetor at Camp Jupiter in no time, and it terrifies Reyna.

-But Em is a legacy of Aphrodite and Bellona both. She has a place at Camp Half-Blood as well as Camp Jupiter. And when the time comes for her to choose, she chooses Camp Half-Blood and goes back to live with her moms once the summer is over. Reyna nearly cries with relief.

-Maybe Leo’s name worked. Maybe the prophecy won’t be of any relevance until they’ve all long passed, many generations down the line. But Em strays from the path that seemed so set for her. She’s free, in a way Reyna never was.

[glitzbot]

Could u show how ur process of ur making comics? Its so stylized and charming im amazed at them 🥺

thank you so much, this is so sweet!! and sure! I'm happy to give you a lil peak behind the curtain at my process

under a cut cause I'm a rambler ✨

every comic of mine starts with a script first! it's not anything too fancy, mostly just the dialogue jotted down in a very inconsistent fashion, like so

and once the fun of writing some sassy stolitz banter is over, next comes the most difficult part imo... thumbnailing the layout

the thumbnail is just a messy ass sketch of basic bitch shapes to work out where I think everything is gonna fit. it's probably not very legible to anyone but me. I mean just look at this shit

once I got that down, I scale it up to fit the page and lower the opacity. then before I do any proper sketching, I get that text in there. oooooh yeah! do those text and speech bubbles and panel borders first babes, TRUST ME. that shit's a time saver

then you can sketch AROUND the speech bubbles, instead of having to sketch -> add text -> oh shit the text is bigger than I thought, now I have to alter the sketch -> rinse repeat on multiple panels and cry

so after that, I'll do a first pass sketch but like yikes I got so damn lazy with one?? wow. it's not always like this I promise

here's an example of another first pass sketch as PROOF, sometimes there's more detail

aaaaanyway if I'm in a real rush, I'll skip to inking, but USUALLY I like to do a cleaner second sketch first like so. it makes inking waaaaaay easier

so yeah after THAT comes the inking. it's usually all in black (I color the lines at the very end, typically) but I did not feel like undoing all my hard work for this screenshot sowwy

after it's all nice and inked, I color using the typical comic book flatting method. flatting is easily the most boring part, but alas, it must be done

I use the fill bucket tool in Clip Studio Paint all on the same layer and yeah the colors look wonky as shit right? that's cause it doesn't matter what colors you use, you just have to be able to grab the areas you want later using the magic wand tool (so you can see all the backgrounds on each panel are a different color to keep them separated, for example)

and that's what I do! after the flats are done, I create a new layer and use the magic wand tool to select and color each area properly. minimal shading, because I hate rendering most of all, so I keep the colors pretty flat! I color in some lines after that and call it good!

I hope this was insightful in some way and made sense! I don't know if I'm any good at explaining things, so if you'd like more clarity on anything, feel free to ask and I'll try again! 💖

[swashbucklery]

I have been thinking about the costuming in Willow a lot, and yes this is for fanfiction reasons but it's also just for fun. As background, my non-fandom hobbies are mostly textile based: I sew garments and teach sewing classes, I'm an experienced knitter and handspinner and I've started to dabble in wool processing from fleece and four-shaft weaving.

So once I get into a Textile Puzzle Hole I can go pretty deep, and this is a fun and important part of understanding the worldbuilding for me.

Because they're doing a thing with Willow that - I actually really enjoy. It's not "classic fantasy" in the sense that it's not period-appropriate or of a specific era that we'd recognize. They're also clearly trying to call back to the 80s roots of the original film with some of the design choices; mostly the elements of armor and clothing that they're pulling from traditional martial arts clothing and the existence of Fun Fantasy Denim.

A lot of my thoughts aren't necessarily about critique, but more about trying to put together a cohesive rubric for myself as to what the costuming aesthetic is. Because it's not "anything goes," it's got a specific vibe and a clear voice and I want to "get it" more for my own writing and for my own understanding.

I think the two rules that I've drilled down so far are:

Textiles As Artisan Material (all-handmade, no fantasy spandex)

Function Over Form

1. Textiles As Artisan Material So to get into this a little, I want to get into the idea of how textiles are made because for me I'm In Deep and know a lot about the raw material to cloth to garment process but the average person does not. (I will say, I'm excepting the Cuirass from all of this - we know metatextually that it's a 3d printed stretch fabric bodysuit; it's also magic so it doesn't count.)

So, the average person is used to textile production that is predicated on post-industrial-revolution technology. Meaning:

power-driven machines for weaving and spinning

computer technology available in spinning and weaving machinery to allow for easy production of highly complex cloth structures and patterning

overabundance and artificially low costs of raw materials

When you are thinking of fabric (and I'd include cloth and leather here but not metal armor) as a skilled artisan material, understanding the reasoning for, for instance, Jade having one shirt for the entire series involves understanding what steps are involved. Then, we can understand how many human beings are involved in fabric and therefore garment production and also how many people need to get paid along the way. A piece of cloth entirely handmade for a garment would involve:

a producer to grow the textile fiber (cotton, flax, wool, hide for leather)

skilled artisans to process the fiber (washing, preparing for spinning which could include combing/carding wool, retting flax, etc, leather tanning)

skilled artisans to add dye. This can be done at the stage of prepared fiber, finished thread/yarn, or finished cloth. In a real-world/modern context, this would have significant impact on the cost of cloth. Certain colours (reds, purples) are much harder to dye true than others or require more expensive dyestuff.

skilled spinners to turn the fiber into fine threads for weaving - depending on the fineness needed for the specific weave of the cloth this could be weeks to months of work. Thinner threads will take more time but have more drape and be less stiff as a cloth, so you'd need thin threads for next-to-skin garments like undershirts, and for fine fabrics in things like dresses or fancy formalware

weavers to weave the threads into cloth. Again, the timing here would depend on the type of thread being used but it would also depend on whether or not there are any woven-in embellishments as components of the cloth. Basic cloth in plain weave would take time but not a lot of extra skill; twills or patterning require more time and weaving skill.

embroiderers to add any embellishments either to the base cloth or to the finished garment

tailors and seamstresses to make garments to measure, which would involve cutting any pieces out of the finished cloth and turning it into a garment the correct size for the wearer. If we are assuming that the mechanical sewing machine has not been invented, then garments would be sewn by hand.

handsewing a correctly finished garment involves more than just tacking the pieces together; seam finishes so that the cloth doesn't unravel often require going over the same seam line one or more times. The labour hours in this step cannot be overstated.

metalworkers or other craftspeople to make fastenings and finishings: buttons, toggles, grommets on lacing that weren't handsewn, etc.

leather garments would be made by a separate type of textile worker, since leatherwork requires different tools and a different skillset to successfully construct garments.

So for a basic garment we're looking at needing to pay six separate types of skilled artisans for their work, up to six or seven if it's a garment with elaborate fittings and/or finishing such as buttons or metal fasteners.

The textile economy is relevant here because it is going to translate directly into style. Cutting fabric into patterned shapes leaves waste; this is fine if you're using mass-produced fabric that you can easily afford to replace but if cloth is the 10/10 most precious thing in your garment, you're going to try to cut it into as low-waste a design as possible. It might also lead to less fussy fitting, so that garments are adjustable and can be used by a person for much longer.

It also translates into textile types. Prior to the advent of mechanical knitting machines, any knit (stretch) fabrics would be hand knit. If you have ever tried knitting yourself, you understand that knitting with thin thread takes more time, and therefore more labour hours.

What this means for clothing in-universe on Willow is:

almost entirely woven fabrics, with the exception of handknitting (see: Elora’s scarf-shawl)

this likely does translate into undergarments; I've been looking at regency and late-Victorian era examples to get my head around. The modern bra and panty set is heavily heavily dependent on not just machine knit fabric but also a TON of petroleum-based synthetic textiles that cannot be produced without modern post-industrial means.

fastened using items that can be handmade! Buttons, toggles, clasps, ties or belts for the most part, with the occasional Fantasy Rivet or Fantasy Grommet.

precious! so precious! Expensive to produce and also worth caring for; we see some examples of visible mending in-show and that would have been the standard for everyone with the exception of Kit and Airk.

2. Function Over Form So this is maybe something that I only think about because I sew, but the modern eye is really used to equating and understanding "woven" fabrics and "stretch woven" fabrics as equivalent. Jeans are the easiest example to think about: they're made with denim, but in things like skinny jeans that denim is usually blended with some kind of spandex. Typical woven fabric doesn't stretch in either direction in a meaningful way; stretch-woven fabrics do so because of the synthetic textile content.

So a lot of the design choices that we see in the show really have to take into account that those textiles won't stretch with movement, and that the wearers need to be able to swordfight:

larger, baggier shirts with cuffs or vests rather than more fitted shirts, to allow for full movement at the elbow and shoulder

trousers that have a bit of extra wearing ease at the hip and thigh, so that when the wearer sits or squats there is room for the change in their body shape with these positions

there are a couple of GREAT leather jackets (Kit's in the early season especially), but if you look closely there's actually a grommet-and-lacing system to attach the sleeve head to the body, so that the shoulder still moves. So clever!

Anyway I have been having a lot of fun thinking about this and deconstructing the garments further. Thinking more about the costuming helps me find the worldbuilding details that make it easy for me to write, and I’d love to chat about this lots and lots! I do have some screenshot receipts for this; I didn’t include them because I mostly just wanted to write and not do ~graphic design today.

[golby-moon]

got some art for a round in the @destielomegaversebigbang. got to draw lots of new things with this fic which is always fun and partly why I started doing bangs at all

with the banner, I was actually given a color scheme by the author to try out, which is why everything is so...green and tan. I wanted to represent the uh weird chastity belt thing without actually showing it, so I designed a belt with fancy Celtic designs on both the belt buckle and the belt itself (which were made to look like 's's for Supernatural). the keys mirror the belt as Cas is the key to unlocking it in the fic, and the background with its dangerously off centered dots and wooden board sort of title are because Cas owns a hardware store in the fic. I definitely didn't overdo it on the symbolic silver color I continuously reused

I originally chose the fic due to this scene being described in the claims, where Dean and Cas bump into each other in a hardware store and all kinds of stuff spills around them on the ground. admittedly I didn't know Cas worked in the hardware store from the claims, but this did give me a great opportunity to draw all kinds of stuff I never have before (mostly in the background with all the tools and idk plates and stuff everywhere). I wanted to imply that Cas knows about hunting and monsters and such, so I not only have iron, silver, and salt bullets on display on the counter, but also added a devil's trap sticker on the cash register next to the cat one and the 'save <3 (bee) bees' one. everything is charged by the dollar instead of any of the $x.99 stuff due to a thought I had about Cas being too blunt to bother with making things seem cheaper (and if any of the prices are way off, that's because I have no clue how much any of this stuff would be ignore that)

I did originally have their faces turned a little less and Cas looking more...well, like Cas, but I like the vibe of the later version better since they seem more friendly instead of like strangers having their first ever mutually gay awakening moment. this one just looks kind of awkward. thank goodness I used references for the kneeling positions for once though 🎉 (I think Cas' was some lady gardening lol)

the art limit for the bang was actually brought down, but I did two pieces for the minibang fic anyway and added the scene of Dean lying on the couch and Cas with his weirdly long right arm (oops) cupping his face. when I read the scene, I just immediately pictured Cas owning an ugly floral grandma couch, which turns out to be the kind of disaster couch the author kind of pictured Cas as having as well. it's such an ugly couch I love it

(not that anyone probably noticed but I did draw this a while ago which is why Dean's hair isn't consistent with the new way I draw it. Cas' is about as messy as always though 👌)

the fic this is made for is called "An Intervention of Silver" by @hannahctwk for the destiel omegaverse big bang

(09/29/23)

[bogkeep]

Do you have any advice or resources on pricing commissions/commissions in general? I've been thinking of starting comms

I hope this is an okay thing to ask lol

PS: luv ur art!

for resources, there's this video (subtitled but not transcribed sorry) which lays it out really well! there used to be a really good twitter thread by yoshi yoshitani, but it seems to be deleted.

here's some general experience/advice:

- IN A PERFECT WORLD we would all price our commissions well and fairly and comparable to industry standard, buuuuuut i get why most of us don't. compared to industry standard my $130 character portraits are also underpriced, and while i AM steadily upping my prices (my first comms were $40 for a fully colored and shaded fullbody. oof) 1) i need to consider what audience i have and who will be able to commission me, and 2) i mostly do commissions for some extra pocket money, not to make a living. i think my prices are comparable to many fellow internet artists in the same sphere.

- the way i price my commissions are that the MINIMUM amount needs to be the amount i have to be paid to feel like a commission is worth doing (taking into account my limited amount of time and energy to work on art, if i take paid $50 but then spend several days to complete it i will grow resentful and stretch myself too thin for too little), and the MAXIMUM is "at what point will the price paralyze me because i feel like I don't feel like i can make something worth that amount."

- working on a commission WILL take longer than just working on a Fun Piece For Yourself, both because you're putting in extra effort trying to make it worth the money you're given, and because you will spend time communicating with your client. you will get a better grip on your timeframe after you have more experience doing commissions.

- you're not just taking paid for the art itself, but client communications, your experience and expertise which has taken years to build, revisions, tools, etc.

- something they JUST told us in clock school: sometimes you get clock repairs that cost less than your quote and you might feel bad about this, but you will definitely do clock repairs that cost a lot more than your quote. THIS IS HOW IT'S SUPPOSED TO BE, THIS IS HOW YOU BREAK EVEN. when you give a quote at the beginning you don't know how much the work is going to take and estimates are always rough, but you're using your time and expertise to offer a service and you need money to live.

- your prices/quote can have wriggle room like "will cost X amount but Y for Extra Detailed Stuff Like Wings/Fancy Outfit/Background Detail"

- don't offer commissions you don't wanna do! i used to offer a wide range of styles and price categories, including some really cheap sketch options, and i don't Regret doing those per se but nowadays i only offer a narrowed down selection. I don't have time to do fullbodies with full backgrounds, so even if it's something i CAN do and people WOULD pay me for, I don't HAVE to do that.

- its okay, encouraged even, to adjust your prices as you go along and get more experienced at doing commissions. it's pretty normal to start out with low prices to get the hang of it (tattoo apprentices do tattoos for lower prices unil they're done with their training, and doing commissions is its own skill)

- if someone thinks your prices are too high, you don't want them as your clients to begin with. dealing with shitty commissioners is rarely worth the pay, and higher prices tend to result in better and more respectful clients.

i hope im not forgetting something hope this helps

[capcavan]

do you have any allison hcs? with ref to your recent allison posts, id love to know your thoughts!

I don't go deep into any other character than Riko but I love idea of Mtf Allison. Exy is co ed sport and considering her background she would have the resources for transition as well as the big deal of family drama that would go with this. I'm very attached to the idea of Allison leaving her family and choosing to play exy as a woman especially since testosterone is seen as extra benefit for most sports. I have some headcannons I suppose but nobody going to like them as they mostly connect to hear eating disorders - she has some fake teeth as she did loose few due to purging - she has stretch marks possibly got them lasered - she does exercise purgers still when foxes indulge into too much alcohol or fun food. - her weight fluctuates - personally I think she enjoys wearing sport clothes and layering to hide her body a bit, its a bit of a struggle for her, on some days she needs to be covered to feel comfortable but on others her gender dysphoria wins and she feels the need to indulge in hyper feminine fashion to feel more passing It would mean for me personally a lot if if ideas as such were read as they are intended - me trying to normalize the less glamorous parts of ed/recovery on top of the dysphoria train its hard for her to balance trying to look feminine and playing sports- testosterone or estrogen she still gains bit of muscle mass playing exy and i can see this being another part of her struggles with body image so far not good considering everything i write just runs around her looks and her body image but it's angle i don't see presented too often at leats not form those specific angles. if we go with the idea of allison being non white then 100% she would have the most fancy blonde wig money can buy I used to be very displeased with the idea of allison not ending as pro exy athlete but in the end she is not neil just because the book is about sport does not mean this is how all characters gotta end up, sports carry a lot of strain on body and mind i can see exy causing as much damage to ones health as football does. I like the idea of her and renee experimenting together a lot but not ending in established relationship for renee is exploration of sexuality outside of male attraction only and for allison its a tiny bit of gender envy about renee's body, she wouldn't want to grow resentful of a friend form the time and so they decide to cut it short but yeah I'm not interested in character work that is just "she is pretty and rich"

[petalpierrot]

We had a very low-key D&D session yesterday. The party mostly got some food and talked as they ate.

After their dance, Eidys invited Rahadin to have brunch with them and he agreed.

Eidys trying to gently socialize Rahadin with the party like he's a feral cat was kind of funny.

Rahadin asked the party how they liked the festival and warned them that the rest weren't as fun.

Eidys replied that they liked it well enough

He also asked what Eidys planning to do next and that to not hesitate to ask if there was anything he could help with in terms of information.

The party opts not to divulge that they will get involved with the Vallaki church, partially because they don't know where his allegiance lies but also in case Strahd would get that information out of him, one way or another.

Veshen replied that it was a much-needed mental break

Rahadin was curious about the Shadar-kai and asked how he ended up in Barovia

Veshen doesn't see any harm in it to tell him (he was retrieving a memory and then the mists prevented him from leaving)

Rahadin mentions Strahd likes to corrupt religious folks and if he does not submit he will be killed

Ireena pipes in that Veshen will *not* be corruptible.

Veshen agrees. He tells Rahadin that his faith is strong (partially because he works directly with the raven queen as an advisor - his background is Courtier) and he will know if he stops receiving portents that it will be Strahd's doing and not the raven queen abandoning him. As to if he dies, he is not afraid of death (as a grave cleric and shadar-kai) he says if a Shadar-kai dies they are simply reborn, so he doesn't fear death.

Rahadin says that Strahd will hate all that veshen stands for

Eidys asked about what these types of festivals are like for everyone else

Veshen said that there weren't any festivals in the Shadowfell

Dris compared something like this to Founders Day (where drow have to be nice to each other and how uncanny that was)

Eidys found that very amusing

Eidys mentions that Rahadin told her he used to work in an apothecary and how that is similar to what Dris did

Dris and Rahadin proceed to talk about poison, drow sleeping poison, and its uses in drow society and medicine

the party just silently and awkwardly listens to these men discuss unsavory topics.

Rahadin and Dris find a newfound respect for each other (it's doubly funny because the first time we played he was very much vanilla Rahadin, thinking everyone to be stupid for not submitting to Strahd, ESPECIALLY Dris(the drow) )

Rahadin then prompts the rest to tell him what date they will be coming to the dinner

Eidys days there are still some preparations to be made

Rahadin understands and tells them that Strahd will probably be less angry if he does tell him that they have purchased some fancy attire.

Then Rahadin felt some bad vibes (coming from """Sergei""") and had to leave.

We ended there but next session we were asked to say hello to the head of the church in Vallaki.

[wirewitchviolet]

Console Design- Can I have my cake and eat it too?

Recently I spilled the beans that I have a little hobby project slowly brewing away where I am designing a new game console. I'm still not ready to really properly pitch the whole thing, but between sharing that, explaining computer architecture, and seeing people's feedback, it keeps pushing itself towards the front burners over more practical projects I SHOULD be giving my focus to, and while people are paying attention, I might as well try to crowdsource answers to some questions I'm getting hung up on.

So... a lot of what I'm doing here is, I'll be honest, rooted in nostalgia for 16-bit consoles. There's a certain retro appeal to the look, speed, and general immediacy of 8-bit games, and more than plenty of support for making games that evoke that feel, and even recently made free dev tools for people to just make new games for older systems, and as I'm writing this, there is this massive renaissance going on with indie devs restricting them to the constraints of early polygonal-graphics-focused consoles, but we mostly skipped right past that 16-bit period, and all its hallmarks:

2D graphics with more color-depth than people really knew what to do with. All sorts of hardware-level flashy effects like transparency, resolution changes, neat little raster effects. A soundscape of crunchy FM synth and sparingly used sampling with distortion effects. Just a little taste of support for polygonal graphics. Not enough to go all-in, but enough to make a nice spice here and there. A general push to show off with fancy jointed paper doll sprites, 3D effects from sprite-scaling, just... clear ambitions all over to make low res 2D eye candy. Plus everything was cartridge based, allowing people to add extra custom chips for things they really wanted that they didn't quite have the power for.

So that's basically what I want to deliver here. A platform where you have more toys and tricks than you know what to do with if you're coming from 8-bit style stuff, but a real tricky set of restrictions to work around from a more modern approach, hopefully with its own look and sound. To that end I've been doing a ton of research into how some of those work... and a lot of it involves fun little tricks between scanlines. In particular, if you look at that mode 7 video above, right around 7:50, we've got this real eye-popping barrel distortion background. What's going on here, on a hardware level, is we have the ability to, essentially, apply one single image as a texture to a single parallelogram, which in this case is just taking a rectangular background and squishing it in towards the center then out towards its regular dimensions... but where doing that squishing and stretching between individual scan lines as we send the video out to the screen. Several changes to the shape before we've even finished rendering out one frame of the video, and tada, weird barrel.

Being able to support tricks like THAT, specifically, is a must-have feature for what I'm working on, and I'm pretty confident I can design the hardware with that exact capability... but the original hardware doing that was, to my understanding, very much working with the peculiarities of how a CRT worked and the exact number of operations it could get done while the beam was swiping back to the left to draw the next line, and I legitimately have no idea if tricks like this are even really possible if I slap together a similar chipset and send video out an HDMI cord to a modern display.

Like, I know I can fake that. I've got a Retron 5 hooked to a cheap flat panel TV with Castlevania 4 plugged in, but my understanding is that's actually emulating an SNES in software on some very-much-overkill for this sort of thing modern processor. What I would LIKE to do is build this with a chipset you really can push to its limits, hooked to modern display, and get this sort of effect. Because while I realize a big chunk of the audience for this sort of thing totally have nice well-maintained CRTs, I don't want to be married to hardware people no longer manufacture. And I'd rather not have some way more capable sub-processor wedged in here just to get the video output of whatever cheap fast legit 16-bit chipset I use otherwise to play nice with HDMI standards.

I'm still sort of in the dark about HDMI and modern display options, to be clear. And you know in a perfect world I'd like to have support built into this if you want to hook it to a CRT, but at the end of the day I need to pick an aspect ratio, and it's probably gonna be 16:9.

A similar fork in the road I may need to pick a lane for before I can really get going is looking at ASIC chips. What I'd really love is to be able to just point people at a design files for the casing and PCBs, and a warehouse of old mass-produced chips that sell for pennies, make the whole thing a neat little home electronics kit where the total price of everything is like, maybe $10 or $20 or something, you get out a soldering iron, and assemble it all yourself. But, I might need to custom design a chip or two in the end, and there's a chance it ends up being cheaper to just build literally the whole system on one chip. Simpler, easier to make a portable version of the whole thing, but it loses that DIY feel.

And of course there's also the risk that the overall architecture and chipset I'm looking at isn't going to have the oomph to do what I want it to do at a nice steady 60 FPS (maybe 120?) I'm just kind of assuming once I commit to a path I'll be able to find a dirt cheap chipset covering all the bases I need it to that'll hold up at a faster clock speed than consoles really ran at in the mid-90s. I want people to be able to do things smoothly that historically really had some slowdown, and you know, I AM planning to have a higher base resolution than the systems I'm taking inspiration from (maybe the same height but clearly more width).

And of course the real pain is going to be prototyping all this since none of it's going to work without hooking display AND something popped into a cartridge slot. I'm at least saving myself some headache starting with a controller I can at least test in other things, but wow there's gonna be so many different potential failure points to worry about at one step in here.

[aromantic-character-showdown]

Regarding pitches for media involved in the tournament... I have one for Drawtectives! Strap in, it's a long one.

It's a series on Youtube from the Drawfee channel, and it's like. It's roleplaying + drawing. The plot and the NPCs were all done (and most voiced) by one member, Julia Lepetit, and the other three are player characters who must solve the mystery by talking to NPCs and doing drawing challenges. It's mostly goofy and fun bcs. Well. It's Drawfee, that's what they do.

So. The player characters! One, part of this tournament, is Gyorik Rogdul aka York, an arospec ace half-orc prince who loves arm wrestling and can't read and got turned into a model by chance; then, there's Grendan Highforge, aka Grenda/Gma/Grandma, the chill dog-walking dwarf druid who has a realization halfway in S1 and is officially genderfluid in S2 (any pronouns); and finally, Rosé the cool human rogue who can fit so many things in her pockets, (also she is unlabeled but has flirted with men and women). By the start of S2 they all have bonded much more closely and have a sort of ambiguous found family/queerplatonic polycule vibe and I love that for them!!

The NPCs! They are all so varied, and most have punny or silly Ace Attorney-esque names. A paladin named Sorin Justice and his wife Lotta Justice. A director named Anne Daction. A conductor named Conrad Uctor. S2 even has justification for the punny names! Which I am not going to spoil. Julia does a wonderful job with designing all of them and voicing most of them! And a few in S2 are voiced by fun guests like Elyse Willems, ProZD/SungWon Cho, and Caldwell Tanner (the OG Drawfather himself)!

The settings! Oh the settings, the background art! So lovingly created, so detailed and beautiful and fun. In S1, they were all parts of a fancy mansion-- a dining room, a library, a parlor lined with paintings and animal masks! S2 allows for more variety like a circus, a bar, even a jousting arena, and some of these have gorgeous posters made into IRL merch (currently sold out tho)!!

The drawing challenges! They're a staple part of Drawfee as a whole and hence they're a main feature here. Some are fun prompts like "draw a food creature" or "draw a steed to joust with", some are actual challenges like drawing (fantasy, knock off) celebrities based on description and drawing blindfolded guided by spoken directions. Since it's all in character, the usual Drawfee banter turns into nonsense lore and character interactions, and it's so, so much fun!!

Of course, the episodes average at about 50 minutes long, so... I get that it's tough to even start. But it's recommended (iirc by the crew themselves) that if you want a taste tester, go to S2 (Celestial Spear) episode 7. It's the one with SungWon in it, it can generally stand alone, and it's absolutely hilarious. (But it's also a dating sim parody plot, so your mileage might vary. I think it's fun tho)

So yeah. Try out Drawtectives (S3 in the works)! Thanks for being my captive audience, and I'm sorry! (for the long ramble, and also it's a Drawfee thing to end with sorry)

!!!!

[dancingkirby]

Another Subject One snippet

Yes, I started Chapter 3 with fanservice-y shirtless Crow. Why? Because I could.

WARNINGS: Brief mention of organ harvesting. Crow's potty mouth.

Today had started out on the good side of average.  There’d been enough food for everyone in the house to have a good breakfast, and afterwards Crow had decided to take advantage of the nice weather to give Blackbird a long-overdue cleaning and wax.  So he’d stripped down to his oldest pair of shorts, hauled out the hose, and got to work.  The kids helped, as far as that went.  Mostly they just gleefully ran through the stream of water and played in the soapy mud puddles that were forming on the ground.  But this was Satellite, where fun things happened once in a blue moon.  Crow wasn’t about to begrudge them that. 

He was finishing up with the rinsing when he first became aware of the shadow above him.  At first he thought it might be a storm cloud moving in, and regretted his bad timing.  Then, when the hose (and its background noise) had been shut off and he was trying to dry his D-Wheel off quickly before the rain started, he realized that clouds didn’t generally make a whirring sound. 

He looked up when the kids started shouting and pointing, quickly realizing two things.  First off, the sky was still completely clear.  Secondly, there was a helicopter hovering right above them. 

What the hell was this about?  Was this some kind of Security bullshit again?  He hadn’t even done anything wrong for, like, two weeks now!  He activated his duel disk and kept the other hand on his deck.  No matter how outnumbered he might be, he was willing and prepared to fight to the death to protect his kids…

…And then the helicopter door slid open.  Someone very familiar who was definitely not part of Security waved at him and called out, “Crow, it’s just me!”

“…Oh.  Hi Yusei.”  He immediately shut the disk off again.  “Sweet ride you got there; are you sick of the new and improved Yusei Go already?”

“Can’t hear you!” Yusei shouted in response.  Yeah, the noise of the chopper engine was making conversation a little difficult. 

“HOW ABOUT YOU JUST LAND?” Crow yelled at the top of his lungs, cupping his hands around his mouth as a makeshift megaphone.  He gestured at the ground in case they still couldn’t hear him.  Thankfully they got the idea. 

As Yusei disembarked and let the excited, mud-spattered kids run all over him, Crow began, “Sorry we don’t have a fancy landing pad…”  He broke off when he realized that Yusei had not been the only passenger in that helicopter. 

“Crow Hogan, I presume?” another man asked while stepping out of the craft himself.  He was maybe late forties, had a beard, and was attired in a nice suit.  Crow thought that maybe he’d seen him on TV once or twice before.  He had “Tops” written all over him, and looked like the type of guy who would normally be content to pretend that people like Crow didn’t exist. 

He replied, “Yeah, that’s me.  What about it?”

The man inclined his head.  “My name is Izayoi Hideo, and I need you and your friend Yusei to accompany me to Neo Domino.  We’ll explain on the way; we don’t have much time.”

Um.  This situation had gone from “weird” to “absolutely fucking bizarre” in just a few seconds.  Part of him wanted to say “No way” and get back on with his day.  You never trusted anybody from Neo Domino; everyone in Satellite knew that.  They almost invariably wanted to do a photo op so they could brag to their friends about the charitable work they did, and that was if they weren’t there to kidnap you and harvest your organs…

But then again, Yusei seemed to be okay with all this, and he had always been an excellent judge of character. 

“I dunno.  Are you sure he’s on the up and up?” he asked the guy who had been like a brother to him for the past eleven years.

Yusei nodded.  “I’m sure.”

There was no way out of this without acting like a giant asshole, was there?

“Just gimme a few secs to put a shirt on,” he said, rushing off without waiting for an answer.

Once he’d gotten changed back to his regular clothes, and washed his face, and made sure he had deodorant on, and even made an attempt at combing his hair, he went back outside, where no one had moved. 

“Ginga, you put Blackbird in the garage and then make sure everyone gets to Martha’s house,” he ordered.  Looks like there wasn’t going to be any waxing done today after all, and he’d have to hose the D-Wheel off again later on.  

“Hey!  Why’s Ginga in charge?” demanded Daichi.

“Because he’s the oldest and I say so,” said Crow, in a tone that he hoped would brook no further argument…and also not quite believing that he was using that frustrating tactic that Martha would spring on them all the time.  “Now go.”

[montecristodreams]

Night of 5/10

So many dreams.

In one, I was with a group of friends and we decided to go to some kind of medieval-type place to check it out that felt like it was in Vegas. We had to walk rather far from where we parked; there were a lot of tall walls and sandy streets. We finally got our bearings, passing through doors in the walls to get to our destination. After passing through the last wall door, the other side opened into an open-air restaurant kitchen, and a cook was startled and slightly in our way and one of my best friends E told him to hurry up and move. She was the most excited. At some point before we entered she changed into a dress with a black top that was a different material from the rest of the dress, which was emerald green and looked like velvet. As we got to our destination, I learned we were supposed to be announced (everyone who went there was) and there were cards at a table out front where we could write down how we wanted to be announced. I had no idea how they had a card with my birth name on it, and on the free line, I wrote Lee Ca. No idea why Ca. Even in my dream I was confused by that. We headed inside and it was like a smaller indoor arena, there was an open area at the bottom full of sand, and then rows and rows of wooden stairs and benches to sit. I lost my friends pretty quickly and wandered around. There appears to be arcade games at the top level. I remember at one point sitting down randomly on the floor to watch something and there was a little boy in his mother's lap beside me, but there was something wrong with him and I was trying to figure out what, but I never did. I found my friends again eventually and E was fuming that we were never announced because she'd gotten all dressed up for it.

At that point the dream shifted and my friends and I were out at night and on our way somewhere but I asked them to stop at some pet shop I guess I used to visit because they had the only food my cat liked. Inside, I was looking through giant bags of cat food nearly as tall me to find my cats favorite and was frustrated I didn't see it. I asked the guy at the desk about it but he was on the phone and mostly ignoring me. I knew there was a downstairs/basement so we went down there but I still couldn't find what I was looking for and ended up yelling at the guy who had come down to check on us even though he was still on the phone.

Flash to us being in a huge field with rows of catering tents set up and wooden picnic tables. E was still in her dress and we were having a discussion and I said something about how the night before was fun but I wish some part of it was different. I also knew I had work to do but told E I was going home instead. In the open field without the tents, throngs of people were milling around and leaving and I remember a white pickup truck. I was riding a bike home, but the scenery passed by weirdly, like it was a screen background that just kept changing. At some point on the ride I realized it was too early to go home and not finish my work, so I decided to go back, but I never really made it back.

Instead, the dream morphed again. There was a cat in front of my bike like it was a horse pulling a chariot. At some point I was riding past a building behind it, over mismatched paving stones and got stuck on a cable. I wanted to get the cable out of the way, but some of it rested under the stones, most of which I turned over like they weighed nothing. I kept pulling on the cable but it was attached to something around the corner of the building I couldn't see, so I gave up and put the stones back down over it. My friend S appeared almost out of nowhere and was walking and talking with me about the cable, I remember the side of the building/home had huge windows to look into and there was a wicker table and chairs on the right end of the room with a fancy glass decanter/pitcher and assorted nonsense of a typical living room in the middle/on the left.

I'm not too sure what happened in the in-between but I found myself in a hallway with a small room and there were 3 cats, one that had been kinda pulling my bike and my actual cat Hubert, and a chubby kitten laying in some kind of round plastic thing. There were two other people I passed in the hallway who came to look at the cats and I was worried they mught take my cats, so I grabbed both of mine up. The woman took the other kitten and noticed both of its back legs were apparently broken and I guess was a vet and was going to take the kitten home to help fix that, but I didn't trust them, so I just took my cats and left.

Eventually I was in a classroom and we were getting exams back. It was calculus somehow, which I recently failed, and the test I got back was an A-. I was at the back of the class, the only one standing and asked a classmate for an empty chair so I could sit and go over my exam. Ended up in the front of the class talking with classmates, first on one side of the room, then the other. One classmate and I were talking about how we preferred a professor we took before and I mentioned as much as I had liked her, I failed that class, so even though this professor was more difficult I was doing a lot better, then we discussed what classes we had left until we graduated.

And then I finally woke up.