#try and find a flaw

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[offorestsongs]

i feel like sometimes people in the twst fandom get so caught up in defending their faves (or hating on the ones they don't like) that they forget that the whole game hinges on (almost) everyone being a Charming Asshole TM

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[huntingrays]

i rlly like this one short valgrace wip i’m working on cause like leo decides to introduce his bf to his friends and piper is suspicious of this man before ever even meeting him. so there’s no history between piper and jason and piper is judgmental af

and it’s just like

leo (smitten): his name is jason 🥰

piper (overprotective): what a dumb fucking name 🙄

[seagreenstardust]

Anyone still calling late game Katsuki an abuser in 2024 is just not paying attention. Full stop.

[puhpandas]

I think the reason beckory works well is that tony has a habit of getting self righteous and in his own head about things but Gregory isnt afraid to tell him off or call him out about things. the point of tony in ggy is that nobody ever told him that how hes treating other people isnt good, so that's why he got so bad. but tony would be close to Gregory and have every rational reason in the world to listen to Gregory so when he would say something like "you're treating ellis badly and that's not what a good friend does, you need to do better" hed actually listen and take it into account and improve himself

[martyryo]

If u don’t mind could you draw the narrator in Tylers jacket? :D the red or fluffy big black one?

heree, sorry for the long wait!! 😸

[likeabxrdinflight]

tired of early 20-somethings acting like harry potter was never good or had no value in its day like shut the fuck up half of you weren't even there when it peaked

[nabaath-areng]

Ieeha: it is pointless to try and reconnect with my mother and brother. What they mourn is their daughter, not a grown man who is broken beyond repair pretending to be the child they lost. It is better if I stay away, lest they find their grief fueled further by what they will undoubtedly perceive as a stranger beyond their recognition.

Ieeha, then and now:

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true

[hermesmoly]

tiny snippet of the Hera Enyo fanfic I will post soon🕺

[fluffypotatey]

no, your honor, you don’t understand. i need this specific scene to breathe. your honor, listen, listen, please, they’re everything to me, please, you have to understand—

[kakusboyfriend]

Real big fan of robots and monsters and aliens btw in case u couldn't tell.

And a trope I Hate is forced humanization, in general. If a non human character is supposed to become connected to humankind, then fine. It's not atrocious on it's own. I don't care.

What I do care about is when they're belittled for not being "human enough" in a "weird way". Like, yeah, maybe the alien that doesn't celebrate birthdays is strange to the protagonist. They don't have to call them out on it. The alien doesn't have to be seen at the end celebrating their birthday to solidify how human they've become.

If you want it to happen have it happen gradually. Have them become curious about it, and find out they actually like the customs they're not used to yet. Aliens finding pleasure in a playground, monsters enjoying food they'd never gotten to taste before, and robots discovering they genuinely like watching TV. Whatever!

Just work around their differences, make it be gradual, and not born from the main, human cast making fun of them or pointing out how weird they are for not liking X thing. And for the love of god, don't make "Becoming Human uwu" the center of their story. It's so... Heartbreaking. Bleak, even.

[madeofjules]

I find it interesting that Peeta is often characterized by fans as somewhat violent while Katniss almost never is even though she's much more violent than he is

[myenterpriseisparked]

Okay I understand where people are coming from with the "emotional suppression in Vulcans is learned not genetic" talk re: "Charades" but, consider......... the emotional suppression is muscle memory, and the aliens took away the mental muscles that remembered how to do it. It's a crude metaphor on my part, but that was the way I saw it.

Also consider: it's a sci fi show using extremely high-concept bullcrap science on a weekly basis and maybe nitpicking it is a fruitless endeavor because none of it is going to make sense otherwise and enjoying the ride for what it is is a much more enjoyable way to engage with this franchise. Sometimes you need to shrug and let dumb things happen and laugh.