#truth and reconciliation processes
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fayevalcntine · 1 year ago
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It's honestly wild any time I remember how some people argue that Daniel's role or statements should be considered invalid by default because of how brash and unforgiving he is in his judgement as if the sole reason why he's even in Dubai in the first place and going through Claudia's diaries isn't because of Louis
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'Some of the more unusual Animorphs fanfic' SIR???
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peavhyshy · 3 months ago
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⋆˚ 𝜗𝜚˚⋆ - BACK TO YOU
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ᯓᡣ𐭩 paring ─ ୨୧ ─ jj maybank ⋆ ex!pogue!reader
ᯓᡣ𐭩 summary ─ ୨୧ ─ in which you return to the island after moving away and have to confront unresolved feelings and changes in the friend group.
ᯓᡣ𐭩 warnings ─ ୨୧ ─ explicit language, angst, hurt/comfort, smut, fluff, drama, mention of past self-harm, mention of past suicide attempt, mention of depression/mental health issues, alcohol abuse, unresolved emotional/romantic tension, trauma, mention of parental abuse/neglect, emotional cheating, jj is dating kiara, pretend luke didn’t leave, tw: surf competition, reconciliation, emotional vulnerability, unprotected vaginal sex, fingering, oral sex, dirty talk, praise, teasing, power play, and overstimulation (please dni if your sensitive to any of these topics your mental health should come first)
ᯓᡣ𐭩 wc ─ ୨୧ ─ 19,166
⋆˚✿˖° a/n ─ ୨୧ ─ this is long and very emotional/dramatic which is half of the reason it's been sitting in drafts forever. this was only written because I just love the song and wanted something based on it.
⋆.˚✮back to you✮˚.⋆
(༝༚༝༚ selena gomez)
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─── ⋆⋅☆⋅⋆ ──. Outer Banks Masterlist ─── ⋆⋅☆⋅⋆ ── Navigation ⋆⋅☆⋅⋆
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JJ stands awkwardly by the cooler, his fingers drumming against the metal surface as he watches you grab another case of beer. The setting sun casts long shadows across John B's backyard, painting everything in hues of orange and pink. The salty breeze carries the distant sound of waves crashing against the shore, mixing with the muffled laughter and music inside the house. He can't help but steal glances at you, memories of your past flooding his mind like an unwanted tide.
"So uh..." JJ clears his throat, adjusting his shark tooth necklace nervously. "How was... wherever the fuck you went?" He tries to maintain his usual carefree demeanor, but an edge to his voice betrays his discomfort. His blue eyes dart between you and the ground, unable to maintain steady eye contact. The weight of your unspoken history hangs heavy between you, thicker than the humid Carolina evening.
You stand awkwardly, your fingers nervously playing with the label of your beer bottle. You avoid JJ's gaze, focusing instead on the peeling paint of John B's deck railing. The tension between you two is suffocating, making the humid evening air feel even heavier. "Maine," you finally answer, your voice barely above a whisper. "We went to Maine."
JJ's jaw tightens at the mention of Maine, his fingers flexing around his beer bottle as he processes just how far away you’ve been. "Maine? Fuck, that's like... way up there with all those lobsters and shit," he says, trying to maintain his usual lighthearted tone but failing miserably. 
"You look..." He starts, then stops himself, shoving his free hand into the pocket of his board shorts. "I mean, it's good you're back and shit. The group missed you." He deliberately leaves out the fact that he missed you too, that your absence left a void that even Kiara couldn't quite fill. The tension between you is palpable, like the electricity in the air before a storm - something the Outer Banks knows all too well. He takes a long pull from his beer, using it as an excuse to break the uncomfortable silence that's settled between you.
You take a long sip from your bottle, using the moment to gather your thoughts. The sight of JJ - still as handsome as ever with his messy blonde hair and those blue eyes - makes your heartache in a way you thought you’d gotten over. The sound of Kiara's laughter from inside feels like a knife twisting in your gut. "I see you and Kie finally..." you trail off, unable to finish the sentence. Your skin glows in the porch light.
"Yeah, me and Kie..." he trails off, taking another long pull from his beer to avoid finishing the sentence. The truth is, things with Kiara are good - great even - but standing here with you brings back all the complicated feelings he'd tried to bury in the sand. 
"The group seems... good," you manage, trying to keep your voice steady. "Different, but good." You risk a glance at JJ, immediately regretting it when you catch his eyes. Those same eyes that used to look at you with such intensity, now belong to someone else. You shift your weight, your sundress rustling softly in the evening breeze. 
A loud crash from inside the house makes you both jump causing you to spill a bit of beer on your dress, followed by John B's distinctive "Everything's fine!" JJ lets out a forced laugh, but it doesn't reach his eyes. He's hyper-aware of every movement you make, every shift in your posture, every breath you take. The familiar scent of your perfume mixed with the salt air brings back memories he's tried so hard to suppress - stolen kisses behind the Wreck, late-night surfing sessions, promises made and broken. He adjusts his stance, trying to maintain a careful distance between you, even as every fiber of his being wants to close it.
"Shit," you mutter, dabbing at the spot with your free hand. You can feel JJ's presence just a few feet away, and it takes everything in you not to close that distance. "I should've called or something," you say suddenly, the words tumbling out before you can stop them. "Before I left, I mean. I just... I couldn't." Your voice cracks slightly on the last word, betraying the emotions you're trying so hard to keep in check.
The raw honesty in your voice, when you mention not calling, makes his throat tight. "Yeah, well..." JJ runs a hand through his hair again, his shark tooth necklace catching the light as he moves. "Probably wouldn't have answered anyway. Was pretty fucked up back then." He lets out a laugh, but there's pain behind it. "Still am, just better at hiding it now." The admission hangs between you like smoke, heavy and suffocating. He can hear Sarah and John B singing off-key inside, the sound a stark contrast to the tension-filled bubble you're standing in.
He watches as you dab at the beer stain on your dress, fighting the urge to help you like he would have before. "Fuck, hold up," he mutters, pulling off his worn t-shirt and offering it to you without thinking. The porch light illuminates the scattered bruises across his torso - some new, some old ones you’d recognize.
You stand there, your heart racing as you stare at JJ's shirtless form. You reach out hesitant to take his shirt, your fingers brushing briefly in a way that sends electricity through your entire body. "Thanks," you manage to say, your voice barely above a whisper. 
"You look good though," he finally says, the words escaping before he can stop them. His eyes meet yours for a moment before quickly looking away. "I mean, like, healthy and shit. That's... that's good." He shifts uncomfortably, very aware that he's still shirtless and that the space between you feels both too large and not large enough. The familiar scent of your perfume is making his head spin, or maybe it's the beer, or maybe it's just you - it's always been you. "Did it help?" he asks quietly, genuinely wanting to know. "Going away? Did it... fix things?" The question carries more weight than he intends, loaded with all the things he never got to say before you left.
The sound of Kiara's laughter drifts out again, and you flinches visibly. You take another long drink from your beer, needing the liquid courage. "It helped," you finally answer his question, unconsciously running your fingers over the faded scars on your wrists. "The doctors, the therapy, the distance... It helped. But it didn't fix everything." You look up at him then, really look at him, taking in how the years have changed him. He's still JJ - still beautiful but there's something harder in his eyes now, something that wasn't there before.
You clutch his shirt in your hands, the familiar scent of him - salt air, coconut surf wax, and something distinctly JJ - making you dizzy with memories. "I..." you start, then swallow hard. "I wanted to call. Every single day, I picked up my phone and stared at your number until the screen went black."
"I missed you," You confess quietly, immediately regretting the words as soon as they leave your mouth. "I mean, I missed everyone," you quickly add, but you both know it's not the same thing. You can feel the weight of everything unsaid between you, three years' worth of words you never got to say. "You look happy," you say, trying to smile even though it feels like your heart is breaking all over again. "With Kie, I mean. You guys... you make sense together." The lie tastes bitter on your tongue, but you force it out anyway. Because what else can you say? That seeing them together feels like drowning? That every time you close your eyes, you still see him? That Maine might have helped you heal your mind, but it did nothing to heal your heart? 
A burst of laughter from inside makes him jump, reminding him where you are and who's waiting for him. "Happy?" he scoffs, the word tasting like ash in his mouth. "Yeah, sure. I'm fucking peachy." His sarcasm is sharp enough to cut, a defense mechanism he's perfected over the years. He takes another long drink from his beer, finishing it in one go before setting it down with more force than necessary. "And don't do that shit about me and Kie making sense. You don't get to..." he stops himself again, running a hand over his face.
"Fuck, Y/N/N," JJ breathes out, using your old nickname without thinking. His fingers twitch at his sides, wanting to reach for you but knowing he can't. The sight of you touching your wrist scars makes his stomach turn - he remembers the day he found you, remembers the blood, remembers feeling more terrified than he'd ever been in his life.
"You can't just come back here and say shit like that," he says, his voice rough with emotion. He runs both hands through his hair in frustration, pacing a small circle on the deck. "You left, Y/N. You fucking left and I..." he trails off, the rest of the sentence dying in his throat. The memory of those first few weeks, after you disappeared, hits him like a physical blow - the drinking, the fights, the reckless behavior that even John B couldn't talk him down from.
"I didn't want to leave, JJ," You say, taking a step closer to him despite yourself. The electricity between you is almost tangible now. "You think I wanted to be shipped off to fucking Maine? To be locked up in some facility where they watched my every move? Where they made me talk about every fucking thing that was wrong with me?" Your voice rises slightly before you catch yourself, glancing nervously at the house. "I was drowning here, JJ. I was drowning and I couldn't..." 
"You know what? Fuck this," JJ says suddenly, his eyes blazing with a mix of anger and something else - something that looks dangerously close to the way he used to look at you. "You want to know what happened after you left? I fucking lost it, Y/N. I was so fucked up I couldn't even..." he cuts himself off, aware he's saying too much. The space between you feels charged with electricity, like the air before a storm. 
"But hey, at least the doctors fixed you up real nice, right?" The words are meant to sting, but there's a tremor in his voice that betrays him. He's still that same boy who used to sneak into your room at night, who used to hold you when the darkness got too heavy, who promised he'd always be there - until you made it impossible to keep that promise." His eyes intense as they lock onto yours. "I used to check your social media every fucking day. Every. Day. Just to make sure you were still..." he trails off, unable to finish the sentence. 
Your hands tremble as you clutch his shirt tighter, his familiar scent making your head spin. "Lost it?" You repeat, your voice cracking. "You think you were the only one who lost it?" The words come out sharper than intended, years of buried pain rising to the surface. Your skin flushes with anger and hurt, your eyes glistening with unshed tears. The bitterness in his voice when he mentions the doctors makes you flinch. "Fixed me up real nice?" You repeat, a hollow laugh escaping your lips. "Is that what you think? That I'm all better now? That I just went away and came back brand new?" You move closer still, close enough to see the flecks of darker blue in his eyes, close enough to smell the beer on his breath. "I still have nightmares. I still get days where I can barely get out of bed. The only difference is now I have better coping mechanisms than..." 
His confession about checking your social media makes your heart stutter in your chest. "I deactivated everything," you admit quietly, your voice thick with emotion. "Because every time I logged on, all I wanted to do was message you. Tell you I was sorry. Tell you I..." you stop yourself, very aware of how close you're standing now, of the fact that he's still shirtless, of Kiara just inside the house. "It doesn't matter now, does it?" You say, taking a step back, trying to create some distance between you even though every cell in your body screams to move closer. "You moved on. You're happy. That's... that's good." The lie tastes like poison on your tongue, but you force it out anyway, because what right do you have to come back here and disrupt his life? What right do you have to still want him this much?
JJ's body tenses as Pope's voice cuts through the charged atmosphere. "What’s taking so long with those beers? John B's about to start drinking mouthwash if we don't..." Pope trails off as he steps onto the deck, his eyes darting between JJ's shirtless form and you holding the said shirt. "Oh shit, my bad, I didn't..." he starts, but JJ cuts him off with a sharp laugh that sounds more like a bark.
"Nothing to be sorry for, Pope," JJ says, his voice carrying an edge that makes Pope raise his eyebrows. JJ snatches up the case of beer from the cooler, his movements jerky and aggressive. "Just catching up with our prodigal pogue here. Sharing war stories about her fancy fucking therapy in Maine." The words come out dripping with sarcasm, but there's a tremor in his hands as he grips the beer case. The porch light catches the tension in his jaw, the way his muscles are coiled tight like he's ready to either fight or flee.
"JJ," Pope says warningly, recognizing the signs of his friend spiraling. He's seen this before - usually right before JJ does something spectacularly stupid. "Maybe we should all just-" But JJ's already moving, shouldering past both of them towards the house. He pauses at the door, his back to you, his knuckles white around the beer case. "You know what the fucked up part is?" he says, not turning around. "I actually thought..." he stops, letting out a bitter laugh. "Doesn't matter what I thought. Welcome home, Y/N. Hope Maine was worth it."
Pope watches JJ disappear inside before turning to you with an apologetic look. "He was really messed up when you left," he says quietly, always the mediator. "Like, more than usual messed up. Started getting into fights with Topper almost daily, drinking more than his dad. Kiara was the only one who could calm him down sometimes." He runs a hand over his face, looking tired. "Look, I know it's not my place, but... maybe give him some time? He's better now, but seeing you again..." Pope glances at the door where you can hear JJ's forced laughter mixing with the others. "It's like reopening an old wound, you know?"
You stare at the door JJ just disappeared through, your heart feeling like it's being ripped apart all over again. His shirt is still clutched in your trembling hands, and you bring it unconsciously closer to your chest. You can feel tears threatening to spill over. "Time?" You repeat Pope's words with a hollow laugh. "Yeah, because three years wasn't enough time, right?" Your voice cracks on the last word, and you have to take a deep breath to steady yourself.
"In Maine, they made us write letters. Letters to everyone we hurt, everyone who hurt us. I wrote so many letters to JJ that they had to give me extra paper." You let out a shaky breath, running your fingers over the soft fabric of JJ's shirt. "Never sent a single one. How do you put three years of 'I'm sorry' and 'I miss you' and 'I still...' into words that don't sound completely fucking pathetic?"
The sound of breaking glass comes from inside, followed by Kiara's concerned "JJ?" Pope closes his eyes and sighs. "And there it is. I better..." he gestures towards the house. "You coming?" The question hangs in the air, heavy with the weight of everything that's just transpired.
The sound of Kiara's concerned voice calling for JJ makes your stomach twist painfully. "You should go check on him," you say to Pope, finally looking up. Your eyes are swimming with unshed tears, but you refuse to let them fall. "I'll... I'll be in in a minute. Just need to..." You gesture vaguely at yourself, trying to pull together the pieces of your composure that JJ's words had shattered. "And Pope?" You call as he turns to leave. "I know everyone probably hates me for leaving. Hell, I hate myself for it. But I didn't have a choice. It was either leave or..." 
You can hear more commotion from inside - JJ's voice raised, something else breaking, Kiara trying to calm him down. The sound makes your chest ache in a way that feels physical. "Fuck," you whisper to yourself, looking down at JJ's shirt still in your hands. You bring it to your face, inhaling his scent one last time before forcing yourself to fold it neatly. You’ll have to give it back eventually, but right now, you need a moment to remember how to breathe without feeling like you’re drowning all over again. The irony isn't lost on you - you left the Outer Banks to stop feeling like you were drowning, only to come back and find yourself deeper underwater than ever before.
The tension in living room is thick enough to cut with a knife as you enter. JJ is sprawled on the couch next to Kiara, his arm draped possessively around her shoulders while nursing what appears to be his fifth beer. There's broken glass by the kitchen counter that Sarah's carefully sweeping up, shooting concerned glances at everyone.
"So this competition tomorrow," John B says too loudly, clearly trying to diffuse the tension. "Heard Topper's entering too." He's sitting cross-legged on the floor, picking at the label of his beer bottle. "Gonna be some sick waves though, bro. Weather report's saying six-footers at least."
JJ snorts, his blue eyes deliberately avoiding your direction. "Yeah, well, Topper can suck my-" Kiara elbows him in the ribs, cutting him off. "What? I'm just saying the trust fund baby probably can't even tell the difference between the nose and tail of his board." His words are slightly slurred, with anger and alcohol making his voice thicker.
"Actually," Sarah pipes up from the kitchen, dumping the broken glass in the trash, "I heard he's been practicing a lot." She settles onto the arm of John B's chair, her blonde hair catching the dim light. "Something about wanting to prove himself or whatever."
Pope shifts slightly as you sit next to him, creating a protective barrier between you and JJ. "You still surf, Y/N?" he asks, trying to include you in the conversation. "Remember that time you totally schooled JJ on that left break by the pier?"
"Fuck off, Pope," JJ snaps, his grip tightening on his beer bottle. "That was one time, and I was hungover as shit." Kiara places a calming hand on his thigh, but he shrugs it off, standing up abruptly. "I need another beer."
"Maybe you should slow down," Kiara suggests gently, reaching for his hand. "The competition's early tomorrow and-"
"I said I need another fucking beer," JJ cuts her off, his voice sharp. He stalks toward the kitchen, purposely taking the long way around to avoid passing near you. "And for the record," he adds, pausing in the doorway, "that left break? I let her win. Figured she needed the ego boost since she was so fucking fragile back then." The words are meant to wound, and from the way you tense beside him, Pope can tell they hit their mark.
John B stands up, running a hand through his hair. "JJ, bro, come on-"
"What?" JJ whirls around, his eyes blazing. "We all just gonna pretend like everything's normal? Like she didn't just fuck off for three years and come waltzing back expecting everything to be the same?" He lets out a bitter laugh. "Nah, I'm good. You guys can play happy fucking family without me."
The room falls into a heavy silence after JJ's outburst. Sarah is the first to speak, her voice gentle but firm. "JJ, that's enough." She moves from her perch on John B's chair, positioning herself between JJ and the rest of the group.
Your hands are shaking as you stand up, your voice quiet but steady. "You want to do this now? Fine." You take a step forward, ignoring Pope's attempt to grab your arm. "You think you're the only one who was hurt? You think you're the only one who was fucked up?" Your voice rises slightly, years of pent-up emotion breaking through. "I didn't just 'fuck off' to Maine for fun, JJ. I went because the alternative was being lowered into the ground in a fucking coffin!"
Kiara stands up too, torn between her boyfriend and her old friend. "Y/N, maybe we should-"
"No, Kie," you cut her off, your eyes locked on JJ. "He wants to talk about being fragile? About letting me win? At least I'm trying to get better. What are you doing, JJ? Getting drunk and picking fights? Real fucking healthy."
John B moves to intervene, but Pope holds him back, shaking his head. This has been brewing since the moment you walked through the door.
"You know what the difference is between us?" You continue, your voice cracking. "I admit I'm broken. I went and got help because I was tired of hurting everyone around me. But you?" You let out a hollow laugh. "You're still that same scared little boy, hiding behind your anger and your booze because god forbid anyone see that you're hurting too. You’re acting just like your daddy.” 
The moment the words leave your mouth, the room erupts into chaos. JJ's beer bottle shatters in his hand as he lunges forward. "Don't you fucking DARE!" as John B and Pope rush to grab him. His muscles strain against their hold. "You don't get to say that shit! You don't get to fucking compare me to him!"
"JJ, stop!" Kiara shouts, but he's beyond hearing. His blue eyes are wild, unfocused, filled with a pain so deep it makes everyone in the room flinch. "You want to talk about being broken?" JJ spits, still fighting against John B and Pope's restraining arms. "At least I didn't run away! At least I stayed and faced my shit instead of leaving everyone wondering if you were even fucking alive!" His voice cracks on the last word, raw emotion bleeding through the anger. "Do you know how many times I drove by your house? How many nights I sat outside your window hoping you'd just... fuck!" 
 "Where the fuck was all this concern for mental health when I was showing up at your window covered in bruises? When I was sleeping on the beach because I was too scared to go home?" Blood continues to drip from his hand, creating a small puddle on the floor.
"You know what's really fucking funny?" JJ continues, his voice cracking. "The day you left? I was gonna tell you everything. About my dad, about how fucked up I was, about how you were the only person who made me feel like maybe I wasn't completely worthless." His words are like bullets, each one aimed to hit where it hurts most.
"Bro, calm down," John B grunts, struggling to maintain his grip. "This isn't helping-"
"Helping?" JJ lets out a laugh that sounds more like a sob. "Nothing helps! Nothing fucking helps because she LEFT!" He finally breaks free, stumbling forward but not advancing towards you. Instead, he stands there, chest heaving, looking more vulnerable than any of them has ever seen him. "You left," he repeats, quieter now, his voice thick with unshed tears. "You left and I couldn't... I couldn't fucking breathe. And now you're back and I still can't breathe and I..." He runs his hands through his hair violently, turning away from everyone.
Pope steps forward cautiously. "JJ, maybe we should-"
"Don't," JJ cuts him off, his voice dangerous again. "Just... don't." He grabs his keys from the counter, ignoring Kiara's protests. "I need to get the fuck out of here before I..." He doesn't finish the sentence, just storms out, the screen door slamming behind him. The sound of his motorcycle roaring to life fills the night air moments later.
The room falls into a heavy silence after JJ's dramatic exit. You stand frozen, your whole body trembling as tears finally spill down your cheeks. Sarah is the first to move, wrapping her arms around you as you begin to sob.
"I didn't mean..." you choke out between sobs. "I didn't mean to say that about his dad. I just... I was so angry and..." You collapse onto the couch, Sarah still holding you while Kiara paces anxiously by the door.
"Someone needs to go after him," Kiara says, grabbing her jacket. "He's drunk and upset, he shouldn't be on that bike." She looks torn between staying with you and chasing after her boyfriend.
John B runs a hand through his hair, exchanging worried looks with Pope. "I'll go," he says, grabbing his keys. "Pope, you stay here with them. Sarah, can you...?" He gestures at you, who's still crying into Sarah's shoulder.
"I got her," Sarah assures him. "Just... bring him back in one piece, okay?"
Pope starts cleaning up the broken glass, his movements careful and methodical. "You know," he says quietly, "JJ never told anyone this, but he used to sleep in your treehouse after you left. We'd find him up there some mornings, usually after really bad nights with his dad."
"He kept your bracelet too," Kiara adds softly, still hovering by the door. "The one you made him at that bonfire. Wears it under his watch sometimes." She pauses, conflict clear on her face. "I should go with John B-"
"No," you say, wiping your eyes. "Stay. Please. I... I need to tell you all something. About why I really left." You take a shaky breath, looking around at your friends - the family you left behind. "It wasn't just the self-harm or the suicide attempt. There was... there was more. And JJ... he deserves to know the truth. You all do."
Sarah squeezes your hand encouragingly while Pope settles on the floor in front of you. The sound of the Twinkie starting up outside fills the momentary silence.
"Take your time," Sarah says gently. "We're listening." 
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John B finds JJ at their usual spot - the abandoned dock near the marsh where they used to fish as kids. JJ's sitting at the edge, legs dangling over the water, a fresh beer in his hand that he definitely grabbed from his emergency stash hidden in the old boat nearby. His motorcycle is parked haphazardly in the grass, still ticking as it cools down.
"Figured I'd find you here," John B says, settling down next to his best friend. The moonlight reflects off the water, casting everything in a silvery glow. "That was quite a show back there, bro."
JJ takes a long pull from his beer, his knuckles still bloody from the broken bottle. "Fuck off, John B," he mutters, but there's no real heat behind it. His hands are shaking slightly as he brings the bottle back to his lips. "I don't need another fucking lecture about controlling my temper or whatever shit you're about to say."
"Actually," John B says, pulling out two fresh beers from his pocket and handing one to JJ, "I was gonna say she had no right bringing up your dad." He cracks open his beer, the sound echoing across the quiet marsh. "That was fucked up."
JJ lets out a hollow laugh, running his uninjured hand through his messy hair. "You know what's fucked up? She's right." His voice cracks slightly. "I am turning into him. Getting drunk, breaking shit, can't control my fucking temper..." He throws his empty bottle into the water with force, watching it disappear beneath the dark surface.
"Nah, man," John B shakes his head firmly. "You're nothing like Luke. You know how I know?" He waits until JJ looks at him. "Because you care. Like, actually give a shit about people. Luke never did." He pauses, choosing his next words carefully. "And you loved her. Still do, probably."
"Doesn't fucking matter now, does it?" JJ's voice is rough with emotion. "I'm with Kie. And Y/N... she's..." he trails off, unable to finish the sentence. The crickets chirp in the silence that follows, the marsh grass swaying in the gentle breeze.
"You know," John B says after a while, "Kie knows. Has known for a while, I think. About how you feel about Y/N." He takes another sip of his beer. "Maybe that's why she's been so... I don't know, different lately?"
JJ's head snaps up, his blue eyes wide in the moonlight. "What the fuck are you talking about?"
"Come on, bro," John B sighs. "You've been wearing that bracelet under your watch since the day Y/N left. You sleep in her old treehouse when shit gets bad. And the way you looked at her tonight... that wasn't just anger, man."
JJ stares out at the dark water, his jaw working as he processes John B's words. "It's not..." he starts, then stops, taking a long drink. "Fuck, man." The moonlight catches the silver threads in his shark tooth necklace as he shifts uncomfortably. "You can't just say shit like that about me and Kie."
"Why not?" John B presses, watching his best friend carefully. "Because it's true? Because you've been trying so hard to convince yourself that what you have with Kie is enough?" He dodges the empty beer can JJ throws at his head with practiced ease. "I love Kie, man. We all do. But she deserves better than being someone's second choice."
"You think I don't know that?" JJ explodes, jumping to his feet. He paces the dock, his shoes making the old wood creak. "You think I don't fucking hate myself for it? For not being able to..." he trails off, running both hands through his hair in frustration. "Y/N left, John B. She fucking left without a word and Kie... Kie was there. She picked up the pieces. She..."
"She's not Y/N," John B finishes quietly. The words hang in the humid night air, heavy with truth. "And that's not fair to any of you."
JJ stops pacing, bracing himself against one of the dock posts. His knuckles are white where they grip the wood, blood from his earlier injury leaving dark smears. "You should've seen her that night," he says so quietly John B almost misses it. "The night before she left. She came to my window like she always did when shit got bad. But something was different. She wouldn't look at me, wouldn't let me touch her. Just kept saying she was sorry." His voice cracks. "I should've known. Should've fucking done something."
"JJ..." John B starts, but JJ cuts him off.
"And now she's back," he continues, his voice rough. "She's back and she's wearing that fucking perfume that makes my head spin, and she's got these new scars I don't know the stories too, and she's looking at me like... like..." He slams his fist into the post, adding fresh splinters to his already injured hand. "Like I'm still that stupid kid who couldn't save her. How I didn't see how bad it was getting. How I was so caught up in my shit with my dad that I missed all the signs." He runs his hands through his hair roughly. "And you know what the worst part is? Even after everything, even with Kie... I still..." He can't finish the sentence, but he doesn't need to.
The marsh is quiet except for the gentle lapping of water against the dock and the distant sound of a boat horn. John B watches as his best friend falls apart, knowing there's nothing he can say to make this better. "Maybe," he finally suggests, "you should talk to Kie. Like, really talk to her. And then..." he hesitates. "Maybe you should talk to Y/N too. About everything."
JJ lets out a bitter laugh. "Yeah? And say what? 'Sorry, I just had a fucking meltdown in front of everyone because seeing you still makes me feel like I'm drowning'? 'Sorry, I'm such a fuck up I couldn't even move on properly'?" He slides down to sit on the dock again, his energy seemingly drained. "Nah, man. Some things are better left buried."
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The two make their way to the van it rumbles down the dark road, headlights cutting through the night as John B glances worriedly at JJ in the passenger seat. JJ is slumped against the window, his breath fogging up the glass, the streetlights casting intermittent shadows across his face. His bloody knuckles rest in his lap, the makeshift bandage John B made from his t-shirt already soaking through.
"Your dad's been better lately, right?" John B asks cautiously, turning onto JJ's street. "Like, with the new job and everything?" He knows these periods of calm with Luke are temporary, like the eye of a hurricane - peaceful until it's not.
JJ lets out a laugh, his eyes still fixed on the passing shadows outside. "Yeah, for now. Give it a week, maybe two if we're lucky." His voice is tired, drained of its usual energy. "He's actually buying groceries instead of beer. Fucking miracle, right?" The sarcasm in his voice is thick enough to cut.
As they pull up to JJ's house, they can see Luke's truck in the driveway, the porch light on - a rare sight. Through the window, they can see him moving around in the kitchen, looking almost normal, almost like a real father. "You sure you don't want to crash at my place?" John B offers, killing the engine. "Sarah won't mind, and you know Pope's probably got Y/N calmed down by now..."
"Don't," JJ warns, his voice sharp. "Just... don't say her name right now, okay?" He runs his uninjured hand through his hair, a nervous habit that's become more frequent since your return. "I can't... I can't think about that shit right now. About what she said, about Kie, about..." he trails off, shaking his head.
The front door opens, and Luke steps onto the porch. "JJ? That you, son?" His voice carries across the yard, lacking its usual angry slur. "Got some leftovers if you're hungry. Made that fish you like." The attempt at normalcy is almost more unsettling than his usual violence.
"Fuck," JJ mutters, unbuckling his seatbelt. "Look at him, playing father of the year." He grabs his backpack from the backseat, wincing as the movement jars his injured hand. "Thanks for the ride, bro. And for..." he gestures vaguely, encompassing everything that happened at the dock.
"JJ," John B calls as his friend opens the door. "Just... be careful, okay? And if shit goes south..." He doesn't need to finish the sentence. They both know JJ's always got a place at the Chateau.
"Yeah, yeah," JJ forces a grin that doesn't reach his eyes. "Save the emotional shit for Sarah, man." He slams the van door, shouldering his backpack as he heads toward the house. Each step feels heavy like he's walking through water. The weight of everything - your return, his relationship with Kiara, his dad's temporary stability - sits on his shoulders like a physical burden.
Luke's waiting at the door, and for once, his eyes are clear. "Rough night?" he asks, noticing JJ's bandaged hand. There's genuine concern in his voice, the kind that makes JJ's chest ache because he knows it won't last.
He follows his father into the house, the familiar scent of fried fish and something else - hope, maybe? - filling the air. The kitchen is cleaner than he's seen it in years, dishes are actually washed and put away, no empty bottles littering the counters. It's like walking into a funhouse mirror version of his life, everything familiar but slightly wrong.
"Sit," Luke gestures to the table, already moving to reheat the food. "Got paid today. Foreman says I'm doing good work." There's pride in his voice, the kind JJ used to dream of hearing when he was younger. "Even got you something." He pulls out a small package from one of the kitchen drawers, sliding it across the table.
JJ stares at the package like it might bite him, his injured hand throbbing in rhythm with his heartbeat. "Dad, you didn't have to..." he starts, but Luke waves him off.
"Open it," Luke insists, putting a plate of steaming fish and rice in front of JJ. "Saw it at the store, thought of you." His voice is gruff with emotion he doesn't know how to express.
With trembling fingers, JJ unwraps the package. Inside is a new surf wax and a professional-grade fishing lure - the expensive kind they used to admire together in the shop window when JJ was little. "This is..." he swallows hard, something thick and painful lodging in his throat.
"For the competition tomorrow," Luke explains, sitting down across from him with his own plate. "Figured you could use some good gear." He pauses, studying JJ's face. "Your hand gonna be okay to surf?"
JJ flexes his fingers experimentally, wincing. "Yeah, it's fine. Just some scratches." He doesn't mention how he got them, and Luke doesn't ask. Some things are better left unsaid, even in this temporary peace.
They eat in relative silence, the only sounds are the scrape of forks against plates and the distant hum of crickets outside. JJ can't help but wait for the other shoe to drop, for his father to notice the alcohol on his breath, or ask why he came home so late. But Luke just keeps eating, occasionally glancing at JJ with something that looks almost like concern.
"Y/N’s back," Luke says suddenly, making JJ choke on his rice. "Saw her at the store today. She's grown up nice." He says it casually, like he doesn't know the weight those words carry like he doesn't remember the nights JJ came home drunk and broken after you left.
JJ's grip on his fork tightens, his knuckles white. "Dad..." he warns, but Luke continues.
"You know, I never told you this," Luke sets down his fork, his voice unusually serious. "But that girl... she used to come by sometimes when you were out. Would bring groceries, say she was just dropping off extras her mom bought." He lets out a dry laugh. "We both knew she was lying. She was checking on you, making sure I hadn't..." he trails off, shame coloring his voice.
The revelation hits JJ like a physical blow. He pushes back from the table, his chair scraping loudly against the floor. "I can't... I can't do this right now," he manages to say, his voice rough. "Thanks for dinner. And the..." he gestures at the gifts, unable to finish.
Luke nods, understanding in his eyes that hurts worse than any punch he's ever thrown. "Get some rest, son. Big day tomorrow." He watches as JJ practically flees to his room, the sound of his door closing echoing through the unusually quiet house.
In his room, JJ collapses onto his bed. The surf wax and lure sit on his nightstand, mocking him with their newness, their promise of a father he's always wanted but never quite had. He pulls out his phone, seeing missed calls from Kiara and texts from the group chat. But it's his wallpaper that catches his eye - still that old photo of him and you at the beach, your smile bright and real, his arm around your shoulders. He'd never changed it, not even after starting things with Kiara.
"Fuck," he whispers into the darkness, throwing his arm over his eyes. Tomorrow's competition suddenly seems like the least of his problems.
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JJ is hunched over his surfboard on the front porch, a half-eaten piece of toast dangling from his mouth as he meticulously applies the new wax his father gave him. The morning sun casts long shadows across the worn wood of the porch, the air already thick with humidity. His injured hand throbs as he works, the makeshift bandage John B wrapped it in last night now stained and fraying.
The knock makes him jump, nearly dropping the wax block. "It's open!" he calls out, not looking up from his work. He knows it's Kiara before she even speaks - recognizes the pattern of her footsteps, the jingle of the shell anklet she always wears.
"Hey," Kiara's voice is soft and cautious. She's wearing her competition bikini under a loose tank top, her curly hair pulled back in a messy bun. "You weren't answering your phone." She settles down next to him on the porch steps, close but not touching - a careful distance that speaks volumes.
JJ continues working on his board, his movements perhaps more aggressive than necessary. "Yeah, well, been kind of busy." He gestures at the board with his injured hand, causing Kiara to suck in a sharp breath at the sight of his knuckles.
"Jesus, JJ," she reaches for his hand but he pulls away, standing up abruptly. "We need to talk about last night-"
"No," JJ cuts her off, running his good hand through his already messy hair. "We really don't. I fucked up, lost my temper, same old shit. Can we just..." he trails off, finally looking at her. The concern in her eyes makes his stomach twist with guilt.
Kiara stands too, crossing her arms. "Y/N told us everything last night," she says quietly. "After you left. About why she really went away." She watches as JJ's entire body tenses, his jaw clenching. "JJ, it wasn't just about the self-harm and the attempt. She was-"
"Stop," JJ's voice is sharp, dangerous. He turns away from her, gripping the porch railing so hard his knuckles turn white. "I don't want to know. I can't... I can't hear that shit right now. Not before the competition."
"You can't keep running from this," Kiara says, her voice stronger now. "And you can't keep pretending that what we have is..." she stops, taking a deep breath. "I see the way you look at her, JJ. I've always seen it. Even when you're angry at her, even when you're with me, you look at her like... like she's the sun and you're drowning in her light."
JJ lets out a bitter laugh, turning back to face her. "That's some poetic shit, Kie." But there's no humor in his voice, just pain and exhaustion. "What do you want me to say? That I'm sorry? That I'm a fucking mess who can't get his shit together? That I-"
"I want you to be honest," Kiara interrupts. "With me, with yourself, with her." She steps closer, reaching up to touch his face gently. "We both knew this wasn't forever, JJ. We were just... holding each other together until something better came along."
"You deserve better than that," JJ says quietly, leaning into her touch despite himself. "Better than me using you as a bandaid for my fucked up heart."
Kiara smiles sadly. "Yeah, I do. And so do you." She drops her hand, stepping back. "The competition starts soon. Y/N’s entering too, by the way. JJ? She still wears that shell necklace you made her. Never took it off, even in Maine."
The information hits JJ like a physical blow, making him grip the railing tighter. The surf wax sits abandoned on his board, the morning sun turning it soft and sticky. JJ sighs heavily, sliding down to sit on the porch steps. The morning sun continues to rise, casting long shadows across the yard where weeds push through cracked concrete - a perfect metaphor for their relationship, beautiful things growing in broken places.
"You're not mad?" JJ asks finally, his voice rough. He picks at the fraying bandage on his hand, avoiding her eyes. "About... everything?"
Kiara lets out a soft laugh sitting back down next to him bumping his shoulder with hers. "I mean, I probably should be. But honestly?" She tilts her face toward the sun, closing her eyes. "I think I've known since the beginning. We were both just... trying to fill empty spaces."
JJ runs his good hand through his hair, a nervous habit he can't shake. "You're too good for this shit, Kie. Too good for me and my fucked up baggage." He glances at her sideways. "I never meant to hurt you."
"I know," Kiara says simply. "And hey, at least we had some good times, right?" She grins at him, that familiar sparkle in her eyes. "Like that time we got caught skinny dipping at the country club pool?"
"Fuck," JJ laughs despite himself, the tension in his shoulders easing slightly. "Your dad's face when he found us... thought he was gonna have a stroke." The memory feels lighter now, less weighted with guilt.
They sit in comfortable silence for a moment. Finally, Kiara speaks again, her voice gentle but firm. "You need to talk to her, JJ. Like, really talk to her. No yelling, no running away."
JJ's jaw tightens. "Kie..."
"No, listen," she cuts him off. "What she told us last night... it changes things. And you deserve to know." She stands up, brushing off her shorts. "But first, you need to kick Topper's ass in this competition. Show him that pogues rule the waves, right?"
JJ looks up at her, gratitude and affection washing over him. "How are you so fucking cool about all this?"
Kiara shrugs, a small smile playing on her lips. "Because I love you both, you idiot. Just... not in the way we've been pretending." She starts walking backward toward her car. "See you at the beach. And JJ?" She pauses. "Whatever Y/N told us last night? It's not my story to tell. But when she does tell you... just remember she never stopped loving you either."
JJ watches her drive away, his heart feeling both lighter and heavier at the same time. He turns back to his surfboard, running his fingers over the fresh wax. The competition starts soon, and somewhere on that beach, you’ll be there. The thought makes his stomach flip in a way that has nothing to do with pre-competition nerves.
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The beach is alive with pre-competition energy, the morning sun casting long shadows across the sand as spectators and competitors mill about. The group has claimed your usual spot, a patch of sand near the judges' stand where you're spread out with blankets and coolers. The air smells of salt spray and sunscreen, mixed with the distant scent of food vendors setting up their stalls.
JJ sits cross-legged next to Pope, obsessively checking the fins on his board while stealing glances at you. His injured hand is wrapped in fresh bandages - Pope's handiwork from earlier that morning. "You think the swell's gonna hold?" he asks Pope, his voice tighter than usual. "Weather report said it might pick up around noon."
"Dude, stop stressing," Pope replies, not looking up from his phone where he's tracking the wind patterns. "You could surf these waves in your sleep." He pauses, glancing at his friend. "Though maybe focus more on the waves and less on staring at Y/N every five seconds?"
A few feet away, Kiara and you sit huddled over your board, your heads close together as you work on the design. "Pass me the blue paint?" Kiara asks, her voice carefully casual. "I think it'll pop against the white."
"Here," You hand over the paint pen, your finger steady as you work on your own section of the board. "Thanks for helping me with this, Kie. I know it's... weird."
Sarah's voice carries over from where she's practically sitting in John B's lap, her laugh bright in the morning air. "John B, I swear to God, if you get any more sunscreen in my hair..." She squirms as he deliberately rubs more lotion on her neck.
"What? I'm being helpful!" John B protests, grinning. "Can't have my girl turning into a lobster." He catches JJ's eye and makes an exaggerated kissing face, earning himself a handful of sand thrown his way.
"Get a room, you two," Pope groans, but there's affection in his voice. "Some of us are trying to focus here."
"Yeah, focus on what?" JJ snaps, more harshly than intended. "The competition doesn't start for another hour." His eyes drift back to you, watching as you tuck a strand of hair behind your ear - a gesture so familiar it makes his chest ache.
"Speaking of the competition," Sarah pipes up, clearly trying to diffuse the tension, "heard Topper's been practicing his aerial moves. Might actually give you a run for your money this time, JJ."
"Please," JJ scoffs, his trademark cockiness returning. "Trust fund baby probably had to pay someone to teach him which end of the board goes in front." But his bravado falters when he catches you hiding a smile at his comment.
"The waves are looking good though," you offer quietly, your first direct contribution to the group conversation. "Nice clean sets coming in." Your voice carries over the beach noise, making JJ's hands still on his board.
The group falls into a loaded silence, everyone pretending not to notice the way JJ and you carefully avoid looking at each other, or how Kiara's shoulders relax slightly when JJ doesn't snap back with a sarcastic comment.
"Alright, enough of this weird energy," Pope announces, standing up and brushing sand off his shorts. "Who wants to help me get drinks from the vendor? We've got..." he checks his watch, "forty-five minutes to get JJ properly hydrated before he has to show these kooks how it's done."
"Let me help," Sarah jumps up, linking her arm through Pope's. "John B, Y/N, you coming?" There's a pointed look in her eyes that everyone pretends not to notice.
"I'm good," You reply, still focused on your board design. "Need to finish this before the competition starts." Your fingers trace the intricate pattern you and Kiara have created - waves and stars intertwining across the white surface.
"Me too," John B replies, stretching out on their blanket. "Someone's gotta make sure these two don't kill each other." He gestures vaguely between JJ and you, earning himself a glare from both of you.
Kiara looks up from the surfboard, her hands covered in paint. "Get me one of those açai bowls if they have them?" she calls after Pope and Sarah. "And maybe some water for everyone? It's getting hot out here."
As Pope and Sarah head toward the vendors, the remaining group falls into an awkward silence. JJ continues fidgeting with his board, though there's nothing left to adjust. The morning sun beats down on you, the humidity making everything feel sticky and tense. The beach is getting more crowded now, the excitement building as more competitors arrive with their boards.
"Your hand looks better," You say suddenly, your voice soft but carrying clearly over the beach noise. You're still focused on your board, not looking up, but your fingers have stilled on the paint pen.
JJ flexes his injured hand unconsciously. "Yeah, well, Pope's got practice wrapping shit up. Comes with being friends with a walking disaster." He tries for his usual sarcastic tone but it falls flat.
"Remember that time you tried to do a backflip off the pier?" John B interjects, clearly trying to ease the tension. "Pope had to use an entire first aid kit on your stupid ass."
"That was one time," JJ protests, a genuine smile finally cracking through his facade. "And I totally would've landed it if that jellyfish hadn't been in the way."
"There was no jellyfish," Kiara laughs, rolling her eyes. "You just chickened out halfway through."
"I did not!" JJ's voice rises indignantly. "Tell them, Y/N/N, you were there-" He cuts himself off abruptly, realizing he'd used your old nickname without thinking.
The silence that follows is deafening, broken only by the distant sound of waves and other competitors warming up. Your hand has started trembling slightly, though you try to hide it by gripping the paint pen tighter.
"There definitely wasn't a jellyfish," you finally say, your voice barely above a whisper. "But there was that group of tourist girls watching, and you were trying to show off..."
"Classic JJ," John B jumps in, trying to keep the conversation flowing. "Always trying to impress the ladies with his 'sick moves.'" He makes air quotes with his fingers.
The moment breaks when someone calls out "Maybank!" from down the beach. It's one of the competition organizers, clipboard in hand. "You're up in heat three, twenty minutes!"
"Shit," JJ mutters, standing up and grabbing his board. "I should probably warm up or whatever." He pauses, looking down at your board. "The design's good," he says quietly, before quickly adding, "Both of you. It's... yeah." He turns and jogs toward the water, his board under his arm.
"Well, that was almost a normal conversation," John B observes, earning himself an elbow in the ribs from Kiara. "What? I'm just saying..."
"I should warm up too," You say suddenly, standing and picking up your board. The morning sun catches the shell necklace around your neck - the one JJ made you years ago - making it gleam.
"Want company?" Kiara offers, but you shake your head.
"I need to..." you gesture vaguely toward the opposite end of the beach from where JJ went. "You know."
They watch as you walk away, your hair blowing in the ocean breeze. John B wraps an arm around Kiara's shoulders. "They'll figure it out," he says confidently. "They always do."
"Yeah," Kiara agrees, leaning into him. "But how many hearts are gonna get broken in the process?"
The question hangs in the air as they watch you two paddle out into the waves from opposite ends of the beach, like magnets simultaneously attracting and repelling each other. The waves crash against the shore as the competition gets underway, the beach packed with spectators cheering from the sand. The morning sun glints off the water, creating perfect conditions for the surfers waiting in the lineup. JJ sits on his board, straddling it as he watches the sets roll in, his injured hand gripping the rails slightly tighter than necessary. He's in heat three, along with you and Kiara, a cruel twist of fate that has his stomach in knots.
From the beach, John B's voice carries over the crowd. "Let's go, JJ! Show these kooks how it's done!" Sarah and Pope join in with their cheers, their enthusiasm infectious enough to draw smiles from other spectators.
JJ catches sight of you about twenty yards to his left, the shell necklace he made you glints in the sun. You're focused on the horizon, reading the waves with an intensity he remembers well from your late-night surfing sessions years ago. Kiara floats between you two, creating a triangle formation in the water, her presence both a buffer and a reminder of everything that's changed.
"First wave of heat three!" the announcer's voice booms over the speakers. "Riders, get ready!"
A set approaches and JJ feels the familiar surge of adrenaline. He watches as you turn your board, positioning yourself for the wave. Your form is different now - more refined, more confident. You catch the wave with practiced ease, your movement fluid as you drop in. The crowd cheers as you execute a perfect bottom turn, spraying water in an arc that catches the sunlight.
"Fuck," JJ mutters under his breath, both impressed and frustrated. He spots his own wave approaching, bigger than yours, and paddles hard. As he pops up, everything else fades away - the crowd, the competition, the complicated mess of emotions. It's just him and the wave, the way it's always been. He drives hard off the bottom, launching into an aerial that has the crowd screaming. His injured hand protests as he grabs his rail, but he sticks the landing, finishing with a powerful snap off the lip.
Kiara catches the next wave, her style more aggressive than yours but equally skilled. She shoots JJ a quick smile as she paddles back out, no trace of their earlier conversation in her expression. You're all competitors now, regardless of your personal drama.
The heat continues, each rider pushing themselves harder with each wave. JJ finds himself watching you more than he should, noticing how you’ve incorporated new techniques into your surfing. There's a grace to your movements that wasn't there before, a confidence that makes his chest tight with something between pride and regret.
From the beach, Pope's voice cuts through the crowd noise: "Time check! Two minutes left in the heat!"
JJ sits up straighter on his board, scanning for one last good wave. He needs something big to secure his spot in the finals. A set approaches, and he can see both you and Kiara eyeing it too. It's the kind of wave you used to fight over during your dawn patrol sessions - clean, powerful, perfect for showing off.
The tension in the water is palpable as you all turn toward shore, ready to battle for position. JJ glances at you, catching your eye for the first time since you paddled out. For a moment, it's like nothing has changed - you're just two kids from the Cut, living for the next wave. Then the moment breaks as the announcer's voice booms: "Final wave of heat three approaching! Who's gonna take it?"
The tension crackles through the air as all three surfers eye the approaching wave. JJ's muscles tense as he prepares to paddle, but suddenly you make your move first, cutting across his line with precise timing. You catch the wave perfectly, popping up with fluid grace that makes the crowd gasp.
"Holy shit!" John B's voice carries over the noise as you drop into the face of the wave. Your form is flawless, body low and controlled as you set up for your first maneuver. 
JJ can't help but watch, even as he and Kiara paddle back to position. You carve up the face of the wave, your movements more aggressive than before, spraying water in an arc that catches the sunlight. You transition into a series of snaps that have the judges leaning forward in their seats, before setting up for your finale.
"No fucking way," JJ mutters, recognizing the setup. It's a move you used to practice together, late at night when the beach was empty - a risky aerial that you’d perfected during those endless summer sessions. You launch off the lip, grabbing your rail and rotating in a way that seems to defy gravity. The landing is clean, and precise, sending another spray of water toward the sky as the crowd erupts.
"That's my girl!" Sarah screams from the beach, jumping up and down while clutching John B's arm. Pope's got his phone out, recording everything while shouting his own encouragement.
As you paddle back out, JJ catches your eye again. There's something different in your expression now - a mix of pride, challenge, and something else he can't quite read. Kiara paddles up beside him, a knowing look on her face.
"Damn," Kiara whistles low. "She's been practicing."
"Time!" The announcer's voice booms across the water. "Heat three is complete! Riders, return to shore for scoring."
The paddle back is quiet, each lost in your own thoughts as the judges figure out scores. JJ can feel the energy on the beach, knowing without looking that your last wave changed everything. As you hit the shallows, John B and Pope rush out to help with your boards.
"That was fucking insane!" John B exclaims, grabbing your board. "When did you learn to fly?"
You push your wet hair back, that shell necklace still somehow perfectly in place. "Maine has waves too," you say quietly, but your eyes flick to JJ as you say it. "Different, but good for practicing."
"Attention competitors," the announcer's voice cuts through their conversation. "Scores for heat three are ready..."
The group falls silent, tension building as you wait for the results. JJ finds himself holding his breath, his injured hand throbbing. The morning sun is high now, turning the ocean into a field of diamonds, and somewhere in the back of his mind, he remembers teaching you that aerial on a night just like this, under a full moon with no one else around.
The announcer's voice crackles over the speakers: "In third place, with a score of 8.7 - Kiara Carrera!"
Kiara grins, accepting high-fives from the group. "Not bad for a warmup," she says, squeezing water from her hair. Her eyes dart between JJ and you, anticipating what comes next.
"In second place, with a score of 9.2..." The pause feels endless, "JJ Maybank!"
JJ's jaw tightens, his fingers flexing around his board. He knows what's coming, and can feel it in the electric tension running through their little group. Pope claps him on the shoulder, but he barely feels it.
"And taking first place in heat three, with a score of 9.8 - Y/N L/N! That final aerial was something else, folks!"
The beach erupts in cheers, but JJ's focused on your face - the way your eyes widen in surprise, the slight tremor in your hands as Sarah pulls you into a crushing hug. You look exactly like you did years ago when you landed your first aerial under his guidance.
"Holy shit, Y/N!" John B whoops, lifting you off your feet in celebration. "That was fucking incredible!"
"All riders advancing to the finals, please check the board for heat assignments," the announcer continues. "Thirty-minute break before the next round."
JJ watches as they swarm you with congratulations, his emotions a tangled mess he can't sort through. Pride, jealousy, regret, and something deeper, something that feels like the undertow that used to drag you both out during night sessions.
"You taught her that aerial," Kiara says quietly beside him, her voice carrying a knowing tone. "I remember watching you two practice it for weeks."
Before JJ can respond, you break away from the group, approaching them with hesitant steps. You're holding something in your hand - his old surf wax, the one he'd always let you borrow during your sessions.
"Found this in my bag this morning," you say, your voice barely audible over the beach noise. "Thought you might want it back." Your finger brushes his as you hand it over, sending a jolt through his system that has nothing to do with the competition.
"Keep it," he finds himself saying, his voice rougher than intended. "Looks like you're putting it to better use anyway." He tries to make it sound casual, but there's too much history in those words, too many memories of dawn patrols and midnight sessions and promises made under starlit skies.
The moment stretches between you, heavy with unspoken words, until Pope's voice breaks through: "Guys! They're posting the final heat assignments!"
The group moves toward the bulletin board, but JJ hangs back, watching you walk away. The shell necklace catches the light again, and he remembers making it for you on this very beach, his fingers working the knots while you talked about constellations and dreams and futures that seemed possible then.
"You okay?" Kiara asks, lingering beside him.
"Yeah," JJ lies, running a hand through his salt-stiffened hair. "Just... fuck." He doesn't need to finish the sentence. Kiara understands - she always has.
The finals loom ahead, but all JJ can think about is that aerial, and how your form was exactly the same as when he first taught it to you, right down to the way you point your toes during the rotation. Some things, it seems, don't change - even when everything else does.
The beach is winding down as the sun begins its descent, painting the sky in brilliant oranges and pinks. The competition crowd has thinned, leaving behind only the most dedicated spectators and the Pogues, who are sprawled out on their blankets celebrating their friends' success. JJ, you, and Kiara stand together on the podium, your medals glinting in the late afternoon light.
"Third place, Kiara Carrera!" The announcer's voice booms one final time. Kiara grins, holding up her bronze medal as Sarah and John B whoop and holler from the crowd.
"Second place, Y/N L/N!" You step forward, accepting your silver medal with a small smile. The shell necklace around your neck catches the light, drawing JJ's attention momentarily.
"And your first-place winner, JJ Maybank!" The crowd erupts as JJ accepts his gold medal, his signature cocky grin in place despite the storm of emotions brewing beneath the surface. His final wave had been spectacular - a combination of raw power and technical skill that even the most critical judges couldn't deny.
As you step down from the podium, Pope approaches with a cooler. "Time to celebrate properly!" he announces, pulling out beers for everyone. The group gravitates toward your usual spot on the beach, away from the dispersing crowd.
"To the most talented pogues in the OBX!" John B raises his beer, his other arm wrapped around Sarah's waist. "And to Kiara for not killing JJ when he snake dropped her wave in the finals!"
"Hey!" JJ protests, but he's laughing. "All's fair in love and surfing, right?" The words hang in the air for a moment, loaded with meaning as his eyes unconsciously drift to you.
"That last aerial though," Pope interjects, sensing the tension. "Thought you were gonna break your neck, JJ."
"Please," JJ scoffs, taking a long drink from his beer. "That was nothing compared to the shit we used to pull during night sessions." He freezes slightly, realizing what he's said, and who he's referencing.
You shift beside him, your silver medal catching the dying light. "Remember that time we tried to surf during a lightning storm?" You say quietly, surprising everyone. "John B had to come to rescue us in the Twinkie."
"Jesus," Sarah laughs, but her eyes are watchful. "You two were always doing crazy shit like that."
The group falls into a comfortable rhythm of storytelling and laughter, the competition tension slowly easing. JJ finds himself hyper-aware of your presence, the way you laugh at John B's terrible jokes, and how you unconsciously play with that shell necklace when you're thinking.
"You've improved," he says suddenly when the others are distracted by Pope's dramatic reenactment of a wipeout. "Your form, I mean. It's... different. Better."
You look at him, really look at him, for what feels like the first time since you’ve been back. "Had a good teacher," you reply softly, your fingers still toying with the necklace. "Some things you don't forget, even when you're trying to."
The weight of unspoken words hangs between you, heavy as storm clouds. Kiara watches you two from across the circle, a knowing look in her eyes as she catches JJ's gaze.
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The Wreck is bustling with the usual dinner crowd, but Kiara's parents have reserved the back section for their celebration. The smell of fried shrimp and hush puppies fills the air as you pile around your favorite table, medals still hanging around the winners' necks. The sunset streams through the windows, casting everything in a warm golden glow.
JJ slouches in his chair, one arm draped over the back as he nurses his beer. His eyes keep drifting to you, who's sitting between Sarah and Pope, your hair still damp from the ocean. The shell necklace catches the light every time you move, a constant reminder of everything that's changed and everything that hasn't.
"Yo, check it out," John B nudges JJ, nodding toward the entrance where Topper and Rafe are making their way over. The entire table tenses slightly, years of rivalry making everyone wary.
"Hey," Topper says, stopping at their table. He looks different - less aggressive than usual, almost humble. "Just wanted to say... that was some sick surfing today. All of you." His eyes linger on you for a moment longer than necessary, making JJ's jaw clench.
Rafe, surprisingly sober, nods in agreement. "That move in the finals, Maybank? Pretty fucking impressive." He shifts uncomfortably, clearly not used to complimenting pogues. "And Y/N... didn't know you had moves like that."
"Thanks," you reply quietly, your fingers automatically going to the shell necklace. The gesture doesn't go unnoticed by anyone at the table, especially JJ.
"Yeah, well," JJ starts, his voice carrying an edge, but Kiara kicks him under the table. He swallows whatever sarcastic comment he is about to make. "Thanks, man. You weren't half bad either, Topper."
"Listen," Topper says, running a hand through his hair. "We're having a bonfire in Figure Eight tonight. Victory party kind of thing. You guys should come." The invitation hangs in the air, surprising everyone.
Sarah raises an eyebrow at her brother. "Rafe? You're okay with this?"
Rafe shrugs, looking almost uncomfortable. "New leaf and all that shit, right? Besides," he grins, some of his old cockiness returning, "can't let you pogues have all the fun."
The group exchanges looks, years of kook-pogue rivalry making them hesitant. It's Pope who finally speaks up. "Yeah, alright. Could be fun."
"Cool," Topper nods, already backing away. "Starts at nine. Bring whatever." He and Rafe head back to their table, leaving you in stunned silence.
"Did that just happen? Did we just have a civil conversation with Topper and Rafe?" Kiara says surprised.
"End times," Pope declares solemnly, making everyone laugh. "The apocalypse is definitely coming."
"Well, that was weird," John B says, voicing what everyone's thinking. "Think it's a trap?"
"Nah," Sarah shakes her head. "Topper's been different lately. And Rafe... well, rehab changed him. A little, anyway."
JJ snorts, taking another drink. "Still don't trust them." His eyes find you again. "You gonna go?"
The question feels heavier than it should, loaded with implications. You meet his gaze, something unreadable in your expression. "Maybe," you say softly. "Might be nice to see how the other half lives, right?"
The tension at the table shifts, everyone pretending not to notice the way JJ's grip tightens on his beer bottle, or how your fingers haven't left that shell necklace since Topper walked away.
"Well," Kiara stands up, ever the peacemaker, "if we're doing this, we should probably get more food first. Can't show up to a kook party on empty stomachs." She heads toward the kitchen, leaving the others to navigate the complicated dynamics at the table.
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The bonfire casts dancing shadows across the beach as JJ stands near the water's edge, the sound of waves mixing with distant laughter and music from the kook party. He's already several beers in, trying to drown out the memories that keep surfacing every time he catches sight of you. The others have conspicuously disappeared - John B and Sarah wandering off toward the dunes, Pope getting caught up in some debate about marine biology with a group of college kids, and Kiara conveniently remembering she needed to help set up the speakers.
You approach quietly, your presence announced only by the soft crunch of sand under your feet. You’ve changed since dinner, wearing a loose white beach dress that catches the firelight, that damn shell necklace still around your neck. Without warning, you reach out and take his beer, replacing it with a bottle of water.
"The fuck, Y/N/N?" JJ protests, the nickname slipping out before he can stop it. His voice is rougher than usual, whether, from the alcohol or emotion, it's hard to tell.
"You've had enough," you say softly, but firmly. "And we both know you get mean when you drink too much." There's no judgment in your voice, just stated fact - you know him too well, even after all this time.
JJ runs a hand through his hair, agitation clear in every movement. "Yeah? And what makes you think you still get to make that call?" The words come out harsh, but he takes a drink from the water bottle anyway.
You settle into the sand, patting the spot next to you. After a moment's hesitation, JJ sits too, maintaining careful distance between you two. The fire casts an orange glow across your skin.
"Remember the last bonfire we were at together?" You ask suddenly, your voice barely audible over the waves. "Before... everything?"
JJ tenses beside you, his fingers digging into the sand. "Don't," he warns, but there's less bite in his voice now. "We're not doing this, Y/N."
"Aren't we?" You turn to look at him fully, the firelight reflecting in your eyes. "Because I think we've been doing this dance since I got back. Everyone sees it, JJ. Even Kiara-"
"Leave Kie out of this," he snaps, but you both know it's a weak protest. His hand unconsciously moves toward yours in the sand before he catches himself. The shell necklace gleams as you shift, drawing his attention. "You kept it," he says suddenly, nodding toward the necklace. "Even in Maine."
"Never took it off," you admit quietly. "Even when they..it was the only piece of home I had left. The only piece of you."
JJ's breath catches at your words, his fingers curling into fists in the sand. The firelight dances across your faces as the party continues behind you, but you might as well be alone on the beach. The sound of waves seems to grow louder, matching the thundering of his heart.
"You can't just..." he starts, his voice cracking.
"You can't just say shit like that, Y/N. Not after... not after everything."
You shift slightly closer, the hem of your white dress brushing against his leg. "Then what can I say, JJ? Because we need to talk about it. About that night. About why I really left." 
"Yeah?" JJ's voice turns sharp, defensive. "What's there to talk about? You made your choice. You left. End of fucking story." But his eyes betray him, constantly drawn to your face, to the necklace, to the way the firelight catches in your hair.
"It wasn't a choice," you say quietly, your voice trembling slightly. "My parents found the letters, JJ. The ones I wrote to you about... about everything. About your dad, about what we were planning..." You take a shaky breath. "About how much I loved you."
JJ's whole body goes rigid at your words. The water bottle crumples in his grip, forgotten. "Stop," he says, but it sounds more like a plea than a command. "Just... fuck, Y/N."
"You want to know why I really left?" You continue, your voice stronger now. "Because that night, after I left your house, after your dad..." you swallow hard. "After I saw what he did to you, I went home and wrote everything down. Every bruise I'd helped you hide, every night you climbed through my window bleeding, every time you flinched when someone moved too fast. I was going to turn him in, JJ. I couldn't watch him hurt you anymore."
The confession hangs in the air between you, heavy as storm clouds. JJ's breathing has become ragged, his jaw clenched so tight it must hurt. Behind you, someone cranks up the music, but it feels distant, muffled like you're underwater.
"My parents found the letters before I could do anything," you continue, your voice barely above a whisper. "They read everything - about us, about your dad, about how we were planning to run away after graduation. They didn't give me a choice, JJ. It was either Maine or..." 
JJ stares at the water, his whole body vibrating with tension as he processes your words. The firelight catches the tears threatening to spill from his eyes, but he blinks them away furiously. His injured hand flexes in the sand, leaving small indentations that quickly fill with darkness.
"You were gonna..." he starts, his voice hoarse. "You were trying to protect me?" A bitter laugh escapes him. "Fuck, Y/N. I thought... all this time I thought you just couldn't handle my shit anymore. Thought you got tired of dealing with the fucked up pogue kid."
You shift closer, close enough that your shoulders brush. The contact sends electricity through both of you. "I could never get tired of you, JJ," you whisper, your voice catching. "Even in Maine, even when they had me so medicated I could barely remember my own name... I never stopped..."
"Don't," he cuts you off roughly, but he doesn't move away. "You can't just come back here and tell me all this shit. You can't just..." he runs his hand through his hair again, agitation clear in every movement. "Fuck, do you know what it did to me? Finding your room empty that morning? Your mom wouldn't tell me anything, just kept saying you were 'getting help' like you were some kind of..." he can't finish the sentence.
"I tried to call," you admit quietly. "That first month, I called your number every day until they took my phone. Left so many voicemails I filled up your inbox." You touch the shell necklace again, a habit he's starting to recognize as nervous comfort. "Did you... did you ever listen to them?"
"Every fucking one. Over and over until the system deleted them." He finally turns to look at you fully, his eyes intense in the firelight. "I still have that old phone. Can't bring myself to throw it away because it's got your last message saved."
The confession hangs between you, heavy with meaning. Behind you, the party continues, but you might as well be alone on the beach. The waves crash steadily, a rhythm you both know by heart from countless night sessions together.
"I kept every letter," You say softly. "The ones they wouldn't let me send. There's a whole box of them under my bed. Three years' worth of things I needed to tell you." Your hand moves unconsciously toward his in the sand, stopping just short of touching.
JJ stares at the ocean for a long moment, processing everything. The firelight dances across his features as he finally turns back to you, his expression raw and vulnerable in a way you haven’t seen since that last night three years ago.
"Every time something good happened, or something shit happened, or just... anything happened, my first thought was always 'I gotta tell Y/N.' Then I'd remember you weren't there anymore." He lets out a shaky breath. "Took me almost a year to stop turning to tell you stuff."
Your hand finally bridges the gap between them, your fingers brushing against his in the sand. Neither of you pulls away. "I did the same thing," you admit. "In group therapy, they'd ask who we missed most from home. I'd always say my parents, but..." You touch the shell necklace with your free hand. "It was always you, JJ. Every single time."
JJ's thumb unconsciously strokes across your knuckles, a gesture so familiar it makes your heartache. "I can't..." He starts, his voice catching. "I can't go through losing you again, Y/N. I barely survived it the first time." The admission costs him, you can see it in the way his jaw clenches, the way his fingers tighten slightly against yours.
"I'm not going anywhere," you whisper, the words carrying on the ocean breeze. "Not this time. Not ever again." You turn your hand in the sand, properly lacing your fingers together. "I'm done running, JJ. From you, from us, from everything."
The silence that follows is heavy with possibility. Behind you, someone calls your names - probably Pope or Sarah looking for you - but neither moves. "We can't just pick up where we left off," JJ finally says, but he doesn't let go of your hand. "Too much has happened. We're different people now."
You nod, understanding in your eyes. "I know. But maybe..." you squeeze his hand gently. "Maybe we can start something new. Something better."
JJ looks at your intertwined hands, then back at your face - at the girl who's haunted his dreams for three years, who's sitting here now in the firelight wearing his necklace and holding his hand like you never left. "Yeah," he says softly, a small, genuine smile finally breaking through. "Maybe we can."
The party continues behind you, but you stay there on the beach, hands linked, watching the waves and starting the long process of healing what was broken. It's not perfect, and it's not fixed, but it's a beginning. And sometimes, that's enough.
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The moonlight streams through your bedroom window as you and JJ slip inside, your footsteps quiet on the hardwood floors. Your room looks different than JJ remembers - new paint, new decorations, but somehow still unmistakably you. The fairy lights strung across the ceiling cast a soft glow over everything, creating shadows that dance across the walls.
JJ hovers near the door, hands shoved in his pockets as he watches you drop to your knees beside the bed. The fabric of your dress ghosting around your legs as you reach under the bed frame. His shell necklace catches the light as you move, making his chest tight with memories.
"It's here somewhere," You mutter, pushing aside boxes and old notebooks. "I kept everything organized when I moved back, but..." you trail off, stretching further under the bed. 
JJ forces himself to look away, focusing instead on the photos newly tacked to your wall. Most are recent - your time in Maine, new friends, new places. But there, in the corner, partially hidden behind others, he spots one that makes his breath catch. It's you two, three years ago, on the beach after a night session. His arm is around your shoulders, both of you grinning at the camera, saltwater still dripping from your hair.
"Found it!" Your voice pulls him back to the present. You emerge from under the bed with a large shoebox, worn at the edges and covered in doodles. Your hands shake slightly as you set it on the bed, looking up at JJ with uncertainty in your eyes.
"That's... all of them?" JJ asks, his voice rougher than intended. He takes a step closer, drawn by the box like a magnet. Three years of words you couldn't say, couldn't send, all contained in one shoebox.
You nod, sitting cross-legged on the bed beside the box. "Every letter I wrote. Every time I missed you, every time something reminded me of you, every time I..." you trail off, fingers tracing the edge of the box. "Every time I needed you to know I still loved you."
The admission hangs in the air between you, heavy with possibility. JJ moves closer, perching on the edge of the bed, careful to maintain some distance. The fairy lights cast soft shadows across your face as you open the box, revealing stacks of envelopes, some crisp and new, others worn from being handled repeatedly.
"You don't have to read them now," you say quickly, noticing how JJ's hands have started to shake. "I just... I needed you to know they existed. That I never stopped trying to reach you, even when I couldn't actually send them."
The tension breaks as he lets out a snort of laughter, picking up one of the envelopes. "Your handwriting still looks like shit, Y/N," he teases, falling easily back into your old dynamic. "Seriously, did they not teach penmanship in Maine?"
You gasp in mock offense, snatching the letter from his hands. "Excuse you, this is art." You fought back a smile though, relief evident in your features at his attempt to lighten the mood. "Not all of us can have perfect surfer boy handwriting."
"Perfect?" JJ grins, reaching for another letter. "Have you seen my grocery lists? Even Pope can't read them." He settles more comfortably on the bed, his earlier hesitation melting away. "Oh shit, this one's got little hearts drawn all over it. Fucking sap."
"Shut up," You laugh, shoving his shoulder playfully. "I was heavily medicated and missing your stupid face." You pull out another letter, this one covered in doodles of waves and surfboards. "Oh god, my therapy art phase. We don't talk about this one."
JJ snatches it before you can hide it, his eyes scanning the page with growing amusement. "Holy fuck, is that supposed to be me?" He points to a stick figure with spiky hair riding a wave. "My hair does not look like that!"
"It absolutely does when you first wake up," you argue, reaching for the letter. JJ holds it above his head, laughing as you try to grab it. "JJ Maybank, give that back!"
"Make me," he challenges, his blue eyes sparkling with mischief. It feels like old times - him in your room, playfully arguing about nothing important, the weight of your earlier conversation temporarily lifted.
You lunge for the letter, causing you both to tumble backward onto your bed, letters scattering around you. JJ's still holding the drawing above his head, grinning as you try to reach it. "You're such an ass," you complain, but you're laughing too.
"Yeah, but you missed this ass," he quips, then freezes slightly, worried he's pushed too far. But You just roll your eyes, finally managing to snatch the letter back.
"Unfortunately," you sigh dramatically, settling beside him among the scattered letters. "Though I'm starting to question my judgment."
JJ clutches his chest in mock hurt. "Wow, three years and you're already tired of me? That's cold, Y/N. Ice cold." He picks up another letter, this one dated from about a year ago. "Oh look, more hearts. And are those little JJs surfing?"
"I'm going to murder you," you threaten, but there's no heat in it. You're watching him with soft eyes, taking in how the fairy lights cast shadows across his face, how his smile reaches his eyes for the first time since you’ve been back.
"Nah, you love me too much," he says automatically, then stills as he realizes what he's said. The playful atmosphere wavers for a moment, the weight of your history threatening to crash back in.
But you just smile, reaching out to fix his messy hair. "Yeah," you say softly. "I do."
The admission is simple, honest, lacking the heavy emotion of your beach conversation. JJ looks at you, really looks at you, surrounded by three years worth of letters you wrote to him, wearing his necklace, smiling at him like nothing's changed and everything's changed all at once.
"Well, shit," he says finally, a grin tugging at his lips. "That's convenient. 'Cause I might still love you too."
The moment stretches between you, charged with three years of unspoken feelings until JJ finally closes the distance. His lips meet yours softly at first, hesitant, like he's afraid you might disappear if he pushes too hard. His hand comes up to cup your face, thumb brushing across your cheekbone as letters crinkle beneath you.
You respond immediately, your fingers threading through his hair as you pull him closer. The kiss deepens, three years of longing and regret and love pouring into it. JJ tastes like ocean and bonfire smoke, exactly how you remember.
"Fuck," JJ breathes against your lips, pulling back slightly. His blue eyes are dark with emotion as he looks at you, his thumb still tracing patterns on your skin. "I've missed this. Missed you." His voice is rough, and vulnerable in a way he rarely allows himself to be.
You smile, tugging gently at his hair. "Yeah?" You tease, though your voice trembles slightly. "Even with my shit handwriting?"
JJ laughs, the sound rumbling through his chest where it's pressed against yours. "Especially with your shit handwriting," he murmurs, before capturing your lips again. This kiss is different - deeper, more urgent. His hand slides from your face to your neck, fingers brushing against the shell necklace.
You shift on the bed, letters scattering to the floor forgotten as you pull JJ closer. His weight settles over you naturally, like you never spent time apart. The fairy lights cast a soft glow over them, creating shadows that dance across your skin.
"Is this okay?" JJ asks between kisses, his forehead resting against yours. Despite his usual confidence, there's uncertainty in his voice. "We don't have to..."
You cut him off with another kiss, your hands sliding under his t-shirt to trace the familiar planes of his back. "JJ," you whisper against his lips. "Shut up."
He grins against your mouth, some of his usual cockiness returning. "Make me," he challenges, echoing your earlier playful banter. But there's heat in his voice now, promise in the way his fingers trail down your sides tracing the curve of your waist through the thin fabric of your white dress. His touch is familiar and electric, leaving trails of heat in its wake. The fairy lights cast a soft glow over them as he captures your lips again, deeper this time, more urgent.
"Fuck, Y/N," he breathes against your mouth, his voice rough with want. His fingers find the hem of your dress, playing with the fabric as he kisses down your neck. "Tell me if you want me to stop."
"Don't you dare," you whisper, tugging at his hair the way you know he likes, The action draws a low groan from him, his hips pressing instinctively against yours. JJ pulls back slightly, his blue eyes dark with desire as he looks down at you. The shell necklace gleams against your skin, making his chest tight with emotion. He leans down, pressing open-mouthed kisses along your collarbone, following the path of the necklace.
"You're wearing too many clothes," he murmurs against your skin, his hands sliding higher under your dress. His touch is reverent, relearning every curve and dip of your body. When his fingers brush against the lace of your underwear, you both inhale sharply.
You tug at his shirt impatiently. "So are you," you breathe, helping him pull it over his head your hands immediately explore his chest. "God, I've missed touching you."
JJ's response is to kiss you again, hard and deep, as his hands work to dress up your body. "Lift up," he instructs softly, and you arch your back so he can pull the fabric over your head. The sight of you in just your underwear, his necklace resting between your breasts, makes him pause.
"What?" You ask, suddenly self-conscious under his intense gaze. But JJ just shakes his head, leaning down to press kisses across your chest.
"Just..." he murmurs between kisses, "trying to memorize everything." His hands slide up your sides, thumbs brushing the undersides of your breasts through your bra. "In case this is a dream."
You reach up to touch JJ's face tenderly, your thumb tracing his bottom lip. "Not a dream," you whisper, pulling him down for another deep kiss. Your legs wrap around his waist, drawing him closer as his hands explore your body with increasing urgency.
JJ's fingers trace the edge of your bra, his touch teasing yet reverent. "Can I...?" he asks against your lips, and you nod, arching your back so he can reach the clasp. His hands are slightly shaky as he unhooks it like he still can't quite believe this is real.
"Fuck," he breathes as the garment falls away, revealing your breasts. The shell necklace rests between them, catching the fairy lights. JJ leans down, pressing open-mouthed kisses across your chest. His tongue traces patterns on your skin, remembering exactly how to make you gasp.
Your hands tangle in his hair as he takes a nipple into his mouth, your back arching off the bed. "JJ," you moan softly, mindful of the quiet house. His free hand palms your other breast, thumb circling the sensitive peak until you're squirming beneath him.
"Missed these sounds," JJ murmurs against your skin, switching his attention to your other breast. "Missed making you fall apart." His hand slides down your stomach, fingers playing with the waistband of your underwear. "Can still remember every spot that makes you shake."
To prove his point, he kisses down your ribs to that sensitive spot just below your left breast - the one that always makes you gasp. Sure enough, your breath hitches, your fingers tightening in his hair. "Still so responsive," he grins against your skin, nipping gently.
"Shut up," you breathe, but there's no heat in it. Your hands slide down his back, nails dragging lightly across his skin in the way you know drives him crazy. JJ groans, his hips pressing against yours instinctively.
"Make me," he challenges, echoing your earlier banter as he kisses lower, across your stomach. His fingers hook into your underwear, but he pauses, looking up at you with dark eyes. "Tell me you want this, Y/N/N. Tell me you want me."
You prop yourself up on your elbows, looking down at him with eyes full of love and desire. The fairy lights cast shadows across his face, highlighting the intensity of his gaze. "I want you, JJ," you whisper. "Always have, always will."
When you reach the waistband of his shorts, he groans softly against your neck. "Can I?" You ask, fingers playing with the button of his shorts. JJ nods against your skin, his breath hot on your neck as you work the button free. The sound of his zipper seems loud in the quiet room.
JJ helps you slide his shorts down his legs, his breath catching as your fingers trace the waistband of his boxers. The fairy lights cast a soft glow over his skin, highlighting the muscles that flex under your touch. "Fuck, Y/N," he breathes as your hand palms him through the thin fabric. His hips buck involuntarily, seeking more friction. "You're gonna kill me."
You smirk up at him, enjoying the way his breath hitches as you hook your fingers in his boxers. "That's the plan," you tease, slowly pulling the fabric down. JJ kicks them off impatiently, leaving him completely bare above you.
His hands slide up your thighs, fingers playing with the edge of your underwear. "These need to go," he murmurs, pressing open-mouthed kisses along your hip bone. "Want to taste you again."
You lift your hips, letting him slide the lace down your legs. The shell necklace gleams against your skin as you move, drawing JJ's attention. He leans down, pressing kisses along the chain until he reaches the shell pendant resting between your breasts.
"Still can't believe you kept it," he whispers against your skin, his hands exploring your now-bare body with increasing urgency. "Kept wearing it all this time."
"Never took it off," you breathe, arching into his touch as his fingers trace patterns on your inner thighs. "It was like keeping a piece of you with me."
JJ groans at your words, capturing your lips in a deep kiss. His hand slides higher, fingers teasing where you want him most. "Tell me what you need," he murmurs against your mouth. "Want to make you feel good."
Your response is cut off by a gasp as his fingers find where you need him. Your hands clutch at his shoulders, "You," you manage to say. "Just you, JJ. Always you."
JJ's fingers trace slow, teasing circles against your sensitive flesh, watching with dark eyes as you arch beneath his touch. His other hand explores your body with reverent familiarity, relearning every curve and dip that he's missed for three long years. The fairy lights cast shifting shadows across your bare skin as you move together on your bed. "Fuck, you're so wet already," JJ breathes against your neck, his voice rough with desire. His fingers slide lower, teasing your entrance as his thumb continues its maddening circles. "Always so responsive for me, Y/N."
JJ can't resist leaning down to trace the chain of the necklace with his tongue, following its path down to where it rests against your sternum. "Please," you gasp as he slides one finger inside you, your legs spreading wider to accommodate him. "JJ, I need..."
"Tell me," he murmurs against your skin, adding a second finger and curling them just right. "Want to hear you say it, baby. Tell me what you need." Your response is cut off by a moan as his thumb presses harder, his fingers finding that spot inside you that makes you see stars. JJ watches your face intently, memorizing every expression of pleasure that crosses your features. His cock throbs insistently against your thigh, but he ignores it, focused entirely on making you fall apart.
"You," you finally manage, your voice breathy and desperate. "Need you inside me, JJ. Please."
JJ groans at your words, his control wavering. But he forces himself to maintain his slow pace, wanting to draw this out, to make it last. His fingers continue their steady rhythm as he kisses down your body, paying special attention to each sensitive spot he remembers.
"Not yet," he whispers against your hip bone, nipping gently at the skin there. "Want to taste you first. Been dreaming about this for three years, Y/N. Gonna take my time."
JJ settles between your thighs, his hot breath teasing your sensitive flesh as he presses open-mouthed kisses along your inner thighs. His fingers maintain their steady rhythm inside you, curling just right. "Missed how you taste," he murmurs against your thigh, nipping gently at the sensitive skin. "Missed making you fall apart like this." His free hand slides up your body to palm your breast, thumb circling your nipple as he finally presses his tongue against your clit.
Your back arches off the bed, one hand tangling in his salt-stiffened hair while the other grips your sheets. The shell necklace catches the light as you move, a constant reminder of your shared history. "JJ," you gasp, trying to keep your voice down despite the pleasure coursing through you.
JJ hums against you, the vibration making your thighs tremble. His tongue traces patterns around your clit as his fingers continue their steady thrusting, finding that perfect spot inside you that makes you see stars. He watches your face intently, memorizing every expression of pleasure that crosses your features.
"That's it, baby," he murmurs, pulling back slightly to blow cool air against your heated flesh. "Want to see you come apart for me. Been too fucking long." His words are punctuated by another curl of his fingers, another swipe of his tongue.
Your hips buck against his face as he sucks your clit into his mouth, your breathing becoming more ragged. JJ's free hand slides down to hold your hips steady, his grip firm but gentle. "Close," you manage to gasp, your fingers tightening in his hair. "JJ, I'm so close..."
JJ doubles his efforts, his tongue moving faster as his fingers maintain their perfect rhythm. He can feel your walls beginning to flutter around his fingers and can taste how close you are. "Come for me, Y/N, Want to feel you fall apart on my tongue."
The combination of his words, his fingers, and his tongue finally pushes you over the edge. Tour back arches sharply, your thighs trembling as waves of pleasure crash over you. JJ works you through it, his movements becoming gentler as you come down from your high.
When he finally pulls back, his lips are glistening and his eyes are dark with desire. He presses soft kisses up your body as you catch your breath, paying special attention to the shell necklace that rests between your breasts. His cock presses insistently against your thigh, but he makes no move to rush things.
"Beautiful," he murmurs against your neck, nipping gently at your pulse point. "Fucking beautiful, Y/N. Missed watching you come undone like that."
Your hands slide down his back, nails dragging lightly across his skin in a way that makes him shiver. "Need you," you whisper, pulling him up for a deep kiss. You taste yourself on his tongue, making you moan softly. "Please, JJ. Need you inside me."
JJ positions himself between your thighs, his cock pressing teasingly against your entrance. The fairy lights cast shadows across your sweat-slicked bodies as he captures your lips in a deep, passionate kiss. "Need you to be sure," he murmurs against your lips, his voice rough with desire and emotion. "Tell me this is what you want, Y/N." His cock slides against your wetness, making you both gasp at the sensation. 
You wrap your legs around his waist, pulling him closer. "I'm sure, JJ," you breathe, your hands sliding up his back to tangle in his hair. "Been sure since the day I left. Want you, need you, love you."
JJ groans at your words, capturing your lips again as he slowly pushes inside you. You both freeze at the sensation, overwhelmed by the feeling of being connected again after so long. "Fuck," he breathes against your neck, his arms trembling as he holds himself still. "You feel fucking perfect, baby."
Your nails dig into his shoulders as you adjust to his size, your breath coming in short gasps. The fairy lights dance across your skin as you start to move together, finding your rhythm like you’ve never spent a day apart. JJ's movements are slow, and deliberate, wanting to savor every moment.
"Missed this," he murmurs, pressing open-mouthed kisses along your neck. "Missed you, missed us." His words are punctuated by slow, deep thrusts that make you gasp and arch beneath him. One hand slides down to grip your hip, angling you just right.
The shell necklace moves with each thrust, catching the light and drawing JJ's attention. He leans down to trace it with his tongue, following its path between your breasts. The action makes you moan softly, your walls clenching around him.
"JJ," you gasp as he hits that perfect spot inside you. "Please, need more." Your hands slide down his back, nails leaving light scratches that make him groan and thrust harder.
He continues his slow, deliberate pace, savoring every gasp and moan that escapes your lips. His hands explore your body with increasing urgency, one sliding down to grip your thigh as he adjusts the angle of his thrusts. "Fuck," he groans against your neck, nipping gently at your pulse point. "Feel so good around me, so fucking perfect." His words are punctuated by deep, measured thrusts that make your walls clench around him. The shell necklace gleams between your breasts, moving with each roll of his hips.
Your hands slide up his back, nails leaving light scratches that make him shudder. "Please, JJ," you gasp, your legs tightening around his waist. "Need more, need you harder." Your voice is breathy, and desperate, making his control waver.
But JJ maintains his torturously slow pace, wanting to draw out every moment. His free hand slides between them to circle your clit, making your back arch sharply off the bed. "Not yet, baby," he murmurs, capturing your lips in a deep kiss. "Want to feel every inch of you, want to make this last."
JJ's thumb continues its maddening circles on your clit as he thrusts deeper, hitting that spot inside you that makes you see stars. "JJ," You moan, your walls fluttering around him as you get closer to the edge. "I'm close, so close..." 
His thrusts become slightly harder, and deeper, but still maintain that measured pace that's driving you both crazy. JJ's free hand slides up to palm your breast, thumb circling your nipple as he continues to work you higher. The combination of sensations has you gasping his name, your body trembling beneath him.
JJ grins against your lips, his hands sliding down to grip your hips. "Want to try something?" he asks, his voice rough with desire. Without waiting for an answer, he suddenly rolls you over, keeping himself buried deep inside you as you end up straddling his lap.
"Fuck," You gasp at the new angle, your hands braced against his chest as you adjust. The shell necklace swings between you, catching the fairy lights as you move. JJ's hands slide up your thighs, gripping your hips as he guides you into a slow rhythm.
"That's it, baby," he groans, watching as you start to move above him. Your breasts bounce slightly with each movement, making his mouth water. "Ride my cock just like that." His hands explore your body freely from this new position, one sliding up to palm your breast while the other keeps a steady grip on your hip.
You set a torturously slow pace, rolling your hips in a way that has JJ cursing under his breath. Your walls clench around him with each movement, drawing low groans from deep in his chest. "Missed watching you like this," JJ breathes, his hands roaming your body possessively. He sits up slightly, capturing a nipple in his mouth as you continue to ride him. 
His hands guide your movements, helping you maintain that slow, deep pace that's driving you both crazy.
"JJ," You moan as he hits that perfect spot inside you. Your nails drag down his chest, leaving light scratches that make him buck up into you harder. 
JJ's control starts to slip as he watches you move above him, your head thrown back in pleasure. "Fuck, Y/N," he groans, his hands tightening on your hips. "You look so fucking good riding my cock like this."
He watches in awe as you continue to ride him, your movements becoming more confident with each roll of your hips. His hands slide up your sides, thumbs brushing the undersides of your breasts as you move above him. "Fuck, just like that," he groans, bucking up to meet your movements. His hands grip your hips tighter, guiding you into a rhythm that has you both gasping. 
You brace your hands on his chest, using the leverage to grind down harder. Your walls clench around him with each movement, drawing curses from his lips. "JJ," you moan, your head falling back as he hits that perfect spot inside you. "So deep like this..."
JJ works faster on your clit as he continues to thrust up into you, hitting that spot that makes you see stars. You gasp, and your movements become more desperate. He suddenly pulls out of you, making you whimper at the loss. His chest heaves with heavy breaths as he tries to regain some control, his cock throbbing painfully between you. 
"Need to slow down," he groans against your lips, his hands sliding up your sides. "Don't want this to end yet." His fingers trace patterns on your skin as you straddle his thighs. Your hands slide down his chest, nails dragging lightly across his skin in a way that makes him shiver. "JJ," you whimper, trying to move closer. Your pussy is dripping wet, clenching around nothing as you seek friction.
"Fuck, you're so wet for me," his fingers slid between your legs to tease your entrance. He watches as you gasp and arches into his touch, your walls fluttering around his fingers. "Could stay here all night, just watching you fall apart."
You rock against his hand, seeking more friction. JJ's free hand slides up to palm your breast, thumb circling your nipple as he continues to tease you with shallow thrusts of his fingers. "Please," you moan, your hands gripping his shoulders for support. "Need you back inside me, JJ. Been too long without you."
You shift in JJ's lap, deliberately grinding against his thigh. The friction makes you gasp, your wetness coating his skin as you rock your hips. His hands gripping your hips to guide your movements. "Fuck, Y/N," he groans, feeling your pussy slide against his thigh. "You're so fucking wet." His fingers dig into your flesh, leaving marks that will be visible tomorrow. 
Your hands brace against his chest for leverage as you grind harder, chasing the friction you need. The shell necklace swings between you with each movement, occasionally brushing against his heated skin. "JJ," you moan, your head falling back as pleasure builds.
JJ's free hand slides between them, thumb finding your clit as you continue to grind against him. "Please, more, need you inside me again." Your words are punctuated by the roll of your hips, your pussy sliding against his thigh with increasing urgency.
His thumb works faster on your clit as you ride his thigh, drawing you closer to release. "Come like this first," he commands roughly. You continue grinding against JJ's thigh, your movements becoming more desperate as pleasure builds. Your wetness coats his skin, making each slide of your pussy against him smoother, more intense. JJ's hands grip your hips tighter, guiding your movements as he watches you chase your release. 
"Want to feel you soak my thigh before I fuck you properly." JJ’s words, combined with the pressure on your clit and the friction against his thigh, finally push you over the edge. Your body trembles as waves of pleasure crash over you, your pussy pulsing against JJ's thigh as you come. Your wetness coats his skin, making everything slick and hot between you. 
"Fuck, that's it," His cock throbs painfully between you, demanding attention. "So fucking beautiful when you come." His thumb continues to circle your clit, drawing out your pleasure until your gasping and squirming.
Without warning, JJ flips them over, pinning you beneath him on the bed. His cock slides through your wetness, teasing your sensitive flesh. "Need to be inside you again," he groans, capturing your lips in a deep, passionate kiss. "Been too fucking long without this."
You wrap your legs around his waist, pulling him closer. "Please, JJ," you whimper, still sensitive from your orgasm. Your walls clench around nothing, seeking the fullness of his cock. "Need you inside me."
JJ lines himself up with your entrance, watching your face as he slowly pushes back inside. You both groan at the sensation, your walls stretching to accommodate him again.  "Fuck, still so tight," JJ breathes, setting a slow, deep pace. His hands explore your body possessively as he thrusts into you, memorizing every curve and dip. "Feel so good."
Your hands slide up his back, nails leaving light scratches that make him shudder. Your pussy pulses around him with each thrust, drawing low groans from deep in his chest. JJ maintains his deep, steady rhythm as he thrusts into you, his hands gripping your hips with bruising force. "I’m close," you gasp, your hands clutching at his shoulders for support. "So close, JJ. Please don't stop."
His hand slides between them to circle your clit as he maintains his punishing pace. "Come for me again," he commands. His thrusts become more erratic as he feels his release approaching, his grip on your hips tightening with bruising force. The fairy lights cast dancing shadows across their sweat-slicked bodies as they move together with increasing urgency. Without warning, he suddenly pulls out, his cock throbbing painfully between you.
"Fuck," he groans, his hand wrapping around his length as he strokes himself. "Where do you want it, baby?" His eyes are dark with desire as he watches you beneath him, your chest heaving with heavy breaths.
Your hands slide up his chest, nails dragging lightly across his skin. "On me," you gasp, still trembling from your release. 
JJ's control finally snaps at your words. With a low groan, he comes hard, painting thick stripes across your stomach and breasts. The shell necklace gleams in the fairy lights, covered in drops of his release.
You collapse together on the bed, breathing heavily as you come down from your high. JJ reaches for his discarded t-shirt, gently cleaning his release from your skin. "Stay," you whisper, curling into his side. Your fingers trace patterns on his chest as your breathing slowly returns to normal. "Please stay this time."
JJ pulls you closer, pressing a soft kiss to your forehead. "Not going anywhere," he murmurs against your skin. "Never again." The fairy lights continue to cast their soft glow over the room as you drift off to sleep, tangled together like they never spent a day apart.
His phone buzzes on the nightstand, the screen illuminating the dim room with a soft blue glow. He groans softly, careful not to wake you who's curled against his chest, your breathing deep and even. 
The group chat notification shows several messages from John B and Pope:
John B: yo where tf did you and y/n disappear to??? 👀
Pope: they definitely left together bro
John B: fucking FINALLY
Pope: 20 bucks says they're at her place
John B: nah man, bet they're at the chateau
JJ can't help but grin at his friends' messages, his free hand absently playing with your hair as you sleep.
His phone buzzes again:
John B: JJ we know you're reading these messages asshole
Pope: let him live, he's probably busy 😏
John B: BUSY WITH WHAT POPE??? 🤔😂
JJ rolls his eyes, typing out a quick response with one hand:
"fuck off both of you”
The response is immediate:
John B: HE LIVES!!!
Pope: told you they were together
John B: you better not fuck this up again maybank
JJ's jaw tenses at John B's last message, his arm tightening slightly around your sleeping form. The fairy lights cast soft shadows across your peaceful face as he looks down at you, remembering everything you’ve been through to get here. The shell necklace rests between you, a constant reminder of your shared past and the promise of your future but for now, in this room with its fairy lights and scattered memories, nothing exists beyond the two of you.
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allthecanadianpolitics · 3 months ago
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A British Columbia First Nation says at least 55 children died or disappeared while attending a residential school near Williams Lake — more than triple the number recorded for the institution in the National Centre for Truth and Reconciliation memorial register. The higher figure is contained in an interim report by the Williams Lake First Nation into the St. Joseph's Mission Indian Residential School. The report says investigators will finalize ground-penetrating radar surveys this year and hold meetings on potential excavation, exhumation, repatriation, DNA testing and genealogical mapping before any decision on digging up possible graves is made.  There are currently "no definitive processes planned" for excavation, it says.
Continue Reading
Tagging: @newsfromstolenland
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folk-enjoyer · 5 months ago
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Song of the Day
"Call of the moose" Willy Mitchell, 1980 As you might know, September 30th is Truth and Reconciliation day (more commonly known as Orange Shirt Day), a national day in Canada dedicated to spreading awareness about the legacy of Residential schools on Indigenous people. Instead of just focusing on a song, I also wanted to briefly talk about the history of the sixties scoop and its influence on Indigenous American music and activism.
The process of Residential schooling in Canada existed well before the '60s, but the new processes of the sixties scoop began in 1951. It was a process where the provincial government had the power to take Indigenous children from their homes and communities and put them into the child welfare system. Despite the closing of residential schools, more and more children were being taken away from their families and adopted into middle-class white ones.
Even though Indigenous communities only made up a tiny portion of the total population, 40-70% of the children in these programs would be Aboriginal. In total, 20,000 children would be victims of these policies through the 60s and 70s.
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These adoptions would have disastrous effects on their victims. Not only were sexual and physical abuse common problems but the victims were forcibly stripped of their culture and taught to hate themselves. The community panel report on the sixties scoop writes:
"The homes in which our children are placed ranged from those of caring, well-intentioned individuals, to places of slave labour and physical, emotional and sexual abuse. The violent effects of the most negative of these homes are tragic for its victims. Even the best of these homes are not healthy places for our children. Anglo-Canadian foster parents are not culturally equipped to create an environment in which a positive Aboriginal self-image can develop. In many cases, our children are taught to demean those things about themselves that are Aboriginal. Meanwhile, they are expected to emulate normal child development by imitating the role model behavior of their Anglo-Canadian foster or adoptive parents."
and to this day indigenous children in Canada are still disproportionately represented in foster care. Despite being 5% of the Total Canadian population, Indigenous children make up 53.8% of all children in foster care.
I would like to say that the one good thing that came out of this gruesome and horrible practice of state-sponsored child relocation was that there was a birth of culture from protest music, but there wasn't. In fact, Indigenous music has a long history of being erased and whitewashed from folk history.
From Buffy Saint-Marie pretending to be Indigenous to the systematic denial of first nations people from the Canadian mainstream music scene, the talented artists of the time were forcibly erased.
Which is why this album featuring Willy Mitchell is so important.
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Willy Mitchell and The Desert River Band
This Album was compiled of incredibly rare, unheard folk and rock music of North American indigenous music in the 60s-80s. It is truly, a of a kind historical artifact and a testimony to the importance of archival work to combat cultural genocide. Please give the entire thing a listen if you have time. Call of the Moose is my favorite song on the album, written and performed by Willy Mitchell in the 80s. His Most interesting song might be 'Big Policeman' though, written about his experience of getting shot in the head by the police. He talks about it here:
"He comes there and as soon as I took off running, he had my two friends right there — he could have taken them. They stopped right there on the sidewalk. They watched him shootin’ at me. He missed me twice, and when I got to the tree line, he was on the edge of the road, at the snow bank. That’s where he fell, and the gun went off. But that was it — he took the gun out. He should never have taken that gun out. I spoke to many policemen. And judges, too. I spoke with lawyers about that. They all agreed. He wasn’t supposed to touch that gun. So why did I only get five hundred dollars for that? "
These problems talked about here, forced displacement, cultural assimilation, police violence, child exploitation, and erasure of these crimes, still exist in Canada. And so long as they still exist, it is imperative to keep talking about them. Never let the settler colonial government have peace; never let anyone be comfortable not remembering the depth of exploitation.
Every Child Matters
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bird-inacage · 2 months ago
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The Heart Killers EP6-EP7: "You think I'd go on living if you died?"
I'm sure everyone is still wiping away the snot from their face thanks to Episode 6's brutal ending. I want to talk about how next week's preview shows we're leading into the best invitation for reconciliation as far as Bison and Kant are concerned. Let me explain.
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In the wake of Bison being confronted with the awful truth, he will likely assume (in the immediate instance) that everything - every single thing Kant has said and done was a total lie - a strategically crafted fabrication to get him hooked, including Kant's feelings. That Kant never loved him at all, it was all an act. We as an audience know that's not true but Bison doesn't.
With Bison getting shot next episode, this forces Kant to drop his mask in the most revealing way possible. In the face of losing Bison, this becomes the catalyst for Kant turning the tables, and proves twofold:
Kant's panic over Bison possibly dying indicates he genuinely cares about him. His entire demeanour during this incident will be under the eyes of everyone present including Fadel and Style. If there was any doubt about Kant's feelings, there won't be now.
Kant can no longer lie to himself. He can't live without Bison (by his own later admission). Throughout EP6, Kant's been trying to assure Style he will move on once this whole situation has blown over, but Kant's simply telling his best friend what he wished he could convince himself of. He tries to believe that he can give up Bison and be okay, that it will all be worth it if it means protecting Babe. But deep down he knows he won't be. This confirms it.
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So firstly, Bison will witness just how much Kant cares about him. It doesn't deny the fact that Kant lied to him, but the truth is Kant has also undoubtedly fallen in love with him. The man sits by Bison's bedside sobbing and inconsolable, and I anticipate Kant may well confess why he did what he did whilst Bison is 'unconscious', who may recall some or all of what he says when he wakes.
Secondly, Kant will decide that he can no longer put Bison in any kind of jeopardy and that means: 'fuck the mission'. He's going to have to turn on Chris, and aid Bison and Fadel to escape the pursuit from the police that he helped them gain progress with. Chris already suspects that Kant has fallen for Bison which makes him a huge liability. Sealed by either by his own active choices to defy the police, or in Chris' eyes, Kant has effectively chosen to put a huge target on his back. By extension Babe is no longer safe either.
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In the preview, we also see Bison disappear from the hospital, just as Chris plans to apprehend him. It's likely that the next time they meet, Bison has been in hiding (probably watching Kant from the shadows) before he intervenes to help. It could be that Kant is being hunted down by the cops or Mother. For Bison to do this shows he's already on the road towards forgiveness, having observed Kant and processed what he now knows. It's far more complicated than he first assumed, and he's willing to hear Kant out. They're ready to start the path to reconciliation and face what's to come together.
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On a final note, I've been speculating who may be the ones leading the attack at the bowling alley. The obvious guess would be the police. But for some reason, I have a wild feeling it could be Keen. (I remember Pepper being on set when these four were filming for this scene). It's possible for example that Mother finds out it's Kant and Style who are the informants and Keen tries to score some brownie points by taking them out. In the heat of the moment, Bison protects Kant on instinct and gets shot. Now that would make this all the more heart-wrenching wouldn't it?
You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.
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celticcrossanon · 3 months ago
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BRF Reading - 3rd of November, 2024
This is speculation only
Cards pulled on the 3rd of November, 2024
Question: Why is the truth about Meghan's pregnancies and the birth of her children not being released? is it due to legal consequences, a desire to protect Harry, or something else?
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Interpretation: They are protecting Harry.
I pulled one card for each question. I asked the question twice, so you have 2 cards for each question below.
The first card was an answer to the question: Is it because of legal issues?
Card One Reading One: The Six of Wands
This is a card of success, of being triumphant, of achieving your goals. This card tells me that the truth about the carrying and birth of the Sussex children is not being withheld from the public because of legal reasons. The card tells me that if the case ever went to court, the BRF would have a guaranteed win. They have everything they need to win their case in court and then some. So the fear of being sued or of having to prove the truth in court is not a reason for the delay.
As an answer to my question, this card says that there is no legal reason to withhold the truth of the situation - the BRF has everything they need to win this case in court if it came to that.
Card One Reading Two: The Wheel of Fortune, reversed
The Wheel of Fortune is a decline in your fortune, fame, or reputation. It can be a gamble that did not pay off. As an answer to my question, this card tells me that releasing the information would cause damage to someone's reputation. This could be the obvious answer, damage to the reputations of Meghan and Harry, or it could be damage to the reputation of the BRF due to the lies Harry and Meghan will tell about how they were 'forced' to hide the surrogacy, lies that the BRF have no way of disproving because how do you prove a negative (i.e. how do you prove that did not happen). So any delay in the legal sense would be over not wanting to damage Harry's reputation (I don't think they care about Meghan's reputation that much) and/or not wanting the damage to the BRF's reputation that will come from Harry and Meghan when the truth is revealed.
As an answer to my question, this card says not the legal process itself, but a fear of the damage to the reputation of certain people (Harry, the Late Queen, the BRF as a whole, The King) is a reason for the delay.
The second card was an answer to the question: Is it to protect Harry?
Card Two Reading One: The Five of Swords in Reverse
The Five of Swords is a card about arguments, conflict, hostility, winning at all costs, and winning but also losing - winning the battle but losing the war. It is also my card for doing your duty no matter what it costs you. In the reverse, it is a card of compromise, reconciliation, regret, and revenge. It also is my card for not doing your duty.
In the reverse, this card tells me that both the BRF and Harry are not doing their duty. They are not telling the public the truth and they are not keeping the Line of Succession in accordance with the law. For the BRF, it suggests that they have caved in to thoughts/fears and are obscuring the truth, or they are doing it as some sort of long term strategy (thoughts, strategy, communication are all attributes of the suit of Swords). For Harry, the energy is of cowardice - he didn't do his duty with respect to the births and now he is doing everything he can to cover up his actions.
In a general sense, the energy from this card is of compromise and also of regret. The BRF have compromised with Harry and covered up the truth about the birth of his children - not actively, but passively, by turning a bling eye to the situation and not making the truth known the moment they had everything they needed to do so without legal repercussions (which may have been a few years after the births as these things take time). There is an energy of regret for not being more open about the situation and a 'what do we do now - how do we release this news without damaging ourselves' energy. The regret energy is strong. It feels like the BRF know they have landed themselves in a mess and they are regretting the decisions that led to that mess, even though those decisions seemed valid at the time they were made.
For Harry, the energy is the same as above -cowardice. All he wants is for his misdeeds to be covered up and he doesn't care how that happens or what the consequences are of suppressing the truth. His focus is on burying the truth for as long as possible, or until it can be spun in his favour.
As an answer to my question, this card says that Harry is being protected and the BRF has compromised with him, to the detriment of their duty to the law and the general public.
Card Two Reading Two: The Ace of Wands in Reverse
The Ace of Wands is a card of male sexual energy and fertility. In the reverse, that fertility is not happening. The energy from this card is that Harry was not the father of those children, that he can not father children, and that he is embarrassed about this and does not want that news to be made public.
In a general sense, the Ace of Wands in reverse is a card of delays and blocks, of a lack of creative energy and a lack of passion. This tells me that the truth about the pregnancies and birth of the Sussex children has been delayed and/or blocked, and the reason for that is uncertainty as to the parentage of the children - is Harry their biological father or not? It could also be a fear of raising old concerns over the parentage of Harry and the rumours about his father not being The King, and not wanting those rumours to be confirmed in some way. The issue of fatherhood - who fertilised the egg - is dominant in the energy here.
As an answer to my question, this says that if Harry is being protected it is due to issues around his ability to father children.
The third card was an answer to the question: Is there something else that is delaying the release of the truth about the Sussex children?
Card Three Reading One: The World in Reverse
The World is a card of ending - a situation, a project, a state of being. In the reverse, it says that there is no closure, the situation has not been resolved, there is a feeling of things being incomplete or empty. For me, this describes the situation around the Sussex children. It is not complete. The doubts around the pregnancies and birth s have not been resolved. There is no way to move on because we can't resolve the situation and come to a conclusion.
In answer to my question, this card indicates that there is nothing else to be considered - the situation remains unresolved with no other elements in play.
Card Three Reading Two: The Knight of Cups in Reverse
Knights are cards of action, and Cups are the suit of fertility and motherhood, so in the reverse there is no action in the area of fertility/babies/motherhood, which sums up the current situation. This is an indicator that there are no other elements to be considered in this case.
In general, the Knight of Cups in reverse is someone or something who is moody, throwing tantrums, avoiding conflict, and protecting their vanity. That sounds a lot like Harry to me.
The third meaning of this card that sometimes comes up is reconciliation and apology, and that is the energy I am getting from this card. The truth about the Sussex children has been blocked because to reveal it would hinder the process of getting Harry back. It's not coming across exactly as a gesture of reconciliation as I'm not getting that the truth will be hidden forever, just long enough for Harry to come to his senses and return to the BRF.
In answer to my question, this card says there are no further elements in play, but the truth is being held back so Harry can be coaxed back into the BRF.
Underlying Energy for Reading One: The Eight of Wands
The Eight of Wands is a card about swift action, swift messages, being able to progress after being held back by delays and problems. As the underlying energy of the spread, it represents what is held back by the reading on top of it. This tells me that the truth about the Sussex children is primed and ready to go, and as soon as the blocks are removed (i.e. the BRF and Harry compromise and reunite), the truth (or at least one version of the truth) will fly out to the general public.
Underlying Energy for Reading Two: The Three of Cups
This is a card of celebration, community, gatherings, and social events. The picture on the card depicts a wedding, but ti could also signify a birth and the celebrations around a birth.
I get two energies from this card. First, it is confirmation that the situation expressed in the cards above it is the birth of the Sussex children, usually a cause for celebration. Secondly, it tells me that Meghan is currently being protected because she is married to Harry (the wedding on the card, she is now part of the community of the BRF). Once that marriage is over and she is no longer part of the BRF, they will be more open to revealing the truth about her children.
Conclusion (to both readings):
The truth about the birth of the Sussex children is being held back by the BRF. The BRF have enough to prove the case in court, but they are worried about the damage to their reputation when the truth comes out, either as an institution and/or as individuals, especially with respect to whatever narrative Meghan and Harry will put out to justify their actions.
The main reason for the delay, however, appears to be Harry himself. The BRF has compromised with him over this issue and put off their duty to tell the truth to the public, in what seems to be an attempt to get him back into the BRF. They are now regretting those actions very much. There is also a dislike or aversion to dealing with the issue of fertility and fatherhood, both in respect to the children and possibly in respect to Harry himself. It looks like the BRF does want Harry to come back to them, or they did so in the past, and they have supressed the issue of the children until he returns, when it will be released.
Meghan is being protected because she is Harry's wife. The truth about the children is primed and ready to go. As soon as Meghan is not Harry's wife, or as soon as Harry is back in the BRF(if they still want him), the story can be released.
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etz-ashashiyot · 7 months ago
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Hi nonny,
OHHHHHHhhhhh so this is about Kahanists, Ben-Gvir, and his cadre of absolutely batshit parade of horribles.
Great news! I actually link to articles about what Kahanism is and why it has no place in decent society in my pinned About post.
I have tried to educate people about literal terrorist and terror enthusiast Itamar Ben-Gvir previously on this blog, although now is as good a time as any to link to it as a reminder.
And I have called out terrible behavior on Israel's side in the past as well. (These are just the examples I found while digging for the other links, but there's more if you look.)
Rape, sexual abuse, torture, terrorism, etc. are bad no matter who is doing it and I have never taken another position on that matter. It's fucked up when people do it in the US, it's fucked when people do it in Israel, and it's fucked up when Hamas members do it. No one gets a free pass here.
I don't actually think we disagree on that, at least.
That all said, I still refuse to judge Israeli citizens as a whole or the validity of Israel as a country based on the actions of the absolute worst members of their society. It's awful and the victims deserve real accountability and justice. This is the same standard I use for Palestinians as well. I do not think Hamas is representative of your average Palestinian citizen either*, nor do I think that their right to self-determination should be denied because of Hamas - just that a disarmed and dismantled Hamas is necessary for building a lasting and democratic Palestinian state alongside Israel. But don't take it from me.
*I'm certain someone is likely to come along and argue about the complicity of Gazan civilians in 10/7 and other earlier atrocities. I understand where that is coming from, but at the same time, I think it is also worth considering how Gazans live under Hamas' brutal authoritarian regime and have been intentionally radicalized. I think any future peace project is going to require deep educational work, deradicalization work, and Truth and Reconciliation processes for both sides in order to stick.
A final reminder that this is the best summary of my views on the conflict as a whole.
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bonefall · 1 year ago
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BB!TPB Titles
Having some fun just absentmindedly thinking of titles for the BB overhauls of main arc books. I think I'm gonna do it for all of them, because I actually really like renaming these and explaining my thought process
But here's TPB for now, because it's on my mind after that little scene bundle I wrote
Below the cut;
Arc Rename: The Prophecies Begin -> The Forest Four
Into the Wild -> Into the Clans
Fire and Ice -> Thermal and Undertow
Forest of Secrets -> Forest of Flowers
Rising Storm -> Rejected Rites
A Dangerous Path -> The Hunting Trail
The Darkest Hour -> Before the Dawn
The Forest Four
It's the intro to the original four, y'know? Plus, I use this term all the time in Clan Culture entries to specify when something is different about SkyClan from the "Forest Four." Makes sense it's the arc title.
Plus, there's a bit of a thing going on, especially in the later books, where the number of the Clans comes up a lot. Three Great Clans, but only four modern ones, River and Shadow combine to make TigerClan leaving three, BloodClan would make four, LionClan's alliance leaving two...
In BB, they know about SkyClan in history lessons, but Firestar doesn't think about it much until after this arc is done. More importantly, his choice to spare Scourge at the end of the arc suddenly means there's a Forest Four, and a Town One. I just think that's interesting.
(for some reason I also just love Scourge's insult where he calls Firestar a "forest fool" lmao. four forest fools.)
Into the Clans
The book with the expanded intro to the culture of the Clans. I feel like it's more fitting for BB to not call it "into the WILD" because... well, Clan cats DON'T see themselves as ""wild"" like animals. They're in Clans, with culture. They have ranks, politics, family, and even cooking and little kitty tools. It doesn't really make sense to me that they define themselves as "wild" just because their home has nature.
To them, loners are who's "wild," y'know? Rusty isn't totally coming to the Clans because it's wild, he's coming because of the community. Friendships and bonds with cats like Ravenpaw, Graystripe, Frostfur, Spottedleaf, Bluestar, and the sense that he could belong here. That he matters to these people.
This title's the one I'm actually waffling the most on, though. I don't like it very much yet. I don't feel like it captures the feeling I'm going for. It's also really close to a field guide title.
Thermal and Undertow
I've always interpreted "Fire and Ice" to be about how differently Graystripe and Fireheart are as people, and how that starts pulling them apart. The thing that people focus on is their "reconciliation" at the end of the book, but what stands out about it to me is that this is the book where Fireheart's TRULY integrated into the Clan.
His friendship with Graystripe is strained because of the HalfClan relationship Gray gets in, and he starts looking back to his roots for comfort because he doesn't feel like he's completely part of ThunderClan. I love this irony; they're BOTH struggling with loyalty in this broken system, experiencing types of xenophobia that prevent them from having happiness, but not yet wise enough to recognize they have a similar problem.
They're both breaking the law to talk to outsiders. Their forbidden love, both familial and romantic, makes Clan life harder. They're BOTH not doing anything wrong, but the STRUCTURE of their society is setting them against each other.
Graystripe responds, eventually, by leaving. Fireheart thinks he can make a home where he is. They're both wrong. The STRUCTURE needs to be challenged.
And meanwhile, they must go to fetch WindClan after it was driven out. They have to face RiverClan AND ShadowClan when Crookedstar and Nightstar show that power acts through them, as leaders. All the while, they experience the simple truth that love for cats in other Clans makes cruel, bloodthirsty battles like these too difficult to be sustainable.
And that's just canon!! I fucking love this book!!!
So in the rename, I'm putting emphasis on the natural flow, above and below. A wind is controlled by the temperature, rising up into a warm thermal. An undertow is a ferocious current that will pull you into the cold depths. They're not so different, in the end.
Forest of Flowers
And that leads right into canon's Forest of Secrets, where we learn that the older warriors also struggled with those pressures. Fireheart and Graystripe were never alone, cats have been suffering under this cruel system for GENERATIONS.
In BB, this is where I'm dropping the flower symbolism for the three major branches of politics in Forest Four society, which persist and are expanded on for the rest of BB;
Traditionalism, represented by the Honeysuckle, is used to justify the current system. "The Clans are branches of a honeysuckle bush. We fight and strangle each other for the light, and this prunes the weakest sprigs and rewards the fittest. When the winter comes, the strongest branches ensure the survival of the bush."
He also learns, much earlier, of Tigerstar's mentor. He hears the Parable of the Thistle, a story about how a young apprentice was forced to attempt to uproot a bull thistle, only managing to spread its seeds across a clearing, and won a trip to the Cleric's den for the trouble. How Tigerstar, and others, believe the honeysuckle must be challenged.
And meanwhile, he uncovers the story of the Forget-me-nots. A friend group even stronger than his collection of allies, with cats of every Clan, and how ambition drove it apart. How Bluestar looks back at it with both silly shame and deep appreciation.
The kindling ember in Fireheart's chest as he realizes he is the heir of a Forget-me-not, and that surrounding the obvious slash across Tigerclaw's nose, are the subtle pockmarks of thistle thorns.
Rejected Rites
I feel like Rising Storm is the "weakest" book of TPB, because it's where canon's cracks begin to show.
There's still a lot I love about this book. I love the way that Bluestar's cruelty arc begins with her grace and altruism towards other Clans not being returned without a catch. I adore the rescue of Bramblekit and Yellowfang’s guilty, harrowing death insisting she deserves judgement as Fireheart insists she is a good person. Its harsh ending revealing Tigerstar as leader of ShadowClan is a gut punch in an already brutal book, making an excellent mid-arc climax
But I feel its sudden turn towards suggesting the status quo was actually good drags it down.
For example, Cloudpaw is constantly arguing with Fireheart, in ridiculous fights Fire started. He's abducted by humans and returns in the same book, suggesting his uncle was totally right all along and he Totally Promises he won't mess with humans any more. The fact Fire was projecting on his young nephew and denying him answers when he questions their way of life, in a way very similar to the shame Firepaw himself went through, is not addressed.
A lot more of this book than you remember is also dedicated to Fireheart and Sandstorm arguing because the writers think a good romance is when you hate each other but stay together anyway.
So instead, this book in BB focuses more on what I DO like; Fireheart learning to be a LEADER. He's young, inexperienced, and has acted mostly alone up to this point. The Clan is in a moment of SERIOUS tumult as it reckons with how no one saw ANY signs about Tigerclaw.
As he loses his mentor Bluestar to paranoia, he has to learn which warriors are truly trustworthy, and try to win back those whose loyalties might stray.
In this way, Rejected Rites is about the WHOLE Clan. It's Whitestorm throwing his reputation and experience behind Fireheart. It's Goldenflower and how her disgust with her ex-mate blows her mind open and she shifts into Fire's most ferocious champion. It's Mousefur deciding that Tigerclaw was a uniquely bad person and refusing to admit fault with a Clan that supported him.
And of course it's about Cloudpaw, grappling with how Fireheart insists he's his mentor, not his father, not his friend, going back to how he botches the Queen’s Rights on bringing him to the Clan. Fireheart, too, is a flawed person capable of being complicit in damaging systems.
The Hunting Trail
The dog plot barely needs a recap, it's this fandom's bread and butter. But there's a small, VERY popular misconception about; in canon, Tigerstar only uses the dogs at the END of this book with a rabbit trick. Before that, the dogs are practically a natural disaster he has nothing to do with.
There's a reason why it's misremembered. It works better if he's more involved with them the whole time, showing how DANGEROUS he is, how Bluestar's fixation on her war with StarClan is blinding her to reality, and adding to the tragedy and madness by having Swiftpaw getting wrapped up in his father's/stepfather's quest for revenge.
So in BB, Tigerstar's involved MUCH sooner. He freed the dogs.
The title change reflects that. There's a hunting trail and the cats of ThunderClan are its prey, but it doesn't specify who the predator is. In the end, it was Tigerstar's scheme all along and Bluestar sacrifices herself to save her apprentice.
(I also want to take the moment to highlight how short-sighted and impulsive Tigerstar's plans actually are, something I find fascinating about him as a character. He's malicious and intelligent enough to make some incredible schemes, taking advantage of every opportunity. But he never accounts for details like... "what if my dogs don't go right to where I want them to go?" or "what if I'm not picked as deputy after I kill Redtail?" or even "what will i do after my demons kill all the living cats?")
TigerClan is also forming earlier. It begins in THIS book. Stonefur and Mistyfoot are "detained" after leaping into the ravine to rescue Fireheart and Bluestar, it's all the "evidence" Tigerstar needed to accuse them of divided loyalty. To finally start his persecution of HalfClan cats.
Before the Dawn
...In spite of its iconic moments, I'll be honest; Darkest Hour is actually the book that makes me the angriest about the original series.
All arc long, we are shown that the Clans are flawed. They have been, long before Rusty set foot in the woods that day. It NEEDS bigotry to exist the way it does, fostering xenophobia between Clan cats so that love and friendship won't get in the way of violence, encouraging and even rewarding extreme Jingoism, and even setting clanmates against each other for these senseless problems instead of the STRUCTURE of Clan society.
Darkest Hour SLAMS the breaks on that theme, and brings the message to a screeching halt.
FIRST of all, this is the book where it's explicitly stated that StarClan "doesn't interfere," even giving them a moment where they yell at protagonist about free will or whatever while simultaneously barking a vague, ultimately useless prophecy at him. The first of many scenes like it in later arcs. It feels completely and utterly out of left field, instantly turning StarClan from a mysterious, possibly not even fully benevolent force, into THE most annoying plot device ever.
Secondly... BloodClan.
BloodClan is introduced as a TRULY EVIL group of horrible atheists who hate love and friendship, to the point of banning families, and are now here to destroy our glorious society and steal our home. They're depicted as being ruled by fear and brutality, unbound by concepts like "honor" or "loyalty." You cannot reason with them or spare their lives, the barbarians must be killed and kept out, lest they replace us.
(there is even a moment where it's implied that if the soldiers lose the war, BloodClan will come and murder the elders and children too.)
It is SO bad and SO egregious, and it's played completely unironically. It bothers me so badly I've talked about it before. Multiple times, actually
After Tigerstar gets his well-deserved grallocking like a 10-point buck, the endgame villain of TPB is a foreigner and his army. Scourge is a foil of Firestar himself, but THIS one hates the clans and doesn't worship the right god, which makes him dangerous. Firestar is textually stronger than him because of his faith in StarClan.
At the end of the day, TPB, and the rest of the series that follows, doesn't refute Tigerstar's ideology. It even agrees. Weakness IS abhorrent. Outsiders ARE to be distrusted. Split loyalties ARE detestable. It just didn't like that he challenged the status quo.
Foreigners and their leaders ARE less trustworthy and more villainous than Clan cats. Wariness and even violence towards them is necessary, "justifying" the isolationist structure of the Clans. Scourge is only the first in a very long chain; then comes Sol, One Eye, Slash, and Darktail. Even Hawkfrost and Willow Tail can fit into this pattern.
With the death of these evil, troublemaking cats, the Clans return to the status quo. But I'm getting ahead of myself.
The Darkest Hour frames this like a wonderful, triumphant thing, with Firestar noting how the now-leaderless BloodClan fighters look so inferior to Clan warriors, Scourge's evil will never haunt them again (Tigerstar gets to be grieved though), and that with LionClan disbanding, they will all return to their petty bullshit squabbles.
So, BB's renaming.
I had a lot of ideas. I really liked the name "Moment of Truth" because it's the book that really brings together the theme of the arc, ending with Firestar realizing Scourge is right to distrust the Clans and that change is DESPERATELY needed, but the more I thought about it... the more I liked Before the Dawn
Reference to the phrase "The darkest hour comes before the dawn" BB is a much more optimistic story than canon, by tweaking the themes and details while following the major beats. Something is just... idk poetic? About picking the more uplifting part of the idiom. It feels right, like it's almost too perfect to go with any other title
It's a new era for the culture going foward It IS right before a "new dawn." It's the start of major changes to Clan culture, setting the events of the rest of BB into motion. The years and generations that follow are going to see major changes to the code, territory, culture, and philosophy in the universe. The choice that Firestar makes here is going to bring the Clans into a new epoch. Plus the cats are crepuscular now so I can literally have the final battle take place just before dawn because subtext is for CHUMPS
I like the idea of opening up the next arc with Dawn Just because that's really funny to me lmaoo. Something is cute about titles that reference each other. Maybe the first book of TNP could be "Dawn of the End" since the destruction of the forest starts early. Maybe add in some apocalyptic prophecies and such...
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alleyskywalker · 5 months ago
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Some of Louis’ choices in the finale do make me raise my eyebrows a little bit at him. He's got all the right to be pissed at Armand, no question. But why does this automatically redeem Lestat in his eyes? OK, sure, Lestat saves him - that's new information to him, but...First, this doesn't change anything about Lestat's part in Claudia's death (which is what he primarily confronted him about in the tower) nor the fact that Lestat willingly participated in the trial. Nor does it change the fact that Armand saved him from being starved to death. Technically, they both saved Louis, but at different points and in different ways. (If Armand really wanted him dead, he could have just left him in the wall or could have warned the coven about Louis’ plan to destroy/attack them, etc. And even though he lied about the proportion of his role, Armand had already admitted to knowing that the coven was planning to kill Louis and Claudia. And…Louis makes the choice to warn Armand to not be at the theater before he gets the “full” story of how much Armand knew/participated. At that point, all Louis “knew” was that Armand had saved him, which…wasn’t even technically a lie in and of itself, just, again the degree of things.)
So, what really changes re: Armand and Lestat in the final reveal? For Armand: he participated in the trial more actively and in saving Louis less than originally supposed. For Lestat: he participated in saving Louis, whereas initially Louis thought he hadn’t. So ultimately…both Armand and Lestat actively participate in the trial and then both participate in saving Louis. (Granted, Armand lies more in the process. But on the other hand – Armand can’t really be expected to care about Claudia and Lestat can; Armand had attachments and commitments to the coven and Lestat didn’t…) If Louis had just walked away from Armand as well, that’s fair enough. But how does Lestat suddenly warrant a reconciliation (and apology??) when a similar level of participation in this whole debacle warrants Armand – Louis’ partner for decades, whom he had supposedly forgiven for the worst of what happened in Paris, who has stuck with him through various self-destructive behavior trying to fix what he'd broken – an immediate break up (with some physical violence to boot) with no questions asked? (And he has to be at least somewhat over it if he hasn’t bothered to hunt down Sam despite them knowing all about where he is and what he’s up to these days.)
Speaking of questions for Louis, here’s one. So, Armand claims that the coven “improvised” a death sentence from the word banishment. He says this in the context of claiming that he saved Louis by mind controlling the crowd into sentencing Louis to banishment instead of death. But what if…it’s not true that the coven “improvised”? Perhaps “banishment” has a double meaning or gets used as a euphemism for those sentenced to die of starvation in the wall or just who get buried in those crypts after committing crimes. I’m not saying, btw, that this is indeed so, but we don’t actually have evidence that it isn’t. Satiago getting flustered at first indicates that this isn’t a formal way to refer to this kind of punishment/sentencing at least, but when he tells the coven to “tuck him in nice and tight” everyone know exactly what he means, so there’s a basis to assume  the possibility of some common understanding of banishment = getting shoved into the wall, alive or not, whether slang, euphemism or similar. So, let’s for a second assume this is true.
Armand wouldn’t admit this context to Louis while he’s lying about saving him at the trial, because it takes away from Armand’s role as his savior, so if he’s going to lie about mind controlling the crowd, he has to lie/bend the truth about how much the coven needed to improvise to arrange for a death sentence regardless. It also makes sense then that Armand might not have taken this road to trying to save Louis, in fear/knowledge that it would/could just come out worse.
So, what of Lestat? Lestat knows the rules, conventions, and language customs around the coven because, well, he founded/was part of it. So if “banishment” could be easily interpreted as “banishment to starve in the wall,” then Lestat would know that or could be expected to. Yet, this is the punishment he chose when he could have mind controlled the crowd into saying anything. Hell, why didn’t he mind control them into saying “not guilty?” Would have solved a lot of issues, yk?  Would this make Lestat kinda extra vengeful/sadistic? Sure, but…he did just willingly participate as the star witness in a trial to burn Louis and their “daughter” to death. Is this really sooo out of character from what Louis knows or thinks he knows about Lestat at that point in time? Like, not even to question Daniel’s suggestion that Lestat saved him – even though, the script is not actually evidence of that, just that Armand might have had a more extensive role in the play? (And…he could have still been under duress to direct it as much as he would have been to just not tell Louis about it. But Louis doesn’t ask about/consider this either.)
I’m not saying that’s how it went, mind. The reunion scene with Lestat makes it pretty clear that Lestat had in fact wanted to save Louis. But Louis can’t/doesn’t know this, certainly not prior to the reunion scene. Did Lestat actually save him? Is there any other context he might be missing? This is just a theory Daniel has after all. Does Claudia’s death no longer matter then? Doesn’t this just mean that both Lestat and Armand belatedly tried to save him? He’s obviously shocked and not thinking straight – I’m not saying this to bash him or anything (and leaving Armand would have been a justified reaction regardless, just for the lying). But it’s kinda crazy to me that Louis is apparently so eager to believe the worst of Armand and find any reason possible to forgive Lestat at the drop of a hat.  
I don’t really have a point here. Just…need to throw thoughts into the void because the show melted my brain a bit. Forgive me, etc. I do love/enjoy all these characters.
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deception-united · 9 months ago
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Hello, I love your blog. I'm writing a story about cheating and I was wondering how you write the person finding out and the couple breaking up making it clingy and annoying?
Hi, thanks for asking! Writing about cheating and the fallout can be emotionally intense, so it's important to approach it with sensitivity and realism. Before you reach this point, though, make sure the dynamic of the couple is established. One one hand, you might want to create a strong foundation of trust and intimacy between them before the cheating happens to make the betrayal worse, making it as much as a shock for the reader as it is for the character; but on the other, there might have been factors here and there that made it expected, or at least lessened the shock. In this case, you may want to drop subtle hints or foreshadow events that hint at what is to come.
Though this is a very general mould, the scenario might typically go something like this:
It all starts with the discovery—the moment the person finds out about the cheating. This scene will likely be extremely emotionally charged. Consider different ways they might discover the truth—catching the other in the act, finding incriminating evidence, or hearing about it from someone else, for example. Show the character's initial shock, disbelief, anger, heartbreak.
There may be a confrontation, or the person being cheated on might decide to keep this information private for the time being, for whatever reason that may be. The former scenario will likely be intense and dramatic, with raw emotions pouring out on both sides. It's important to use dialogue that reflects the feelings of betrayal and hurt in this moment. As the truth comes out and emotions run high, the situation may escalate, leading to a heated argument or even a physical altercation. Remember to be mindful of realistic consequences and character reactions.
After the confrontation, show the aftermath of the breakup: the emotional fallout for both parties involved, any collateral damage to friendships or family relationships, the process of healing and moving on (or not. Revenge and resentment is good, too), and how the experience changes the characters. This will add depth and carry the story forward.
Here are some tips to keep in mind:
Show one or both parties overreacting to the situation. This could involve exaggerated emotions, dramatic accusations, or unreasonable demands.
Focus on the insecurities of the person who discovers the cheating. This could involve them constantly seeking reassurance or displaying jealousy even in unrelated situations.
Adding miscommunication will fuel the high-strung emotions present in the altercation. Perhaps the person who discovers the cheating misinterprets innocent actions as signs of further betrayal.
Show the person exhibiting obsessive behaviour. Namely, stalking.
Have the person who discovers the cheating guilt-trip the other person, making them feel overly responsible for the situation and manipulating them emotionally. This could also work the other way around.
Include meddling friends or family members who exacerbate the situation by taking sides, spreading rumors, or encouraging certain behaviour.
You can depict the person who discovers the cheating as overly dependent on the relationship for their happiness and sense of self-worth, making the breakup even more devastating for them.
Showcase extreme mood swings, from intense anger and resentment to desperate pleas for reconciliation, creating a rollercoaster of emotions that can be exhausting for the other party, though keep in mind that this could put off the reader if taken too far.
The two characters will probably not be having a logical conversation in this moment. Keep it filled with emotional outbursts and irrational accusations rather than rational discussions, preventing any resolution or closure.
Try to drag out the breakup process with unnecessary confrontations, repeated arguments, and attempts at reconciliation, making it feel drawn-out and tiresome for both characters and readers alike and making the resolution or aftermath all the more satisfying.
Again, all this depends on your story and characters, but I hope this is helpful nonetheless. Happy writing ❤
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dollypopup · 8 months ago
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bridgerton season 3 part 2 spoilers
I want to preface this with saying that I have loved Polin for two years. Two years, hundreds of thousands of words, and almost 50 stories. I have loved this couple through fan edits, through fics, through rereads, through songs. I have loved this couple so deeply and earnestly and endlessly
And so my disappointment in Part 2 stems, predominately, from the fact that I just wish it had been better.
I wish it hadn't been as cut through with plotlines that went, ultimately, nowhere. Will and Alice with the tension of 'I don't want to give up the club' 'Well, you should to suit the status quo' 'Oh, okay'. Benedict with his 'I love being free. Let's shag freely!' 'I may have feelings for you' 'I still just want to shag freely, but now I'm opening up more options' (tho, congrats on the bisexuality!) Violet and Marcus who are just being set up for the final season. Cressida, who's story tugged my heartstrings so much, and ended up in the dirt.
But more than anything, I wish Colin had gotten more. There were so many moments where he could have been expanded upon, where his character could have shined, and I truly want to commend Luke Newton, he did a phenomenal job with the crumbs he was given, but was ultimately shoved to the wayside for the Lady Whistledown plot.
In truth, this is a writing problem. The actors are phenomenal. They have chemistry, they have passion, and they are all believable, but the writing fell flat. They gave too much time to side plots and, frankly, to Debling, who was such a nothingburger and didn't even return that it was evident he only existed because the series was afraid to lean fully into Colin's complexities. You know what is more compelling and more worthwhile to explore than 'Oh, I could lose her to someone else?'
Losing her to herself.
Colin spent part 2 ultimately SAD. And he had every right to be. But instead of fully exploring that, he was relegated to the sidelines to support Penelope's storyline. And I understand completely that this season was for the Pen stans, but damn, I wish he got SOMETHING. Kanthony's advice to him was useless, Colin started the series knowing he couldn't open up to his brothers and still not doing so by the end. Colin saying that his ultimate purpose was to support and love Pen was a horrific cop out and a disservice of his character. It's a bad plotline when a woman says so for a man, and it's a bad plotline when a man says so for a woman.
I love these two so much, and I feel like they could have had so much better. Penelope now writing the same gossip, tying herself to Mayfair, but under her name now, thus ensuring that people are aware and being different around her for the sake of her publication is bad. To imply that her dreams are Lady Whistledown is lazy- Lady Whistledown is a plot device the writers are unable to let go, not Penelope's ultimate dreams.
You want me to believe that this woman's biggest dreams are to continue writing gossip? Not novels? Not stories? Not an autobiography? Not to travel? Not to make more friends? But to have a baby and write about parties? They tried giving legitimacy to gossip as if Penelope ever had any peer review, as if she is the be all end all of what is and is not true- she cannot possibly know fully.
I wanted more for her than to be a teenage mum tied to a gossip blog. I wanted more for Colin than to publish a book offscreen and take over an estate until his son comes of age. I wanted more for POLIN. Their beautiful moments were truly BEAUTIFUL. That first time scene was lovely- but how much lovelier would it be after he knew who she was in full and accepted all of it? Their reconciliation felt hollow because he was not truly given the time to process it. The pain of separation, sleeping on the couch as she took the bed, was hardly explored outside of a few quick scenes.
No montage of their letters, no Colin standing beside her, and that Lady Whistledown reveal where everyone clapped? I don't understand it. I wish so much that this show took a good story and made it better, and that's where my bitterness lies. Not because I'm a hater, but because I'm a lover. I wanted to love it so, so much.
And I know it could have been better. My couple is better than this. My couple is better than Penelope's ultimate goal being independence and Colin's ultimate goal being an accessory. My couple is a pair of equals. My couple is a pairing of two people who love one another so damn much they can't even stand it. Where is my Penelope who fights for him? Where is my Colin who announces to the world he loves her?
I guess that Polin ended up on the cutting room floor in the edits, because what we got wasn't enough for me
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cmdrfupa · 2 months ago
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Weird Fishes
5th installment of Upheaval
cw: all chapters and content warnings are listed in this post.
a/n: With one more chapter, I will officially have completed my first-ever series! This has been a real treat to write so thank you for reading along! Every comment, reblog and like is seen and more appreciated than you know. This isn't normal Nanami writing so to speak but I'm glad to have had so many who appreciate my approach.
Thank you for reading and see you in the final chapter!
“I am no longer accepting the things I cannot change. I am changing the things I cannot accept.” - Angela Davis
You’d moved back in only part-time to your shared home after the reconciliation phase started. Still keeping with separate bedrooms but having dinner together at least 4 days a week.
It felt like dating but with far more trauma sharing and healing in the process. Kento was making efforts in sharing how he felt internally daily and made sure he let you know that it is nothing you did any of those days that made him feel rough when that was the energy.
He was present, active, establishing clear boundaries but opening up to be a space for the both of you.
And it wasn’t the half ass efforts a man would give when he knew he fucked up. No. He was trying because he valued the life he had with you. He was making up for lost time and keeping up with the time you now had.
It was everything you literally needed from him and it felt like shit. You needed to come clean. Soon.
The door clicked softly as you stepped inside, the warm air from inside brushing your cheeks as the cold left your face. The faint clatter of a cup in the kitchen drew your attention and you followed the sound to find Kento standing at the counter. He turned at the sound of your footsteps, his expression softening when he saw you.
“You’re back,” he said warmly, a faint smile gracing his lips. “Tea’s still warm if you’d like some to warm you up.”
You shook your head, setting your bag down on the counter. “I’m okay, thank you.”
He came closer, brushing a hand along your arm as he studied the saddened look on your face. “You look tired. Was work too much?” Your heart ached at the simple gesture, at the way he always noticed the little things.
Hesitation held weight on your tongue. The familiar, lung piercing feeling of unspoken words pressed down on you. “I had my solo session with Ootaishi today,” you responded carefully.
Kento’s brow furrowed slightly, but he nodded. “How did it go?”
You looked up at him, eyes searching his. “It was… eye-opening. I realized something about how I’ve been handling things. About us.”
Concern flickered across his face, and he reached out to take your hand, guiding you to the dining table. He sat next you, his thumb brushing gently against your knuckles. “Do you want to talk about it?” he said, his voice steady but laced with worry.
Your throat tightening causing the deep breath you took to get stuck before you exhaled. “I’ve been holding back. For so long. I thought I was helping, Kento, but… I wasn’t.” Your voice wavered, and you looked down, ashamed.
He tilted his head, his brows knitting together. “Holding back? From what?”
“From the truth,” you admitted, words tumbling out. “From being honest with you about how scared I was, about how helpless I felt watching you spiral after Shibuya. I let fear take over. I thought if I could just keep things calm, if I didn’t push too hard, you’d be okay. We’d be okay.”
His grip on your hand tightened slightly as he tried to make sense of what you were saying. “You were afraid… of what? That I couldn’t handle it? That I’d push you away?”
Tears brimming in your eyes, you shook your head. “I was afraid of losing you. Of saying something wrong, of making it worse. I thought I was protecting us, but all I did was let us drift further apart.”
The cold, almost isolating feeling of discomfort crept into your chest and your voice broke, letting out a shaky breath. “I thought if I just kept quiet, if I didn’t rock the boat, things would get better on their own. But they didn’t, Kento. They got worse.”
Kento’s gaze softened, his own chest tightening at your raw vulnerability. “You weren’t the only one who was afraid,” he said quietly. “I thought if I kept everything inside, if I buried it deep enough, I could protect you from all of it. From me.”
You looked at him, the tears that would quickly wear you down were spilling over now. “But we didn’t protect each other. We just… let the silence grow. I let myself believe that as long as you were here, as long as you weren’t drinking, it was enough. I settled for surviving when we both needed so much more.”
His jaw tightened, and he exhaled deeply, leaning back in his chair. “You’re not wrong,” he admitted, his voice low. “I stopped trying because I thought surviving was all I had left in me. I didn’t realize how much it was hurting you—hurting us.”
The room fell into a heavy silence, the weight of your confessions now settling over you like a thick fog.
“I’m sorry,” you murmured, voice trembling. “I’m so sorry for not being braver, for not telling you how I really felt. I thought I was helping, but I see now that I wasn’t.”
Kento’s throat tightened as he watched you break down, your shoulders shaking as you tried to contain the sobs that now overtook you. He kneeled, his chair scraping softly against the floor, and moved to your side.
“I hated you. I hated you for hurting yourself for hurting me. I hated you because I felt like I loved you more than you loved yourself.” You teetered between composing yourself and losing your entire mind trying to get your feelings out. “I was loving myself and you while being given nothing. I hated seeing you for so long. I—,”
As he reached out to comfort you, he stopped, his hand hovering above your shoulder. “I’m sorry,” he muttered suddenly, his voice thick with emotion. “I think I need to get some air. To clear my head..”
Your tear-streaked face turned up to him, confusion and hurt flashing in your eyes. “Kento—”
“I just need a moment,” he said softly, slipping on his coat. “I promise that I’ll be back.”
The door clicked shut behind him, leaving you alone in the quiet of your home.
Outside, Kento pulled his phone from his pocket, the cool air stinging his skin as he got in the car. His fingers hovered over the screen before he typed out a message.
Can I come over?
He held his phone, staring at the screen until the okay was given, driving off in hopes of the best help he could get.
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Kento stood outside the door, his hand poised to knock. For a moment, he hesitated, the quiet stillness of the night pressing in around him. He inhaled deeply and finally knocked, the sound sharp and decisive.
A muffled, “Coming!” drifted from inside, and moments later, Gojo swung the door open, his usual grin plastered on his face.
“Nanamin! My beautiful friend.” Gojo leaned casually against the door frame. “If you’re here to tell me you’ve finally taken my advice on Hawaiian shirts, I’ll cry tears of joy.”
Kento huffed a breath, his irritation faint but present. “Can I come in?”
“Of course! Though I should warn you, my couch is for people who laugh at my jokes, so…” Gojo stepped aside with an exaggerated bow. “Enter at your own risk.”
Kento stepped inside, toeing off his shoes in the entryway. He followed Gojo to the living room, taking in the extravagant decor without comment.
“Nice place,” Kento muttered.
“Nice? I forget you never accept my invites over. It’s amazing,” Gojo corrected, flopping onto an oversized couch. “But I imagine you didn’t ask to come here to talk interior design. What’s up, Nanamin?”
Kento remained standing, his hands buried in his pockets. “Do you have anything to drink?”
“Whiskey? Vodka? A fine cognac, perhaps?”
“Something non-alcoholic,” Kento replied flatly.
Gojo arched an eyebrow, his grin quirking upward. “Juice it is! You’re lucky! I have no alcohol but just restocked on the real goods. Sit tight.”
As Gojo disappeared into the kitchen, Kento wandered to the large windows, gazing out at the sprawling city below. The distant lights were beautiful, but they felt impossibly far away, untouchable.
When Gojo returned, he set two glasses of passion fruit juice on the table and plopped onto the couch again, motioning for Kento to sit.
“All right,” Gojo said, folding one leg over the other. “You’re here, drinking juice, and you’ve got that ‘world’s-heaviest-burden’ look. Spill.”
Kento sat down reluctantly, his posture stiff. “I left home tonight,” he said after a long pause.
Gojo tilted his head, his grin fading. “Left, as in…?”
“As in, I needed space,” Kento clarified, his voice heavy. “Before I said or did something I couldn’t take back.”
Gojo’s gaze sharpened, and he leaned forward, resting his elbows on his knees. “What happened?”
“She told me how she felt,” Kento said, his hands curling into fists. “About us. How she hated me when I was fucking up. About how she blames herself for not speaking up sooner. She thinks she let me fall apart without stepping in. But it’s not her fault. It’s mine. I let us get there. I stopped fighting for us.”
Gojo hummed thoughtfully, studying Kento’s tense form. “So you walked away.”
“I didn’t want to hurt her more,” Kento replied immediately, his voice tight. “I thought if I could clear my head, figure out what to say—I wouldn’t make it worse.”
Gojo let out a low whistle. “Nanamin, I’m going to say this as nicely as possible: That’s stupid.”
Kento shot him a glare, but Gojo held up a hand.
“Listen,” Gojo said. “You’ve been going to therapy, right? Both solo and couples, working through all this?”
Kento nodded reluctantly.
“And I bet in those sessions, you talk about all these feelings, right? The guilt, the anger, the fear?”
“Yes,” Kento said, his voice barely above a whisper.
Gojo leaned back, folding his arms over his chest. “So why can’t you say those things to them at home?”
Kento stared at his hands, the tension in his shoulders growing. “It’s different. In therapy, there’s necessary structure. A mediator. I can say what I feel without worrying about how it’ll land if I know there is someone there to keep us from veering off. But with just her and I…” He trailed off, shaking his head.
“With her, it’s raw,” Gojo finished, his voice uncharacteristically gentle. “There’s no script, no safety net. Just you and the person you love, trying to figure out how to be whole again.”
Kento didn’t respond, the weight of Gojo’s words settled over him.
“You know,” Gojo said after a moment, “you’re not as alone in this as you think. She’s scared too. She’s hurting too. But she’s still there, fighting for you. You think she’d pour her heart out like that if she didn’t want to fix this?”
Kento’s jaw tightened, his gaze dropping to the untouched glass of juice. “I don’t know if I have it in me to be what she needs. We started off so well. I fell for her and gave promises that the old me could fulfill. I’m not him anymore.”
Gojo leaned forward, his tone firmer. “What she needs is you, Nanami. Not some perfect version of you that you think she needs. Not the guy who thinks he has to carry everything alone. Just you, messy feelings and all. And if therapy’s taught you anything, it’s that sharing that mess is how you heal.”
Kento exhaled slowly, the knot in his chest loosening ever so slightly.
There was a beat of silence before Kento spoke up. “Remember at our wedding when you gave your toast? Did you really mean that?”
“Mean what?” Gojo smiled and sat up.
“That you trusted me with not only your students but with your life.”
Gojo took his glasses off and sat them on top of his head. “You have known me since we were both teenagers. While your wife is like my sister, you have seen me at my most cringiest. And my weakest. I may have made your life a little hellish as your senpai, but I knew you had potential and as an adult, I envied the life you have. So, yes.”
Both of the men sat up and Kento shook his head in disbelief. “Now that, I’m not buying.”
“But it’s true.” Gojo stood up and walked over to the ceiling high windows that faced out to the city. “Being taken seriously. Being seen as a man who makes sound choices from the beginning. You understand people. You understood me. And knowing all that we have gone through both together and separately, l knew that my trust in you would never be questioned.”
Nanami sipped his juice and stood, walking over to Gojo. “I just assess and do what needs to be done.”
“And you do it with others in mind. Not just for your own selfish desires. But because you know the world can be cruel and poisonous to anyone. Especially the weaponized and the young.”
Nanami turned to Gojo and chuckled. “We made it out of our twenties. With more scars than sense.”
“Nah. We got both! And we are damn good with the sense we have. Jujutsu High is being ran like the damn navy. With no exploitation and better support, of course.” He cheesed and threw his arm around Nanami’s shoulder. “Nanamin. You are exactly who you need to be for yourself and for your wife. Even I know that.”
Nanami drew in a sharp breath and bit on his bottom lip.
“You’re scared. I get it,” Gojo continued. “But running away isn’t going to make it any easier. Go home. Tell her you’re scared, that you’re hurting, that you’re still figuring this out. She’ll listen. That’s what love is.”
Kento looked up at him, a flicker of determination returning to his eyes. He nodded, patting Gojo on the back. “Thank you.”
Gojo grinned, his usual spark returning. “Don’t thank me yet. Go home, Nanamin. And next time, bring your own juice. And maybe a fun game! And your wife! I miss you guys.”
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The house was quiet. The kind of quiet where the silence was made to feel heavier with every passing moment. You sat on the edge of the couch, fingers nervously picking and twisting at the frayed hem of your shirt. The untouched mug of tea on the table had long gone cold, but you barely noticed when the only thing you could think of was your husband.
When the sound of a key turning in the lock finally broke the silence, you froze. The door creaked open, and Kento stepped inside, his face shadowed by exhaustion yet softened with quiet resolve when his eyes landed on you.
“Kento,” you whispered, relief flooding your voice as you stood.
He closed the door behind him and set his keys down with deliberate care. For a moment, you just stood there, staring at each other across the foyer, as if neither of you knew how to bridge the gap between you both.
Then Kento crossed the room in a few purposeful strides and pulled you into his arms. You melted into the embrace, hands clutching the back of his shirt like a lifeline. His scent—faint traces of soap and the crisp evening air—was a comfort you hadn’t realized you’d been craving.
Neither of you spoke at first, the quiet filled only with the steady rhythm of your breathing and his heart in your ears. When you finally pulled back, your eyes searched his face.
“You came back,” she said softly, her voice trembling with a mix of relief and lingering fear.
“Of course. I just needed a chance take everything in,” he replied, his voice steady but tinged with weariness. “I’m sorry for that. I just needed the time to think before I reacted.”
You nodded, wiping at your eyes quickly. “I was so scared you wouldn’t.”
He sighed, resting his forehead against yours for a brief moment before stepping back. “I couldn’t stay away. Not when there’s still so much we need to say to each other.”
“Kento, there’s something I need to tell you. Something I should’ve said a long time ago.”
“I’m listening, but lets sit.” he said gently, his hands still resting lightly on your arms and led you to the couch.
Your fingers fidgeted nervously as your took a deep breath. You settled back onto the couch before forcing yourself to meet his gaze. “My talk with Ootaishi made me face some harsh truths about my behavior in the past two years.”
“What type of behavior? Are you safe?”
“Yeah. Yes. I’ve just.” You exhaled deeply. “The missions where I’d have to visit Shoko after. Practically every single one. I’d been taking those dangerous missions for a reason. Ones I knew were reckless, ones I knew could get me killed but would allow me to use that anger and frustration to the fullest. And I justified it by telling myself it was for the greater good, but…”
Your voice cracked and you looked down. You couldn’t look him in the eye admitting your lowest. “It was like my own version of self harm, I was using them to run away from my guilt. From how much I felt I’d failed you. I thought if I pushed myself hard enough, maybe I wouldn’t have to feel guilt about something else. But that wasn’t fair. Not to you, not to us.”
Kento’s heart sunk at the realization. His brow furrowed and he reached for your hands, holding them firmly in his. “Why didn’t you tell me?”
“Because I was afraid,” you admitted, voice thick with emotion. “Afraid you’d see how broken I am. How weak. And I thought well if I don’t say it out loud, I could keep pretending I was holding it together. But I wasn’t. I haven’t been for a long time.”
His grip on your hands tightened slightly, his gaze unwavering. “You’re not weak,” he said firmly. “You’re human. You’ve been trying to cope with something that feels impossible. I understand that more than you know.”
Your lip trembled but you managed to hold back the tears threatening to spill. “I don’t want to keep running. I don’t want to keep making excuses. I want to face this—face us—head-on. But I need to know we’re in this together.”
Kento nodded slowly, his expression thoughtful. “I’ve been so consumed by my own guilt, my own fear, that I forgot how to let you in. I convinced myself I had to shoulder it all alone, but that’s not what this is supposed to be.”
He took a deep breath, his voice lowering. “I’ve been telling myself I’m working to fix this. But the truth is, I’ve been avoiding the hardest part: being honest with you. With myself. I need to do better. I need to stop using silence as a shield and start speaking up, even when it’s uncomfortable. Because if I don’t, I’ll lose you, and that’s not something I can live with.”
Your tears finally fell, but this time, they weren’t just from sadness. “I promise I’ll do better too. I’ll stop hiding behind missions and excuses. I’ll start facing my fears instead of burying them. Because you’re worth it. We’re worth it.”
Kento pulled you in the most comforting embrace. The years of anger, turmoil, unresolved trauma. You felt it dispel with each lingering moment you shared. His arms encircled you like a protective cocoon and he kissed the top of your head “We’re both worth it,” he murmured. “Everything we’ve been through—it can’t be in vain. We’ve fought too hard, survived too much, to let it end like this.”
You nodded against his chest, tears dampening his shirt. “One day at a time?”
“One day at a time,” he echoed, his voice steady.
You stayed like that for a while, holding each other as the weight of their words settled. For the first time in what felt like forever, the silence between you wasn’t filled with fear or doubt but with a shared sense of hope.
Kento rubbed your back gently, his thumb drawing small circles as he closed his eyes. “I swear on my life. We will be more than okay, dove. I promise.”
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August 25th 2021 (Present)
Kento promised himself a fresh sandwich if he could make it through his solo therapy session. The thought of melty provolone and thinly sliced mortadella that was ever so slightly crisped on a kaiser role motivated him through the entire walk to Ootaishi’s office. “And those crispy kettle chips..” He murmured to himself as he entered the now very familiar office building. “I should get two sandwiches. For being early.”
His final thought giving him a chuckle as he knocked on Ootaishi’s door and waited to be brought in.
After a few moments, Ootaishi opened her office and escorted Nanami in. “Sorry to have kept you waiting. Busy day of reschedules and prepping for student evals for the new class on campus.”
“Right.”
Kento adjusted the cuffs of his sleeves as he sat on the familiar couch. The office was warm and softly illuminated, the air tinged with the faint aroma of chamomile from a diffuser in the corner. Across from him, Ootaishi sat poised but relaxed. She wasn’t in a rush; she never was. That, in itself, always made Kento feel both more at ease and slightly exposed.
He inhaled deeply, his hands resting on his knees. “It’s strange,” he admitted after a beat. “I’ve walked into cursed-infested buildings with more certainty than I feel coming here some days.”
Ootaishi smiled faintly, setting her pen down for the moment. “Healing isn’t supposed to be comfortable, Nanami-san. But the fact that you’re here speaks to how much you’re willing to face that discomfort.”
“No talisman today?” Kento looked at the coffee table. A notepad, Kleenex, water in a pitcher and a small trinket from the Kyoto visitors center.
“Just the classics today, Mr. Nanami: pen, paper, and emotions.” Ootaishi smiled and poured two glasses of water before sitting back in her seat.
“Is your domain up?”
“Do you plan on running?” The faint playful teasing made Ootaishi laugh at her own joke.
Nanami heaved out a laugh before responding. “No running. Just wanted to know what I’m up against so to speak.
The therapist jotted the days date on her notebook then looked over her glasses. “Only yourself is who you’re up against. No domains.”
He gave a small nod, a noncommittal sound leaving his throat. “Let’s get started then.”
She adjusted her glasses slightly, studying him with an air of calm curiosity. “So first, congratulations of completing the first parts of your counseling. You and your partner have made great strides as far as pinpointing solvable issues and working through them. How are you feeling about where your marriage is headed after the past few months and sessions?”
Kento paused, his hands gripping his knees slightly tighter. “Better than I thought I would, considering how far we’d fallen. My wife…” He exhaled softly, a flicker of something—relief, guilt, love—crossing his face.
“She’s far more understanding than I deserve. But we are making great strides. She told me things about a week ago that I wasn’t prepared to hear, but needed to. And in return, I shared what I’ve been running from and we were able to find some solid footing and mutual understanding in our struggles.”
“And how did that feel?” Ootaishi asked, leaning slightly forward.
“Hard,” Kento admitted. “But… freeing. It’s like we’ve been clawing through this dark tunnel for months, and now I can finally see the light. It’s faint, but it’s there.”
“And what about you, specifically? What changes have you made—and what plans are you setting for yourself moving forward?”
Kento frowned thoughtfully, his brow furrowing. “I’ve made a commitment to stop using silence as a defense. I’ve realized how much damage it’s done—not just to her, but to me. I’ve also started setting firmer boundaries at work. The idea of burning myself out to prove my worth doesn’t appeal to me anymore. I’m not as young nor as naive. And as for plans…”
He hesitated, his jaw tightening. “I want to be more present. I don’t want to be the man who’s physically in the room but emotionally on Pluto with no tether to the world.”
Ootaishi nodded, letting his words hang in the air for a moment before steering the conversation. “Your willingness to make those changes is important.” The therapist quickly wrote on the page and turned her attention back to Kento. “I want to shift gears slightly. How do you think your grandfather and mother would feel and currently about the life you lived so far?”
Kento blinked, the question catching him off guard. “My grandfather…” He trailed off, his gaze dropping to his lap. “He wouldn’t have approved of my lack of self interest at some points. He valued hard work, but not at the cost of oneself. He used to tell me, ‘Kento, a man who doesn’t know when to rest is a man who doesn’t know how to live.’ I ignored that for too long.”
“Very wise man. And your mother?”
“She wanted me to be happy,” he said simply, a faint sadness coloring his tone. “I think it hurt her to see me so disillusioned with the world. When I was recruited and sent to jujutsu tech, She tried to guide me towards balance and patience with myself, but I pushed her advice aside, convinced I knew better.
He sighed. “Now I wish I’d listened more.”
Ootaishi studied him carefully. “And who do you think you are now, Kento?”
He looked up, confusion flickering in his eyes. “I’m not sure I understand the question.”
She leaned forward slightly, her gaze steady. “Who are you—not the sixteen-year-old boy sent to train, not the man who ran from his responsibilities, and not the sorcerer who dedicated his life to a dangerous, often thankless profession. Who is Nanami Kento?”
Kento’s lips parted slightly, but no answer came. He leaned back into the couch, eyes narrowing in thought. “I… don’t know.”
“That’s okay,” Ootaishi said gently. “Let me reframe it. Who are you, outside of your roles and obligations? When the work attire comes off, when the duties are set aside, who remains?”
Kento swallowed, his voice quieter now. “I’m not sure there’s much left of that person. I’ve spent so long being what I thought others needed me to be that I’ve forgotten how to just… be.”
Ootaishi nodded, her expression soft but firm. “That’s not unusual for someone in your position. But it’s something we need to work on, because you’re more than your past, and you’re more than your job. You need to rediscover yourself—not as someone’s subordinate or savior, but as Nanami Kento.”
He nodded slowly, the weight of her words sinking in.
“Do you still enjoy life here in the city?”
His answer was in the way he lips pursed before sucking them in.
After a moment, she asked, “Do you think your surroundings hold you back?”
His brows furrowed again. “My surroundings?”
“The city you’ve returned to and stayed in,” she clarified. “Your workplace, the people you interact with. Many of the most traumatic moments of your life have happened here. Do you feel that staying in this environment is helping you heal—or hindering you?”
Kento hesitated, his jaw tightening. “I’ve thought about it,” he admitted. “There’s a part of me that wonders if leaving would make things easier. But there’s another part that feels like leaving would be running again.”
“Not necessarily,” Ootaishi said carefully. “Sometimes, choosing to leave is an act of self-preservation, not avoidance. Healing doesn’t always mean staying in the same place where the pain began. It means doing what’s best for your well-being, even if that means stepping into the unknown.”
Kento let her words settle, his gaze dropping to the floor. “I’ll think about it,” he said finally, his voice steady but low.
“Good,” she said with a small smile. “That’s all I ask.”
The session had started winding down, the weight of Ootaishi’s questions settling deeply into Kento’s mind. Yet, as he sat there, something nagged at him, a curiosity he couldn’t shake. He glanced at her, studying her calm, composed demeanor.
“Ootaishi,” he began, his voice steady but tinged with curiosity. “Can I ask you something personal?”
She set her pen down, folding her hands in her lap. “Of course.”
“Why did you choose this?” he asked, gesturing vaguely to her office. “Why become a therapist? You’re a special-grade sorcerer. You could’ve done anything with your technique. Why this?”
Ootaishi’s lips quirked into a dim smile, as though she’d been expecting the question. She leaned back slightly, her gaze softening as she considered her response.
“It wasn’t an easy decision,” she admitted. “For a long time, I thought my purpose was clear: to use my power to fight, to exorcise, to protect. It’s what we’re trained to do, isn’t it? To throw ourselves into the fire, again and again, until there’s nothing left. Especially when you hail from a known family with an often high regarded technique.”
Kento nodded, his throat tightening slightly at her words.
“But then I realized something,” she continued. “No matter how many curses I destroyed, no matter how many battles I survived, the real scars—the ones that lingered in the people around me—couldn’t be touched by brute strength or flashy techniques. I started noticing how many sorcerers were walking around carrying wounds no one could see, wounds they didn’t know how to heal. And I was one of them.”
Her eyes met his, steady and unwavering. “So, I made a choice. I decided that if I was going to dedicate my life to something, it wouldn’t be to fighting battles that only ever seemed to grow larger. It would be to helping people fight the ones inside themselves—the battles that truly matter.”
Kento’s jaw tightened, his gaze dropping to his hands. “But doesn’t it feel like giving up? Turning away from the front lines?”
“Not at all,” Ootaishi said, her tone gentle but firm. “It feels like stepping into a different kind of battlefield. One where the goal isn’t destruction, but restoration. And let me tell you, Nanami-san—it’s far more terrifying. But it’s also far more rewarding.”
He was quiet for a moment, her words sinking in like water into parched soil.
“Why do you ask?” she prompted, tilting her head slightly.
Kento hesitated, his voice low when he finally spoke. “Tokyo, staying in this life. I’ve been trying to convince myself that leaving would mean abandoning my responsibilities, running from my past. But I just want to find a way to live a life that doesn’t feel like a constant fight.”
Ootaishi nodded, a small smile touching her lips. “You don’t owe anyone your suffering, Nanami. You have the right to choose a life that nourishes you, rather than drains you. Sometimes, stepping away isn’t weakness—it’s wisdom.”
Her words settled over him like a gentle weight, grounding yet freeing. For the first time, the idea of leaving Tokyo didn’t feel like failure. It felt like possibility.
As the session came to an end, Ootaishi stood, offering him a quiet smile as he rose from his chair. “Take your time with these decisions,” she said. “But remember: healing isn’t about where you’ve been. It’s about where you want to go.”
Kento nodded, his expression thoughtful as he stepped toward the door. “Thank you, Ootaishi-san. For everything.”
“Of course,” she replied, her voice warm. “I’ll see you both in two weeks.”
As he left her office and stepped out into the cool evening air, Kento felt a flicker of clarity in his chest. The path ahead was still uncertain, but for the first time in a long time, it didn’t feel insurmountable.
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mageknight14 · 1 year ago
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I made a whole Twitter thread about this a few months back but I figured that I might as well bring it here as well.
Today I want to take some time to make another NEO TWEWY analysis post on the Identity Crisis sidequest revolving around Eiru and how it actually provides extra insight into Nagi and Fret’s characters.
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Basically, the main gist of the sidequest is that Nagi and Fret are debating on how to imprint confidence onto Eiru, who’s suffering with his physical insecurities, and this is where we see the differences with Nagi and Fret's philosophies on life.
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Fret's response is to tell Eiru to ignore the haters and even more so, ignore confronting the insecurities; life is better when you don't have to concern yourself with anything or try; don't take anything seriously. Nagi, however, believes that insecurities should be understood and harnessed so that they can ultimately be turned into a strength that can be used as a tool for success; accept your weaknesses and come to terms with them so that you can weaponize your strengths better.
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On a surface level, these might read to be the same thing. Fret’s advice can be read positively as "don't let others judge you for something you can't control" and Fret certainly thinks so, hence why he thinks that he and Nagi are on the same page even though she disagrees.
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However, when you read between the lines and think about it some more, there are notable implications that Fret's advice is more of a dismissive approach to dealing with emotional struggles as opposed to Nagi's own methodology. It’s no coincidence that Fret used to be a fan of the Eiji "the Prince" Oji in his ennui/apathy phase. The Prince in the original TWEWY was beloved for his “don’t give a damn attitude” and how he expressed that both in person and in his blog “F Everything.” Fret claims to have grown out of it but with certain reveals about his character later on, there are some implications that Fret latched onto the Prince and aspired to his attitude due to his own struggles with feeling genuine and wanting to embracing apathy instead.
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However, if you recall in the original game, Neku and Joshua came around and helped the Prince sort out his own issues and in the process, helped him to become more genuine and true to himself in the process. With all of this in mind, you can interpret Fret’s response as him seeing the process of the Prince’s reconciliation with his genuine emotions happening in front of him and didn’t want to confront the possibility of that happening to him as well so he "grows out of it." It also acts as a neat parallel to Neku and his own thing with CAT. Whereas Neku latched onto his misinterpretation of CAT’s words in order to cope with his trauma, Fret turned away from the Prince changing so that he wouldn’t have to deal with his own trauma just yet.
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To get back to the quest, if player had decided to choose Fret's philosophy, Eiru ends up doing just that, spinning Fret's stance on the situation into self-motivating positivity. However, there's a element of emotional responsibility lacking in Fret's way of processing struggles in that he doesn't seem to have the awareness to recognize the difference between overcoming adversity and just ignoring it (or maybe he does but refuses to confront that truth). In order for someone to truly not care what other people think, they need to do what Nagi suggested first, which is to find acceptance with their insecurities and build a stronger foundation for their character through that acceptance.
If the player chose Fret's approach to solving Eiru's issue, his dialogue afterwards shows how he feels about not having to face issues head on, with Nagi lamenting that her approach was not used despite being glad that Eiru's mood was visibily improved.
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I also really like this moment here for how it subtly foreshadows what caused Fret’s attitude and way of thinking to happen in the first place.
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Stuff like this is why I always tend to roll my eyes whenever I hear the claim that "Nagi is mean to Fret for no reason" when moments like these show why she acts the way she does towards him: their philosophies on life are complete polar opposites.
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In Nagi’s eyes, Fret acting the way he did screamed to her that he seemingly had no regard for how his attitude and actions towards others made other people feel in service of his own self-interest and she fundamentally cannot get along with other people of that nature, as shown with how she dismisses Motoi entirely off the bat when the crew first meets him because she could tell that there was something off about his attitude. However, once it was revealed that Fret’s attitude was due to him trying to unhealthily cope with his trauma and not because he was seemingly unconcerned for the feelings of others, she’s far more understandable towards him and empathizes with his grief.
That’s when Nagi learns to understand that she does not need to dismiss people right away and that they, like Fret, might be going through struggles of their own and trying to cope with it via other means, even if she doesn’t agree with it at first. Hence the friendship they start up at the end of the convo.
The characters in NEO have a lot of internal flaws they need to work through, some that might not be immediate obvious at first compared to the original, but when you look back at it all, the game goes through a lot of painstaking detail to flesh out their struggles and mindset and aspects like these is what makes the game a joy for me to replay whenever I go back to it.
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thistlecatfics · 1 month ago
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hi! i have been a follower of the andromeda liberata series for a long time, and one of my very favourite parts in it is the fleshing out of wizarding world politics and ideology (the excerpt from rose weasley's thesis in chapter 1 truly reframed my understanding of pureblood supremacist culture!! it has never left me since)
would you happen to know other fics with a similarly in-depth interest in political wordbuiling? i have been going through your recfest tags, but would love to know if any more works come to mind!
Thank you so much! When I first started writing Andromeda Liberata, I was definitely doing so to process the resurgence of a particular kind of white nationalism in the US, and so writing out that stuff was really important to me. I'm so glad those parts of the fic stood out to you!
When I think of thoughtful, in-depth explorations of pureblood supremacy, I definitely think of @slashmarks's works (every member of the Black family has their own complicated politics! every single one!) though they're so impressively prolific I'm not sure where I'd recommend starting. Maybe they will be kind enough to offer an idea of a starting place?
I also love the exploration of pureblood culture in Death and Other Origin Stories, a growing up together wolfstar WIP, by @houseofhebrideanblacks and @thestralsofspinnersend.
This one is a little less about pureblood culture itself, but I've never come across another fic that manages to explore the intersection of racism and anti-muggleborn prejudice so well and so thoroughly: A Handful of Dust (62k) & the whole In the Garden series (247k), @yeats-infection. It's so brilliant and real and painful, and I still get a little jolt in my heart when I think of Mudblood Blues.
And then I can never go without reccing my all time favorite One to Speak, Another to Hear by seventymilestobabylon, a wolfstar fic featuring a magical truth and reconciliation commission after the second war. It very much gets into the complexity of the politics of a postwar society.
Anyone else want to share recs here?
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sjerzgirl · 22 days ago
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The judges involved in the cases related to Jan 6 have more courage than trump could ever hope to have. The trump DOJ is asking for the cases still outstanding to be dismissed "with prejudice." Instead, they're dismissing them "without prejudice" so that the trials can be held at some future date prior to the statute of limitations, hopefully when democrats take the country back.
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