#tried to keep this brief but ended up rambling lol

[frostfires-blog]

Bleach Hanakotoba Analysis Part 3 ~ OP16: Scar & ED31: Saihate

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-> Division 01: Chrysanthemum

The flower insignia of the 1st division is the chrysanthemum (Chrysanthemum morifolium) which is known as kiku (菊) in Japanese. According to the official Bleach lore, this flower signifies truth and innocence. Its meanings in hanakotoba include nobility, virtuousness, perfection, rejuvenation, longevity and good luck. A sixteen-petalled chrysanthemum is not only one of Japan’s two unofficial national flowers but is also used on Japan’s imperial seal. In Western floriography, Chrysanthemums symbolise cheerfulness, devoted love, loyalty, happiness longevity, joy, trust, optimism, fidelity and friendship. In some cultures, Chrysanthemums—particularly white ones—are only associated with mourning, sympathy and death.

-> Division 02: Pasque flower

The flower insignia of the 2nd division is the Pasque flower (Pulsatilla) which is also known as the nodding anemone and wind flower. It is called the okinagusa (翁草) in Japan. According to the official Bleach lore, this insignia means “seeking nothing”. Its additional meanings in hanakotoba include “untold love”, “pure heart”, and “love of betrayal”. The downward flower of the Pasque flower is said to have given rise to it symbolising "untold love" and "pure heart" as this is thought to mirror the feelings of a pure girl who is ashamed of her sentiments and finds it difficult to express them. The Pasque flower's symbolic meaning of a "love of betrayal" stems from the fact that after reaching their peak, the flowers that initially bloom face downwards turn upward. In Western floriography, the Pasque flower represents rebirth, renewal, hope, dignity, nobility, grace and the phrase “forsaken in love”.

-> Division 03: Marigold

The flower insignia of the 3rd division is the marigold (Tagetes) which is known as the marīgōrudo (マリーゴールド) in Japanese. According to the official Bleach lore, this flower signifies despair. Its meanings in hanakotoba include jealousy, despair and sadness. In Western floriography, they symbolise grief, despair, and jealousy as well as the expression of deep feelings and passion.

-> Division 04: Bellflower

The flower insignia of the 4th division is the bellflower (Campanula) which is known as the berufurawā (ベルフラワー ) and otome kikyo (乙女桔梗 ) in Japan. According to the official Bleach lore, this flower signifies that “those who grieve are loved”.  Its meanings in hanakotoba include gratitude, sincerity and pleasant chatter. Bellflowers are a symbol of gratitude, constancy, romance, and support in Western floriography. Additionally, bellflowers can stand for affection, delicacy, humility, and everlasting love. In particular, blue bellflowers are symbolic of peace, healing, openness, tranquility, and friendship—on the other hand, cream bellflowers are symbolic of thoughtfulness, grace, elegance, peace, and hope. Given that a bellflower's shape resembles a church bell, it is believed that the flower's symbolic meanings of gratitude and sincerity originate from church teachings. It is thought that the bellflower's symbolic meaning of pleasant chatter originates from the observation that its flowers which point diagonally upward bloom together giving the impression that the small flowers are merrily conversing with one another.

-> Division 05: Lily of the Valley

The flower insignia of the 5th division is the lily of the valley (Convallaria majalis) which is known as suzuran (鈴蘭) in Japanese. According to the official Bleach lore, this flower represents sacrifice, danger, pure love, humility and sweetness. Its meanings in hanakotoba include purity, humility, sweetness, chastity and finding happiness again. These flowers are symbolic of purity, humility, sweetness, rebirth, good fortune, joy, youth, discretion and a return of happiness in Western floriography. With its lovely, sweet aroma, it's difficult to believe that such a demure-looking flower could be dangerous. It is crucial to highlight, however, that this flower is an extremely toxic plant that, if consumed, can cause severe disease or death. The Lily of the Valley plant contains around 38 distinct cardiac glycosides (cardenolides)—which are a class of organic compounds that increase the output force of the heart and decrease its rate of contractions—that are exceedingly poisonous to both humans and animals. Given its toxicity, it's ironic, that the plant is associated with good fortune, purity, joy, and sweetness.

-> Division 06: Camellia

The flower insignia of the 6th division is the Japanese camellia (Camellia japonica) which is known as tsubaki (椿) in Japanese. According to the official Bleach lore, this flower represents “noble reason”. Its meanings in hanakotoba include modest kindness and pride. In Western floriography, camellias have a long-standing symbolic association with romance and devotion. They symbolize strong desire and passion as well as unfaltering love, devotion, affection, refinement, perfection, faithfulness, and admiration. Normally, the petals and calyx separate as a flower dies, but in the case of camellias, the petals and calyx fall together, preserving the entire flower. In recognition of this, camellias are used to represent longevity, perfection, and pure, unreserved, love that never fades. Red camellias are thought to represent romantic love, passion, or desire. Pink camellias convey feelings of longing and gratitude. White camellias are associated with purity, faithfulness, admiration, perfection, and good fortune. On the other hand, white camellias are regarded to bring bad luck in Japan since they are associated with death and mourning.

-> Division 07: Iris

The flower insignia of the 7th division is the iris (Iris japonica) which is known as ayame (菖蒲) in Japanese. According to the official Bleach lore, this flower signifies courage. Its meanings in hanakotoba include glad tidings, loyalty, messages, hope, graciousness as well and kindness of the heart. In Western floriography, they symbolise hope, faith, friendship, wisdom, royalty, valour and messages.

-> Division 08: Crane flower

The flower insignia of the 8th division is the Crane flower (Strelitzia) which is also called the Bird of Paradise flower. In Japan, it is known as the Gokurakuchouka (ゴクラクチョウカ ). Its Japanese and English names are derived from the flower’s resemblance to a family of tropical birds native to New Guinea called Paradisaeidae. According to the official Bleach lore, this flower represents “everything that is obtained”. The phrases "date in love" and "pretentious in love" are its hanakotoba meanings. The exotic appearance of the flower, which is compared to a person in love, is considered to be the basis of these connotations. In Western floriography, the crane flower symbolizes magnificence, faithfulness, excellence, success and well as having joy in the face of both challenges and successes alike. Additionally, they also symbolize freedom due to the flower’s resemblance to a bird in flight. The Crane flower is native to South Africa where it holds the meanings of freedom, success, loyalty, thoughtfulness, immortality, love and optimism.

-> Division 09: White poppy

The flower insignia of the 9th division is the white poppy (Arctomecon merriamii) which is known as shiroi popī (白いポピー) in Japanese. According to the official Bleach lore, this flower symbolizes oblivion. Its meanings in hanakotoba are sleep and oblivion. In Western floriography. White poppies represent sleep and peaceful rest. They are associated with faith and the concept of the soul's eternal life, and they also serve as a symbol of remembrance for deceased loved ones. Given that white flowers are symbolic of purity; white poppies are a symbol of restful sleep, pleasant dreams and renewal.

-> Division 10: Daffodil

The flower insignia of the 10th division is the daffodil (Narcissus) which is known as suisen (水仙) in Japanese. According to the official Bleach lore, this flower signifies mystery and egoism. Its meanings in hanakotoba include self-love and self-esteem. Yellow daffodils in particular are linked to the phrases "come back to me" and "I want you to love me again." In English floriography, daffodils represent self-love, respect, egoism, and unrequited love. In contrast with the aforementioned negative connotations, daffodils also represent strength, overcoming hardships, and the arrival of success and wealth. White flowers typically symbolize purity—however white daffodils signify a desire for transformation.

-> Division 11: Yarrow

The flower insignia of the 11th division is the yarrow (Achillea alpina) which is known as nokogiri (鋸草) in Japanese. According to the official Bleach lore, this flower signifies fighting. Its additional meanings in hanakotoba include bravery and healing. The yarrow is a symbol of bravery in Western floriography, particularly in times of war, and wearing it is said to bestow courage and protection. The yarrow is also said to represent everlasting love, healing and good health because of its medicinal properties. Its Japanese name, “nokogiri”, translates to “saw grass” and is presumably derived from how the tooth-like shape of a saw’s teeth resembles the plant’s bipinnate/tripinnate leaves.

-> Division 12: Thistle

The flower insignia of the 12th division is the thistle (Cirsium spp.) which is known as azami (アザミ) in Japanese. According to the official Bleach lore, this flower signifies vengeance, strictness and independence. Its meanings in hanakotoba are independence, retaliation, sternness and “do not touch”. In western floriography, thistles symbolise austerity, nobility of character, independence and misanthropy.  In the Victorian era, the gift of thistle flowers served as a warning against unwanted meddling. These flowers are incorporated in the expression “as prickly as a thistle” which describes someone who is easily enraged, particularly in the face of criticism. As Scotland’s national flower, thistles represent bravery, luck and strength. Thistles are referred to as the "flower of the sun" and the "herb of the witches" in the Basque area of France. It is said that thistles provide protection from evildoers and witchcraft because witches are said to be unable to look directly at the sun.

-> Division 13: Snowdrop

The flower insignia of the 13th division is the snowdrop (Galanthus nivalis) which is known as the sunōdoroppu (スノードロップ) and the matsuyukisou (待雪草) in Japan. According to the official Bleach lore, this flower represents hope. Its meanings in hanakotoba are hope and consolation. In Western floriography, the snowdrop represents purity, rebirth, sympathy and hope.  A single snowdrop was seen by the Victorians as a symbol of death and was unlucky to bring into a home. On the other hand, the snowdrop is also associated with rebirth, springtime, and the ability to overcome life's challenges. The snowdrop blooms from mid to late January as winter slowly begins to end thereby reminding us that there is light at the end of the tunnel. It reminds us all that if we put our minds to it, we can achieve great things in life. It also serves as a reminder of change and represents a willingness to grow. Snowdrops are thus often gifted to those trying to move forward from sadness and negativity.

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[If you liked this post, check out part 1 (here) and part 2 (here)... Also, here's the link to my directory of other hanakotoba analysis posts (here)]

[P.S. Here is the final part of my hanakotoba analysis on Bleach. I kept things brief and didn't go into how each flower suits each squad, captain and vice-captain primarily because of time constraints... Also, I doubt anyone wanted to do that much reading lol... I'll happily elaborate and answer any questions in the comments though...]

[slytherinshua]

TWS AS LOVE TROPES

genre. fluff. warnings. jealousy in shinyu's. implied extrovert reader in dohoon's. academic slay and competitive reader in youngjae's. extremely introverted/socially awkward reader in hanjin's lol. brief mention of makeup in jihoon's. not proofread. pairing. tws x fem!reader. wc. 2k. (around 300 per member but hanjin's and kyungmin's are a bit longer cause i was rambling sry). request. requested by anon. a/n. skdjsk this was so fun to write like maybe my fav tws request to write... like SO FUN UGH I LOVE THEM I LOVE TWS SO MUCH!!! i hope these are accurate as well!

SHIN JUNGHWAN ﾐ MUTUAL PINING

mutual pining screams junghwan to me. you aren’t friends, but you both have some mutual friends and you always end up being around one another. and you both develop the most massive crushes on the other. literally whenever you see junghwan your heart races it’s that bad. and junghwan is trying to act like he can focus on anyone but you when you’re in the room, but it’s impossible. he doesn’t even know more than your name and where you went to school, he’s pretty sure he’s lost his mind. it hurts even more watching you be in a relationship with someone else.

maybe he’s reading too into it, but he swears you look so much happier when you’re without your boyfriend. junghwan can’t help but imagine how it would look if he was in the other guy’s place. he should be the one hugging you, kissing you, taking you out on dates. except if it was him, it would be so much better. he tries his hardest to forget about his feelings for you but he just can’t. this continues, and eventually, after you break up with your ex, you realize that no one makes you feel the same way that junghwan does. you’re pretty sure he likes you as well, but there’s always a lingering fear that maybe your brain is just being dumb and convincing you that he likes you. it could turn into a friends to lovers situation too, but the friends part would always be teetering on something more. lingering touches that last much longer than they should. always going to the other for comfort or advice, the other always being on your mind. the only way that you actually get together would be when all the built up feelings and emotions finally explode into a very unplanned confession.

KIM DOHOON ﾐ OPPOSITES ATTRACT

dohoon has always been intrigued by someone who was the complete opposite of him. he loves exploring new things and getting outside of his comfort zone, but he needs someone else to convince him to do it. if he’s just by himself, he’ll stay at home where he’s comfortable. enter you. the complete opposite of him. at first he’s just interested in becoming your friend. he doesn’t expect any feelings to grow from it. he knew you would get along but he didn’t expect how well you did. you never got tired of talking to him. your conversations would go on for hours because you were both curious about the other. dohoon fell in love with your voice before anything else. he was in love with the way you explained stuff, the way you never left out a single detail. he wanted to know everything about you— he wanted you to tell him everything. he wanted to discover new things about you that no one else knew about. you brought out new sides of him that he didn’t know he had, and unknowingly, he was doing the same to you. and that’s where romantic feelings started to creep in. he started to get affected by not just your voice, but physical touch or even your outfits. you were good friends by now, and one time when he saw you in his hoodie, his entire brain stopped working. he knows at that point that you’re much more than a friend to him. you’re all he can think about during the day. you keep him up at night. he even dreams of you. so, he works up the courage to confess. if you’ve taught him anything while you’ve been friends, it’s that you only live once and regret lasts much longer than disappointment. 

CHOI YOUNGJAE ﾐ RIVALS TO LOVERS

youngjae is competitive and he’s also smart. the only problem is you are also competitive and possibly smarter than youngjae is. he doesn’t want to lose to you, he’s barely lost to anyone… hence the rivalry starts. he really doesn’t see anything special about you at first. you are just the first person to ever match him in terms of intellect and popularity. there’s nothing he’s interested in about you besides seeing you always a rank below him. but from how focused he becomes on beating you, that means you’re always on his mind. sooner or later he’s thinking about you not from a competitive aspect. after months of always being around you, trying to study you to see what your weaknesses were, how he could get the upper hand, he picked up on your habits and mannerisms. he knew faster than anyone when something was wrong, and for some reason, it bothered him. when he saw you not performing your best, it shouldn’t have irked him. he should’ve been happy, if anything. it meant he was finally on top. but it didn’t bring him the satisfaction he had wanted from the beginning. that’s when he realized that after months of rivalry he had grown fond of you. the switch in his behaviour quite puzzled you at first, but you couldn’t lie that you had always liked youngjae. you liked a challenge, and he was the first guy to ever give you that. youngjae did as much as he could to help you back to where you had been, just so that the competition could continue. when you were finally back to beating his scores and returning his snarky remarks, he simply couldn’t help himself. he stopped you from talking with his lips on yours, knowing you would reciprocate his feelings. 

HAN ZHEN ﾐ POPULAR X LOSER

just from hanjin’s predebut photos alone, i bet he was so popular in school. he’s always been so gorgeous and i feel like even though he’s introverted, he would’ve caught the attention of a lot of girls. so it simply made no sense why he would ever pay attention to you. you always stayed at the back of the class, barely talking to anyone and just focusing quietly on the work you were given. but the fact that you weren’t social was exactly what intrigued hanjin. though he enjoyed the attention and praise to some extent, it was also exhausting. he couldn’t imagine romantically pursuing any of the girls who drooled over him, which is exactly why he wanted to get closer to you instead. you were pretty, smart, and weren’t an attention snob. so, he makes the first move to talk to you. you had your assumptions about hanjin before just watching him as the unbelievably pretty popular boy. the fact that he was actually trying to talk to you was insane… and also not good for your heart which you could feel racing in your chest. hanjin thinks you’re so cute the more he talks to you. he likes being able to make you flustered— it feels like you actually care about him and what he has to say and aren’t just trying to be friends with him for his looks. pretty soon, everyone in the school catches on. hanjin only wants to hang out with you, the loser girl who nobody has seen talk to another student except for group projects in 3 years of being at the school. the news spreads like wildfire and pretty soon the question of when he’ll ask you to be his girlfriend arises. you think it’s preposterous. you don’t want to get your hopes up just because the entire school is convinced of it. obviously… you would say yes immediately. without even a second of doubt. hanjin is the first person to ever try to get to know you, and he means more to you than anyone else. you can’t imagine how nice it would be to be able to call yourself his girlfriend. but, luckily, you don’t have to wait very long to find out. despite your loser status in the school, the student body is surprisingly fond of the match between you and hanjin.

HAN JIHOON ﾐ LOVE AT FIRST SIGHT

jihoon first saw you at a convenience store at like 11 pm in the night slurping down ramen. and it definitely wasn’t the most flattering sight, but apparently that doesn’t matter at all to him. cause he’s not even looking at the sauce on the side of your lips, your messy hair, the hoodie that's pulled over your head, or your smeared makeup. he’s looking at your eyes and how they keep seeming to draw him in. you also notice jihoon as he’s checking out at the counter. his cute hair falling over his forehead and his lips that curve into a smile as soon as he looks your way. before you know it, he’s sitting next to you and introducing himself to you. it was like destiny, you both share so many interests and have so much to talk about. thankfully, the convenience store was a 24 hour one, otherwise you definitely would’ve been kicked out by the employee. you talk and talk… and talk. and eat; jihoon pays for your ice cream and extra snacks. numbers are exchanged and before you know it he’s asking to hang out again. you can barely keep track of how fast you catch feelings for him. he’s the cutest boy you’ve ever seen with the most adorable personality in the world. you’d never fallen in love at first sight before, and you certainly didn’t expect an encounter like that to land you a boyfriend. but everything progresses so naturally. you’re talking and then he’s asking you out on dates and then you’re kissing him outside of your apartment and not wanting it to end because you’re so obsessed with him. and, like you were made for one another, he shares your exact feelings. soon enough, you’re in an official relationship and more in love than ever with the boy you met at the convenience store.

LEE KYUNGMIN ﾐ CHILDHOOD BEST FRIENDS

kyungmin and you were inseparable as children. you were attached at the hip, always in the same classes, sitting next to you, playing together at recess, having play dates at each other’s houses. your parents were good friends with his, so it was easy to keep the friendship strong all throughout your childhood. there’s barely a moment in your life that you can remember that doesn’t have kyungmin involved. by the time you’re 16, you’ve probably spent more time with him than your own parents. everything always feels so comfortable and safe with him. he knows you inside and out after years of being friends. you share all the same interests and have more inside jokes than you can even count. it’s during a sunny afternoon in your bedroom, clutching your stomach from laughing so hard with kyungmin, that it really clicks in your head. you like spending time with him so much. more than just best friends. you can’t imagine your life without him. years from now when you’re well into adulthood, you want him to be right beside you then as well. dating was always a thought on your mind, being at the age where all your other girl friends were getting into relationships. and as you thought a bit harder about it— dating, love, relationships… only one person comes to your mind: kyungmin. your best friend who was sprawled on the bed right next to you, giggling along with you about some inside joke that had lived on too long to even remember how it started. you’ve always been able to tell kyungmin anything without feeling nervous or embarrassed, so you just go for it. at first he’s a bit wide-eyed and shocked. of course he likes you— you’re the only girl he’s ever liked since he was little. he had always planned to tell you how he felt after high school, when the thought of university came around and the fear that you wouldn’t be attending the same school arose. but confessing to each other in the comfort of your childhood bedroom, where hundreds of memories had been made together since before you were even in school; it felt perfect.

↳ tws taglist (bolded could not be tagged): @eternalgyu,, @seunghancore,, @sobun1est,, @talkingsaxy,, @talking-saxy,,

@50-husbands,, @hursheys

[moonlight-tmd]

I’d like to think bee gets super excited during storms and thunderstorms. why? because of the electricity in the lightning, even if it’s forming or still in the sky. bee can feel it and it gives him the cybertronian equivalent of an adrenaline rush.

however cause of the slippery roads and dark scene it gives, also bee’s recklessness, he’s forbidden from driving during storms/thunderstorms. idk what he’ll do to handle all the energy he has or maybe he’ll sneak out and go nuts. the energy in the sky just makes him get all happy and crazy lol

Hahah yeah he does- that would fit well with Bee being able to manipulate electricity.

Whenever there is a storm happening, Bee can always feel when the clouds start to charge up. He always freezes when the first flash happens and bolts right to the window all excited.

He really wants to go out and play but the others just don't allow him- whenever there is a storm happening Bee is always the one to want to go out. They have to keep every door and window shut and someone always has to keep an eye on him to make sure he doesn't get out and get hurt.

They never understood why Bee wants to go out and play during thunderstorms so badly until they found out about his weird electric manipulation. The electricity in various devices gives him energy via EM field and touch(that's why he likes being in cities, lots of devices and lots of energy sources) and with a natural source of massive energy right above their fuckin helms, it's bound to make Bee all crazy- he managed to slip out for a brief moment few times before someone from the team carried him back inside.

When Bee is babysat during storms he'd most often play games- any games, and it's better if it involves interacting with other bots. The team most often ends up playing a lot of board games and listens to Bee ramble about thousand stuff at once. Sari once joked that they could put a giant hamster wheel for him to run in, as appealing as it was the idea was shut down because of safety reasons.

I imagine at one point they didn't pay attention to him for a short moment and it gave Bee the opportunity to slip out and climb on top of the shipping containers and scream "Strike me, Zeus!" at the sky.

And wouldn't you know.~

Before the others could reach Bee and take him back inside a bright flash accompanied by a loud thunder descended down from the sky.

When they looked at the spot where Bee was there was nothing but a dark mark left by the lightning. It didn't take long to figure out where he went tho- said minibot was literally making donuts around the entire factory and drifting like crazy while screaming in joy.

Nobody could catch him no matter what method they tried. He was like that even after the storm ended. Eventually he stopped and got back inside but he still was shaking from the robotic adrenaline and joy- Ratchet could swear that the kid was on drugs without actually having taken any drugs.

Now they all know why Bee wanted to be struck by lightning so badly- and they never let him outside during a storm ever again.

[fandoms-writings]

Tell Me Everything

Part 1

Pairing: Miguel O’Hara x Reader

Word Count: 2.2K

Summary: You spot a certain someone, causing your emotions to come to a head when you realize, you don't want to sneak around anymore. (based on the prompts: "What are we doing"/"Why are you doing this?")

Warnings: really this one is just angst, sorry lol

A/N: thank you so so much to @banana-cheese-cake for beta reading this for me <3

Masterpost

It was like your body forgot how to breathe on its own, your lungs emptying in a rush and struggling to inflate again as you gazed at the man in front of you. The very familiar man you almost ran up to before seeing a woman with him. 

He looked just like Miguel, but it wasn't - not your Miguel at least. 

Your Miguel wouldn't be out in public like this, with a woman and a child walking with him. He'd come straight to your apartment, usually through one of the windows. You'd take turns enjoying each other's bodies and after just a brief conversation while you cleaned up, he'd leave out the same window. 

Sometimes he'd even portal away right in your living room.

You'd always been tempted to follow him, but you knew you shouldn't. You didn't belong where he was from, and he didn't belong here. Clearly. 

"Hey," Your friend's hand grabbing your arm shook you from your stupor and you sucked in a breath, turning to face them with wide eyes. "You alright? You look like you've seen a ghost." 

"Uh," you glanced back to where your worlds Miguel had been, to find the space empty, "Yeah," You turned back to her, wrapping your sweater tighter around yourself, "I'm fine, just thought I saw someone I knew. It wasn't him though." 

"Okay. . ." She looped her arm through yours, tugging you close to keep warm in the cold wind and you began your trek again to the bookstore, trying not to pay any attention to the ache in your heart at seeing a version of Miguel you didn't know with someone who wasn't you. 

You tried to focus on Megan's rambling about a new book coming out, how excited she was to finally read the ending to a series she'd been obsessed with for years. You tried to get your brain to absorb the words she was spewing at you, you really did. But you couldn't get your mind to forget about that man you saw. 

He looked so different from the Miguel you knew - he looked happy. 

Thinking about it, you weren't sure you'd ever seen your Miguel even smile. He was always so weighed down by his life, his responsibilities. From what he'd told you, he didn't have a life outside of his work. Hell, he barely had time to come see you. 

Which, you realized very early on in your situationship, that he shouldn't even be doing. He shouldn't be in your world, you both knew that. But recently, you've had enough of sneaking around. 

You'd had enough of not being able to tell anyone about him. Of going everywhere alone. Sleeping alone. Dining alone. Walking. Talking. 

Living. 

And now, with the knowledge that your reality's Miguel had a life and was happy and married - it made you wonder what you didn't know about your interdimensional booty call. And as you spent the afternoon with Megan, each reading your own books, you could feel the discomfort of that curiosity fester in your chest and you knew it would grow into something dark and ugly if you didn't get a chance to talk with your Miguel. And soon. 

~~~

A heavy sigh deflated Miguel's chest as the sight of your apartment came into view. He could see the kitchen light on as he swung his way over, sticking to the shadows of the night as best he could. 

He wasn't planning on coming to see you quite yet, he still had so much work to do, but something in his gut told him he needed to get to you as soon as he could. That he needed to check on you. 

He was only planning on stopping by, peaking in to see if you were okay. He wasn't going to come in, he wasn't going to say hello. Just stop, check on you, and leave. In and out. Easy. 

Except it hardly ever was. 

He got up to your window, peeking over the window pane to try and catch a glimpse of you but you were nowhere to be seen. There was an abandoned mug of what he assumed was tea on the counter, the steam rising from it in thin tendrils toward the ceiling. There was a book haphazardly thrown onto your couch, something that made confusion and worry flood his system - you'd never do that to one of your books. 

"Lyla." 

"Yeeees?" She appeared over his shoulder, peeking into your apartment, mimicking him. 

"Stay on alert, but only cut in if it's an emergency." He ordered. 

"Oh boo," She glitched to stand in front of his nose, "I'm never going to meet her am I?" 

He refused to answer, glaring at her from the other side of the mask and she sighed. 

"Fine, call me if you need any advice." With that, she vanished and he tested the window, sighing slightly when it slid up and allowed him in. 

He silently crawled in, crouching near the window as he left it open for an easy escape route should he need it. Taking in your apartment, it was clear something was wrong, you never let it get this messy. You usually took pride in how clean you kept it, how organized it was. To see dishes piled in the sink, crumbs on the floor, a basket of forgotten laundry in the hallway and shoes scattered across the floor had Miguel questioning if he was even in the right apartment. 

But he knew that couch, he knew the photos on the shelves and the paintings on the walls. He was familiar with the plants on top of the bookshelves, with the coupons pinned to the fridge. He was in the right place. 

That was only further confirmed for him when he heard you, your shuddering breath coming from down the hall. His attention snapped to your bedroom where it sounded like you were and he called your name, quickly making his way to your door. 

Your door was thrown open right before he could reach it, and his eyes widened at the sight of you. Your eyes were rimmed red and sunken, your lashes wet and your brows coming down into a scowl that sent ice through his veins. 

Your name left his lips in a soft mutter and you folded your arms around yourself, as if protecting yourself from him. As if he would reach out and harm you or throw harsh words at you. 

His heart thundered in his chest as his nerves grew and his hands shook as thumbed the switch to remove his mask. 

"Why are you here?" You asked, your voice raw and cracked. 

"I wanted to see you," you pushed past him, making your way to the kitchen and he followed, hot on your heels, "I had a feeling I needed to check on you." 

You huffed a breath at that, grabbing your still warm tea.  "Well," You stopped, leaning against the counter as you lifted the full cup to your lips, "you've checked on me. Now what?" 

He angled his head. He wasn’t used to you being this cold, this closed off. “Did something happen?" 

You let loose a dry chuckled, void of any humor, "You could say that." You set the cup down with more force than necessary and stared at him. "I have a question for you." 

His back straightened out of instinct, his spidey senses telling him to prepare for whatever it was you were about to ask as the hair on the back of his neck stood stiff. "Okay." 

"What are we doing?" It filled the air in an almost silent whisper. 

It took him a moment to respond, his eyes searching your face for any clue as to what you were talking about. "What do you mean?" 

"I saw you," You started, crossing your arms again, "Well, not you you, but my world's version of you." 

Miguel could feel his heart begin to sink. He'd been so infatuated with you, he didn't even think about your reality's version of him. About what that would mean for you - for the both of you. 

In his silence, you continued, "He wasn't alone either." You looked up at him, tears lining your lashes no matter how steady you kept your voice, "He was with a woman. And a little girl." 

Miguel felt the words hit his chest like a freight train and he stumbled backwards, turning on his heel to shield himself from your intense stare. 

"So let me rephrase it," Your voice followed him as you stayed rooted in the kitchen and he began to pace, "Why are you doing this? Why are you really coming here?" 

He turned to you, his hunched shoulders dropping when his eyes met yours, finding nothing but confusion there. So he told the truth, "I can't stay away." 

"But you can't stay either." 

He sighed, shaking his head 'no' as he watched you. 

"You come and you go," you start, letting the tears fall, "You come in here, have me in whatever manner suits you, and then you leave. You leave me to my life and you go back to yours. But I don't even know about your life. I don't know about you. Not anymore than you've told me, which isn't much. I want to know you. I want to go out with you. Go on walks or go to dinner. Anything outside of this apartment." You took a breath to steady yourself, "I'm tired of being alone, Miguel."

He watched from across the room as you made your way over to him, stopping in front of him and tipping your head back as he towered over you. 

"I'm tired of sitting here, waiting for you to come back," You whispered, "Wondering if you'll come back at all." 

He raised his hand to your face, the callous of his thumb rough against your cheek as he stroked it. Not a word was spoken as he caressed your face, his other hand coming up to your other cheek.

He'd told you he was from another reality, that he worked to keep the multiverse from falling apart. 

He'd never told you what happened. He never told you about the reality he'd accidentally destroyed. The wife and daughter who no longer exist because of him. 

He noticed your lips part, as if you were about to say something, and he rushed to get it out. All of it. 

"My name is Miguel O'Hara," He started, his voice rough, "I'm Spiderman, but in a different way than the Spiderman who lives in this city. I run the Spider Society in Nueva York on Earth-928. We protect the Multiverse from fracturing and unraveling, as much as we can. I'm gone all the time because we're trying to hunt down and contain what are called anomalies - beings who get ripped through the multiverse and wind up in a reality that isn't their own."

"So you're an anomaly when you come here," You started, "I know all of that already." 

"I can't stay because I don't want to risk your reality falling apart." 

Your body tensed under his hold as you stared up at him. "How do you know that's what would happen? It's not like I'm some important politician or celebrity. How do you know it would unravel my reality?" 

"I don't know for certain," He stated, his voice dropping so low that if there were any other noise in the room, you wouldn't hear him, "But it's not a risk I'm willing to take. I've already had to watch people I love vanish right in front of me because I was too selfish to leave their world. I won't let it happen to you too." 

"What happened?" You asked.

He paused, a lump in his throat stopping him from spilling all of it to you. "If I tell you the whole story," He started, trying to ignore how nervous he sounded in his own ears and how his heart had begun to race. "You might hate me for it." 

Your fingers wrapped around his wrists, pulling his hands away from your face as you held them in between the two of you. "I deserve to know who you are," Your voice was gentle as you spoke, "Don't you think?" 

He tightened his hold on your fingers, clinging to your hands like a lifeline, praying that after he told you his whole story, that you wouldn't see him as the villain he often thought himself to be. He nodded. "You do." 

"Okay," You led him over to your couch, sitting down and waiting for him to sit beside you before speaking again. "Tell me." 

Miguel knew that if you were to allow him to keep coming to you after hearing his whole story, to let him keep seeing you, that he'd have a lot to make up for. But he was okay with that. He'd spend the rest of his life groveling if that's what it took.

He just needed to tell you, and let you decide if you hated him or not first.  

So, he took a steadying breath and told you all of it. Everything from before he destroyed that reality, to working fixing other realities, to finding you. He even included how he fell in love with you, no matter how hard he tried not to. 

Everything. 

As always, thank you for reading! Reblogs, comments, and likes are all appreciated!

If you enjoyed the story, please consider supporting me on my Ko-fi

If you want to be updated when i post a new story, please follow my library blog and turn on notifications <;3 @remis-library​

[vindieselsfacebook-blog]

okay after seeing your poll on the unpopular GG opinions I need to hear your thoughts on lane!!! please please elaborate because on first seeing your take I don't agree but I've also never thought about it so I would love to hear your opinion if you feel like it! :))

Ahhh first of all, omg thank you for caring to hear any of my rambling. :') Second of all, pheewwww boy do I have some unpopular Lane opinions lol.

My disclaimer at the top is that I like Lane! She gets so much interesting, flawed characterization that a lot of sidekicks in fiction don't. I can sound like a hater but I think there's this fascinating effect where fans either relate so closely with Lane, they project a lot onto her - to the point of pretending her flaws and mistakes just don't exist - or they flatly reduce her to her endearing strengths and root for her so much as an underdog, they don't engage with any deeper critique and honestly kind of infantilize her and don't hold her accountable for her choices.

Lane is so relatable because her experience speaks to folks growing up in similarly religious, oppressive, and/or culturally specific family units that maybe feel more authoritarian. This is where I must acknowledge that I'm an only child in a white (eastern European mostly) household where I never really clicked with my parents in most ways and was always kind of at peace with that fact. I've always struggled with fully understanding and empathizing with people (both irl and in fiction) who clearly feel so unhappy and/or oppressed by situations, but lack the courage to really do anything about it when it would be fully possible for them.

Lane's mom is cartoonishly restrictive of her and often downright cruel, but at the end of the day, Lane still cares too much what her mother thinks. She still wants to make her happy and internalizes those teachings instead of really pushing beyond them and rebelling like she acts like she wants to. She folds in on herself with a victim mentality constantly that frustrates me. As a kid, I totally get it, but once adulthood looms and she goes along with her mom's college choices for her, tries to make every friend and romantic interest delight in ridiculous charades to keep peace, and doesn't want to have sex before marriage, I get less sympathetic. Grow up, girl! Maybe it's because Lorelai's story is the 180 degree opposite of Lane's. I have so much love and admiration for Lorelai's bold choices, perhaps that's the root of my disconnect with Lane. Again - I totally get that this is shaped by my personal cultural upbringing.

Besides finding it hard to respect this desire to still be mommy's little girl when I don't think her mother has earned that OR that it's a personally satisfying pursuit for Lane, I find her boy-crazy obsessions dull and shallow. In she and Rory's brief S1 conflict where Lane feels ignored by Rory, I kind of can't help but take Rory's side because girl, I'm sorry, I'd be bored as shit hearing you ramble on and on about some dumb dude you don't even know because his hair is cute.

Although I resent the term so much these days, Lane fits the stereotype of "I'm not like other girls" MUCH more than either Rory or Lorelai in my opinion. She's always talking about dumb girls she doesn't like, girls in bands being her competition, etc. I get that's an easy coping mechanism for a girl like her who only has her taste as something she can feel superior to others about because her life is otherwise small, but still. The main characters get that critique but she's always exempt.

So many fans paint with a broad brush claiming Lane's a better friend to Rory than Rory is to her when I feel it's the reverse - Lane requires A LOT of emotional labor. I've heard folks claim she's just as smart - why couldn't she get into an Ivy, too? Well, to start, Lane wouldn't even go if she had the chance because she's too scared to be truly ambitious, she's not the main character of the show, and honestly, why do people think she's so smart? She's no dummy, but she's never portrayed as being especially good at school or interested in academics. That's where I see the projection creep in. People who relate to Lane are angry on behalf of her perceived wasted potential because they feel it about themselves or others they love.

Then of course, we all get mad about her quick marriage and pregnancy, but those are both fully Lane's choices. She's allegedly disagreed with her mom her entire life, but again chooses victimhood in refusing to have sex until marriage and still valuing the oppressive heteronormative life she's always been obsessed with. She was already making progress choosing her independent starving artist life at that point so she can't blame that choice on mommy. You're an adult - learn about contraception if you don't want to get pregnant! Or get an abortion! But no - Lane is a career self-saboteur. Like pushing Henry Cho away, Lane is addicted to struggling and hiding and keeps creating these circumstances for herself long after her childhood under her mom's thumb. She even needed her mom to plan a tour for her and her band.

AND ANOTHER THING (lol sorry, full drunk-uncle-ing now) but I don't think Dave Rygalski's willingness to lie, hide, and change himself for a girl's attention is healthy and gets waayyy too romanticized. Lane would be a nightmare girlfriend.

When fans share dreams of Lane moving to a bigger city, starting an all-girl band, or being successful in the music industry, I can't help but think those aspirations are far more out-of-character than people seem to think. She's just not that girl - and that's ok! Not everyone is. She ends up seemingly happy with her community and family and walks that line having a good relationship with her mom. We maybe hoped for more, but unfortunately she didn't. And just as with so many other things in Gilmore Girls, that rings so bittersweetly true to real life.

[cebwrites]

babygirl trifecta

i love them all so god damn much <333 extra notes and rambles under the cut for kakashi and law highlighting some differences as well as my journey with them!

well i tried to keep it brief but this ended up getting cluttered pretty quickly lmao, i can only hope it's legible for anyone who takes the time out of their day to read this

i already mentioned it but it really is funny how my little martini glass meow looks so much broader than kakashi (it's not even that much of an actual difference, i overlayed them to check!) it just looks like that because kakashi looks evenly proportioned but law has their cunty little whore waist TT0TT

in the five years that i've been completely absent naruto fandom circles i've gotten over my wild aversion to facial hair lol, what a weird hill to die on?? i'm still not the biggest fan of huge beards, but you put a mild stubble on a tired little guy?? i'll go bonkers bro, straight COCONUTS-- i draw law with a little extra scruff to their goatee and it's just sdfjskghdkfh!!! 💓💖💗💞 my baby's so masculine oh my gawwww <3333

i suspect it's aizawa who started it all and one piece just doubled down my slightly piqued interest (everyone was just so smooth in naruto and when they did have facial hair it was full beards and no inbetween, that's potentially what turned me off it initially lmao)

wrt law's pronouns i feel unhinged every time i have to talk about it but like skhdskgb i almost exclusively refer to them with they/them pronouns verbally (this counts maybe?? whenever i'm not writing anyway) but sometimes in headcanons or fics the "he" and "him"s just sort of slip out and they feel natural but not when i'm talking about them casually

by and large i'd much rather people use they/them for law when interacting with me but idk i feel compelled to "pick one" and it's one of those silly things that really shouldn't bother me but does sdkhfskgh

i doodled the old oc i used to have paired with kakashi (they still do live together somewhere in the back of my mind!) alongside law's little kirin chibi but they technically do have an OP version and that's vastly different from who they used to be in the narutoverse nobody's particularly interested in that but me but i still think it's a neat little tidbit :3

i could've easily done this interaction with iruka or shisui - since they were very much comfort characters too, hell, shisui even ended up as an OC (reiji!) cause i loved him that much - but ultimately i ended up picking my og naruto king 💕

okay that's enough rambling for one day, i didn't touch that much on aizawa because this is long enough as is sdjfskghkdg back to my little corner i skitter--

[frodo-with-glasses]

More Reading Thoughts: A Long-Expected Party

There’s something so incredibly endearing about the slow, meandering beginning of LotR.

Even today—in a day and age when every author tries to grab you by the eyeballs in the first five words—Tolkien’s writing still has that gentle, irresistible draw that takes you by the hand and leads you slowly but surely into adventure. Something about a “birthday party of special magnificence” just appeals to all our inner children, I think; and the tiny mysteries, and the joy of a world of fantastical creatures living in peace and comfort, just adds to that. You want to go to Middle Earth, and you want to get lost in it. It’s like a lazy river at a water park; you wade in, get settled, and relax, and the next thing you know you’re far away from where you started.

All of that to say, Tolkien’s writing is goals and I aspire to be even a fraction of what this man was someday.

Anyway. To the bullet points!

Isn’t it hilarious how quick people are to begrudge one another their good fortune?? If Bilbo had been poor and died in a timely manner his neighbors would probably have liked him just fine, but he gets a lot of wealth and lives a long time and all the hobbits go >:-(

They’re not wrong to be suspicious, of course, but it’s still a biting social commentary. And very funny!

“As Mr. Baggins was generous with his money, most people were willing to forgive him his oddities and his good fortune.” 🤣

“You should come live with me so we can celebrate our birthday parties more comfortably together” belongs in the same category as C. S. Lewis’ “and they got so used to arguing that they married each other to keep doing it more conveniently”

“And suddenly, all the old people found that everyone actually WANTED to hear their rambling stories!”

GAFFER GAMGEE MY BELOVED

Hobbits are all so terribly prejudiced. What endearing morons.

Ooh, confirmation that Bilbo and Frodo look similar!

“There never was much to tell of him! … Till he was drownded.” “DROWNDED??”

I love that the only things we know about Drogo Baggins are that he was unremarkable and fat and married a strange woman

The Gaffer: “Thank goodness Mr. Bilbo saved young Mr. Frodo from those strange, dastardly Bucklanders…”

Meanwhile, Merry feels his eye Twitch and doesn’t know why 🤣

The spelling of jewels as “jools” is adorable for reasons I can’t describe

Tiny Gaffer Gamgee saw Bilbo come home from his Adventure!!

The Gaffer’s words are strangely prophetic. Sam did indeed land in trouble that was bigger than him—and thank goodness he did.

The Gaffer basically says here “if generosity is being strange, we could do with a lot more strangeness!” and honestly that’s a motto I want to live by

I love that Sam is most likely the one who started the rumor about the fireworks X-D

I wish we’d gotten to see the Dwarves visiting Bag End in the movies. It’s a shame they were cut. Imagine what cool costumes they could have had!

“G for grand!” and Gandalf’s smile. Ugh, my heart 🥹

Pity that September 22nd fell on a Friday this year. We were so close to it being a Thursday, like in the book! Oh well. Try again another year, I guess X-D

Are small business owners grumbling about your purchases from foreign parts?? Here’s an easy solution! Just BUY OUT THE STOCK OF EVERYONE FOR MILES AROUND IMMEDIATELY AFTERWARDS

Also the fact that the post offices are absolutely flooded 🤣 Bilbo, you madlad

“Old Gaffer Gamgee stopped even pretending to work on his garden” LOL

The brief paragraph of NOOO BAD WEATHER THE DAY BEFORE THE PARTY is honestly spectacular. It’s so nerve-wracking for just a second there—which is hilarious in light of the war and death and GIANT SPIDERS we’re going to read about. I think it has a flavor of Tolkien’s beliefs on eucatastrophe hidden in there—it’s not out of Bilbo’s own effort that the weather cleared up just in time for his party, it was just happy providence—but I’m too tired to write an essay about it right now.

“Half the Shire’s been invited…and the rest of them are turning up anyway!”

The hobbits who came through the gate again to get a second present 🤣🤣🤣

“The hobbit-children were so excited that for a while they almost forgot about eating.” That’s impressive!!

I love that some of the toys are dwarven-made. That’s such a cool detail that makes the world seem both fantastical (because dwarves!) and real (because you can Amazon order toys from them!) at the same time.

The names of the fireworks!! Especially the ones that are onomatopoeia, like “backarappers”! It just makes brain go ✨✨✨

Pfffft, yellow rain

There’s the express train reference!

Notable difference here: in the movies, the big dragon firework was set off ahead of schedule by Merry and Pippin, and all the hobbits freak out. In the book, the big dragon firework is set off right on time to signal supper, and all the hobbits freak out (but are immediately pacified by food).

Small detail I’d like to see in more fanfics: “Bilbo had been specializing in food for many years, and his table had a high reputation.” Yes, the idea of Bilbo and Frodo eating like the bachelors they are is hilarious, BUT! We have textual evidence to the contrary! I don’t know if this line means that Bilbo was a magnificent cook himself or simply hired magnificent cooks, but either way, it’s canon that the Bag End bachelors ate like kings!

“The feast was so incredible that everyone was incredibly full and took home leftovers and no one bought any new groceries for weeks. The good news is that Bilbo had bought out all the grocery stores anyway, so it was fine.”

Why is the detail about the golden buttons on Bilbo’s waistcoat so enchanting to me?? I really think this chapter just activates the Inner Child Mode in my brain, and suddenly even something as simple as shiny buttons becomes beautiful and magical. Also it’s just a lovely way to paint a vivid picture in my mind.

I’m so glad they kept so many of the jokes in Bilbo’s speech for the movies 🤣 “PROUDFEET!!”

And now here we see Tolkien, author of the fantasy epic that has defined the genre for a century and counting, unironically using caps lock. Folks, you can’t make this crap up.

The sneaky way Tolkien says Bilbo vanished before he mentions the flash of light is Very Good and hints at the fact that there’s something else at work here

Rory Brandybuck is the G.O.A.T.

“But at the same time he felt deeply troubled: he realized suddenly that he loved the old hobbit dearly.” Aww, Frodo…

Incredible that the debate between Bilbo and Gandalf over the Ring takes up almost four pages, but it doesn’t feel like it. Excellent suspense.

I wonder where Gandalf is going “to bed”. It doesn’t look like he’s staying in Bag End, so did he get a room at an inn somewhere? Is he sleeping in his cart??

Also it’s implied later in the book that Gandalf the White doesn’t sleep. Inconsistency?? A slight untruth?? Secret powerup to Gandalf the White that we’ve overlooked??

“The sun rose. The hobbits rose rather later.” Pffft

The SHADE in all the presents oh my WORD

Except for the ones for the poorer hobbits. Bilbo’s gift for the Gaffer is so simple in its contents, and yet so generous and thoughtful 🥹

MERRY MY LAD

MY FAVORITE HOBBIT (don’t tell the others)

How old would Merry have been here?? Like nineteen?? Incredible that he was already such a logistics guy that Frodo trusted him to keep an eye on the house while all the chaos is happening.

“Do you hear that, Merry? That was an insult, if you like.” “It was a compliment, and so, of course, not true.” HAHAHAHA DRAG HIM MERRY

“IF YOU DON’T LET ME IN, FRODO, I SHALL BLOW YOUR DOOR RIGHT DOWN YOUR HOLE AND OUT THROUGH THE HILL” 🤣🤣🤣

Frodo: “I’m so sorry, I thought you were Lobelia!” Gandalf: “Understandable, have a nice day”

“I would give them Bag End and everything else, if I could get Bilbo back and go off tramping in the country with him.” N’aww, Frodoooo 😭

“Look out for me, especially at unlikely times!” Therefore you also must be ready, for the Son of Man is coming at an hour you do not expect.…

“Frodo did not see him again for a long time.” Ooh, ominous.

[magpod-confessions]

(ignore this ask if i’ve sent this already, i had a brief panic about whether i hallucinated sending this and thought i’d just ask again to be safe lol)

“the web is underrated” “the buried is underrated” “the dark is the most underrated” 

yes. you are right, i agree. but they are all underrated. none of the fears get the attention they deserve.

the dark and the end are almost completely forgotten about due to their perceived simplicity. the buried, the flesh, the hunt, etc are so unexplored, no one bothers to look any deeper into them. the desolation is not just fire, but no one ever tries to represent it some other way. don’t get me started on the whole spiral-distortion thing (perhaps i will make this a future confession bc oh boy do i have a lot to say). with all of them people seem to be scared of diverging from the explicit canon representations.

no one seems to care about the fears anymore. THE fears. you know, the one thing that makes tma so special? i’ve lost count of the number of times i’ve seen someone say “after listening to tma i can never look at things the same. i always categorise them by the entities” yet people don’t really seem to care all that much

that’s all they are treated as, categories. perhaps this is an odd way to describe horrific manifestations of our deepest fears, but i think they are beautiful concepts. i could spend hours thinking about each one and the ways they bleed into one another, i probably have. 

yeah, at this point smirke’s 14 are old news, but there are always new angles to explore. we saw that in season 5 of tma, and we are seeing it now in tmagp (though the fears are of course different). why did we stop talking about that? (i wasn’t actually on tumblr when tma was happening so idk. maybe no one ever cared) 

talk about the fears, put your ideas for unconventional statements or avatar or whatever out there, there’s an audience (me at least). say stuff about how different fears crossover, or some new aspect of one. “but surely people would have already said this at some point” respectfully, i don’t give a shit. if i come across mutliple posts analysing a similar aspect of the vast, i’m going to be fucking overjoyed. because much of the fears is up to intepretation, they have slightly different meanings to different people, so every single person’s interpretation adds value and adds something unique.

we should keep discussing the fears. i don’t know why we ever stopped.

(sorry this is so long and rambling, i hope you can see the points i’m trying to make.)

🗣️ i’d love to hear your thoughts on this

Ask is posted here dw you didnt hallucinate it

[dracofeathers]

Calling Fic Writers! Story Idea? -Angst-

If this is already something someone has made, ya'll need to link me ASAP cause its been rotting in my brain all week (if not longer) and I very highly doubt I'd ever be able to write it properly LOL. Art? Maybe...

Please excuse my scatterbrained explanation. I'll probably be adding to this as my little angst-loving brain thinks of more details.

-----

So, after x amount of time, Aziraphale returns/escapes to the bookshop from Heaven and being Supreme Archangel....just completely defeated, dazed, exhausted and just about broken/verge of breakdown. I've pictured the scene with or without his wings. Crowley and Muriel are there (or at least Crowley) and are understandably surprised/confused.

He just collapses in a sobbing heap muttering and crying "I'm sorry" "Please" "You/we can't do this" "Why" "I don't want to fall" among other unintelligible words, but doesn't seem to quite be with it enough to attempt to explain whats going on. Maybe he'd gain very slight, brief clarity upon seeing Crowley (who has also been a mess), keeps apologizing, begging for forgiveness (from him? Her? Both? Maybe) until finally passing out.

Of course Crowley steps up and tries to take care of him, and figure out whats going on. Because no matter how mad he might get at Aziraphale, how hurt he was by the end of S2, he'll always return and help his angel, because he loves him. Also I'm positive Crowley already knows Aziraphale didn't make that choice easily, that he hurt the angel as well. Bountiful soft, care-taking Crowley here because I live for it.

Eventually when Azi is a bit more stable, (as he would often rotate between quiet desolate/defeated shell shock, and near hysterical crying in fear and grief) Crowley gets bits and pieces of what happened out of him.

The "Supreme Archangel" position was merely a sort of placeholder/fake title, not an actual promotion. Because why would they want to actually give Aziraphale that kind of power to potentially use against them and their plans? He was dangerous enough

The Metatron (and other angels) lied/manipulated Aziraphale the whole time to get him to do what he/heaven wanted. And to of course separate him and Crowley. Possible eventual threats towards Crowley and others to keep Azi "in line". Book of life?

Plans of course include the second coming as it was mentioned, but I'm sure there are others mixed in. More apocalypse starting schemes etc. Never really give the full details and kept the real plans secret. Jesus only mentioned, never seen (very suspicious). Azi tries to investigate but keeps getting interrupted or thwarted. Kept a very close eye on.

Much gaslighting/mental and emotional abuse and manipulation, slowly wearing Aziraphale down in order to break and better control him. No erasing/changing of memories cause its over done to me.

God is still MIA and no one knows whats going on with Her. The Metatron says he speaks with Her, but lets face it he can't be trusted. Definitely scheming on his own with others, maybe Hell as well?

Aziraphale never falls of course, I couldn't do that to our precious angel. He'd be traumatized enough anyway.

Aziraphale tries to be a good angel so bad it hurts, wants to believe in Heaven and "The Great Plan" but is only ever hurt and betrayed for all his efforts up there.

I WILL MAKE THESE TWO WILL HAVE A PROPER TALK I SWEAR

--------

I just really love hurt/comfort, angst and them taking loving tender care of each other. They would have a happy ending of course. This is how I cope until season 3, don't judge me xD

Also, what I was listening to during this ramble:

[flowersforbucky]

Do you have any general advice for someone who wants to post their writing but is scared to? I write a lot. But I have never posted on tumblr or anywhere else. I don't know why but I'm so nervous to.

had to add a keep reading link because i ended up rambling way more than i originally intended to 😅 sorry if this isn't helpful or isn't the kind of answer you were looking for but here's a summary of my experience with writing/posting on tumblr and some general tips -

i completely understand being nervous. i feel nervous every time i post my writing. i'm always worried that people won't like it, that it'll flop, etc. when i first tried posting bucky fanfiction about 5 years ago, and when i posted eddie munson fanfiction a couple years ago, just about everything i posted performed really poorly. i had a couple pieces that did alright but for the most part, just about everything flopped. and it was very discouraging, i would let it get to me too much for sure - i'd wonder how other people got their work to get so many notes so easily when nothing i did seemed to help.

so when i started writing/posting for bucky again a few months ago i was really nervous, since i hadn't had much luck in the past. i decided to give it a shot anyway, and told myself that i'm doing this for fun, and if people like what i put out then great, and if not then i wouldn't let it get to me because at the end of the day i'm doing this for myself, because i want to.

everything i've posted for bucky the last few months has surpassed my expectations, truthfully. i don't really know why all of my one-shots have performed so much better this time around than when i first tried to write for him back in 2019 - maybe my writing has improved? maybe i'm just getting lucky and posting at the right times? maybe it's the fact that i write more smut than i used to and the fandom seems to love that? maybe a little bit of all of those things? i'm not 100% sure, but i'm happy to give you some tips that i think work for me, at least.

also disclaimer i definitely don't think i've been doing this long enough or am a "big enough" writer within this community to even be giving advice LMAO but since you asked!!

i usually post on wednesday or friday evenings and i've had good interaction on both of those days, however fridays have been the best and i think i will be sticking to friday evening posts for the most part in the future

i usually post between 7:00 - 10:00 pm eastern time, most often around 9:00 pm - if the time you post doesn't seem to work well, try a different time with the next post

tags tags tags! add the most relevant tags first, and avoid adding tags that are irrelevant. so when i post for bucky i add tags such as the following: bucky barnes x reader, bucky x reader, bucky barnes, bucky barnes x you, bucky barnes smut, etc

write a brief summary for the piece that will draw people in but not give tooooo much away. also always give appropriate warnings

use the "keep reading" feature. to be completely honest, if someone posts something that's 500+ words and they don't use the keep reading feature, i'm instantly going to get annoyed that it's clogging up the feed and scroll past it lol. i personally like to insert the "keep reading" link a couple paragraphs into my fic so that people can read the first tiny bit of it and (hopefully) be interested enough to click the link and keep reading.

don't be afraid to reach out to other writers in your fandom and initiate friendships. i know this can be super intimidating because they usually already have mutuals that they are close with but what's the worst that can happen with trying? most people here love making new friends/mutuals and want to be supportive of new writers, though i know it doesn't always feel like that. not everyone that i've followed/interacted with has followed me back but a lot have!

tease snippets of upcoming fics before posting them (and make sure to add a bunch of tags so more people see) to help people get excited, draw in new followers, etc. pick a few lines of dialogue, or a specific paragraph or whatever, that you're particularly proud of and screenshot/copy & paste it and post it and basically say hey here's a snippet of an upcoming fic! i don't always do this but i like to on occasion

lastly, and this piece of advice won't necessarily help your writing perform well notes wise, but i think it's important to remember: write and post what YOU want to write and post. this is a hobby, this is supposed to be fun, and you are not getting paid for this. if you don't want to write smut, DON'T write it just because it's popular and you feel like you have to. if you don't want to write reader inserts and prefer OCs, then write an OC. if you prefer writing one-shots and drabbles over multi-part series, then write one-shots and drabbles! of course readers are going to have their preferences and that's fine, i have my preferences when it comes to reading fanfiction as well, but it's not your job to appeal to every reader out there. it's your job to enjoy this hobby as much as you can and write things that you're proud of.

[frostfires-blog]

Bleach Hanakotoba Analysis Part 2 ~ ED31: Saihate

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-> Rukia Kuchiki: Cherry Blossom

In the extended version of Bleach’s 31st ending theme song, Rukia Kuchiki is pictured with branches of the cherry blossom tree. The cherry blossom (Prunus serrulata) is also known as the Japanese cherry and is the unofficial national flower of Japan. Its Japanese name Sakura (桜) has been derived from the word “saku” which means “to bloom”.  Its meanings in hanakotoba are “beauty of spirit”, grace, chastity, excellent beauty, gentleness, good education and the “transience of life”. In Japan, cherry blossoms are also a symbol of the “beauty of impermanence”—a Shinto concept better known as “mono no aware” (物の哀れ) as their falling petals are a reminder that although life is short, it is beautiful and should be savoured. The Japanese concept of “natsukashii” (懐かしい) likewise emphasizes the fleeting nature of cherry blossoms. This concept refers to the happy-yet-wistful nostalgia for times and things that we will never be able to go back to. We will never get to experience those moments again, just like the ephemeral cherry blossoms, which makes them even more significant. Cherry blossoms bloom from March to April which is the start of the new fiscal year in Japan. As a result of this cherry blossoms have also come to symbolise new beginnings and springtime. Given that feudal Japanese soldiers associated cherry blossoms with honour, discipline, and dignity—falling flowers were thought to be symbolic of a Samurai's death. In Western floriography, cherry blossoms herald the changing of the seasons and symbolise renewal and rebirth. They also symbolise the fleeting nature of life, tenderness, forgiveness, strength, beauty, love, confidence, peace, friendship and gratitude. Rukia Kuchiki presents herself as a cool, restrained and stern warrior with firm convictions, however occasionally she breaks out of her shell and is kind. She tends to keep her emotions to herself, unless she is irritated, and finds it difficult to confide in others. This ties in with the cherry blossom’s meanings of grace, discipline, chastity, honour and dignity. Throughout the series, Rukia is constantly improving herself and growing not only in strength but also in confidence. This complements the cherry blossom’s meanings of confidence, strength, new beginnings, springtime and the changing of the seasons. One of the cornerstones of Bleach's development is the connection between Ichigo and Rukia. Ichigo was able to protect his loved ones and become involved in the affairs of the soul society thanks to Rukia's initial transfer of her abilities to him. Since then, they have often come to each other's rescue and have developed a strong sense of gratitude, admiration, respect, and trust for one another. This ties into the cherry blossom’s meanings of strength, gratitude, friendship and love. Cherry Blossoms also tie into Rukia’s connection with her adopted brother, Byakuya and her sister, Hisana. Upon her death, as she looked at the first cherry blossoms of the season, Hisana asked Byakuya to find and protect Rukia as she regretted abandoning her years ago and felt unworthy of being her sister. This complements the cherry blossom’s meanings of forgiveness, love and the fleeting nature of life.

-> Uryū Ishida: Edelweiss

Edelweiss (Leontopodium nivale) is known as Ēderuwaisu (エーデルワイス) in Japanese. Its meanings in hanakotoba are are courage, power and precious memories. Its name translates from German to mean "noble white". Edelweiss is only found in white-blooming variants, unlike most other flowers. These reasons are the basis for the flower's symbolic connotations in Western floriography, which include innocence, purity, renewal and wishes for peace. The flower also represents integrity, excellence, elegance, noble courage, and boldness. Edelweiss flowers are well-adapted to high-altitude environments with frigid temperatures, harsh sunlight and low oxygen levels and have thus come to represent rugged beauty, strength, nobility, adventure and perseverance. The Edelweiss flower also represents intense devotion, sacrifice, care, and deep love. One of the most well-known stories about the edelweiss is about a young man who, in an act of bravery and love, risks his life to climb a mountain’s steep rocky face to gather edelweiss flowers for a woman. Uryū Ishida is typically reserved, independent, and solitary—however, he tries to act cool when among other people. He has a strong sense of justice and is incredibly intelligent and chivalrous. These attributes greatly complement the Edelweiss’ meanings of integrity, excellence, elegance, boldness and noble courage.

-> Renji Abarai: Sasanqua Camellia

The flower Renji is pictured with is the sasanqua camellia (Camellia sasanqua) which is a species of camellia native to both China and Japan. It is a different species than the camellia pictured with Byakuya Kuchiki in this ending (Camellia Japonica). The Camellia Sasanqua and Camellia Japonica are primarily differentiated by the former’s earlier blooming season (early fall to early winter) as well as its smaller leaves and flowers. In addition to this, Camellia Japonica’s flowers fall whole, while Camellia Sasanqua's petals fall apart. The sasanqua camellia is known as the sazanka (山茶花) in Japan. Its meanings in hanakotoba are dedication and overcoming difficulties. In Japan, red sazanka represents humility and beauty, white sazanka represents charm and rejection and pink sazanka represents eternal love. In Western floriography, the sasanqua camellia represents desire and passion. It is said that the sasanqua's meanings of "overcoming difficulties" and "dedication" are derived from the fact that flowers bloom in early winter when the cold intensifies. Renji Abarai comes across as dynamic, eccentric, brash, and stubborn, yet he is also incredibly dedicated and determined, willing to fight and die for his convictions. This ties in with the sasanqua’s meanings of passion, dedication and overcoming difficulties.

-> Yasutora Sado: Canna Lily

The Canna lily (Canna) is known as kanna (カンナ) in Japan. Its meanings in hanakotoba are passion, cheerfulness, eternity and delusion. In Western floriography, the canna lily holds the meanings of beauty, protection, purification glory, power, hope, confidence and confiding in heaven. The flower also holds the negative connotations of paranoia and suspicion. The vigour and beautiful appearance of its flowers, which can withstand the midsummer sun, are thought to be where its meanings of passion and cheerfulness are derived from. Yasutora Sado is a quiet but incredibly brave, strong, and kind person who is also extremely loyal. These traits tie in with the canna lily’s meanings of passion, power, confidence and protection. Additionally, canna lilies originate from Latin America and tropical Asia and are exotic and vibrant with a rich cultural and symbolic history. This ties in with Sado’s half-Mexican heritage. In mythology, it is said that a demon who was envious of Buddha’s strong spiritual power threw a large boulder down on him from above. However, most of the rock shattered at Buddha’s feet without hitting him with only one fragment hitting his toe. Where the blood from his wound dripped onto the ground, a red canna lily blossomed, and the devil was swallowed by a rift of the earth due to its wrath. This legend is reminiscent of the scene where Sado was struck by a falling steel beam, which fractured but did not injure him as well as one of his fullbring powers, named “Left Arm of the Devil”.

-> Orihime Inoue: Glory-of-the-snow

Glory-of-the-snow (Scilla section Chionodoxa) is known as yukigeyuri (雪解百合) in Japan which translates to “snowmelt lily”. Its meanings in hanakotoba are purity, innocence, hope, modesty and compassion for friendships. It is also considered a sign of spring as it blooms when the snow melts. In Western floriography, it symbolizes glory, camaraderie and toughness. Although she comes out as naive and ditzy, Orihime Inoue is better described as being sensitive, caring, amiable, funny, and optimistic. This strongly complements the glory-of-the-snow’s meanings of purity, innocence, hope and compassion for friendships. Furthermore, the star-shaped, six-petaled flowers of the glory-of-the-snow closely resemble Orihime's flower hairpins that her late older brother had given her.

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[If you liked this post, check out part 1 (here) and part 3 (here)... Also, here's the link to my directory of other hanakotoba analysis posts (here)]

[P.S. Here is the continuation of my hanakotoba analysis on Bleach as promised... Thank you to @jushiro-ukitake & @elyonholic for reminding me about the flowers featured in the extended ending. Given that the flowers are black and white, it was difficult to identify them—so if I misidentified any of them, I apologize; I did my best. Also, I had to put the Gotei 13 squad flowers in a separate post because of Tumblr's image limit...]

[necros-writing-stuff]

Fuck it, another discord ramble. This time on the menu we have Uncle Eden getting diddled by his yandere nibling. 100% not proofread lol.

Gn reader, noncon, brief choking, Eden is tied up and drugged, somno, psuedocest.

I'm imagining Eden sleeping at Bailey's for a week to take care of his precious kiddo, not allowed to be left alone because so many people would hurt them while Bailey is out of town. They refuse to go into the forest because they have work or college things to do, so Eden has to bite the bullet and come into town. It's all part of their plan, though. Getting the gruff man out of his comfort zone so that his sense of control is wavered. So that he relies on them for a sense of normality and trusts them because of it.

He insists that that stay home as long as possible. Walks them between places when they need to go anywhere. Goes to sleep after them, tries to wake up before them. They lean into it, playing as helpless and innocent while hiding exactly how like their dad they actually are. Because they have a penchant for manipulation, one that Eden overlooks due to his close proximity to them.

They thought they'd be content just recieving all of Eden's attention throughout the week, but as the days come to an end they have an itching under their skin. A longing for more of his touch beyond the chaste kisses to the cheek and platonic cuddles on the couch. They propose a meal. A nice one, in the dining room - they'll be cooking! A treat, a thank you for all Eden has done for them. Eden's steak gets a special seasoning - crushed up sleeping pills massaged into the meat. A pill in his whiskey just to make sure. It has to taste bad, Eden's face scrunches up when he takes a bite, but their bright smile keeps him from saying anything. He couldn't dissapoint them by insulting their gift.

The poor hunter finds it hard to stay awake in his seat, resting his head on his fist as he pokes at the veggies left on his plate. He fights the fluttering of his eyes, shaking his head each time they close. But he can't fight it forever. Soon enough, his eyes close properly and the fork falls onto the plate. Bailey's little demon spawn licks their lips as the slink from the room, fetching the rope from the kitchen and returning with a skip in their step as they tie up their dear Uncle.

They take care to stop him falling into his plate as they bind his legs and arms, using the final length to secure his torso to the backrest for extra safety. With all of the ropes it's hard to undo his pants. They have to cut them open, same with his underwear to get at what lies below. Their heart pounds, their mouth goes dry as their hands clam up.

Fascinated, they take his soft cock in their hands, playing with the length and marvelling at how it hardens the more attention they give. Eden lets out small puffs of breath in his sleep, his hips jolting when they pull at him a little to hard. They're quick to slow down again. They'd never hurt their dear Uncle. They only want to make him feel good. He'll understand when he wakes up - he has to.

It takes everything they have to tear themself away, but they manage after a few minutes. As quickly as they can they sprint to their room to uncover the bottle of lube they had hidden away; a sneaky purchase made at the pharmacy when Eden wasn't looking. They're back beside him in an instant, their pants being kicked off of their legs as they open the cap; curse when they release the safety thing is still on to stop leaks; remove the damn thing as they stand with one leg stuck in their pants; then finally squirt a large amount onto their hand as they slip a finger into their hole.

They consider spending longer working themself, but instead ignore the burning stretch as they get to three fingers as quickly as possible. There's plenty lube left on their hand when they're done, a hand that wraps around Eden half-hard cock and lathers it up as they ensure he's fully hard and ready.

It's been a while since they've had these dreams about Eden. The haunting dreams of his hands all over their body, his whispered words in their ear as he bounces them up and down on their lap. Every morning they'd awaken to nothing but disappointment. Sweet Eden wouldn't touch them. He'd never see them as nothing more than family. Not without some pushing, that is. He needs this. They're meant for each other, he just needs to have his eyes opened.

There's a few stumbles as they get into his lap, his damn thick thighs making them stretch to sit comfortably. They can't reach the floor with their toes as they sit there. A core workout, then. But worth it. With a long hiss, they raise themself up and slide down onto his cock slowly, gritting their teeth as the stretching keeps them from riding the hunter hard and fast as they want to do.

Leaning back onto the table with their elbows helps them find a rhythm when they finally reach the hilt, ignoring the slight pain as they desperately circle their hips and shamelessly moan. The moans are almost a performance - even as Eden sleeps. He'll wake up at any moment, he deserves the first thing he hears and sees to be enticing. With shaking hands, they take off their shirt, flinging it to the floor as they push Eden discarded plate back so they can lean further back into the table and quicken their hips. He's just so big - so filling.

They need more, they need this to never end.

Groans slip from Eden's lips, his head rolling to his shoulder as his eyes struggle to open. A frown turns his lips down, his brows furrowing as their name slips out on a quiet breath.

"Stop..." He tries, clearing his throat as he tries to move. Eden doesn't seem to notice that the ropes are their yet, brain too fogged up to distinguish between outside forces and the lethargy of his own limbs.

"Shh, shh, its okay," they insist, leaning forward to kiss along his jaw and wrap their arms around his wide shoulders. "I'm taking care of you, just let me do it."

The poor hunter still can't quite wake up, more whispers of their name and begging for them to stop as his head lolls forward to rest on their shoulder. His scent is intoxicating, his surprising assailant burying their nose in his hair, loosening the tie that keeps the longer length back to feel the tresses falling over their face. Despite his protests, they feel his cock twitch inside of them. They feel the slight kicks of his hips as they pepper kisses up his neck and suckle on the sensitive patches of skin behind his ear.

Audibly, Eden swallows. His body presses forward as the chair and ropes creak, his strength returning. Yet he remains bound, frustrated growls ringing in their ear.

"Come on, little one. This isn't like you... just let me out," he continues, breathless, yet his voice is losing the grogginess of sleep.

"I promise you'll like it," they return, their kisses coming back up his chin as they attempt to capture his mouth.

Eden is quicker than they expect, dodging the kiss and instead pressing his face to their neck. They chuckle for a second only to yelp when the feeling of his teeth digging into their flesh registers. It's not hard enough to bleed, not even to break the skin. Even now, Eden can't bring himself to hurt them.

They laugh, holding his head to their neck to encourage his biting, their fingers pulling at his hair.

Eden grunts again, his body tensing, his breath fanning across their shoulder, his- His cock spurting rope after rope of seed right into them as the large man shivers and groans.

They stop moving. Their eyes blink as they pull Eden away from their neck slowly, trying to meet his eyes as he attempts to keep his gaze distant.

"Eden?"

He swallows once more, redness creeping up his neck and colouring his cheeks. The silence fills the dining room, awkward and cloying. Slowly, they rolls their hips once more, the need in their gut still their even as Eden's cock softens inside of them.

"Stop!" he yells, eyes going wide as his struggles double in effort.

"No, it's okay, it happens-"

"Why wont you fucking listen?"

"You'll get over the sensitivity, just let me finish."

"That's not the problem!"

Tears gather in their eyes at Eden's denial. He's never yelled at them before. He doesn't have the wherewithall to dodge the kiss this time. They need it, they need him to stop talking, need him to at least pretend.

Eden tries to pull away as their lips meet, but they follow. He keeps his lips sealed as they lick at them. He keeps making muffled noises as they grind their hips harder once more.

Every time he attempts to get out of the chair they feel his muscled body press against their own, his hips sometimes meeting their own and making him hit deeper than before. They gasp, breaking the kiss, whining into another kiss as poor Uncle Eden focuses his efforts on struggling.

Doesn't he remember who taught them all those knots? He did. That's why they know they won't come loose.

Abruptly, Eden stops struggling. It brings hope, hope that he's finally giving in or just too burnt out to keep trying. God, it feels so good to be joined like this. To be this close as his sweat rubs off on them. To pet his chest and rake their fingers down his exposed chest hair, the buttons on his shirt coming undone in the struggle.

Maybe they should have paid more attention to Eden's change. In the end it didn't matter, not as that tightness in their stomach built ever tighter until it teetered right on the edge of snapping. Just a little more, just a few more seconds, just-

Eden's hand raising registers in the corner of their eye as they lean away to gasp for air. It strikes quickly, his large hand wrapping around their throat. It's too late, or perhaps just what they needed to push them over the edge and finish right then and there. It almost sounds like they're sobbing as they cum, the noises becoming strangled as Eden squeezes down on their throat. Insistent to drain bit of pleasure they can, they hurry their grinding, expecting to be pushed away.

They aren't. Eden's head rests against their shoulder, the hunter making another animalistic sound as he shudders. It's hard to giggle when he's choking them, but they feel the bubbling joy in their chest. He came again. Them finishing made him cum again.

Exhausted, satisfied and exhilarated, they let their body relax. Eden's grip in their throat loosens but his hand stays where it his, holding them. They choose to think of it as a loving embrace. This silence is far less awkward for them, more peaceful.

"... Let me out now. Seriously."

"So the past asks weren't serious?"

"Don't tease me, little one. I'm not in a good mood right now."

They tut, and just to be petty they stay right where they are for a few more seconds. It's also just nice to bask in the feeling of being like this. And their legs feel like jelly.

It's a struggle to get up, their mood right up high as they fetch their knife from their abandoned pants. Eden refuses to look at them as they undo the bindings, instead he glares at his whiskey and his plate, pupils flitting between the two as he tries to figure out which is to blame.

"I put it in both, just in case," they confess.

Eden lets out a heavy sigh. He swats their hand away as they go to move his hair behind his ear, stumbling to his feet.

"Did you have to cut up my clothes?" It's nothing but a mumble as he makes his way slowly upstairs. The drugs are still in his system, he likely needs more sleep. He's always grumpy when he's sleepy, he'll have a better outlook on all of this when he wakes up. They know this for certain.

They can't stop smiling as they clean up the dining room. Not when they know that they'll crawl into his bed and spend their final night alone together, in each other's arms, before their father returns in the next afternoon.

[a-oct0]

Octo Expansion lore for my Agents!!

This is just a rough outline for what happens to my Eight and Three during OE, I did try to keep it brief but- didn't do that to well lol- I plan to elaborate on certain moments more in later posts but anyone is free to ask any questions! (especially since I haven't proof read this lol)

So it begins just like how it does in game with OE, waking up, no memories with Cuttlefish yelling in his face. They go through that tutorial area without issue and end up at the metro station. They then approach Tartar (who is obviously not known as Tartar just- 'The telephone') who despite clearly just being some sort of talking phone, gives Eight bad vibes. Anyway "nice" talk, gets the CQ-80 and the two head for the first level/test. 

Eight's first encounter with a sanitized Octarian is that of pure confusion, cause like- clearly its an Octarian like him but also why are they green??? And hostile to boot?? He assumes its part of the test and rolls with it, clearing the level with ease. Cuttlefish makes his usual remarks during the level. After which the two head back onto the train only to be greeted by the sight of Three taking a nap (he got bored waiting on them finishing the test). Cuttlefish proceeds to smack Three on the head with his cane to wake him up. Three and Eight just kinda lock eyes for a moment, a very awkward moment before Three jumps to his feet surprised to see Eight. Cuttlefish (horridly) deescalates the situation. For the whole next line of tests theres an awkward (one sided on Three's part) tension between Three and Eight (Eight thinks he's just being weird). Eight is the only one taking part in the tests, which is kinda boring Three to death as he has to sit either on the train or watch Eight from the sidelines. On the train rides between test stations Eight tries to get Three to talk of which- Three at first doesn't wanna do. Eight is persistent however and just keeps rambling to Three, (Eight's inklish is very broken this early on it gets better as they keep going) but eventually by the end of the first line Three starts to talk back with Eight, much to the octolings delight. Cuttlefish also interjects here and there. Pearl and Marina first make contact right after Eight finishes the first line. They act pretty much the same as they do in game, same with Cuttlefish tbf. Three is in shock cause Holy shit it's that music duo is little sister is obsessed with. Eight is just surprised to hear new voices. So they keep going, Eight doing tests, OTH give advice, Three sulking he's bored, Cuttlefish failing at rapping and collect the thangs. Nothing major happens between the first line and collecting the third thang.

Eight and Three spend most of the time between stations kinda bonding?? Three explaining to Eight what the surface is like, Eight in awe of it all. Three also tries to help Eight recover some of his memories as the memcakes only help to a degree. They also spend time laughing at the messages between OTH and Cuttlefish. While their time isn't exactly pleasant Eight does end up having some fun during some tests, others are nightmares to complete. After colllected the third thang, like the previous they bring it back to the main station. When exiting the train Three notices something lying down on the ground by the- weird telephone thing. He grabs it, noticing its actually an employee model CQ-80 however before he can even think to tell Eight and Cuttlefish they call him over to help get the thang down off the train so he puts it in his pocket and kinda forgets about it. Eight goes through the next few tests but during the ride to one something unexpectedly goes wrong with the train, CQ Cumber informs them that there's been a malfunction and the train must return to the main station for repairs which may take a few hours. Initially the three of them just sit in the train car but after a few minutes Three gets up to start pacing, bored out his mind. The others notice this so Marina actually suggests they try and explore the rest of the metro while waiting but Cuttlefish dismisses the idea not wanting the pair to get lost. That's when Three remembers the CQ-80 he found which happens to have a map for the non train parts of the metro. So Cuttlefish relents letting the pair go off while he stays behind to make sure the train doesn't leave without them. Initially they have contact with Marina and Pearl who helps guide them with a hacked copy of the metro map (its mainly empty rooms or locked doors) but as they go deeper they end up losing the connection to Marina and Pearl. They contemplate turning back, getting bad vibes from the area they're in- there's paper files scattered everywhere, stains all over the place. It honestly stopped looking like a train station and more like an abandoned hospital. Right before turning back Eight notices a file a top a table, it looks so much cleaner than the rest- his curiosity gets the better of him as he picks it up to check. "10,005" stamped on the front, the pair check it- horrified to see a familiar face- a face Eight thought he had forgotten... His sister April with a big "SANITIZED" stamped over top. Three basically has to drag Eight back to the train as he's frozen from shock. Eight dropped the file along the way not realising till they got back.

Cuttlefish waves them down, the train is back up and running. Marina quizzes them on what happened after the disconnect but the two don't elaborate. They realise now something is very wrong with the metro but they don't wish to panic the others so Three quietly disappears off to investigate more while Eight continues with the tests. Telling the others Three just needed extra time to wander about. Every test finished leaves an uneasy feeling in Eights stomach- the closer he gets to the last thang the more sick he feels. He tries to fight as little of the sanitized Octarians as possible. Finally they receive the finally thang, they take it back the station. Three is not yet back but the telephone doesn't care, building up the "promised land" device and telling them to step inside. Cuttlefish rambles that "Three will find his own way back, he's a smart kid blah blah" as he then steps inside. Eight is hesitant considering the info he had learnt a little earlier- but everyone is encouraging him to get inside so against every fibre in him he does. The blender scene plays pretty similar to how it is in game, Marina contacting Three via the CQ-80 he has, him bursting through the roof and breaking the blender. Unlike game Three doesn't knock himself out but he does injure his leg, cut from the glass shards. Cuttlefish still encourages Eight to go on head without them, he'd stay and help Three back to his feet. Eight is reluctant to the leave the two but Three and Marina convince him to go. The escape is basically the same then the fight against sanitized Three. Well it's pretty similar to the game, just a bit more intense with Eight trying to not hurt Three but also stop and snap him out of it. Eight wins the fight, Three is left... Scarred. Eight is horrified feeling it's his fault somehow but he and Cuttlefish press on up and out- Carrying an unconscious Three between them. They finally reach the surface- Eight is mesmerised by it- but its cut short by OTH in their helicopters and Tartar revealing himself with the NILS statue- this fight goes how it does in game but there is more dialogue between all the characters which I'll elaborate on a later post- Anyway they win- End credits.

Post OE- Three helps Eight settle into living in Inkopolis along with Four while Three must now learn to deal with his partial sanitization.

[freeuselandonorris]

hello freeuselandonorris! i’ve asked you for writing advice/ideas a couple of times (POV decisions and something in Nov, can’t remember exactly what it was), and i find your advice so helpful (/srs) so i hope it’s not annoying i’m asking again lol.

i find i can only write when i have extreme motivation, like an idea literally possesses my brain and the words almost write themselves - gonna out myself here, the last thing i wrote was the water inflation fic i appropriated from you; it just took over my mind and i wrote/edited it in like two days (though the speed is for sure because the entire plot was essentially your idea lol).

basically, i have lots of ideas but it’s hard for me to actually think of scenes in specific, and then i just end up not writing at all. do you have a method for coming up with a progression of a specific scene?

i am doing a horrible job of explaining my q lol so for example, my current wip involves interview panels/youtube collabs etc, but i’m finding it hard to write those because it’s so different from anything i’ve tried writing before. what do you do in those kinds of cases?

sorry for the ramble and if this makes no sense, love u 😭

hiiii lovely anon (or semi-anon lmao) you are not annoying in the SLIGHTEST, i love talking about stuff like this and it makes me really fucking happy to know that my self-indulgent rambling about writing is occasionally helpful to read ❤️

SO. i have two pieces of advice on this one, speaking from my own experience because for a very long time i was also like this and would write in fits and starts and felt very like i had to ~wait for the muses to bless me~. it’s actually something i was taught at a writing course i took years ago now and it sounds so blah and obvious when you first read it but if you stick with it, it works. BRIEF DAILY SESSIONS.

aka, you write a tiny little bit every day. if you can’t commit to every day, say five days a week (but every day is better). i do NOT mean write 1000 words a day or spend three hours doing it or freak yourself out or beat yourself up or abandon your social life or your responsibilities! the idea is you just pick a time that feels feasible (i started off with 15 minutes a day and i think this works well) and you commit to doing that every day. it doesn’t have to be anything good. it can be 15 minutes of you describing lando’s eyelashes in minute detail. it can be 15 minutes of notes for a plotline. it can be 15 minutes of dialogue you KNOW is shit and wooden and will be getting deleted the minute you get to the edit stage. doesn’t matter. just do your 15 minutes.

what this does is it breaks the hold your brain has on this idea of “oh no i have to be INSPIRED before i can possibly think of writing”. at my course they compared it to musicians practising scales, or athletes doing training. we could think of it like drivers doing their sim runs. they don’t just turn up on a race weekend and expect to be great, they have to keep their eye in.

side note: it’ll feel horrible at first, you’ll hate it and resent it and everything you write will feel awful. stick with it. if you miss a day, it doesn’t matter, you haven’t failed, just start again tomorrow. if you miss a week, you haven’t failed, start again tomorrow.

this is more of a long-term thing, so for your specific piece and the issue you mention about progressing a scene, the way i get around this is to start by writing the bit(s) i CAN imagine. so for instance here, you’d write one interview scene, or one youtube collab scene. even if it’s just a little bit of dialogue, or a couple of paragraphs of like, oh i can see oscar rolling his eyes and lando sees it and gets annoyed but he can’t say anything because there are cameras on them… or whatever. just write that bit. then leave a blank space in the gdoc and write the next bit. don’t worry about the order or anything.

once you’ve written all the little bits you can think of, read them through and you might be able to see links between them, like — oh that bit could follow on from this bit up here, or these two bits could kind of go together. reorganise stuff a bit, chop it up, get rid of anything that doesn’t work (copy it into another document called ‘cutting room floor’ if you don’t want to fully get rid).

THEN write yourself some notes. go through your bits and bobs and in between them, just write stuff like [SOMEHOW THEY GET FROM THE FILMING TO THE HOTEL ROOM???]. don’t just write [SOMETHING HAPPENS HERE], you need to give yourself little breadcrumbs to follow. so like there you go, okay, so they need to be in a car or a lift or some sort of transitional space (you see these crop up a lot in my fics — lifts, hallways in hotels, the backs of taxis). or if they’ve started off talking about one thing and you want them talking about this other thing by the end of the scene, write [THEY CONTINUE TALKING ABOUT LUNCH UNTIL IT GETS AWKWARD AND THEN THEY SOMEHOW END UP TALKING ABOUT OSCAR’S CHILDHOOD]. okay, so it got awkward. how did it get awkward? write that bit. what happens after it’s awkward? does lando double down or try to gloss over it? write that bit. how does oscar react to that? write that bit. etc.

in essence, don’t try to see the entire thing at once because you’ll paralyse yourself. give yourself a direction to aim in, and a place to start, and then just focus on the next bit until you get from A to B.

and if all else fails, find a nice pithy line to end the scene on, use an asterisk scene break and start again somewhere else 🤷

SORRY THIS IS SO LONG i really hope i didn’t bore the hell out of everyone afkjeskfjkldsj but yes THANK YOU AGAIN and i hope this is useful in some way!! you can do it i know ittttt

[isthatbloodonhisshirt]

Oh My god I love the PJO show! I know they tweaked a bit of the storyline but to me it was still so so good. (Keeping it vague in case you haven't seen it). And the casting was 👨‍🍳💋 (Chef's kiss, but emoji form 😂). I *think* I successfully turned my asks on now if you wanna squeal into the void with me, or rant about changes. Either is fine.

Also.... I tried sending the following story in as an ask a while ago but it got lost to the void and I originally didn't wanna retype it all, but decided to anyway for you, so enjoy the story of why my grandma had a slight beef with RR himself. (Just a warning, it's kinda long bc I don't know how to compress my ramblings, and I also don't remember how I wrote it the first time. Plus, my original submission was before I found out it was totaled and now have to make an extra $300 monthly payment bc of my recklessness. And final FYI, I'm 99% satirical when I say she has beef. I don't *think* she remembers saying this but who knows 🤷‍♀️. I'll just avoid grandma and RR in the same room to avoid the 1% chance 😂

Ok, so on Sept. 28th, 2023, I was going to the Chalice of the Gods book tour in Houston. I had to go straight from work, pick up my younger cousins, and then head to the venue which was like 15 minutes away from their house, but bc I had dealt with Houston traffic getting home we would've gotten there right after 5. OK, no problem. EXCEPT I'm a dumb-dumb who did a really stupid thing and caused a wreck right before we got there (within sight of the venue), but luckily, no injuries were caused to either party. My car ended up being totaled out a week later, and I'm assuming the other car was, too, bc their airbags deployed. I felt so horrible and guilty, and my mom had to come get us, and we ended up missing the entire presentation. (Again - my fault). We did stop by the venue, though, to try and get the "goodie bag" (signed book, shirt, and reusable bag). On the way into the venue, my mom took us to the back way bc it was at my cousin's school and she knew a shortcut. As we were getting out of the car, there was a black SUV in front of us that had just had the occupants enter, and a school officer/HPD officer was walking away back towards the building. The side windows were tinted but the brief glance I got at the front windshield looked like Rick himself, along with Becky and some other people (probably the publisher and driver and whoever else). Anyway, they were trying not to be noticed, and SO WAS I bc I was still processing the wreck and randomly crying again everytime I stopped, so I didn't try to bring attention to him or ourselves. We got in right as the presentation ended and the hallway starts filling up with people and we have to navigate to get our books and stuff. I got a hug from the bookshop employees after explaining what's happening, and then we left. We get home, and I'm talking to my grandma and mentioning about how I possibly saw the author IN HIS CAR ND she goes "well the least he could've done was given you a hug and said sorry you missed it" I was like "I don't think he noticed us" and she said "well still..." (I tried explaining that not everyone who went stayed for the presentation, some people just get the goodie bag and leave (also like the other car I hit) but that still wasn't a good reason for my grandma.

This is so oooold omgggg I am sorry orz I watched the whole show too, and casting was definitely top tier. I really like the main trio, they had really good chemistry together, and Walker has the Percy "why me?" look down soooooo well, we love that XD But all three of them were so good (and don't get me started on Hades, what a freaking legend, absolutely phenom casting on that front lol)

I will admit I was kind of miffed about some of the changes though. Like, why did Grover stay behind during the whole getting the scarf mission, except it wasn't a scarf it was Ares' shield? I don't remember. But like, we didn't learn about Annabeth's fear of spiders or see the flying shoes in action, so??? And also Annabeth peacing out early in the Underworld, why was that necessary? ;~; Idk, overall I did like it and I had fun watching it, but some changes I was kind of confused on because they felt like changes used just to split up the cast and without any real purpose. Buuuut I'm nitpicking lol.

I AM SORRYYYYYY your other ask did come through, I was just not on Tumblr for like, ever. I am sorry orz and I'm sorry your car did end up being totalled :( I had said in the other message that I hoped your car ended up being okay, but it sounds like it wasn't and I am super sorry to hear that :( Hopefully things have calmed down (a year later ahaha |D) and you're doing better since that ordeal ❤❤❤❤❤❤❤

[redhoodinternaldialectical]

Hello, I read and love your Chained Series but only now noticed the Major Character Death tag on the second one, since I moved from part 1 to part 2 without checking the tags/summary. I normally really really really do not touch Major Character Death, it just... well it just makes me really sad in a way i don't enjoy, to keep it brief, even when it's plot or story wise fulfilling a purpose.

This is in no way me asking you not to do it, it's your story, and that's how it should be!

But I was hoping if you'd be willing to give me some information around the MCD, who for example (or if this'll straight up be a bad ending overall), so I can emotionally brace myself because I really don't want to stop reading the fic, because it's really good, but going further into it blind feels daunting, in a way. I will of course not relay anything regarding the fic to others, that you might tell me (since idk how familiar you are with tumblr: there is a way to respond to asks privately in the ask-post settings, if you prefer).

If you're not happy doing this I completely understand, it's your story, but i figured it's worth asking.

I hope you have a nice day, and that the writing will be easy 👌

I would be quite happy to explain what I've got planed with that! I deliberately read spoilers for similar reasons all the time; I totally understand wanting to be forewarned and forearmed. Also I'm just happy to ramble about my fic lol :3 If ya gotta drop it, no worries, glad you enjoyed the first sections and I don't mind anyone takin care of themselves

You're probably not the only one who'd want to know so I'll just put all the spoilers in a read more:

First of all, I don't consider this to be a particularly dark story (though granted I don't consider Death Note to be a particularly dark story so uh your mileage may vary) nor do I see it ending in tragedy.

The planned deaths:

The Joker - So, he's not really a main character in this fic, in fact, he might not even get speaking lines, I'm unsure right now, but he's major in the comics so I'm counting it. It's not going to happen for a VERY long time but it is so pivotal to the functioning of a main emotional plotline that I don't know how I'd write around changing my mind about this one.

Captain Boomerang - Like the Joker, I'm not really even sure he'll get speaking lines, but he's important enough to Tim's other canon stories he makes the cut. Unlike the Joker, I don't actually know if he's going to die yet! At the end of Red Robin Tim tries to kill him but fails. I don't know if my older Tim will do it, but I am certain he'll go at least halfway through a second similar plan. Much will hinge on what I read of his interactions with Huntress.

Other assorted villains, such as Darkseid and the Batman Who Laughs - This will depend a lot on, again, my reading of how Tim interacts with the kind of violence Huntress brings to the table. It also depends a lot on how a few in-fic decisions shake out. Tim has to make the decision as to whether or not they kill more people than just the ones on his small list from the first fic and I've got a more solid idea for if he does than if he doesn't.

Roy Harper (and a few other Heroes) - He's not gonna stay dead though, none of them are. So, due to hesitance and fear of fucking shit up Jason and Tim aren't going to make some key decisions in time to prevent the whole "Heroes in Crisis" plotline from happening. Once they learn of this they are immediately going to start doing mad science to figure out how to resurrect people safely. And, of course, they have the power to time travel.

Jason Todd... Kinda. - An increasingly large and loud elephant in the room is gonna be the fact that Jason doesn't have to have died. Ever. In any timeline.

Tim could save him.

But of course that would mean rewriting the Jason he knows out of existence. There really isn't a clear cut moral equivalent to doing this? But I feel emotionally it would count as this/our Jason dying.

On the other hand if Tim refuses, he is deeply morally responsible for Jason's actual already happened death... but will have saved our Jason's existence.

Tim's decision of whether or not to save Jason's child self is THE emotional climax of the story. One of the main purposes of Chapter 12 was foreshadowing how each character will react to this very situation.

I can't put another read more, so if knowing the two options is good enough for you turn back now! And if you wanna know what Tim's decision is (I sure would!) scroll passed the two big pictures!

Tim refuses to save Jason's childhood self. He loves this Jason too much to emotionally withstand losing him. I have had this story beat and the resulting fallout planned for absolute ages and I'm 100% certain on this one. Frankly, timeline erasing the Jason we know and love would make ME cry too much to keep writing it lmao, so this one I can guarantee.