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meta-squash · 1 month ago

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Squash's Reading List Year In Review 2024

(I've also posted this on WordPress here, where it might be more readable: https://jesuisgourde.wordpress.com/.../30/readinglist2024/)

Last year I read 92 books. I didn't plan on trying to surpass that number but I did, quite easily. This year I read 116 books. I didn't start off with any specific reading goal, but early on I decided to make it my goal to read more books by not-cis-men (women, trans/nonbinary people, etc) than by cis men. I hit that goal with 72 books. I did want to reread a number of books; I reread 7 books, but not all were the ones I listed in my last yearly reading review. I read 89 fiction books and 27 nonfiction. Of the nonfiction, the genres were mainly biography/autobiography, essay, science, and history. I read 45 books from small press publishers. I read 39 books by and/or about queer people. I don't have a super nice photo spread this year because I read a lot of books at work; I was going to screenshot my goodreads grid but unfortunately they have (frustratingly) changed the format from grid to list in the past week.

Here's a photo of the books I read that I do own, which isn't a whole lot, since I read most of the books at work this year:

I'll do superlatives at the end, here is the list of what I read this year, in chronological order. (Apologies for the random line breaks in the middle of the list, tumblr doesn't like it when you have 50+ lines without breaks)

-The Sorrows Of Young Werther by Johann von Goethe -The Changeling by Joy Williams -Child of God by Cormac McCarthy -Pierrot Mon Ami by Raymond Queneau -The Ghost Network by Kate Disabato -The Thirty-Nine Steps by John Buchan -Richard III by William Shakespeare (reread) -The Recognitions by William Gaddis -A Kestrel For A Knave by Barry Hines -Grief Is The Thing With Feathers by Max Porter -Bluets by Maggie Nelson -The Wild Party by Joseph Moncure March -The Hospital by Ahmed Bouanani -I Love Dick by Chris Kraus -Minor Detail by Adiana Shibli -Autobiography of Red by Anne Carson -Rent Boy by Gary Indiana -One Or Several Deserts by Carter St Hogan -Samedi the Deafness by Jesse Ball -Norma Jean Baker of Troy by Anne Carson -Die My Love by Ariana Harwicz -Missing Person by Patrick Modiano -Petite Fleur by Iosi Havilio -Freshwater by Akwaeke Emezi -The Address Book by Sophie Calle -In The Dream House by Carmen Maria Machado -Plastic Jesus by Poppy Z Brite -New Animal by Ella Baxter -The Effect of Gamma Rays on Man-In-The-Moon Marigolds by Paul Zindel (play) -Green Girl by Kate Zambrino -Death In Spring by Merce Rodoreda -Harold's End by JT LeRoy (reread) -Kitchen by Banana Yoshimoto -Stranger To The Moon by Evelio Rosero -H of H Playbook by Anne Carson -When The Sick Rule The World by Dodie Bellamy -Wittgenstein's Mistress by David Markson -Agua Viva by Clarice Lispector -Not One Day by Anne Garreta -Mauve Desert by Nicole Brossard -Binary Star by Sarah Gerard -Slug and other stories by Megan Milks -Weetzie Bat by Francesca Lia Block (reread) -The Deer by Dashiel Carrera -Mean by Myriam Gurba -Humiliation by Wayne Koestenbaum -The Toaster Project: Or A Heroic Attempt to Build a Simple Electric Appliance from Scratch by Thomas Thwaites -Kind Mirrors, Ugly Ghosts by Claire Donato -Our Wives Under The Sea by Julia Armfield

-Notes on Thoughts and Vision & The Wise Sappho by H.D. -Harrow by Joy Williams -A Feast Of Snakes by Harry Crews -Low Life: Lures and Snares of Old New York by Lucy Sante -Milkshake by Travis Dahlke -Little Fish by Casey Plett -Hurricane Season by Fernanda Melchor -Sex Goblin by Lauren Cook -Biography of X by Catherine Lacey -Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life by Lulu Miller -Hir by Taylor Mac (play) -Daddy Boy by Emerson Whitney -Notes On Camp by Susan Sontag -Transformer: A Story of Glitter, Glam Rock, and Loving Lou Reed by Simon Doonan -Johnny Got His Gun by Dalton Trumbo -Acid Snow by Larry Mitchell (reread) -33 1/3 Joy Division - Unknown Pleasures by Chris Ott -The Silent Patient by Alex Michaelides -red doc> by Anne Carson -Darryl by Jackie Ess -A Visit From The Goon Squad by Jennifer Egan -The Postman Always Rings Twice by James Cain -Body by Harry Crews -St Sebastian's Abyss by Mark Haber -The Quick & The Dead by Joy Williams (reread) -Don't Think Twice: Adventure and Healing at 100 Miles Per Hour by Barbara Schoichet -Annihilation by Jeff Vandermeer -Timbuktu by Paul Auster -Nevada by Imogen Binnie -The End We Start From by Megan Hunte -Organ Meats by K-Ming Chang -Like Flies From Afar by K. Ferraro -Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe -Bestiary by K-Ming Chang -Playboy by Constance Debre -Red Dragon by Thomas Harris -Parting Gifts for Losing Contestants by Jessica Mooney -The Outline of My Lover by Douglas A Martin -Monstrilio by Gerardo Samano Cordova -Essex County by Jeff Lemire (reread) -Tacky: Love Letters to the Worst Culture We Have To Offer by Rax King -The Death of Francis Bacon by Max Porter -Lover Man by Alston Anderson -Cecilia by K-Ming Chang -The Employees by Olga Ravn -It Lasts Forever And Then It's Over by Anne De Marcken -Mercy Killing by Alandra Hileman (play) -Tentacle by Rita Indiana

-Nox by Anne Carson -What I Talk About When I Talk About Running by Haruki Murakami -McGlue by Ottessa Moshfegh (reread) -Fever Dream by Samanta Schweblin -John by Annie Baker (play) -Widow Basquiat by Jennifer Clement -All Down Darkness Wide by Sean Hewitt -The Blue Books by Nicole Brossard -The Book Of Difficult Fruit: Arguments for the Tart, Tender and Unruly by Kate Lebo -Blood Of The Dawn by Claudia Salazar Jimenez -The Balloonists by Eula Biss -Ravage: An Astonishment Of Fire by MacGillivray/Kirsten Norrie -Gods Of Want: Stories by K-Ming Chang -Fem by Magda Carneci -Miss Major Speaks: Conversations with a Black Trans Revolutionary by Miss Major Griffin-Gracy and Toshio Merino -Mr Parker by Michael McKeever (play) -Fucking A by Suzan-Lori Parks (play) -Dictee by Theresa Hak Kyung Cha -Otherspace, a Martian Ty/opography by Brad Freeman and Johanna Drucker

I DNF'ed a few books, but all were put down with the intention of finishing them at some point. Mostly they were books I needed to read when I was less busy/in a different headspace. I DNF'ed: Soldiers Don't Go Mad: A true story of friendship, poetry and mental illness during the first world war by Charles Glass, a reread of Her by HD, and The Apple In The Dark by Clarice Lispector. The Lispector and HD are both modernist novels that need 100% attention, and the Glass book is a nonfiction book (very good so far) that I put down in favor of something that at the time was more interesting.

I gave out a lot of 5 stars this year. The books I rated as 5 stars were: The Changeling by Joy Williams, The Recognitions by William Gaddis, Our Wives Under The Sea by Julia Armfield, 33 1/3 Unknown Pleasures by Chris Ott, Transformer by Simon Doonan, Johnny Got His Gun by Dalton Trumbo, Body by Harry Crews, Organ Meats by K-Ming Chang, Say Nothing by Patrick Radden Keefe, and Fever Dream by Samanta Schweblin.

~Superlatives~

Like last year, I'm going to do runners-up because I read so many books.

Favorite book: The Recognitions by William Gaddis. I have to pick this one as my favorite for the year, because reading it was a journey, and because it was a book that was exactly everything I love in a book: fascinating, very human characters, weird formatting, great dialogue, metaphors galore, and most importantly, hundreds of cultural, artistic, historical, biblical and literary references. I started this book on January 4 and I finished it February 22. It was so unbelievably dense, probably the densest novel I've ever read, and I absolutely loved it. So much is going on in this novel that it's hard for me to summarize. In the very shortest version of a summary, it is a novel about counterfeits (specifically paintings, but counterfeits in all and any forms) and Catholicism in 1930s/40s New York. The main character is a young man named Wyatt Gwyon, a talented artist who instead of painting for himself, becomes a skilled counterfeiter-- not because he wants to make money, but because he's obsessed with the perfection of making exact interpretations of other people's art. He also struggles with religion and belief due to his strange religious upbringing. Many, many other characters are also focal points throughout the novel. The book is unique in that it doesn't use quotation marks when characters speak and rarely uses "he said"/"she said" or any similar phrase. But Gaddis is incredibly talented at writing dialogue so that each character's voice comes through, and it's obvious (except when he doesn't want it to be) who is speaking. Gaddis is also wonderfully scathing, and much of the novel is incredibly witty and intelligent observations about the Modernist art world and artistic spaces in general. The characters are all fascinating, there is a lot of mirroring and metaphors. I say this book is about counterfeits in every form, because it constantly highlights different ways in which each character is faking something, or lying, or pretending to be/know/do/think something they are not. This book was incredible, I annotated every single page and had so much fun reading it, even though or perhaps because it was so unbelievably dense.

Just for a bit of reference, here are a few of the more annotated pages in my copy of The Recognitions:

Runner up: Body by Harry Crews (more on this one further down)

Least favorite book: Freshwater by Akwaeke Emezi. I was so disappointed by this book. The blurb on the back made it sound like it was going to be really beautiful and interesting and unique. It wasn't. It was all tell and no show. It follows Ada, a person who is born with one foot in the spirit world. A traumatic experience at university causes her to develop split personalities as the spirits from the other side step forward to protect her from trauma. Unfortunately, the spirits who now control her body have darker, more dangerous desires. Sadly, there was almost no plot, just description after description of Ada's unhealthy relationships and erratic behavior. But because the narrative is so distanced from said relationships and from Ada, the high stakes of this behavior is not felt, not really. Interesting characters can easily save 'all tell and no show type' books, but none of the characters get delved into with any depth, even Ada. The show rather than tell narrative also seriously undermines the poetic prose that crops up almost at random. This book felt flat. No plot, little stakes felt, no interesting characters, tell rather than showing everything, and it's not compelling at all.

Runner up: Playboy by Constance Debre. The back of this book describes it as a memoir detailing the writer's "decision, at age forty-three, to abandon her marriage, her legal career, and her bourgeois Parisian life to become a lesbian and a writer." Which sounds amazing! But it isn't! It's unbelievably pretentious and quite boring. It's mostly just complaining hidden by a facade of faux-philosophical meandering and directionless autobiographical vignettes. The author is a lawyer and she spends most of the time complaining about poor people and about women. It's so hilariously misogynistic. It's just various vignettes of her relationships with various women (who she dislikes and disparages for being femme or having bad bodies or for having lowbrow/uncultured interests etc etc) and then her going and visiting her ex-husband and teenage son, and then complaining that she has nothing. There's little to no emotion in the book, she is not charming, and her pseudo-philosophical musings are boring.

Most surprising/unexpected book: Body by Harry Crews. This book crept up on me in terms of a favorite. Crews' writing is not for everyone, but it's absolutely for me. The book follows bodybuilder Shereel Dupont and her trainer, Russell, who are at the world bodybuilding competition. Shereel has left home to compete over the past year and is now one of the most likely to win. Unfortunately, her family, who are "corpulent rednecks" with odd habits, show up to cheer her on, causing disruption and chaos throughout the hotel at which the competition is held and turmoil for Shereel herself. This book blew me away completely. Every time I thought it had reached a plateau of weirdness and chaos and insanity, it ratcheted that all up even higher, culminating in the most perfectly fucked up ending.

Runner up: Fever Dream by Samanta Schweblin. A mother trapped in the liminal space between life and death is made by an unfamiliar changeling child to retell the events of the recent past, desperately trying to pinpoint the moment she can reverse the environmental poisoning of herself and her daughter. I picked this book up because it sounded interesting, and then it ended up being an amazingly written short horror novel. It had a lot of interesting thoughts on motherhood and the horror of being a parent - not in a negative way, but the horror of wanting to protect and keep your child safe and the inability to do so.

Most fun book: Like Flies From Afar by K Ferrari. I fully judged a book by its cover with this one, and it did not disappoint. Small-time criminal/oligarch Mr Machi thinks he's hot shit, until he pops a tire on the way to an appointment and discovers an unidentifiable corpse in his trunk. As he scrambles to deal with the body, his paranoia grows as he tries to calculate who out of all his enemies and employees might be responsible, and who is trying to frame him, and who the body might be, and his life slowly transforms into a nightmare. Everyone in this book is loathsome, but in a way that is so fun to hate. The whole novel is a romp of panic and paranoia, people who think they're so cool and hard exposing how uncool they are, and a mystery that's so fun because watching the protagonist panic is a kind of schadenfreude.

Runner up: Transformer by Simon Doonan. This is a book for people who love Lou Reed, by a man who loves Lou Reed. It's just a wonderfully written biography that focuses mainly on the album Transformer, but also gives Lou Reed's history and is interspersed with stories about Doonan's own thoughts and experiences with Reed. The whole book is really passionate and vivid, and fun to read even if you don't have the album immediately to hand.

Best queer book: Our Wives Under The Sea by Julia Armfield. Leah, a marine biologist, has returned from a deep-sea voyage that went wrong. Her wife Miri begins to realize that something is wrong, and Leah came back changed. The narrative switches between Miri's point of view as she tries to reach Leah and struggles help her despite not knowing what's happening to her wife, and Leah's point of view as she remembers and recounts what happened to her during her submarine voyage. I started this book at work and brought it home. In the middle of reading it, I stopped to finish some task (I think it might have been to make dinner), and ended up having to cut the task short because I needed so badly to keep reading. The most compelling part of the book is the very different ways the two characters' love for each other shines through, even in the darkest moments of the novel.

Runner up: Darryl by Jackie Ess. The titular narrator of this novel discovers that he genuinely enjoys a cuckolding lifestyle, watching men have sex with his wife. But then he realizes that part of the reason he likes it so much, is that maybe he wants to be the wife. His explorations with sex and gender and relationships (and basketball) begin to unravel his marriage and his friendships and his own mind. Then he learns more about one of the men his wife has been sleeping with, and things get dangerous. I loved this book because despite it being written by a trans woman, the story doesn't at all go where you'd expect regarding gender or sexuality. It's satirical, it's witty, it's got some cool things to say about kink and about gender, and it's totally original.

Saddest book: Johnny Got His Gun by Dalton Trumbo. This is a classic I'd been meaning to read for a long time. The narrator is an American WWI soldier named Joe who was hit by an artillery shell and has woken in the hospital having had his arms and legs amputated, as well as most of his facial features mutilated beyond use/recognition. Trapped in his body, he drifts through memories and musings on life and war and philosophy as he tries to keep track of the days and to figure out some way to communicate with the hospital staff. It's no wonder this book is a classic. The writing is incredible, the imagery vivid and the plot totally gripping, even as it switches between the peaceful past and the horrible present. The end is completely gut-wrenching.

Runner up: Minor Detail by Adania Shibli. This novel explores what in history is a minor detail, and what impact that little moment might have on someone in the future. The first part of the novel opens in Palestine in 1949, in a military camp, where a group of Israeli soldiers (led by a captain suffering from a bite-induced hallucinogenic fever) kidnap, rape, and murder an unnamed Palestinian woman and bury her body in the desert. Fifty-odd years later, a Palestinian writer learns about this "small" moment in history, which occurred 25 years to the day before her birth, and becomes obsessed with learning more. She obtains an illegal pass to the Zone in which the woman died, determined to go there and find more information. I don't want to summarize much more because I don't want to give away any of the hard-hitting plot points. But Minor Detail was published in 2020, and it explores the cycles of violence and the ways in which oppression has not changed for the Palestinian people. It's a book that I wish I had read twice because (as the title suggests) there were a lot of small details that repeated themselves or were less noticeable at first but slowly grew or became important later in the story, and I'm sure I would have noticed more.

Weirdest book: The Changeling by Joy Williams. I love Joy Williams! I love everything she writes! Her themes are always so interesting and her writing style is so unique. The main character, a young woman named Pearl, escapes her terrible marriage by joining a rich older man and in doing so ends up living with him on an island that is populated by children he has taken under his wing. Pearl wants little to do with them and spends most of her days getting drunk by the pool -- the children are eerily smart and her son has joined their games and lessons, and they all want her attention. But her son is less and less her son as time goes on, and the children are not always the children, and the adults in the house are all bizarre and half-mad. I wish I could give a better summary, but Joy Williams books are always difficult to summarize, because so much of the stories are less about the plot and more about the characters just feeling things at the reader, and the plot is often built on or around odd occurrences and philosophical musings. This book blew me away with its imagery and its metaphors. I want to reread it, because it was just so amazing. My absolutely favorite thing about Joy Williams (and this is true for all of her books) is the way she writes these incredibly profound and philosophical phrases like they're nothing at all, like they're so easy, just breezes on by them even though she's just punched you in the chest. It's amazing.

Runner up: Fever Dream by Samanta Schweblin.

Most gripping book: Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe. This book is an absolute masterclass in pacing. It tells just a few fragments out of the whole history of the Irish Troubles, but the fragments that are focused on are woven together with brilliant timing, humanizing and vivid portrayals, fantastic analysis and contextualization, and altogether excellent writing. Every time I put this book down I wanted to keep reading, to know what was going to happen next. The book has 3 focal points: Gerry Adams, (alleged) leader of the IRA; Dolors Price, a member of the IRA; and the family of Jean McConville, a woman kidnapped by the IRA. At first, all three storylines are disparate, but Keefe slowly weaves them together, pulling all the threads of context and action and years in prison or government or delinquent schools together slowly but steadily. The book reads like a thriller, and I adored it completely. (Yes, I do know about the miniseries. I haven't finished watching it yet!)

Runner up: Our Wives Under The Sea by Julia Armfield.

Book that taught me the most: Say Nothing by Patrick Radden Keefe

Runner up: The Toaster Project: Or A Heroic Attempt to Build a Simple Electric Appliance from Scratch by Thomas Thwaites. This could also go under weirdest book, easily. As a graduate art school project, Thwaites decided to attempt to build the simplest (and cheapest) appliance he could think of - a toaster - fully from scratch. Quite literally, starting with mining the elements to make the right kinds of metal and figuring out how to make the right kind of plastic. Half of the book is Thwaites' attempts to build various elements of a toaster - and how they go wrong, or right, and why it's so hard. The other half discusses all the processes that go in to making all these elements in a more manufactured setting, their impact on the environment and the economy, and the difference between cheap mass-produced products that break down vs more expensive products that last longer. The writing was fun and included photos and diagrams and interviews with various industry professionals Thwaites contacted to learn more.

Most interesting/thought provoking book: The Recognitions by William Gaddis

Runner up: Organ Meats by K-Ming Chang. I've now read everything this author has published and this is by far her best book. Her narrative style is so unique and so poetic, and the themes she always comes back to are so interesting, and they culminate in this amazing novel. This magical realist novel centers around two best friends, Anita and Rainie, who are both first generation Taiwanese-American. The story opens when they are adolescents, and Anita has recently learned that they come from generations of dog-headed women and women-headed dogs. They vow to become dogs together, tying a string around each other's throats as collars and playing at dogs in the empty lot near their apartment complex. But Anita's dreamlike imagination and obsessively loyal personality starts to clash with Rainie's more reserved nature, and when it becomes too much, Rainie's family moves away. Rainie grows up, while unbeknownst to her, Anita has sunk into a dreamworld and her body has begun to rot. She narrates her family's past and her mother's bloodline because she cannot narrate her own present. When she returns to the town she grew up in, Rainie discovers Anita's condition, and knows that she is the only one who can save her. This novel is beautiful, incredibly poetic, and experiments with formatting and narration in really unique ways. Its exploration of friendship and queerness and obsession and tradition and folklore is absolutely fascinating. I often write in my books and underline sentences or paragraphs that I really love. I didn't write in this one, because I would have ended up underlining the entire novel.

Longest/shortest book: My longest book was The Recognitions by William Gaddis at 952 pages, and my shortest was Notes On Camp by Susan Sontag at 57 pages.

General thoughts on all the other books that didn't get superlatives:

-Child of God by Cormac McCarthy. This is the first McCarthy book I've ever read (I know, I know) and I really enjoyed it. You just watch a horrible guy walk around in the rural countryside of a small town, doing increasingly fucked up things and committing various awful crimes. Which is exactly up my alley in terms of literature. The main character, Ballard, is someone who is so weird and pathetic that he becomes turned inside out into evilness. You feel sorry for him but you also hate him and he's also fascinating because he's so fucking weird. It's a great book.

-The Ghost Network by Catie Disabato. This book was so much fun to read while living in Chicago. It's a rock n roll mystery novel that riffs on Situationism and the L tracks and maps. A rock star disappears, and the main character who is a fan of her's is determined to find out what happened to her. What she uncovers is a series of clues based on defunct lines and stations of the Chicago transit system, and the Situationist concept of detournment, which lead her towards finding out what actually happened to the rock star. This book was so much fun, and so much of it was based on real life defunct train lines and the actual Situationists, both of which I found really interesting. The ending was also just so good! Somehow I managed to have read everything I needed to in order to get every single reference in the book, which was really surprising to me, because they all came from different places.

-New Animal by Ella Baxter. This book baffled me. It is about a woman who works as a makeup-artist at her family's morgue. When her mother dies unexpectedly, she skips the funeral and goes to stay at her estranged father's house. While there, trying to figure out how to vent her grief, she decides to try out the local kink scene. Her first experience is with a dom who is a manipulative, horrible asshole. She has a bad time, but wants to try again, so she goes to a place that hosts scenes. She acts like she knows what she's doing when she doesn't, no one gives her any instruction, so she fucks up massively, and everyone has a bad time. It's the worst portrayal of the kink scene I think I've ever encountered. The author said she did a lot of research but it just seems like a lot of terrible assumptions and misinterpretations. I thought it was going to be a book that positively portrayed kink and people who like the kink scene, but it's very much not. It didn't even feel like the author was doing this so the character would learn that she can't run from her grief. It seemed more like the author had one bad experience due to poor communication or shitty individuals, and then decided that's what the whole scene was like.

-Harold's End by JT LeRoy. I read this book in high school (or perhaps just after graduating) and totally fell in love with it, and then never saw another copy until recently. It was so good to reread it, to re-experience the gorgeous watercolor portraits that come with it. The novel follows a young street kid/hustler who lives with other street kids; all his friends have pets but he doesn't. A john takes a liking to him and buys him a snail as a pet, who he names Harold. The book follows him as he lives on the streets and as his relationship with the john develops. The book is classic JT LeRoy, and the end is LeRoy's usual style of characters experiencing a life lesson and growth but not necessarily in a happy way. It definitely holds up!

-Wittgenstein's Mistress by David Markson. This was such a fun and weird book and I really enjoyed it. Markson's idea for the novel was "what if someone actually lived the way that Wittgenstein's Tractatus suggests?". What we get is a woman who believes she is the last person on earth (it is never confirmed whether this is true or not). She muses on life, culture, art, philosophy, and her past, and discusses her trips across the world despite its emptiness. But her story changes constantly; she's always referencing things she said before and editing herself. It's a weird, fun, fascinating novel with a lovably weird main character.

-A Feast Of Snakes by Harry Crews. Yet another fucked up book that I loved. It follows Joe Lon Mackey, a former high school football star that now lives a dead-end life in his hometown in Georgia. Each year the town hosts the Rattlesnake Roundup, where people come from many states away to try and catch as many rattlesnakes as they can in order to win a competition. Joe Lon is in charge of the event now that his father is too old and ill. He's uncomfortably self-aware of his own personal failings and his inadequacy and his abusive relationship with his wife; he'd rather not think about any of it and is incapable of figuring out how to change things. But his old girlfriend is returning for the event, and his father's attempts to control the goings-on from afar mean he's unable to stop thinking about where his life has ended up and where it's going. All this drives him slowly crazy with desperation until the insane ending. Crews is incredibly talented at writing characters that are likeable despite being so flawed and fairly awful people. This book is no exception.

-Milkshake by Travis Dahlke. What a weird novel! In a near-future dystopian heatwave, an 11 year old girl escapes the environmental catastrophe by traveling back in time to her past life as a fertilizer salesman whose marriage is slowly collapsing. I really enjoyed it, because it was just so odd. Now that I'm thinking about it, I feel as though it would have been really interesting to read just before or just after reading Tentacle; both books focus specifically on time travel and on environmental disaster.

-Hurricane Season by Fernanda Melchor. At the opening of the box, a Witch has been murdered in a small village in Mexico called La Matosa. The rest of the chapters are narrated by different characters, who all have some small or large hand in the death of the Witch, who was a woman who the whole town visited in secret for medicine, fortune-tellings, and advice. The narrating characters include a schoolgirl, a drug dealer, a prostitute, a hapless husband who wants to make something of himself, and a teenager in love with his young girlfriend. With each narration we learn more about the Witch, and her mother who was a Witch before her. Slowly, we get inklings of the nature of the murder, and the revelation at the end is brutal. Melchor's writing is incredibly vivid, and the characters are all caught in the cycle of poverty, driven by superstition and fear and hardship. None of the characters are likeable, but they're all so human.

-Biography Of X by Catherine Lacey. In a dystopic alternate-universe US, where the Southern Territory split from the North after WWII and established a fascist theocracy, a woman named CM grieves her recently deceased wife X, who was a famous artist. Despite X's wishes, CM decides to delve into her wife's past, researching her history before they met and before she was known as X. She uses her credentials and privileges as a journalist to cross into the Southern Territory and learn about X's family and the communities from which she came, her activism and her hidden lives, and begins to realize that maybe learning all this about the woman she loved won't benefit her in the long run and that maybe their relationship wasn't as rosy as she thought. This novel combined fiction and real life in really fascinating ways, and includes both real and fake sources in its footnotes.

-The Silent Patient by Alex Michaelides. A famous and successful painter murders her husband and then refuses to speak. A psychologist who is also a fan of her work is determined to get her to speak again. Obsessed with uncovering the truth, he ends up taking risks that threaten himself and his patient. A fun mystery that went down easy. It didn't attempt to be too realistic from the start, so suspension of disbelief wasn't hard. I do think the book could have done without the entire last part. Leaving it on the realization of what had happened and allowing the reader to sit with that realization (especially with how creatively the twist is presented) would have had more impact I think than the slower and less engaging denouement of the last 3 chapters, which were far weaker than the rest of the book.

-Acid Snow by Larry Mitchell. I reread this book for the first time since about 2009 and really enjoyed it. It's a very sad novel about a man living in NYC during the height of the AIDS epidemic. Most of his friends and lovers have died and he's scared and sad about his own life and cynical about love, but he's attracted to the man who owns the shop below his apartment. It's a dark book, sad and scared and jaded. I think the main character's anxiety and grief that slowly escalates into paranoia is an amazingly surreal way to portray all the emotions that consumed the queer community at that time. I also loved the sort of lack of closure at the end - because many people didn't get that.

-Annihilation by Jeff Vandermeer. I don't generally go for science fiction novels, but I read this one because so many people said they had liked it. I really enjoyed it. The unnamed narrator, a biologist, is part of an all-female expedition into a harsh, unknown territory that has appeared adjacent to the US. The suspense and strangeness of the novel had excellent pacing. The descriptions were also so vivid and clear, which made the story's weirdness so compelling. I loved watching the main character struggle to remain objective the whole time while knowing that she's failing. Her growing fascination and terror is so fun to read as each feeling tries to overtake the other. I also think it was great as a standalone and I feel no interest in reading the other books in the same universe.

-Nevada by Imogen Binnie. I'm a bad queer person, I hated this book. In it, the narrator, a trans woman, is frustrated with her life and has just broken up with her girlfriend, so she steals her ex's car and drives away, ending up in a small town where she spends the night with a department store employee. I just really don't like books that are meandering tell and no show without characters or a plot that are interesting. This entire book felt like someone recounting their weekend over breakfast, complete with casual informal language and overuse of the word "like". Which would be fine if any of the characters were compelling, or if the plot was really interesting and went somewhere, but it didn't. A good portion of it is just musings on New York City, but without the creativity or vividness that other portrayals of NYC have to offer. After I read it, I learned this book was kind of the catalyst for a specific style of trans writing. Which also explains why I hated Detransition, Baby when I read it a couple years ago, as it's a sort of literary descendant of this. I'm happy to read books that are tell rather than show....so long as something interesting happens or at least one of the characters is unique and compelling. This book sadly has neither.

-Essex County by Jeff Lemire. I read this for an English class in university, so this was a reread and I really enjoyed reading it a second time! All the stories in this collection are so beautiful and compelling, all the characters are so real. And the art style is fantastic. The stories revolve around characters living in the titular Essex County in Canada, across a number of generations. It weaves together their relationships and their lives, much of which revolves around hockey. There were some storylines I remembered quite well and others I didn't remember at all, so it was really nice to revisit this one.

-Ravage: An Astonishment of Fire by MacGillivray. Man, this book had so much potential. This novel is a fake biography of a fake poet who disappeared from a Scottish island in the 1960s after falling into delusions that he has become a demon. The fascinating thing about this book (at first), is that it's completely convinced that it is an actual nonfiction book. It gives no hints that it's fake, and the first 50 pages are convincingly written with an academic, nonfiction voice as the novel is utterly convinced of its own delusion of factualness. The novel claims to be an analysis of found papers: first, the poetry and written tracts of Tristjan Norge, a Norwegian poet, then the analysis of his works by MacGillivray, and finally, the diary of his companion Luce Montcrieff. Unfortunately, it is fairly repetitive in a way that bogs the reader down quite a bit. Even so, I think I would have enjoyed much, much more if the ending did not abruptly switch genres to a supernatural/fantasy novel in a way that was startling and had no previous indications of earlier in the book. Up to the last 20 pages I thought it was interesting, even when it was dense, but the end felt like the author didn't know how to end the novel and just used the deus ex machina of supernatural occurrences.

My goal for 2025 is to read majority nonfiction. I don't know if I'm going to actually meet that goal, but I'll try. I don't have any goals for how many books I want to read, especially because I tend to read nonfiction quite a bit slower than fiction, so I don't have a good idea of what my reading amount goal should actually be. This year I also forgot entirely about my attempt to read all of Jean Genet's (translated) works, so I will hopefully actually meet that goal in 2025, since I only have one or two books left to read. But my first three books of the year are going to be Soldiers Don't Go Mad by Charles Glass, which I started this year but didn't finish, The Declared Enemy: Texts and Interviews by Jean Genet, and Rogues: True Stories of Grifters, Killers, Rebels and Crooks by Patrick Radden Keefe.

#reading list #reading list year in review #book list #book list year in review #book recommendations #reading #books

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popculturebuffet · 1 month ago

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Top 12 Animated Episodes of 2024

Happy New Year You happy people! For those new to this blog or finding it for the first time, each year I do a list of the best episodes of cartoons i've watched that year. I do episodes as my short attention span means I finish maybe 20 if i'm lucky, so a top 12 list feels a bit more hollow. So starting in 2020 I started covering the top 20 episodes of animation, to celebrate the highest highs each year in my faviorite industry in a fun way. As i've turned away from covering shows as they've come out, it's also a way to check in on the various shows this year I haven't gotten to cover yet, and is something I look forward to every year and i'm delighted to have you all aboard.

So how this works: each year I normally took 5 episodes of each show i'd watched, narrowed them down and eventually sorted out the top 20. This year I slimmed things down: Top 12 instead of 20, 3 episodes per show, ready, FIGHT. This is so I could fit the whole shebang into one post and hopefully do a best film list, more convient for me and you.

Before we get to the good stuff though, let's talk about this year in tv animation. It was the best of times it was the blurst of times.

Let's get the bad out of the way first: Warner Bros Discovery continued to downplay animation: Jellystone and Tiny Toon Adventures Looniversity got no promotion and a halloween special for the latter never materalized despite being promoted. It's sadly likely neither show will make it past their current season. It's buisnes as usual but it gets no less tiring.

What's new is that WBD has all but killed Cartoon Network. While the Network still TECHNICALLY exists, most of it's originals have either endd or are winding down, with Craig of the Creek's finale delayed to this year just cuz and Invincible Fight Girl moved to adult swim. It's clear what was once a pillar of my childhood is being stripped for parts, with any sequels coming to max, itself sinking rapidly into the earth after Zaslav sold it's foundation to buy a cool watch he found on the internet.

Somehow worse was Disney. Oh fucking boy disney. I've talked about this a few times this year but to recap: Disney has peaked in homophobia and transphobia this year, firing X-Men 97 showrunner Beau Demayo for being openly gay and not just rubber stamping things for them but wanting to write actually challenging content, overworking the staff of Inside Out 2 while making them tone down Riley's crush on her hockey captain , including aging the character up because they GENUINELY assume lightyear failed because it had lesbians in it

Shelving a trans focused episode of moon girl and devil dinosaur, and shelving a trans storyline in upcoming show win or loose. Disney had already proved with owl house they weren't an ally but this year proved the company is DEEPLY homo and transphobic and deeply stupid, scrapping finished content just to appease a few bigots. I may still watch their shows as the creators had no part in this (and as seen with X-Men 97, MGADD and Win or Loose, were trying badly to do something good and got punished for it), but my opinon of the company is at an all time low. And given they supported the don't say gay bill, shot next to a concentration camp and other horrors, that's saying a LOT.

Animation in genreal faces an uncertain future with shows being shelved, and the animation guild having to fight tooth and nail to get better contracts, with the specter of ai being a deep exestential threat.

Thankfully there is some light in these dark times. For starters the Animation Guild successfuly reneigoated their contracts with more residuals, protections and protections from Ai. And content wise animation seems to be in one of it's best years. 2023 is a hard one to beat but 2024 certainly tried.

We had some all time great premeires as the superhero boom that's currently in crisis in theaters reached i'ts peak in animation: In addition to the returns of Invincible, Moon Girl and Devil Dinosaur and My Adventures with Superman (Apologizes for missing that one), we had the premeries of the delightfully noir and mature Batman Caped Crusader , the solid and fun Creature Commandos that proves the DCU's commitment to animation and the kickass and thought provoking X-Men 97, a series that did my boy Scotty justice after far too long. In a year when superhero content is dry as a bone theatrically with only Deadpool and Wolverine as a drop in that desert, it was nice to see Superhero Animation back with a vengance and with Spider-Man next year and Invincible Season 3 airing in one piece around the same time

Outside of superheroes we got Fairly Odd Parents a New Wish, Jentry Chau Vs the Underworld and Invincible Fight Girl.. all shows I didn't get to but not for a lack of intrest and intend to rectify that this year. I did get to Hazbin Hotel, which after a long wait finally opened it's doors to a solid first season with a god tier cast and soundtrack. I mean giving me more keith david singing is more than enough but damn this show brought it.

Also making it's grand return was Total Drama, a show I missed and that thankfully returned better than ever... in the US anyway. Everywhere else got it last year or earlier and both seasons of this reboot. Still it's an excellent reboot and while it didn't make this list, it was a great return to form after two terrible seasons and a long hiatus to make canadian muppet babies.

There were many great returns: Helluva Boss delivered a solid arc that flipped up the status quo and gave us three stone cold classics and... uh the other two. Vox Machina had some amazing moments as the chroma conclace conflict concluded, Jellystone and Great North delivered the greatest seasons of their runs, the former giving us the return of an american hero. All hail brak! Simpsons gave me a season that's kept me tuning in more than not and continues it's renissance while Bobs Burgers continued it's own.

2024 despite all the strife and terrible shit, was a fantastic year for animation, a year where despite every company devaluing the practice and being a dick, it soared higher. While I may be worn out with how companies treat animation and the political landscape, ther'es some refuge in how GOOD animation is and how it only has higher to climb next year. So let's celebrate these highest highs under the cut shall we?

12. The Gatekeeper (Moon Girl and Devil Dinosaur, S2-E0) "How many doors do I have to break through before they stop locking me out?"

I've reviewed this episode in full shortly after it's leak so i'll be brief:The Gatekeeper is a masterpiece. It's not subtle but given it comes from a company that shelved the episode because they "want parents to have conversations about these topics when their ready" forgetting that some parents are bigots who will never be ready for that conversation, it dosen't need to be. It's a beautiful story about how you don't need to take the weight of the world's bigotry on your own, how being YOU, trans, nonbinary, queer, is okay and your not burdening your friends by letting them into your fight to be you. It's also shockingly funny for an episode with this heavy an a-plot, with Casey trying to stall desperately. Leading to this beautiful moment

The Gatekeeper is only this low because the escape room stuff, which is a not sizeable chunk of the episode isn't super engaging, not helped by deadly escape room plots being kinda common these days. It's salvaged by it's metaphor at least: that transphobes and other bigots will just keep moving the goal post so fucking break it over your knee. This episdoe is excellent and I encourage you to find it in the depths of the internet. Disney MIGHT air it, if nothing else than for the backlash, but since we really CAN'T count on disney for shit when it comes to queer issues, it's going here. If you want a more in depth dive into this episode, lookee here

11. Apology Tour (Helluva Boss S2, Episode 9)

"I don't think you meant to hurt me, cause I don't think it meant a thing at all"

Helluva Boss finally finished season 2 this year.. and I finally finished season 2 around the same time as Sinsmas as I'd sat on the show for too long. My depression's been peaking this year

So I shoved the show aside. I regret that as season 2b is for the most part excellent and the decision to wait a while and release the episodes more consitantly was a smart one: it not only gave Helluva some space from it's little big sibling's big debut, but it meant while the episodes still had a long weight they weren't left to be picked apart for months. Mostly a month.

The first half of the season was good, but had issues: sloppy pacing, the series worst episode, not really following up on the bombshell ending of season 1 from Blitzo's perspective, it was good.. but the cracks were setting in. And while some still remain in this batch, it's damn strong helped by an arc tha'ts been built up all series: Blitzo, the o is silent, everyone's faviorite dumpster fire imp murder machine and Stolas, everyone's faviorite disaster gay prince who thinks like a romance novel splitting up. Break up is a bit strong given the transactional sex nature, but it's a bomb that was in wait: Blitzo has a bad habit of pushing anyone who cares about hi m away and Stolas really never got to actually KNOW Blitzo as a person, seeing him as a way out of his awful marriage and an idealized prince and not an actual person whose a bit fucked up nor. With Neither adressing their actually problems, an explosion was ineveitble.

Hence Apology Tour, the fallout of the explosion after Stolas attempt at a three point grand romantic gesture brought out the dick in blitz, who couldn't fathom someone being nice, lashed out and not understanding why Blitzo thought so little of him , Stolas slammed the door in the fancy magic man way rather than actually talk about it.

Full Moon has a great ending and the blitzo subplot is graet.. but it wasted a lot of time with those two assfaces and collin. Apology Tour thankfully more than makes up for it, a character piece focusing on both men as they deal with the breakup poorly: Stolas tries to just keep distance, while Blitzo shows up, tries to get sex to prove he's worth something to his inferority complex and screams at Stolas for being gay. Blitz WANTS to make up for things.. but is so determined to not actually talk about his feelings he's at peak asshole.

So when Stolas actually cuts deep, asking if Blitz is even CAPABLE of apologizing, Blitzo does what he tends to do: be a dick in a showy way just to get back at someone instead of engaging why their pissed at him. The montage of him apologizing to his enmies is fun, that martha ms mayberry thing needs more shading in in season 3... like just a short or something to establish what the fuck is going on there.

The episodes heart though is an I Hate Blitzo party Verosika throws. The queen is back, looking fine and getting some depth: while she was a full on antagonist in her first apperance and there to make a bad day worse in her second, here we see some humanity from everyone's faviorite succubus: she geninely tries to comfort Stolas who feels miserable, wasting his one night of the year pass to earth on a party where everyone wallows in their hatred of Blitzo an ex that Stolas makes clear he's not over. Verosika is TRYING to geninely help, but can't grasp that the poor bird is still in mourning over what he thought he had and stabbing a cake in the dick isn't helping.

What helps is the episodes best segment and the second best song of the season, possibly even best Two Minute's Notice is just.. heavy competition. All 4 U is Bryce Pinkham's finest performance: while "You'll be Okay" showed off his pipes back in episode 2, All 4 U is a raw song, a indie rock guitar ballad where Stolas lays out his pain: how he realizes now Stolas is both a motherfucker (As Verosika and Vortex helpfully chime on chorus) and how he never actually meant to hurt him.. because their relationship meant nothing. It's a painful beautiful song.. and also dosne't asauge Stolas of his own guilt. While Verosika and Vortex TRY to blame it all on Blitz, Stolas is PAINFULLY aware he fucked up. Surrounded by memories of EVERY time he's clearly realized Blitz.. was never into this and he tried too hard: all the times he demeaned him without meaning too nad hurt him... he gets the rejection wasn't all on Blitz. Blitz is an asshole, easily, but Stolas is in pain partly because he KNOWS he did it and partly because he still WANTS him. He can't STOP wanting him. And it hurts.. and Blitz hurts realizing he was a bad person.

It leads to the second best scene of the episode as Blitz comforts Stolas, whose too drunk to put up a fuss but unloads.. and we get my faviorite exchange. A truly painful one that outlines why this didn't work. " I want to be someone's someone! I want to feel wanted, in a romantic way! Like, I'm standing in the rain at a train station and someone runs up shouting "HARRIET! DON'T GO ON THAT TRAIN! IT'S GOING TO LONDON AND I CANNOT BE WITHOUT YOU!" " "Oh Stolas.. that' sa romcom"

I've been where Stolas is, that need for someone , to fill the void inside.. not getting that won't help you get BETTER. And Blitz realizes that.. and realizes what it did mean, geninely trying to apologize.

The talk with verosika is no slouch, with Blitz trying to ocne again put up walls. We even get a nice rebuke of the whole "Well of course their assholes their in hell" argument that gets flung around. When Blitz tries that Verosika rebuffs it and reveals to us why she's so hung up on him: She said I love you and he ran three rings to wrath and maxed out her credit cards on shitty horse riding lessons. It confronts Blitz with the fact that while he belivies he's unloveable.. he's not.. and the number of people he's hurt proves it. He wants to be better.. but he dosen't know how. he's patched things up with one ex.. but his other seems to be moving on. That last part whent nowhere.. but there's still that pain realizing he ALMOST had something, and his own nerousis fucked it up. For now anyway but we'll get to that

10. Remember It (X-Men 97, S1 Episode 5) "The Names Gambit Mon Ami.... Remember It"

Since it aired it's felt like Remember It making this list was ineveitble. It's the episode that took X-Men 97 from a fantastic show, to the best x-men show of all time. An episode that deftly and perfectly adapts one of the defining moments of the comics, the massacre of genosha, with it's own style and flair, broke our hearts with Gambit's tragic end and got nominated for an emmy with it's creator barred from them because Disney would rather frame a man for misconduct than let him get his flowers and the Emmy were just.. okay with this.

Grumbling aside Remember It is a masterpiece and one of the best wham episodes i've ever seen. For those as not terminally on tv tropes as I am a Wham Episode is an episode of tv that changes the show fundemntally or promises to, with a shocking reveal or a big plot twist or what have you.

This episodes secret sauce though is hiding that fact. It sneak attacks you as the first half is a pretty standard plot following up on things from the season: Cyclops continuing his relationship with Maddy, the clone of Jean despite still being married to jean and her less than happy reaction to their psychic affair, Jean trying to come onto Logan, and of course more of the magneto-rouge-gambit love triangle.

Yeahhh the reason this is so low is the Magneto-Rogue-Gambit Love triangle sucks. I went deep into why in my review of 97 Season 1, but the short version: it makes Magneto into a groomer as while Rogue is an adult in her 20's, he's still old enough to be her foxy grandpa and still manipulates her and in present day, his method of wooing her is making her queen of a foreign nation without asking. In a show that has easily the best Magneto in animation, i't sa blotch. It's intended to make him human and put rogue's desire for sexy time against her connection with remy. It's a good idea but the excution is just baffling and brings this episode down a peg.

What keeps it on this list is it's good parts The first is scott motherfucking summer in his most accurate adaptation yet, a capable leader and world class badass whose an emotinally stunted mess, laying out why mutant lives arne't NORMAL in a rant.

The biggun of course.. is the bait and switch. In a moment we go from Maddie, Jean's clone long story watch the show, going outside to get a breather.. to her son Nathan running up as full cable begging to save her before being yanked away.. and then Maddie dies. And a lot of others with her.

In a moment reflecting showrunner Beau DeMayo's experinces with the pulse night club shooting and 9/11, we're at the ground floor of a horrifying massacre. The orignal in New X-Men was horrific in how FAST it was. In minutes millions of mutants were dead, the x-men could do nothing in time, and the world changed. Here we're on the ground: three x-men are present along with some of the most powerful mutants in existance.. and they still can do nothing. Magneto whips the monsterous sentinel responsible with a motherfucking train, uses all of his power.. and only dosen't end up dead because the big bad wanted him alive. Rogue, easily one of the strongest x-men and a brick house tha'ts mighty mighty, is swatted aside. Gambit can throw stuff but none can do anything. This sequence is incredible, showing the powerlessness sin such a slaughter and the sheer trauma it puts on someone. It's the kind of event that leaves a bloody mark on history and cannot, SHOULD NOT be forgotten.

And like most massacres against the disinfranchised it only ends in one way.. with more blood. In this case Remy after Rogue FINALLY realized she loved him but never got to say, gets horribly imapled. And graphically. This series does not shy away from violence. And rather than just die he goes out with a quip and making himself an dthe monster he faces blow up real good. The episode ends somberly on Rogue weeping over his death, invoking va lenore zahn's lost of her niece and signaling this series will never be the same. Remember it is fucking brilliant and if you haven't seen x-men 97, please do.

9. The Sign (Bluey S3 Episode 49)

"Am I making a mistake?" "Probably.. but let's make it together" So i'm late the party, but I finally got into Bluey this year, thanks to this very episode. The huge buzz around it's release from fellow animation nerds had me curious so I watched a few that were recommended.. then some more and before I knew it i'd watched most of it's three seasons.

Bluey is a throughly charming show, keenly deserving of it's massive succes. It's a show that's meant for younger viewers, teaches lessons but unlike most shows, it dosen't talk down to young children. it's made in a way adults and older kids can enjoy too, as you can empathize both with the childish wonder of our lead, her sister and thier various friends, relatives and whatever sort of delightful stygian goblin muffin is

And see the adults side. It's a show that somehow covered Bingo imitating any animal she wears a onsie of and the chaos that insues and Chilli's estraingment with her sister who stayed distant because being around her nieces reminded her she can't have children. It's a show that's warm, loving and utterly brilliant.

And given this is me it took me a long time to get to creator Joe Brumm's swan song as I knew it would emotoinally wreck me.. and I was right. The Sign is Bluey's first half hour special, the other episodes being 8 minute shorts all bundled together and while there's an episode after it , it's the proper finale to the season and to Joe Brumm's time as showrunner.

The Sign has been a fully admited test run to see if Bluey could handle a longer story for a movie and even before that movie's recent greenlight, it was clear yes they could. It's helped by picking two massive events in the heeler's life that perfectly mesh together, nicely zigging in and out of each other. It's amazing how well the creators got this episode to just flow, and to keep up a nice array of jokes despite the heavy topics. Bluey's utter joy at getting to ride shotgun and Chilli carefully checking to make sure it's legal (and a police officer doing the same thing later), is such a briliant gag. It also has plenty of muffin, always a plus.

The first is a big downer: Bandit's gotten what he feels is a better job, and is uprooting the family for it. Bingo is oblivous to the reality of the move and Chilli is trying to be supportive leaving Bluey the only one who wants out. We get a truly soulcrushign scene when she tells her friends, them all hugging her and sobbing. Her teacher Calypso tries to cheer her up with a fable, but she misnterprets rolling with life's hardships as "everything will work out which means we'l lescape. "

This rolls nicely into the other big plot: it's the wedding of Frisky, Chilli's best friend since childhood and Rad, Bandit's brother. The two debuted and had their meet cute in my faviorite episode of the series, Double Babysitter. It's one of the first I watched, entirely because I knew it set up this one... and it is glorious. The two were shown on holiday in the christmas episode and here they get married.

And look I love wedding episodes so much kev paid me to make a top 12 wedding episode lists this year, which has one of my faviorite art pieces i've done

So I was an easy sell, doubly so after seeing Double Babysitter. The episode does well with it: the heeler's family is all present, everyone's ready to go.. then Stripe bandit's younger brother does an oopsie and mentions rad plans to have Frisky move with him to near the oil rig without having actually talked this through with her. Rad is thankfully just very bad with people, but this casues Frisky to snap and the resulting argument sends her on the run and declaring the wedding is off.. which is bad for bluey as Frisky was told to remove the 4sale sign and bluey thinks this stops it because she's a children

We then get some fun shenanignas as Chilli has to go chase our runaway bride and while she intends to leave the kids, who want to go for personal reasons or just a ride in the car, they find a perfectly hilaroius reason not to with every kid nearly telling Rad's mom about the disaster because kids have no filter and thus Chilli is sent on an epic quest

What follows is what clinches the episode: after a bunch of shenanigns that are perfectly hilarous, Chilli goes to her and Frisky's old hang out where they used to think.. and also smoke a dooby or twoobie. It's here we get the perfect intersection: part of Chilli's freakout, besides the entirely resonable pissyness over the rad situation is her best friend leaving.. and Chilli finally reveals she DOSEN'T want to leave. Leave her best friend, the house her family has been raised in.. she just wants ot be supportive. And seeing her mom finally be honest gets Bluey to embrace change. And Rad being a good dude whose just a tad awkawrd, can relate, apologizes and decides not to move.

It's this that helps them blend so perfectly: Rad like Bandit is making a rash decision based on what he thinks what's best and has to see the real effect it has. He likely dosen't back out sooner simply because the house is sold. But when the buyers back out to buy winton's dad's house so he and winton can move in with the terriers nad their mum, shoutout to winton, we get our joyous ending as Bandit rips the fucking sign out, and the family all has takeaway.

The Sign is a callback filled wonderland, a truly heartrending episode and a vicotry lap for bluey's best season. It also has Stripe passing out drunk in the bushes next door because Wendy can't make it out of anything unscathed apparently. Hopefully Stripe isn't heading for divorce. Maybe check the sink mate see if hot dogs are there

Okay while we process that ineveitble divorce onto

8. Sinsmas (Helluva Boss S2, Episode 12)

"Have a great fucking life with him dad"

Back to Helluva Boss and to the most recent episode and one of the series best. Admitely this one was an easy sell for me: it's an octavia episode. Loo Land is still one of my faviorites and while Seeing Stars is a mess, the stuff with her and Loona is heartwrenching and adorable. I hope even with what happened here, Loona still mentors her little sis. The fact i've had the little emo ace on the brain as I ship her with Sasha from amphibia probably dosen't help. My crossover ships are weird and numerous and I find this one adorable and the being ace (not aro) adds a nice lair of things and is something I hope the show brings up outside of the pride photo confirming everyone's sexualities, as we need more ace representation in our animation. She could party with Todd

But while I have my bias... this episode is just plain amazing on it's own. While what i've seen of Mastermind is decent, Andy's plan makes no sense and only works because he was working over someone whose kinks are racisim and classim but the status quo change is phenominal: Stolas is now left broke and powerless, while having proven beyond a shadow of a doubt he cares for blitz, while Blitzo, after episodes of dealing with his darkest demons, realizing he dosen't ruin everything (Ghostfuckers barely didn't make the cut), and becoming a better person for a change, caped off by telling the ruler of hell's vice principal to go fuck himself, has rewarded him with fame, adoration and the knowledge his daughter loves him.

But it leaves thing in an intresting place and while I expected to wait between seasons for the fallout, i'm delighed Sinsmas instead bakes in it. With Andrealphus and Stella keeping Octavia from calling her dad because it's how they get off, Stolas is left spinning out, not dealing with his transition to working class life well, not helped by being out of meds. It' sa nice bit of spiraling as while Stolas sacrifcing himself was brave, and the right thing... it was still an impulse decision that he didn't expect to have to live with. Stolas fully expected to die a brave hero saving the love of his life... and instead has to live with the consequences of doing the right thing and the hurt it brings to the only person in his old life he ever really loved.

The good news is Blitz.. is actually in a place for a healthy relationship, and we see the guy at his sweetest: he makes breakfast, realizes maybe eggs were a poor choice, robs clothing stores (which explains his slick wordroebe in the funneist way possible) and catches rats for his sorta boyfriend and tries to calm him down. It's this landing that makes the arc strong for me: After sinking to his lowest.. Blitz is actually trying to change for the better. He's still his weird ass profane as hell self, but he's no longer the sexually harassing bitter hate filled man who assumed the worst of everyone. He's not going to be a ray of sunshine, but it's heartwarming ot see after two seasons of Blitz digging himself deeper, he's TRYING to change. As we've seen with shows like bojack horseman, change is an uphill battle and he'll no doubt have issues.. but it's ncie to see Blitz as something resembling his best self.

And that extends to the titular holiday: while Blitz is working on sinsmas it's not to force his employees to work, but to let them enjoy themselves as sinsmas is about enduging your sin and he already nearly burned down his apartment once while the office is insured. So M and M have some sexy violence (My faviorite bit being her showing up behond a white bord to sock him and his happy awee when she kisses him after) and Loona to gorge herself on snacks, while Stolas gets a job (his oh fuck i'm poor is delightful)

Sadly the team gets a bitch of a client who wants to murder he gay ex for "probably" cheating on her and leave her kids orphans. Blitz only agrees because she sucks but the remidner of his failings leads to Stolas going to see his daughter..... just as Octavia gets a very sad song steeling herself up to be alone, her mom and uncle ignoring her and finding her dad.. was addicted to depression meds just to function and as is her way, blaming herself for her dad's issues and going to give him his pills.

While this sitcom misunderstanding happens, we get another nice show of blitz's character development. once again the target is a happy family.. but this time... Blitz can't do it and dosen't berate Moxxie for it. All he sees is what he COULD have: him, stolas and their daughters all happy, an image that just thinking about it makes me tear up and despite Loona offering and Millie badly wanting to and strangely being unersonable, he can't. He cancels the contract, yeets a karen out a window and then runs into his new step daughter and realizes "oh fuck my boyfriends confronting his ex in law who can kill him"

Granted before Andrealphus can actually try to kill him we get a cathartic as hell face beating. While Andy heals becaues Goetia can do that, it's so damn nice to see Stolas not listen to his ranting and just beat his ass. It's even nicer when even when stolas is kidnapped, the reste of Imp makes a meal of beating his ass down, an eppic winter showdown with Loona suddenly pulling direwolf forms out of her ass, blitzo being a knight complete with lance and Millie ramboing up. I'ts one of the series best fights in a show that's fucking great at them and cumilates in octavia saving her dad, and guests and blackmailing her uncle into not finishing as he was beaten by commoners and all and Stella is not good at keeping secrets unless she's too dumb to realize why their secret.

Yet the parting of father and daughter.. is bitter and painful. Octavia breaks from her dad, convinced the pills were her and having been lied too so much. Yeah the pills thing is a reach.. but her not beliving in her dad.. makles sense. Stolas loves his daughter.. but LOVE isn't the same as being a good parent. He's neglected her due to his marraige falling apart and then the divorce, openly obessed over the man who as far as octavia knows broke up a working marriage instead of a deeply horrible one neither had a choice in. It's the cumilation of Stolas faults biting him in the ass: his inablility to see what others feel, to take the time to take care of them, and putting his fantasy version of reality over what's in front of him , the same things tha tcost him Blitz fo ra time... cost him his daughter. His quiet "she hates me" after is devistating as is the nice montage of everyone getting ready to party as blitzo (who nicely ate coals to warm up), cuddles him. he's jut there, alone utterly devistated.

But in some heartwarming bits.. he's not. Moxxie warmly offers him cookies and I swear once Stolas recovers a bit they'll be best pals. Blitz is gonna hate it :B! At while Loona seemds.. happy having kept the friends from Queen Bee and eager to have everyone join in games.

Millie is less than as we get a pregnancy cliffhanger but it's easy to see why she's overwhelmed: she won't be able to do what she loves, having a kid is expensive and her husband was stripping off his clothes while screaming BANKRUPTCY two episodes ago. Her friend group is not exactly "chill" at the best of times. These panic attacks will be glorious.

But Blitz recognizes Stolas needs him and offers his unconfditonal support ina beautfiul scnee; He hasn't given up reconcling with his siter.. and Stolas dosen't have to give up reconcling with his daughter. she just needs time.. and for now.. they ahve each other and we get a beautful dance as these two pass by being a transactional fucking, a disaster, bitter exes and awkawrd friends... and finally become the couple the series has been buliding too. Will this happiness last? probably not.... but being there for someone is being there for the bat shit too.. and the ending shot, Blitzo hugging stolas while stolas stands there and soaks it in, is proof they can make it. and that season 3's gonna be something special.

7. Hell to Pay (Legend of Vox Machinas S3, Episode 4)

"I’m not even sure you knew you were lying"

Like Helluva Boss, legend of Vox Machina is one of my faviorite shows right now. Not concidentally both are a fixture on this list. I crunched the numbers recently seeing how many spots overall shows got and with this list Vox Machina and Helluva Boss are tied for second with 7 a piece, passing amphibia's 6 and behind Owl House's whopping 10.

Vox Machina's also our reining champ having topped last year's list with Rise of the Chroma Conclave, and it was certainly welcome to try again. And Season 3 brought it: It had some issues, the back half is a big jangly with one big exception we'll get to, but it's still a hilaroius, heartbreaking badass tail of a bunch of misifts thrust into saving the world.

This year took even more liberties with the campaign and one of the biggest success stories from that was Zerxus. Zerxus didn't exist yet when the campaign legend of vox machina was based off of happened, coming instead years later for the spinoff prequel Exandria Unlimited: The Calamity.

For those who haven't gobbled up every bit of critical roll lore they could because their a thirsty bitch like me, The Clamaity is the big event in backstory that shaped this world and barred the gods from it after a war between the nicer ones nad the eviler ones wrecked the world. The Clamity shows HOW that happened as a bunch of misguided high class types who ended up being the players did an oopsie and the apolcalypse happened. I don't know much more as I want to experince this one and hope it gets a movie or mini series some day as Zerxus left a hell of an impression.

Zerxus was a high minded man who loved his family and made the mistake of trying to make a demon god better. We hadn't got to see him in the present day so Legend of Vox Machina ups his roll to let us see it, bringing back his player Luis Carazo. Carazo is one of the two main reasons this ep made the list, as Zerxus is one of the series best vilians thus far and it's hinted he'll be back for the final arc.

Zerxus in the show is the ideal of a demon: cordial, clever, powerful.. and scheming as hell, zeroing in on pike. He has the plate of the dawnmaryr, one of the last vestiges our heroes need and the only one that can properly counter Thordak as he won it in a card game. No really he won it from an immortal dragon who neglected to mention that part when she told our heroes about it. So half the party is in hell. Hell here is a truly horrifying desolate place: people beg for death, the demon designs ar ehorrifyign (even our heroes disguises) and while ther'es some humor there's an overwhelming sense of dread and hoplessness. Our heroes only find Zerxus.. because he figures their looking for him as if you say the devils name enough times he's liable to here it.

It's a bad place to be... and especaily for the focus of this episode, Pike. Pike is the team's cleric and her goddess the everlight warns her against going.. but the team NEEDS this so we see the poor gnome slowly degrade. Her god has abndoned her and her attempt to help someone only gets everyone nearly killed. She's in a place beyond hope, beyond her god, and beyond her usual cheerful give no fuck attidue.

And that's where the episode gets intresting as Zerxus senses that and having understandable issues with his own god, is determined to pull a heretic on her. And unlike Hugh Grant rather than just mansplane and mimic jar jar binks he hammers in on her doubts, on her need to SEEM like she belivies, on every insecurity.. and challenges her to a card game for her soul. Because Yugioh doesn't have a patent on that, she agrees.. and looses as it's also a game of questions and if you lie, even if it's also to yourself, yoru cards burn.

So Pike has to gamble everyone's soul. Thankfully her mothers gone but her friends aren't so lucky, and also aren't able to consent as their stuck in a glass box. At least they have plush chairs up in this bitch. It's a fascinating character study and helps deepen pike: while she had an arc in season 1, mostly to give Ashly Johnson something to do as she was absent for most of that arc in the web show and couldn't be added back in without breaking the arc in half, here they take advantage of her being in the show more by really diving into her and the question of gods: the everlight is her god.. but how much of her belief his her and how much is her god? When is faith leaning too heavily on someone especially someone who isn't some unknowable being but you know.

Zerxus makes a mistake in his attempts to lecture: he gives his backstory: he and his friends did a stupid, wee were over this.. but the part I glossed over and that undoes him is his family: he did this so his husband and son would be safe.. and naturally making a deal with the devil his god removed their memories. So Pike asks a question: do you wish they were here suffering with you. And while he denies it as pike put it in the quote... he was lying to himself. Pike wins and our heroes get the plate. Granted they have to outrun Zerxus pit fiend because he only needs pike for his evil plan..

This episode at it's core is a spectacular game of chance, will and breaking your opnent and I loved every second of it. It's a series high point for Ashley Johnson and I can't wait to see where this goes next season.

6. ...And Be A Villain (Batman: Caped Crusader S1 Episode 2)

"I don't believe your performance. Your chewing on scenery to enhance weak characterization. It's insincere Basil, it's not real"

So Batman Caped Crusader fucks.

Caped Crusader is a glorious noir return to tv animation for batman after a long nap after they screwed over beware the batman and brave and the bold. While Paul Dini is back, he alongside fellow batman legend and catwoman's real dad Ed Brubaker, do something different, a slightly darker world set in a more socially open 1940's where he can have the government be corrupt from the top down without networks whining "the government can't be corrupt! Children need to have faith in the government!"

So we get a gotham where a few honest people are the only one's fighting against a corrupt system, and while batman can put away the varoius freaks of the weak, it's going to be harder cutting out the cancer at the center alone.

Yet while this is a darker take it refeshingly dosen't stick to just a grim grounded tone as much of batman does in adaptations. While I love Matt Reeves the Batman, it's nice to have variety and while Caped Crusader is a bleak work at times, it remembers to have fun and that while batman's dark.. he can also be camp. The first episode has penguin as a female (and awesome) crime boss who will kill her own children if necessary, she also has a giant umbrella shaped canon on top of her umbrella shaped dockside yacht as her main weapon. The third episode has a catwoman who rather than the complex thief I prefer, is a spoiled socialite who steals batman's bit to fund her lifestyle and army of cats. We get outright supernatural villians with the racist and classist gentleman ghosts and the tragically selfish vampire child nocturna. There's an overaching story.. but the show also gleefully embraces being episodic ala BTAS: while every episode contributes something to the larger arc, each one stands alone beautifully allowing for the sharp character focus of BTAS while still bringing something diffrent to the table.

That brings us to this episode, my faviorite to watch out of the season. We'll get to my overall faviorite but while that episode is a hard but awesome watch due to it's ending, this one is just good damn fun with a clever mystery and nice character building.

In this case the focus is on Renee Montoya, who eats good this series, probably helped that the man who redefined her in Gotham Central and 52, Ed Brubaker, was head writer for season one and wrote this episode. Also as my fellow reviewer Serum Lake has said if you like this show, read Gotham Central. It's a police procedural from the view of the GCPD's honest cops and it's damn good. Batman isn't an active character but more a presence and it's a brilliant series.

Here Renee is one of the only honest cops as usual for this franchise, having been recently promoted by Gordon and is resented by other cops because well.. she's a woman, and they see her as having gotten the position on that and not the fact she actually does her fucking job and dosen't take bribes. Which should be the bare minimum for a cop but wether your in gotham or real life, apparently isn't.

While Batman's around this episode, he nicely sinks into the background: Renee's the one doing the leg work and like most white men Bruce is content to leech off the work of a succesful person of color. I'm not even Kidding.. mostly. He's not asking for help because this batman is at a stage where he refuses help and calls his dad "Pennyworth" he's not exactly okay and the series isn't treating this like "okay", just a pramatic step so batman dosen't have to do the same work someone just as good at detectiving is twice, nor doe she want her credit. He just wants the same thing she does: the case solved.

The case revolves around the murder of a starlet, and soon wraps into one Basil Karlo, a vetrain actor who plays "the heavy", the bad guy, and badly wanted to be dramatic but with his face couldn't get the part. So as you can probably guess, he decides to kill for it, a nice nod to his first apperance. This clayface isn't a nigh unstoppable monster, but a thorughly human one: a man who desperate for his co stars love and the public's praise, took a shady chemical from a back alley doctor and become a malformed lump of a man.. but one who could remold his face.. Yet he still got rejected.. not because of his face.. but because Yvonne, his costar, simply was never intrested.

So rather than accept this, Basil decides to instead accept he is the villian and we get a thriling story buildling up to that reveal as he imitates several people: he can't turn his body into a weapon like modern clayface, but he can make his face whatever. Basil is a fantastic villian, and not just because he and batman fucking swordfight, which is as dope as it sounds. He's a man who felt rejected by society.. but in reality simply was an entitled bastard who while tragic to an extent ,focused on the wrong things. While it's in a very 40's context it's hard not to parallel basil with the various incels littered aroudn the internet: an angry man who blames his self loathing and issues on everyone else. Basil is a fun ham but as Yvonne puts out his actual satisfactoin with being the bad guy.. is artifice. He's a bitter person who can't accept life sucked for him but he still had a pretty good one.

It's fitting the person solving his case is a woman and hte person beating his face in is someone whose also not handling his trauma well.. but ultimately wants to help people. Batman may be rougher, colder here.. but he's doing this to save people and Renee can see that. Despite the odds against her she solves the case, and gets the credit.. kinda. I mean corrupt assholes Bullock and Flass tease her about batman but given he kicks their ass next episode what goes around comes around. More on them later. For now Renee has a new ally and basil can be the bell of the prison's production of pirates of pinsance.

This episode has wonderful atmosphere, a real theatrical quality> While I haven't watched a ton of 1940s films, this really has that feel just a good noir with a nice new take on an old favorite that harkens back to his earliest appearances. Basil might not show up again, at least not next season but man.. what a performance.

5. Gwimbly: Definitive Remastered Enhanced Extended Edition DX 4K (Anniversary Director's Cut) (Smiling Friends S2 Episode 1)

"I Swear to god if I had my Gwimbly gun on me right now man i'd.."

After a year off Smiling Friends came back and better than ever. Well mostly, still not pleased about having Doug Walker cameo after his tommy wiseau level bullshit as a director and general ambivalence to the mistreatment of the rest of Channel Awesome, but that's a rant for another day.

Still i'm not going to hold it against Gwimbly: Not typing out all those subtitles had to copy paste it in the first place. It was the showcase that smiling friends was not only back but had improved: with a bigger budget Hadel and Cusak took things to new heights and came out of the gate with an ambitious bonkers idea: what if our heroes helped a homeless ps1/n64 either collectathon mascot abandoned by time and his company get his groove back. Well Pim's trying Alan just wants to spray him with dirty brown water.

Gwimbly arrives in all his polygonal and prolapsed anus glory, with Pim determined to help his friend and Alan only doing it to get a homeless man off his lawn. Alan is.. a bit of a prick this season and it's hilarious. The creators clearly realized fans loved the guy and his potetial and rather than do what I assumed, fuck with that expectation, they instead make Alan a part of more plots and his dry, not giving a fuck nature makes for comedy gold, paticuarlly his spotlight which missed the list but can HANG out with me, and smoke weed, and fill our bellies with DIET soda and play Burnout Revenge for the PS Two.

Here he makes a nice partner for Pim.. and proves while Charlie may be awful at his job and barely giving a fuck.. he at least.. tries. In just one day in the field Alan dropkicks an innocent woman who "startled" him and constantly asks if he can just drop Gwimbly wherever including a graveyard.

Gwimbly is also great satire of the modern game landscape: The CEO of the company that made Gwimbly is a grotesque asshole whose best known for a meme i've had endless use for and is easily the season's best line

And sends his latest creation to go murder our heroes for crowdfunding a gwimbly game after his company pivoted to fps.

We get some truly fantastic gags. Gwimbly threatning to use his Gwimbly gun, his former antagonists weird wife and his sidekick mr milipede getting a smash cut to his grave, having died of Fentnyl. The climax where the ceo gets killed by his own creation and said creation and gwimbly decide to do a mascot fighter is heartwarming. Also Charlie has a subplot with an angry asshole. It's okay, and mostly notable for the guy ripping Charlie's nose o off..a nd thent he cut back later to Charlie calcmly trying to call 911 to get an ambulence while the douchey client who won't leave tries to bully him. It's the funneist episode of the year , one of the most insane and a good sign for the series future.

4. Mutant Liberation Begins (X-Men 97 S1 Episode 2)

"Charles Xavier entrusted me with his dream, and it does not ask you to love or embrace my kind as your own, but merely to accept that this is a shared world with a common future, and that my kind, like yours, have the right to live in it. I am trying to be better. Please...do not make me let you down..."

I fucking love Magneto. and even with the stupid ass grooming subplot, X-Men 97 does a damn good magneto. It portrays him as the complex asshole he is: a man who genuinely wants to help his people, who will say never again, and who will kick ass, but WANTS to be better than his violenty groomy past. Someone whose taken things to an extreme.. but you can see after all he's been through WHY he got there.

MLB is a great second episode. While To Me My X-Men was a great intro, showing off Cyclops and Storm properly and setting everything up, MLB is where the series starts to really cook, bringing in the complex themes. While x-men media hasn't been afraid to talk about race or opression using the mutnat metaphor, 97 gets into how endless it feels.. how it just KEEPS coming and how hard Xavier's dream of coexistance is. It feels extra relevant after Disney's sacking of the shows creator for being this blunt and the horrifying results of the election, that this isn't new. History repeats or as behind the bastards host and guy I deeply respect Robert Evans put sit "It's cool how people don't learn anything ever"

And while other episodes rip right into it better, I like MLB for doing that and being an outstanding magneto character piece. He's trying to honor his absent friend.. but he's still an arrogant dick. Being an x-man dosen't take erik's arrogance away. He' still smug as hell as he asks why the x-men never bothered to send the morlocks to saftey in genosha now it's a free country and not a hell hole, his mutant power still kills fascists.. he's just tampering it down to maiming them. He's doing a noble thing.. but in the most dickish most magneto way possible and its easy to see why the x-men aren't easy with thier new leader.

The Rogue's stuff's better here as she encourages him to pull his head out of his ass and we hadn't got to "They say i'm robbing the cradle but she's robbing the grave" yet.

Magneto gets a grand stage to lay out his ideas when the UN comes to arrest him. Because they can do that apparently. He stops all their helicopters and makes it clear it was a stupid move to not magneto proof thier helicopters. Seriously you.. you guys are HQ'd in new york same as the x-men and live in a universe with the x-men, the avengers, the fantastic four and spider-man all in it. You didn't think to have quinjets or hulkbuster tanks to take on the most dangerous man alive?

It's only for the grace of proving he's changed their not all reduced to a pile of blood and metal and Magneto agrees to the trial.. but defends what he's done: he did what he had to, he's seen the holocaust, and he has one simple code: never again. He calls them out for their hypocricy, for the show trial nature of things.

Then the racists hit. Beau really just said "let's have a january 6th allegory" and i'm here for it with the friend sof humanity storming the UN. When a racist on the panel wonders whyt heir trying to killh im Magneto says it simply "your giving the monster a trial"

The x-men defend and we get a great scene with the FOH's leader the x-cutioner, a bigot who loudly complains about how mutants won't just shut up and how HE has problems but he isn't whining.. to Scott Summers. The may whose dad got shot up into space, grew up an orphan, can't look anyone in the eye, had his wife die twice, and had a weird man fuck with his life and will have him do it again. What i'm saying with this is fuck your first world problem and it's telling real bigots latched onto the scene missing the point.

We also get a neat subplot as Maddy goes into labor. I love her shenanigans with logan: making his car a convertible and the intimal confrontation with him thinking "he's here" means apolcaypse or something and having to be told "the baby you idiot". I also love Rogue (who brought Cyke to the hopsital mid insurrection) sapping a racist doctor's knowledge to deliver the baby. Brilliant stuff.

But the true heart is what happens. While the x-men valiantly do their best, the x-cutioner has a nasty suprise: a neutralizer gun. He aims it at erik.. and Storm takes it. And Erik.. does not take it well, watching a strong, powerful mutant who had done nothing but try to help people crawl weekly in shock he says: ENOUGH and gives the speech above, lifting the un council and the x-cutioner into the sky and making clear he could kill them all if he wanted.. but he won't. They don't have to like mutantkind.. but they should be allowed to exist. He's trying to be better. please don't let him down. Sadly.. they do. But as swerve said, story for another time.

3. Souls in Darkness (Legend of Vox Machina S3 Episode 12)

"Percy... this isn’t how I wanted to do this. And gods know all this attention would appall you but... That day with you in Syngorn when you stood next to me and allowed me to be a part of something that you hold dearest. I... I was so proud. You stood up for me and I... I lied to you. I lied to myself. I hate that I was too afraid to admit it. You’re fascinating, and... obstinate, and... and the cleverest man I know. You have to find your way back to us Percy. Because the truth is... I love you, darling. My heart... It's yours."

As I alluded too in the "hell to pay" entry, the last act of season 3 was bumpy. They tried to thread a lot of stuff together, and while ther'es awesome highs like the battle with thordak, the period between that and the finale was rocky, splitting everyone up for time and not working like it had before.

What did was the ending, which also ended a cleverly addded subplot: in both the original game and the show Percy, my baby boy, dies. He forgave his arch enemy Ana Ripley, let go of vengance.. and got a bullet for it. While his ressurection was frought in the game, with Ashley Johnson coming in special just to make sure pike could help him feeling guilty for the team not having a healer when percy died, here.. it sticks. The team dosen't have anyone who can do it and Percy is dead. Granted most of us felt this woudln't stick.. but I applaud the decision to let it ride: to let that pain fester: Vex feels guilt for not admitting how she felt, pushing him away due to her daddy issues, and Scanlan regrets not being there to help.

The good news is the series had a loop hole. Our heroes get Anna Ripley's gun from her corpse and Vax slowly hears something inside. Percy is alive.. but in a horrifying twist (one hinted at in the show but shown in full here) Orthax, the shadowy ghoul that he accidnetly made a deal with and who slowly possed him over season 1, has him.

Our heroes have to wrap up other buienss first and the first act finishes where the last episode: Raishan has played our heroes, their alliance being so she could get thordak's corpse, escape her curse and become a necrodragon.. and wanting vengance against the ashari, she traps Keyleth with her. Thankfully kiki's grown as a person and awesomely dispatches one of the series best villians (a truly awesome performance by cree summers) by turning into an earth titan then using Raishan's own corpse to pump her new body full of curse and blow her up real good.

This part is excellent, finally giving Keyleth some shine (as did the previous two eps) and letting her get revenge on her tormentor who played her friends the best way possible. She and Vax alsof inally confirm it's offical. Thank god.

But it's not over as during the fight Vax used the pepperbox.. and heard percy inside. Percy is alive, he's trapped... and his brother in law's gonna go save him. As usual for the show ressurection is not easy. It dosen't seem easy in dnd, but in fiction you can't just have casual resurrection without death meaning nothing. And unless you question that like x-men did in the krakoan age, the good and bad of it it can be tedious. So instead Ressurection is really hard.. especially since the person they had do one last time is now dead. RIP Cash, Will please do more voice acting.

So we get a tense sequence as PIke restores the body and the party has to keep it alive while Vax dives into hell despite his matron warning him he will be punished if he spits in the face of death. But Percy is family.. and Vax won't abandon him.

Orthax's realm is helish: all of percy's previous targets are horrifying corpse and percy himself is stuck ona n eternal forge bereft of memories while Vax risks being stuck there too... until.. Vex reaches out... confessing to percy as quoted above in Laura Bailey's most beautiful bit of acting series wide. It's love that saves Percy from his own guilt and his worst enemy, and it's the love of a brother that gets him out of there as Vax pulls his brother out.

The ending is also joyous.. likely because they didn't know if they'd get ot do season 4, so rather than scanlan bitterly parting ways, he plans to leave with his daughter and everyone else decides to take a break from being a party: Vex and Percy are going back to whitestone, Vax is going to help his girlfriend finish the Armente they need to actually define in show, and Pike and Grog are gonna.. go save people they guess. We get a truly beautfiul song to close this out, Circle the World, which shows off Scanaln's evelopment and is a nice parting song... and an omnius cliffhanger shows we're not done.

Souls in darkness is an episode that serves as the perfect caper to everything that's come. Like the end of season 1 the final conflict isn't the big bad.. but saving one of their own. Vox Machina is ultimately about a family of choiec, a group who loves each other even if they'll verbally tear each other apart and this a beautiful showcase of that and of my favorite characters. I'll truly miss them when the series wraps.

2. Night of the Hunters (Batman Caped Crusader S1 Episode 4)

"He'll Talk"

Night of the Hunters is a perfect episode, one that had a damn good shot at being the year's best episode. Night of the Hunters takes everything that makes Caped Crusader great, condenses it into half an hour and the results are fantastic.

Previously on Batman Caped Crusader

Also Catwoman was there and made the mistake of humiliating detectives Bullock and Flask. In this show Bullock isn't the gruff man who should probably still be fired but at least believes in justice guy we know and love from the comics and BTAS, but a corrupt monster, working closely with his partner detective Flass , a big piece of shit in any medium. The two gladly bring up the idea of roughing up suspects as their go to, inform for Thorne and Penguin and genuinely just suck. So when Selina Kyle got off on a technicality and made the two look stupid, not to mention scratching Bullocks face, the two decided to murder her. Batman had to stop it and kicked some cop ass, hooray, but did so on film to make sure Catwoman actually went to jail this time.

This being the alternate 40's, cops are viewed with actual respect and not as an orginzation that BADLY needs reform filled with people who think their gods I tell you gods who will arrest striking workers because they were created for the upper class. Thankfully Caped Crusader is aware of this irony and is one of the best depections of police i've seen: a few people, not suprisingly of color are trying, but the bulk of the system is corrupt, horrible and more than willing to resort to force.

Still the good side is the one that gets to try and catch the batman. Renee Montoya, who we talked about earlier, gets the task force head as her solution isn't throw wave after wave of her own men after them but clever tactics. She sets up fake crimes, and only fails because the Batman is one step ahead. It also turns out he's been reading thier strategies, as we find out in the most hilaroius scene in the show: Gordon is working late, goes into the task force room and finds batman and the two just.. sit there for a beat and drink in the absurdity, fully absorb this then the chase begins.

Montoya brings in an expert, Harleen Quinzel, her future girlfriend and the current Harley Quinn but the latters for an episode we're not talking about today. She explains Batman's biggest draw is someone who matches his freak: Super crime. The kinds that aren't easy for gpd. Masked bandits and such. Given he fights a ghost a few episodes after this and punched a clay man in the face a bunch in a previous entry on this list, she's not wrong.

Montoya has the obvious solution: fake a super criminal, a clever plan that doesn't get executed because Bullock and Flass go for the easiest , stupidest, bloodiest , fastest method: they essentially kidnap Firebug, an arsonist in a grey suit to burn down the east end.

Firebug is an also ran in the comics, here more resembling firefly, but with a disturbing and wonderfully horrific twist: He's a meek unassuming man... who assumes everyone would be happier in the flame. In the second best sequence of the episode, he imagines everyone as happy animated flames, the joy they'll have consumed by the fire. It's the best version of either character i've seen and it's fucking horrific.

Helping this is his voice actor, the legendary Tom Kenny. While Tom has gotten a lot of flexibility in his long career, this is one of his best rolls, which says something. The meekness, the tired way he is.. then the expressiveness when Firebug gets to do his "sacred duty" it's truly haunting.

The climax is horrific and perfect: Flass and Bullock hyjack a bunch of swat members with one goal: kill batman. They don't care that Firebug is killing a bunch of innocent people, their an acceptable casualty. Gordon and the Bat disagrees with Jim going in HIMSELF to save the people whose beat he once walked, the poor and desperate.. and works with Bruce working in concert with him.

Sadly this leaves Firebug vunerable. He's out of fire.. but Flass can't let him squel and tells bullock to kill him. And in the series best shot, he does.. killing him and standing stone faced in the window, any hope of redemption gone. Gordon tries to fire him.. but all the public sees is a hero cop.. and Gordon is left broken wondering what the hell his purpose is. Night of the Hunters is a dark, brutal episode of television and one of my faviorites.

Masquerade (Hazbin Hotel S1, episode 4)

"It's time to loose your self loathin, excuse yourself let hope in. Play your card be who you are, a loser , just like.." "Are they fuckin singin?!"

This glorious #1 was a surprise to me. While I expected Masquerade, and Hazbin Hotel in general to place, I didn't expect it to win. I'd pegged other episodes for that spot.. but when thinking things out, comparing episode... this was the winner. As good as night of the hunters is, as close as this race was... Hazbin always came out on top and after three previous years the Hellaverse as a whole has finally gotten it's flowers.

Hazbin Hotel is excellent. Season 1 may wove way faster than it should've for space reasons, but damn if it wasn't a good time. The songs were all beautiful, the cast was perfection, and the visuals gorgeous, while the characters were as loveable, complicated and in in most of our villians cases intentionally punchable in the best way as Helluva's cast. It's a messy good time and I ca'nt wait to see where it goes this year.

Masquerade is the standout and it' shelped by narrowing focus. While it ends up being important to the series as a whole, Masquerade has nothing to do with the overarching plot of Original Fuckboy Adam's imminent genocide, being an intimate character piece dealing with everyone's faviorite power bottom at rock bottom Angel Dust.

Masquerade is a rough watch: most of the time we see Angel, it's him confidently deflecting, making sex jokes and doing sexual harassment to Husk. Yet episode 2 gave us peaks behind the mask: he's geninely hurt when Charlie seemingly writes him off (If not unfairly) and we see just how horrible his pimp/slavemaster/general piece of shit valentino is to him, emotoinally gaslighting him and planning to murder everyone in the hotel over Angel daring to.. live somewhere else.

Valentino is one of the vilest characters in animation, and I don't exagerate there. The show does need to better ballance his comedic moments with his monstrosity, but in my eyes at least the monstrosity is done chillingly realistically: he's a gaslighting monster who has hold over someone he treats as a sex slave, assaults regularly and abuses his power over. When Charlie makes the innocent mistake of trying to help angel get his work hours down to be at the hotel more, it goes horribly, gettiing angel punished for it.

And it's a tragedy that's welld one: You get why Charlie blunders ont o a porn set. Angel hasn't told her HOW bad shit is, why he's doing this, and is doing his shit of dissocating to avoid having to deal with the nightmare he's trapped in. He likely dose'nt WANT to talk to Charlie about it and bring his truama and pain into the one safe place he has.

Yet by not doing so.. Charlie just assumes he's doing this to be angel and not because he has to, and dosen't grasp the depths of her friends abuse. She does get to oggle a hellhound though. So that's nice. But Charlie blundering leads to angel getting hit and while Charlie prepares to leave Valentio a stain on the floor Angel' desperately tells her to go. He's so scared of this monster that even a quick way out won't save him while Charlie is left broken not understanding WHAT she di dwrong. Which.. was nothing intentional. She fucked up, sure, but she's a sheltered 20 something who while meaning well, has no real concept of how fucked up hell truly is to it's core. It's her first taste that the world is more complciated and fucked up than she can imagine and she can't just.. save angel. I Mean killing val might've done that but we dont' know how soul contracts work and I suspect neither does charlie. You don't blame either perosn: Angel's deeply traumtized, self loathing and is likely afraid val will hurt his best friend, or worse, take her awya form him, and Charlie is a naive idiot. She's not without fire to her, adam learned that the hard way, but a common theme is Charlie's lack of actual experince hampers her goals.

So we get Poison, one of the shows best sequences and a great song.. ut a sequence I'll likely NEVER watch again as Angel is assaulted, and talks about the hell he's in, blames himself for it, and his nightmare of a life is sexualized for the cameras.. while the actual abuse of valentio is shadowy and horrific. Valentino delights in parading angel around as his property and using him how he sees fits and i'ts utterly breaking to watch.

Also hard to watch is Angel's attempt to cope: he wants to get drunk, then hits on Husk who resonably, finally has enough. His main reason is simple: he knows i'ts a defense mechanism. He knows the angel he sees at the hotel and the harassment is annoying less because it's.. harassment (something to unpack next season maybe as... i'ts an uneasy message at best) nad more because he can tell angle's faking it to get by and it pisses him off. Like Charlie Husk makes a mistake.. but you can't blame him. He shoudln't have to get constantly hit on by someone to make that person feel better and it's likely only gone on this long because Charlie is so naive she likely dosen't get this is bad as it's not the grosser sexual harassment she's dealt with and husk seems fine.

So angel storms out and with Charlie broken (adorably so but still aww) Vaggie orders Husk to go fix this. Her blaming him isn't okay but I get her logic: while blaming husk is stupid, sending him is really the only option as he's the only person who can resonably save angel from himself right now. Charlie's breaking down, Vaggie's having to make sure Charlie dosen't break down further, Husk is the only one. And it's telling that while ti's an order, given how he usually shrugs those off.. he doe sit.

And it saves Angel from more assault as Angel gets hammered and fully intends to let a bunch of shark men assault him repeadtely which is horrific.. and when Husk saves him he snaps, asking why. In a truly heartbreaking moment that's Blake Roman's best acting so far he reveals he does it to escape, that if he's broken Val may not want him anymore. And in this moment of vunerablity.. Husk actually responds and comforts him.

And the character suddenly gets a thousand lairs as we learn his backstory: He was once an overlord, but his gambling addiction meant he ended up enslaved to Alastor. And as worn out shell.. he recognizes himself in Angel. It's likely why he was so hard on him.. he could see himself and simply wanted Angel to actaully be himself.. and now he sees why he wasn't, he helps.

And he helps with the season's second best song. I mean.. Still Gone is fucking fantastic and had the rest of the episode not just been okay, episode 2 would be here too. But Looser Baby is the series breakout, an endlessly applicable song with a great message: that it's okay to be a mess, that you can be better.

Granted i'm biased: My love of Keith David is something I don't hide and not only does this episode let him shine he gets to sing. In fact David took the roll entirely becaue he wanted to sing more, and why it's taken this long is beyond me. The man did one of the most iconic disney villian songs period, let him sing.

Viv does.. and the results are glorious. Partly because we get to see Keith david sing thigns like "your a fucked up little whiny bitch" and "your a power bottom at rock bottom". He starts tearing into angel.. but the point is not "you fucking suck and will continue to suck" it's "just because your in a bad place, dosen't mean you have to be alone in it". As david dreamiily croons

"There was a time I thought that no one could relate, to the grusome ways in which i'm damaged. But letting walls down it can sometime set you straight, we're all livin in the same shit sandwitch"

It's a lesson I needed to learn: your not broken, you can heal, and your not alone if you can find someone like you whose also in pain. Its a joyous ode to how things may suck.. but you can still love yourself despite the flaws you need to work on. It's help by buttery smooth animation as we see Husk, whose been mostly drunk and sullen in a corner, move an dgroove the whole time, in beautiful ways, using his umbrella and get some great neon colors cumilating in that beautful shot above. And some shark death. Always shake your tails before the big musical number.

The ending is also shockingly sweet. Charlie tries to blubbering apologize.. and Angel has grown, having realized he can be loved and dosne't have to shove people away to survive or break himself.

"Charlie it's fine I get it, thanks for carrin about me"

Her blubbering after and her girlfriend putting her to bed is fucking adorable, but this episode itself is fucking amazing. A truly heartrending story... that somehow has a happy ending and a turning point in who angel is and him and husk's relationship that's realistic, and well earned. And viv well earned our number one spot. Congradulations Spindlehorse, keep it up and i'll see you next year

For all you fine folks, thanks for reading, follow me here on bluesky for more nonsense and remember: I'm pullin for ya we're allin this together.

#moon girl and devil dinosaur #the legend of vox machina #helluva boss #hazbin hotel #batman caped crusader #x-men 97 #bluey #animation #2024 #the sign #hellaverse #the gatekeeper #lbgtq+#reviews #best of the year #best of 2024

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