#toshiyuki hosokawa

[haveyouseenthismovie-poll]

[fuckyeahmeikokaji]

Meiko Kaji (梶芽衣子) and Toshiyuki Hosokawa (細川俊之) in Female Convict Scorpion: Grudge Song (女囚さそり ７０１号怨み節), 1973, directed by Yasuharu Hasebe (長谷部安春).

[yxsu]

"...revolution means self-denial in order to eliminate the self."

Eros + Massacre · エロス＋虐殺

Dir. by Yoshida Yoshishige, 1969

[dailyjpop]

Akiko Nakamura and Toshiyuki Hosokawa - Amai Sasayaki (Paroles, Paroles Cover)

[cinematic-explorations]

Mariko Okada, Toshiyuki Hosokawa

Yoshishige Yoshida

- Eros + Massacre

1969

[midnightcowboy1969]

Welcome Back, Mr. McDonald (1997)

[ozu-teapot]

Confession, Theory, Actress | Yoshishige Yoshida | 1971

[ljaesch]

Anime Biography: Toshiyuki Hosokawa

Anime Biography: Toshiyuki Hosokawa

Toshiyuki Hosokawa was born in Fukuoka, Japan in 1940. He began his acting career when he joined the Bungakuza theatrical troupe after leaving Gakushuin University.

Hosokawa’s earliest credits come from the 1960’s, with roles in theatrical films. During that decade, he had roles in Warm Current in 1966, Zatoichi Breaks Jail in 1967, Namida gawa in 1967, Impasse in 1967, Fight for the Gloryin…

[otakunews01]

Shinya Tensai Bakabon TV Anime announced for july 2018 (Pierrot+)!!

STAFF

Director: Hosokawa Toru

Character design: Takaaki Wada

Music Production: Avex Pictures

Sound Director: Hiromi Kikuta

Animation Production: studio Pierrot +

CAST

Arata Furuta

Miyu Irino

Noriko Hidaka

Ai Nonaka

Toshiyuki Morikawa

Akira Ishida

Takahiro Sakurai

[takechas]

【 本日の Event Recommend Stuff 】  （´-`）.｡oO (” パローレ♪パローレ♪ ”...。「 アランドロン&ダリダ / あまい囁き 」日本語カヴァー！キザに下世話に翻訳された和ボッサ人気盤。)  ------------------------------------  ◆ 中村晃子 , Akiko Nakamura , 細川俊之 , Toshiyuki Hosokawa - あまい囁き [ 7inch ]   ------------------------------------   ━━━━━━━━━━━━━━━━━━   #takechasweb未掲載 #vinylforsale #recordshop #レコード通販 #アナログレコード #analogrecord #中古レコード #黑膠唱片 #中村晃子 #細川俊之 #和ボッサ #アランドロン   ━━━━━━━━━━━━━━━━━━ (丸井今井札幌本店〈まるい〉) https://www.instagram.com/p/CK0uLhOMOmD/?igshid=itxpon8oon74

[recentanimenews]

OP / ED Performers Revealed for Late Night Gag Anime "Shinya! Tensai Bakabon"

The opening and ending theme performers have been announced for Shinya! Tensai Bakabon ("Late at Night! Genius Bakabon"), an upcoming TV anime based on the gag manga by Fujio Akatsuka (Osomatsu-kun) about a foolish boy and his deranged and eccentric family members.

    The opening theme, entitled "BAKA-BONSOIR!", is performed by B.P.O -Bakabon-no Papa Organization-, a voice unit comprised of the main cast of the series performing in-character, including Arata Furata as Papa, Miyu Irino as Bakabon, Noriko Hidaka as Mama, Ai Nonaka as Hajime, Toshiyuki Morikawa as Honkan, Akira Ishida as Rerere no Oji-san, and Takahiro Sakurai as Unagi-inu. "BAKA-BONSOIR!" features composition, lyrics, and arrangement by TECHNOBOYS PULCRAFT GREEN-FUND (above).

    The as-yet-untitled ending theme will be performed by hip-hop group Ketsumeishi (above).

The original Tensai Bakabon manga was serialized from 1967 - 1976 in Kodansha's Weekly Shōnen Magazine, and the series has also been adapted into a TV anime on four previous occasions. Shinya! Tensai Bakabon is directed by Toru Hosokawa and features animation by Pierrot+. The new series will begin broadcasting in Japan in July of 2018.

  Sources:

MoCa

Official Shinya! Tensai Bakabon TV anime home page

  ---

Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

By: news+feed@crunchyroll.com

[fuckyeahmeikokaji]

Meiko Kaji (梶芽衣子), Akiko Mori (森秋子) and Toshiyuki Hosokawa (細川俊之) in Female Convict Scorpion: Grudge Song (女囚さそり　７０１号怨み節), 1973, directed by Yasuharu Hasebe (長谷部安春).

[dmgrundy]

[42] Eros Plus Massacre (1969, dir. Yoshihige Yoshida)

In contrast to the pared-down narrative and cast of Yoshida's immediately preceding film, 'Farewell to the Summer Light', the three-and-a-half hours of unrelenting experimentation found in Yoshida’s next film preclude any attempt at summative analysis. Ostensibly, Eros Plus Massacre is a historical epic depicting early twentieth century anarchists Itō Noe (Mariko Okada) and Sakae Ōsugi (Toshiyuki Hosokawa), concentrating on the triangulation between Noe and between Ōsugi’s other lovers—his wife, Hori Yasuko (renamed Akiko Hiraga, and played by Kazuko Inenon), and his mistress, journalist Kamichika Ichiko (renamed Masaoka Itsuko afer the real-life Ichiko threatened to sue, and played by Yuko Kusunoki) —and culminating in Ichiko/Itsuko’s attempted murder of Ōsugi, ten years before he and Noe were murdered by the police. This timeline is intercut with scenes of the aimless present-day students/actors/dropouts Eiko (Toshiki Ii) and Wada (Dajiro Harada), reading about the earlier events which they half-recreate, half imitate, half-dismiss. Signalled by the constant psychedelic rock soundtrack, the contemporary segments seems to signal their own contemporaneity, but the slower, more patient historical segments are also characterised by stringent formal experimentation which provides both an equivalent to and critique of the passions that unfold within them, as well as the lens of the historical film itself.  As the two timelines begin to blur in the more surreal focus of the film’s second half, such experimentation becomes an increasing part of the film’s method. The point, as Yoshida noted in interviews, is to view the past for the way it views the future, not to reduplicate it in the present. Yoshida opens the film with a startling scene in which Eiko interviews Noe’s daughter, framed as a spotlit interrogation with uncomfortable echoes of State torture. As such, the refusal to divulge, to narrate, to present a coherent chronicle of the past comes to seem an act of resistance in itself: the subject refuses to answer questions, insisting on the exploitation of mothers as such, rather than a focus on the spectacular life of her own mother as either revolutionary exemplar or cautionary tale. The present, Yoshida suggests, treats historical figures like the urn containing Ōsugi’s ashes which opposing rugby teams kick about a field in one of the film’s most startling sequences. This section culminates in the multiple re-tellings of the attempted murder of Ōsugi which serve as the film’s climax, and which the modern-day students take to attest, not to the breakdown of sexual experimentation—the return of the repressed in the guise of murderous jealousy—but as the point to which it led all along, embraced as the height of ecstasy. Significantly, their attempts to combine eros and thanatos, eros plus massacre, are seen to be conducted through the modality of film itself. Scenes of the pyromaniac Wada setting fire to rolls film or wielding a cine-camera with shades of Powell’s ‘Peeping Tom’, and of film rolls turned into a noose as the director first encountered having sex with Eiko—kicks away canisters of celluloid in a final, suicidal act—problematise the act of representation at every stage, as does the extreme, light-bleached low contrast black and white, the anti-symmetrical framing (honing in one detail rather than attempting an overall picture). Would a revolutionary cinema be destructive—a thanatopic self-immolation akin to the anarchist philosophy espoused by Ōsugi, at once egoist and self-destructive—or constructive, of alternative visions of social life represented by the dreams of free love and revolution?

(More here: http://streamsofexpression.blogspot.com/2020/08/eros-plus-massacre-1969-dir-yoshishige.html)

[leenaevilin]

[Pics]  池袋ウエストゲートパーク SONG＆DANCE (ikebukuro west gate park song＆dance)

genepro pics & infos under the cut^^

Cast:

Oono Takurou as Makoto (マコト)

Yabe Masaki as Kyouichi (京一)

Shiota Kouhei as Masa (マサ)

Ebisawa Kenji

Ooto Tomomi

Ozeki Riku

Katou Mao

Kojima Kotori

Sasaoka Yuuya

Takahashi Shunichi

Tomida Daiki

Hosokawa Yuu

Mitsui Ryou

Itou Yuuka as Minegishi Kaoru (峰岸薫)

Tokunaga Junko as Minegishi Kaoru (峰岸薫)

Tanaka Yuuya as Yokoyama (横山)

Someya Toshiyuki as Takashi (タカシ)

homepage natalie geigeki enterstage

[jgfiles]

Joker Game Anime: List of the main people who worked at it

A lot of people worked at the Joker Game anime... but somehow I couldn’t find an English list anywhere.

So, since while translating the ‘story’ pages from the official web I had to find out who was who, I decided to also catch this chance to make a list for the ones that the official web takes care to credit for each episode (the authors of the script and storyboard and the director and the animation director).

There are of course many more people behind each episode and just the names might not tell you much but I still think it’s worth to know them.

EP 01

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ - Director/演出: Nomura Kazuya (���村和也) Animation Director/作画監督: Yahagi Toshiyuki (矢萩利幸)

EP 02

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Nomura Kazuya (野村和也) Director/演出: Uematsu Junichi (安乱純志) Animation Director/作画監督: Nakamura Miyuki (中村深雪)

EP 03

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Hamana Takayuki (浜名孝行) Director/演出: Ninomiya Takeshi (二宮壮史) Animation Director/作画監督: Kubota Yasutaka (窪田康高) - Kotani Kyōko (小谷杏子)

EP 04

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Takeuchi Atsushi (竹内敦志) Director/演出: Hosokawa Hideki (細川ヒデキ) Animation Director/作画監督: Yamaguchi Asuka (山口飛鳥)

EP 05

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Kise Kazuchika (黄瀬和哉) Director/演出: Kise Kazuchika (黄瀬和哉) Animation Director/作画監督: Kise Kazuchika (黄瀬和哉)

EP 06

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Sunouchi Yūsuke (須之内佑典) Director/演出: Sunouchi Yūsuke (須之内佑典) Animation Director/作画監督: Kubota Yasutaka (窪田康高) - Ishī Akiharu (石井明治)

EP 07

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Komura Kōji (小村方宏治) Director/演出: Komura Kōji (小村方宏治) Animation Director/作画監督: Shin’no Ryōta (新野量太) - Morita Fumi (森田 史)

EP 08

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Satō Yūzō (佐藤雄三) Director/演出: Mori Daiki (森 大貴) Animation Director/作画監督: Yamaguchi Asuka (山口飛鳥)

Ep 09

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Satō Yūzō (佐藤雄三) Director/演出: Mori Daiki (森 大貴) - Ninomiya Takeshi (二宮壮史) Animation Director/作画監督: Yamaguchi Asuka (山口飛鳥)

EP 10

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Urasawa Naoki (荒川直樹) Director/演出: Ninomiya Takeshi (二宮壮史) Animation Director/作画監督: Ōsaka Ryōta (古川良太) - Shin’no Ryōta (新野量太) - Morita Fumi (森田 史)

EP 11

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Itatsu Yoshimi (板津匡覧) Director/演出: Itatsu Yoshimi (板津匡覧) Animation Director/作画監督: Nakamura Miyuki (中村深雪)

EP 12

Script/脚本: Kishimoto Taku (岸本 卓) Storyboard/絵コンテ: Nomura Kazuya (野村和也) Director/演出: Nomura Kazuya (野村和也) Animation Director/作画監督: Nakamura Miyuki (中村深雪) - Kubota Yasutaka (窪田康高)