#top right is LITERALLY me

[polysucks]

In my head,, jon cut his hair after ned died

[maxpawb]

he is going to fall off the fence

[siriuslysirius05]

Me when any of my friends (irl or not) even mention TopGun, fighter planes, Maverick, Phoenix my beloved wife, or miles teller.

[dookiespooky]

Dipper i designed to accompany @orxinus ‘s megalomaniac ford ^-^

(please click for higher quality)

[hakusins]

cw // suggestive

worshipped route for whitney the faithful (or fallen?) where he's preparing the sacrifice pc for weekly prayers~

whitney the faithful/swap au idea belongs to @just-dol-headshots

[lambmotifz]

sam’s response to dean’s physical touch (both in a tender/caring way and a violent/punishing way) is the #1 reason why he’d prefer to bottom. it’s not about the dom/sub dynamic, it’s about sam’s willingness to take everything dean gives him, be it tenderness or violence. it’s about letting dean do anything to his body. it’s about the physical aspect of their relationship

and let’s not forget his canonical masochistic tendencies too

[ohtendril]

There was something heartbreaking in the way she was gazing at him, as if she might die if he didn’t kiss her. Not from heartbreak, not from embarrassment—it was almost as if she needed him for nourishment, to feed her soul, to fill her heart.

[sunsetsover]

i wish i wasn't so exhausted because i want nothing more than to sit here and properly pick apart the inherent but unconventional ways their dom/sub dynamic presents itself between kant and bison. bc it's definitely always been there esp in these last few episodes but in episode 10 it was in everything. everything.

the pool scene was obvious. i already pulled that apart. but it was also in the way kant's reaction to being told off for being distracting during the mission was so different from the way bison reacted when kant told him off - bison basically looks like he's indulging a pouting child, while kant's face drops and he gets all sad looking. and it's in how different their reactions were to the being distracted too, how kant whined about how bison had promised not to distracted while bison firmly tells kant off for even trying.

and it's in how pissed and hurt kant when he finally saw bison in that car park - imo not so much because bison had told him they needed to stay away from each other, but because bison had been sneaking around watching kant when kant had no way of seeing bison or knowing he was alright at all, and that was so unfair to him, because that's not how it was supposed to work between them. they had just found their equilibrium and here bison was knocking it off kilter by giving and receiving while simultaneously withholding kant's ability to give and receive back. and that's not how they were supposed to work.

and it's in how silly kant was. how rambly and cute when he talked about the titanic experiment he saw or when he tried to get bison to reenact the king of the world scene. but also the way kant was just a brat the entire episode - going kinda rogue while on mission and mentioning the narc thing when he knows it pisses bison off and constantly pushing and pushing and pushing bison to find where the line is where bison will stop indulging him and start reprimanding him.

and it's the way bison does reprimand him and how kant listens. and it's in the way kant's eyes got all big and pleading when bison got all pissy and asked him if he wanted another scratch - and dare i say that and the pool scene were the first real little glimpses we see of what kant's like in actual subspace. and it's in the way you see bison notice that and realise kant's reacting positively, and how he reacts to that reaction with clear desire, but also decides to store that info away as opposed to acting on it bc it's not the time or place.

and most of all it's in kant asking bison to teach him to be like him. in kant handing himself over to bison the assassin and going 'use me. please please make use of me. mould me into a weapon you can wield.' and bison refusing to do that. refusing to make a killer of the boy he loves. in bison knowing kant's limit when kant doesn't and not crossing it. of protecting him from himself. but also making use of him anyway. knowing kant well enough to know that that's what he needed. to be used. because being used is being useful, and being useful is what kant has learned will have him kept around. and bc right now they don't have the time or spare energy to start unpicking that knot, bison meets it where it is: he finds uses for kant while also doing everything he possibly can to give kant agency and control: you don't have to do this. i can take it from here. will you help me with one more thing?

i know i've missed so much that i will kick myself for later. i also know this is incoherent. i've got maybe 10 hours of sleep in the past week. but i can't stop thinking about this fucking dynamic. it's so unique and yet so well defined in what it is. and i know the people that don't get that dynamic won't get what i'm trying to point at with this post. and tbh i get it! as obvious as it is there's also something elusive about it! it reminds me of that kaveh akbar quote where he's says trying to describe god is like trying to imagine a bladeless knife with no handle. the more language you try to put to kant and bison's dynamic, the more it recedes from view.

[seagreenstardust]

When Katsuki Bakugo needed saving, Izuku came up with a plan where Todoroki, Iida, and Kirishima went rocketing across the sky to reach him.

When Izuku Midoriya needed saving, it was Katsuki, Todoroki, and Iida who went rocketing across the sky to reach him.

Both times, our Twin Stars decided to set their own needs aside and allow the other’s trusted friend to take the lead in bringing them home. Izuku knew Kirishima was the right choice to get Katsuki away from the league quickly and safely, and Katsuki knew Iida was the better man for the job of catching up to Izuku and bringing him back.

Can we please just take a moment to appreciate the parallels. Please.

[bizarreandjarring]

gay people on wheels

[javierduffy]

but when they're out on that river bank alone, what javier should be loyal to doesn't feel as confusing anymore

[sunb0ts]

something that always gets me about klavier is that he is so clearly just like. friendly. he cares so much and he cares too much. he's one to tease simultaneously but he so clearly just like. loves and loves and loves, even when it puts him in harm's way, he likes people and he likes being around people enough to be desperate for it and for friendship like. ough

[yyyaammmmmm]

vws 🤞🤞

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[choccy-milky]

A few months back, I asked if it was okay to write using Clora and Seb. Finished the work - thought I'd lost it on my hard drive and a virus scan located it.

Not sure if it's sad or happy, but the basic premise of it is Clora getting frustrated/upset at Sebastian and Sebastian comforting her, Sebastian getting upset at a predicament Clora's in and Clora comforting him, and them both getting frustrated/upset and having to comfort each other.

If you'd rather I didn't post it, that's fine too, but just wanted to test the waters and double check that you'd be okay with it if I gifted it to you via AO3, or see if you wanted a sneak peak of it before posting it.

OMG im so happy you were able to find it and recover the work you did!!😭🙏 AND YES OF COURSE YOU CAN POST IT AAA I CANT WAIT TO READ IT!! you can DM it to me first if you want, but i also dont mind if you post it straight away on ao3!! IM LOOKING FORWARD TO IT SM AAARGHHHA💖💖💖IT SOUNDS ANGSTY WE LOVE THE HURT/COMFORT I HOPE MY HEART CAN HANDLE IT🥺💖💖TY AGAIN FOR USING CLORA AND SEB AND TAKING THE TIME TO WRITE SOMETHING ABOUT THEM😭

@sunshine-goblin AAA THANK YOU!!! im honoured its your fav fanfic AND ALSO THE LONGEST YOUVE READ BAHAHAA fr, when you say its as long as four books in lotr it rly makes me realize how insane i am😃👍 aw IM GLAD I COULD INSPIRE YOU TO DRAW MORE AND WRITE AS WELL😭 I was curious so i creeped you and everyone go look at their HL blog @sunshines-legacy your MC is so cute and so is your art🥹💖 as for tips on writing a longfic and brainstorming and motivation and stuff, my motivation was my brainrot and unhappiness with the canon story/ending LMAOO, and looking at the story of the game and playing around with what i was unhappy with/what i WISHED could have happened instead, was a lot easier than just coming up with plotlines from scratch. but something i highly recommend is just OUTLINING and making a timeline, one of my fav parts of writing was just putting on some cafe ambience in the background and doing stream of conscious type word documents where id just barf ideas and then worry about making it pretty later....like look at how many versions of the same chapter i have BAHAHA or like different renditions bc i couldnt decide if id wanna keep a scene/what order, so id make a timeline and keep smoothing things out until i was happy with it and whatnot

brainstorming is defs my fav part of the process and the most helpful part to me. just getting a blank document and writing stuff you want to happen without worrying about how it connects to the story, and then a lot of the times as i was doing that id just keep going and it would kinda tie itself together/id come up with a solution as i was writing / once the ideas kept flowing. so basically : TIMELINES AND OUTLINES I VERY MUCH RECOMMEND, but very low pressure and barebones ones. for example, this is what my outlines/brainstorming look like

its honestly just me talking to myself LMAO, and a lot of the time ill interject and be like "OH YEAH AND THEN THIS CAN HAPPEN" as the ideas come while im writing BAHAHA. its a super fun process and honestly nothing feels better than just getting hit with that flash of inspo, and since its all very low effort theres no pressure to actually write well and its just a chill fun time AND GOOD LUCK WITH YOUR OWN PROCESS / WRITING💖💖💖it can be difficult but HOPE U HAVE FUN TOO💖💖

@a-little-lysdexic WAIT REALLY?? LMFAOO OMG THATS CRAZY....SAME BRAIN...🤝🤝...that would trip me up so much if i were you omg BAHHAHA but aside from having similar tastes in names, IM GLAD YOU LIKE MY ART AS WELL, TYY💖💖💖

THANK YOUUU im glad you're liking it!!! and that its taking over your life BAHAHA💖💖 the video you're thinking of was by @silverxstardust for chapter 13 of my fic, and you can watch the video here! (AND TY AGAIN TO SILVERXSTARDUST FOR DOING THIS!)

[chidoroki]

August 19th - Happy (belated) Birthday Kiryu

(with one Kiryu from almost every chapter he appears in)