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watermelonsugacry · 2 years ago

Note

Hey! Hope everything’s going good! Was thinking if bandmember did anything like the vanity fair Billie eilish videos when they watch back all those interviews. Would love to see how far our girl has come

YN YLN: Same Interview, The Sixth Year | Vanity Fair

A/N: Christmas break is coming up so been busy but I also have some stuff coming out soon for your lovies! 💚

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“Year six, baby,” YN smirks at the camera. “Alright—” She pulls on the tops of her pink sheer opera gloves that match her pink corset before clapping her hands together. “—Let’s do this. ‘Ello, m’name is YN YLN. Today’s date is October 18, 2022.”

How old are you?

“I’m 23 years old.”

“I’m 24.”

“25.”

“26.”

“27.”

“M’28 years old,” YN kisses her teeth. “M’pushing 30, mate.”

How many followers do you have on Instagram?

“I have 573K followers on Instagram.”

“8.7M.”

“60.9M.”

“94.8M.”

“106M.”

“I currently have 287 million followers on Instagram. Dunno why I have so many; I make a lot of shit posts.”

What is your most liked picture on Instagram?

2017:

“My most liked picture is one of me and the boys huddled up backstage after our last performance together with 654K likes.”

2019:

“It is a picture of me in my home recording studio with about 5 million likes.”

2022:

“It’s currently one of me photo dumps on tour. The first picture on that one is a selfie with Harry taking a bite out of m’cheek. This one has 60,036,819 likes. Which is way too many likes if m’being honest.”

How are you feeling today?

2022:

“M’feeling really good. I always look forward to these interviews. I try me best not to look at the old videos more than once so that I can best prepare meself for my current answers, yeh know? But I love that I get to do this every year. There’s a lot of like, time lapse compilation videos on meself on YouTube that show off how far I’ve come over the years but these I feel are the least cringy ones,” YN lets out a laugh.

Biggest thing to happen in your career?

2021:

“I won a Grammy for producer of the year?” YN furrows her eyebrows as she juts her chin out. “Wha’ is life? That’s insane. The highlight of me career. Hands down.”

2022:

“It’s still the highlight of me career. And I got nominated for it again for Grammys 2023. To even be nominated and be the only woman in this category a second year in a row is just super fookin’ wild. Um...I got seven other Grammy nominations for next year. I’m also on tour again—a world tour—and it’s definitely me favorite thing to do aside from making the actual music. Harry’s new album that we’ve been workin’ on for over the past two-ish years finally came out earlier this year. I’m dropping me third album before the year is up. So many good things have happened this year that it’s honestly too long to list.”

How often do you get recognized in public?

2017:

“Pretty often,” She nods her head, a chuckle pushing past her lips. “It’s pretty hard to just go out and grab a bite to eat without getting surrounded.”

2020:

“Public? Who is she? I dunno her,” YN teases. “It’s pretty rare that I’ll go out nowadays and the masks only help so much with trying to be lowkey on the street on stuff like tha’.”

2022:

“I have to admit, v’gotten a lot better at being discreet when going out in public,” She nods her head with a knowing smile. “I think I was just so used to not being ‘allowed’ to go outside or if I did I wouldn’t enjoy meself because I knew I was gonna get recognized by paps. It was really hard for baby YN there because of how everything started. Everything I did was in the public eye and no matta’ what I did, me fans always knew where I was at all times it seemed,” YN hums.

“I love me fans and I love the times when we happen to see each other on the street, we can have like a genuine conversation instead of shoving yeh phone in me face and putting yeh hands on me without me permission. I’ve had the most amazing conversations with fans like tha’ those moments are super special to me.

But in all honesty, they need to get hired by the FBI or somethin’. Knowin’ where m’gonna be before I even do,” She huffs out a chuckle.

What’s most important to you right now?

2020:

“The relationships within me life. I think this year has really made me recognize that. Whether those relationships are with me mum, me boyfriend, me tour team, me dancers, the fans—they’re all super important to me. Makin’ sure that we’re all safe and healthy—mentally and physically—now more than ever.”

2022:

“All of which are still very important to me. I think v’also learned to stay in touch with me emotions. I think in an industry like this, it can be very easy to just put on a mask or passively go through events to maintain an image. If I’m doing something—wether it be somethin’ major or not, I want to allow m’self to be in the moment.

I did a show recently in Austin and...” The crease between her eyebrows disappear and smile etches itself on her lips at the memory, “I was singing POV and I just stopped singing and the crowd took over. I quite literally just stood there, took out me earpieces and just listened to a stadium full of people sing my song back to me. It made me feel so...it made me feel really good, really happy.”

Do you feel pressure?

2017:

“I do yeah,” YN nods with a sincere furrow of her eyebrows. “But I have been feeling pressure for the majority of my career so I’m mostly used to it by now; It doesn't bother me as much anymore.”

2022:

“Of my fookin’ word,” She throws her head back. “I can’t even—like even the way I spoke, man. Can yeh hear that? Like, I was still in the mindset of having to change the way I talk, tweak me accent and act all prim and proper,” YN points a finger into her mouth as she sticks out her tongue.

“And what a lie. Like of course that pressure bothered me still! I was fresh into the hiatus, just dropped me first solo album, about to do a world tour by meself for the first time. I was dealin’ with so much that I remember the pressure of everything was just...it felt that I was gonna be squished into a pancake. Being in the band and being as big as we were, there was an immense amount of pressure for everything to keep going well; everything seemed like it had to get bigger and bigger and if I didn’t live up to that standard as a solo artist, it was the end of the world to me.”

“I do still feel some pressure but definitely not to that extent anymore. It’s more of like, a good pressure, I’d say. It keeps me from resting on me laurels and it makes me continue to work hard to improve meself. Like, just because I won an award for produce of the year doesn’t mean that m’gonna let it get to me head and just not work to better meself in that craft.

But I have to admit that a lot of that pressure has been lifted off of me from me fans. They’ve just continued to give me their unconditional love and support—whether it be for a year, 2 years, 12 years—m’just super grateful that they just allow me to be me, flaws and all.”

What did you eat today?

2020:

“I ate some grilled chicken—that I made all by myself—with a side of some beans,” YN giggles as she knows by now that the fans have been having a laugh about her boyfriend’s baked beans comment over interviews in quarantine.

2021:

“I had a chicken caesar salad bowl that I probably put way too much dressing on to be considered healthy anymore,” She chuckles, playing with the chunky chain sitting on her collarbones.

2022:

“I actually had an amazing chicken wrap this morning. Just the right amount of protein and yumminess,” She pats her tummy with a content smile. “Yeh girl likes chicken, what can I say?”

Are you aware of people when you're playing?

2019:

“I think so yeah. It’s crazy because for me, it’s scarier to play in front of 6 people than 60 thousand people. But on the other hand, the noisiness of big crowds is super calming to me. I can’t really explain how. Like right before m’gonna go on stage, I like to take out me ear-pieces and just listen to them scream...which now makes me sound like a serial killer of summ’wat,” YN’s shoulders bunch up to her ears as she giggles.

2022:

“I would say that m’more aware of the audience members now more than I ever have before. This current tour that m’on is probably the funnest tour so far and it’s really because of the fans. When m’on stage and when I’m performing, I make sure to look at the people in the audience, yeh know? Like, I can still remember when the band did our first stadium tour, I honestly couldn’t see anything; they were all just blurbed together.

But with this tour, I make sure to take the time during the show to talk with fans. And I make an effort to sing to them and look at them dancing in the pit, the outfits they recreate, the way some of them are just closing their eyes and just being in the moment. As a musician, to see people come to me show and to see how they create this environment where everyone can have fun and let loose and just have a good time is just super amazin’. It’s a really indescribable feeling.”

Are you more confident this year compared to last year?

2018:

“From last year to now? 100%,” She answers with ease, leaning back into her seat. “I think this is the most confident I’ve ever felt, I think. M’not too worried about what people are sayin’ about me because let’s face it, they are always saying something. So if yeh like me, cool. If yeh don’t, cool.”

2022:

“She’s not wrong. 2018 YN’s ego was pretty up there. Granted, me ego is still growing and sensitive so—” YN shamelessly shrugs and puts her hands up in defense. “—Take tha’ as you will. But I definitely feel more confident and secure in who I am as a person and as an artist. When the boys and I went our separate ways musically, I had a hard time sort of, figuring out what I like and the kind of music I wanted to make for meself. Even the way I thought about fashion, I knew people saw me in skirts and things like that but I remember entertaining the idea of if I wanted to continue that as a security blanket of sorts.

When I was in the band, I took things with a grain of salt and m’very happy that I’ve kept that with me.”

Biggest rumor about you?

2017:

“That I’ve slept with each of the 1D boys,” YN lets out a nervous laugh. “Which is gross because they’re all like my brothers.”

2018:

“Where do I even begin?” YN blows out a raspberry. “I’ve been gettin’ this one for literally years now but that m’dating my old bandmate, Harry—which is getting really old at this point,” She scrunches up her nose with a roll of her eyes.

2022:

YN bursts out laughing as she watches her old self answer, knowing full well that during that time period she was in the midst of her on-and-off relationship with Harry.

She tilts her head to the side with a quick raise of her eyebrows, “I mean, she’s not wrong. V’been getting that question/comment asked since we were on the XFactor. And believe it or not, I still get asked that question. I just answer it differently now,” She cheekily brings her shoulder to her chin.

What do you hate being asked?

2018:

“That. The ‘who are you dating?’ question. For a long time, I just had to suck it up and just answer the question but I don’t have to answer if I don’t want to, y’know? Also, I’m my own person,” She begins to list things off of her fingers, “I’m not someone’s arm candy, m’not so-and-so’s new girl. I’m YN YLN and if all you ask me is if I’m dating anyone rather than me music, you don’t deserve my time.”

2022:

YN drops her jaw and the corners of her lips tug up in a smile.

“A feisty little thing she is,” She chuckles. “But no truer words have ever escaped me mouth. She’s right, and I still stand by that. 100%. My career is not based around a guy or who m’dating. That’s not to say I hate talking about Harry—I love to talk about him but don’t make it the whole point of the interview, yeh know?”

Craziest fan moment?

2021:

“Me first show back on tour after being held back in 2020 was really heartwarming. It a stadium show—not intimidating at all for me first show back—” YN sarcastically comments. “—so there were three levels of seating: the pit, the middle section, and then the top. While I was singing, the audience did a fan project where on the top section held up lights to read welcome back, and then the middle said we missed you, and the pit held up pieces of paper saying we love you. M’not even gonna lie, I was bawlin’ me eyes out. Like, just thinking of the amount of work that went into that...” She shakes her head in disbelief.

2022:

“I did a show last week in LA and at the barricade, I saw this lineup of these 5 girls wearing my current and past tour outfits. I have seen some really good recreation of me fits before and it was honestly like a copy and paste, I was so shocked. After talking with them for a bit—now I don’t ever do this—but I invited them to come up on stage with me,” YN laughs.

“I suggested we ditch the choreography for Kiss Me More but they insisted they knew it and sure enough,” YN throws her hands with another laugh. “I almost hired them on the spot!”

Do you have a boyfriend?

2017:

“Um, no. I do not have a boyfriend. I’m just really focused on my music at the moment. That’s my boyfriend,” She lets out a chuckle.

2020:

YN playfully rolls her eyes and throws her hands up, “Well I’d be the biggest liar in the world if I said no.”

She huffs out a giggle as she refers to the entire world finding out about her secret relationship with Harry on New Years Eve of that year.

2021:

“I do have a boyfriend,” She smirks at the camera with a shrug of her shoulder, leaving it at that.

2022:

YN takes a second longer to answer this question and stares at the laptop screen with a fond smile. She technically doesn’t have a boyfriend anymore, but will she let them know that? Nope.

“Well, you’d all be happy to know that Harry and I are still very much together. Still got that boy locked down, ladies,” She playfully winks at the camera with a click of her tongue.

What makes you happy in a relationship?

2022:

“I like quality time. From staying inside 24/7 in 2020 to easing back into my busy schedule made H and I realize that it was important to set some time aside for ourselves, just the two of us. Like, we don’t even have to be talking just as long as we’re together during the business of it all. And...” A smirk grows on her lips, “One of me love languages is physical touch. It definitely wasn't on the list before so you can probably guess who made me this way but yeah. And music, of course, that’s me main form of love language. Whether we’re listening to good music, making it, singing it—anything to do with it m‘in love.”

Describe your style in 3 words.

2017:

“Figuring it out.”

2018:

“No more skirts,” The 24-year-old rolls her eyes.

2019:

“Whatever is comfy,” She laughs as she wraps her light green cardigan tighter over herself.

2020:

“Trying new things.”

2021:

“Trousers and blazers.”

2022:

She tilts her head as she bites her lip, looking up as she thinks about how to compactly frame her style now. As she says the next three words, she holds up her hand to count it off on her fingers, “Pretty in pink. And 2018 YN was a lie. I still fancy a skirt every now and then.”

Biggest thing you’re struggling with?

2019:

“I think, just being honest with meself in terms of how I feel. I think I struggle a lot with allowing meself to feel the way I feel about certain things,” Or about a certain someone. “And that it's okay to feel those things. I know, super detailed,” She chuckles.

2022:

“Yeah, 2019 YN was certainly going through some personal issues. S’crazy to look back at these videos and remember wha’ I was feelin’ during that time. S’pretty crazy. I can say that v’grown immensely from that time of my life which is very comforting to know. It’s still hard for me, don’t get me wrong, but allowing myself to feel things like love or sadness or happiness is something that I’m subconsciously reminding myself to do.

I think the biggest thing that m’stuggling now with is to have check ins with meself. It’s safe to say that m’back to my busy, hectic, never-ending schedule so I want to take a breather every now and then. It can be a whole day, a whole 20 minutes, just a pause to check in with my mind, me body, me spirt to make sure m’okay and then be off to a career that I love very dearly.”

What advice would you give your future self?

2017:

“Have some fun and enjoy this new chapter that you’re venturing onto,” She nods with a smile.

2019:

“I would say to allow yourself to feel uncomfortable. Step out of your comfort zone and take that leap of faith.”

2022:

“What a genetic piece of advice for that first year, eh?” YN chuckles with a smirk, “Enjoy this new chapter you're venturing onto like yeh can hear how professional I wanted to sound,” She playfully rolls her eyes with a sigh. “I would say that 2019 YN’s advice is a good one though. It’s a good reminder to not play things safe all the time. As a narcissist, I want everything to be perfect, especially me music, so to be in the studio and not fall back to me old habits of what I think sounds good, try something different, yeh know? I like that a lot, actually.”

This is my mum...

2017:

“Everyone, say hello to Penny,” YN proudly presents as her stepmum comes up to her side, placing a hand on the back of her chair as she waves at the camera.

“‘Ello, lovelies,” Penny beams.

2018:

“Penny!” YN smiles brightly. When she wiggles her fingers towards her stepmum the sound of her rings clinking together can be heard.

When Penny walks up to her stepdaughter’s side, she puts her hands on top of YN’s red leather jacket to give her shoulders a squeeze.

“Hi baby,” Her stepmum gives a warm smile and gently presses her chin to YN’s temple.

2019:

Penny tucks her long, black hair behind her ears before wrapping her arms around her stepdaughter’s shoulders.

“I love you, my baby,” She says into her hair before planting a kiss on her head.

“I love youuu so much,” YN sings as she holds onto her stepmum’s forearms over her chest.

2020:

“Y’already know what time it is,” YN dances in her seat, her arms already extended out by her side. She lets out a laugh as she watches Penny shimmy her way to her stepdaughter’s side. The tight high waisted jeans show off her curvy, fit figure and a mask covers the lower half of her face.

“It’s Penny time,” Her stepmum throws finger guns at the camera.

2021:

“Come over ‘ere, mum,” YN nods her head over to Penny. Once she’s close enough, she takes a hold of her stepmum’s hand and pulls her over for her to sit on her lap, wrapping her arms over her torso, “Love you.”

“I love you more, baby,” Penny smiles as she leans her head back to rest beside YN’s.

2022:

“This is me mumma,” YN smiles warmly before cooing out a chuckle. “Wha’ happened?” She questions when she sees Penny walk over to her side with glossy eyes.

“Sorry, m’sorry,” She chuckles, dabbing her under eyes with the sides of her index fingers. “S’just really fookin’ cool to see how far you’ve come. Like look at her—” Penny points to the laptop screen that has 2017 YN on display. “—me lil’ baby.”

“Mum!” YN laughs when Penny wraps her arms around her daughter’s head and pulls it to her chest.

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hldailyupdate · 7 months ago

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Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Announced and shared yesterday (April 25), the album comes after the singer and former One Direction member embarked on two world tours over the past three years – playing just shy of 200 shows globally.

Now, a variety of performances from both tours – the ‘Louis Tomlinson World Tour’ and the ‘Faith in the Future World Tour’ – have been compiled into a new live album, which is available now.

Fifteen songs are included in the tracklist, and each was recorded in a different city, at a different show from across the three-year run. The album comes in both digital and physical formats, and features his singles including ‘Bigger Than Me’, ‘We Made It, ‘Walls’ and ‘Out Of My System’, alongside fan favourite album tracks, all released live for the very first time.

“I’ve been lucky enough to spend the last 3 years touring the world twice over. The feeling I get sharing those live moments will be with me forever,” Tomlinson said in a statement. “To be able to record these songs from all over the world and put them out as an album like this feels so special, and a real tribute to the fans who make each and every show feel unique and incredible. Thank you! Enjoy!”

There are four exclusive tracks split between the physical editions of ‘Live’, including a special version of the One Direction classic ‘Where Do Broken Hearts Go’ – which is available only on the double CD.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

The ‘Live’ tracklist is:

‘The Greatest’ (Live From London, 17 November 2023) ‘Face The Music’ (Live From Nashville, 18 July 2023) ‘Bigger Than Me’ (Live From Vancouver, 26 June 2023) ‘Holding On To Heartache’ (Live From Barcelona, 6 October 2023) ‘We Made It’ (Live From Manila, 16 July 2022) ‘Chicago’ (Live From Chicago, 15 June 2023) ‘Fearless’ (Live From Rio, 27 May 2022) ‘Common People’ (Live From Sheffield, 10 November 2023) ‘All This Time / She Is Beauty We Are World Class’ (Live From Munich, 22 October 2023) ‘Walls’ (Live From Buenos Aires, 21 May 2022) ‘Written All Over Your Face’ (Live From Budapest, 15 September 2023) ‘Out Of My System’ (Live From Brisbane, 30 January 2024) ‘Saturdays’ (Live From Paris, 14 October 2023) ‘Silver Tongues’ (Live From Krakow, 10 September 2023)

At time of writing, Tomlinson has shared two huge solo albums since departing from One Direction. His debut album arrived in the firm of 2020’s ‘Walls’, which has sold over 1.5 million copies, and the follow-up was called ‘Faith In The Future’. The latter went to Number One in the UK, Spain and Belgium, and Top 5 in the USA, Australia, New Zealand and across Europe.

Since May last year, Tomlinson has been on his ‘Faith In The Future World Tour’, which hits South America next month for its final leg. From there, the vocalist has a number of festival appearances lined up for the summer. Find remaining tickets to his shows here.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

The inaugural ceremony was hosted by the UK’s largest music therapy charity, Nordoff And Robbins and took place at the Albert Hall in Manchester; celebrating northern artists, festivals, venues and industry figures. The event saw Tomlinson named as Artist Of The Year.

#louis tomlinson #louis update #louis tomlinson live #nme #article #april 2024

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dailytomlinson · 7 months ago

Text

Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

#louis tomlinson #nme #article #press

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fedearielsgraphics · 2 months ago

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September 19th in 35 years ago Janet Jackson released Janet Jackson's Rhythm Nation 1814

It made history as the only album to generate seven top-five hits on the Billboard Hot 100

best-selling album of 1990 in the United States

12 million copies sold worldwide

first album to achieve number one hits in three separate calendar years, with "Miss You Much" in 1989, "Escapade" and "Black Cat" in 1990, and "Love Will Never Do (Without You)" in 1991

In 2021, the Library of Congress announced it had selected Janet Jackson's Rhythm Nation 1814 for preservation and inducted it into the National Recording Registry.[135] The album is one of 25 recordings inducted into the registry's class of 2020 that are considered to be "audio treasures worthy of preservation for all time based on their cultural, historical or aesthetic importance in the nation's recorded sound heritage."

received nine Grammy Award nominations, making Janet Jackson the first woman to be nominated for Producer of the Year and winning Best Long Form Music Video for Rhythm Nation 1814

#janet jackson #janet jackson's rhythm nation 1814 #rhythm nation #rhythm nation 1814

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itsvivace · 5 months ago

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— VIVACE . . THE DISCOGRAPHY . . !

VIVACE is a fictional thirteen-member girl group formed by the survival show I-Doll, where seventy contestants competed for a chance to debut in a group under the company I-Teen Media. VIVACE is split into three active sub-units, but today, we’ll be talking about the main group’s music, which has captured the hearts of fans worldwide and solidified them as one of the best Kpop acts of the current generation. VIVACE has stated that they want their music to be reminiscent of the older generations in Kpop and music for girls all around the world to feel empowered by.

— 2019 - 2020 . . ORIGINS OF A SUPERSTAR . .

After the finale of I-Doll, I-Teen Media announced that VIVACE would debut in mid-September, leaving fans in anticipation of their upcoming debut. VIVACE officially debuted on September 17, 2019, with the self-titled mini album “VIVACE” consisting of five tracks, including the title track “Gee!”. VIVACE debuted with 63K album sales and Gee! charted #22 on the global charts within the first 24 hours. Gee!’s cute sound and second-gen influence attracted even more attention to the group, and by the end of the first week, both the title track and album topped the charts at #1.

With their debut a huge success, many waited for VIVACE’s first comeback, announced to be released in December of the same year. On December 12, 2019, their first single album, “QUEENDOM,” was released consisting of three tracks, including the title track, “Royalty.” Royalty captivated fans for its themes of self-love and upbeat lyrics but wasn’t enough to get it to more success than “Gee!” with Royalty charting #48 on global charts and QUEENDOM earning 15K album sales, a lot of netizens were saying VIVACE was one-hit wonders and would end up flopping after this comeback.

VIVACE would take a small break and focus on their sub-unit releases until they came back on July 5, 2020, with their second mini album, “SUMMER VACAY,” which consists of five tracks, counting the title track “Drunk In You”. Despite the low reception of “QUEENDOM”, SUMMER VACAY instantly trended for its catchy songs and fresh sound, which earned the album 98K album sales, and the entire album charted in the top ten on the global charts. SUMMER VACAY was known as the uprising of VIVACE and the start of their international stardom.

By their next comeback, VIVACE had become one of the biggest Kpop acts of 4th Gen, especially with all of the popularity their sub-units were getting. Their third mini album, “PAPARAZZI”, was released on October 24, 2020, with the album consisting of six tracks, including their breakout title track, “RUN”. RUN was a darker, more mature sound than what VIVACE usually did, but it ended up going viral just from the teasers alone, earning the album 283K sales and 8 million views in just the first 24 hours. Fresh off RUN's success, VIVACE released their first digital single, “Ladies Night”, on December 25, 2020, as a Christmas gift to fans. The song charted #2 on Melon and went #1 on global charts.

— 2021 - 2023 . . LIVIN’ IT LIKE A STAR . .

VIVACE took an almost year long hiatus as a group to further focus on sub-unit releases until they finally made a comeback with their first full album, “CELESTE”, on September 17, 2021. CELESTE is a two year anniversary album with thirteen tracks, including the title track, “YES, YOU”. CELESTE introduces a retro theme, which, despite not having done so before, fans say sounds authentically VIVACE. CELESTE sold 1.4 million copies, a huge jump from PAPARAZZI, after gaining an insane number of fans during the group’s hiatus. The entire album charted within the top 20, and the top 5 spots on the charts were all VIVACE. Fans refer to this era as the start of VIVACE’s prime.

With VIVACE releasing only CELESTE in 2021, fans went into 2022 hoping for a release sometime soon; they got their wish when VIVACE released their second full album, “MY IMPACT”, on April 19, 2022. MY IMPACT is an album consisting of 11 tracks along with the title track, “The Boys”, where VIVACE talks about their impact on the kpop industry and also empowers women not to let gender discrimination hold them back from their dreams. MY IMPACT sold almost 9 million copies, the most copies VIVACE has sold to this day, and most of the songs off the album charted within the top 10. MY IMPACT ended up being the most successful era they had so far with them winning Song Of The Year, Artist Of The Year, and almost winning Album Of The Year for 2022.

On November 13, 2022, VIVACE released their fourth mini album, “ALL I ASK”, consisting of six tracks, including the title track, “SAVE ME”. The album has a slower, elegant sound than some of their previous releases, earning the album 7 million album sales and the title track charting #3 in Korea and #9 internationally. ALL I ASK is known as one of VIVACE’s forgotten eras, a lot of fans even think VIVACE themselves don’t remember the album.

As a collaboration project with the Barbie Movie, VIVACE released “Barbie Girl”, their fifth mini album, on June 10, 2023. The album consists of five tracks, including their first English title track, “VALENTINE”. VIVACE promoted the album completely in the United States, and the album sold 7.8 million copies and charted #1 on iTunes. VALENTINE ended up being the end credits song, which attracted even more international fans to the group.

VIVACE’s most recent release, “1-800-LOVERGIRL”, is their second single album, released on December 29, 2023. It consists of three tracks, including the lead title track, “YOUNG LOVE.” 1-800-LOVERGIRL sold 6 million copies, and the title charted #2 on Korean charts and #5 on global charts. As of July 2024, VIVACE has not made any news on a comeback, including with any of their sub-units, leaving fans wondering when VIVACE will make a comeback.

#kpop oc #ᯓ ᡣ𐭩 ⸺ vivace [disc.]#ᯓ ᡣ𐭩 ⸺ vivace [profiles]#ᯓ ᡣ𐭩 ⸺ vivace [ot13]#fake kpop girl group #fake kpop idol #fake kpop oc #fictional idol community #fictional kpop oc #fake kpop group #fictional kpop group #oc kpop gg #oc kpop group #fictional kpop idol

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bittersbloom · 3 months ago

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Cheri (Korean: 체리; stylized in all lowercase), is a soloist and actress under CHROMATIC CREATIVE. She officially made her solo debut on August 25, 2022 with the digital single “Stay Tonight.” Her debut album, LOVERGIRL, was released on October 3, 2022 with the title track “보라빛 밤 (PURPLE NIGHT).” Despite the success of her long-awaited solo debut, many claimed cheri would fail in her new company, and she would always cling to the success of her group.

cheri has maintained her popularity and stability as a solo artist with her consistent chart-topping releases domestically and internationally.

𝑰. ── ㅤBASICS.

LABEL. BigHit Entertainment (2013 - 2020), CHROMATIC CREATIVE (current), Republic Records (current)

GROUP. BTS (indefinite hiatus)

DEBUT DATE. June 13, 2013 (group), August 25, 2022 (solo)

DEBUT ALBUM. LOVERGIRL

𝑰𝑰. ── CAREER.

FANDOM NAME. cherbuds, beotkkots

FANDOM COLORS. blossom (#ffb7c5) & raspberry (#e308b5d)

LIGHTSTICK. beottibong

𝑰𝑰𝑰. ── DISCOGRAPHY.

DREAM ──‎ ‎ ‎‎collaborative digital ‎single ╱ 2016

HOLO ── digital single ╱ 2018

FOR YOUR EYES ONLY ──‎ ‎ ‎mixtape ‎ ‎ ╱ 2019

GLUE SONG ── digital single ╱ 2020

LOVERGIRL ── full album ╱ 2022

NONSENSE ── digital single ╱ 2023

WEEKEND ── OST ╱ 2023

PASTEL ── full album ╱ 2023

WINTER WISHES ── special winter album ╱ 2023

IN COLOR ── full album repackage ╱ 2024

NOT MY FAULT ── collaborative OST ╱ 2024

CALL MY NAME ── japanese extended play ╱ 2024

𝑰𝑽. ── TOURS.

WORLD OF COLOR ── world tour ╱ 2024

𝑽. ── FILMOGRAPHY.

DON��T WORRY DARLING ── shelley ╱ 2022

BARBIE ── pop star barbie ╱ 2023

𝑽𝑰. ── ENDORSEMENTS.

VERSACE ── global ambassador

BVLGARI ── brand ambassador

CONVERSE ── brand ambassador

TOM FORD BEAUTY ── brand ambassador

#º ✧ 。― an angel’s kiss in spring ╱ ❛ cheri ❜#º ✧ 。― an angel’s kiss in spring ╱ ❛ development ❜#ficnetfairy #bts 8th member #fictional idol addition #fictional idol soloist #fictional kpop community #fictional idol oc #fictional idol community

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heejinkwan · 9 months ago

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FALLEN ANGEL is the second mini album by ASTELLA, a South Korean soloist. It was released on February 23, 2024 by StarShip Entertainment. The album consists of seven tracks, one including title track NOBODY KNOWS. It is available both physically and digitally.

ASTELLA promoted the album for 4 weeks total, promoting NOBDODY KNOWS and b-side MANIAC for 2 weeks each. NOBODY KNOWS peaked at 2 on the gaon charts while MANIAC peaked at 11. although unpromoted, Kingdom Come and Lucid Dream also charted, peaking at 19 and 25 the week after the album's release. The album received global attention as well, peaking at 10 on the US Billboard 200, also charting in 20 other countries including Japan, Brazil, FinLand, Thailand, and the UK. ASTELLA won a total of 9 music show awards for this album, NOBDOY KNOWS winning 7 with MANIAC earning 3.

˚୨୧⋆｡˚ ⋆ i. the tracklist !

i. ✭ . nobody knows ( title track )

ii. ✭ . maniac

iii. ✭ . rewind

iv. ✭ . lucid dream

v. ✭ . kingdom come

vi. ✭ . automatic

vii. ✭ . thirsty

˚₊· ͟͟͞͞➳❥ get your photocards here !

*ੈ♡⸝⸝ ii. the styling !

⋆.ೃ࿔*:･ iii. the reception !

✩₊˚.⋆☾⋆⁺₊✧ iv. the notes !

₊˚ෆ the concept of this album was basically an omen to her performance on fictitouscore, her being a fallen angel, like the title of the album says.

₊˚ෆ the album was automatically a banger, earning a 7.2 score on pitchfork, astella garnered many new fans off of the release of nobody knows itself.

₊˚ෆ a lot of stellars believe that they should’ve made kingdom come be the title track, seeing that it’s gone so viral, but others understand why nobody knows was chosen for the title track.

₊˚ෆ astella blew up on tik tok! people already saying that nobody knows is soty and that it was the best release so far!

₊˚ෆ she did many challenges with julie and hanuel of kiss of life, karina of aespa, joy of red velvet, and yeji of itzy.

₊˚ෆ she made many new friends including yeji, who she met from being friends with karina.

₊˚ෆ and all the rumors are true! the album may or may not be about yeonjun, who she has been rumored to be dating ever since 2020 west they had a minor acquaintance.

₊˚ෆ she began being close to him while being in promise, but after leaving he was one of the only people she talked to all the time, the rest being her family, the promise members, and karina.

₊˚ෆ they began officially dating in 2022 but never actually confirms it so nobody knows is like her saying it but not actually saying it.

₊˚ෆ when it peaked number two on billboard, heejin’s family called her and they celebrated with a cake, congratulating her on her success.

₊˚ෆ she literally did a live at like 1am happy, which turned into her crying because of how overwhelmed and happy she was that the song was doing well, the comments were congratulating her and telling her not to cry.

₊˚ෆ during maniac promotions, a lot of people felt like the song did not fit the album and complained that it was being promoted and not kingdom come, which was gaining more streams than maniac.

₊˚ෆ starship released two videos of the recording process of both nobody knows and maniac, which gained so much traction on twitter and tik tok with videos with over 1m+ likes and views.

₊˚ෆ even though she hadn’t planned it, heejin ended up finding out that she will be performing at coachella 2024 in california alongside other kpop artists such as lesserafim and ateez.

₊˚ෆ even though no one expected it, rewind also ended up getting popular! after many stellars posted the song in a sped up version, making people who did even stan heejin wonder what the song was, it even got non kpop fans bopping to it!

₊˚ෆ after catching onto it, heejjn ended up posting a lyric video of rewind on her channel, and after a week it charted at number 8 on top 100: south korea on apple music, youtube music charts at number 1, and gaon chart at number 5.

₊˚ෆ stellars can really say this is their favorite era of astella so far, when the music is good how can you not stan?

₊˚ෆ very much inspired by this by @dr3amluc1d

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notoriousbeb · 6 months ago

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The My Tears Ricochet Deep Dive

While this song obviously has a clear reference to Taylor’s masters being sold to Scooter Braun in November 2019, I don’t think that’s the full story being told here.

When she released Folklore, Taylor shared via Instagram that “My Tears Ricochet” is about an “embittered tormentor showing up at the funeral of his fallen object of obsession.”

Now, why is she fallen? Because her work has been taken from her. Okay, one question answered. ✅

Now, who is the “embittered tormentor obsessed” with Taylor? Scooter Braun, of course…But see, I actually don’t think it’s that simple. I get why that’s the obvious first choice, though.

(Back story for new kids who don’t know why Scoots is trash: In July 2016, Taylor was outcast and called a snake due to a leaked phone call by Kim Kardashian and her then-husband Kanye West. Scooter was Kanye’s manager. Then Kanye put out the video of the song in question from the call—featuring a naked Taylor lookalike. Then Justin Bieber posted that video to Instagram with a photo showing him on a video call with Scooter and Kanye. The caption said, “Taylor Swift what up.” So, they’re all three supreme douche-canoes of the highest order).

However, I think Scooter’s top priority (as always) in buying Taylor’s masters was simply to make money. And if he pissed her off while doing so, that was probably a delightful bonus. But I wouldn’t say he bought her masters because he was obsessed with her. This deal was nearly three years later, and nothing had popped off between the camps in the interim.

I have more on this tormentor/obsessor/muse, concept; but first, back to Folklore. Upon its release, Taylor also revealed in a YouTube livechat that it was the first song she wrote for the album. And that leads me into a bit of timing discussion.

I think Folklore was the result of a few seismic events in Taylor’s life: a run-in with Harry at Ed’s wedding in December 2018 (which I think helped to spawn his second solo album, Fine Line); followed by talking to him during early quarantine in March 2020 in Los Angeles when the Lover tour got postponed and then cancelled; the pandemic itself pushing her, like many of us, into some serious introspection; and, of course, the sale of her masters to Scooter in 2019.

Since this is the very first song Taylor wrote that ended up on Folklore, my speculation is that perhaps it was penned in those first couple of days of the pandemic, before she reconnected with Harry in LA.

Fine Line would have been newly released—just three months prior—and on her birthday no less.

Which leads me back to the tormentor and obsessor. You know what I might find tormenting, if I were Taylor? If I’d been waiting for this one guy to grow the fuck up for years and then (perhaps after we ran into each other at our good friends’ wedding?), he confessed to me that he still wanted me but, even at 25, he still didn’t have his shit together (please see, “Renegade,” “To Be So Lonely,” and “Peter”).

Then, after I piece myself back together following snake gate, some epic twat who bullied me online back then buys my work out from under me from the guy I thought I had a good working relationship with (Scott Borchetta) and while I’m dealing with that bullshit my ex I’m still pining for releases album on my birthday with songs seemingly about us and how he still wants me.

Yeah, that’d have me plenty tormented. And feeling like, since his first album was also quite “a tip of the cap” to me (his words) as well that, yeah, someone was a little obsessed with me.

So, anyway, the lyrics:

We gather here, we line up, weepin' in a sunlit room And if I'm on fire, you'll be made of ashes, too

We open at the funeral Taylor told us about. Then referencing a potential cremation. If she’s burning, so is he. Because they’re twin flames? Because they’re so close?

Even on my worst day, did I deserve, babe All the hell you gave me? 'Cause I loved you, I swear I loved you ‘Til my dying day

Does this sound like someone talking to either a bully or a former business associate? To me it sounds like a very messy, very difficult, former lover.

I didn't have it in myself to go with grace And you're the hero flying around, saving face And if I'm dead to you, why are you at the wake Cursing my name, wishing I stayed Look at how my tears ricochet

I can see how people could think this was about Scott, but not Scooter. But T herself said this whole thing was about one muse: The embittered obsessor attending her funeral.

Anyway, my take: it’s a lover she couldn’t let go of easily, so it ended messy.

And now he’s out promoting an album full of songs about them, pretending it’s not, because he’s a gentleman. But while he’s acting like she’s nothing to him, they both know what he said to her in private, and what those songs are really about, and no matter how much she cries and waits and wants him to grow up and come get her he just can’t — or won’t.

We gather stones, never knowing what they'll means Some to throw, some to make a diamond ring

This is a Biblical allusion to Ecclesiastes 3:5: “A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing.” I think she’s referring here to an idea revisited again in “loml,” that she thought she’d be safer and maybe get the life she wanted with someone more stable, versus being in a relationship that left her starry eyed, like she was with Harry…and that’s how she wound up with Joe for six years.

You know I didn't want to have to haunt you But what a ghostly scene

Ah, would it really be a Haylor lyric breakdown if we weren’t talking about ghosts and haunting at some point? 👻 They obviously haunt one another because they can’t shut up about each other. (Not that I’m complaining!)

Two Ghosts: “We're just two ghosts swimming in a glass half empty.” ....Ready for it?: “Wonder how many girls he loved and left haunted.” Cardigan: “I knew you'd haunt all of my what-ifs.”

You wear the same jewels that I gave you As you bury me

Even while doing the press for Fine Line, H was wearing her ring. Should we talk some more about the Haylor ring? Or burying and graves? Nah. I think these posts sum it up very well.

I didn't have it in myself to go with grace 'Cause when I'd fight, you used to tell me I was brave And if I'm dead to you, why are you at the wake Cursing my name, wishing I stayed Look at how my tears ricochet

I think these lines could be a reference both to things he’s said to her and in his songs about her, particularly the pointed ones. “Lights Up,” for one, which to me, reads like an argumentative back-and-forth about why must things change in a relationship against the backdrop of fame. It also seems to include a tie to “Peter” with “I’m never coming back down,” as compared to “I didn’t want to come down.”

And I can go anywhere I want Anywhere I want, just not home And you can aim for my heart, go for blood But you would still miss me in your bones

And where is home in this case—and so many others? Each other.

And I still talk to you When I'm screaming at the sky And when you can't sleep at night You hear my stolen lullabies

I imagine this is her picturing him listening to her old albums, as she hadn’t done her rerecords yet. Also, again, doesn’t this all seem a bit…intimate and dramatic for a business relationship? Like, picture this moment in the Eras Tour in your mind, please, and tell me with a straight face that you’d sing like this for your former boss. It certainly doesn’t seem like anything you’d say to someone like Scooter. Why would she ever want to talk to him at all?

I didn't have it in myself to go with grace And so the battleships will sink beneath the waves You had to kill me, but it killed you just the same Cursing my name, wishing I stayed You turned into your worst fears And you're tossing out blame, drunk on this pain Crossing out the good years And you're cursing my name, wishing I stayed Look at how my tears ricochet

So, this is where we get into the “embittered” part of Taylor’s original description of the song’s muse—the person visiting her funeral. Why is he bitter? Because he lost her. She didn’t stay. Perhaps because his own bad behavior pushed her away. “All the light couldn’t put out the dark running through my heart?” “I know you were way too bright for me. I’m hopeless, broken.” Also, and again, please see, “Renegade,” and “To Be So Lonely,” and “Peter” and also “Chloe or Sam or Sophia or Marcus.”

#haylor

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mr-styles · 2 years ago

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Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Harry's House' not only gives Harry Styles his most GRAMMY recognition yet — it serves as a testament to how much he's expanded his sound over his already storied career.

GABRIEL AIKINS | GRAMMYS/JAN 25, 2023 - 12:02 PM

Watching 16 year-old Harry Styles walk onto the stage for his "The X Factor" audition in 2010, it's remarkable how little some things have changed in the following 13 years. Though his rendition of Stevie Wonder's "Isn't She Lovely" was rather unpolished — even receiving a "no" from judge Louis Walsh — his magnetic charisma and natural talent were more than evident. And at just 16, Styles clearly knew he was on the right path.

"Singing is what I want to do," Styles said in an interview before his audition. "And if the people who can make that happen for me don't think that I should be doing that, then it's a major setback in my plans."

Of course, so much else has changed in the ensuing decade. Styles was tabbed alongside other contestants Liam Payne, Louis Tomlinson, Niall Horan and Zayn Malik to form the group One Direction. As the band stormed the charts and captured the love of fans globally, Styles grew into his abilities — and now, he's achieved a rarified level of fame.

Even after being part of one of the most successful boy bands of all time, Styles has reached new heights of superstardom in his own right. In addition to selling millions of albums and selling out arenas around the world, he's starred in four feature films and became the first male cover star of Vogue magazine. The depth of Styles' charisma and drive he's shown from that first audition have made him an all-encompassing star like few before him.

While Styles was a solo star as soon as he emerged in 2017 — selling out his first-ever solo tour and debuting his self-titled first album atop the Billboard 200 — he has dominated the 2020s. His second album, 2019's Fine Line, spawned his first No. 1 hit in the U.S. in 2020 with "Watermelon Sugar," which also earned him his first GRAMMY in 2021 for Best Pop Solo Performance. But 2022 was the year he took his stardom to the next level — and it all began with an invitation to Harry's House.

The lead single of Styles' third album, "As It Was," became undeniable, debuting atop the Billboard Hot 100 and spending 15 weeks there — the most in history for a British act. And when Harry's House arrived less than two months after "As It Was," it was clear that 2022 was the year of Harry.

The album, featuring smooth electronic beats and funky bass riffs, went platinum in the UK and US, put four songs into the Billboard Top 10 at the same time, and earned Styles the most GRAMMY nominations of his career. His six nominations for the 2023 GRAMMYs include his first in the coveted Album Of The Year, Song Of The Year and Record Of The Year categories; Harry's House also earned a nod for Best Pop Vocal Album and "As It Was" is up for Best Pop Solo Performance and Best Music Video.

If you ask Tyler Johnson — who has co-written and co-produced the majority of Styles' three solo albums — the GRAMMY nominations may just be Styles' biggest validation yet. "It's really the music community recognizing him as Harry Styles — [his time in the band] is just another part of his resume, it no longer defines him. And that's really exciting."

In reality, Styles hardly ever let his past define him. Even Johnson sensed Styles' star power upon meeting the singer in 2015. "When I first met him, I knew a lot about him from the band, but it was obvious he was a star," he recalls. "Especially how he performed in the vocal booth, it was very brave. I was like, 'Wow, this person has no barriers.'"

With no barriers comes a willingness to always try something new — which is why the Harry Styles of Harry's House sounds much different than Harry Styles of One Direction. The change was heard immediately back in 2017 on his first solo single "Sign of the Times," released ahead of his self-titled debut LP later that year. It's a rock track to its core, starting with hearty piano chords and building to a crescendo of wailing electric guitar and crashing drums. This initial offering was a sign of what was to come, as Harry Styles is built on these rock sounds from beginning to end.

Even if reviews weren't outright surprised by this sound, they noted the seemingly brand new, well, direction. "Few people probably predicted the 23-year-old ex-One Direction superstar to drop the kind of album that makes your uncle or your mom perk up," read Variety's review. Pitchfork mused, "If you only know one thing about Harry Styles, it's probably that the album bucks the established trends governing bids for young male solo pop stardom." Styles becoming a rock star was something new, but looking back at the totality of his work, it's not quite as surprising as it might be at first glance.

When assessing the music of One Direction, the singles will of course stand out. Tracks like "What Makes You Beautiful," "Live While We're Young," and "Best Song Ever" are big and boisterous, with infectiously fun hooks. And while each of the group's five albums had rock influences — queue the Clash-like electric guitar opening of "Live While We're Young" — they're all pop projects at their core. And the writers and producers behind them were pop masterminds, too, including Rami Yacoub, Steve Mac, Ed Sheeran, and Ryan Tedder.

By nature of an essentially constant touring schedule and working with so many other people — especially the four other members of the group — there was simply less opportunity to write. Across the 86 songs in the band's discography, Styles has writing credits on only 21 of them, whereas he serves as lead writer on every track on each of his three solo albums.

"I think it was tough to really delve in and find out who you are as a writer when you're just kind of dipping your toe each time," Styles told Rolling Stonein 2017, recalling some of the struggles of being in a band. "We didn't get the six months to see what kind of s— you can work with."

Listening to the songs Styles did have a hand in writing for One Direction, though, the throughline of his career becomes clearer. Even the earliest tracks he co-wrote include key elements to his later songs.

The chorus of Up All Night's "Same Mistakes" takes his penchant for lyrical repetition, creating a folksy call-and-response feeling and pairing it with powerful guitar chords; he uses a similar pattern on Harry Styles' opening track "Meet Me in the Hallway." Made In The A.M. ballad "If I Could Fly" is strikingly vulnerable lyrically and melodically minimalistic; this combination is seen on Styles' solo ballads, like Fine Line's "Falling" or Harry's House's "Matilda."

Styles' solo success also stems from his versatility. Alongside folksy ballads, he has an ear for rock songs to fill a stadium (and after completely selling out his 2021 and 2022 Love On Tour stretches, stadiums may be where he's headed next). "Where Do Broken Hearts Go?" is one of One Direction's most anthemic tracks, tailor made for karaoke or shouting alongside a crowd. It's no surprise Styles is the sole One Direction member on the writing credits for it, and you can hear that same exuberance on his solo rock anthems, from Fine Line’s ultra cool smash "Watermelon Sugar" to the funk rock-infused "Late Night Talking" on Harry's House.

In a 2017 New York Times interview, Styles explained his rock influence — and really, his musicality as a whole — stems from his own musical tastes. "I really wanted to make an album that I wanted to listen to," he said of Harry Styles. "That was the only way I knew I wouldn't look back on it and regret it. It was more, 'What do I want to sit and listen to?' rather than, 'How do I shake up compared to what's on radio right now?'"

Judging by the elevated sounds on Harry's House, Styles' musical interests have grown as he has evolved as an artist. While there are hints of his previous writing and growth on the album, Styles incorporated so many new elements, and that's what makes Harry's House so interesting and so refreshing.

Funk pervades the record, with synths and stylized loops fleshing out tracks like "Music For A Sushi Restaurant" and "Keep Driving." There's a constant sense of playfulness throughout all 13 tracks — something that was apparent to Styles' collaborators long before the world got to hear it.

"Harry just said that he's never been more proud of anything, and Tom [Hull, better known as producer Kid Harpoon] and I are just there for the ride," Johnson says. "We didn't feel too caught up in the kind of reality of who he is and having to put out an album very specific to the commerce side of it. It was a lot of having fun and just kind of burying our heads in the sand and enjoying doing it. That was very different from Fine Line."

Styles can seemingly feel his evolution himself, too. In a wide-ranging interview with Zane Lowe upon the album's release in May 2022, Styles revealed that he tried not to take direct sonic influences on this record like he had in the past. "I kinda felt like you can reference things by the emotions that they evoke," he said.

The same interview points out how much more comfortable Styles has become with being flexible and fluid, both in his own writing and his collaborators. And now that he's found his right-hand men in Johnson and Hull, he finds it easier to bring his ideas to life. This has allowed Styles to continue to expand his writing, and that resulted in an album that launched his superstardom to even greater heights — and showcased Harry Styles simply having fun.

Now 28 (almost 29!), Styles has been a beloved star for nearly half of his life. In that time, fans have watched his musical abilities mature, morph and expand; he has shown a willingness to always have an eye on what comes next — and that forward thinking paid off in a big way in 2022. However he evolves next, it seems Styles will never lose the drive and endearing charm the world first saw on the "X Factor" stage over a decade ago.

"He's a very similar person. He's a very consistent, loyal, kind person, very focused. That is all the same," Johnson insists. "He's just doing what people do when they do it more and more — he's focusing in on who he is more, he's gaining confidence, and he's becoming more and more himself — which is a very potent thing."

via Grammy.com

#harry styles #Grammys 2023

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louistomlinsoncouk · 7 months ago

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Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

#louis tomlinson #press #26apr24

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karlamon · 17 days ago

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Decided to give Topsters a try and listed my 25 favourite films, shows, games, and albums.

Starting off with Topsters list for my 25 favourite movies:

Airplane! (1980)

Apollo 13 (1995)

Balto (1995)

Bolt (2008)

Children of Men (2006)

Finding Nemo (2003)

Gravity (2013)

The Iron Giant (1999)

Kung Fu Panda 2 (2011)

The Lion King (1994)

Migration (2023)

Nimona (2023)

The Prince of Egypt (1998)

Puss in Boots: The Last Wish (2022)

Ratatouille (2007)

Saving Private Ryan (1998)

The Secret Life of Walter Mitty (2013)

Sing 2 (2021)

Surf's Up (2007)

Top Gun: Maverick (2022)

United 93 (2006)

The Wild Robot (2024)

You Were Never Really Here (2017)

Zootopia (2016)

Next is my Topsters list for my 25 favourite shows:

Aggretsuko (2018 - 2023)

The Angry Beavers (1997 - 2003)

The Angry Video Game Nerd (2004 - Present)

Avatar: The Last Airbender (2005 - 2008)

Band of Brothers (2001)

Bluey (2018 - Present)

BNA (2020)

Chernobyl (2019)

Digimon: Digital Monsters [Adventure (1999), Adventure 02 (2000), Tamers (2001)]

Ed, Edd n Eddy (1999 - 2009)

Green Eggs and Ham (2019 - 2022)

Mayday [aka, Air Crash Investigation] (2003 - Present)

Mythbusters (2003 - 2016)

Primal (2019 - Present)

Regular Show (2010 - 2017)

Robot Chicken (2005 - Present)

Rocko's Modern Life (1993 - 1996)

Seconds from Disaster (2004 - 2018)

The Simpsons (1989 - Present)

South Park (1997 - Present)

SpongeBob SquarePants (1999 - Present)

Thomas & Friends (1984 - 2021)

Untalkative Bunny (2001 - 2003)

We Bare Bears (2015 - 2019)

Yu-Gi-Oh! Duel Monsters (2000 - 2004)

Then it's my Topsters list for my 25 favourite games:

Alan Wake (2010)

Call of Duty 4: Modern Warfare (2007)

Civilzation VI (2016)

Crash Bandicoot N. Sane Trilogy (2017)

Croc: Legend of the Gobbos (1997)

Day of Defeat: Source (2005)

Destruction Derby Raw (2000)

Digimon: Rumble Arena (2001)

Dust: An Elysian Tail (2012)

Euro Truck Simulator 2 (2012)

Fallout 3 (2008)

Microsoft Flight Simulator (2020)

Grand Theft Auto V (2013)

Half-Life 2 (2004)

LEGO Island (1997)

Medal of Honor: Allied Assault (2002)

Papers, Please (2013)

Portal (2007)

Ratchet & Clank (2002)

The Simpsons Game (2007)

Spyro Reignited Trilogy (2018)

Super Animal Royale (2018)

Team Fortress 2 (2007)

Tekken 3 (1997)

VRChat (2014)

And finally, here's my Topsters list for my 25 favourite albums:

Brian Eno - Ambient 1: Music for Airports (1978)

Poets of the Fall - Carnival of Rust (2006)

Have a Nice Life - Deathconsciousness (2008)

God Is an Astronaut - The End of the Beginning (2002)

Failure - Fantastic Planet (1996)

Nine Inch Nails - The Fragile (1999)

Shihad - The General Electric (1999)

Björk - Homogenic (1997)

Linkin Park - Hybrid Theory (2000)

Radiohead - Kid A (2000)

Sigur Rós - Kveikur (2013)

Talk Talk - Laughing Stock (1991)

My Bloody Valentine - Loveless (1991)

Swervedriver - Mezcal Head (1993)

Massive Attack - Mezzanine (1998)

Solar Fields - Movements (2009)

Mogwai - Mr. Beast (2006)

Boards of Canada - Music Has the Right to Children (1998)

David Gray - A New Day at Midnight (2002)

Jon Hopkins - Opalescent (2001)

Meniscus - Refractions (2016)

Jakob - Solace (2006)

"Weird Al" Yankovic - Straight Outta Lynwood (2006)

Ulrich Schnauss - A Strangely Isolated Place (2003)

Deftones - White Pony (2000)

Feel free to create your own Topsters list here:

#topsters #favourite films #favourite shows #favourite games #favourite albums

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whatiwillsay · 9 days ago

Note

I'm both a longtime Beyhive and a longtime Swiftie, so I'll chime in about the Billboard list

*very long*

Honestly, comparing Beyoncé to Taylor is a disservice to Bey. This woman has not only been highly relevant but has been thriving in the vinyl, CD, and digital eras, and she is still highly relevant in the streaming era. Sure, Bey doesn't pull as many streaming numbers as Taylor does, but she still is a streaming force. Chart positions and sales aren't even the metrics by which Billboard compiled this list. Here's what they've said in their article:

And we must also issue our obligatory reminder that unlike with our Year-End Charts, these Greatest Pop Stars are NOT mathematically determined by stats like chart position, streams or sales numbers. Those play a big part in our final rankings, of course — you can’t be one of the greatest pop stars of the century without great pop hits and great pop albums — but so do things like music videos, live performances and social media presence, and more intangible factors like cultural importance, industry influence and overall omnipresence. (And we’re measuring this over all 25 years of this century so far, so if you were only heard from at the beginning or the end of that period — or only had one or two big songs, albums or eras — that’s gonna significantly hinder your ranking here as well.)

She is the blueprint for most, if not all, pop stars of the mid- to late 00s, '10s, and '20s, and they've said so themselves. Not only that, several athletes, business owners, fashion designers, architects, producers, and even professional chefs have said that her work ethic, artistry, drive, and attention to details inspire them to do better. She's transformed the industry forever. She's the first artist (correct me if I'm wrong) who's done a visual album in the form of a music video for each song (B'Day in 2006) and one of the few artists who's done a concept film for an album (Lemonade in 2016 and Black Is King in 2020). In terms of music videos, Beyoncé is far ahead of Taylor, and since it's a criteria for Billboard's list, she's got an advantage.

Beyoncé's the real trendsetter in music, while Taylor chases what's popular at the moment and makes it a theme for each album both in terms of music and visuals. Beyoncé's also THE most versatile music artist in the industry: her range goes from gospel to rap, from disco to rock, from pop to bluegrass, from R&B to Americana, from opera to reggae. She is an exceptional artist with a unique™ vocal talent that continues to improve with age. There are such things as prime Whitney, prime Celine, and prime Mariah, but there are no such things as prime Beyoncé. Besides that, Beyoncé's also credited as the inventor of "talk-singing," which all of the modern singers and rappers use as their primary technique in music. Even Kanye has said so.

Live performances are also a criteria, and I think it doesn't even need to be discussed. Beyoncé's regarded as one of the best performers of all time. I personally would even say that she is THE best performer of all time, but it's irrelevant to this discussion. She's the first female performer to ever do an all-stadium tour (Formation Tour in 2016); her Super Bowl HT show is widely regarded as the Top-3 of all time, along with Prince and MJ. She's popularized feminine dancing in the industry; before that, the girls were basically cheerleading and jumping around the stage.

In terms of social media presence, I think it could be quite debatable. There are several viral Tik Tok Beyoncé trends going on at the moment. There's a "Lose My Breath" trend (the song came out 20 years ago), there's a "Diva" trend (the song came out 16 years ago), there's a "16 Carriages" trend, and a trend for Trump's "Dance Party with Beyoncé," to name a few. Also, everything she does or doesn't do makes headlines or is heavily discussed in online spaces. For example, her wearing a silver dress with 613 color hair, making her "look white," made rounds for weeks online. Her playing her film in Is**** made a ton of online discussion, while Taylor has also played hers there, and I've barely seen mentions of it online (both of them had nothing to do with it and couldn't stop it, imo; they signed their contract with the distributor months before Oct. 7 happened). People called Beyoncé "genocide Barbie" for being present at the Kamala rally and said that she "made" Kelly Rowland wear an oversized suit so she'd look better even though Kelly has worn those suits for a long time AND she always looks incredible in them. Don't get me started on the whole Tik Tok conspiracies and "she knows" thing. Even the false rumors of her making an appearance at the DNC have made it to mainstream news channels. There's also a phrase "The Beyoncé of..." that exists. Undoubtedly, Taylor has an immense media presence, but unfortunately, it's mostly her being at Trav's games, pap walks, or someone making up baseless rumors about her that no one outside of the Swiftie circles and pop culture nerds care about. I don't think anything outside of her excessive jet usage or new album variants makes noise outside of those circles except when the new material comes out and then it's 2 weeks of deciphering the songs. I think Taylor needs this kind of media presence to thrive, while Beyoncé does not. Taylor is a very talented writer, which has gotten her such a big following, but at the same time, it's her marketing that has gotten us to this Taylormania point. She's actively cultivated a quite parasocial relationship between herself and the Swifties by inviting them to her house, saying that she needs them to feel good about herself (I'm paraphrasing), and leaving easter eggs about her relationships and personal life in her music and music videos. She hasn't established any boundaries with her own fanbase, and that's why it's starting to feel cult-like at times. While Beyhives were and still can be quite insufferable at times, she knew when to pull back and cut the majority of the toxicity from her fandom so it doesn't impact her own life. Also, it's worth noting that the main drive of Taylor's popularity is her relatability. Beyoncé's brand has never been about relatability; in fact, it's always been the opposite, and I don't know why people are complaining about it: she's always said that she comes from an affluent family and went to private school. Because of the current state of Taylor's fame, I'm going 50/50 on this one.

Then there's the cultural importance part. I think Beyoncé's also ahead of Taylor here. Beyoncé's music has always been political, and she's made a pivot into teaching her listeners about Black history. There are multiple college courses about her artistry and image. She's also the reason why music is now being released on Fridays. She's created that silver craze last year with her tour; this year it has been cowboy attire. Black country artists are finally getting a platform: Shaboozey's song is now the longest-running Billboard Hot 100 solo #1 song of all time, and Linda Martell (a Black country artist from the 60s) just got her first Grammy nomination, and it's in a rap category (I mean, c'mon). She's at a point in her career where she is honoring her heritage and giving platforms to Black artists in predominantly white spaces (house, country, and I'm assuming Act III is going to be some sort of rock fusion). Also, to put things into perspective, at 34 years old, Beyoncé gave us Lemonade while Taylor gave us TTPD. Both of them have been recording artists since they were 15-16, so I think this comparison is valid. Bey also has way more universally recognized hits than Taylor does. Although Beyoncé doesn't write her songs alone as Taylor sometimes does, she is a prolific songwriter in her own right (the topics of discussion in their music are also incredibly different). She's also an incredible producer. I've seen multiple songwriters and producers talk about her process and praise her for having an incredible ear. Listen to the instrumental version of some of her songs (I'd say that Single Ladies is one of the best and clearest examples) and compare it to the album version. Not only does she have an incredible ear for melodies, she's also been the vocal producer for every single one of her albums, including the first Destiny's Child album. Her music, music videos, live performances, presentation, vocals, musical production, fashion, incorporation of Black culture, hair and make-up choices, and live performance arrangements (Homecoming had like 20-30 samples) are what her cultural importance is. There are generations of pop stars that took notes from her, and there will be generations of pop stars that will reference those who were inspired by Beyoncé after she retires, and that's what makes her a truly important and impactful icon that she already is.

If Billboard has any integrity left, Beyoncé should be an indisputable #1 pick. Taylor being at #2 is also higher than I would expect. I'd place her in the Top 5 for sure, but #2 seems very generous.

thank you for writing this up!

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fetznerdeathrecords · 2 months ago

Text

Ana Argan List - Irrbloss

Atmospheric/Post-Black Metal from Västra Götaland, Sweden

Ana Argan List is a solo project formed early 2020 in dark and snowy Sweden by Edvin Johansson. The project was created as an outlet for anxiety and depression. Influences are mainly Black Metal and Post Metal topped with nordic pagan heritage. When words can’t be expressed, music takes over.

1. Att vara sann 06:43 2. Siluett 04:05 3. Bandet du bröt 04:42 4. Vingar 03:34 5. Sorgens riter 04:25 6. Vägen sanningen ljuset 06:27 7. Flamman 05:43

Release date: October 11th, 2024

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mirageofficial · 2 years ago

Text

MIRAGE'S DISCOGRAPHY [2020-2022]

⩇﹒⺌ more below the cut﹒﹗﹒

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ DEBUT

TITLE ╱ LUCID DREAMING : LEVEL1

TYPE ╱ mini album [all tracks are in korean]

RELEASE DATE ╱ february 7, 2020

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "BLACK MAMBA"

MEANING OF TITLE TRACK(S) ╱ introduces the heart of the group's lore; shows viewers the numerous battles MIRAGE now must take on after their enemy sends them back through time.

SPECIAL STAGE(S) ╱ "NEXT LEVEL" & "LUCID DREAM"

TRACK COUNT ╱ 05

TRACKLIST ╱

[01] — BLACK MAMBA

[02] — LOUDER

[03] — NEXT LEVEL

[04] — CHERRY ON TOP

[05] — LUCID DREAM

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ THE FIRST COMEBACK

TITLE ╱ TREASURE MAP : LEVEL2

TYPE ╱ mini album [all tracks are in korean]

RELEASE DATE ╱ june 15, 2020

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "ILLUSION" & "DREAMS COME TRUE"

MEANING OF TITLE TRACK(S) ╱ the girls learn that they are more than their surface-level image, so they decide to come together against the enemy.

SPECIAL STAGE(S) ╱ "THE GIRLS" & "NOT A STEREOTYPE"

TRACK COUNT ╱ 06

TRACKLIST ╱

[01] — ILLUSION

[02] — THE GIRLS

[03] — NOT A STEREOTYPE

[04] — OUR PROMISE

[05] — DREAMS COME TRUE

[06] — DREAMS COME TRUE (instrumental)

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ THE SECOND COMEBACK

TITLE ╱ THE QUEEN'S JEWELS : FINAL LEVEL

TYPE ╱ mini album [all tracks are in korean. tracks 05, 06, & 07 include english]

RELEASE DATE ╱ september 25, 2020

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "SAVAGE"

MEANING OF TITLE TRACK(S) ╱ thanks to their bond and incredible endurance, the group has the upper hand against the enemy.

SPECIAL STAGE(S) ╱ "WANNA:BE" & "A LITTLE DIFFERENT"

TRACK COUNT ╱ 07

TRACKLIST ╱

[01] — SAVAGE

[02] — WANNA:BE

[03] — HANDS UP

[04] — A LITTLE DIFFERENT

[05] — RE-LAPSE

[06] — WANNA:BE (eng. version) [translated by NARI & EUNAE]

[07] — A LITTLE DIFFERENT (eng. version) [translated by NARI & EUNAE]

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ THE THIRD COMEBACK

TITLE ╱ WE NEED LOVE

TYPE ╱ single album, pre-release single(s) [all tracks are in korean]

RELEASE DATE ╱ june 17, 2021

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "I'M READY FOR LOVE"

MEANING OF TITLE TRACK(S) ╱ along their time-traveling adventure, the members fall in love and feel like they’ve grown up enough to be ready for it.

SPECIAL STAGE(S) ╱ "LOVE DIVE"

TRACK COUNT ╱ 03

TRACKLIST ╱

[01] — I'M READY FOR LOVE

[02] — LOVE DIVE

[03] — LOVE IS…

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ THE FOURTH COMEBACK

TITLE ╱ FESTIVAL : THE 1ST ALBUM

TYPE ╱ full-length album [all tracks are in korean. tracks 01 & 11 include english]

RELEASE DATE ╱ august 19, 2021

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "MAGO"

MEANING OF TITLE TRACK(S) ╱ MIRAGE feels indestructible, they’re on cloud nine as they gain full advantage over the enemy — they start to think they’ve won, and have a chance at making it back to present day.

SPECIAL STAGE(S) ╱ "STARLIGHT" & "SPECIAL GIRL"

TRACK COUNT ╱ 14

TRACKLIST ╱

[01] — LOCO

[02] — ALIVE

[03] — OH MY GOSH

[04] — HUSH

[05] — AFTER SCHOOL

[06] — LA VIE EN ROSE

[07] — SHOOT!

[08] — SWIPE

[09] — BEAUTIFUL ME

[10] — MAGO

[11] — STARLIGHT

[12] — SPECIAL GIRL

[13] — CHILLIN' WITH YOU

[14] — DOMINO

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ THE FIFTH COMEBACK

TITLE ╱ ONEIRIC

TYPE ╱ mini album [all tracks are in korean. track 06 includes english]

RELEASE DATE ╱ april 7, 2022

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "SECRET STORY OF THE SWAN"

MEANING OF TITLE TRACK(S) ╱ the girls receive a harsh wake-up call when they realize one morning that they’ve been sent through time again… and that the world they’re in is far from a fairytale.

SPECIAL STAGE(S) ╱ "PANORAMA"

TRACK COUNT ╱ 06

TRACKLIST ╱

[01] — SECRET STORY OF THE SWAN

[02] — PANORAMA

[03] — HIDDEN SIDE OF THE MOON

[04] — INSOMNIAC

[05] — GREEDY FOR LOVE

[06] — TIPTOE

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ THE SIXTH COMEBACK

TITLE ╱ THIS IS A MIRAGE : THE 2ND ALBUM

TYPE ╱ full-length album [all tracks are in korean. tracks 03, 06, 08, 09, & 10 includes english]

RELEASE DATE ╱ august 11, 2022

RELEASED BY ╱ KQ entertainment

TITLE TRACK(S) ╱ "OUTRO: VIVACE"

MEANING OF TITLE TRACK(S) ╱ accepting that they cannot alter their past decisions that led them to where they now are, MIRAGE reflects on growing up & heartbreak while trying to make the most of a bad situation together… which has been the answer to freedom all along. one half of the album reflects their girl crush-type of sound from their debut, while the other half reflects the ongoing pure pop energy they’ve been putting out recently.

SPECIAL STAGE(S) ╱ "ADDICTED"

TRACK COUNT ╱ 14

TRACKLIST ╱

[01] — INTRO: END OF THE WORLD

[02] — THE LAST DANCE

[03] — CHANGES

[04] — ADDICTED

[05] — MAKE YOU CRY

[06] — LOVE ME / LEAVE ME

[07] — INTERLUDE: ILLUSIONS

[08] — THERE FOR YOU

[09] — THE HAPPIEST GIRL

[10] — LIFE'S TOO SHORT

[11] — MIRROR

[12] — POLAROIDS

[13] — WHEN WE WERE KIDS

[14] — OUTRO: VIVACE

𖤐 ⤸ ₊ ִ ˚ ࣪ ˖ CLICK HERE FOR MIRAGE'S OFFICIAL SPOTIFY PLAYLIST!

#mirage / discography #mirage / general info #idol oc #kpop oc #kpop addition #kpop gg #oc gg #oc girl group #idol au #fictional idol community #fictional idol group

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