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velvet-vox · 7 months ago

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My Top 10 Favourite Male Villains of all time.

"How arrogant of you to think that any of us are anything but irrelevant". -John Greer, Person of Interest (2011-2016).

There comes a moment in a blog's life where some things are just long overdue, and while the argument could be made that this happened way too early, I'd say that as long as this helps me to find my groove, I am free to experiment as much as I want.

So..... Villains.

Gotta love them. As long as I do not meet them in real life. This post is in particular about male villains since I have one dedicated to their female counterparts in the pipeline so expect that to come soon enough and for this part to be rewritten. By the way, "villain" is a generalisation, I can totally put antivillains, antagonists or more general antiheroes in this list; your definition of "Bad Guy" can vary greatly and so can mine, someone like Walter White from Breaking Bad could have made it in here. My taste is very unusual, so prepare yourself for some unexpected picks.

Also, since these are meant to be some big celebratory posts, for the occasion I'll reveal my Italian heritage and translate every line of dialogue in Italian and publish it separately with a link, so that English readers who are learning Italian can exercise.

Here's also a follow up to this post, the first part of my top 30 favourite female antagonists of all time. Check it out, if you are curious to see more.

The bad girls

But first, some honourable mentions:

Oropo (Wakfu): Once you see the number 2 spot for both this list and the female villains list you might notice that I tend to gravitate towards characters with wasted potential more often than not, but while we're just talking about this guy, I cannot stress enough the amount of unceremonious mishandling that lies within his concepts and execution. Really needed two seasons of 25 episodes each to explore it to their maximum.

Tai Lung (Kung Fu Panda): I love him, but not as much as others, it's a matter of personal preference. He's an amazing antagonist, so even if he is just an honourable mention, I wouldn't call him a lesser villain by any stretch of the imagination; I once felt like he was too sympathetic for his movie's sake, but looking back at it again, he's actually moderately evil for a lot of reasons, even if Shifu is the main one.

Bill Chyper (Gravity Falls): It's been way too long since I watched Gravity Falls, I really can't give you an accurate opinion on this guy anymore.

Flintheart Glomgold (DuckTales 2017): That season 2 episode. If you know what I'm talking about, you KNOW. Also the music for that whole sequence was a banger, really driving home the deranged nature of that twist reveal.

Big Jack Horner (Puss in Boots The Last Wish): I feel like when people praise Jack for being a breath of fresh air in a stale environment, they often forget just how good of a villain he was in his own right without the larger industry wide void of truly devious antagonists that act out of pure malice.

The Wolf (Puss in Boots The Last Wish): Two villain entries from one movie? Of course it was gonna be The Last Wish, what else could it be? Honestly I don't even wanna talk about this guy, you need to experience the movie for yourself.

Rob (The Amazing World of Gumball): Everything I have to say about this guy gets talked about much better by the number 6 Spot on this list, but as it stands Rob was my first villain OTP and the guy who opened the box of Pandora for me on what an antagonist could and should be, since then my perception of villainy only widened and now I enjoy their role in a story in much different way.

And now, with that out of the way, let's finally start with the ranking of my personal favourite male villains of all time.

Major spoilers down below:

Number 10: Silco (Arcane)

This guy is the reason that brought me to specify who or what counted for this list as trying to simplify Silco into one specific group of characters is a challenge that can only end in a misunderstanding of what makes Silco such a complex and fascinating character with an amazing character arc, that ends with him not being redeemed, mind you, but allows the audience to grieve in such a way that would make a side character death jealous.

When writing an antagonistic character, Silco is my goal and high standard, and just for that he deserves all of my respect and endless praise.

Now, admittedly, Silco's arc takes a while to kick in, but it works out to his advantage by the end of it since you don't realise just how much you've grown to care for him until he's dead and you're left with the surprise.

10 out 10, the nation of Zaun would have been much better (worse) with him than with Vander.

Number 9: The Riddler (DC)

The Riddler is literally my ride or die villain, when I'm in the mood for him, he's literally my favourite antagonist ever; when I am not in the mood for him, I completely forget about his existence.

When compared to many other entries on this list, Riddler is definitely more on the pop culture side of antagonism, and when you've been around for almost a century, you tend to have many different versions of the same character written by different writers, so I wanted to highlight here my favourite versions of him:

Arkham Games: He's hilarious. He's not my ideal Riddler, but whenever he comes on screen, his whiny rat's ass voice stimulates my pheromones.

Batman The Animated Series: I've heard somewhere that this version of him is disappointing, and to that I'll say... yeah, but only when he wasn't on screen, because otherwise, he kind of slayed.

Matt Reeves The Batman: This is the version that rekindled my love for him after so long. Out of every interpretation of The Riddler throughout the years, this is the one version that treated Edward more as a character rather than an obstacle for Batman to overcome, and for that I'll be eternally grateful.

LEGO Batman The Videogame: My very first introduction to The Riddler and the Batman universe as a whole, this version has a permanent place in my heart , I love how much information and emotion you can get out of him by just looking at his mannerisms and quirks alone; unironically, being silent helps him reach that quote on quote idealised version of Riddler that I was talking about earlier.

Number 8: The Snatcher (A Hat In Time)

There are many things that can carry on a villain in a story, their evolution, stage presence, complexity, thematic contrast to their counterpart, and so on and so forth. While an antagonist can check off many of these boxes simultaneously (like the one pictured), there's one box that is almost impossible to truly nail perfectly: comedy.

You see, comedy is subjective, and when your main antagonist is also the funniest part of a given story, it becomes hard to also match a sense of gravity and menace that allows them to also be an imposing threat, even harder is to give said antagonist depth and a tragic backstory.

But somehow, out of nowhere, The Snatcher from A Hat In Time manages to simultaneously be the funniest character in his section of the game, carrie said energy throughout the whole experience even down to the DLC, simultaneously strikes the balance between being scary, wholesome, sympathetic and tragic, exude an insane amount of charisma, all while having a deeply disturbing backstory that touches on some heavy themes and re contextualises his actions into something more complicated and out of a broken man, everything I just said + he's the biggest bastard in his videogame and never repents nor does he have his actions called out.

Snatcher really has all the right cards that make a stationary character work and uses them to his maximum potential, and it works because his character arc throughout the game is more about becoming affectionate to Hat Kid than it is about redeeming himself.

Lastly, his voice actor, Luke Sizemore, aka Yungtown, really sells the performance of this devious soul eating worm and burns his catchphrases into your brain for the rest of eternity, much like his boss theme,

Your Contract Has Expired

A song that switches around being scary, epic, energetic and desperate in a short, yet perfectly paced amount of time. You need to listen to it regardless of if you've played the game or not.

Fool.

Number 7: Judge Claude Frollo (Hunchback of Notre Dame)

You can never say no to a classic.

There's nothing that I could say that hasn't already been said by thousands of videos on YouTube, but I'll try anyway: you see, Frollo is the reason why we need a new term to identify certain villains that aren't "sympathetic" but still make you feel some sort of human emotion and a form of "I wish someone could give you the care you need to fix your life", I guess the term empathetic exists, but when do you really see it used?

Now, don't get me wrong, Frollo is absolutely not sympathetic in the slightest, he wants to r##e a Romani woman that's way younger than him, but you can still feel that he's very troubled about it in the Hellfire scene and has definitely a lot of unidentified issues and internalised bigotry that could be worked through, even if it's too late to work through them right now.

In general, I feel like people forget that the main reason why past Disney villains worked had to do more with their human traits juxtaposed to their malice rather than just their plain wickedness, otherwise the Horned King from the Black Cauldron would be top of the Disney villains league and that couldn't be further from the truth.

We should really strive towards writing more villains like Frollo, less omnipotent beings that end up falling flat because they don't have much thematic relevance aside from being a threat (Bill Chyper works because he represents Ego and he's used sparingly) and more average vicious individuals who use their power and influence to get what they want.

All in all, if you've seen The Hunchback of Notre Dame, then you know why this guy is here, but just to cite a couple of repeated points, the Hellfire scene is perfect. It's immaculate. It's unreproducible; there will never be another scene like this coming out of the House of Mouse or animation ever again, the excessive amount of stars and elements that came together to create this gothic classic is so vast that it's literally a miracle.

Frollo is truly the personification of the dark, twisted side of humanity peaking through the door and into your mind, from which he shall never escape as his performance still remains perfect to this very day.

Number 6: The Spot (Spider-man across the Spiderverse)

"You've hit me with a bagel!" It's still the greatest villain origin story of all time. There's truly something maniacal about this reveal, like the entire universe was shattered and reality was shocked at the mere realization that while Miles was having his coming of age moment back in the first film, this guy was having his normal life completely and utterly shattered by a combination of both our heroes stepping up to do the right thing and our doofus lack of foresight and self reflection; all of this stuff is hilarious and completely made up for the film but good god they did such an amazing job tying all the elements together in an unexpected way that makes sense and parallels the journey that our protagonist faced in the first movie.

Like with Rob from The Amazing World of Gumball, and a little bit like number 2 on this list, I just really enjoy the concept of turning background characters who had no relevance whatsoever into the big bad of the story who's been there all along and the heroes (and the audience) just couldn't notice.

With The Spot in particular, there's that sense of satisfaction of turning the wasted potential of a villain who has been underestimated for literal decades and treated as a "villain of the week" (God do I love the meta narrative of this movie) into an actual competent, well written antagonist that is aware of his reputation and strives towards bettering himself and his powers.

He's also the funniest character of his movie too and the voice acting of Jason Schwartzman only accentuates his mannerisms and pettyness.

He also has the coolest usage of portals I have ever seen and his whole "There's a hole inside all of us" metaphor is simultaneously hilarious and very deep personal information that can only be understood if you put yourself into his shoes.

I can't wait for Beyond the Spiderverse to come out and see how his arc resolves, more importantly, I wonder if he's going to rank higher in the future.

Number 5: Lord Shen (Kung Fu Panda)

"Happiness must be taken. And I'll take mine"

.....

What a character.

What a movie.

You cause so much pain and suffering, because you don't understand the people around you, and then those people banish you, and you can't understand why, so you start to believe that they hated you.

They never loved you, so you keep causing pain and suffering but it's not that easy anymore; the guilt starts to resurface, all those bodies keep piling up, but you can't stop because then it would have all been for nothing; so you keep chasing those dreams of grandeur because that's all you have left; the emptiness in your heart can no longer be filled by love, so you try to fill it with something else.

You try to fill it with power. You try to fill it with glory. You try to take everything else for yourself so that you can fill that cup, but it doesn't work, because that cup has no bottom.

And so you're left... with yourself.

And the damage you've done. But now it's different; you've failed. You are left with nothing. Nothing.

And so you outrage, for the last time... And then it all ends. Forever. And you've finally come to accept this, after all....... Who could ever love you?

Number 4: Spamton G Spamton (Deltarune)

You know, in retrospect, it's kind of insane what Toby Fox managed to achieve when creating Spamton.

Not only because Spamton feels like the most insane combination of ideas ever conceived, but also because Toby Fox created such a complex character with such a complicated language and personality and then not only shafted it all aside for the players to go out of their way to interact, but also made all of this in what are officially 2 or 3 cutscenes at most (4 if you consider his shop encounter as one) and only one of them being truly mandatory.

You spend so little time with Spamton, and most of that time is spent fighting him, and yet by the end of it you've become enlightened by the knowledge of him, that after a while... you forget how scary it all was.

All the memes comparing Spamton with Turbo are 100% correct and justified, Spamton truly is Turbo but better; you go through an insane rollercoaster of emotions with this character that you are left absolutely dumbfounded when it all comes to a stop and you go back to play the rest of chapter 2 normally.

His insane mannerisms and mood swings are pretty funny at first, but once you peel back the layers a bit they reveal a pretty realistic and sad portrayal of mental illness, mania and hysteria coupled with an unhealthy amount of social distancing, loneliness, and abandonment issues, that reinforce into your brain the idea of someone lacking proper healthcare and needing to be locked away from society for their (society) own good, simulating the vicious cycle that Spamton lives by: nobody wants to help him but he's still expected to act like a regular individual despite the amount of hardships he's facing and the lack of a support system keeping him from falling back into his bad habits.

I'll admit, I've considered putting Spamton in place of the Number 3 spot on this list; but then I've realised that on an objective level, the next entry totally deserves to be ranked above Spamton; plus, with at least 5 more chapters of Deltarune on our way, whose to say that one of the next gremlins won't be able to dethrone even the number 1 spot?

Drumroll for our top 3:

Nox, the Watchmaker (Wakfu)

There will never be another experience in my life as cathartic as watching the first season of Wakfu for the first time ever again.

On a later rewatch, the initial problems that you've noticed throughout the first half of the season and a little bit in the second half become too apparent to ignore, but the first time everything that goes from the ball tournament to the finale is one of the best paced arcs of television, and everything that happens when the team reaches the Sadida kingdom is just peak Wakfu.

And the king, the culprit, the crown jewel of properly paced stories and arcs is no other than the sad clockwork dilf himself: Noximilliem Coxen the Watchmaker.

Arguably, the greatest sympathetic villain of all time. There has never been another case of a character who has committed such vile, unspeakable crimes, and yet still managed to make me root for them while simultaneously not putting down the heroes.

And let's not be mistaken here, Nox is pretty evil:

Aside from the generic murder, Nox also defiled and stitched together the corpses of multiple victims and turned them into his obedient puppets in order to commit even more murder and genocide in order to achieve his goals.

Also, this is one of the funniest crimes Nox has committed: he abused his dog. It's really not that hilarious nor is it that important in the context of the show, but if you look back at it from an outside perspective then it's really like: Oh yeah. That happened too. Lol.

One of the best parts of his entire arc is his defeat. The "20 minutes" scene deserves a "One Villainous Scene" coverage video to forever immortalise it amongst the greatest. Everything from the music, the subversiveness, the cinematography, the voice acting and just the general art direction of it is worthy of an Eminem award at the Oscars, there's genuinely nothing wrong with this scene, it's truly immaculate.

Words alone cannot do justice to the treacherous, gut wrenching emotional rollercoaster that is experiencing his story for the first time. An hour long video essay would only serve to cover the basics and fundamentals, while for the real deal you need to watch the first season of Wakfu for yourself.

Number 2:

Bradford Buzzard (DuckTales 2017)

And now it's the perfect time to pull out my final wild card, the hole of the sink of my autism, the masterpiece of wasted potential that is Bradford Buzzard from the DuckTales remake of 2017.

When you'll also see the number 2 spot on my villainesses list, you'll come to realise that this spot is more of the "I really wish I could put this at number one but I can't because objectively he doesn't deserve it and the majority of things I love about him in canon were probably an afterthought and in fanon were never plausible to begin with."

And that's how I feel about Bradford Buzzard, an antagonist I spent more time thinking about than probably anybody else on the Earth.

The show runners were so genius for this: we are going to create an original character that will probably struggle to maintain a foot print on the franchise due to the way the Duck verse works, we'll give him an insanely cool backstory and motivation, all coupled with interesting character traits and ideology, we'll make him the ultimate foil to Scrooge McDuck that has been working with him for literal decades, we'll make him the one who has got the closest to isolating Scrooge and destroying his family, and THEN we'll turn him into a generic anime villain that shoots lasers and fumbles his own plan and loses because of insane plot armour and contrivance. Good job writers.

Anyway, I should probably make the case for why this guy ranks so highly in my mind to the point of almost taking the podium for my most liked villain of all time, especially when compared to the stiff competition that we just went through.

Now, part of it is just because this is a personal top 10 and so I can put whoever I want in whatever order I want. But also, with Bradford in particular, there's a personal aspect of relatability, various interests, and passions all coming together to make him stand out in my brain.

The thing is, I've had a pretty strong connection to Disney's Duck's comic books my entire life, even if my love for them came dwindling over time, so when I finally started watching the Reboot and it was amazing, all of that buried passion and love finally re emerged back to the surface, turning me into an annoying super fan. But while season 1 and 2 were great, season 3 actually gave me something to latch on for the rest of time even after the show had ended: the character of Bradford Buzzard.

You see, DuckTales, both in the shows and comics, always had a plethora of villains; from the crazy, megalomaniacal millionaires, to witches, demons, and other mythological creatures, to power hungry aliens, to straight up super-villains. But while all of that is true, there has never been another villain, aside from Magica, Glomgold and Rockerduck at traits, that was built specifically as the anti Scrooge McDuck, and even further, there has never been another antagonist who challenged the very core ideas and concepts of the entire franchise.

Bradford is like the Frank Grimes of DuckTales: just a regular, average, real world guy who's fed up with the nonsensical constant state at which their fictional universe operates and seeks to correct it in the most logical way possible. And while Frank was ultimately a victim of a world in which he couldn't conform, Bradford's outrageous and extreme plans and methods put him on everybody's hit list until he was left all alone, but not before indirectly causing every major disaster throughout the reboot's runtime.

A cold, calculating, machiavellian mastermind whose impact and presence secretly permeates the show, right till the very end.

Shame he wasn't written better.

And now, for the one and only,

Number 1:

Qilby (Wakfu)

Qilby is the biggest example of an anomaly that you could ever observe in a work of fiction. The first time experiencing a story is the most important and impactful moment of that story, as every future rewatch won't be as good as the first. In particular, this is an important aspect of twist villains, as they can only surprise you the first time, since at future rewatches the twist becomes predictable.

Furthermore, if the twist ends up ruining the character that was established up to this point, or it doesn't make any sense, then the story is kind of ruined and it only gets worse on future rewatches, since now you know that everything that you are seeing right now is ultimately worthless and doesn't provide any value.

So why do we love twist villains and keep churning them out? Well, you see, it's a matter of execution. A bad guy introduced in an unconventional manner is much more memorable than one introduced in a straightforward way; the twist can also serve to showcase different aspects of the character before becoming an obvious obstacle, be it quirks, interests, personality in casual settings, or cunning.

Let's not beat around the bush.

If Nox is the single greatest sympathetic villain of all time, then Qilby is by far the greatest twist villain of all time, and the crazy thing is, that he surprises you two times in a row, at first by revealing himself as more evil than you could ever imagine, and then, by outing himself as more complex than you could have ever anticipated.

Let me paint you the picture: you just finished the first season of Wakfu, and you are still pretty fresh of the hype surrounding Nox, so you think to yourself "Oh, now every future antagonist is ruined because nothing could ever top the emotional gut punch that I just went through. Whatever, I'm going to stick around just to see if the story gets worse" and you start the second season.

So far, everything is normal, even better of the first season in terms of engagement value, but you can't help but feel the lack of a Nox like figure inside of the story, but at this point, you just accept it.

Then the final six episodes roll around and OH MY GOD WHAT IS HAPPENING, HAS THE WHOLE SHOW JUST GONE INSANE?

Somehow, in some mystical, french, magical way, the season 2 finale is arguably even better than the ending of season 1 despite the fight having less buildup and introducing a lot of brand new characters and an entirely irrelevant faction into his conflict.

The entirety of the scene in Emrumb is some of the best writing I have ever experienced in any work of fiction, and the music accompanying it only accentuates the repressed dopamine being released after various episodes of filler, all of them important for this moment to be as impactful as it is.

Qilby is also just a great, tragic character, that is simultaneously an unforgivable bastard that tried to kill his family and doomed his entire race for a family trip, and a sad, nihilistic man still trying to reconcile his love for his family and his need for knowledge and discovery; his curse never truly allows him to move on or relate to others but his ego and need for his forgetful brothers attention just pushes him even further into resentment, ending up damaging himself and those around him, until he's finally isolated again by the vary people he harmed and showed his love towards.

He's as good as the evil secret sibling trope can get and I never get tired of watching him on screen. His reveal scene to Adamai still gives me the chills to this very day and demonstrated me just how good the surprise villain concept can get when it's executed correctly.

Just an all around great show.

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