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daimonclub · 11 months ago

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Quotes on medicine

Aphorisms on medicine Quotes on medicine, aphorisms, ideas, thoughts, criticisms and humorous wits on doctors, medicine, drugs, health, illness, diseases and the medical art therapy A vigorous five mile walk will do more good for an unhappy, but otherwise healthy adult than all the medicine and psychology in the world. Paul Dudley White I hold it that a little rebellion, now and then, is a good thing, and as necessary in the political world as storms in the physical. It is a medicine necessary for the sound health of government. Thomas Jefferson None of the mortals will ever spend their life completely free from pain, each one always pays his price for life. Aeschylus It's hard enough to work and raise a family when your kids are all healthy and relatively normal, but when you add on some kind of disability or disease, it can just be such a burden. Patricia Heaton In selling as in medicine, prescription before diagnosis is malpractice. Tony Alesandra Nobody dast blame this man. For a salesman, there is no rock bottom to the life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back - that's an earthquake. And then you get yourself a couple of spots on your hat, and you're finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory. Arthur Miller Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influences of each. Let them be your only diet drink and botanical medicines. Henry David Thoreau Lost wealth may be replaced by industry, lost knowledge by study, lost health by temperance or medicine, but lost time is gone forever. Samuel Smiles As there is a use in medicine for poisons, so the world cannot move without rogues. Ralph Waldo Emerson One does nothing who tries to console a despondent person with word. A friend is one who aids with deeds at a critical time when deeds are called for. Titus Maccius Plautus Both the Moral Majority, who are recycling medieval language to explain AIDS, and those ultra-leftists who attribute AIDS to some sort of conspiracy, have a clearly political analysis of the epidemic. But even if one attributes its cause to a microorganism rather than the wrath of God, or the workings of the CIA, it is clear that the way in which AIDS has been perceived, conceptualized, imagined, researched and financed makes this the most political of diseases. Dennis Altman From the point of view of the pharmaceutical industry, the AIDS problem has already been solved. After all, we already have a drug which can be sold at the incredible price of $8, 000 an annual dose, and which has the added virtue of not diminishing the market by actually curing anyone. Barbara Ehrenreich It could be said that the AIDS pandemic is a classic own-goal scored by the human race against itself. Princess Anne Ireland Princess Royal Of Great Britain I have learned more about love, selflessness and human understanding in this great adventure in the world of AIDS than I ever did in the cut-throat, competitive world in which I spent my life. Anthony Perkins AIDS occupies such a large part in our awareness because of what it has been taken to represent. It seems the very model of all the catastrophes privileged populations feel await them. Susan Sontag

Aphorisms and quotes on medicine AIDS obliges people to think of sex as having, possibly, the direst consequences: suicide. Or murder. Susan Sontag Fear is a disease that eats away at logic and makes man inhuman. Marian Anderson Illness is the doctor to whom we pay most heed; to kindness, to knowledge, we make promises only; pain we obey. Marcel Proust The moral immune system of this country has been weakened and attacked, and the AIDS virus is the perfect metaphor for it. The malignant neglect of the last twelve years has led to breakdown of our country's immune system, environmentally, culturally, politically, spiritually and physically. Barbara Streisand The AIDS epidemic has rolled back a big rotting log and revealed all the squirming life underneath it, since it involves, all at once, the main themes of our existence: sex, death, power, money, love, hate, disease and panic. No American phenomenon has been so compelling since the Vietnam War. Edmund White Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time. J. G. Ballard Everyone detected with AIDS should be tattooed in the upper forearm, to protect common needle users, and on the buttock, to prevent the victimization of other homosexuals. William F. Buckley The smallest effort is not lost. Each wavelet on the ocean tost aids in the ebb-tide or the flow; each rain-drop makes some floweret blow; each struggle lessens human woe. Charles Mackay There rise her timeless capitals of empires daily born, whose plinths are laid at midnight and whose streets are packed at morn; and here come tired youths and maids that feign to love or sin in tones like rusty razor blades to tunes like smitten tin. Rudyard Kipling One of the best hearing aids a man can have is an attentive wife. Groucho Marx It is hard to overstate how valuable it is to have all the incredible tools that are used for human disease to study plants. Bill Gates Literature is being taught as though it were only political medicine or political poison--a view that is not only illiberal but illiterate. Louis Menand Prostitution is the supreme triumph of capitalism. Worst of all, prostitution reinforces all the old dumb clichés about women's sexuality; that they are not built to enjoy sex and are little more than walking masturbation aids, things to be DONE TO, things so sensually null and void that they have to be paid to indulge in fornication, that women can be had, bought, as often as not sold from one man to another. When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women, for the moral tarring and feathering they give indigenous women who have had the bad luck to live in what they make their humping ground. Julie Burchill Old maids sweeten their tea with scandal. Josh Billings Simplicity of life, even the barest, is not a misery, but the very foundation of refinement; a sanded floor and whitewashed walls and the green trees, and flowery meads, and living waters outside; or a grimy palace amid the same with a regiment of housemaids always working to smear the dirt together so that it may be unnoticed; which, think you, is the most refined, the most fit for a gentleman of those two dwellings? William Morris In the name of Hypocrites, doctors have invented the most exquisite form of torture ever known to man: survival. Luis Bunuel I trust that a graduate student some day will write a doctoral essay on the influence of the Munich analogy on the subsequent history of the twentieth century. Perhaps in the end he will conclude that the multitude of errors committed in the name of ''Munich'' may exceed the original error of 1938. Arthur M. Schlesinger Jr. An alcoholic has been lightly defined as a man who drinks more than his own doctor. Alvan L. Barach A doctor can bury his mistakes, but an architect can only advise his clients to plant vines. Frank Lloyd Wright

Quotes on good health Myself when young did eagerly frequent doctor and saint, and heard great argument about it and about: but evermore came out by the same door as in I went. Omar Khayyam Master and Doctor are my titles; for ten years now, without repose, I held my erudite recitals and led my pupils by the nose. Johann Wolfgang Von Goethe If I had my way books would not be written in English, but in an exceedingly difficult secret language that only skilled professional readers and story-tellers could interpret. Then people like you would have to go to public halls and pay good prices to hear the professionals decode and read the books aloud for you. This plan would have the advantage of scaring off all amateur authors, retired politicians, country doctors and I-Married-a-Midget writers who would not have the patience to learn the secret language. Robertson Davies While the doctors consult, the patient dies. English Proverb Sayings of British Origin The race of prophets is extinct. Europe is becoming set in its ways, slowly embalming itself beneath the wrappings of its borders, its factories, its law-courts and its universities. The frozen Mind cracks between the mineral staves which close upon it. The fault lies with your moldy systems, your logic of 2 + 2 = 4. The fault lies with you, Chancellors, caught in the net of syllogisms. You manufacture engineers, magistrates, doctors, who know nothing of the true mysteries of the body or the cosmic laws of existence. False scholars blind outside this world, philosophers who pretend to reconstruct the mind. The least act of spontaneous creation is a more complex and revealing world than any metaphysics. Antonin Artaud Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room. Jose Ortega Y Gasset Die, my dear doctor! That's the last thing I shall do! Lord Palmerston If your time ain't come not even a doctor can kill you. American Proverb Sayings of American Origin A doctor, like anyone else who has to deal with human beings, each of them unique, cannot be a scientist; he is either, like the surgeon, a craftsman, or, like the physician and the psychologist, an artist. This means that in order to be a good doctor a man must also have a good character, that is to say, whatever weaknesses and foibles he may have, he must love his fellow human beings in the concrete and desire their good before his own. W. H. Auden When a man goes through six years training to be a doctor he will never be the same. He knows too much. Enid Bagnold One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating. This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth. John Berger The belief that the world is getting worse, that we can't solve extreme poverty and disease, isn't just mistaken. It is harmful. Bill Gates Never go to a doctor whose office plants have died. Erma Bombeck For the poison of hatred seated near the heart doubles the burden for the one who suffers the disease; he is burdened with his own sorrow, and groans on seeing another's happiness. Aeschylus Doctors will have more lives to answer for in the next world than even we generals. Napoleon Bonaparte In an ideal world, the amount of money we spend on medical research to prevent or cure a disease would be proportional to its seriousness and the number of people who suffer from it. Peter Singer Doctors are just the same as lawyers; the only difference is that lawyers merely rob you, whereas doctors rob you and kill you too. Anton Chekhov I asked if I'd be able to play singles tennis and they said I could. That made me very happy since I haven't played in five years. Walter Cronkite

Aphorisms and thoughts on Medicine The best doctor is the one you run to and can't find. Denis Diderot I saw many people who had advanced heart disease and I was so frustrated because I knew if they just knew how to do the right thing, simple lifestyle and diet steps, that the entire trajectory of their life and health would have been different. Mehmet Oz When a doctor does go wrong he is the first of criminals. He has nerve and he has knowledge. Sir Arthur Conan Doyle The more ignorant, reckless and thoughtless a doctor is, the higher his reputation soars even amongst powerful princes. Desiderius Erasmus God heals and the doctor takes the fee. Benjamin Franklin The doctor should be opaque to his patients and, like a mirror, should show them nothing but what is shown to him. Sigmund Freud The doctor found, when she was dead, her last disorder mortal. Oliver Goldsmith I have noticed that doctors who fail in the practice of medicine have a tendency to seek one another's company and aid in consultation. A doctor who cannot take out your appendix properly will recommend you to a doctor who will be unable to remove your tonsils with success. Ernest Hemingway The disease of an evil conscience is beyond the practice of all the physicians of all the countries in the would. William E. Gladstone Whenever a doctor cannot do good, he must be kept from doing harm. Hippocrates Ancient Greek Physician It is the duty of a doctor to prolong life and it is not his duty to prolong the act of dying. Thomas Horder I suppose one has a greater sense of intellectual degradation after an interview with a doctor than from any human experience. Alice James My doctor gave me six months to live but when I couldn't pay the bill, he gave me six months more. Walter Matthau Time is generally the best doctor. Ovid HIV AIDS is a disease with stigma. And we have learned with experience, not just with HIV AIDS but with other diseases, countries for many reasons are sometimes hesitant to admit they have a problem. Margaret Chan For each illness that doctors cure with medicine, they provoke ten in healthy people by inoculating them with the virus that is a thousand times more powerful than any microbe: the idea that one is ill. Marcel Proust The superior doctor prevents sickness; The mediocre doctor attends to impending sickness; The inferior doctor treats actual sickness; Chinese Proverb If the doctor cures, the sun sees it; if he kills, the earth hides it. Scottish Proverb Doctors don't know everything really. They understand matter, not spirit. And you and I live in spirit. William Saroyan Every doctor will allow a colleague to decimate a whole countryside sooner than violate the bond of professional etiquette by giving him away. George Bernard Shaw

Medical aphorisms and quotes The doctor learns that if he gets ahead of the superstitions of his patients he is a ruined man; and the result is that he instinctively takes care not to get ahead of them. George Bernard Shaw The best doctors in the world are Doctor Diet, Doctor Quiet, and Doctor Merryman. Jonathan Swift He has been a doctor a year now and has had two patients, no, three, I think -- yes, it was three; I attended their funerals. Mark Twain What some call health, if purchased by perpetual anxiety about diet, isn't much better than tedious disease. Alexander Pope A patient going to a doctor for his first visit was asked, ''And whom did you consult before coming to me?'' ''Only the village druggist,'' was the answer. ''And what sort of foolish advice did that numbskull give you?'' asked the doctor, his tone and manner denoting his contempt for the advice of the layman. ''Oh,'' replied his patient, with no malice aforethought, ''he told me to come and see you.'' Source Unknown The doctor knows what his trained eyes see -- and he says it's the last of the ninth for me. So one more thing while the clouds loom dark and then I must leave this noisy park. Source Unknown Doctors are men who prescribe medicines of which they know little, to cure diseases of which they know less, in human beings of whom they know nothing. Voltaire I know of nothing more laughable than a doctor who does not die of old age. Voltaire The majority of the diseases which the human family have been and still are suffering under, they have created by ignorance of their own organic health, and work perseveringly to tear themselves to pieces, and when broken down and debilitated in body and mind, send for the doctor and drug themselves to death. Ellen Gould White No company is preferable to bad. We are more apt to catch the vices of others than virtues, as disease is far more contagious than health. Charles Caleb Colton After listening to a lecture on evolution by a science professor, a student wrote a poem and titled it ''The Amazing Professor.'' The poem read: Once I was a tadpole when I began to begin. Then I was a frog with my tail tucked in. Next I was a monkey on a coconut tree. Now I am a doctor with a Ph.D. Source Unknown I told my doctor I get very tired when I go on a diet, so he gave me pep pills. Know what happened? I ate faster. Joe E. Lewis These can never be true friends: Hope, dice, a prostitute, a robber, a cheat, a goldsmith, a monkey, a doctor, a distiller. Indian Proverb Before he left, Aunt William pressed a sovereign into his hand guiltily, as if it were conscience money. He, on his side, took it as though it were a doctor's fee, and both ignored the transaction. Ada Leverson Evil comes at leisure like the disease. Good comes in a hurry like the doctor. Gilbert K. Chesterton I don't know what it's like for a book writer or a doctor or a teacher as they work to get established in their jobs. Read the full article

#aphorisms #art #criticisms #cure #death #diseases #Doctors #drugs #health #Hospital #humor #ideas #illness #jokes #Medical #medicine #quotes #therapy #thoughts #wits

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jackinalex · 1 year ago

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This is not ATL related, but I know you studied English and I was wondering what are some of your favourite books/poems/authors? Do you prefer classical literature or more modern; prose or poetry? I recently started reading a lot more poetry and I love it, there is just something profound about it. Especially when you are able to experience what the author wanted you to so many years later. It’s like an emotional and sensory time machine.

I will talk about literature forever, so I will (try to) keep this brief.

I used to prefer more modern stuff, but I have a soft spot in my heart now for the classics (probably because I studied them extensively for six years lmao). If I'm going to pick up a book and just read it for un, though, it's almost always gonna be a modern thriller. I'm a slut for a murder mystery. My favorite modern authors are Gillian Flynn and VC Andrews, and I would say that my favorite book is Flynn's Sharp Objects. I'm not sure where I'd even begin with my favorite classic works, so I'll just list some of my favorite authors, both modern and classic: Flannery O'Connor, Eudora Welty, Gayl Jones, Randal Kenan, Toni Morrison, Zoje Stage, the Bronte sisters, William Gay, Alice Walker, Zora Neale Hurston, Kate Chopin, Charlotte Perkins Gilman, and Hanya Yanagihara. Honorable mentions to Shakespeare, Steinbeck, Vonnegut, Poe, and Faulkner. I'm not going to lie and say that I enjoy reading Faulkner, but his stuff is so ridiculous sometimes. I love his storytelling. My attention span cannot stand his actual writing, but my favorite professor adored him, so I appreciate his southern gothic shit.

Poetry is a whole other can of worms. I adore it, but I didn't always adore it (high school Kalina would be shook to know this). I agree with you! I feel like every time I read a much-loved poem of mine, I still find something new. Music is like that, too.

My favorite poets are AE Housman, Sylvia Plath, and Emily Dickens, pretty much in that order, but I'm a Plath girl through and through. My favorite poem of all time is "Because I Liked You Better" by Housman, and it inspired the title for Where Clover Whitens. It's also the epitaph for the first chapter and what inspired me to make the whole thing have a poetry theme. I love Allen Ginsberg, Christina Rosetti, and Langston Hughes, too.

Most of the poetry I read is classic, but I love, love, love Mary Oliver. Honorable mentions go to Walt Whitman, Ezra Pound, and Edna St. Vincent Millay.

#i'm gonna stop here bc like i said i will talk forever #this was a fun ride down memory lane tho fr #i thought back to all of my time in college #undergrad especially bc i had to take two brit lit classes #and two american lit classes #and i also took a ton of other lit and writing classes #and fuck now i wanna go back to college #trust and believe i will have a PhD some day #anyway thank you so much for this ask!#this was such a fun one #i also wanna add that this is what makes teaching English fun too #i love introducing my kids to literature #kalina answers

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100gayicons · 4 years ago

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Roy Scherer, Jr. and Andrew Kelm had a lot in common. They had abusive fathers; their parents marriages ended in divorce; and they spent their formative years living with their mothers. After serving time in the military (Andrew in the Coast Guard, Roy in the Navy) they found their way to Hollywood.

They both became clients of Henry Willson, a talent agent who specialized in making young good looking men into movie stars. Willson always gave his male clients masculine and memorable stage names - Roy became Rock Hudson (and eventually a major star for Universal) and Andrew became Tab Hunter, a future Warner Brothers star. And Rock and Tab both had a secret that could destroy their careers - they were gay.

Tab’s mother was religious and she sent him and his brother to a catholic school. Athletic, Tab developed a love of figure skating, and competed in both singles and pairs. But it was his love of horses that eventually led to an acting career.

Tab was working at a Southern California stable when a crew arrived to take photos of actress Ann Blythe. Actor (later agent) Dick Clayton was on hand and noticed young Andrew and asked him if he ever considered being an actor. Boy, that sounds like a pickup line! A few years later, after Tab’s stint in the Coast Guard, Tab met Clayton again in New York and Clayton immediately began introducing him to people in show business.

That eventual led to a meeting with Henry Willson, an agent with a reputation for making young men into movie stars (among other things he made some of those men do).

Hunter progressed quickly at Warner. He had his first minor role in 1950 (The Lawless) and by 1954 he was the a leading man (Return to Treasure Island) with Linda Darnell as his love interest. Warner Brothers notice his potential in and offered him a contract. He had a hit with his next film too - “Battle Cry” about marines fighting in the Pacific.

But after 4 films with various studios, he became unhappy with Henry Willson and decided to change agents. That would have its consequences.

Meanwhile agent Henry Willson has a big problem. A scandal magazine threaten to publish an article revealing that his star client Rock Hudson was gay. Willson made a deal with the magazine - he would give them dirt on two other actors in exchange for burning the Hudson story. The first was Rory Calhoun who had an arrest record and spent time in a Juvenal prison. Calhoun’s on screen persona was that of a tough guy, so the article just help to prop up his image.

The other actor thrown under the bus was his former client Tab Hunter. In 1950 Hunter had attended a “pajama party for men only” that was raided by the police. Hunter was arrested (along with 20 other young men) and briefly detained. While this could have ended Hunter’s budding career - he was sparred. In fact, only a few months later he was named a promising young new comer in a national poll.

The studio would regularly send him on on public dates with his costars and fabricate sham resonances with rising young starlets.

Over the next few years, while continuing to star in hit films, Hunter experimented with singing and had a #1 record with “Young Love” in 1957. Based on its success, Warner Brothers actually creates a new division (Warner Bros Records) for him to release more albums. They even bought the rights to the Broadway musical “Damn Yankee” for him to star in the film version (1958).

But what if his love life?

In the 1950s Hunter met Olympic figure skater Ronnie Roberts and they started a long term relationship. Hunter, who always loved skating, sponsored Roberts training (athletes then performed under strict amateur guideline).

They spent spent as much time as possible together - once driving cross-country together so Robbiecould attend training in Lake Placid, NY. Hunter became friends with Roberts family too. But the skating world resented Hunter’s presence are events. And this began affecting Roberts scores. The two eventually parted but remain friends.

“I was infatuated with Ronnie.... To most folks, Ronnie and I were good buddies, sharing the ice. Few people considered what else we were sharing.”

Hunter next serious relationship was with fellow actor Anthony Perkins.

“I had a wonderful relationship with him,” Hunter said.

They met at the pool at the Chateau Marmont, and Hunter was immediately attracted to Perkins. The two went on double dates (the photos of which can easily be found on the internet). In them it’s clear the boys paid more attention to each other than the girls.

Venetia Stevenson, a young actress that the studio assigned as Hunter’s beard (fake girlfriend) thought Tab was more in love with Tony than Tony was with Tab. Hunter also felt betrayed when Perkins convinced his Paramount to buy a script for him, knowing that Hunter had already played the role on TV and working working to get Warner to buy the script as well. That was the beginning of the end of their relationship.

“You never really knew Tony 100 percent. There was always a secret side, and he was a bit of a game-player with people’s minds,” said Hunter.

Hunter said of his life in Hollywood, “(it) was difficult for me, because I was living two lives at that time. A private life of my own, which I never discussed, never talked about to anyone. And then my Hollywood life, which was just trying to learn my (craft). There was a lot written about my sexuality, and the press was pretty cruel.”

At this point Hunter was feeling unfulfilled with the other roles the studio offered to him. So by 1959, he bought out his contract with Warner Brothers. The consequences of going out on his own was that he didn’t have the power of the studio promoting him. The quality of his films diminished during the 1960s and 1970s.

But in 1989, Tab Hunter had an unexpected career resurgence. Alt director John Waters asked him to star in “Polyester” opposite the ultimate Drag Queen Divine. Hunter’s his agent tried to convince him not to take the role but he decided, “What have I got to lose?”

The film was such a hit that Hunter decided to produce another film himself, costarring Divine. That effort would proved another turning point in his life.

Waters could only afford Hunter for one week. “I’m sure it was the least Tab Hunter had ever been earned on a film, and it was the most I ever paid an actor,” said Waters. “Polyester” was a hit, reviving Hunter’s film career.

While meeting with studios to raise money for what would eventually be call “Lust in the Dust”, Hunter met Allan Glaser, young executive at Fox. Sparks flew and the two soon became partners. Glaser also took on the role as producer of the film.

Hunter and Glaser settle on a ranch in Southern California when Tab regularly enjoyed horse back riding. Although out to friends, Tab was a private man. So he didn’t come out to the public until 2005 when he published his memoir. Hunter and Glaser married in 2013. The two were together for 35 years until Tab’s death in 2018.

#gay icons #tab Hunter #rock Hudson #Tony Perkins #Allan Glaser #divine #polyester #lust in the dust #John waters #in the closet #Natalie Wood #debbie reynolds

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crowdvscritic · 3 years ago

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round up // JULY 21

‘Tis the season to beat the heat at the always-cold theatres and next to fans set at turbo speed. While my movie watching slowed a bit with the launch of the Summer Olympics on July 23rd, I’ve still got plenty of popcorn-ready and artsy recommendations for you. A few themes in the new-to-me pop culture I’m recommending this month:

Casts oozing with embarrassing levels of talent (sometimes overqualified for the movies they’re in)

Pop culture that is responding or reinterpreting past pop culture

Stories that get weEeEeird

Keep on-a-scrollin’ to see which is which!

July Crowd-Pleasers

1. Double Feature �� ‘90s Rom-Coms feat. Lots of Lies: Mystery Date (1991) + The Pallbearer (1996)

In Mystery Date (Crowd: 7.5/10 // Critic: 6/10), Ethan Hawke and Teri Polo get set up on a blind date that gets so bizarre and crime-y I’m not sure how this didn’t come out in the ‘80s. In The Pallbearer (Crowd: 8/10 // Critic: 7/10), David Schwimmer and Gwyneth Paltrow try to combine The Graduate with Four Weddings and a Funeral in a story about lost twentysomethings. If you don’t like rom-coms in which circumstances depend on lots of lies and misunderstandings, these won’t be your jam, but if you’re like me and don’t mind these somewhat-cliché devices, you’ll be hooked by likeable casts and plenty of rom and com.

2. The Tomorrow War (2021)

I thought of no fewer movies than this list while watching: Alien, Aliens, Angel Has Fallen, Cloverfield, Interstellar, Kong: Skull Island, Prometheus, A Quiet Place: Part II, Star Wars: The Empire Strikes Back, Star Wars: The Revenge of the Sith, The Silence of the Lambs, The Terminator, Terminator 2: Judgment Day, and World War Z. And you know what? I like all those movies! (Okay, maybe I just have a healthy respect/fear of The Silence of the Lambs.) The Tomorrow War may not be original, but it borrows some of the best tropes and beats from the sci-fi and action genres, so much so I wish I could’ve seen Chris Pratt and Co. fight those gross monsters on a big screen. Crowd: 9/10 // Critic: 6/10

3. Dream a Little Dream (1989)

My July pick for the Dumb Rom-Com I Nevertheless Enjoyed! I CANNOT explain the mechanics of this body switch comedy to you—nor can the back of the DVD case above—but, boy, what an ‘80s MOOD. I did not know I needed to see a choreographed dance routine starring Jason Robards and Corey Feldman, but I DID. All I know is some movies are made for me and that I’m now a card-carrying member of the Two Coreys fan club. Crowd: 8/10 // Critic: 6.5/10

4. Black Widow (2021)

The braids! The Pugh! Black Widow worked for me both as an exciting action adventure and as a respite from the Marvel adventures dependent on a long memory of the franchise. (Well, mostly—keep reading for a second MCU rec much more dependent on the gobs of previous releases.) Crowd: 9/10 // Critic: 7.5/10

5. Liar Liar (1997)

Guys, Jim Carrey is hilarious. That’s it—that’s the review. Crowd: 9/10 // Critic: 7/10

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6. Sob Rock by John Mayer (2021)

It’s very possible I’ve already listened to this record more than all other John Mayer records. It doesn’t surpass the capital-G Greatness of Continuum, but it’s a little bit of old school Mayer, a little bit ‘80s soft rock/pop, and I’ve had it on repeat most of the two weeks since it’s been out. Featuring the boppiest bop that ever bopped, at least one lyrical gem in every track, and an ad campaign focused on Walkmans, this record skirts the line between Crowd faves and Critic-worthy musicianship.

7. Double Feature – ‘00s Ben Affleck Political Thrillers: The Sum of All Fears (2002) + State of Play (2009)

In The Sum of All Fears (Crowd: 8.5/10 // Critic: 7.5/10), Ben Affleck is Jack Ryan caught up in yet another international incident. In State of Play (Crowd: 8/10 // Critic: 7/10), he’s a hotshot Congressman caught up in a scandal. Both are full of plot twists and unexpected turns, and in both, Affleck is accompanied by actors you’re always happy to see, like Jason Bateman, James Cromwell, Russell Crowe, Jeff Daniels, Viola Davis, Morgan Freeman, Philip Baker Hall, David Harbour, Rachel McAdams, Helen Mirren, Liev Schreiber, and Robin Wright—yes, I swear all of those people are in just those two movies.

8. Loki (2021-)

Unlike Black Widow, you can’t go into Loki with no MCU experience. The show finds clever ways to nudge us with reminders (and did better at it than Falcon and the Winter Soldier), but be forewarned that at some point, you’re just going to have to let go and accept wherever this timeline-hopper is taking you. An ever-charismatic cast keeps us grounded (Owen Wilson, Jonathan Majors, and an alligator almost steal the show from Tom Hiddleston in some eps), but while Falcon lasted an episode or two too long, Loki could’ve used a few more to flesh out its complicated plot and develop its characters. Thankfully, the jokes matter almost as much as the sci-fi, so you can still have fun even if you have no idea what’s going on.

9. Double Feature – Bruce Willis: Die Hard With a Vengeance (1995) + The Whole Nine Yards (2000)

Before Bruce Willis began starring in many random direct-to-DVD movies I only ever hear about in my Redbox emails, he was a Movie Star smirking his way up the box office charts. In the third Die Hard (Crowd: 10/10 // Critic: 7.5/10), he teams up with Samuel L. Jackson to decipher the riddles of a terrorist madman (Jeremy Irons), and it’s a thrill ride. In The Whole Nine Yards (Crowd: 9/10 // Critic: 8/10), he’s hitman that screws up dentist Matthew Perry’s boring life in Canada, and—aside from one frustrating scene of let’s-objectify-women-style nudity—it’s hilarious.

10. This Is the End (2013)

On paper, this is not a movie for me. An irreverent stoner comedy about a bunch of bros partying it up before the end of the world? None of things are for Taylors. But with a little help of a TV edit to pare down the raunchy and crude bits, I laughed my way through and spent the next several days thinking through its exploration of what makes a good person. While little of the plot is accurate to Christian Gospel and theology, some of its big ideas are consistent enough with the themes of the book of Revelation I found myself thinking about it again in church this morning. (Would love to know if Seth Rogen ever expected that.) Plus, I love a good self-aware celebrity spoof—can’t tell you how many times I’ve just laughed remembering the line, “It’s me, Jonah Hill, from Moneyball”—and an homage to horror classics. Crowd: 8/10 // Critic: 7/10

July Critic Picks

1. Summer of Soul (…or, When the Television Could Not Be Televised) (2021)

Even director Questlove didn’t know about the Harlem Cultural Festival, but now he’s compiled the footage so we can all enjoy one of the coolest music fest lineups ever, including The 5th Dimension, B.B. King, Gladys Knight and the Pips, Nina Simone, Sly and the Family Stone, and Stevie Wonder, who made my friend’s baby dance more than once in the womb. See it on the big screen for top-notch audio. Crowd: 8/10 // Critic: 9/10

2. Good Morning, Vietnam (1987)

Robin Williams takes on the bureaucracy, disillusionment, and malaise of the Vietnam War with comedy. Williams was a one-of-a-kind talent, and here it’s on display at a level on par with Aladdin. Crowd: 8/10 // Critic: 9/10

3. Against the Rules Season 2 (2020-21)

Michael Lewis (author of Moneyball, adapted into a film starring Jonah Hill), is interested in how we talk about fairness. This season he looks at how coaches impact fairness in areas like college admissions, credit cards, and youth sports.

4. Bugsy Malone (1976)

A gangster musical starring only children? It’s a little like someone just picked ideas out of a hat, but somehow it works. You can hear why in the Bugsy Malone episode Kyla and I released this month on SO IT’S A SHOW?, plus how this weird artifact of a film connects with Gilmore Girls.

5. The Queen (2006)

Before The Crown, Peter Morgan wrote The Queen, focusing on Queen Elizabeth II (Helen Mirren) in the days following the death of Princess Diana. It’s a complex and compassionate drama, both for the Queen and for Prime Minister Tony Blair (Michael Sheen, who has snuck up on me to become a favorite character actor). Maybe I’ve got a problem, but I’ll never tire of the analysis of this famous family. Crowd: 8.5/10 // Critic: 9.5/10

6. The Life and Times of Judge Roy Bean (1972)

This month at ZekeFilm, we took a closer look at Revisionist Westerns we’ve missed. I fell hard for Roy Bean, and I think you will, too, if for no other reason than you might like a story starring Jacqueline Bisset, Ava Gardner, John Huston, Paul Newman, and Anthony Perkins. Oh, and a bear! Crowd: 8.5/10 // Critic: 10/10

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7. New Trailer Round Up

Naked Singularity (Aug. 6) – John Boyega in a crime thriller!

Queenpins (Aug. 10) – A crime comedy about extreme coupon-ing!

Dune (Oct. 1) – I’ve been cooler on the anticipation for this film, but this new look has me cautiously intrigued thanks to the Bardem + Bautista + Brolin + Chalamet + Ferguson + Isaac + Momoa + Zendaya of it all.

The Last Duel (Oct. 15) – Affleck! Damon! Driver!

Ghostbusters: Afterlife (Nov. 11) - I’m not sure why we need this, but I’m down for the Paul Rudd + Finn Wolfhard combo

King Richard (Nov. 19) - Will Smith as Venus and Serena’s father!

Encanto (Nov. 24) – Disney and Lin-Manuel Miranda making more magic together!

House of Gucci (Nov. 24) - Gaga! Pacino! Driver!

Also in July…

Kyla and I took a look at the classic supernatural soap Dark Shadows and why Sookie might be obsessed with it on Gilmore Girls.

I revisited a so-bad-it’s-good masterpiece that’s a surrealist dream even Fellini couldn’t have cooked up. Yes, for ZekeFilm I wrote about the Vanilla Ice movie, Cool as Ice, which is now a part of my Blu-ray collection.

Photo credits: Against the Rules. All others IMDb.com.

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give-me-back-my-rhodey · 4 years ago

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Make ME

Title: Make Me Creator: Purple_ducky00 Rating: Teen Warnings: none applicable Relationship: Sam/bucky Square Filled: O3 – Undercover Mission for @samwilsonbingo Summary: Sam and Bucky get under each other’s skin, and neither of them can stand the other. How long til these idiots learn that it’s not hate, but love between them? Link: https://archiveofourown.org/works/29754915

Prompted from this post by @rambeaus

“Who died and made you king?” Bucky grumbles.

Sam throws up his hands in annoyance. “For fuck’s sake Barnes! You know this is the best way to do this!”

“No, I don’t! This way has many flaws. The slightest movement could set off a chain reaction of…” Bucky’s tirade is cut off by Natasha walking between them with sterile gloves and picking up the mouse trap, sticking the remains of the mouse and the trap in a plastic bag. She rolls her eyes at them and walks out of the kitchen.

“Do you see what you just did there? This could have all been taken care of if you just listened to me!” Sam growls.

Smirking Bucky turns away. “Bite me.”

Sam’s temper flares as he watches Bucky walk away. What is it about the soldier that makes Sam’s blood boil? Every interaction they have ends in an argument… And for some reason, Rhodes had put them on the same team! When a few deep breaths don’t calm him down, Sam heads to the gym. Might as well let out some aggression on something he can’t hurt.

++++++++ “What were you thinking putting those two on the same team?” Tony laughs as he lays down in his husband’s lap. “The UST is off the charts. They are going to finally snap and either kill or fuck each other.”

Rhodey shakes his head. “I know. And that’s why I put them on the same team. I’m sick and tired of them skirting around the issue. No use delaying the inevitable. They both have too much of a sense of duty to not complete the mission, and I’m going to assign a mission leader to go with them to keep them on track. Now, who should that sucker be?”

“I would tell you Steve because I love trolling him, but he would only stop them from doing either. Give the job to Sharon. She deserves it after the whole blow-dryer incident.”

“Tony, that was five years ago.”

The retired superhero sits up to glare at Rhodey. “I’m still not over it.”

“Ok, ok. I’ll send Sharon. She’s close with them anyways. Hopefully, she knocks some sense into them.” Rhodey concedes.

+++++++++++++++++

Sam and Bucky are seated across the table from each other in the conference room, listening to Sharon’s plan. “So, we’re going undercover as actors in the Bachelorette. We have intel that the host of the show is somehow funneling contraband drugs and black-market arms for HYDRA. Bucky, Tony made you a flesh-like sleeve for your arm, and we are all going to be using holomasks to cover our identity. Do you both have your characters memorized?”

“Yes. I am Tucker Acktenbee. Raised by my mother and her sisters, I know how to appeal to the feminine side. Growing up in Massachusetts, I love seafood and cranberry jam and pies. Before I applied here, I graduated from LSU with a bachelor’s degree in English. I am twenty-six, and my birthday is October 19.” Bucky says as he pulls the holomask over his face. He looks like a completely different person.

Sam rolls his eyes and does the same. “Hey, baby. My name is Joshua Perkins. Born and raised in New Orleans, I also share an affinity for seafood, but my insides can handle the spice. No one’s going to want a bland piece of white bread like Tucker when this bombshell is available. With a master’s degree in psychology, I’m here to help with whatever emotional needs a woman has. I’ll be twenty-seven on April 15th.”

“Good. Good.” Sharon nods. “Just so you remember, I am going to be in the camera crew so my ears will be open for any rumors. Pack your stuff. We have to be on set in 24 hours to rehearse.”

“I don’t know about you, Barnes, but I’m going to win that Bachelorette’s heart.” Sam nudges Bucky with his shoulder.

“Better a fake relationship than none for you, I guess.”

This man makes him so angry! “Fuck you.”

“Nah, better leave that for Miss Bachelorette.” Bucky sends him a syrupy grin and walks out of the room before Sam can reply.

“Arrrgh!” He groans, and Sharon looks at him strangely. “Sorry, Shar. He just gets under my skin so easily. I just want to strangle him sometimes!”

“Yeah… strangle him…” She nods slowly.

“What are you implying?”

Raising her hands in surrender, Sharon backs up. “Hey, I’m not kink shaming. You do you, my friend. Just don’t tell me about it.” She picks up her clipboard and tablet. “Wheels up in nine hours.”

Kink shame? What the fuck? Needless to say, Sam is very confused. There is nothing kinky about his and Bucky’s relationship. They clash at every turn. If he slammed the door when he stormed out of the room, he’ll never admit it.

++++++++++++

“Hello and welcome to The Bachelorette! I am your host, Chris Harrison. Join me as we find this year’s Bachelorette a husband. At age 28, Penelope Darnea previously worked in insurance but is looking to branch out to another occupation. She loves baseball and the beach and is always down for a margarita. Now, let’s take you to our woman of the hour as she greets the contestants!”

Bucky is one of the first contestants to the mansion. Penelope Darnea is a beautiful woman with societal “perfect” features. As he walks up the stairs to the mansion, she greets him. “Hello, welcome to the mansion! Tucker Acktenbee?”

“Yes, it is.“ Bucky leans down to kiss her hand. “Can I tell you just how ravishing you look? The man you choose will be incredibly lucky indeed.”

Blushing, Penelope waves him on. “I can tell that you’re a charmer.” Bucky is escorted to a room in the mansion as Ms. Darnea greets the next contestant. He uses the time he has to think about the mission. Somehow, they have to act as contestants for the Bachelorette and figure out how they are funneling the money without the network realizing. And he has to do it with Sam.

His therapist once asked him “What does Sam do that gets on your nerves?”

“The better question is what does he do that doesn’t get on my nerves?” Bucky had replied. They always have the stupidest of arguments about the most meaningless things. Both of them hate to lose. His head perks up when he hears someone in the hall. “Here is your room, Mr. Perkins. If you need anything, please ring the bell.” The host goes through everything as he did in Bucky’s room.

“Thank you, sir. Much appreciated.” Oh fuck. That’s Sam’s voice. Bucky understands why they would put Sam beside him in case a quick update to the mission is needed, but to hear that voice at all times of the day? He can only take so much torture. Thankfully, a host comes to get him for an “exclusive” interview. Bucky stays true to his character but does not miss Sharon manning the camera.

After the interview, he is told that he can fraternize with the other contestants, but he cannot use someone else’s set time with the Bachelorette for his own. That is an instant disqualification. Bucky confirms his understanding and returns to his room. Changing into a new outfit, he decides to take a walk through the house. He’ll let Sam come to him first.

++++++++++++++++++

A week goes by, and the second rose ceremony is coming up. Both Sam and Bucky make sure to spend time with Ms. Darnea, but also meet up in Bucky or Sam’s room every night to see if they’ve seen anything suspicious.

Bucky has kept a close eye on the host but so far nothing looks fishy. Sam has been scanning other cast and crew members and has come up with nothing. They are quickly running out of options, but there are still a good portion of contestants left.

“Why don’t we check the host’s quarters? He has to have something there.” Bucky suggests. That was the dumbest fucking thing Sam has ever heard in his life. “Dude. There are cameras everywhere. If we get caught, our cover is blown. We have to just wait for some kind of shipment to get here. The set can’t have had enough food stocked for a month.”

“But what if we can’t wait that long? What if he’s getting stuff out another way? Then HYDRA has supplies, and they’ll hurt more people. We can’t let them do that.”

Sam scoffs. “What do you think they have? Air ducts under the mansion?”

“Go fuck yourself.” Bucky gives him the finger.

“Make me.”

Bucky’s eyes darken in anger. “I just might….” He cannot finish his sentence before there’re is a knock on the door.

“Mr. Perkins, your date is set up.” Someone calls through the door.

“Now if you’ll excuse me,” Sam smirks and straightens his collar, “I have a woman to seduce Tah tah! Have fun!” And then he sashays out, enjoying the look of pure anger on “Tucker’s” face.

He walks down the hallway with the camera crew following him to the porch outside where Penelope is waiting. “Well Joshua, what date do you have planned for us tonight?”

“Well, my lady, you say you like excitement, correct? I have bought us tickets for skydiving. Does that sound enjoyable to you? Once done, we will grab dinner at that new Italian restaurant, Sal’s, I think? They serve the best tiramisu.”

“Oh, that sounds lovely.” Penelope purrs, rubbing his arm with her hand.

Crooking his elbow, Sam offers his arm. “Shall we go?”

It is long after midnight when the couple returns from the restaurant. Sam looks up and sees the curtains are halfway open in Bucky’s room. That means he has some news. “I dd not realize they like you stay the entire night.” Penelope marvels. “Wow, Joshua, you are so cultured.”

“Oh, it’s nothing. “Sam waves it off. “Just something I’ve picked up in my travels. Have a good night Beautiful. I hope to see you again tomorrow. Water aerobics class?”

“Why yes. I do love water aerobics.” The bachelorette pokes his shoulder with hard, bony fingers. It hurts! Taking his leave of the lovely Bachelorette, he goes back to his room until the cameras leave. Then he walks over to Bucky’s, who updates him on the next shipment coming in. They will be ready then.

++++++++++++++++++++++++++

It is the day after the latest Rose Ceremony. There are only five contestants left. We have gathered these remaining contenders to give another “exclusive” interview. “So how are you feeling about the contest?” The host asks each participant in their interviews. Here are the responses.

“I’m feeling pretty good about it. Ellie and I have had many a good date together. I do think she will choose me in the end.” Carlton Hayweather comments.

Nathan Abbey snorts. “Well, there are five of us left, so she can only pick one, right? And the amount of time Perkins and Acktenbee spend in each other’s rooms, we really don’t have to worry about them. So basically, there’s three of us.”

“I’m feeling confidant,” Joshua Perkins leans back in his chair. “I believe I have made her laugh the most, and I do believe humor and friendship are major keys in a relationship.”

Terrance Filippo tilts his head. “Eh, if I win, I win. If I don’t, I don’t.”

But it’s Tucker Acktenbee who wins the hearts of most watchers. “Penelope is a very strong woman. I trust that she knows who is best for her. I do hope it is me, of course, but should she choose another, we must all concede fair and square. We have to stop assuming we know what women want or need. She is capable of knowing it herself, and I wish her the best.”

Are you excited for the next round? I am!

++++++++++

“Tucker, Joshua? The producers of the show would like to meet with you.” An event manager pulls them from the pool area.

When they arrive in the office, the head producer, Carole Teller, claps her hands. “Great acting out there! Have you seen this interview?” She shoves a tablet in front of their faces. Nathan Abbey’s face is centered on the screen.

“Oh, he thinks we’re gay?” Bucky asks.

“Yes, and if you are, we don’t discriminate, although I wonder why you’re here if you are. But it doesn’t matter. The question is, would you be able to pretend at least for the screen? I don’t mean a full make-out session, but maybe the camera catches a glimpse of you two in the corner. Ratings will go up, and there will be added drama.”

Bucky is about to object when Sam shrugs. “Sure. We can do that. Is that all you need?”

“Yes. Thank you for coming in. Good work out there!” She chirps and then turns her full attention onto something else.

“I guess we’re dismissed.” Sam shrugs. “Come back to my room. We have to strategize.”

Once they get back to Sam’s room, Bucky pushes Sam up against the wall. “What the fuck did you agree to that for?” He hisses. “First of all, that means the show is queerbaiting and I don’t like that! Second of all, how is this going to help us?”

“We can hide in little alleyways and closets. Who knows what clues we could find there? Do you hate me that much that we can’t play nice and kissy for a week or so?”

“I can kiss you. I am a great actor, thank you very much.” Bucky leaves go of Sam.

“Then do it. Kiss me.” Sam challenges. “Make me.” Bucky thinks the conversation would be ended there, but Sam grabs him by the face and plants a deep kiss on this lip. Caught off guard, Bucky is not ready for that, but quickly kisses Sam back.

“Wow. That wasn’t so bad after all.” Sam says, wiping his face with his sleeve.

Bucky scratches the back of his head. “Not… too… bad, I guess.”

Now that one kiss has been made, many more are to come. Bucky and Sam take advantage of their “hidden relationship” to sneak into closets and hallways. They find that the next shipment will be coming in early the next morning.

Bucky is taken away to get ready for his date. The dinner and show are quite enjoyable, and Penelope asks him back to her room. Bucky agrees. Once inside the door with the cameras off, she pushes him to a machine and flips the switch. The electricity runs through him and holds him to the machine. Tsk what am I going to do with you?” Penelope asks. “You shouldn’t have come, Asset.”

“You can’t…. control me. The words don’t…. work anymore.” Bucky forces out through his pain.

“True that might be, but I can break you. My mother broke you the first time. Don’t think I don’t have her notes.” She smiles wickedly. “Too bad you had to snoop in places you just didn’t belong. Now I’m going to take you and all my goods< and I’m taking you back to base where we can finish our experiments. How does that sound?”

“Like we got it all on tape!” Sam bursts through the door. “Hands up Lady. We’ve got you.” He rips off his holomask, showing his face.

“Drop the gun, or I electrocute him.” Penelope warns.

Sam puts the gun on the floor and slides it halfway over to the villainess. As she bends down to get it, Bucky summons his strength to break free of the current and kicks her. Immediately, Sam tackles Penelope to the ground and wrestles the switch from her, accidentally setting it on high. Bucky convulses and screams. In panic mode, Sam clicks off the current and frees Bucky, who falls to the ground, unmoving. Quickly chaining the Bachelorette to the machine, Sam works on reviving Bucky. “Bucky! No! You can’t die. I just realized that I love you, and if you don’t wake up and get up, so help me I will kill you myself.”

Bucky’s lips move minutely, and he whispers something. Sam leans down to heard Faintly, Bucky whispers with a grin, “Make me.”.

#sambucky #sam wilson #Bucky Barnes #idiots in love #samwilsonbingo

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darling-i-read-it · 4 years ago

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Hollywood Party

Cliff Booth x reader

Word Count: 1.2k

Warnings: talks of drugs

Author’s Note: Hi darling! I hope this was what you were looking for, I’m always down for some good old Cliff.

Requested: by anon, Hello my love! I am back to request another Cliff Booth x reader because I am obsessed (and I have an idea this time yay) with your writing! Could you write one where the reader drags Cliff to a party with a lot of dancing (similar to the dance scene at Playboy Mansion) and although he is hesitant at first, he is eventually persuaded to dance and there is a lot of fluff? Thanks 💖

Summary: the request

Genre: fluff

I don’t own these characters. They belong to author/director

(not my gif)

Cliff wasn’t invited to plenty of parties. He was in the Hollywood scene after all and he had to say that Rick was much more popular than Cliff gave him credit for. There was often a party that he was invited to that he blew off but every once in a while there was a chance that Rick was in the mood for a good drunk party.

Like today.

“I’m just saying Cliff that i-it would be perfect,” Rick said, following his friend through set. Cliff had a scene to film today and so did Rick. They were both in full costume which was an odd look if everyone didn’t understand what was going on.

“Perfect for what?” Cliff asked, fixing the watch on his wrist.

“Getting Y/N to a d-date!” Rick shoved his friend and Cliff shook his head.

“I don’t think I need your help with that.”

“Yes you do. Come on, it’ll be f-fun. It’s a Hollywood party she’s never been to one.” “Oh so it’ll be fun to see her idols doing coke off each other?” Rick snorted.

“Of course.”

Cliff was of course hesitant to invite you at all. He didn’t think it would be quite your scene so he pushed the thought of his head but the next time he saw you he brought it up and you were clearly interested. Maybe it was just that it was a Hollywood party. He’d like to think it was because you liked him but there was also an inkling that you wanted to see Rick Dalton from Bounty Law. He was never that sure.

“Are you sure you wanna go?” Cliff asked, looking at you through the driver's window of Rick's car.

“I will drag you if I gotta Booth,” you said with a smile. You got into the backseat of the car and Rick looked you up and down, much more obviously then Cliff had when he was pretending not to. You looked amazing. Like a regular sixties queen, someone who you would see in the magazines and billboards and big screen.

You weren’t an actress quite yet but you were aspiring. You were a couple years younger than Rick and Cliff but a lot of years but you were of age and not young enough to raise any flags. It had of course crossed Cliffs mind you were using him to get to Rick to get to jobs but you didn’t seem like that type of girl.

“You look a-amazing,” Rick said with a flirtatious smile. You smiled proudly.

“Thank you very much Rick.”

“You look great doll,” Cliff said, glancing at you through the rear view mirror as he started to drive away. That caused you to blush.

“Thanks Cliff.”

You walked in with the two of them at your arm but everyone could tell you were leaning into Cliff.

The party was amazing. You had never seen anything like it. You knew each face that passed you but they didn’t know you. Audrey Hepburn walked beside you in an intense conversation with Anthony Perkins. You saw Elizabeth Taylor in the corner and Sharon Tate was sitting by the pool, flirting.

“Oh my Lord, Cliff is that Gregory Peck?” He nudged you.

“Yes. It is.”

You felt your knees go weak and Rick and Cliff were just barely able to catch you.

“I wanna go talk to Sharon alright, maybe I can get in a Polanski movie,” Rick said and you nodded as he walked away. You smiled, watching him approach a movie star with such ease. Granted he was a star so he had no problem with it like you did.

“This is groovy!” you screamed and let go of Cliff, walking over to where the drinks were. You poured yourself and Cliff one each and then walked back over to him, handing him the cup.

“Are you enjoying yourself?” he asked and you nodded quickly.

“I’m pretty sure I bumped into James Garner on the way over to you,” you whispered. He laughed and shook your head.

“I think maybe you’re a little in over your head.” You looked around and saw the dancing going on outside which Sharon and Rick had gotten caught up in.

“We should dance,” you stated. He shook his head quickly, raising his free hand in surrender.

“No.”

“Cliff we should dance!” You disgarded your now empty drink onto a table and tugged on his arm. He placed his drink beside yours and shook his head.

“Go dance with Anthony Perkins.”

“I don’t want to dance with Anthony Perkins, I wanna dance with you.” He felt that skip of his heart beat. The early days when he was married he felt it. You reminded him of those days every day you were around him.

“Really?” You paused.

“Okay maybe I’ll dance with Tony after you but I wanna give you the first dance.” He chuckled and allowed you to move his feet to the dance floor.

Just as you got there and started to move (you caught the eye of not only Cliff but many other movie stars if they were being honest) the upbeat song turned to a slower ballad which was odd for a party but not unheard of. You slowed down and looked around, catching the eyes of the couples dancing together all of the sudden. You cleared your throat and extended a hand to Cliff.

He raised an eyebrow and you shrugged.

He took your hand and then his hands were on your hips and he was dancing with you like he had never danced before.

“I like you,” you whispered.

“Be quiet, Tony will hear.” You shook your head and smiled up at him, edging him to say it back. He let out a sigh.

“I like you too.” You smiled.

“If you’ll excuse me I now have to go say the same thing to Anthony-” but before you could finish your sentence he was kissing you and you weren’t complaining.

#cliff booth x reader #cliff booth imagines

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inevitablemoment · 3 years ago

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Masterlist

A masterlist for all my fics as of this year. Following the format of @ShhImAvoidingSleep’s masterlist.

**- Multi-Chapter Fic

*- Oneshot

Emerald & Silver (Ms. Holloway Backstory Fic)

Emerald & Silver**

Emma Perkins: Warrior Princess (Paulkins!Xena AU)

Flow of Blood**

Emma Enchanted (Paulkins!Film!Ella Enchanted AU)

Emma Enchanted**

An Aria To Rule Them All (Hive Royalty!Paulkins Oneshots)

An Aria To Rule Them All** (Collection of Oneshots)

Save This Dance ‘Verse (Ellex Post-Canon)

Save This Dance For Me**

Altered Perceptions (The Frighteners Post-Canon)

The Hand That Fits In Mine*

The Threshold Of Something New*

The Touch That Sets Me Free*

(No Matter What May Come) The Two Of Us Will Stand As One*

When Troubles Come And My Heart Burdened Be**

All The Empty Days Will Softly Fade Away*

Wherever Love Takes Me**

The Alphabet Of Frank And Lucy**

Bundle of Hope**

Our Guiding Star**

The Philosophy of Love (Jamie/Vicky stories)

Vicky, One In A Million**

Libidinous*

The Love We Share That Fills The Air*

I Look Around Me And See A Sweet Life*

You Love, Therefore You Are**

Ellex Post Episode Challenge

Ellex Post Episode Challenge (Rules)*

S4 E2 The Real Thing*

S4 E24 Paper Chase (co-written with marissaiswholocked1011)*

Some Things Are Worth it (Nolan Price/Samantha Maroun)

The Right Thing*

Impossible Dream*

Filtered Life*

Fault Lines*

Slow It Down*

Free Speech*

Wicked Game*

Legacy*

Severance*

The Great Pretender*

Black and Blue*

I Want To Know Your Story

I Want To Know Your Story**

Miscellaneous

If I Should Lose You Now (Family Ties; Ellex)**

I Must’ve Done Something Good (Blue’s Clues; Steve x Miranda)*

It’s Okay To Say What You Need (Family Ties; Ellex)*

The Way The World Could Be (Back to the Future; 1985-A!Marty x Jennifer)**

Forever & Always (Law & Order; Secretly!Married Nolam AU)**

If The Skies Get Rough (Little House on the Prairie; Laura x Almanzo)*

A Long Kiss Goodnight (Bonnie & Clyde; Bonnie x Clyde)*

When The World’s At Stake (Back to the Future; Lorraine Baines McFly Character Study)**

Song As Old As Rhyme (The Frighteners; Beauty and the Beast!Frank x Lucy AU)**

Losing His Heart (Bonnie & Clyde; Bonnie x Clyde)*

The Ball And Chain You Drag Around (The Frighteners Pre-Canon Oneshot; Debra Centric)*

If One’s Left Behind (Bonnie & Clyde; Bonnie x Clyde)*

Somebody Make Me Feel Alive (The Frighteners; Frank x Lucy Teacher AU)**

COMING SOON TO AN AO3 NEAR YOU

Multiple Paulkins one-shots

Never Alone** (Ellex Count of Monte Cristo AU)

The Woman I Used To Be** (Role Reversal!Ellex Count of Monte Cristo AU)

Our Moment’s Almost Past (Ellex!Mermaid AU)

Through The Lonely Nights That Fall* (Ellex AU, post-”A, My Name is Alex”)

Let One Star Shine Through** (AU of Save This Dance ‘Verse)

That Famous Happy Ending** (Ellex Fic from POV of Other Characters, Ties into the Save This Dance ‘Verse)

Untitled Ellex Parent Trap AU**

Untitled Ellex Life As We Know It AU**

An Everlasting Vow** (Ellex!Swan Princess AU)

The Last Eleven Months** (Ellex Fic to the tune of The Last Five Years soundtrack)

Scarred: The Untold Story Of An Overachiever (Ellex Fic to the tune of Twisted: The Untold Story Of A Royal Vizier)**

Untitled Ellex Once Upon A Time AU**

Untitled Ellex Little Mermaid AU**

A Song In Your Heart (Joe Rasnick x Tracy Pollan!OC Fic)**

You Matter To Me (The Frighteners; Single Dad!Frank x Lucy)**

To Find A Home (Who’s The Boss?; Tony x Angela; Season 7 AU)

A Brand New Life Around The Bend (Who’s The Boss? Drabble Collection; mainly Tony x Angela centric)

Untitled Tony Banta x OC fic (Taxi)

Lullaby From Soulmate To Soulmate (The Frighteners; Frank x Lucy Soulmate AU)

What Baking Can Do (Bright Lights, Big City; Jamie x Vicky Baking AU)

Untitled Family Ties x Who’s The Boss? Crossover (Ellen is Angela’s niece)

What They Call A Family (Newsies; Single Dad!Jack x Katherine, Past Jack x Sarah)

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jurian-is-cinnamon-roll · 4 years ago

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Frank Randall Playlist

I. Sam Phillips - All night

II. Paddy and the Rats - Another life

III. Amy Winehouse - Back to black

IV. Kelly Clarkson - Behind these hazel eyes

V. Mandoki Soulmates - Borrowed love

VI. Dan Wilson - Breathless

VII. Fiddler's Green - Burn my fantasies

VIII. Paddy and the Rats - Castaway

IX. The Veronicas - Cruel

X. Wolfgang Petry - Der Himmel brennt

XI. Lombard - Gołębi puch

XII. Janusz Radek - Grande Valse Brillante

XIII. Ørganek - Głupi ja

XIV. Matthias Reim - Herzenmasochist

XV. Wolfgang Petry - Ich trink' weiter ohne dich

XVI. Perfect - Idź precz!

XVII. Paddy and the Rats - I always see you

XVIII. Sam Phillips - I don't know how to say goodbye to you

XIX. The Days Grace - I hate everything about you

XX. Dolly Parton - I will always love you

XXI. Gloria Gaynor - I will survive

XXII. Dolly Parton - Jolene

XXIII. Tony Perkins - Just friends

XXIV. Paddy and the Rats - My Sharona

XXV. The Vamps - Oh Cecilia (Breaking my heart)

XXVI. AnnenMayKantereit - Pocahontas

XXVII. Dariusz Wnuk - Pod twoim oknem

XXVIII. Jacek Zwoźniak - Ragazzo da Napoli

XXIX. Adrian Wiśniewski - Róg Lexington i 52. (it's a Polish cover of 'On Lexington & 52nd Street' from 'Smash')

XXX. Cut One - Shoulda known

XXXI. Alexey Kozlov - Sideli my na kryshe

XXXII. Adele - Someone like you

XXXIII. Laïs - 't Smidje

XXXIV. Fiddler's Green - Too drunk

XXXV. David Bowie - Within you

#may contain slight cringe #also if you want to ask about the meaning of some polish songs i put here feel free to ask #outlander starz #frank randall #playlist

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hollenius · 4 years ago

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Talking Heads: Are These Guys Trying To Give Rock A Bad Name?

Having fun trawling the internet for more old interviews and things with different bands & musicians. Here’s a Talking Heads one from 1977.

Talking Heads: Are These Guys Trying To Give Rock A Bad Name?

Nick Kent, New Musical Express, 25 June 1977

TALKING HEADS: it's a term they use up in the high-rise skyscrapers that house all the cogs in the corporate machinery cranking out network television for the American people.

The big-wigs in the boardroom – the William Holdens and Robert Duvalls of Network land – have a name for the lowest common-denominator programme non-personalities – the newscaster, weather-reporters, and other old warhorses who sit head and shoulders directly on camera mouthing out their obligatory tasks. These are the "talking heads" of American TV land; utterly boring, but necessary.

Talking heads with greying hair, dabs of make-up and dandruff removed from the shoulders of their suit-jackets, they sit austerely informing the public of the nation's daily occurences – the rapes and murders, the military campaigns abroad, the latest government manouevres. No opinions, no subjective slant to their reports – they simply precis it down, feed it out to those millions of tubes and when it's over they go away, back to the bar or to the suburban home, wife and kids.

David Byrne, guitarist and singer for the Talking Heads, an American rock group, has a song that he wrote and performs entitled 'Don't Worry About The Government'. It usually gets played early on in the set, with no prefacing explanation – just Byrne's reedy high-pitched voice almost stammering "This next song is called..."

And every time he introduced it to an audience in England, certain factions would snigger or boo or howl derisively because Talking Heads after all are a NEW WAVE group and if you are a New Wave group you must write direct anti-status quo, sloganeering songs of dissent. Just like The Clash or Chelsea or...

But Byrne's song isn't like that at all.

It's about an ordinary man who owns an apartment in some American suburb and who lives a quiet, fairly inconsequential existence, going to work in the morning and returning in the evening, who gains pleasure from life simply through drinking wine with friends or reading a book. There is no hint of moral castigation, no hint of cynicism, Byrne just places himself in his character's psyche and explains himself through his song.

It's a rare talent this, something much closer to the art of the very best short-story writers, a talent that only Ray Davies and Randy Newman before him, out of all the thousands of post-war song-writers, have bothered to identify with and explore perceptively.

"I just thought," said Byrne, "that lyrics could be used to strip down conversations, just normal day-to-day converstions and dialogues, and strip away all the phoney embellishments and posturing right down to essentials so that they would actually say something directly, without having to throw in all the 'Oh yeah, baby' or 'Hey, bitch I'm coming to get ya right now' or...

"Pa-a-arty," chips in Jerry Harrison, the Talking Heads' keyboard player.

Everybody laughs.

NOT AN easy band to write about, these Talking Heads. They mystify arid confuse simply because they so patently lack any dint of the arch brand of mystique that forms a patented cloak for the rock star enigma. Four intelligent, straightforward individuals, the very straightforward nature of their music and their image is somehow unique to the genre they have chosen to work within.

Not that the press haven't attempted time and time again to write about them, almost always in flattering terms.

They emerged as a live attraction in the hot summer of 1975 when Manhattan's CBGB's had suddenly been designated the centre-point of all new-wave rock activity, and were immediately slotted in with the likes of Television, Patti Smith, The Ramones, and Heartbreakers as the pace-setters right there at the vanguard of this brave new scene. Convenient tags like 'punk' and 'art-rock' found themselves strange bed-fellows in numerous articles consummated by the inevitable bandying of the term 'minimalism'.

New York rock critics, having witnessed the ugly death of the New York Dolls brand of gashed-up rock, latched on fast to this new austerely dressed-down form of the music, and the Talking Heads, suddenly caught in the swell, found themselves holding down the cover of the prestigious Village Voice with a photograph taken at only their third gig. Inside was a rave-review of said show with an extensive article.

Since then, coverage has been as extensive as it has been perplexingly unforthcoming in regard to mere bottom line info on what the band were actually all about.

What was disclosed was that the band was a trio then, led by the angular, neurotic-looking Byrne who carried all guitar, vocal and composing chores, while the bass-player was a slight blonde-haired girl called Tina Weymouth whose basic feminist features were undermined by a slightly asexual manner. Drummer Chris Frantz was baby-faced and pleasantly effeminate.

Their music, though, seemed incapable of being pigeon-holed and continually presented reviewers with a daunting problem.

Having witnessed the band on four separate occasions over this last highly successful European tour, it became at once apparent that the care of Talking Heads' repertoire – principally Byrne's songs – is not something that casual acquaintance can unveil. At first, they intrigue as much as they bemuse, but the deeper you dig the more you uncover. Like Television, Talking Heads must be divorced from pigeon-holed surroundings because there is nothing currently existing in the rock context that they can be favourably compared to.

Byrne's melodies are so insidious that they often totally by-pass the conventional quarters that rock music usually attempts to stimulate, instead going deeper, often lodging themselves in your subconscious. One song, after I'd witnessed the band only once at the Rock Garden, somehow kept manifesting itself in my dreams – this strange, utterly disarming descending chord motif would haunt me until I'd wake up desperately trying to recall it. It was only later that I even got to learn the song's title, 'The Book I Read'.

THIS IS how the band's music works – in a way that transcends conventional avenues of 'rock criticism' where parallels to established musical forms become redundant and trite. When one has finally achieved some intimacy and contact with the repertoire, the music alone is overwhelming at times. One song – Byrne's 'I'm Not In Love' – twists and turns, its twined guitar rhythms chattering and spitting like snap-dragons with sudden unsettling changes, its chorus brash and pointedly announced – before it charges off, climaxing in a devastating one chord richochet of sound. Each song takes on a personality of its own as one becomes more and more acquainted – the jagged paranoid thrashings of 'What Is It?' full of technical malevolence, the richly textured abrasive changes of 'No Compassion', that utterly disarming motif to 'The Book I Read'.

Similarly the lyrics make themselves apparent in this same insidious fashion, via sudden dazzling couplets or single lines that grab you as Byrne's introvert-gone-psychotic delivery tortuously builds up and up, eyes reeling like wild horses in a flood, his pitching often totally awry but his sheer intensity galvanising because this man is truly grabbing hold of his songs, each and every utterance, like a drowning man grabbing straws.

Byrne's performance is, in fact, full of the tortured passion and gut-commitment that many of us were hoping for and found so disappointingly lacking in Tom Verlaine's recent shows in Britain. Like Verlaine, Byrne is totally the master of his chosen medium, yet there is an edge to Byrne that is so much more human.

Where Verlaine is oh-so calculatingly distant, Byrne's thrashing desperate need to communicate his songs grants his music a whole other dimension of sheer humanity and warmth a million light years removed from the cold arch-romanticism of Television's guiding light.

OFF-STAGE, sitting with his cohorts in Talking Heads, Byrne exudes all the cooped-up mannerisms of a caged bird. He seems to be suffering from some arch nervous defect that would need a constant ingestion of valium to assuage. Twitching almost, he sits hunched up in a chair, ungainly like a parody of look-alike Tony Perkins. When he talks, his voice is weak and reedy and often his attempts to explain certain facets of his songs – particularly his lyrics – lead him into weird tangential awkward ramblings that cause other members of the band, Tina Weymouth in particular, to open displays of ridicule which make him even more edgy. He looks embarrassed and bows his head slightly.

Observing him, I can't help feeling concerned for his obvious discomfort, as if any form of socializing causes the man to undergo real psychic pain. He later admits to the gross discomfort of what is really just a fairly casual conversation, and claims that performing affords him infinite more relaxation.

"I can express parts of my personality on stage that I would never dare do in any other context."

Byrne's past remains obscured by the haziness of his own recollections. He talks about working in art galleries in the past, though he didn't in fact paint, while he claims his previous vocation while in college was to write up detailed questionnaires, until song-writing became an infinitely more agreeable pastime.

In contrast, the other three members of Talking Heads carry themselves in this social set-up with an ease and general open-ness.

Tina Weymouth appears fairly disinterested at first, more concerned with scanning the pages of the latest Oui, but is suddenly forthcoming when a question is either directed her way or else grabs her attention. Chris Frantz seems perfectly in sync with the whole interview routine, lavishing over most of his answers with great and entertainingly 'camp' detail.

And then there is Jerry Harrison, the newest member in the group, a veteran of only six months or less, but who has already obviously orientated himself into the consortium with great alacrity. Harrison is the most locquacious of the band and, with Frantz, the most forthcoming. His history as a musician is already full of worthy fodder for discourse, since he started his career as an integral founding force with Jonathon Richman in the Modern Lovers, about whom his reminiscences are nothing if not extremely witty.

"Well, you probably know that we started the Modern Lovers as a real cause – y'know, we were anti-drugs for a start, due to the fact that at that time in the States all the kids were just oohing themselves on quaaludes. So we'd go onstage and start our sets with this number called 'I'm Straight' which would immediately cause all the audience to start throwing things – oh, rotten fruit, bottles, cans, anything – at us."

The Lovers' history was short due firstly to their corporate snooty attitude to playing clubs of the ilk of Max's Kansas City – "We didn't want to be associated with the N.Y. Dolls or this or that...so we never played anywhere" – plus the traumas that followed the band being signed by John Cale to Warner Bros, who after financing an album (produced by Cale – it was finally released last year by Beserkley) decided to drop the band, leaving them penniless in Los Angeles.

Even when the album was being made, Harrison claims there were problems.

"Well this was around the time when Jonathan was starting to want to write and sing only happy songs (laughs). So there'd be continual arguments between Cale and him over how we should sing certain numbers. Cale would be saying 'Now, Jonathon, I want you to sing this in a mean way. And Jonathon would just look at him, y'know – 'Mean? I won't sing mean! I don't feel mean!"

"And he (Richman) kept going through changes of direction. Like one time he'd be totally into the Velvet Underground and early Stooges, and then he was suddenly enamoured with Van Morrison's Astral Weeks and he'd want to alter his whole style. Also he's a total astrology freak. You know that song, 'Astral Plane'? Well he was always having these visions – or so he said – and writing songs about them. Things like....oh God (he starts laughing again) 'I saw you by, the waterway, the waterway, the waterway' – just on and on. We'd have to tell him to forget it."

After the Modern Lovers broke up, Richman briefly went onstage backed only by a bunch of kids beating rolled-up newspapers in time to his songs, before disappearing altogether for a long spell to (according to John Cale) lock himself in his bedroom.

When Harrison is asked whether he feels more comfortable being in Talking Heads than Richman's motley crew he simply sighs, "Infinitely."

MUCH OF the conversation is taken up with the subject of the British New Wave and how the remarkably civilised T. Heads have found themselves having to cope with the more agressive elements at their concerts, particularly as they've been supporting the head-banger's friend, The Ramones.

Seems the atmosphere has never actually soured and that circumstances have been pretty agreeable all the way along.

From the other new wave bands of this country, T. Heads claim not to have incurred any particular animosity.

"Only Rat Scabies has caused a scene," claims Weymouth. "He appeared backstage at the Greyhound in Croydon and tried to get one of us to fight him. When we showed ourselves to be totally disinterested in that course of action, he contented himself with spitting on the floor and walking out. I felt rather sorry for him."

Meanwhile back in New York, the band have yet to break out of the New York club circuit set-up they've been working in for at least the last two years.

A record deal with Sire (whose head, Seymour Stein, is the only executive to have fully committed himself to the New Wave, having also inked The Ramones, Richard Hell, and now, apparently, The Dead Boys, – a Cleveland pastiche of England's punk excesses) has produced the single 'Love Goes To Building On Fire', an addictive though comparatively slight song from the band's repertoire.

A Talking Heads album however is scheduled for September release produced by Tony Bongiovi and with five backing tracks already in the can. Ten tracks are scheduled – all Byrne originals including 'Pyschokiller', 'The Book I Read', 'No Compassion', 'Happy Day', and 'I'm Not In Love', the only unfortunate matter being the probable exclusion of the band's brilliantly terse rendering of Al Green's 'Take Me To The River'.

The band are still a guaranteed sell-out at C.B.G.B.'s on any given night, a not inconsiderable feat as many other similarly prestigious local bands are unable apparently to do the same – and on their own minor league waterfront they've gauged a strong cult audience.

But then there is something extremely addictive about this band's music – potent enough to make Byrne an object of paranoid fear in the eyes of Tom Verlaine (who according to Weymouth is very nervous of Byrne's status on the New York scene – as perverted a compliment as anything that can be divined from Verlaine's psyche one supposes). Meanwhile Byrne is also considered the most singularly brilliant new songwriter currently in the States by John Cale, and even Lou Reed has lent a sizeable quota of suspiciously paternal advice.

Weymouth: "Yeah, I'd say he was actually genuinely trying to help us. I wouldn't say he was trying to rip us off, for example."

Byrne: "That's not true."

Weymouth: "How can you say that, David? I mean..."

Byrne: "Because he told me he ripped some of my ideas off. Not that I'm angry or anything."

How did the...uh gentleman go about this paternal business then?

"God...he'd invite us round to his apartment and insult us for a solid hour, particularly me. He'd always insult the clothes I was wearing, or my shoes. Then after that, he'd start to be more reasonable and actually have an agreeable conversation with us."

Byrne goes silent for a minute and then, for the first time, he seems calm and relaxed.

"Do you want to know...I'll tell you how much we've come on in the last two years, the real symbol of progress in Talking Heads, Now I can go round to Lou Reed's apartment and I can be rude to him!"

#talking heads #articles #david byrne #jerry harrison #tina weymouth #chris frantz #new musical express #nme #1970s

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papermoonloveslucy · 4 years ago

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THE BIG STREET

August 13, 1942

Producer: Damon Runyon

Director: Irving Reis

Screenplay: Leonard Spigelgass, based on the short story “Little Pinks” by Damon Runyon, first published in Collier’s magazine.

Dance Staging: Chester Hale

Gowns: Renie

Miss Ball’s Dancing Costume: Freddy Wittop

Miss Ball’s Make-Up: Perc Westmore

The film is sometimes referred to as Damon Runyon’s The Big Street.

The film premiered in New York City at the RKO Palace on August 13, 1942. That same day Disney’s long-awaited Bambi opened at Radio City Music Hall. At the Capitol, Orson Welles’ The Magnificent Ambersons, also starring Agnes Moorehead and Gil Perkins, continued its run. Nearby, at the Albee, a second-run cinema, Top Hat (1935) starring Ginger Rogers and Lucille Ball was playing. The Big Street opened nationally September 4, 1942.

“Love is something that gets you one room, two chins, and three kids.” ~ Gloria Lyons (Lucille Ball)

PRINCIPAL CAST

Lucille Ball (Gloria Lyons aka ‘Her Highness’) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Gloria’s singing voice was provided by Martha Mears, who also did Ball’s singing in DuBarry Was a Lady (1944).

Henry Fonda (Augustus Pinkerton II aka ‘Little Pinks’) first worked with Lucille Ball in the 1935 film I Dream Too Much. When Lucille Ball first got to Hollywood, the two actually briefly dated. They collaborated on the TV special “The Good Years” (1962) and the film Yours, Mine and Ours (1968). During the 1970s, Fonda and Ball often turned up on the same awards and tribute shows. Fonda was nominated for three Oscars, winning in 1982 for On Golden Pond. He also won an honorary Oscar in 1981. Fonda died in 1982 at age 77.

Barton MacLane (Case Ables) was seen in the film The Maltese Falcon (1941) but is probably best remembered for his final role, the blustery General Peterson on “I Dream of Jeannie” (1965-69).

“A fat man’s always listening to love stories, but he’s never go any to tell.” ~ Nicely Nicely Johnson

Eugene Pallette (Nicely Nicely Johnson, The Greatest Eater Alive) was seen as Friar Tuck in Robin Hood (1938) and in Mr. Smith Goes To Washington (1939).

The character of Nicely Nicely Johnson was played by Stubby Kaye, who reprised the role he played on Broadway, in the film version of Runyon’s Guys and Dolls (1955). He was so named because his usual reply to the question “How are you doing?” was typically “Nicely nicely, thank you!”

Agnes Moorehead (Violette Shumberg) was a classically trained performer who collaborated with Orson Welles on Citizen Kane (1941) and The Magnificent Ambersons (1942). She is best remembered as Samantha’s exotic mother Endora on the TV series “Bewitched” (1964-72).

Violette weighs 100 pounds, four ounces.

“She has a very large capacity for groceries.” ~ Pinks (about Violette)

Sam Levene (Horsethief) originated the role of Nathan Detroit in the Broadway stage musical of Runyon’s Guys and Dolls. Singing great Frank Sinatra played Nathan Detroit in the movie version in 1955.

Ray Collins (Professor B) also collaborated with Orson Welles on Citizen Kane (1941) and The Magnificent Ambersons (1942), along with Agnes Moorehead. He is best remembered for playing Lieutenant Tragg on “Perry Mason” from 1957 to 1965.

Marion Martin (Mimi Venus) would also be seen with Lucille Ball in Abbott and Costello in Hollywood (1945). Although she was often cast as a brassy stripper, showgirl or tough gun moll, off screen she was known to be extremely shy and retiring.

“That dame is a lump of mud!” ~Gloria (about Mimi)

William Orr (Decatur Reed) was an actor turned executive. As the head of WB Television for nine years, he was executive producer of the studio's early forays into the medium, helping to put ABC on the prime-time map with a steady staple of westerns and detective shows. In 1959 he received a Golden Globe for his contributions to television.

Vera Gordon (Mrs. Lefkowitz) emigrated with her family from Russia when she was seven years old. She became involved in the theatre and was active in silent films and early talkies. She had previously appeared with Lucille Ball in 1938′s Having Wonderful Time.

George Cleveland (Col. Venus) makes his fourth film appearance with Lucille Ball. In 1949 they also did Miss Grant Takes Richmond. He is best remembered for playing Gramps on “Lassie” (1954-57).

Ozzie Nelson (Himself) was considered the pre-eminent TV dad of the 1950s thanks to his successful family sitcom “The Adventures of Ozzie and Harriet” (1952-66). Before TV fame, he was a bandleader with his wife Harriet the lead singer. Nelson later appeared on several talk shows with Lucille Ball.

UNCREDITED CAST (with connections to Lucille Ball)

Baby (Gloria’s Pekingese Dog)

Louise Beavers (Ruby, Gloria’s Maid) went on to appear in three more films with Lucille Ball: DuBarry Was a Lady (1943), Lover Come Back (1946), and The Facts of Life (1960).

Charles Cane (McCarty, Holland Tunnel Policeman) also appeared with Lucille Ball in The Dark Corner (1946) and as one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, James Conaty, Sam Harris, and Harold Miller.

Jack Chefe was seen as a Paris waiter in “Lucy Meets Charles Boyer” (ILL S5;E19) and played a bellhop in “Lucy and John Wayne” (ILL S5;E2) and had also appeared in five films with Lucille Ball, including playing a waiter in Forever, Darling. Of Chefe’s 358 film roles, 165 were waiters!

James Conaty (Nightclub Patron) was also seen with Lucille in I Dreamed Too Much (1935), Lured (1947), and The Long Long Trailer (1953). He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, Sam Harris, and Harold Miller.

Hans Conried (Waiter) played Harry Martin in “Redecorating” (ILL S2;E8) and Percy Livermore in “Lucy Hires an English Tutor” (ILL S2;E13), both in 1952. He also did two episodes of “The Lucy Show,” both as her music tutor Dr. Gitterman in 1963.

Pedro de Cordoba (Doctor) was also seen with Lucille Ball in Five Came Back (1939).

Helen Dickson (Florida Club Patron) had appeared with Lucille Ball in Carnival (1935) and Two Smart People (1946). She was one of the aging flapper showgirls in “Ricky Loses His Voice” (ILL S2;E9) in 1952.

Jimmy Dime (Truck Driver / Stunts) was seen with Lucille Ball in 1951′s The Magic Carpet. He did a half dozen episodes as a background players on Desilu’s “The Untouchables” (1959-61).

Eddie Dunn (Mulvaney) was also part of Ziegfeld Follies (1945) featuring Lucille Ball.

Jay Eaton (Late Night New York Nightclub Patron) did a total of nine films with Lucille Ball between 1934 and 1949, including her other Damon Runyon film Sorrowful Jones (1949).

Bess Flowers (Florida Nightclub Patron) aka 'Queen of the Extras’ made numerous uncredited background appearances on both “I Love Lucy” and “The Lucy Show.” She holds the record of the most film collaborations with Lucille Ball: 17.

Karen X. Gaylord (Florida Club Patron) was also part of Ziegfeld Follies (1945) featuring Lucille Ball.

Charlie Hall (Caviar Waiter) also did Kid Millions with Lucille Ball and went on to do four more films with her until 1942.

William Halligan (Detective) was also with Lucille Ball in 1940′s You Can’t Fool Your Wife.

Art Hamburger (Joe Duffle, Eating Contest Opponent) makes his final of three screen appearances. He became an associate director. This is his only time working with Lucille Ball.

Joe Duffle is from Boston and weighs 337 and a half pounds. There is some irony that Nicely Nicely (then Violette’s) eating contest opponent is actually named Hamburger.

Mary Halsey (Showgirl) also did Seven Days Leave with Lucille Ball in 1942.

Sam Harris (Passerby on Florida Boardwalk) was in the background of a dozen Lucille Ball films, as well as being seen on “I Love Lucy,” “The Lucy-Desi Comedy Hour” and “The Lucy Show.” He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, James Conaty, and Harold Miller.

Jack Herrick (Mindy’s Customer) was also seen with Lucille Ball in The Bowery (1933).

John Indrisano (Mug at Mindy's) was also seen with Lucille Ball in The Facts of Life (1960).

Tiny Jones (Small Friendly Neighbor) was seen with Lucille Ball in A Girl, A Guy, and a Gob (1934) and Five Came Back (1939).

Donald Kerr (Pete the Passer) appeared in eight films with Lucille Ball between 1936 and 1954.

Wilbur Mack (Florida Club Patron) appeared in three more films with Lucille Ball: Thousands Cheer (1943), Ziegfeld Follies (1945), and Lured (1947).

George Magrill (Mug at Mindy's / Stunts) appeared with Lucille Ball in ten films between 1933 and 1949.

Richard Martin also did Seven Days Leave with Lucille Ball in 1942

Tony Merlo (Mug at Mindy's) was also seen with Lucille Ball in Dance, Girl, Dance (1940) and Broadway Bill (1934).

John ‘Skins’ Miller (Truck Driver) was also with Lucille Ball in Fancy Pants (1950) and Sorrowful Jones (1949).

Harold Miller (Florida Club Patron) shares 13 film credits with Lucille Ball. He was one of the theatre patrons at “Over The Teacups” in “Ethel’s Birthday” (1954) which also featured Big Street extras Bess Flowers, Charles Cane, James Conaty, and Harold Miller. Harris would return for “Lucy and the Loving Cup” (S6;E12) as a subway strap hanger. He appeared in six episodes of “The Lucy Show,” the last one being as a party guest on “My Fair Lucy” (1965).

Bert Moorhouse (Florida Club Waiter) did nine films with Lucille Ball from 1933 to 1954.

Frank Moran (Mug at Mindy’s) makes his final of five film appearances with Lucille Ball.

George Noisome (Newsboy) also appeared with Lucille Ball in That’s Right, You’re Wrong (1939).

Barry Norton (Florida Club Patron) was also seen with Lucille Ball in Nana (1934) and Dance, Girl, Dance (1940).

Frank O’Connor (Police Captain at Holland Tunnel) did nine films with Lucille Ball from 1933 to 1946.

Gil Perkins (Mug / Stunts) was aboard the train when Lucy and Ricky headed home from California in “The Great Train Robbery” (ILL S5;E5). He was seen in The Fuller Brush Girl (1950) with Lucille Ball. He made one appearance on “Here’s Lucy” (above right) in 1970.

Bob Perry (Toupee, Associate of Ables / Stunts) was also seen with Lucille Ball in Stage Door (1937) and Joy of Living (1938).

Ralph Peters (Florist) was also with Lucille Ball in Sorrowful Jones (1949).

Addison Richards (Dr. Mitchell) played the American Consul in “Lucy Goes To Mexico” (LDCH 1959) as well as three other films with Lucille Ball.

Dewey Robinson (Truck Driver) did five other films with Lucille Ball.

Shimen Ruskin (Waiter Captain at Florida Club) was previously seen with Lucille Ball in Having Wonderful Time (1938) but is best remembered as Mordcha in the film Fiddler on the Roof (1971).

Hector V. Sarno (Friendly Neighbor) was also with Lucille Ball in Muss ‘em Up (1936).

Harry Shannon (Florida Doctor) was seen with Lucille Ball and Desi Arnaz in Too Many Girls (1940). He played Jim White (above center), photographer in “Men Are Messy” (ILL S1;E8) in 1951. He is probably best remembered as the father of Rose (Rosalind Russell) in Gypsy (1962).

Walter Soderling (Doctor at Mindy’s) was with Lucille Ball in Easy To Wed (1946).

Mary Stuart (Showgirl) was also seen with Lucille Ball in Seven Days Leave (1942). She is best remembered for her four decade run as Mary on “Search for Tomorrow”.

Elliott Sullivan (Tramp) was also in That’s Right, You’re Wrong (1939) and Next Time I Marry (1938) with Lucille Ball.

Harry Wilson (Fethington) did four other films with Lucille Ball between 1934 and 1950. He was also an extra on Desilu’s “Untouchables” (1959-62).

Marie Windsor (Florida Club Patron) was also in Critic’s Choice (1963) with Lucille Ball.

BIG STREET OPENING

"Loser's Lane - the sidewalk in front of Mindy's Restaurant on Broadway - is not as high-toned a trading center as Wall Street, but the brokers are a lot more colorful. Generally they prefer to put their money on a prizefight or horse race, but when the action slows, anything can happen and it usually does. Tonight, for example, the citizens of the Lane are discussing the latest contest in their usual quiet way..."

BIG STREET TRIVIA

The Big Street was a nickname for Broadway, where this movie's plot starts, and where all Runyon's stories take place. The film opens at West 50th and Broadway in New York City, with the marquee of the Capitol Theatre in the background.

Damon Runyon originally wanted to cast Charles Laughton and Carole Lombard in the lead roles, but neither one was interested in the project. The two had previously paired on White Women (1933) and They Knew What They Wanted (1940), Lombard suggested the producer consider her friend Lucille Ball and, despite pressure by RKO to hire a better-known actress, Runyon offered her the role. Unaccustomed to playing series roles, Lucille asked advice from Laughton on how to approach such a difficult part. Laughton told her not to hold back: “If you are going to play a bitch, play a bitch!”

Ball later recalled that at the time she was cast, "nothing much seemed to be happening for me at the studio. My $1000 weekly paycheck came regularly, but I was still a regular among the Bs."

Philadelphia Daily News ~ June 6, 1942

Reports that Lucille Ball sent a $25 War Bond to each of the ten girls that were fired from backing her up on “The Big Street”.

During filming, Lucy’s new husband Desi Arnaz felt so insecure about leaving Lucy and Fonda alone together that he’d often pop by the set to keep an eye on them. His paranoia so exasperated director Irving Reis that he finally banned him from the set.

This was Lucille Ball’s favorite of her nearly 80 films. She felt her performance was unjustly ignored by the Academy.

The vocals for "Who Knows?" by Harry Revel and Mort Greene, performed by Gloria in Case's Manhattan club, were provided by Martha Mears. The character later reprises the song with Ozzie Nelson and his orchestra in the Miami nightspot.

The film was re-released in 1955, at the height of Lucille Ball’s television success. Although Fonda remains first billed, Ball’s photo clearly indicates that she is the drawing card.

Damon Runyon also created the source material for the hit Broadway musical Guys and Dolls (1950), which starred Robert Alda, who went on to make several appearances on “The Lucy Show.” The two stories share the character of Nicely Nicely Johnson. When the film version was made by MGM in 1955, Lucy and Desi were also under contract to the studio. A brief clip of the film was inserted into the middle of an episode of “I Love Lucy” called “Lucy and the Dummy” (S5;E3), although the clip was removed after its initial airing. Further, when Lucille Ball first came to Hollywood, before becoming a contract player at RKO, she worked for Sam Goldwyn as one of the Goldwyn Girls. In Guys and Dolls, the Hot Box Girls are played by the Goldwyn Girls.

In 1949, Lucille Ball starred in another film based on a Damon Runyon story, Sorrowful Jones, a remake of the 1934 Shirley Temple film, Little Miss Marker.

Damon Runyon was a big fan of Lindy’s, a Manhattan restaurant famous for their cheesecake, and wrote the eatery into his books as Mindy's. The musical Guys and Dolls, based on Runyon's writings, immortalizes Lindy's in one of its songs. In “Ricky’s Contract” (ILL S4;E10), Lucy tells Fred and Ethel that Ricky took his entire band to Lindy’s to celebrate learning that he had been offered a movie contract.

In The Big Street, a sympathetic Pinks decides to take Gloria to Florida to recuperate - by pushing her wheelchair the entire way - starting with the Holland Tunnel! Although Lucy and Fonda never left Hollywood, the locations are achieved by rear projection and establishing footage.

The Holland Tunnel figures into “I Love Lucy,” not once - but twice. In “The Marriage License” (ILL S ), after finding out that her marriage license may be invalid, Lucy goes on a twelve hour walk to East Orange, New Jersey. “How I ever got through the Holland Tunnel, I don’t know.”

The Holland Tunnel will be mentioned again three years later in “Lucy Learns to Drive” (ILL S4;E11). Reportedly, she tried to make a u-turn in the Holland Tunnel resulting in traffic being tied up to East Orange, New Jersey.

Action is also set in Miami Beach, Florida. Pinks and Gloria hitchhike there to visit with Nicely Nicely and Violette who are operating a night spot there.

In “Off To Florida” (ILL S6;E6), Lucy and Ethel also hitchhike to Miami Beach Florida after being left on the side of the road by their ride share, a suspected hatchet murderess. They arrive at the North Miami train station covered in chicken feathers from riding in the back of a poultry truck.

Doting Pinks has a pet name for haughty Gloria: 'Your Highness'. In Florida, her friends conspire to get people to come and hear her sing by fibbing that she is the Princess of Corolia, a fictional place.

In “The Publicity Agent” (ILL S1;E31), Lucy conspires to get Ricky more publicity by pretending to be a fawning fan of royal blood: ‘The Maharincess of Franistan’!

FAST FORWARD!

On a 1971 episode of “The Dick Cavett Show" with guests Lucille Ball, Carol Burnett, and Lucie Arnaz, Lucie compliments her mother's dramatic performance in the film.

The film is referenced in the television film Lucy & Desi: Before the Laughter (1991)

A poster for the film is on Lucy’s dressing room wall in Lucy, a 2003 TV movie.

The Big Street turns up in the TV listings in the low budget film Hollywood Mouth (2008) starring Joe Bologna.

A clip from the film is featured in a montage during “AFI Life Achievement Award: A Tribute to Henry Fonda” a 1978 special attended by Lucille Ball.

Henry Fonda: The Man and His Movies (1982) contains dressing room and dance floor scenes with Lucille Ball.

The Emmy-winning documentary Lucy and Desi: A Home Movie (1993) features a brief clip from the movie.

When Cher is TCM Guest Programmer in 2011, she selects The Big Street as one of her films to be aired.

In December 1948, Lucille Ball reprised her role on radio with John Garfield taking the role of Pinks.

The Big Street on VHS.

The Big Street is available on DVD from Warner Home Video. It is also part of the Lucille Ball Collection DVD, which also includes Dance, Girl, Dance, DuBarry Was A Lady, Critic’s Choice, and Mame.

#The Big Street #lucille ball

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mattkeepsrambling · 4 years ago

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List of Shame

My main goal was to get to the movies that have left a cultural footprint and do this as cheaply as possible. In the cases of "Gone with the Wind" and "Pyscho," those are movies you know about even if you aren't a movie fan. These are a massive part of our pop culture. "Pretty in Pink" and "Some Like it Hot" are looked to as exemplars of a director (John Huges) and an actress (Marylin Monroe), respectively.

Planes, Trains, and Automobiles

This is the only one I would not consider a "List of Shame" movie. It is always mentioned in the conversation of greatest comedies, but I don't think it has the cultural cache of the others on this list.

Neal (Steve Martian )begrudgingly joins shower curtain ring dealer, Del (John Candy), to get home to Chicago for Thanksgiving.

I have to say I liked this one a lot. Martian and Candy are masters of comedy and rightfully earned their places in the pantheon of great comedic performers. Martian, in particular, is the perfect straight man. To watch him deal with Candy's outrageous Del makes this movie one of the best comedies. Those two have spectacular chemistry, and the heartfelt ending feels so earned. 8/10

Rated R

1hr 33mins.

Available on HBO Max

Pretty In Pink

I was trying not to spend any money on movies this week. I saw this on one of the streaming sites I have access to, but it was not there when I went to look for it. I ended up having to rent this one on iTunes.

Andie (Molly Ringwald) is in love with rich kid Blane (Andrew McCarthy.) She has never been popular at school because she doesn't come from money like most other students. When she and Blane start dating, she struggles to feel okay in his world.

This was good, but I was not fond of it as much as other John Huges movies. My absolute favorite is "The Breakfast Club," and that was crossed off my list of shame about two years ago. That movie blew me away. "Pretty in Pink" was fine. I enjoyed it and would recommend it easily if you haven't seen it. It just didn't hold up to "The Breakfast Club," which you should see if you have not done so.

7/10

Rated PG-13

1hr. 37mins.

Some Like It Hot

I was very confused when this movie started. When the opening scene is some bootleggers running from the cops in this movie that is one of the best comedies of all time, I had a moment when I thought I put in the wrong movie. Then I saw Jack Lemmon and Tony Curtis, and things started to make sense. It turns out I knew less about this movie than I thought.

Joe (Curtis) and Jerry (Lemmon) are musicians who owe money to many people. To get away from the mob, they pose as women and join an all women's band.

A few years ago, I bought a Marylin Monroe collection and had been slowly working my way through it. Luckily "Some Like It Hot" was next up (see the next movie for a much different story), and I loved it so much. I have seen the final scene of this movie more times than I can count. Knowing the ending, however, didn't ruin this in the least. To watch Lemmon and Curtis navigate the myriad of lies that have been telling is hilarious.

Did you know there have been 600 books written about Marilyn Monroe? Just a fun fact that I learned while looking as her IMDb. She is brilliant in everything I have seen her in. She knows who she is and leans into that "dumb blonde" trope. She has earned her spot as a Hollywood icon, and it is unfortunate that her personal demons caught up with her, and she died so young (I am as old as she was when she died).

9/10

2hrs 1min

Psycho

I also have an Alfred Hitchcock boxset that I have been working my way through. The problem was (or not depending on how you look at it) was that there were four movies in front of "Psycho." I know. Poor me, I had to watch four Hitchcock movies this week before I could watch another Hitchcock movie. Thank you for your sympathy.

Never have I ever known so much about a movie and yet so little. As I watched this, I realized that I had no idea what the movie was about beyond Norman Bates (Anthony Perkins) murdering Marion Crane (Janet Leigh) in the shower. I had no idea about the $40,000 that she stole or the investigation into her disappearance.

I have watched so many Hitchcock movies, some more than once, but I never got around to the most well known. It was not for the same reason as my former aversion to horror movies. It was just that I never got around to it. And after watching it, I can say it is one of my favorite Hitchcock movies. There is so much he does to build the mystery and create an uneasy atmosphere that he lives up to all the accolades he gets.

9/10

Rated R

1hr. 49mins.

Gone With The Wind

Now we come to the main event of the week; the three hour and 58-minute epic "Gone With the Wind." I will skip the synopsis because this, like many other movies on this list, is well known.

Given the world we live in, "Gone With the Wind" is problematic. HBO knew this, and when the Black Lives Matter protests started, they took the movie down. The said they would put it back up with a discussion of its history and its problems. I have not watched the hour-long discussion of the film yet, but I plan to this weekend. If you want an extended analysis of these elements of the film, there lots of better writers than I who have tackled that subject.

I enjoyed the movie overall, but it could have been so much better. It could have been a fantastic character study. Scarlett (Vivian Leigh) is set up to have this incredible arch of a character. She could have gone from this winey, stuck up, selfish brat to someone who becomes a better person over the almost 4-hour movie. She doesn't, and it is very disappointing. It could be that I am watching a 1940 movie as someone who lives in 2020, but things like character growth are important to me. None of the characters grow and change all that much, and it bothered me.

I can see why this is a classic. It is a sweeping epic of a movie, and it is an event. It is the type of film we don't get to see that much anymore. I appreciated it for that.

8/10 NR

3hrs. 58mins.

Available on HBO Max

#planes trains and automobiles #pretty in pink #some like it hot #psycho #gone with the wind #movie review

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