#ton the mannequin
Explore tagged Tumblr posts
Text
new favorite type of male character dropped:
he just wants to be a wife guy so bad. … .. and yet </3
#not in an incel way but in a pathetic little meow meow way#the ‘and yet’ is the key element here#also ‘wife guy’ is a category. it doesn’t necessarily mean they want to be partnered with a woman js#ton the mannequin#jin zixuan#tantai jin#sharan gujral#tinnaphob jirawatthanakul#nikolai lantsov#lan wangji#alistair theirin#chen ling#kaz brekker#hua tuoye#veer ahuja#zee.txt#series liveblog
52 notes
·
View notes
Text
No one can tell me Future Donnie didn’t do a whole Edna Mode-esque sequence of making baby Casey Jr armor that was both practical and stylish.
#rottmnt#rottmnt donnie#rottmnt casey junior#rise of the teenage mutant ninja turtles#rottmnt headcanons#Donnie (after blasting a tiny baby mannequin with fourteen tons of explosives to show the armor’s durability): so what do you rate it#Leo (after watching a tiny baby mannequin robot get near blasted to bits): it’s a ten but also what the hell#Casey Sr is all for it#rottmnt future timeline
308 notes
·
View notes
Text
when the elevator regrets
#lampert and fleshcousin are my favs#uh I post again#roblox memes#regretevator#time for a ton of tags listing every character present#fleshcousin#regretevator fleshcousin#mannequin mark#regretevator mannequin mark#regretevator glevil#glevil#reddy#regretevator reddy#wallter#regretevator wallter#infected#regretevator infected
143 notes
·
View notes
Text
assorted regretevator (and unikitty) doods during breaks
#regretevator#regretevator mr#regretevator enphoso#regretevator mannequin mark#regretevator pest#regretevator drretro#roblox#regretevator reddy#Heavens thats a tag Splosion#doodle break#Just a ton of headcanons and dumb ideas
60 notes
·
View notes
Text
Karma Level 7
Another attack for @smangethe
#I'll post the other metric ton of artfight attacks I've done eventually I just keep forgetting#Rain World#Ultrakill#Sisyphus Prime#Minos Prime#(MINOSLUG IS IN THIS ONE. REJOICE! Or woe if you don't like him. Up to viewer interpretation)#Slugcat#Rain World Lizard#Ultrakill spoilers#Yes the lizards are mannequins but I'm not tagging them#RW UTKL#Cw:#Blood#Animal death#(As per usual just to be safe)#Hrokkall art
192 notes
·
View notes
Text
what if they air kissed,,,,,,
dumbasses!! sinners! holding hands before marriage
@ballercollective come get ur slop 🔔🔔🔔🔔
#glevil and his 2 ton malewife#regretevator glevil#glevil#glecctor#regretevator hecctor#hecctor#regretevator#april fools regretevator#april fools mannequin mark#april fools wallter#shivers....#it hurts to say “april fools wallter” instead of hecctor
15 notes
·
View notes
Photo
drawing conclusions. connecting dots.
#DOWN TO THE FRAMING#NEXT TO THE FUCKING WINDOW WITH THE CURTAINS WITH LIGHT COMING THROUGH.#DOWN TO THE BUST AND MANNEQUIN BEHIND ANNE AND DOME LIKE. ? WAKE UP.#IM SAYING SOMETHING OK.#i noticed this when it aired and no one said anything i dont think ??? so here the fuck i am fdghkjdghdlj#and the way they all have the SAME LEG SITUATION#khatha was born with a limp in his right leg. ton's right leg is underdeveloped when HE was born (ie became 'human')#and then anne in turn born from his prayers (or anthika's meddling im not totally sure) has the same problem that ton does with the same leg#and then khatha puts the anklet on dome's right leg??? THERE ARE NO COINCIDENCES.#like they cant just have khatha kneel like that in front of dome in one ep and then the NEXT EP have ton do it w anne SHUT UP. SHUT UP SHUT#khatha x dome#midnight museum#ton x anne#khathadome#tonanne#midnight museum series#my writing
140 notes
·
View notes
Text
I swear whoever sculpted Movie Ken was using Potato Ken as a reference instead of Ryan Gossling.
#don't get me wrong I like movie Ken or I wouldn't have bought him#he still has a ton more personality than potato imo#he looks friendly but like he's never had a single thought#and I like that#Potato looks like a mannequin and has the personality of a dinner plate
47 notes
·
View notes
Note
In the credits of Spooky Month Hollow Sorrow you can see the mannequin in the middle of the demons with a face of agony, I have a theory that the soul of Skid's father is trapped inside or my eyesight is too tired
Yeah I came up with that theory a couple years ago I think
#spooky month#sm spoilers#sm6#sm 6#spooky month 6#mannequin dad theory#check that tag I've made a ton of posts on this
11 notes
·
View notes
Note
i’ll have to go back and look who i originally saw do this on ao3, but one author i read had it so even his hair follicles could be chopped up so the long hair was essentially magic extensions he could add back on whenever he wanted!! if u wanted to kinda go with that logic (cause to be fair even in the anime he can chop himself up really really small!)
I love that idea sooo much!! 😂 😂 😂
Omg--what if he, after chopping some hair off, just keeps growing hair on his head so he can make himself little wigs/extensions??? that would be so funny 😂
Alsoooo if you do end up finding that fic pleassseee send it to me cause I need to read it!!!
#shower thoughts#just his vanity having a ton of different mannequin heads#with varying hairstyles and length#😂😂
10 notes
·
View notes
Text
Had a bad creative night :(
#saw the fursuit pics of me in the parade and realized i needed to fix some stuff#but it requires a lot of disassembly and foam work#so i just spent a long time messing around and not really being happy#i don't want to have to redo a ton but it's looking inevitable#at least i have a mannequin now#theres an anime con next weekend i was gonna suit at but tbh i might just not
4 notes
·
View notes
Text
.
#genuine question but am i the only person that doesn't like the minimes?#like they're so uncomfortable and uncanny to me#i don't think they're anything to do with the eggs i just don't like them it's a visceral discomfort#it's a similar thing to seeing a fuck ton of mannequins in a department store after closing when it's all dark#idk
0 notes
Text
aughhhhhh i wanna cosplay nikola orsinov so bad but i don't really know how i'd like her to look
#curse audio dramas. give me a canon design i can attempt to replicate#she's dressed as a ringmaster. that's easy enough#and i'd like to give her some grimaldi-like face paint#i saw someone had made a separate full-face mask inspired by her and i think that could look really cool. give that mannequin-like look#dunno if i'd like her to have long hair or not. i can picture her wearing a wig that's slightly askew#or i could just cosplay with my own hair (short and for now somewhat blonde). maybe style it with gel#nikola is so over-the-top. i think i'd like her outfit to be very sparkly#but she's also quite old so some weathering everywhere#the face escapes me. maybe a ton of white face paint literally everywhere for the mannequin plastic and the grimaldi makeup#idk i have a decent idea of her overall but it's the details that are a problem#gonna draw some design ideas
1 note
·
View note
Text
tf141 assisting in a drug bust, except the drugs get lit on fire and they're accidentally breathing in the fumes and getting high as fucking balls.
Johnny is MIA, chased some fucking wild animal off into the brush and he's not answering comms.
Kyle is having a crisis, nearly in tears as he yells "I promised my mum I'd never do drugs!!" at the ground as if it's the dirt's fault he's fucking baked.
Simon is sitting on the ground, head in his hands, not speaking a word and sitting so still he could be mistaken for a highly realistic mannequin.
John is squinting at each of them, can't focus his eyes, blurting out "where the fuck is Soap?" after doing the 9th headcount. Doesn't realize he's been leaning way off to the side and tilting his head with each headcount until he almost loses his balance.
And Laswell. Poor Laswell. She's directing the extraction team with minimal help from any of these idiots, pinching the bridge of her nose and wondering how much paperwork this is going to end up in.
------------------------------------------------------------------------------------
based on that one video of the news reporter high as fuck as a ton of drugs are burning behind him, it's one of my favorite news videos
#I'd love to do edibles with these idiots at least once#i think johnny would be fhe funniest when high#and simon would just be off in his own world#staring unblinkingly at the wall before dropping the most diabolical mind-shattering theory#kyle would be a happy floaty high#and john would try to hide the effect it has on him but then you ask him a question and hes staring at you with that goofy quokka smile#and doesnt answer the question at all#ghost cod#soap cod#cod john price#gaz cod#cod fics#cod headcanons#soapghost#ghoap#cod mw2#tf141 polyfic
990 notes
·
View notes
Text
Guilt
opla!Zoro x gn!reader
Summary: Under the control of a hypnotist, Zoro is forced to hurt you. How are you going to heal?
WC: 4.4k
Warnings/tags: blood, injuries, torture, getting stabbed, a shit ton of angst, fluff at the end
The forest stretches endlessly out around you, giving you the impression of complete isolation, despite the danger lurking all around.
You aren't completely alone, thankfully. Zoro stands with you as you traverse the forest, pushing through the bushes to hopefully find some way out of this hellish situation.
Hypnotists hide in the forest with you, prepared to take control of you with a single look. You need to escape, but that seems impossible this deep in the forest.
The sun has been completely blocked out with a blanket of branches and leaves held above your head. It must still been day since you can see, but there is no direct sunlight and there hasn't been since you entered.
You hold onto Zoro's arm like a child, eyes darting back an forth across your surroundings in case anything or anyone jumps out.
Zoro allows you to hold his arm, his hand holding yours. "It's okay." He says, still looking ahead. "We're gonna be okay." It's for him to hear as much as you.
You know it would be unwise to stop. You need to escape, but your legs ache and you are exhausted.
"I need to stop." You mumble, keeping your pace nonetheless. "We can't stop." You resist the urge to whine. That certainly wouldn't help. "I know."
"We'll walk for a few more minutes and then stop, okay?" He suggests quietly, trying to compromise. You hum a yes and nod, trying to keep up before you hear something, stopping dead in your tracks.
"Just a few more minutes." He tries to spur you into motion, but you look up at him, fear in your eyes.
"Something's there." You press your back to his, your natural place when preparing for a fight.
You hear footsteps from behind you and instinctively close your eyes. That way you can't be hypnotized.
You feel Zoro reach for his swords, drawing them from their sheaths, at the ready.
Then something happens. He freezes against your back and you know something is wrong. You take a step away as he spins around, swinging where you had been standing.
Hypnotized.
Your blood runs cold as you see his face, completely void of emotion. No soft smile or mild frown. It's a blank slate, there is emptiness behind his eyes. He's a puppet for the man standing behind him.
His posture is rigid. It's like someone turned him into a mannequin. There is no protectiveness about him. No kindness. He is not there. He's just a vessel. His swords are already drawn.
You run back into the forest, drawing your own sword to defend yourself, moving as fast as your legs will allow you.
The men follow you as you run, but as long as you don't look the hypnotist in the eyes you're safe.
Zoro follows close behind you, eventually tackling you to the ground, knocking the wind out of you.
As you gasp for air, he breaks out of the hold the hypnotist has on him, loosening his grip on your arms.
He looks confused and for a second you want to kiss him for coming back to you, but you know as soon as the hypnotist reaches the two of you the control will take over again.
You break away from him, taking off into the bushes, getting air in staggered breaths.
You look back to see Zoro go rigid again, the simple action causing you to stumble over a root, hitting the ground hard.
Zoro takes his time now, the hypnotist doesn't want to let him go. You stand, trying to regulate your breathing before holding your sword out, preparing to duel.
He lunges a you, but you're lucky. The hypnotist doesn't know how to use his swords. The movements are sloppy and leave plenty of space for you to attack.
You don't attack, though. That's still Zoro. Not right now, but inside he is, and you can't shake that. You can't hurt him.
You dodge his attacks easily, he gives you more than enough time to block. The fight would have a clear winner if you were to actually attack him.
He continues to slash at you wildly as you begin to scream for help. If any of the others can hear you they'll come to help. Hopefully.
You manage to knock him off balance, immediately taking off into the woods again, calling out for anyone.
You run fast and Zoro follows behind you, staying in the trance from the hypnotist, swords at the ready.
You don't look back. You just keep screaming, your legs burning under you. You keep running until your legs physically give out under you.
This time, when you hit the forest floor, you don't get up. You just lay there, heart pounding in your ears, your voice cut short by the fall.
You feel hands grabbing you, turning you over on your back so you can see what's about to happen to you.
Zoro sits above you, his weight holding you to the ground. Your elbows are pinned to your sides. You can't move. You can't escape.
Your sword fell out of your hand when you hit the ground and it now sits out of your reach.
His swords are discarded as well, the hypnotist likely knowing how to use fists far better than blades.
Instead of calling for your friends, you try to get through to Zoro. He lands the first blow against your face and you resist the urge to crack.
It isn't him. It isn't.
Zoro would never hurt you.
He's being controlled.
It's not him.
You hope that by some miracle he'll be able to break through the hypnosis with the power of love, but you can tell it's a silly idea.
Still, you try.
"Zoro! Zoro please! Try to come back please!"
Your begs are cut short by him forcing a forearm against your windpipe. Your voice struggles as he slowly suffocates you.
He adjusts himself at some point and your arms free themselves, reaching up to force his forearm away from his throat, your legs kicking under him.
You are struck by the blankness of his face. So much so that you force your eyes shut. You think it would be easier to handle if he looked angry. His appearance is uncanny. There's no exertion on his features. He's just staring at you, blinking occasionally. There's nothing.
It would be easier if he looked like he had a reason to hurt you. Any emotion. Even joy. You'd prefer seeing joy over this void.
You can't tell if it's worse that he's hurting you or that it looks like he doesn't even care. You know, you know that it's because of the hypnosis that he looks like this, but it's killing you.
You know deep down that he isn't even conscious. He is asleep in his brain while being controlled. He doesn't even know his body is doing this.
It's a small mercy to think at least he won't be tortured with these memories. He won't be able to see his forearm pressed against your neck as you beg him to stop.
He eventually removes his arm from your neck, allowing you to breathe. You can scream for help again. He wrangles your arms back to your sides and leans forward to grab your sword.
His knee digs into your side as he examens the blade. You begin pleading like your life depends on it. In a way, it does.
Maybe you'll be able to contact the sleeping consciousness in his head and wake it up. Have him take over again. You can only hope.
"Zoro, let me go. Zoro, please, please stop this." You start to cry. It's pathetic but it's your only defense at the moment. You can't hurt him.
He moves the sword against your arm, dragging the blade across your skin, watching the red line appear and begin to bleed.
You can feel the blood trickle down your arm as he moves to your opposite shoulder, drawing a line across it, 'accidentally' scratching the skin of your cheek with the pointed tip of the sword.
You continue to scream and cry and beg. You need your crewmates. You need backup.
You watch as Zoro lines up the blade perpendicular to the ground, the tip sitting on your bleeding shoulder.
"No." You say the word as if it will stop him. Nothing else has. He's still emotionless. Still being controlled.
You feel the blade plunge through your shoulder one second before Zoro's body relaxes.
His eyes go wide and his brow furrows as he tries to understand what just happened. When he sees his hands wrapped around the hilt of your sword, buried in your shoulder, his hands drop it. He's terrified.
He gets pulled off of you and he just sits there, watching as Nami approaches you.
You've never seen Zoro so scared. And yet it's a miracle to see anything on his face.
You're more focused on the pain radiating from your shoulder, trying to pull away from it. You hold back the urge to scream, groaning instead
Nami lifts you up, supporting you against a tree. You can see her mouth moving, asking questions, but your vision drifts to Zoro, who sits confined within the hold of the rest of the crew.
His eyes are haunted. They're talking to him but he isn't listening.
Your eyes meet and you're glad they finally do. He's there. He's back in there. He's him.
The sword juts out of your shoulder, standing up, supported by your body. Nami removes it, launching you into another pained yell before trying to silence yourself.
Nami is quick to work with a field dressing, patching up the bloody wound and covering up the cut on your arm. You'll need more help when you get out of the forest, but it does the job for now.
Nami doesn't try to get any answers from you. She just wipes the the blood and dirt off your arm and hastily wraps it up.
You read her lips and listen hard to understand her. She says you're so close to the edge of the forest. You're thankful, but fear eats away at you. It consumes your mind, squirming through your guts.
You want to throw up, or sob, or both. You end up crying, every other breath interrupted by gagging, but since you haven't eaten all day, nothing comes out.
You can see Zoro and the boys watching this and as much as it hurts to see him scared, you're still glad you can see his emotions.
He's horrified. Fear and grief rush across his face. He knows he did this to you. His eyes briefly dart to the man lying on the ground. Unconscious. He can't take control anymore. He doesn't have to. He's done enough damage.
Your hearing slowly returns and you look at Nami. "What happened?" You know what happened. You remember every grimy detail. You just want the slim chance of being told that it was a dream. A hallucination. That it hadn't actually happened.
"One of those hypnotists found you. He took control of Zoro. He was forced to attack you."
You nod, numb. You want to talk about how scary it was, but Zoro is sitting right there, eyes full of concern, staring right at you. His focus never wavers.
You let your head fall against the tree. You just want to go back to the ship. "I wanna go." You mumble at the ground, feeling hollow.
"Let's get you back to the ship." She helps you up and after some silent discussion, an arrangement is made.
Zoro walks at the very front of the group, next to Luffy and you walk at the back, supported by Nami. This way you have the feeling of security and confirmation that he won't attack you.
You know he won't. Since the hypnotist is out of the picture, everything should be alright. And yet, your brain replays the pain. The fear itches at you and there's a sinking feeling in your stomach.
Zoro wouldn't hurt you of his own accord, but he could be forced into doing it.
You try not to think about how any of the people around you could be manipulated into doing the same.
Sanji and Usopp stand as a buffer between Zoro an you, like some sort of extra protection. You feel like it's excessive, but you don't say anything. Neither does Zoro.
You can tell Zoro wants to look back at you. You see muscles in his neck twitch as he debates looking at you, making sure you're okay.
He turns around once, and you flinch. It's not intentional and it drives shards of ice through your stomach. You're scared of him.
As you walk, you realize the strange fact that Zoro shouldn't apologize. Nothing about this situation was his fault. The actions done against you aren't his. He has no reason to apologize. It's not his fault, but you know the hypnotist isn't going to feel the guilt.
This is the kind of experience that would bring you to his side, snuggling deep into his arms, trying to escape the feeling of your attacker. But when it was him who had attacked you, you didn't know what to do. You craved his touch, but it was his touch that had hurt you in the first place. The arms that kept you warm and protected had suffocated you. The hands that usually wiped away your tears had driven the blade into your shoulder.
You can't stop thinking about it. It replays over and over again in your head. You see Zoro's face hovering over yours. You feel him hurting you. It makes your heart break.
You have to stop for a second when you realize that you don't think you can be left alone with him. Not after that horrific encounter.
Out of the forest finally, you see the sun. It isn't a good sign. It's a dawn on this new trauma.
A doctor fixes you up properly, telling you to rest and what to do and what to eat and drink. You barely listen. Everything is wrong.
There's a celebration for your acts of heroism. For freeing the town from those hypnotists who have been controlling them for years. You don't enjoy it. You pretend like nothing happened in the forest. That your injuries were accidents, and earned in a direct altercation with a hypnotist. A lie, and a terrible one. You and Zoro stand far apart whenever necessary.
You don't know how to feel. You aren't angry at him. You don't blame him. He did nothing wrong. The hypnotist is to blame. But every time you tell yourself that, you flash back to the forest floor, watching Zoro position your sword over your shoulder.
That night, you sleep alone in the room you usually share with Zoro. He bunks with the boys.
The room is empty, but you can't sleep next to him. Every inch of you is simultaneously asking to run into his arms and force yourself as far away from him as possible.
You leave in the morning, without much discussion. The boat just floats away from the harbour, leaving a horrific scene behind you.
For the first few days, you handle things without much trouble. You do your best to avoid thinking about the situation and risk getting riled up. You are forced to stay in bed, which makes the task of not thinking about it much harder, but there's usually someone there to accompany you.
Zoro doesn't visit. You suspect he doesn't want to hurt you further by appearing like a memory of what you've just experienced, but I doesn't feel right to not have him there. The others don't ask if you want to see him for fear of agitating you and you don't say anything about it because your mouth zips up of its own accord any time you ask about him coming to see you.
"How is Zoro?" You finally force out one day, during Nami's visit. You trust her to give it to you straight. "He's not doing good. He blames himself." You shake your head. "It's not his fault."
Nami sighs. "We know. He's the one having trouble. He misses you, but he doesn't want to visit and scare you." She looks over, an unspoken question finally coming to light.
"Do you want him to visit?" She watches the way your mouth closes and your body freezes, stopping you from answering. "You can say no. I won't tell him that you did."
You don't answer, the ever present conflict in your head raging on. You sit on the bed, feeling emotionally exhausted as your silence answers for you.
"That's okay. Take your time. Sanji will bring you dinner later, okay?" You just nod, mouth wired shut. It's too much.
For the first few nights, you sleep out of exhaustion, but once you're caught up on sleep, it wears off.
You suddenly can't sleep at night. You'll wake up at random times for no reason and it takes incredible amounts of willpower to get back to sleep.
It's midnight, and you don't even feel tired. Your thoughts return to him, defending him while your brain tries to fight you off with images of him hurting you.
The bruise on your neck has almost disappeared, and your arm is much better. You suspect the stab wound will have a scar, but the cut managed to heal quite well, only a slight line remaining on your skin.
In the morning, you are expected to make your grand return, allowed out of bed, but as of right now, you need to get out. The world is sour and you can't stay in the room you are supposed to share with Zoro any longer.
You step outside, hoping whoever's on watch duty understands that you need this.
Initially, you want to find Zoro and just see him. Know that he's safe. That he's still there, even if your mind can only conjure images from that fateful day.
You pass by the boys' room without stopping. You don't want to rouse them from their sleep anyways, so you just walk around outside.
The cool night air wraps around you, making you shiver. Your skin comes alive with small bumps in reaction to the chill.
The sky is clear and the water is calm. It's a perfect night. There's no wind, at best it's a breeze, and only the sounds of water lapping at the hull of the ship to help lull people to sleep.
You sit on the deck, staring out at the water, vast, blue, and unforgiving. You feel something bubble up in you, but it's as if the bubbles are made of tar, floating lazily upwards, popping and coating your insides with a sticky, black ichor.
You feel sick, but not like you're about to throw up. You just feel wrong.
You forgot the night watch schedule, who wouldn't after what you'd been through, but it means that Zoro is the first to see you out of your room. He shirks his duties slightly, focusing his attention on you.
He faces your back, watching uneven breaths take your body. He isn't sure if he should go inside and wake someone else up to deal with this. He isn't sure of anything. He can't stop envisioning you after he was freed from the control. Eyes wide, bleeding profusely from a wound brought on by his hand. He feels completely unable to do anything to help you.
He hasn't seen you since the celebration back on the island. Even then he had kept his distance.
You seem to have healed well, you've regained some movement in your shoulder, limited as it is. He's grateful that you haven't been hurt permanently. That would be awful.
He takes a step towards the rooms, planning to fetch Nami, he thinks she'll be the best help you can get, but his foot drags and you pick up on the noise, whipping around to face him.
You look up at the elevated deck he stands on, both of you are frozen in place. He looks blank again. But not in the way the hypnotist had done it. Instead of a lack of emotion, there's too much. He has so much to feel, and only a limited space to express it.
Concern and worry are visible on his face and you remind yourself that this is Zoro. He doesn't want to hurt you. He would never intentionally hurt you. He loves you and he wants you to be safe.
You mind counters this with reminders of how it felt to struggle beneath him, unable to get through to him, to bring him back.
After a while, he takes a cautious step forwards. You don't move away.
"Can we talk?" The question is one you've heard him ask once, when he first confessed his feelings to you.
He doesn't typically engage in conversation, but times are difficult. Changes need to be made. You take him up on his offer.
"Yes. Come down here." Your words are stilted and sound forced. Your heart pounds in your chest as he comes down to you, every movement careful and precise.
When he reaches the same level as you, he keeps his distance, backed up against the railing, allowing you to make the boundary.
He's never been good with this kind of thing. Vulnerability. It isn't easy for him. Which surprises you even more when he begins the conversation.
"Is there anything I can do? To help?" You stare blankly for a second before shrugging. "I don't know." You want everything to stop. You can't stand it.
"I'll keep my distance, if that's what you want." "I don't." The words slip out without warning. For once, your body doesn't stop you from trying to reach out to him. It's the truth. If it's going to hurt with or without him, you want him anyways.
"I want," you search for the words, forcing your head down, staring at the deck. "You. With me." You say it to the wooden boards of the deck, trying to keep yourself balanced as the pent up emotions threaten to overtake you.
"But I need to go back to the start. With the touching." You're surprised at how well the words come out.
Zoro hadn't been overly touchy before you were together, but after a while, the two of you were nearly always touching in some way. He already misses it, but he knows he'll do whatever it takes. You're worth it.
"Yes. Of course." He bows his head to you, nervously.
You think back to the beginning. The first days with him. Small touches. Nothing too strong. Brushing hands, gently pressing against each other when there was no room for personal space.
He used to kiss your hand.
It had made you laugh when he first did it, mocking some romantic man the two of you had been watching. It grew into a joke, and then it was serious. Any time he wanted to make you smile, he would kiss your hand.
And so, as an offering of new beginnings, you slowly walk across the deck towards him, pushing away the memories from that day.
He stays still, trying not to scare you. You take his hand and he lets you guide it up towards your face. His hand is warm in yours.
"Start small." You whisper to yourself, reminding him of the way you spoke to him in the beginning.
"Let's start small." He had said, knowing neither of you were ready to dive in, to have the full experience off the bat.
"Okay." He said quietly, barely a breath in the wind. You lift his hand up, pressing a gentle kiss to the back of it.
He's glad it's dark and nobody else can see him because his face is as red as they come.
You can tell though. The slightly flustered look is all you need to see to know he's the exact same shade as a tomato.
You smile and his heart flutters.
"I love you Zoro." The words start to flow easier and for a brief moment things feel normal again. "It's nobody's fault, but I'm sorry we have to do this."
He resists the urge to lean over and kiss your forehead. "I tried to attack him. It's my fault we're in this mess."
You let go of his hand and turn your face serious, watching him carefully. "It was nobody's fault. Not mine, not yours, not Luffy or Usopp or Nami's either. The blame lies on that damned man and his hypnotic eyes. And it's over now. Nothing can be done about it." Zoro nods and reaches out a hand, an offering for you to take, if you should want it.
"To new beginnings?" He says gently and you can tell he doesn't expect you to take his hand. Maybe to surprise him, you do.
Your injured arm raises up, the fingers slide between his, lightly holding him. His fingers wrap around your hand, light enough to let you pull away without resistance should you have to. He's strangely good at helping you.
The two of you sit in silence, your hands sitting between you.
Carefully, you try something risky. You lower your hands and move closer. You just want to try. To know if it feels awful.
You press your body to his and he is deathly still. His breath hitches and you wonder if he knows you can tell he's about to cry.
You wrap your free arm around his body, giving him a gentle squeeze. "Your turn." You mumble into his chest. You feel his arm move. Your heart jumps, but you can't tell if it's out of fear or love. You decide to let it happen anyways.
His arm carefully wraps around your back, holding you to him.
You look up to see a single tear dripping down his face, a sight that makes you want to cry yourself.
You decide that you need this. You cry in his embrace as well. It feels like normalcy. It feels like home.
You separate after a while. It's a bittersweet parting, but your hands stay together.
"Tomorrow, please come back to our room." You say quietly. You don't know how this will work, but you know it will, and that's enough.
To new beginnings indeed.
169 notes
·
View notes
Text
I got real nervous they were doing Lila x Five really early in the season. It wasn't even explicitly stated, it was just a feeling from how they were setting up and framing things. Lila disagreeing with Diego and going to talk to Five. Lila keeping secrets from Diego that Five knew about. The tension of Five covering for Lila to Diego. Lila's dissatisfaction with her relationship with Diego and asking for a break. Without actively being romantically into Five, it kept setting up the narrative for Lila to leave Diego and Five was all tied in with what she was going to as an alternative to Diego. Add that to the promo pics with them together - even having watched it later and avoided spoilers I had a real bad feeling where this was going long before 4x5. (Or at least avoided until I already had my theory - my phone helpfully suggested an article days before I got to 4x5. I was not pleased to say the least.)
But there's a lot of reasons I take issue with this pairing and how it was done, so Christ, I guess let's get started:
Five explicitly stated in season 3 that Lila is not his type.
Five murdered Lila's parents. Sure, on the Handler's orders. But you think it's easy to have a romantic relationship when you know those hands killed your parents (aka my biggest critique of Tony/Bucky shippers in the MCU).
Five is indirectly responsible for the Handler's death. He saved everyone but her when he time traveled back. Sure, Lila was upset with her, but this woman raised her. She's got to have some complicated feelings about that and Five is all wrapped up in them now.
Five also had a weird relationship with the Handler, where she was a little flirty with him, which was all kinds of uncomfortable. Lila briefly mimicked this in season 3, which was even more uncomfortable. It's unclear if this was deliberately copying her "mother" or not. But adding Five and the Handler's complicated relationship on top of the other issues means there's a whole carousel of baggage to unpack here.
Five has always seemed kind of annoyed or tolerant of Lila, which extended into early this season. It's maybe a hair kinder at the start of season 4, but definitely not where it should be if there's potential here. It'd be one thing if they were friends after 6 years, but their relationship hasn't substantially changed at the start of this season to suggest otherwise.
If you have to do an all musical montage to show 2 characters falling in love, I'm sorry, you're not doing this right. That's telling, not showing. These characters have had tons of interactions to build off of. If you can't do that, then you're effectively saying that you have no foundation for this relationship.
Also, if it takes 6 1/2 years of being each others sole companions under adverse conditions for you to get together - maybe you shouldn't be together. It's one thing if it's treated like "Finally" or "Oh I didn't think you also felt this way". It's another if it's like it's a new idea entirely - that suggests loneliness and a desire for companionship and they're you're only option.
Five's history includes him having a pseudo-romantic relationship with a mannequin when he's left alone in the apocalypse at 13. The next time he's separated from his family for years he's with Lila. I'll allow that it makes sense he developed feelings for her specifically because of his history. That said, that makes this a wholly unhealthy relationship when he has a history like that. Lila is filling a gap Five's psyche has clung to before in similar harrowing times.
Frankly, the fact Lila was first looking for excitement out of her home life and is now upset she can't get back to her family isn't a good headspace either. (I'm also deeply frustrated that Lila feels trapped at home. Lila is so capable and she has a buttload of family members who apparently can take their children on a whim during all this chaos. You're telling me she couldn't have found a better outlet to work on their marriage or get some freedom before it got to this point of lying to Diego?)
Five is volatile and Lila is unpredictable. They're nothing but a menace to practically every other character they meet, including each other. But once they're a couple, they're perfectly pleasant the whole time. I don't buy it. The only fight they have is when Five lied to her. I'm not saying they can't be sweet. But this is all sweetness. For me to buy this couple they need to lovingly bicker. Instead, they've both had personality transplants.
So they decide to go back to the greenhouse after 6 years 5 months and 2 days. Five admits to having the book 5 or 6 months on their 7th anniversary of being lost. Let's be generous and assume they kissed within a couple days of getting to the greenhouse, because they look reasonably settled. That means that best case, Five decided that after being in a relationship for less than 2 months, he was going to throw his whole family away and run away with Lila. That is a hell of a lot of commitment for a short relationship.
And keep in mind, it's not like their family is safe. Last they heard, they hadn't solved the Cleanse. So they're either actively in danger or dead. Five - The man who spent 45 years trying to save his family. Who survived decades in the apocalypse alone (minus Delores the mannequin) and murdered his way through time for the chance to get back and save them - is going to let his family die for a 2 month relationship. I call bullshit.
Also, I will give Five credit that he tried to stay on task during the fight with the Cleanse. He only seemed to fight in retaliation for Diego - he actively looked towards the fight at least once before Diego pulled his attention. But you're telling me he's ready to keep fighting Diego and is threatening to kill him over Lila? That his powers only work correctly after 7 years of having them back because Lila begged him? I once again call bullshit.
And Five was going off to mope alone and never come back and potentially let his family die from an active threat, all because Lila didn't pick him? That is not the Five I know.
I also feel like we maybe did all this arc to get Lila to the point where Five has to convince her to stay because no one else could even if she hates him for it, but still get her family on the train to get the planned ending. And that feels very clunky and I hate it.
Outside of plot lines - it is a bit disturbing to me that we're pairing up an actor whose barely an adult with a woman 15 years his senior - practically old enough to be his mother. This is a aside from the fact he's a what, 71 year old man internally at this point and Lila (if we assume even living at the commission she's a similar age to Diego) is in her early 40s by the time she kisses a physically mid-20s Five. There's so much about that I am not okay with I don't even know where to start.
I also hear the writers wanted a romance for Five. First, okay, then have a longer season. Develop a character for Five earlier on in the season or the show you can pair him with. God knows with that history and age issues it'll be tricky. But also frankly - why? Why does Five need a romantic love interest? He's been fueled by the love of his family and that's done so many impressive things out of love for them. Not everyone needs a romantic love of their life to find happiness and it feels very heteronormative (is that the word I want?) that we need to have that for Five. Give Five an apocalypse-free world and his family alive and then we can see what happiness he can find.
#anti lila x five#tua critical#lila pitts#lila hargreeves#five hargreeves#tua#tua spoilers#tua s4 spoilers#tua s4#tua season 4 spoilers#tua season four spoilers#tua season 4#tua season four#umbrella academy#the umbrella academy
153 notes
·
View notes