#tommy westphall shared universe theory

[spiltsoup]

GREG HOUSE BEAT THE TOMMY WESTPHALL UNIVERSE ALLEGATIONS

[dream-in-fall]

The theory of "The Hidden Morse Messages"

These people have done a unique work. They discovered and deciphered The Hidden Morse Messages.

@theastrophysicistnextdoor

Here's my theory "The Hidden Morse Messages."

1 SHE’S IN MA PHONE (or He's) Ma phone is an outdated name for a magnetophone. During World War 2, german engineers developed a device for recording sound on magnetic tape.

Crowley uses such a device and even gets inside - into it magnetic field. Together with Hastur. And we know that you can get stuck there, just like Hastur got stuck. Who exactly is this "She" or "He" who is in the "ma phone", I do not know yet. Perhaps the "dreadful eternity" itself.

2 HAVE A DREADFUL ETERNITY

- it is said to someone who is stuck in this "dreadful eternity"

- it is said about some eternity that has become dreadful, because it has become closed perhaps. (It's a little difficult, I know).

3 TOMMY’S A LEGEND I think we're talking about Tommy Westphall here. And about Tommy Westphall universe hypothesis.

In short, there is a kind of crossover of all (or many) shows /series in the consciousness of Tommy Westphall. A little more: In a 2003 article published on BBC News Online, St. Elsewhere writer Tom Fontana was quoted as saying "Someone did the math once… and something like 90 percent of all [American] television took place in Tommy Westphall's mind. God love him."[9] (link 2) When directing episodes for the eighth series of the revived Doctor Who in 2014, Ben Wheatley had the art department create a replica of Tommy Westphall's snowglobe, which Wheatley placed in the TARDIS set as a reference to the hypothesis.[11] (link 2)

4 PAUL’S OUR MIXING HERO Re-recording mixer Paul McFadden. He was actively involved in the creation of a huge of TV series. This man literally lives in the universe of a TV show. (Tommy Westphall universe).

He was not only a sound engineer, but also a dialogue editor. I wouldn't be surprised if he is the co-creator of this magic (secret dialogues and hidden hints).

5 HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS

Here is one of my generalizing theories of Morse messages. We are really stuck in the universe of Good Omens, like a hellish web. This universe is full of references to literature, music, series and movies. In addition, a large of dialogues in the series are written in such a way that you can read between the lines and find new meanings. We literally "lick the walls." That is, we examine every pixel on every damn frame. Heaven (the creators) suggests that we give up all hope of saving our long-suffering souls. But they cheer us up - it's a sweet eternal damnation. Heaven looks down on us because we will never be able to find all the hidden meanings.

In this post: 20% jokes 5% sarcasm 20% pathos 100% love and admiration for the creators of Good Omens 40% hope to find another meaning of these secret messages 15% of the fatigue from Googling.

p.s. I'm going to formulate a more complex theory, good luck to me

[tiffanys-aus-and-headcanons]

WHERE DO DWAYNE MCDUFFIE'S VARIOUS WORKS LAND IN THIS HYPOTHETICAL TIMELINE

especially since in this timeline the Tommy Westphall Universe hypothesis was postulated by him

Got his start as an editor at DC in the 1980s, where his first major work was The Suicide Squad, a miniseries positing that supervillains are incarcerated rather than killed because society seeks to exploit their labor. As a freelancer, he'd do most of his noteworthy work for Marvel; he sought to improve the poor state of minority representation in comics at the time, and created many of Marvel's best-regarded black superheroes, like 3-D Man, Storm, Static, and the Punisher, all of whom would eventually be incorporated into the main Marvel universe.

Static, or Miles Morales, was especially popular, and got his own four-season show, Static Shock, which aired on Cartoon Network. This was the start of a long series of Cartoon Network writing and directing credits that Dwayne McDuffie received; he was a leading figure in multiple highly-regarded Spider-Man shows, they brought him on to run all three Inspector Gadget sequel series (interrupted only by his death), and he even had a presence in reboots of The Avengers and Crazy Train. He died suddenly in 2011, relatively early in what surely would have otherwise continued to be a productive and prolific career. He is still remembered very fondly today, and has inspired many memorials and tribute characters.

As for "Six Degrees of the Queen of the Asteroids", it was a blog post that McDuffie wrote in 2002 for defunct comics site Slush Factory. In response to questions about the continuity of his own comics, Static Shock, and Bruce Timm's AMU, McDuffie reflects on the attitude that working in comics has given him about canon, crossovers, and shared universes. As a reductio ad absurdum, he points out the extensive network of Easter eggs that Pixar likes to use to link their films together. (There were only four at the time, with Shark Tale still on the way.) He then goes into a series of strange rationalizations you would need to make to explain how they could all be set in the same universe, if you were applying the same attitude to them that many fans try to apply to superheroes. Unfortunately, the internet generally disregarded the context of McDuffie's argument, and accepted the ideas he had intended to be ridiculous at face value. The so-called "Pixar Theory" remains a frequent subject of braindead fan discussion to this day, with each new release from the studio prompting a new round of speculation as to how it could be shoehorned into a shared universe.

[burningexeter]

[HEADCANON/FAN THEORY #5]

Fuck off with the Tommy Westphall theory as far as I'm concerned.

Over several hundreds of media from movies to TV shows to video games to even comics are all set in the same insane shared universe as each other that deal with multiple different tones and aesthetics.

I personally call it "The Wildwood Universe" and a mere some of them are the ten you see above exactly as is:

• Chris Carter's The X Files Series (First nine seasons, Fight The Future, Millennium and The Lone Gunmen)

• Joss "Yikes!" Whedon's Buffy The Vampire Slayer and Angel

• Todd McFarlane's Spawn Trilogy (HBO)

• Tom Fontana's Oz (HBO)

• David Simon's The Wire

• Damon Lindelof & Carlton Cuse's LOST

• Vince Gilligan's Breaking Bad Trilogy

• Kurt Sutter's Sons Of Anarchy Duology

• Jeff Pinkner & J.H. Wyman's Fringe

• Remedy Entertainment's Connected Universe

And that's just TEN! Here's an extra five:

• The Entire Quentin Tarantino Universe (Django Unchained, The Hateful Eight, Inglourious Basterds, Once Upon A Time In Hollywood, Reservoir Dogs, True Romance, Natural Born Killers, Pulp Fiction, Jackie Brown, Kill Bill 1 & 2, From Dusk Till Dawn and even both Curdled and Michelle & Romy's High School Reunion)

• Neil Gaiman & Lenny Henry's Neverwhere (BBC Mini-series)

• Takahiro Omori's Baccano!, Durarara!! and Durarara!! x2

• Bryan Fuller's Pushing Daisies and Hannibal

• Travis Knight's Wildwood and The Night Gardener

It's this idea that led me to come up with an entire idea for a TV show, an adult animated TV show to be specific, The Wildwood Chronicles, and it unintentionally and unexpectedly became my passion project so who the hell would've thought.