#today Jefferson airplane
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the-black-rainbow · 2 years ago
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crabscrabscrabs · 4 months ago
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Today, I feel like pleasing you more than before Today, I know what I wanna do, but I don't know what for To be living for you is all I want to do To be loving you it'll all be there when my dreams come true Today you'll make me say that I somehow have changed Today you look into my eyes, I'm just not the same To be any more than all I am would be a lie I'm so full of love I could burst apart and start to cry
Today, everything you want I swear it all will come true Today, I realize how much I'm in love with you With you standing here, I could tell the world what it means to love To go on from here, I can't use words but it don't say enough
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ometochtli2rabbit · 4 months ago
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13.012.4.10
wuk[7] OK/TZI' [dog] - oxlajun[13] MUWAN
galactic tone: reflection/ mystic power
sun sign: dog/white/north
enjoy friends and family - MAYA
chicome[7] - ITZCUINTLI [dog]
Centeotl | Mictlantecuhtli
papalotl[butterfly]
lord of the night: Chalchihuitlicue
trecena[7]: Itzlacoliuhqui
x: chicome [7] - toxcatl - NAHUA
The thirteen day period (trecena) that starts with day 1-Cuetzpalin (Lizard) is ruled by Itzlacoliuhqui. The 13 days of this trecena are governed by the meting out of irrational rewards and punishments. These are 13 days of confusion, a time when the noble and ignoble have equal chance to be raised up or thrown down. The warrior must be like the lizard, who is not hurt from a high fall but, instead, immediately climbs back to its perch. These are good days to keep out of sight; bad days to attract attention. -www.azteccalendar.com
We are right in the middle of this trecena. Here are some songs that have to do with CONFUSION:
Elliott Smith: Confusion
New Order: Confusion
Phyllis Hyman: Living in Confusion
Electric Light Orchestra: Confusion
Keyshia Cole: Confused in Love
R.E.M.: I Took Your Name
The Gogo's: King of Confusion
Oasis: Columbia
Sonic Youth: Confusion is Next & Kill Yr. Idols
Testament: Confusion Fusion
Genesis: Land of Confusion
Kylie Minogue: What Do I Have to Do? & Illusion
Mudhoney: Six Two One
Aerosmith: Face
Screaming Trees: Ocean of Confusion
The Four Tops: Helpless
Carole King: Only Love is Real
Meat Puppets: Confusion Fog
Tech N9ne: Mad Confusion
Allman Brothers Band: Who to Believe
Jefferson Starship: Save Your Love
Tina Turner: Ball of Confusion
Tesla the Band: Ball of Confusion
Anthrax: Ball of Confusion
Love and Rockets: Ball of Confusion
Temptations: Ball of Confusion
Green Day: Coming Clean
Janet Jackson: The One
Traffic: Stranger To Himself
Tom Petty & The Heartbreakers: Confusion Wheel
Alice in Chains: Confusion
Bob Dylan: All Along the Watchtower
Creedence Clearwater Revival: Who'll Stop the Rain?
Duran Duran: Vertigo: Do the Demolition
Black Sabbath: Wheels of Confusion
Pink Floyd: In the Flesh
Metallica: Confusion
Led Zeppelin: Dazed and Confused
The Kinks: State of Confusion
Depeche Mode: If You Want
Madonna: Get Together
Jimi Hendrix: Love or Confusion
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bea-lele-carmen · 7 months ago
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To be loving you It'll all be there When my dreams come true
I'm so full of love I could burst apart And start to cry
Today, everything you want I swear it all will come true Today, I realize how much I'm in love with you
With you standing here I could tell the world What it means to love To go on from here I can't use words That don't say enough
Please, please, listen to me It's taken so long to come true And it's for you , for you
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patrickelvinart · 1 year ago
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I once knew a girl named Bambi
Pencil drawing on watercolor paper
Calbayog City 2024
Lather - The Jefferson Airplane
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onlizinenet · 2 years ago
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onlizinenet.wordpress.com
onlizine.tumblr.com J O Y
https://images.app.goo.gl/v86sJFoyiJyidMxB7oyiJ
www.tumblr.com/onlizinizinenet/728288509354541056
https://youtu.be/-xthzy1PxTA?si=IhRkBMXiXUPISCLy
https://youtu.be/5NxL-IkeIw8?si=nGo1DyaRsXg8KMSN
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cece693 · 15 days ago
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Hi there! Could you write something about jasper and a hippie partner? Reader was transformed in the late 60s, early 70s and is free spirited and playful, maybe always making fun and joking around about him being an old military, calling him "major" in a teasing tone and rolling eyes when Jasper acts too proper (my headcanon is that Jasper was a traitor of the south, he was a confederate major and all but the reason why he is so proud of it is because he was actually helping the north. It's the only way that backstory makes sense for the the freaking empath of the family) . Or openly talking about how he went to festivals like Woodstock and had fun in every way possible, dancing in the rain, having sex and doing drugs to Carlisle and Esme's ( and Edward's) not so slight horror
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Flower Child and The Major
pairing: jasper whitlock x male reader tags: comedic elements, Emmett is a bro, Edward needs to let loose, do you feel how much I love this request, Esme is supportive because she's a goat, carlisle not so much
You stretched leisurely, lounging across the couch with your feet carelessly kicked over the armrest, humming "White Rabbit" by Jefferson Airplane. Your vibrant floral-patterned shirt hung open, revealing a swirl of beads and necklaces glittering against your chest. "Hey, did I ever tell you guys about that one time at Woodstock?" you began casually, eyes sparkling with mischief as Edward visibly tensed from his seat at the piano.
Edward groaned deeply, dropping his head into his hands. "Repeatedly. Honestly, Y/N, I could live without knowing exactly how many illegal substances you consumed—or people you were involved with."
"Oh, lighten up, Eddie," Emmett chuckled from the armchair, tossing a throw pillow at Edward’s head. "I love these stories. It’s like history class—but actually interesting."
Carlisle, standing gracefully near the fireplace, cast Emmett a mildly disapproving look. "Perhaps some of Y/N’s tales could remain private?"
Esme merely chuckled softly from beside him, fondly shaking her head. "I’ve long given up on censoring him. He’s a free spirit."
"See? Mama Bear gets it," you said smugly, blowing Esme an exaggerated kiss, making her laugh quietly into her palm.
Edward huffed irritably, shooting Emmett a glare. "Do you always have to encourage him?"
"Of course!" Emmett grinned, folding his arms behind his head, utterly unrepentant. "If he stops telling stories, how will I find out if Hendrix was really as talented off-stage?"
Edward gagged theatrically. "Please. Spare me."
On cue, Jasper entered the room, immediately sensing the whirlpool of chaotic emotions and visibly hesitating at the threshold. His golden eyes settled on you, a perfect blend of affection and well-practiced irritation.
"Ah! Major Whitlock!" you declared dramatically, springing upright and giving him a mock salute. "Reporting for duty, sir! Awaiting today's lesson in etiquette and how to properly starch one's uniform!"
Jasper exhaled deeply, eyes fluttering shut for a moment. "Must you always?"
"Always," you confirmed brightly, crossing the room with exaggerated, swaying steps before halting directly before him. You looped your fingers casually through his belt loops, tugging him closer. "Come on, Major, you know you secretly love when I tease you."
A faint smile tugged at Jasper’s lips, betraying him completely. "I wouldn't exactly call it love."
Edward sighed loudly, rolling his eyes. "He would. Trust me."
You smirked victoriously at Edward before turning your attention back to Jasper, leaning in conspiratorially. "Besides, we all know your big secret now."
Jasper’s eyes narrowed suspiciously, a slight smirk on his lips. "Which one is that, darlin'?"
"Oh, please," Emmett scoffed loudly. "Like there's more than one secret worth talking about?"
"You know," you drawled teasingly, "the one where our fearsome Confederate major was actually a double-agent working for the North. It explains a lot, actually—no way someone as emotionally sensitive as you could stomach working for those Southern losers."
Jasper’s expression softened despite his attempts at maintaining a stern façade. "It was purely strategic."
"Sure, Major Softie," you teased, sliding your arms around his neck and gently playing with his blonde curls. "I bet you were the cutest little spy."
"Hardly ‘cute,’" Jasper argued mildly, but his hands automatically settled possessively on your hips, clearly betraying his words.
Edward rubbed his temples, groaning. "Must you two flirt so openly? It’s exhausting."
"Almost as exhausting as Y/N’s Woodstock saga," Carlisle mused with a slight twitch of his lips.
You laughed aloud, squeezing Jasper gently. "I still haven’t finished that story, actually—did you guys know I had exactly twenty-seven different partners at Woodstock? And that’s just counting the ones I clearly remember. Those orgies got a little heated, especially when Hendrix—"
"Y/N!" Edward practically shrieked, covering his ears. "Have mercy!"
Emmett, meanwhile, erupted into hysterical laughter, banging his fist against the armchair. "Holy shit! I was joking about Hendrix—but now I’m invested. Spill!"
Carlisle pressed two fingers delicately to his temple, taking a deep breath. "Y/N, while your openness is admirable—"
Esme patted his arm gently, trying not to laugh. "I'm not sure admirable is quite the right word, dear."
"Perhaps certain details could be left to the imagination?" Carlisle finished, ever diplomatic.
You pouted playfully, leaning dramatically against Jasper. "See what I have to deal with, Major? They don’t appreciate my historical accuracy."
Jasper chuckled lightly, pressing a kiss to your forehead with resigned affection. "Truly tragic, darlin'. How will the family survive without vivid recollections of your youthful escapades?"
"Thank you," Edward groaned sarcastically. "At least one person understands."
You tilted your head up at Jasper mischievously, eyes glinting. "So, Major, wanna go frolic barefoot under the stars and scandalize these repressed individuals some more?"
Jasper shook his head slowly, but the smile he gave you was undeniably warm. "I'm fairly certain you've scandalized them enough already."
"Impossible," Emmett scoffed, now lounging upside-down in his chair. "I'm practically scandal-proof."
"Challenge accepted," you laughed, tugging Jasper gently toward the door. "Later, folks!"
Edward sighed deeply, mumbling into his palms. "Finally, some peace."
Emmett snorted, throwing a cushion at Edward again. "Dude, peace left the room the second Y/N walked in."
You smiled wickedly, guiding Jasper outside into the cool night air. Once the door shut behind you, Jasper visibly relaxed, his shoulders loosening. "You truly live to torment Edward, don't you?" he asked softly, amusement in his voice.
"Edward makes it too easy," you shrugged playfully, pulling Jasper close beneath the starry sky. "Besides, admit it, Major—you love my wild stories."
Jasper hummed quietly, gently pressing your foreheads together. "They are somewhat charming, despite my better judgment."
You grinned triumphantly, tugging him toward the tree line. "Come on, soldier-boy. Let's scandalize the forest wildlife. I'll tell you all about Janis Joplin and the marshmallow incident."
Jasper let out a rare, genuine laugh, fingers intertwining gently with yours as he let you lead him deeper into the woods. "You’re impossible," he murmured fondly.
"Maybe," you conceded cheerfully, squeezing his hand. "But I'm your impossible hippie, Major."
"That," Jasper agreed quietly, pressing a gentle kiss to your knuckles, "is something I will never deny."
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welcome-to-green-hills · 5 months ago
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Now that Sonic 3 has been released…I humbly request Shadow and Maria headcanons. Please? 🥺
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Hi Hon❤️✨
I’m more than happy to supply you some headcanons of Shadow and Maria:
Every night before bed, Maria brushes Shadow’s quills and hums him a song that her mother would sing to her as a baby. Even today Shadow will hum the tune under his breath.
Shadow and Maria like to snack on Razzles. They’re easy to hide in quills and in pockets, as well as a good sugary treat. To this day Shadow will only eat the purple ones.
Shadow and Maria were notorious for turning the bunker’s cafeteria into a roller skating rink where they competitively raced against each other.
Maria once tried to get Shadow into the 1970’s fashion of bell bottoms, jumpsuits, and tie-dye shirts. While it may be a preference for Maria, Shadow’s preference lies more with suede and leather jackets with Coke bottle cap pins.
Maria had a pet rock that she owned in the bunker. It was the ‘70s. That was normal.
Shadow and Maria had matching mood rings that they wore on their pinkies. That, and matching friendship bracelets. Shadow still wears his friendship bracelet underneath his glove cuff above his ring inhibitor.
Maria is a master in stealing Shadow from testing. And she gets very creative too! Sometimes she crawls through the vents to steal him, other times she wears a fake disguise. The scientists have learned to not be so ornery about Maria stealing him since she’s Gerald’s granddaughter.
There are tons of film negatives that Shadow stole from G.U.N.’s archives of him and Maria doing Ark Sibling antics. He keeps the film negatives in his quills.
Shadow and Maria slept in a bunk bed with Maria in the bottom bunk and Shadow up top.
Shadow and Maria are big fans of the Beatles, Aerosmith, Jefferson Airplane, ABBA, Queen, Simon & Garfunkel, and Redbone.
If they’re not roller skating or watching films, they two like to play board games. Their go-to game is “Clue,” but only if Maria gets to make up crimes scenarios and backstories for each of the characters.
Shadow and Maria like to watch Peanuts cartoons. Maria always comment how her relationship with Shadow is similar to Snoopy and Woodstock.
Maria is a big root beer float fan, Shadow likes an Orange Julius.
The two of them like to make flora pinky rings whenever they sit in the field of daisies.
In terms of food, Maria and Shadow’s go-to breakfast, lunch, and dinner is pizza. Maria likes an all pepperoni with green pepper pie while Shadow switches up pizza toppings every week. It’s very important to sample toppings, you know.😊
And finally, Shadow and Maria have shoeboxes filled with photographs (mainly blurry ones) of their entire childhood in the bunker. Sonic managed to save one of the photos to give to Shadow fifty years later.
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posttexasstressdisorder · 1 year ago
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They killed our Jesus: A Lament for Generation Jones
Two things happened in 1980 that would ensure the iron grip of the fascist state would (first slowly, then quickly), tighten on the entirety of the nation's populace from that moment forward: Ronald fucking Reagan was installed as president, and a CIA-psyop'd Christian Nationalist shot and killed John Lennon.
Those two things are connected.
First let's look at exactly who "Generation Jones" encompasses, and specific moments in the generational timeline that defined our future. The wiki page is actually quite good. Here's an excerpt that really hits it on the head:
"The name "Generation Jones" has several connotations, including a large anonymous generation, a "keeping up with the Joneses" competitiveness and the slang word "jones" or "jonesing", meaning a yearning or craving.[17][18][19] Pontell suggests that Jonesers inherited an optimistic outlook as children in the 1960s, but were then confronted with a different reality as they entered the workforce during Reaganomics and the shift from a manufacturing to a service economy, which ushered in a long period of mass unemployment. Mortgage interest rates increased to above 12 percent in the mid-eighties,[20] making it virtually impossible to buy a house on a single income. De-industrialization arrived in full force in the mid-late 1970s and 1980s; wages would be stagnant for decades, and 401Ks replaced pensions, leaving them with a certain abiding "jonesing" quality for the more prosperous days of the past.
Generation Jones is noted for coming of age after a huge swath of their older brothers and sisters in the earlier portion of the Baby Boomer population had; thus, many note that there was a paucity of resources and privileges available to them that were seemingly abundant to older Boomers. Therefore, there is a certain level of bitterness and "jonesing" for the level of doting and affluence granted to older Boomers but denied to them.[21]"
That sets the stage, for the most part. I was four when JFK was shot on TV. I was a wide-eyed, open-eared five year old when The Beatles were on Ed Sullivan and The Supremes were on the radio. I was ten when we landed on the moon, and I wanted to be a hippie at Woodstock at eleven. "Basketball Jones" came out when I was 12...I jonesed for a telescope because SPACE and got one from that great maker of fine telescopes, KMart.
Generationally, we jonesed to be ten years older, so we could have had all the cool shit THEY had. They had The Beatles, and we had the solo Beatles, they had Hendrix, Cream, Jefferson Airplane, and we had the fucking BeeGees and disco. It's like we, as a generation, were fated to live The K-Mart Knockoff of Life, instead of the bright, shiny Brand Name One all our older brothers and sisters got.
MUSIC and SCIENCE were EVERYTHING to us as kids/teens...the Eshittification Of Music truly began in 1973, and proceeded through SynthPop Hell in the '80s. Rock and Roll heroes became hairdos with guitars. The rock heroes of the '60s were getting married and having kids and baking bread. AM Radio ceased to be something you listened to for music...it began to replace music with strident, screaming hate voices that would eventually engulf all of AM Radio 24/7/365.
We were continually thwarted most of the way from our young adulthood on, blatantly from the moments in 1980 that the vile Ronald Reagan and the core operatives of evil for the next 50 years took over, and then the moment of what I call "Our Generational Wounding", the murder of John Lennon.
Back in '66, John had inflamed all the grandpas of todays magats by saying (truthfully) that with teens, The Beatles were more popular than Jesus. Beatle hate became a Very Big Thing in Bumfuck South Texas. Record burnings, merchandise burnings, book burnings, all were commonplace. A very palpable, and very specifically "Anti-Beatle" hate got instilled in a lot of kids/teens at that point, so anything to do with the Beatles was taboo for "good people" (read Southern Baptists) to like.
That, of course, made me love them that much more, and to follow their paths from their breakup forward with 'bated breath, buying every 45 they put out, trying to save pennies up to buy their albums.
John was the radical hippie, the one who wanted peace, the one with the weirdo wife, the one who held a "Bed-In" for peace. In a very fundamental-to-our-generation way, John Lennon was OUR "Jesus".
Richard Nixon (president from '68 to '74) HATED him.
In 1971, there was a true mass consciousness that incorporated us along with our older siblings, a musical mass consciousness. I became aware of many things in 1969, specifically fall of '69, so I was experiencing all this in real-time, as it happened. When the news that The Beatles officially broke up came across the AM radiowaves in May of '70, it was A. Very. Big. Deal. Everyone watched everything they did from that point on with GREAT interest.
George put out "My Sweet Lord" and "What Is Life" (first record I ever bought), John put out "Instant Karma", "Mother", then "Power To The People", then "Imagine". Ringo put out "It Don't Come Easy", and Paul & Linda had "Uncle Albert/Admiral Halsey". EVERYBODY was a "post-breakup Beatle critic", panning Paul's very first solo 45 "Another Day", "Uncle Albert" was the followup. This band called Badfinger that sounded suspiciously like The Beatles appeared on American radio, and would make 1972 one of the final "Golden Years" of AM Rock Radio.
In 1970 we heard about this Elton John guy, by the end of '72, I was playing as many of his songs on the piano as I could figure out. My favorite album was (still is) "Madman Across The Water". When "Goodbye Yellow Brick Road" came out in '73, a very noticeable shift was occuring.
Pop became much less political. It softened. It mellowed. It grew its hair long and lived in the country, learned how to grow potatoes and play the mandolin, making Country Rock the one lasting "legacy" of our sad sub-generation. By the time I graduated HS in May of '77, it was all there was on the radio, besides....disco. Oof.
One of my first TV memories was JFK getting shot. That was the Generational Wounding of our older brothers and sisters. When Mark Chapman (a Christian nationalist who changed the words of "Imagine" to "Imagine there's no John Lennon") shot John in December of 1980, it was the 2 in the 1-2 PUNCH done to our OUR generation. The first, of course, being the installing of Reagan and the evil Evangelical influence beginning in earnest.
It also began the buildup of the "Holy War" radical right, and an utter denial and clampdown of "hippie", of "counterculture" in general began, ensuring that John's vision of world peace would never come true, at least not on their watch. They had, effectively, killed OUR Jesus, along with our chances of the kind of security our older sibs got in spades. It also marked the unholy marriage of the evangelicals and the republican apparatus.
When Reagan got elected by virtue of the vile Newt Gingrich's 'Southern Strategy', a clampdown in earnest on the very SPIRITUAL EXISTENCE of our generation's incredible want and need, our collective JONESING for world peace began. Richard Nixon had planted the seeds. Nixon hated John Lennon with a passion. After Reagan was elected, I firmly believe Chapman was "activated" and they killed John as a Christmas present to Nixon.
It was after that, when the dream of a scientific future began to die, as well. When we were in high school, SCIENCE WAS EVERYTHING, so we wanted to be some kind of scientist "when we grew up".
I dealt with four years of college, majored in Biology, and in early 1981 realized my dream of being a Forest Ranger in Yosemite or some other national park somewhere, living in a cabin, giving talks to visitors about the biology aspects of the park....all that went POOF, almost instantaneously. My degree would get me nowhere, so I left before the end of that year and started working in record stores.
I was effectively the Cusack character in the movie about record stores, but it led to a dead end. Record stores weren't all that glamorous, and yes, the pay was dogshit. I tried working in record stores for the love of the music, while trying to BE a musician in a town FILLED OVER FLOWING with musicians, but that was quickly shat on by the beginning shrieks of late-stage capitalism.
It was like working in the record stores was my trying to keep holding onto the dream, our generation's dream...John's dream of world peace (along with my dream of being a working musician) died a pitiful death by the end of 1986.
What followed was nothing but a series of Jobs I Hated, and the beginnings of the true Jonesing for the life we'd been promised, because we didn't get the raises, the pensions, the house, the car, boat and camper, none of that shit for us. A life of being a low-paid, no-insurance drub, destined to be a life-long renter, unless a financial miracle happens.
So when people ask why we (as a generation) hate Ronald Reagan so much, let's just say I'm with Bugs on this one.
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today-in-the-bunker · 1 year ago
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Today, the Winchester Prank War has been officially rekindled. Cas and Jack, who have in the past acted as neutral parties, are slowly beginning to take sides. Neither will directly aid in harming the other brother, but Cas may have a hunting question for Sam while Dean hides all of his book marks, or Jack may ask Dean the difference between Jefferson Starship and Jefferson Airplane while Sam puts all of Dean's cassettes in the wrong cases.
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ometochtli2rabbit · 6 months ago
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13.0.12.0.16
junlajun[11] KIB\AJMAQ b'olonlajun[19] ZAC
galactic tone: resolution/ dissonant structure
sun sign: WISDOM| vulture or bee/yellow[blue]/south
sit on a rock - MAYA
mahtlactli-once[11] - COZCACUAUHTLI[vulture]
Chalmecatecuhtli | Itzpapalotl
alo [scarlet macaw]
lord of the night: Centeotl
trecena[11]: Tonatiuh
x: mahtlactli-onei[13] - cuauhuitlehua - NAHUA
As this country heads for another election, just remember that the naming of the Americas, or America is under dispute. I have found the "AMERI" prefix being used before europeans getting here throughout Mesoamerica. There are also those of us who understand that it hasn't exactly been the land of opportunity for those of us who have lived in poverty. Here are some songs that illustrate that view.:
Prince Rogers Nelson: America
Slipknot: Gematria
Tall Paul Hip Hop: Make America Great
Ice Cube: Amerikkka's Most Wanted
Bruce Springsteen: Born in the USA
The Clash: I'm So Bored with the USA
Woody Guthrie: This Land is Your Land
Heart: America
Green Day: American Idiot
David Bowie: I'm Afraid of Americans & Young Americans & This is not America
Jefferson Airplane: Volunteers
Grand Funk Railroad: We're an American Band
Tracy Chapman: America
Public Enemy: Can't Truss It
Jewel: America
John Mellencamp: ROCK in the USA
Steve Miller Band: Living in the USA
James Brown: Living in America
Tom Petty & The Heartbreakers: American Girl
Pointer Sisters: American Music
Official Motörhead: America
U2: The Hands That Built America
Simon & Garfunkel: America
The Stranglers: Big in America
Childish Gambino: This is America
Jessa Calderon: Home of the Brave
Bob Marley: Buffalo Soldier
Raye Zaragoza: American Dream
Willie Nelson: A Peaceful Solution
Waylon Jennings: America
Blackfire: American Indian Movement Song
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brynnterpretations · 9 months ago
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WHAT MUSIC THE LOSERS CLUB LISTENS TO ☻
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Ben Hanscom
Ben loves sentimental ‘80s pop and boy bands, with his favorite artists being New Edition, New Kids on the Block, and The Jets. It sounds good, is catchy, and most of all, resonates with Ben — say what you want about that sort of music, but the tracks are undeniably well-written (even if corny in today’s standards), and Ben loves it for the artistry and sound. Plus, the singers always look really cool.
Beverly Marsh
Bev loves female-fronted classic rock, with her favorite artists being Blondie, Joan Jett & the Blackhearts, and The Runaways. After her mother passed of breast cancer when Bev was three, the only music record she’d left behind was The Runaways’ self-titled debut album, and she listened to  it religiously. Because of that, she developed a taste for rock and alternative music led by women, and her room is chock-full of Stevie Nicks posters. 
Bill Denbrough
Bill loves folk and psychedelia, with his favorite artists being Donovan, Jefferson Airplane, and Harry Nilsson. Bill likes music that he can appreciate the lyrics of yet still “turn off his brain to”, and especially enjoys ones that are intertwined with nature (whether it’s the songwriting or the “feel” of the song). 
Eddie Kaspbrak
Eddie loves ‘60s doo-wop, with his favorite artists being . Eddie. Because he’s so sheltered that even the radio is off limits to him, Eddie grew up on older music, but he likes it — it reminds him of Coca-Cola, summer bike rides with the rest of the Losers, and sunny days. Admittedly, Eddie also is a big fan of ‘60s girl bands like The Shirelles, but he tries to hide it due to Richie being an ass. 
Mike Hanlon 
Mike loves classic rock with blues influences, with his favorite artists being Howlin’ Wolf, John Lee Hooker, and Muddy Waters. Mike was raised on the 20th-century blues powerhouses by his family — AKA Charley Patton, Robert Johnson, and Son House — and his music taste reflects that. He is a huge music guy, and takes special care of all his vinyls. 
Richie Tozier
Richie loves funky, upbeat new wave, with his favorite artists being DEVO, Oingo Boingo, and Walls of Flesh. Basically, he likes fun, textured music that stimulates his thirteen-year-old brain, with interesting lyrics that range from humorous to absolutely nonsensical. In contrast to Mike, while Richie loves music, he does not take care of his equipment, and has fried his Sony CD player from the sheer force he used to blast “Dead Man’s Party” through it. 
Stan Uris
Stan loves “big band” and swing music, with his favorite artists being Dean Martin, Frank Sinatra, and Louis Armstrong. Stan-the-Man, ever prim and proper, has always been attracted to more sophisticated music, but still likes the fun, jazzy stuff that his favorite musicians offer — see “You Make Me Feel So Young” by Frank Sinatra, one of his all-time favorites.
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eptodaytommorowforever · 6 months ago
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Events In The History And Of The Life Of Elvis Presley Today On The 12th Of November In 1972
Elvis Presley Tour And Show Comes To San Bernardino CA.
A look back at Elvis Presley's 1972 outstanding concert at swing auditorium in San Bernardino CA
Sunday night, Nov. 12, 1972. The Santa Ana winds were howling, so typical of San Bernardino in November. And it was cold. But a sold-out crowd stood patiently to have an audience with The Legend . Elvis Presley was in the Swing Auditorium.
The Swing was the place east of L.A.'s Fabulous Forum to see virtually every top name act in the rock world, circa 1964 through 1981. Located on E Street, the auditorium was built in 1949 on the grounds of the National Orange Show and was named for Senator Ralph E. Swing, a San Bernardino legislator. What a glorious barn it was and what history played out on that stage. The Rolling Stones did their first American concert there in June 1964. The place rocked until a small plane crashed into it on Sept. 11, 1981 and the auditorium had to be demolished. One of the last shows played there featured Iron Maiden.
In between, rock royalty were regulars. Fleetwood Mac played more than five times. The Byrds, Buffalo Springfield, Jefferson Airplane, Creedence Clearwater Revival, Cream, Jimi Hendrix Experience, Led Zeppelin, The Doors, Black Sabbath, Ramones (as opening act), Chicago, Jethro Tull, Alice Cooper, the Grateful Dead (multiple times), Faces with Rod Stewart (also multiple times), Santana, the Kinks, Janis Joplin, Eric Clapton, the Beach Boys, and more. Look up how many of these acts are in the Rock and Roll Hall of Fame. Just about everybody but the Beatles made it to the Swing.
Prior to the modern rock era, Bob Hope was almost an annual fixture at the Swing during the National Orange Show Fair. Other notables who performed there in the '50s and '60s included Sammy Davis Jr., Jack Benny, Judy Garland, Jerry Lewis, and George Burns. But never had a King played there before that night.
Yet, it wasn't as if Elvis Presley had never been to the IE. He did own a house for several of the Priscilla years in Palm Springs and was known to do some boating in Big Bear Lake. Many scenes of the totally forgettable remake movie 'Kid Galahad' were shot in Idyllwild. And, some of the outdoor footage in 1964's 'Kissin' Cousins' was shot in the San Bernardino Mountains. Still, this was different.
Elvis Presley's nationwide tour began at Madison Square Garden in New York, a city he had never before performed live in. The four concerts there were sold out and got rave reviews. At 37, he was 'lean, tanned and greasily handsome, his coal-black hair glistening with an oily 1950s sheen', as the New York Times' Grace Lichtenstein put it. At a press conference before the Madison Square Garden appearance, he was asked about the secret of his longevity on the pop music scene. 'I take Vitamin E', he told reporters.
From New York, the tour moved west, passing through cities like Milwaukee, Chicago, Wichita and Tulsa before continuing on to Las Vegas. Elvis stayed there for most of October before continuing the tour, which took him to Texas, Arizona, and into California. He hit Oakland, then San Bernardino, where he performed two sold-out shows - one on Nov. 12 and another on Nov. 13. rom there, he headed to the Long Beach Arena for two shows, the last stop before catching a plane for Honolulu where the tour would wrap up. Originally, the Honolulu show was planned to be broadcast worldwide by satellite, but the broadcast date was changed to early 1973 so it wouldn't conflict with the release of MGM's musical documentary Elvis on Tour. No matter. The show (actually four of them) went on. And in Honolulu, as well as in other cities on the tour, fans of all ages crowded concert venues to get a live view of the King.
So it was in San Bernardino. The Swing could hold about 10,000 people with a concert take of around $60,000. On that cold November night, fans crammed into the sold-out auditorium. With reserved seating, there was none of the festival seating chaos that marked the Swing rock shows - kids pushing and shoving and fighting to get to the stage area. This crowd was real diferent. I was way too young at 21. For the usual Swing rock show, most of the concertgoers were my age or younger. The guys had long hair, wore boots, Levis and denim work shirts (think the cover of a Creedence album.) The girls went braless, wore tight jeans or peasant dresses. There were always more guys than girls.
For Elvis Presley though, these fans had jobs, mortgages, and kids. The women clearly outnumbered the guys. They wore bright yellow or orange dresses, lots of makeup. Hairspray was huge. And, there were more than a few suicide blondes with hot pants and go-go boots. (I would never have sat on anything in the Swing in hot pants.) Jean Naté was locked in mortal combat with Charlie in a fragrance war. My Sin perfume held its own. Smoke from the bathrooms came from real Marlboro men (and women.)
My seat was in the cheap section - off to the side and high up, close to the glued-on tinsel that was a prominent feature of the Swing. The place always had a peculiar smell. Close to show time, greedy Colonel Tom's minions were at the stage hawking T-shirts, photos, and other assorted gee-gaws. I wonder just how much of that cash Elvis Presley received.
Finally, the lights lowered. The band started playing the theme from 2001: A Space Odyssey. Then, there he was - The King. He was resplendent in a black and red concert suit.
Though his show was typical of his Vegas show that he performed at the International Hotel (later known as the Las Vegas Hilton and now called the Westgate Las Vegas Resort & Casino), it didn't matter to his loyal subjects. He was live in San Berdoo! Old ladies screamed. It was hard to tell from my cheap seat, but I believe there were a few panties thrown at him.
His voice and physique were in A-plus form. He ripped through concert standards such as 'Polk Salad Annie', crooned to crowd favorite 'Can't Help Falling In Love', and did a couple of religious numbers with the gospel group J.D. Sumner and The Stamps.
No Elvis Presley show would be complete without the hits 'Hound Dog', 'All Shook Up', 'Jailhouse Rock', and 'American Trilogy'.
His band and entourage - the Sweet Inspirations, legendary guitar hero James Burton - provided a full sound that could not be duplicated by the typical four-man rock act. It was a show truly becoming of a King. The crowd responded as if seeing him for the first time. Bedlam broke out among the thousands of fans.
After about 90 minutes, despite fans calling for more, Elvis Presley left the auditorium for the San Bernardino Hilton, about $60,000 richer. I was a poor college kid. I went to Del Taco. What a Sunday night! rare candid photo's one captured of elvis presley leaving Oakland CA captured here by a female ep fan boarding is executive chartered jet heading to San Bernardino CA and performing here at this show wearing the white pinwheel jumpsuit and the white cape and the lions head belt captured by a fan audience member who was at this show concert.
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rhapsodynew · 6 months ago
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The friendship of Grace Slick and Janis Joplin
Girls with the same radical missions have become kindred spirits, instead of being competitors. They both proved that women can not only keep up with men in the music industry, but also surpass them in many ways.
Little is known about the friendship of the blues star and the Jefferson Airplane soloist, but judging by the remaining stories, she was close and strong. For example, in the recently released book Janis Joplin: Days & Summers, today's birthday girl Grace recalls Joplin's amazing vocal gift:
"Janice was a wonderful, witty wild woman who drank just like me—straight out of a pint. Why waste time on glasses? Like Otis Redding, it was simply impossible to turn away when she was on stage. She stamped her feet, shook her hair, and went from a whisper to a real scream in a split second... I didn't want to listen to anyone after her."
She talked about their friendship in 2019 in an interview for Uncut magazine:
"People who write books really misunderstand Janice. The woman I knew giggled, she laughed so much, and she was fun. Very noisy, very outspoken, very funny. Texas women tend to be like that. Everyone called us fire and ice. I was ice, and she was fire. But I think she's more of a symbol of those times than I am. She had more style. I have a normal voice, but she really went beyond it."
Ice and fire were such a prominent tandem in the hippie era that a line from Fleetwood Mac's 1982 song "Gypsy" is even dedicated to their friendship. Kristin McVie mentions the Velvet Underground clothing store in San Francisco, where she often saw the couple.
Joplin and Slick have few videos left together, and one of them is their performance at a rock festival in California in 1968
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yestergaze · 7 months ago
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Grace Slick, one of the greatest voices in rock during the 1960s was born on October 30, 1939, making her 85 years old today. She rose to fame with the band, The Jefferson Airplane, in 1967 with their album Surrealistic Pillow and from this album came their mega-hit songs, "White Rabbit" and "Somebody to Love".
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pudding-parade · 5 months ago
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Does anyone else ever randomly and suddenly wonder whether or not some celebrity or whatever that you haven't heard anything about in a while is still alive? Because I do, all the time.
Today I wondered if Grace Slick (of the psychedelic band Jefferson Airplane/Jefferson Starship/The Starship) was still alive.
She is.
And she's 85 years old.
God, I'm fucking old.
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