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TY FOR THE DONO S ON THE KOFI a lamaty'i for you đ¤¸
#sorry for inserting tock tutti she likes to be places LMAO#wuk lamat#dawntrail#ffxiv#fanart#tock tutti
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TOCK ( @abimee oc)
#fay draws#tock tutti#ffxiv#ive been lurking on abimee blog since at least 2019 so now that im somewhat proud of my art i thought of drawing one of his ocs#i hope i did tock well :) and i hope abimee wont mind me drawing her#if theres any issues just tell me ill delete it đ#the outfit is based on tock's reference sheet
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fascinating habit of mine that i still see the effects of to this day was when i would just like. get a game or something Without Knowing Anything Really about it. A hat in time? didnt know what was up with it at all other than "i saw like. some people draw some stuff of it...?" nothing about gameplay or story etc. Hollow Knight? i had a very vague (and wildly off) conceptionof wht the game was from what i heard people talking about at school. I downloaded FFXIV without knowing what the gameplay or story was because i was curious who Tock Tutti was . ( person's warrior of light / player character / OC ) All this to say I dont know how i found Mutazione, i dont know why past mes got it, because no mes at any point knew what the game play was or is , But anyways we're playing it now i guess !
#his habit of I only play games that came out 2+ years ago.#UNLESS it was LETHL COMPNAY WOOOOOOOOOOOOOOOO FUCKYEAH WOOOOOOOOOOOO#YAHOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
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tock tutti is my superstar my world. by the way
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Little Richard, a founding father of rock and roll whose fervent shrieks, flamboyant garb, and joyful, gender-bending persona embodied the spirit and sound of that new art form, died Saturday. He was 87. The musicianâs son, Danny Penniman, confirmed the pioneerâs death to Rolling Stone, but said the cause of death was unknown.
Starting with âTutti Fruttiâ in 1956, Little Richard cut a series of unstoppable hits â âLong Tall Sallyâ and âRip It Upâ that same year, âLucilleâ in 1957, and âGood Golly Miss Mollyâ in 1958 â driven by his simple, pumping piano, gospel-influenced vocal exclamations and sexually charged (often gibberish) lyrics. âI heard Little Richard and Jerry Lee Lewis, and that was it,â Elton John told Rolling Stone in 1973. âI didnât ever want to be anything else. Iâm more of a Little Richard stylist than a Jerry Lee Lewis, I think. Jerry Lee is a very intricate piano player and very skillful, but Little Richard is more of a pounder.â
Although he never hit the top 10 again after 1958, Little Richardâs influence was massive. The Beatles recorded several of his songs, including âLong Tall Sally,â and Paul McCartneyâs singing on those tracks â and the Beatlesâ own âIâm Downâ â paid tribute to Little Richardâs shredded-throat style. His songs became part of the rock and roll canon, covered over the decades by everyone from the Everly Brothers, the Kinks, and Creedence Clearwater Revival to Elvis Costello and the Scorpions.Â
Little Richardâs stage persona â his pompadours, androgynous makeup and glass-bead shirts â also set the standard for rock and roll showmanship; Prince, to cite one obvious example, owed a sizable debt to the musician. âPrince is the Little Richard of his generation,â Richard told Joan Rivers in 1989 before looking at the camera and addressing Prince. âI was wearing purple before you was wearing it!â
Born Richard Wayne Penniman on December 5th, 1932, in Macon, Georgia, he was one of 12 children and grew up around uncles who were preachers. âI was born in the slums. My daddy sold whiskey, bootleg whiskey,â he told Rolling Stone in 1970. Although he sang in a nearby church, his father Bud wasnât supportive of his sonâs music and accused him of being gay, resulting in Penniman leaving home at 13 and moving in with a white family in Macon. But music stayed with him: One of his boyhood friends was Otis Redding, and Penniman heard R&B, blues and country while working at a concession stand at the Macon City Auditorium.
After performing at the Tick Tock Club in Macon and winning a local talent show, Penniman landed his first record deal, with RCA, in 1951. (He became âLittle Richardâ when he about 15 years old, when the R&B and blues worlds were filled with acts like Little Esther and Little Milton; he had also grown tired with people mispronouncing his last name as âPenny-man.â) He learned his distinctive piano style from Esquerita, a South Carolina singer and pianist who also wore his hair in a high black pompadour.Â
For the next five years, Little Richardâs career advanced only fitfully; fairly tame, conventional singles he cut for RCA and other labels didnât chart. âWhen I first came along, I never heard any rock & roll,â he told Rolling Stone in 1990. âWhen I started singing [rock & roll], I sang it a long time before I presented it to the public because I was afraid they wouldnât like it. I never heard nobody do it, and I was scared.â
By 1956, he was washing dishes at the Greyhound bus station in Macon (a job he had first taken a few years earlier after his father was murdered and Little Richard had to support his family). By then, only one track heâd cut, âLittle Richardâs Boogie,â hinted at the musical tornado to come. âI put that little thing in it,â he told Rolling Stone in 1970 of the way he tweaked with his gospel roots. âI always did have that thing, but I didnât know what to do with the thing I had.â
During this low point, he sent a tape with a rough version of a bawdy novelty song called âTutti Fruttiâ to Specialty Records in Chicago. He came up with the songâs famed chorus â âa wop bob alu bob a wop bam boomâ â while bored washing dishes. (He also wrote âLong Tall Sallyâ and âGood Golly Miss Mollyâ while working that same job.)
By coincidence, label owner and producer Art Rupe was in search of a lead singer for some tracks he wanted to cut in New Orleans, and Pennimanâs howling delivery fit the bill. In September 1955, the musician cut a lyrically cleaned-up version of âTutti Frutti,â which became his first hit, peaking at 17 on the pop chart. ââTutti Frutti really started the races being together,â he told Rolling Stone in 1990. âFrom the git-go, my music was accepted by whites.âÂ
Its followup, âLong Tall Sally,â hit Number Six, becoming his the highest-placing hit of his career. For just over a year, the musician released one relentless and arresting smash after another. From âLong Tall Sallyâ to âSlippinâ and Slidin,ââ Little Richardâs hits â a glorious mix of boogie, gospel, and jump blues, produced by Robert âBumpsâ Blackwell â sounded like he never stood still. With his trademark pompadour and makeup (which he once said he started wearing so that he would be less âthreateningâ while playing white clubs), he was instantly on the level of Elvis Presley, Jerry Lee Lewis and other early rock icons, complete with rabid fans and mobbed concerts. âThatâs what the kids in America were excited about,â he told Rolling Stone in 1970. âThey donât want the falsehood â they want the truth.â
As with Presley, Lewis and other contemporaries, Penniman also was cast in early rock and roll movies like Donât Knock the Rock (1956) and The Girl Canât Help It (1957). In a sign of how segregated the music business and radio were at the time, though, Pat Booneâs milquetoast covers of âTutti Fruttiâ and âLong Tall Sally,â both also released in 1956, charted as well if not higher than Richardâs own versions. (âBooneâs âTutti Fruttiâ hit Number 12, surpassing Little Richardâs by nine slots.) Penniman later told Rolling Stone that he made sure to sing âLong Tall Sallyâ faster than âTutti Fruttiâ so that Boone couldnât copy him as much.
But then the hits stopped, by his own choice. After what he interpreted as signs â a plane engine that seemed to be on fire and a dream about the end of the world and his own damnation â Penniman gave up music in 1957 and began attending the Alabama Bible school Oakwood College, where he was eventually ordained a minister. When he finally cut another album, in 1959, the result was a gospel set called God Is Real.
His gospel music career floundering, Little Richard returned to secular rock in 1964. Although none of the albums and singles he cut over the next decade for a variety of labels sold well, he was welcomed back by a new generation of rockers like the Rolling Stones and Bob Dylan (who used to play Little Richard songs on the piano when he was a kid). When Little Richard played the Star-Club in Hamburg in 1964, the opening act was none other than the Beatles. âWe used to stand backstage at Hamburgâs Star-Club and watch Little Richard play,â John Lennon said later. âHe used to read from the Bible backstage and just to hear him talk weâd sit around and listen. I still love him and heâs one of the greatest.â
By the 1970s, Little Richard was making a respectable living on the rock oldies circuit, immortalized in a searing, sweaty performance in the 1973 documentary Let the Good Times Roll. During this time, he also became addicted to marijuana and cocaine while, at the same time, returning to his gospel roots.
Little Richard also dismantled sexual stereotypes in rock & roll, even if he confused many of his fans along the way. During his teen years and into his early rock stardom, his stereotypical flamboyant personality made some speculate about his sexuality, even if he never publicly announced he was out. But that flamboyance didnât derail his career. In a 1984 biography, The Life and Times of Little Richard, written with his cooperation, he denounced homosexuality as âcontagious ⌠Itâs not something youâre born with.â (Eleven years later, he said in an interview with Penthouse that he had been âgay all my life.â) Later in life, he described himself as âomnisexual,â attracted to both men and women. But during an interview with the Christian-tied Three Angels Broadcasting Group in 2017, he suddenly denounced gay and trans lifestyles: âGod, Jesus, He made men, men, he made women, women, you know? And youâve got to live the way God wants you to live. So much unnatural affection. So much of people just doing everything and donât think about God.â
Yet none of that craziness damaged his mystique or legend. In the 1980s, he appeared in movies like Down and Out in Beverly Hills and in TV shows like Full House and Miami Vice. In 1986, he was one of the 10 original inductees into the Rock and Roll Hall of Fame, and in 1993, he was awarded a Lifetime Achievement Award at the Grammys. His last known recording was in 2010, when he cut a song for a tribute album to gospel singer Dottie Rambo.
In the years before his death, Little Richard, who was by then based in Los Angeles, still performed periodically. Onstage, though, the physicality of old was gone: Thanks to hip replacement surgery in 2009, he could only perform sitting down at his piano. But his rock and roll spirit never left him. âIâm sorry I canât do it like itâs supposed to be done,â he told one audience in 2012. After the audience screamed back in encouragement, he said â with a very Little Richard squeal â âOh, you gonna make me scream like a white girl!â
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Tick tock
Tick tock tick tock
E avanti cosĂŹ in una sequenza infinita, sempre uguale, imperturbabile
Questo è quanto ci dicono tutti sin da bambini e ci viene confermato dalla ragione
Semplice sicurezza di un incedere lineare
Troppo semplice
PerchĂŠ poi si scopre che i tick hanno cosĂŹ spesso diverse velocitĂ e che i tock seguono in modo irregolare, che non viviamo allo stesso modo tutti i tick e che mentre certi tock volano via indifferenti altri li ricorderemo per sempre
Che tra un tick e un tock capitano interferenze che, come capita ad un segnale radio o televisivo, ci spostano su un altro canale, ora per un attimo ora per sempre
E lĂŹ sentiamo e vediamo immagini e suoni diversi da quelli che ci circondano
Sono pescati dal passato, ripresi dal futuro
LÏ, dove non esiste tempo e spazio, tutto è possibile è tutto sembra assurdo, c'è ogni cosa e non c'è niente
E ci si può entrare e uscire subito, o entrare e non uscire mai
E ora un tick viene saltato e un tock non ha fine
RealtĂ parallela, irreale paradosso
Tick tock tick tock
-- thepainlove
#vita#amore#amore finito#realtĂ #finzione#tempo#pensieri#flusso di coscienza#prigione#labirinti della mente#sofferenza#lacrime#vortici#come foglie in autunno#parole al vento#senza te#ombre#apatia#ferite nell'anima#dissolvenze#bianco e nero#freddo#frammenti di me#thepainlove
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Little Richard, Founding Father of Rock Who Broke Musical Barriers, Dead at 87
Pianist-singer behind âTutti Frutti,â âGood Golly Miss Molly,â and âLong Tall Sallyâ set the template that a generation of musicians would follow
Little Richard, a founding father of rock & roll whose fervent shrieks, flamboyant garb, and joyful, gender-bending persona embodied the spirit and sound of that new art form, died Saturday. He was 87. The musicianâs son, Danny Jones Penniman, confirmed the pioneerâs death to Rolling Stone. The cause of death was bone cancer, according to his lawyer, Bill Sobel.
Starting with âTutti Fruttiâ in 1956, Little Richard cut a series of unstoppable hits â âLong Tall Sallyâ and âRip It Upâ that same year, âLucilleâ in 1957, and âGood Golly Miss Mollyâ in 1958 â driven by his simple, pumping piano, gospel-influenced vocal exclamations and sexually charged (often gibberish) lyrics. âI heard Little Richard and Jerry Lee Lewis, and that was it,â Elton John told Rolling Stone in 1973. âI didnât ever want to be anything else. Iâm more of a Little Richard stylist than a Jerry Lee Lewis, I think. Jerry Lee is a very intricate piano player and very skillful, but Little Richard is more of a pounder.âÂ
Although he never hit the Top 10 again after 1958, Little Richardâs influence was massive. The Beatles recorded several of his songs, including âLong Tall Sally,â and Paul McCartneyâs singing on those tracks â and the Beatlesâ own âIâm Downâ â paid tribute to Little Richardâs shredded-throat style. His songs became part of the rock & roll canon, covered over the decades by everyone from the Everly Brothers, the Kinks, and Creedence Clearwater Revival to Elvis Costello and the Scorpions. âElvis popularized [rock & roll],â Steven Van Zandt tweeted after the news broke. âChuck Berry was the storyteller. Richard was the archetype.â
Little Richardâs stage persona â his pompadours, androgynous makeup, and glass-bead shirts â also set the standard for rock & roll showmanship; Prince, to cite one obvious example, owed a sizable debt to the musician. âPrince is the Little Richard of his generation,â Richard told Joan Rivers in 1989, before looking at the camera and addressing Prince. âI was wearing purple before you was wearing it!â
âIf you love anything about the flamboyance of rock & roll, you have Little Richard to thank,â says the Black Keysâ Dan Auerbach, a longtime fan. âAnd where would rock & roll be without flamboyance? He was the first. To be able to be that uninhibited back then, you had to have a lot of not-give-a-fuck.â
Born Richard Wayne Penniman on December 5th, 1932, in Macon, Georgia, he was one of 12 children and grew up around uncles who were preachers. âI was born in the slums. My daddy sold whiskey, bootleg whiskey,â he told Rolling Stone in 1970. Although he sang in a nearby church, his father Bud wasnât supportive of his sonâs music and accused him of being gay, resulting in Penniman leaving home at 13 and moving in with a white family in Macon. But music stayed with him: One of his boyhood friends was Otis Redding, and Penniman heard R&B, blues, and country while working at a concession stand at the Macon City Auditorium.
After performing at the Tick Tock Club in Macon and winning a local talent show, Penniman landed his first record deal, with RCA, in 1951. (He became âLittle Richardâ when he about 15 years old, when the R&B and blues worlds were filled with acts like Little Esther and Little Milton; he had also grown tired with people mispronouncing his last name as âPenny-man.â) He learned his distinctive piano style from Esquerita, a South Carolina singer and pianist who also wore his hair in a high black pompadour.
For the next five years, Little Richardâs career advanced only fitfully; fairly tame, conventional singles he cut for RCA and other labels didnât chart. âWhen I first came along, I never heard any rock & roll,â he told Rolling Stone in 1990. âWhen I started singing [rock & roll], I sang it a long time before I presented it to the public because I was afraid they wouldnât like it. I never heard nobody do it, and I was scared.â
By 1956, he was washing dishes at the Greyhound bus station in Macon (a job he had first taken a few years earlier, after his father was murdered and Little Richard had to support his family). By then, only one track heâd cut, âLittle Richardâs Boogie,â hinted at the musical tornado to come. âI put that little thing in it,â he told Rolling Stone in 1970 of the way he tweaked with his gospel roots. âI always did have that thing, but I didnât know what to do with the thing I had.â
During this low point, he sent a tape with a rough version of a bawdy novelty song called âTutti Fruttiâ to Specialty Records in Chicago. He came up with the songâs famed chorus â âa wop bop a loo bop a wop bam boomâ â while bored washing dishes. (He also co-wrote âLong Tall Sallyâ while working that same job.)Â
By coincidence, label owner and producer Art Rupe was in search of a lead singer for some tracks he wanted to cut in New Orleans, and Pennimanâs howling delivery fit the bill. In September 1955, the musician cut a lyrically cleaned-up version of âTutti Frutti,â which became his first hit, peaking at 17 on the pop chart. ââTutti Frutti really started the races being together,â he told Rolling Stone in 1990. âFrom the git-go, my music was accepted by whites.â
Its follow-up, âLong Tall Sally,â hit Number Six, becoming his the highest-placing hit of his career. For just over a year, the musician released one relentless and arresting smash after another. From âLong Tall Sallyâ to âSlippinâ and Slidin,ââ Little Richardâs hits â a glorious mix of boogie, gospel, and jump blues, produced by Robert âBumpsâ Blackwell â sounded like he never stood still. With his trademark pompadour and makeup (which he once said he started wearing so that he would be less âthreateningâ while playing white clubs), he was instantly on the level of Elvis Presley, Jerry Lee Lewis, and other early rock icons, complete with rabid fans and mobbed concerts. âThatâs what the kids in America were excited about,â he told Rolling Stone in 1970. âThey donât want the falsehood â they want the truth.â
âIt is with a heavy heart that I ask for prayers for the family of my lifelong friend and fellow rocker âLittle Richard,ââ Lewis said in a statement. âHe will live on always in my heart with his amazing talent and his friendship! He was one of a kind and I will miss him dearly.â
As with Presley, Lewis, and other contemporaries, Penniman was cast in early rock & roll movies like Donât Knock the Rock (1956) and The Girl Canât Help It (1957). In a sign of how segregated the music business and radio were at the time, though, Pat Booneâs milquetoast covers of âTutti Fruttiâ and âLong Tall Sally,â both also released in 1956, charted as well if not higher than Richardâs own versions. (âBooneâs âTutti Fruttiâ hit Number 12, surpassing Little Richardâs by nine slots.) Penniman later told Rolling Stone that he made sure to sing âLong Tall Sallyâ faster than âTutti Fruttiâ so that Boone couldnât copy him as much.
But then the hits stopped, by his own choice. After what he interpreted as signs â a plane engine that seemed to be on fire and a dream about the end of the world and his own damnation â Penniman gave up music in 1957 and began attending the Alabama Bible school Oakwood College, where he was eventually ordained a minister. When he finally cut another album, in 1959, the result was a gospel set called God Is Real.
In 1964, with his gospel music career floundering, Little Richard returned to secular rock. Although none of the albums and singles he cut over the next decade for a variety of labels sold well, he was welcomed back by a new generation of rockers, including the Rolling Stones and Bob Dylan (who played Little Richard songs on the piano when he was a kid). When Little Richard played the Star-Club in Hamburg in the early Sixties, the opening act was none other than the Beatles. âWe used to stand backstage at Hamburgâs Star-Club and watch Little Richard play,â John Lennon said later. âHe used to read from the Bible backstage and just to hear him talk weâd sit around and listen. I still love him and heâs one of the greatest.â
By the 1970s, Little Richard was making a respectable living on the rock-oldies circuit, immortalized in a searing, sweaty performance in the 1973 documentary Let the Good Times Roll. During this time, he also started smoking marijuana and became addicted to cocaine while, at the same time, returning to his gospel roots.Â
Little Richard also dismantled sexual stereotypes in rock & roll, even if he confused many of his fans along the way. During his teen years and into his early rock stardom, his stereotypical flamboyant personality made some speculate about his sexuality. But that flamboyance didnât derail his career. In the 1984 biography The Life and Times of Little Richard (written with his cooperation), he denounced homosexuality as âcontagious ⌠itâs not something youâre born with.â
But while recalling a 1987 Playboy interview with Little Richard for The Guardian, filmmaker John Waters quoted him as saying, âI love gay people. I believe I was the founder of gay. Iâm the one who started to be so bold tellinâ the world! You got to remember my dad put me out of the house because of that. I used to take my motherâs curtains and put them on my shoulders. And I used to call myself at the time the Magnificent One. I was wearing makeup and eyelashes when no men were wearing that. I was very beautiful; I had hair hanging everywhere. If you let anybody know you was gay, you was in trouble; so when I came out I didnât care what nobody thought. A lot of people were scared to be with me.â
Later in life, he described himself as âomnisexual,â attracted to both men and women. But during an interview with the Christian-tied Three Angels Broadcasting Group in 2017, he suddenly denounced gay and trans lifestyles: âGod, Jesus â He made men, men. He made women, women, you know? And youâve got to live the way God wants you to live. So much unnatural affection. So much of people just doing everything and donât think about God.â
Yet none of that seemed to damage his mystique or legend. In the 1980s, he appeared in movies like Down and Out in Beverly Hills and in TV shows like Full House and Miami Vice. In 1986, he was one of the 10 original inductees into the Rock and Roll Hall of Fame, and in 1993, he was awarded a Lifetime Achievement Award at the Grammys. His last known recording was in 2010, when he cut a song for a tribute album to gospel singer Dottie Rambo.
In the years before his death, Little Richard, who was by then based in Nashville, still performed periodically. Onstage, though, the physicality of old was gone: Thanks to hip replacement surgery in 2009, he could only perform sitting down at his piano. But his rock & roll spirit never left him. âIâm sorry I canât do it like itâs supposed to be done,â he told one audience in 2012. After the audience screamed back in encouragement, he said â with a very Little Richard squeal â âOh, you gonna make me scream like a white girl!â
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It Seems Every Day 2020 Sux A Bit More
Little Richard , A Founding Father Of Rock And Roll Died Saturday At The Age Of 87. The Musicianâs Son Danny Penniman Confirmed His Death To Rolling Stone, But Said The Cause Of Death Was Unknown.
Richard Wayne Penniman (Dec. 5, 1932 â May 9, 2020), Better Known As âLittle Richardâ, American Singer, Songwriter, And Musician.
From The Article
Starting with âTutti Fruttiâ in 1956, Little Richard cut a series of unstoppable hits â âLong Tall Sallyâ and âRip It Upâ that same year, âLucilleâ in 1957, and âGood Golly Miss Mollyâ in 1958 â driven by his simple, pumping piano, gospel-influenced vocal exclamations and sexually charged (often gibberish) lyrics. âI heard Little Richard and Jerry Lee Lewis, and that was it,â Elton John told Rolling Stone in 1973. âI didnât ever want to be anything else. Iâm more of a Little Richard stylist than a Jerry Lee Lewis, I think. Jerry Lee is a very intricate piano player and very skillful, but Little Richard is more of a pounder.â
Although he never hit the top 10 again after 1958, Little Richardâs influence was massive. The Beatles recorded several of his songs, including âLong Tall Sally,â and Paul McCartneyâs singing on those tracks â and the Beatlesâ own âIâm Downâ â paid tribute to Little Richardâs shredded-throat style. His songs became part of the rock and roll canon, covered over the decades by everyone from the Everly Brothers, the Kinks, and Creedence Clearwater Revival to Elvis Costello and the Scorpions.
Little Richardâs stage persona â his pompadours, androgynous makeup and glass-bead shirts â also set the standard for rock and roll showmanship; Prince, to cite one obvious example, owed a sizable debt to the musician. âPrince is the Little Richard of his generation,â Richard told Joan Rivers in 1989 before looking at the camera and addressing Prince. âI was wearing purple before you was wearing it!â
Born Richard Wayne Penniman on December 5th, 1932, in Macon, Georgia, he was one of 12 children and grew up around uncles who were preachers. âI was born in the slums. My daddy sold whiskey, bootleg whiskey,â he told Rolling Stone in 1970. Although he sang in a nearby church, his father Bud wasnât supportive of his sonâs music and accused him of being gay, resulting in Penniman leaving home at 13 and moving in with a white family in Macon. But music stayed with him: One of his boyhood friends was Otis Redding, and Penniman heard R&B, blues and country while working at a concession stand at the Macon City Auditorium.
After performing at the Tick Tock Club in Macon and winning a local talent show, Penniman landed his first record deal, with RCA, in 1951. (He became âLittle Richardâ when he about 15 years old, when the R&B and blues worlds were filled with acts like Little Esther and Little Milton; he had also grown tired with people mispronouncing his last name as âPenny-man.â) He learned his distinctive piano style from Esquerita, a South Carolina singer and pianist who also wore his hair in a high black pompadour.
https://www.rollingstone.com/music/music-news/little-richard-dead-48505/amp/
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Tagli di capelli medi: i trend dellâautunno 2019
Lâautunno è spesso periodo di nuovi inizi e cambiamenti. Quale modo migliore di ricominciare lâanno scolastico se non con un nuovo taglio di capelli? Le tendenze 2019 vogliono capelli a lunghezza spalla, frange spettinate e morbide onde naturali.
Ecco allora una carrellata di Celebrities con tagli di capelli medi per lâautunno 2019.
Dua Lipa â Photo Credits @mordeo
In prima posizione fra i tagli piĂš richiesti dellâanno svetta il caschetto, anche detto lob. Si tratta di un evergreen che sta bene a tutte e che viene proposto in mille declinazioni differenti. Dua Lipa ha adottato un taglio di capelli medio geometrico, con riga centrale, da portare liscissimo o volutamente spettinato.
Natalie Portman â Photo Credits John Photography/Shutters Tock
 I tagli di capelli medi sono un ottimo compromesso. Chi ha osato tagliare i capelli molto corti, in breve tempo potrĂ adottare un taglio medio. Chi invece parte da capelli lunghi e decide di cambiare look, può decidere di adottare un taglio di capelli medio senza stravolgere lâimmagine in modo drastico. Ă il caso di Natalie Portman, che questâanno ha deciso di accorciare la sua lunga chioma, abbracciando il trend con un taglio medio fin sopra le spalle.
 Chiara Ferragni â Photo Credits @chiaraferragni
 Anche Chiara Ferragni sta pensando di adottare un long bob, lâabbiamo vista sul red carpet del festival di Cannes indossare una parrucca con un taglio medio. Il 2020 sarĂ lâanno buono per un taglio di tendenza? Non ci resta che attendere.
Rihanna â Photo Credits Getty Images
 La frangia abbinata al caschetto in tutte le sue sfumature è perfetta e armonizza i lineamenti piÚ forti. Rihanna stupisce con il suo long bob semplice ma allo stesso tempo cosÏ rivoluzionario. Un taglio di capelli medio con una frangia che incornicia i suoi occhi magnetici. Le onde naturali rendono il taglio attuale e meno grafico, perfetto per un look da tutti i giorni.
Ursula Corbero â Photo Credits Samuel de Roman/WireImage
 Tokio de âla Casa di Cartaâ ha fatto impazzire migliaia di fan con il suo long bob con frangia corta. Il taglio di Ursula Corbero ricalca gli anni 50 in chiave moderna, regala un look sbarazzino e alternativo.
Per altri suggerimenti e idee seguimi su consiglidimakeup.com!
L'articolo Tagli di capelli medi: i trend dellâautunno 2019 sembra essere il primo su Glamour.it.
Tagli di capelli medi: i trend dellâautunno 2019 published first on https://lenacharms.tumblr.com/
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wuk lamat we still need to get those tacos together.... can you order tock a fresas con crema to dip hers into
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La Disney farĂ con Star Wars quello che il genere Peplum ha fatto con Maciste.
E vai quindi di toto titoli
"Gli ultimi Jedi, stavolta davvero"
"L'impero colpisce ancora e ancora e ancora"
"Una speranza nuova nuovissima"
"Non indovinerete mai cos'ho trovato in cantina - altri jedi"
"Tock tock! Chi è? L'impero"
"Il risveglio della Forza, dopo altri 5 minuti"
"Il risveglio della Forza, dopo la pennica pomeridiana"
"La Forza contro la piomba da cenone natalizio"
"La Forza, I'Impero e Maciste contro tutti"
-_-
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Endecasillabi scemi
E se sarò tracciato dal governo vedranno che mi piace camminare. Per mesi sono stato controllato da unâapp che piĂš cammini piĂš ti premia. Ora ci pensa Google, che a gennaio mi ha ricapitolato tutti i posti nei quali sono stato lâanno scorso.
Questâanno non ho visto molti posti.
Ingrasso: dovrei mettere Tick Tock, ma se sarò tracciato su Tick Tock si scoprirà che io non so ballare.
E per unâŚ
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sunday may be halloween but more importantly. it is tock tuttis anniversary.
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Intel Ice Lake, svelata nei dettagli la lineup iniziale dei processori per notebook
Prosegue la rivelazione a tappe da parte di Intel dei processori appartenenti alla nuova gamma Ice Lake. Al Computex, l'azienda di Santa Clara aveva già reso note le informazioni a grandi linee sulla gamma mobile, la prima ad arrivare sul mercato. Oggi si entra maggiormente nei dettagli, con l'ufficializzazione della lineup iniziale di CPU destinate ai portatili. Non è una gamma completa, dato che mancano le configurazioni a 6 e 8-core; tuttavia, ci sarebbe già potenziale materiale per un ulteriore giro di orologio a MacBook Air e Pro 13".
Iniziamo però con un riassunto delle caratteristiche principali di Ice Lake. Essa inaugura su vasta scala il passaggio ai 10 nanometri da parte di Intel, dopo un primo approccio lo scorso anno con un singolo Core i3 destinato a prodotti specifici. I nuovi processori hanno TDP fino a 28W e memoria cache sostanzialmente invariata rispetto all'architettura precedente. In termini di prestazioni per clock ci sono miglioramenti ma non su vastissima scala, prediligendo altre aree di intervento, a partire dall'atteso supporto per la RAM LPDDR4/X. Per la prima volta la connessione Thunderbolt 3 trova posto direttamente sul die della CPU ed offrirà fino ad un massimo di 4 porte complete. Tra le novità al cuore di questa nuova edizione vi è il primo tentativo di Intel di migliorare le performance nel campo dell'Intelligenza Artificiale sui portatili, promettendo un incremento da 2,5x rispetto ai chip di ottava generazione, grazie al nuovo Deep Learning Boost basato sul Machine Learning e all'uso delle istruzioni AVX512. Altro settore d'interesse è quello grafico, Gen11, per il quale è previsto un raddoppio delle performance con le soluzioni di punta che supereranno per la prima volta in casa Intel il muro del TFLOP. Oltre a ciò, sono presenti un encoder HEVC riprogettato, il supporto alla gamma HDR e a risoluzioni fino ad 8K. Infine, Intel ha prestato molta attenzione all'implementazione del Wi-Fi 6, per il quale si prevede una prima spinta alla larga diffusione nel 2020.
Veniamo ora alle SKU rese note oggi, appartenenti alle serie U e Y. Degno di nota è un cambiamento della nomenclatura dei processori, volto ad illustrare meglio il collocamento di un singolo modello all'interno della gamma. Oltre ad i3, i5 e i7, il nome della CPU verrà composto dalla generazione (in questo caso 10), la fascia in cui si posiziona (attualmente sono in uso 0, 3 e 6), il TDP di riferimento (0 per i modelli sotto i 10W, 5 per quelli tra 15 e 25 W, 8 per quelli da 28 W) e in conclusione il chip grafico implementato (G1/UHD Graphics, G4 o G7 entrambe Iris Plus). Anche se non chiarisce del tutto a colpo d'occhio, la nuova nomenclatura è molto gradita nel dare un primo aiuto a dipanare la matassa. Iniziamo dai modelli appartenenti alla serie U, tutti dotati di HyperThreading; la cache L3 è di 8 MB per i7, 6 MB per i5 e 4 MB per i3, mentre il TDP è tra i 15 e 25 W per tutti ad eccezione del modello di punta da 28 W:
Modello Core/thread/unitĂ GPU Clock base/Turbo/GPU i7 1068G7 4/8/64 2,3/4,1/1,1 GHz i7 1065G7 4/8/64 1,3/3,9/1,1 GHz i5 1035G7 4/8/64 1,2/3,7/1,05 GHz i5 1035G4 4/8/48 1,1/3,7/1,05 GHz i5 1035G1 4/8/32 1/3,6/1,05 GHz i3 1005G1 2/4/32 1,2/3,4/0,9 GHz
Si passa poi alla serie Y, composta da 5 modelli, altrettanto tutti dotati di HyperThreading e con le stesse distinzioni di cache L3 già viste sopra per le configurazioni U. Il TDP è tra i 9 e i 12 W. Molto interessante qui l'introduzione dei quad-core, che in un futuro non troppo lontano potrebbero dunque arrivare anche negli Air e nei suoi diretti concorrenti, anche se le frequenze base sotto il GHz saranno da verificare sul campo (per quanto si sa bene che il clock non significhi tutto nelle prestazioni di una CPU):
Modello Core/thread/unitĂ GPU Clock base/Turbo/GPU i7 1060G7 4/8/64 1/3,8/1,1 GHz i5 1030G7 4/8/64 0,8/3,5/1,05 GHz i5 1030G4 4/8/48 0,7/3,5/1,05 GHz i3 1000G4 2/4/48 1,1/3,2/0,9 GHz i3 1000G1 2/4/32 1,1/3,2/0,9 GHz
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Golden Goose Sneakers Outlet Un modello di reddito inattivo
Forse. Inoltre LaToya Jackson, la vecchia sorella di Michael, ha informato la Working Day Mail di Golden Goose Sneakers Outlet Shop Online ssere certa che la sua amica sia stata assassinata. Lei attribuisce importanza al fatto che probabilmente era circondato, mentre le persone che non hanno probabilmente avuto le mie migliori preoccupazioni nello spirito e che quegli uomini o queste donne potrebbero avere un momento di cospirazione per l'omicidio di mio marito. LaToya Fitzgibbons ha detto che Michael Yost ha sempre tenuto a $ 1 zillion di soldi e ha sviluppato una vasta raccolta di gioielli all'interno della tua casa. Al momento, ha detto al quotidiano Daily Surface che il denaro del caso, noto anche come qualsiasi tipo di intervallo, si è trasformato prendendo in considerazione che suo fratello è morto. Ovunque qualcuno sia la strada giusta ora per la tua vita, per favore guarisci per il nuovo momento e senti la verità precedente. Un vero usato orologi non si trova assolutamente in ogni nostro Golden Goose Sneakers Outlet isultato o semplicemente realizzazione, questa situazione è oltre le tecniche di attuazione. Quando tutta la tua famiglia si dà un po 'di spazio personale e, di conseguenza, ti preoccupi di ricevere la superstar ggdb dentro di te, probabilmente stenderete un'altra volta un altro ovulo d'oro. Non ti preoccupare, non c'è ordinariamente da nessuna parte come strada da percorrere, i tuoi affari hanno tutto e tutto ciò di cui avrai bisogno per ognuno dei nostri beati essere che desideri. Hai appena dimenticato dove si trova l'oro valido, dopo solo il tuo. Ciò che la maggior parte della gente sta facendo shopping è sempre una mappa del percorso in cui prosperare. Dove il diagramma stradale può essere diverso dai membri della famiglia alla gente e dalla persona alla sogliola. Ogni famiglia e ogni amico ha la sua situazione, i suoi bisogni, i suoi valori, le sue priorità , ma anche definizioni dietro la libertà finanziaria. Inoltre, le giovani coppie e gli studenti vogliono educare anche nel modo in cui il denaro aiuta senza dipendere dalla loro banca, dal loro agente di polizze assicurative o forse persino dal loro software di pianificazione finanziaria. Vorrebbero davvero dimostrarsi in grado di tornare a fare le proprie raccomandazioni per i propri viaggi. E tutti vogliono una scelta finanziaria 'illuminata' - di raggiungere la prosperità senza penalizzare la loro integrità , i loro valori, la loro felicità o i loro amici. Che possano volere realmente capire concetti finanziari cruciali in modo tale che possano eventualmente sviluppare 'uova d'oro' come risultato della loro libertà economica. Che è abbastanza probabile che supposizioni che, come la sua teoria che Michael Garcia o un dottore avrebbe probabilmente ripristinato in gran parte Demerol attraverso il corpo del cantante, la nostra pop star rated stava ottenendo il Propofol (Diprivan) per equilibrio e un'altra cosa è diventata inappropriata. Se siete di questo tipo, il mio consiglio sarebbe di ripensare a UN business plan online e attenersi positivamente ad esso. Inizia il problema un po 'ogni singolo giorno. Elegante capire perchÊ non funziona e come risultato apportare miglioramenti a questa situazione durante il giorno. Prendi un piano modello andando con una fine determinazione e dopo di ciò sono dell'opinione che alla fine vedrai una trasformazione assoluta. Aiutare i soldi in giro per la rete richiede che ogni determinato ostinato perseveranza abbia successo. Se dovessi essere, dovresti essere disposto a volere che chi sembra sacrificare oltre che andare semplicemente i compiti banali riguardanti probabilmente non ti interessino molto, allora la persona avrà successo. Si sapeva che le persone sono investitori piÚ competitivi insieme agli uomini? Ci sono stati degli studi che puntano a club di impegno finanziario per uomini e donne cosÏ come una donna ha immancabilmente guadagnato molti piÚ soldi dai loro investimenti. Il processo di pensiero è il fatto che le donne guardano attraverso le loro conclusioni di investimento personali piÚ lunghe fino ad ora la selezione associata con loro e hanno i loro Golden Goose Deluxe Brand Outlet tock piÚ a lungo.
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