#to recent historical societies where this would be important

[elizabethrobertajones]

Good choice for an upstanding roegadyn husband for Frog to bring home to her parents to impress them: Rammbroes

Hilarious choice for bringing home an upstanding roegadyn husband to alarm and frighten her parents: Rasho the captain of the confederacy in the Ruby Sea.

[specialagentartemis]

Inspired by @clonerightsagenda’s thoughts about the Ambiguously Brown Spacefuture trope, I kinda want to see more creativity with how Earth is treated in spacefuture sci-fi.

There are plenty of examples where Earth is the center of everything. Star Trek is the obvious one: it’s a bustling interstellar multispecies space society, and Earth is where Starfleet is headquartered and it’s often reflexively and unthinkingly treated by the narrative like it’s the most important planet in the Federation. (Most of our main viewpoint characters are Human, so it’s the most important planet to THEM because it’s their home, but even beyond that, Earth is treated as critically key to the Federation in a way that, say, Betazed is not.)

More recently, the common trope is that the centers of society and culture and economy and politics are elsewhere. Other planets are important, and Earth is either an unimportant backwater that no one really cares about, or galactic humanity has nearly forgotten about it entirely. This is explicit in Becky Chambers’s Wayfarers, strongly implied in The Murderbot Diaries, and one line in Ancillary Justice suggests that too. Ofc this isn’t entirely new—from what I understand it’s what’s going on in Dune too.

And they do this for obvious reasons: the authors are all interested in social and political worldbuilding that is not tethered to real Earth nations, politics, prejudices, and general baggage. Second-world fantasy authors are allowed to do this with no strings attached, but sci-fi authors who want to do social worldbuilding from the ground up have to justify why people don’t appear to identify as Chinese or Latino or Hopi or American anymore (and more often than not, not Jewish or Catholic or Muslim or Hindu or Baha’i or whatever either), why those identities don’t come into conflict with the new planetary identities and spacefuture religions the author wants to write about. It’s been so long that the origin of humanity is forgotten or irrelevant.

Star Wars is honestly underappreciated for the bold, creative, unique choice to have a bustling interstellar multispecies space society with lot of humans… and no Earth. At all. Where do humans come from? Irrelevant. Not Earth though.

And honestly I wish more sci-fi that wants to write in this space took more of a cue form Star Wars to just own it. (I actually thought the Imperial Radch HAD done the same thing—functionally a second-world fantasy, but in a spacefaring setting—until Kat pointed out the reference to arguing over which planet was the real origin of humanity.) If you posit your space future as our future, but Earth is no longer relevant and is generally forgotten… I guess it depends on how far out it is, but it strains my credulity that no one remembers or cares! The Jews in the spacefuture don’t know/remember/care where Jerusalem is? Muslims in the spacefuture decided that going to Mecca just kinda isn’t worth it? The spacefuture Papal seat is no longer in Rome and the future Catholics don’t know or care that it was ever anywhere else? All the Hopis left the Three Mesas and all the Navajos left Dinétah and all the Māori left Aotearoa and then just… forgot about it? Really? That isn’t true after hundreds and even thousands of years today; why would it be true hundreds or even thousands of years in The Spacefuture?

There are some works that do a little more complexity with spacefuture planetary societies and cultures vs. memory of Earth—the Vorkosigan Saga positions Old Earth as a culturally important memory even if it’s not a politically important planet, and The Locked Tomb makes Earth a holy center place that is mythicized more than it’s known or inhabited, for magic necromancy reasons.

I’d like to see more of that, Earth holding some sort of unique place in spacefuture humans’ culture in a historically informed way, even if you actually want to write about other things. Or go the Star Wars route and proudly proclaim that this takes place a long time ago in a galaxy far, far away, don’t worry about it.

[tanadrin]

Fell down a rabbit hole on ancient Israelite child sacrifice and it’s interesting that 1) it’s basically impossible (without jumping through absurd apologetic hoops) to explain important parts of the Hebrew Bible unless they are reacting to, being revised against, or being overlaid on a literary stratum which assumes the existence of Yahwistic child sacrifice; 2) as such it seems there is a very ancient strand of religious law (renegotiated at a very early date!) which specifically commands the sacrifice of all human and animal firstborn males; 3) like all religious law in the Bible, “one group of elites produced religious literature commanding a thing” doesn’t mean that those commandments represent actual universal and uncontested practices—indeed, one of the reasons people produce religious literature is to argue for a set of practices or to shore up their own position by portraying it as normative, and there is very little evidence that the ancient near eastern law codes (religious or secular) produced for propaganda purposes were used like we might use a modern law code; 4) the Canaanite/Phoenecian/Punic/Northwest Semitic religious milieu was certainly one in which infant sqcrifice was at least irregularly practiced, but no such archeological remains have been found in ancient Israel, but by their very nature this kind of infanticide leaves very little remains behind: infant skeletons are small and mostly cartilage, fire seems to have frequently been involved in such sacrifice, and the reason evidence of Carthaginian child sacrifice survived is bc such remains were interred in jars in Carthaginian tophets. 5) While a lot of modern commentators balk at taking the plain meaning of the relevant passages of the Bible seriously, and think that on grounds of basic social and emotional realism they cannot be read as supporting the existence at one time of Yahwistic child sacrifice, we really do not understand the realities of living in an Iron Age society with its attendant phenomenally high infant mortality rates, where many parents seem to have bonded with their children much later, and fertility rates were much higher to compensate for the basic reality of how often babies died. I would add to that my hunch that people in the ancient past were by modern standards just more likely to be traumatized in general, and that probably fucks up how you deal with violence and the value of human life and how you build systems which create social meaning out of death, too. “People in the past were human beings who loved their children” is not incompatible with “people in the past did horrific shit occasionally because they thought it was spiritually, socially, or materially necessary.”

And I am in some ways sympathetic to people who are reluctant to accept evidence of ancient Israelite, or even ancient Carthaginian child sacrifice. It’s so alien to our own moral sensibilities—it is in fact utterly repugnant to them! Ergo the urge to try to read the evidence differently, even if it requires wild contortions. But we know that (for instance) the death penalty and exposure of infants and religious ordeals would have all been common in the region and it seems a small step to me to imagine some ritualization of these practices that at least imbues infanticide with some kind of deeper spiritual significance, if for no other reason than as a kind of cope. In a way it’s encouraging that we have come so far that we refuse to believe any society could have ever endorsed such a thing. Nor is it a recent transition: much of the overt violence and bloodshed of the ancient Israelite law codes was renegotiated away thousands of years ago, and the renegotiation of child sacrifice happened so early that it was a major part of the formation of those codes in the form that we have them now. That too is encouraging—you don’t need modern, historically contingent sensibilities to look at brutal social systems and go “fuck this, let’s replace them with something kinder and more humane.” That tendency is as much a part of the basic forces that drive human history as our violence or our shortsightedness is.

[mylight-png]

The Words We Use

Jumblr, we really need to reevaluate the words we use to talk about Judaism and Jews and such. Far too long we've been rather lax about these things.

Earlier today I was talking to a friend and she used the term "Jewish Russians" which immediately rubbed me the wrong way. (She's super chill and I've known her most of my life, she meant no harm by it.) I thought about it, and what I realized is that this specific wording, though listing it first, puts the Jewish identity as secondary. By saying "Jewish Russians" the "Jewish" is used as a subcategory of Russains. In reality, this term refers to Jews whose diaspora experience was in Russia. Too long, people have used our diaspora experiences as our central identifiers, and tack on "Jewish" as a classifier within that category.

This is not accurate, not historically, scientifically, or socially.

Socially and historically, Jews were always treated as a category of our own, regardless of where in the diaspora we were located. My parents in the Soviet Union did not have "Russian" or "Moldovan" written in their passports. They had "Jew" written there. I have heard countless tales of hostility and discrimination due to them being Jewish. In Spain, during the Inquisition, Jews who converted were called "conversos", a category of their own despite the forced assimilation. In the Middle East, Jews were treated as second class citizens due to being Jewish, even if they converted. ("Yahood" or "Jew" in Arabic is still commonly used as an insult in ME communities.)

We were never Jewish Russians, Jewish Spaniards, Jewish Moroccans, etc. We were Jews in Russia, Jews in Spain, Jews in Morocco. Even the term itself, "diaspora", (according to Oxford languages: "the dispersion or spread of a people from their original homeland") indicates a separate origin.

Genetic studies confirm this, showing that Jews in whatever region they spent exile in would still be more genetically similar to Jews in other regions than goyim in the regions they lived in.

My parents are not Jews from Eastern Europe. They are Jews whose diaspora experience was in Eastern Europe. Even saying we're "from" there, gives people the wrong idea.

Next up, more commonly discussed, is calling some Jews "white". No Jew is "white" in any sense of that word. White-passing, yes. White, no. In society, being white is more social than physical. It's based on how you're treated, what your status in society is, based on ethnicity/race.

"Jewish" is an ethnicity, and has been considered a race historically. No Jew is white. Many have features commonly associated with being Jewish, and their treatment will of course vary from the experiences of more white-passing Jews. But even the most white-passing Jew will have to deal with antisemitism in some way.

We need to stop saying "white Jews" and replace it with "white-passing". Denormalize language that positions Jewishness as only religion.

To combine the previous concepts:

Replace "Jewish *blank*" with "*blank* Jews" when talking about countries of recent origin.

Instead of "Jews from *blank*" use something along the lines of "Jews with diaspora experiences in *blank*".

Instead of "white Jews" use "white-passing Jews".

It is so incredibly important that we use language that accurately reflects our identity as Jews, instead of settling on commonly used language that is inaccurate.

And finally, could we please normalize using "Judeans" instead of "Jews"? It's not as important as the other switches but it is so important to highlight our origins in Judea, and it could be a useful way to bring that fact into the spotlight.

Fellow Jews/Judeans, feel absolutely free to reblog with other language switches you'd want to see in our communities, whether in the same theme or not.

Goyim, please refrain from speaking over us on this, but I'd appreciate you amplifying this if you'd like to!

[literaryvein-reblogs]

Writing Notes: Fantasy World Building

BEST PRACTICES

Don’t Go Overboard

You don’t have to define every single element of the world to create a vibrant one.

Make Sense Scientifically

Suspension of disbelief can suspend only so far.

It’s important that the elements in your world are at least theoretically possible.

Verify the scientific possibility before you add it to your world.

Research answers to your scientific, geographic, and cultural questions when worldbuilding.

Draw Your Own Map

Even if you don’t show it to your readers, your map can help you figure out what’s what. Use your map to build a vision for where the characters are going throughout the story.

This is helpful in epic adventures where the landscape may change.

A relationship map can help you see clear relationships between characters.

Alternatively, you can develop a map that shows the characters or objects and their magical abilities.

WORLDBUILDING ELEMENTS

Time

Many fantasies take place in the past because of our collective bias against magical elements in the present or the future.

If you could compare the era of your story to one on earth, when would it be? In the present? In the past? In the future?

Perhaps your story is tied to an actual historical event, such as The Chronicles of Narnia.

If you choose to allude to a historical event, this will partially dictate how you describe the world.

Location

What is the setting of your world?

Does it take place in a parallel universe?

Is it on another earth-like planet?

Does it occur in another dimension?

Population

Who lives in your world?

Are they humans, aliens, animals, insects, hybrids, monsters?

What is their population?

Where do they live?

Do they live in small villages or large cities?

Do they live in houses? Tents? Communes?

Society

How does your collective population relate to each other?

What is the basis for society?

Is there a class system? Who is rich? Who is poor?

How do they relate to each other?

Can one go from poor to rich and vice versa?

What is the family structure? Are couples married?

Are they monogamous? Polygamous?

Do they have children?

How many children do they typically have?

What are people’s values? What is sacred?

What is universally accepted as right and wrong?

How do they deal with old age?

What are the gender roles?

History

History is important for your protagonist’s backstory.

So take time to develop the history of your world.

You can go as far back as the beginning of time, or as recently as a few hundred years.

There should be a series of cause and effect that creates the world in which your story shows.

What is the history of your fantasy world?

What created the current circumstances of the story?

What is the catalyst for change?

Create a timeline of key events to document how historical events led to current circumstances.

Laws and Government

What are the relevant laws in your universe that the characters must obey?

What is the political environment?

Who are the controlling parties and why?

Is there a struggle for independence? Is there growing dissent?

Very important: how does magic affect these laws?

Magic

Every fantasy contains some element of magic.

That’s what sets fantasy apart from any other literary genre.

Because magic is so central to your fantasy story, you must consider it when building your world.

Magic, just by its very nature, will shape your characters and direct their actions. So, with that in mind:

What type of magic will you include in your story?

Are there wizards? Genies?

Is it mental magic?

Science-based magic, like time-travel?

Or supernatural, like superheroes?

Who has it? Is magic only available to a select few?

If so, how do they get it?

Is magic banned? Is it revered?

What are the rules of magic in your world?

You have to create rules that make sense, based on what you know of the society and its rules.

And, just as important as creating the rules of magic are following those rules.

Daily Life

What do people do to pass the time?

What do they eat? Drink?

Do they exercise?

What type of clothing do they wear?

Does clothing reflect their values or their social class?

How are they educated? What do they learn in school and why?

Sentiment

How do your characters feel about the world in which they live?

What do people agree with? How do they differ?

Religion

The prevailing religion of the society at large will affect your characters’ actions.

Are they monotheistic? Polytheistic? Atheistic?

What is their folklore?

What do they believe? What do they value?

Physical Attributes

What does the world look like in a physical sense?

What are the natural resources?

What type of plants grows there? What type of animals?

What is the atmosphere?

How does the world smell?

What does the night’s sky look like? Is there night?

What is the climate?

Source ⚜ More: Writing Worksheets & Templates ⚜ 100 Sensory Words Writing References: Plot ⚜ Character ⚜ Worldbuilding

[dwellordream]

Parents Should Ignore Their Children More Often

By Darby Saxbe, clinical psychologist and professor of psychology at the University of Southern California

I recently spoke with an anthropologist named Barry Hewlett who studies child-rearing in hunter-gatherer societies in Central Africa. He explained to me that children in those societies spend lots of time with their parents — they tag along throughout the day and often help with tasks like foraging — but they are rarely the main object of their parents’ attention. Sometimes bored, sometimes engaged, these kids spend much of their time observing adults doing adult things.

Parents in contemporary industrialized societies often take the opposite approach. In the precious time when we’re not working, we place our children at the center of our attention, consciously engaging and entertaining them. We drive them around to sports practice and music lessons, where they are observed and monitored by adults, rather than the other way around. We value “quality time” over quantity of time. We feel guilty when we have to drag our children along with us to take care of boring adult business.

This intensive, often frantic style of parenting requires a lot more effort than the style Professor Hewlett described. I found myself thinking about those hunter-gatherers last month when I read the advisory from the surgeon general, Vivek Murthy, warning that many parents are stressed to their breaking point. There are plenty of reasons for this worrisome state of affairs. One is that we don’t ignore our children often enough.

The modern style of parenting is not just exhausting for adults; it is also based on assumptions about what children need to thrive that are not supported by evidence from our evolutionary past. For most of human history, people had lots of kids, and children hung out in intergenerational social groups in which they were not heavily supervised. Your average benign-neglect day care is probably closer to the historical experience of child care than that of a kid who spends the day alone with a doting parent.

Of course, just because a parenting style is ancient doesn’t make it good. But human beings have spent about 90 percent of our collective time on Earth as hunter-gatherers, and our brains and bodies evolved and adapted to suit that lifestyle. Hunter-gatherer cultures tell us something important about how children are primed to learn.

A parenting style that took its cue from those hunter-gatherers would insist that one of the best things parents can do — for ourselves as well as for our children — is to go about our own lives and tote our children along. You might call it mindful underparenting.

Children learn not only from direct instruction, but also from watching and modeling what other people around them do, whether it’s foraging for berries, changing a tire or unwinding with friends after a long day of work. From a young age, that kind of observation begins to equip children for adulthood.

More important, following adults around gives children the tremendous gift of learning to tolerate boredom, which fosters patience, resourcefulness and creativity. There is evidence from neuroscience that a resting brain is not an idle one. The research tells us that the mind gets busy when it is left alone to do its own thing — in particular, it tends to think about other people’s minds. If you want to raise empathetic, imaginative children who can figure out how to entertain themselves, don’t keep their brains too occupied.

An excellent way to bore children is to take them to an older relative’s house and force them to listen to a long adult conversation about family members they don’t know. Quotidian excursions to the post office or the bank can create valuable opportunities for boredom, too.

Leaving kids’ screens at home on such trips can deepen the useful tedium. It also forces parents to build up their tolerance to their child’s fussiness, an essential component of underparenting. Parents too often feel the need to engage their children in “fun” activities to tempt them away from screens. But by teaching children to crave constant external stimulation and entertainment, intensive parenting can actually worsen screen dependence.

To be sure, when kids are upset, in danger or require guidance, parents can and should swoop in to help. But that is precisely the point: It is only by ignoring our children much of the time that we conserve the energy necessary to give them our full attention when they actually need it.

In recent years there has been a lot of hand-wringing about so-called helicopter parents and their hopelessly coddled children. But we rarely talk about what parents ought to do instead. In an ideal world, we would set children loose to roam free outdoors, unsupervised. As a small-town Ohio kid in the 1990s, I spent hours with my brothers playing in the creek behind our house, with plenty of time to get good and bored. When that sort of “free range” experience is not an option, however, mindful underparenting is the next best thing.

This approach can take the form of bringing children with you not just on boring errands, but also when you work, socialize or exercise. I was at my gym the other day when a father came in with his 4-year-old son. The two of them took turns working out with a trainer teaching them martial arts moves. When it wasn’t his turn, the 4-year-old scrambled around the gym and, when he got tired, lay on his belly on the mat and watched his father practice kicks. Observing the boy, his big eyes taking in a ton of social information, I thought about all the parents who say that they have no time to exercise because they’re too busy with their kids.

At the same time, I thought about all the gyms that bar small children. Even as parenting has gotten more intensive, public spaces, especially in the United States, seem to have become more hostile to the presence of children. I wrote most of my Ph.D. dissertation alongside my toddler in a coffee shop in my neighborhood that had a mini play area with stacking toys, board books and room to park a stroller. That coffee shop is gone now, replaced by a sleeker cafe where it’s hard to picture a stray plastic toy, let alone a rambunctious 2-year-old.

Parents have it easier in countries such as Germany and Spain, where you can find beer gardens and tapas bars situated right next to playgrounds, or in Denmark, where parents routinely park their infants in strollers outside cafes while they socialize. In such places you can relax and catch up with friends while children romp around — a reminder of how much easier parenting gets when we enjoy the social trust born from shared investment in care.

In other words, underparenting requires structural change, and not just the obvious changes that we think of as parental stress-relievers, such as family leave and paid child care. It also requires that as a society, we build back our tolerance for children in public spaces, as annoying and distracting as they can be, and create safe environments where lightly supervised kids can roam freely. In a society that treated children as a public good, we would keep a collective eye on all our kids ��� which would free us of the need to hover over our own

[redflagshipwriter]

Nest Swap chapter 5 progress

In which Tim flirts with the sad thoughts but is not committed to them.

masterpost

Probably the best thing to do was to make sure everyone was happy with him. If he did everything that everybody wanted, there would be no issues. 

So, Tim finished his experiment for Miss Fox and sent her his report. The groceries arrived while he was finishing up. After he put it away, he made a peanut butter and jelly sandwich and ate it one-handed while he looked up the address that Jason had told him about. 

“That's pretty far away,” Tim mused. Some grape jelly dropped onto the keyboard. He swiped it up with his sleeve. He was a little less careful about the apartment now that he knew it was Big Tim’s place and not someone important or mean. 

Huh.

Tim paused mid contemplation. Speaking of important people, where was Mom? (And also Dad.) He turned his head around looking for the most recent post card. He usually kept that on the fridge.

Apparently, Big Tim had lost the habit. The dig post card tacked to the fridge was years old. Tim took it down and read it anyway, smiling at Mom’s handwriting. It was neat and precise, just like her. 

He felt better. He'd figure it out later. Tim put a pin on the thought and went back to focusing on his- on Jason's request. He squirmed in his chair while he thought it through.

The address was in a residential neighborhood, the kind with separate houses and not apartment complexes. The suspect himself lived in a duplex. The other half of the duplex was registered to a retiree who Tim didn't find any digital trail of, other than that her Social security checks were being cashed and her bills were paid on time. Oh, neat, she had been part of Gotham’s historical recreation society. She seemed kinda cool.

She had crazy huge electric bills, though. Tim frowned at that. He wasn't absolutely sure. But he thought that most people didn't have electric bills in excess of $600 monthly. How was she even affording that off of her Social security income? 

“Maybe the neighbor killed her and is using her apartment for nefarious purposes,” Tim reasoned aloud. “He's chasing her check and concealing the death. Maybe he uses her apartment to store his industrial sausage making machines.” 

It was a bit of a reach but it seemed a little more likely than his follow-up idea: her hobby was running every appliance in her house at the same time for all the hours that she was awake.

Focus, Tim! How was he going to surveil this place?

It wasn’t like there were any nice big buildings with dramatic awnings and gargoyles to creep around. It was suburbia. 

Tim spun around on his chair miserably, hands on his head to help him think.

Were there any abandoned homes in the area that he could use as a viewpoint? He checked on that. No. No, there weren’t. Dangit. He looked up everyone who lived in the neighborhood, wondering if there might be like, a family on vacation or someone whose second floor was unoccupied. He didn’t see anything useful like that. There were just a bunch of families with little kids.

He spun faster. Maybe the centrifugal force would somehow jar his brain awake.

“There’s nothing for it,” Tim decided ruefully. “I have to go undercover as a child.”

He put on the light up sneakers that he had ordered, washed his face, and made sure he had enough money for the bus. Then he set off on an adventure with a little notepad in his pocket. When he got to the apartment lobby he realized that he probably should have brought Big Tim’s phone, but oh well. It was too far now.

He took three buses and walked twenty minutes. He arrived in the right neighborhood in the early evening, around 5 pm. He looked for rogue groups of playing kids to join in. He’d do whatever game they were playing, then subtly interrogate them.

Unfortunately, it seemed like everyone was inside eating dinner. Tim frowned at one window. He could see a table being set.

Weird.

Alright, new plan. The old lady neighbor was probably dead, so he could just sneak into her half of the duplex, find a place to hide, and observe whatever sick and twisted stuff Jason’s bad guy did. Then he could tell Jason about it later, and he would like Tim.

He tried the backdoor. It was locked. Tim skulked around the house and tried windows until he found one that was open. He had to scramble a bit to climb up the siding to get into the house but he managed it. He hit the floor with a tumble.

“I have a mace!” said a female voice. “I am prepared to use it upon you!”

Tim rolled over to see the retiree. “Oh,” he said. “Hello.” He was a little disappointed that he was wrong about her being dead, though of course it’s always nice when someone isn’t murdered.

Mrs. Henderson yanked open a drawer and withdrew her mace. She pointed it at him steadily over her walker.

“Whoa,” said Tim. “That’s really cool. That’s Gothic, right?”

She looked at her mace. “...I believe so,” she said. “Get out of my home!”

“Yeah, I’m sorry,” Tim said, deliberately not agreeing. He sat up and crossed his legs. “I didn’t realize that you lived here.”

Mrs. Henderson slowly lowered her Gothic mace, which was probably a replica of one from Western Europe and weighed about 2 kilograms. “...Did you mean to go next door?” she said, sounding more confused and less hostile. 

“Yeah, I got mixed up,” Tim lied like a champion. “I accidentally locked myself out and no one is home.”

Although that really wouldn’t be true for much longer. Hm. Maybe Tim should have waited until tomorrow to come by.

[whencyclopedia]

Edgar Degas

Edgar Degas (1834-1917) was a French impressionist painter who used many different media to capture dancers, bathers, horse races, and scenes from Parisian café society. A keen photographer, Degas' paintings frequently show real-life captured in a moment in time, often with an unusual viewpoint, composition or framing – all of which techniques would prove influential on later artists.

Early Career

Hilaire-Germain-Edgar De Gas (better known simply as Edgar Degas) was born on 19 July 1834 in Paris. His parents were wealthy bourgeois who specialized in banking. Edgar's father, Auguste, was half Italian and half French while his mother, Célestine Musson, was an American Creole of French descent from Louisiana. Young Edgar studied at Paris' Lycée Louis-le-Grand, earning his baccalaureate in literature. In a family already rich enough but with aspirations to climb even higher socially, Edgar was encouraged to become the accomplished and fashionable young male of the period and to formally study art and music under various tutors. He also began to study law, but it soon became clear that art was his true path.

In 1855, Degas enrolled in the École des Beaux-Arts in Paris. He studied and copied the Old Masters in the Louvre, and in July 1856, he went to see firsthand the Renaissance art of Italy on a tour which took in Florence, Rome, Naples, and Venice. He sketched the art of antiquity, Renaissance works, local colour, and he produced his first great painting, The Bellelli Family, while staying with his aunt Laura Bellelli in Florence in 1858.

Back in Paris, Edgar was tutored by Louis Lamothe (1822-1869) and then Nicolas Soutzo (1834-1907). This traditional artistic education led the young Degas to try and become a historical painter, that is an artist who depicts grand religious or historical scenes like the great Renaissance artists had produced. Examples of his work in this genre, which share a frieze-like presentation of the subject, include Young Spartans Exercising and Semiramis Building Babylon, both painted around 1861. Not untypically, Degas continued to work on the Young Spartans in subsequent years.

Portraits were another avenue he explored, and here the artist had more success in achieving his aims. Interested in giving his work a psychological element and depth, Degas often painted double portraits where the attitudes and emotions are shown markedly different between the two people in the painting. A recurring feature of Degas' portraits is the use of a painting within the painting. Like Renaissance artists who used objects as symbols that might convey more depth of meaning to a knowing viewer, Degas often included a notable painting that comments on the personality of the person being portrayed. However, it was another historical epic, Medieval War Scene that first got him noticed by the jury of the Paris Salon in 1865.

Eventually dissatisfied with the limitations of being too tied to the past or perhaps sensitive to the changes in contemporary art, Degas would turn instead to capturing everyday life as it happened in the circles he was most familiar with: bourgeoise Paris. His first work which shows this transition, and yet in which he still maintains a link to the historical painting style, is Mademoiselle Fiocre in the Ballet 'La Source'. The work was exhibited in the Paris Salon of 1868. The artist was about to fully move into modernity for his subjects, but Degas' long immersion in classical art and the more recent Neoclassicist artists like Jean-Auguste-Dominique Ingres (1780-1867) would have a lasting effect on the importance he gave to drawing, form, and composition, as well as the prominence he gave to the female nude. As Ingres had told Degas: "Draw lines, young man, many lines" (Howard, 42). This focus meant that Degas was probably the superior draughtsman of all the impressionist painters of his generation, a point noted by many critics.

Continue reading...

[writers-potion]

Hi! I just wanted to ask if you have any world building tips? I'm considering making a whole society and culture about a species that live on a planet in the Andromeda Galaxy.

Now for context, In my story, Earth doesn't know for sure that aliens exist, there are three characters that are going to be focused on in that universe are basically the first scouts that were sent after their society recently discovered Earth. Two on the planet and one stationed in a nearby celestial body which is where their "base" is, Their goal is to gather intel without alerting humans.

In terms of trying to imagine their biology, would it be good to first imagine the environment and climate of their planet and then address how their bodies adapt and deal with it or vice versa?

I'm also a bit worried about making them too humanlike in terms of their way of thinking since I thought they'd likely be very different from us without any chance of one influencing the other before the story.

Could I use certain myths and legends about non-human creatures as inspiration for the race of sentient beings I'm trying to come up with?

This is a lot so thank you so much if you do answer and I'm sorry if I asked too much of you. Have a nice day!

Inspiration for an Alien Species

For non-humanlike alien characters, look into pre-exising creatures and try tweaking them:

Take a historic/extinct animal and change it. 

Take two animals/insects/bacteria and combine their features. Tweak them until you land on something original.

You can start with a human, and add/subtract features. 

Use mythological creatures – they should offer a good source of intelligent nonhumans! Research about the kind of terrain these mythical creatures live. 

You requirements of how intelligent the aliens are, and what their primary activities are will also determine what physiological features you give them. 

Are they intelligent enough to use tools? What kind of machines? If they are to navigate complex machinery you need to give them arm-like appendages like tentacles, etc. 

What do they like doing most? What kind of sports do they play, and what kind of body parts would they need for that?

What do they eat? How do they eat? 

How do they reproduce?

Are they “pleasurable” to the typical human, or are they “disgusting” or “monstrous”?

Here are some features you could work with:

lead claws (for poison)

quil shooting

mantis arms

fire breathing (hydrogen also works as a flamable if you don't wanna use ethylene)

acid sptting (add venom sacks at the nose to squirt the acid) WARNING make sure the creature is immune to the acid, add a mucus to protect it from its acid.

multiple heads

forked tounge

electricution

bioluminesence

geovores (feeds on rocks)

whip tails

infared vision

gas (if you have seen poppy playtime chapter 3 catnap did this, if not than just imagine a creature breathing accept breathing out deadly gases on command)

Camoflouge

beaks

mandibled and/or multiple jaws

Alien First, or Planet First?

The choice between adapting your alien to the environment or adapting the environment to your alien depend on which of those your worldbuilding depends on. 

If your story is about an asteroid slamming into Earth and there happens to be life on it, the environment is more important. 

If the story is about a human girl befriending an alien, the alien is more important. 

Since you mentioned that your aliens are visiting Earth, your aliens (and how they navigate in a spaceship/Earth) seem more central to the storyline – you can think up of the alien you want, then build a planet they would thrive in. 

How to Differentiate Them 

Religion

Human religions provide (1) an origin story for the world and humans and (2) provide meaning to an essentially meaningless human existence. But what if your aliens have the ability to see far into the past and into the future? God as a Creater wouldn’t work in their world. 

Religion as a response to their physiological needs. E.g. An alien species that have to hibernate would value the God of Warmth the most. 

Religion as a response to a hostile envrionment. What elements of nature do your aliens fear the most? Are they agricultural? What’s their main source of energy? 

Language

Human language is mostly dependent on sound and vision. What if your aliens only communicated via touch, taste or smell?

Based on their habits and social organization, come up with a list of alien vocab. 

French musician Jean-François Sudre created an artificial language called “Solresol”. His language has seven syllables to match the heptatonic musical scale. However, a writer could convert the notes into the seven colors of the rainbow and use Solresol as the basis of a color-based alien language.

What body language do they have to express emotions?

History

Come up with a rough timeline of alien world history. Outline major wars, technological developments, major pandemics, artists and politicians. 

Given their history and culture, how would they view humans?

History repeats itself. 

Art

Standards of beauty are dependent on biology. Scientists say that the faces humans find the most attractive are the most likely to be healthy and fertile.

What standards of beauty would your aliens develop?

What sorts of biological advances would they look for in a mate?

What kind of art would aliens develop if they saw heat, rather than light? 

What about aliens who communicated via smell? 

What kind of art would a race of sentient trees create? Could you create art if you were immobile?

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[elbiotipo]

So when it comes to distance in a fictional setting, is metric king? I wrote some fantasy post-apoc recently where the protagonist measured it in Oranges and Aevums (the latter being their own name), but more generally speaking is it worth it to hash out bespoke measurement systems for fictional cultures, do you think?

Oranges as a measurement unit sounds so funny, and a measurement based in... yourself makes surprising sense, given all the measurements based on body parts. Why not YOURSELF?

Well, I would think in a real post-apoc world metric would be king indeed, scientific and technologic instruments are in metric even in the US and you could always get a ruler from a school or scales from a grocery store, so eventually you could get back on track to reforming the metric system. It would be interesting, though, if every society during isolation had slightly different measurements for the same units because of faulty equipment (say, ohms or amperes or even grays) and they had to make a congress to clear things up.

Returning to your main question. My perspective here is the same as conlangs. It's very, very fun to have them, but it's not fun to force your audience to read them. When I write something set in a fantasy or science fiction setting, in my head I'm assuming the characters are speaking different languages and I DO explain them and even give examples of them, but the story itself is written, for both the reader's and the writer convenience, in a language we can understand (Spanish in my case, and then it can be translated). Same with units of measurement. I seldom use direct units of measurement like writing "the ship was 110.3 meters long" (in science fiction, it's often a trap as they force you to stay true to them), when more descriptive language can be used...

In any case, you could do, for the kind of immersion I love, say something like "she was 14 oranges* tall, rather small for her age" and do an asterisk like "*A.N. : 1.39 meters tall". This is very fun when used sparingly, because it gives the worldbuilding obessed reader something to play with, you can do the conversion yourself and learn more about the world, without interrupting the story. Some understandably dislike this approach, but I think that if you know what you're doing, you can hide some pretty deep lore behind it. In one of my favorite retro games, The Ur-Quan Masters, there is an alien race called the Slylandro who live in a gas giant. When they tell you their ancient history, they use their own system of measurment based on the rotation of their planet with its own names like Dranhasa and Dranh. The game actually provides you with the rotation time on "Earth" time, so some dedicated fans did the conversion, and found out the dates fit with major events in the game's past. I thought that was an awesome bit.

But I digress again. Does this mean you should not talk about measurements in your story? No, it can do for very fun plots and digressions, as well as make things more realistic and beliveable. A fantasy world sharing all the same measurement units can be as unplausible as everybody speaking "Common". Let's remember that the current metric system is a modern invention which took a long time to be adopted (and some, well one, country, still resists it). Just take a look at the many, many historical systems of measurement:

This was especially prominent in places like the Holy Roman Empire, where every statelet, county, principality, free city, prince-bishopric, duchy, archduchy, etc. may and most often did have different measurements from each other. Just take a look at how measurements varied from each German region, it's crazy. The systems of weight where particularily important. Before the introduction of standarized coinage, coins also varied not only between kingdoms, but between regions, and even towns, and coins made at different times with different alloys had different values. Rather than money in our modern sense, you could think of them as some kind of 'asset' that could vary in value depending on the circumstances. What's more, those values had to be checked by people who knew what they were working with. Silver and gold content could be weighed, ah, but you need good scales and weights, and someone who knows how to work them! And these people could easily rip you off, or you could lose value accidentally if those scales weren't done just right or fiddled with on purpose. In fact, this is where the word 'Mark' comes from.

It wasn't as easy to take say a 100 something bill and get the change in 1 something coins. There is a very interesting subplot in the anime Spice and Wolf where Lawrence, the trader character, has been paid in gold coins, and he has to trade them into lesser denominations. However, he has to be REAL careful so that nobody scams him given all I told you above. Even getting 'gold' coins was a gamble before modern coinage and banking (another long topic). How much of that is REALLY gold and not an alloy with silver or other metal? Who can you trust to tell you how much your coins are worth? Are they compatible between borders or even time, is this version worth as much as the others? Things that characters in fantasy who have just plundered a dragon's hoard almost never think about. Except in Spice and Wolf.

(here is a gif of Holo to break the wall of text)

This all of course, as again you can see in Spice and Wolf, can make trade very tedious and even unstable. This was one of the reasons why the metric system was so quickly adopted in Europe and then elsewhere; consistent units just allow for easier trade. Lots of other things involving measurement can have a major impact on your story. For one, you NEED consistent and accurate measurement to create even the most basic industrial and scientific equipment. You can wing it for a time like alchemists (and even they knew their measurements) but eventually, you need to measure things to understand them. To have working steam engines, steel production, chemical industries and more, you need to know your temperature is. If you want to do electricity, you need measurements for current, resistance and charge. If you're doing engineering, you need to have lenght, weight and volume very, very clear, or people will die. They don't necessarily need to be universal like the metric system (though it has lots of advantages, being coherent between units and decimal so it doesn't jump between different denominations) but they need to be standarized and measurable.

Most of the above, unless you're writing some kind of encyclopedia about a fictional scientific revolution (BASED BASED BASED) will not affect your characters directly. But IT IS worth keeping in mind for what kind of world your characters are living in. The standarization of measurement units always means SOMETHING in the state of your society, the strenght of the state and centralized authority, the state of scientific understanding (one could say that trying to measure the world was perhaps THE scientific revolution, "Man as a measure of all things"), the capability for industry and the standarization of coinage and trade.

Even if you don't have your characters interact directly with those things, they will interact with them. It's also, like I've said in the examples, fun to imagine characters having to learn or deal with different units of measurement, just as it is fun to imagine them learning new languages or cultural quirks. It's something I've done in the past, in my space opera setting, the worlds descended from the United States STILL use the imperial system, much to the frustration of the rest of the metric human sphere. There is also an alien character who has a hard time to learn human measurements, and that makes her melancholic about her past, as they can't intuitively see the now-extinct measurements she does. Again, man as a measure of all things... this does include other thinking beings...

There's more I could talk about here regarding time, but I did a post about that, though I'm not satisfied with it and will probably redo it in some time at the future. In any case, there's lot to talk about why every calendar in science fiction has 365 days and 24 hours.

As always, if you found this interesting and helpful, I would be very thankful if you gave a tip to my ko-fi! And feel free to ask about anything you'd like!

[lurking-latinist]

I just saw this awesome post about including mobility aids in fantasy writing, and I do not want to create a tangent but I *do* want to share some things I learned about disability in ancient Greece when I was researching that paper I wrote on the Philoctetes, so I am making my own post.

Philoctetes is a mythical figure who was one of the Greek heroes going to the Trojan war. Before they got there, he suffered a wound in the foot which would not heal. The other Greek leaders were unwilling to have the noise of his screams and the stench of the infected wound in their camp, so they abandoned him on a deserted island with only his famous weapon, the Bow of Heracles. He survived there for ten years. Now the war is almost over, Troy has almost fallen, but the Greeks have heard a prophecy: they cannot win until they have the Bow of Heracles. So wily Odysseus and young Neoptolemus (the son of the recently dead Achilles) go to the island where Philoctetes is still living, still dealing with his injury. Philoctetes is eager to escape the island, but can he trust the community that abandoned him ten years ago? Can they ever make right what they did to him?

Now that’s the type of story that someone might very well point to who was arguing that disabled people have to be neglected and excluded in a “historically accurate” story. And it’s definitely not an example of casual inclusion. But what that person would be missing is that Philoctetes’ abandonment and isolation in this play was intended to be shocking to its Athenian audience. The audience is invited to identify with Philoctetes and to be horrified at how he does not receive the support from his community that real-world people with similar disabilities did receive, as we can tell from both textual and archaeological evidence.

Martha L. Rose’s book The Staff of Oedipus: Transforming Disability in Ancient Greece emphasizes this. Look, here’s what I wrote in my paper, why should I rewrite it:

Rose approaches her material “though the lens of disability studies, which approaches the phenomenon of disability by assuming that there is nothing inherently wrong with the disabled body and that the reaction of a society to the disabled body is neither predictable nor immutable” (1). In other words, it is necessary to see what attitudes and assumptions about disabilities are actually recorded, rather than projecting any of our own assumptions. ...

Also unlike today, Greek concepts of disability were not medicalized. “Permanent physical disability,” writes Rose, “was not the concern of doctors in antiquity beyond recognition of incurability” (11). This does not mean that disabled people had no resources or were simply left to perish, of course. Rather, they were often cared for within their households and their communities (28), which means that both Philoctetes’ abandonment and isolation form a shocking exception to the norm. The importance of community support suggests that Philoctetes’ joy at being reunited with humanity comes from practical as well as emotional needs. At the same time, the wide range of tasks and trades in the Greek economy meant that many disabled people were far from economically dependent (think of [the god] Hephaestus the lame smith), so that “[a] physically handicapped person earning a living would not have been a remarkable sight” (39). People unable to walk at all rode donkeys or were carried in litters, while those who walked with difficulty used a staff or a crutch (24-26).

So for writers: the ancient Greeks didn’t invent the wheelchair--but they had the wheel technology (I suspect the issue may have been with roads and pavements instead), so your Greek-inspired fantasy world totally can (which was the point of that earlier post). Or maybe your protagonist goes on their adventures with a faithful donkey sidekick that helps them get around. Maybe they are respected for their skill in a craft, making their home and workshop a lively meeting-place for customers. If you’re writing fantasy, you could be inspired by one of the myths of Hephaestus, in which he creates metal automatons--basically, magic robots--that not only support him as he walks, they also act as assistants in his workshop!

Anyway, the point of this post is basically just that I agree with the other post about including mobility aids in fantasy and I had some relevant knowledge in the back of my head. And also that you should read the Philoctetes. Look, here’s a recent free modern English verse translation: https://johnstoniatexts.x10host.com/sophocles/philocteteshtml.html

Oh, and if you would like to see my term paper or the relevant section from The Staff of Oedipus, message me, I will share them.

[intersexbookclub]

Summary: Chapter 4 of Critical Intersex

For many of us, Chapter 4 of Critical Intersex (2009) turned out to be a particularly rich source of information about intersex history. So I (Elizabeth) have decided to give a fairly detailed summary of the chapter because I think it’s important to get that info out there. I’m gonna give a little bit of commentary as I go, and then a summary of our book club discussion of the chapter.

The chapter is titled “(Un)Queering identity: the biosocial production of intersex/DSD” by Alyson K. Spurgas. It is a history of ISNA, the Intersex Society of North America, and how it went from being a force for intersex liberation to selling out the movement in favour of medicalization. (See here for summary of the other chapters we read of the book!)

Our high level reactions:

Elizabeth (@ipso-faculty): Until I read chapter 4, I didn't really realise how reactionary “DSD” was. It hadn't been clear to me how much it was a response to the beginning of an organized intersex advocacy movement in the United States.

Michelle (@scifimagpie): I could feel the fury in the writer's tone. It was a real barn burner.

Also Michelle: the fuckin' respectability politics of DSD really got under my skin, as a term! I know the importance, as a queer person, of not forcing people to ID as queer, but this was a lot.

Introducing the chapter

The introduction sets the tone by talking about how in the Victorian era there was a historical shift from intersex being a religious/juridical issue to a pathology, and how this was intensified in the 1950s with John Money’s invention of the optimal gender rearing model. 

Spurgas briefly discusses how the OGR model is harmful to intersex people, and how it iatrogenically produces sexual dysfunction and gender dysphoria. “Iatrogenic” means caused by medicine; iatrogenesis is the production of disease or other side-effects as a result of medical intervention.

This sets scene for why in the early 1990s, Cheryl Chase and other intersex activists founded the Intersex Society of North America (ISNA). It had started as a support group, and morphed significantly over its lifetime. ISNA closed up shop in 2008.

Initially, ISNA was what we’d now call interliberationist. They were anti-pathologization. Their stance was that intersexuality is not itself pathological and the wellbeing of intersex people is endangered by medical intervention. They organized around the abolition of surgical intervention. They also created fora like Hermaphrodites With Attitude for the deconstruction of bodies/sexes/genders and development of an intersex identity that was inherently queer. 

The early ISNA activists explicitly aligned intersexuality in solidarity with LGB and transgender organizing. There was a belief that similar to LGBT organizing, once intersex people got enough visibility and consciousness-raising, people would “come out” in greater numbers (p100).

By the end of the 90s, however, many intersex people were actively rejecting being seen as queer and as political subjects/actors. The organization had become instead aligned with surgeons and clinicians, had replaced “intersex” with “DSD” in their language.

By the time ISNA disbanded in 2008 they had leaned in hard on a so-called “pragmatic” / “harm reduction” model / “children’s rights perspective”. The view was that since infants in Western countries are “born medical subjects as it is” (p100)

Where did DSD come from? 

In 2005, the term “disorders of sexual differentiation” had been recently coined in an article by Alice Dreger, Cheryl Chase, “and three other clinicians associated with the ISNA… [so as] to ‘label the condition rather than the person’” (p101). Dreger et al thought that intersex was “not medically accurate” (p101) and that the goal should be effective nomenclature to “sort patients into diagnostically meaningful groups” (p101).

Dreger et al argued that the term intersex “attracts the interest of a large number of people whose interest is based on a sexual fetish and people who suffer from delusions about their own medical histories” (Dreger et al quoted on p101)

Per Spurgas, Dreger et al had an explicit agenda of “distancing intersex activism from queer and transgressive sex/gender politics and instead in supporting Western medical productions of intersexuality” (p102). In other words: they were intermedicalists.

According to Dreger et al, an alignment with medicine is strategically important because intersex people often require medical attention, and hence need to be legible to clinicians. “For those in favor of the transition to DSD, intersex is first and foremost a disorder requiring medical treatment” (p102)

Later in 2005 there was a “Intersex Consensus Meeting” organized by a society of paediatricians and endocrinologists. Fifty “experts” were assembled from ten countries (p101)... with a grand total of two actually intersex people in attendance (Cheryl Chase and Barbara Thomas, from XY-Frauen). 

At the meeting, they agreed to adopt the term DSD along with a “‘patient-centred’ and ‘evidence-based’ treatment protocol” to replace the OGR treatment model (p101)

In 2006, a consortium of American clinicians and bioethicists was formed and created clinical guidelines for treating DSDs. They defined DSD quite narrowly: if your gonads or genitals don’t match your gender, or you have a sex chromosome anomaly. So no hormonal variations like hyperandrogenism allowed.

The pro-DSD movement: it was mostly doctors

Spurgas quotes the consortium: “note that the term ‘intersex’ is avoided here because of its imprecision” (p102) - our highlight. There’s a lot of doctors hating on intersex for being a category of political organizing that gets encoded as the category is “imprecise” 👀

Spurgas gets into how the doctors dressed up their re-pathologization of intersex as “patient centred” (p103) - remember this is being led by doctors, not patients, and any intersex inclusion was tokenistic. (Elizabeth: it was amazing how much bs this was.)

As Spurgas puts it, the pro-DSD movement “represents an abandonment of the desire for a pan-intersexual/queer identity and an embrace of the complete medicalization of intersex… the intersex individual is now to be understood fundamentally as a patient” (p103)

Around the same time some paediatricians almost came close to publicly advocating against infant genital mutilation by denouoncing some infant surgeries. Spurgas notes they recommended “that intersex individuals be subjected (or self-subject) to extensive psychological/psychiatric, hormonal, steroidal and other medical” interventions for the rest of their lives (p103).

This call to instead focus on non-surgical medical interventions then got amplified by other clinicians and intermedicalist intersex advocacy organizations.

The push for non-surgical pathologization hence wound up as a sort of “compromise” path - it satisfied the intermedicalists and anti-queer intersex activists, and had the allure of collaborating with doctors to end infant surgeries. (Note: It is 2024 and infant surgeries are still a thing 😡.)

The pro-DSD camp within the intersex community

Spurgas then goes on to get into the discursive politics of DSD. There’s some definite transphobia in the push for “people with DSDs are simply men and women who happen to have congenital birth conditions” (p104). (Summarizer’s note: this language is still employed by anti-trans activists.)

The pro-DSD camp claimed that it was “a logical step in the ‘evolution in thinking’” 💩 and that it would be a more “humane” treatment model (p105) 💩

Also that “parents and doctors are not going to want to give a child a label with a politicized meaning” (p104) which really gives the game away doesn’t it? Intersex people have started raising consciousness, demanding their rights, and asserting they are not broken, so now the poor doctors can’t use the label as a diagnosis. 🤮

Spurgas quotes Emi Koyama, an intermedicalist who emphasized how “most intersex people identify as ‘perfectly ordinary, heterosexual, non-trans men and women’” (p104) along with a whole bunch of other quotes that are obviously queerphobic. Note from Elizabeth: I’m not gonna repeat it all because it’s gross. In my kindest reading of this section, it reads like gender dysphoria for being mistaken as genderqueer, but instead of that being a source of solidarity with genderqueers it is used as a form of dual closure (when a minority group goes out of its way to oppress a more marginalized group in order to try and get acceptance with the majority group).

Koyama and Dreger were explicitly anti-trans, and viewed intergender type stuff as “a ‘trans co-optation’ of intersex identity” (p105) 🤮

Most intersex people resisted “DSD” from its creation

On page 106, Spurgas shifts to talking about how a lot intersex people were resistant to the DSD shift. Organization Intersex International (OII) and Bodies Like Ours (BLO) were highly critical of the shift! 💛 BLO in particular noted that 80-90% of their website users were against the DSD term. Note from Elizabeth: indeed, every survey I’ve seen on the subject has been overwhelmingly against DSD - a 2015 IHRA survey found only 3% of intersex Australians favoured the DSD term.

Proponents of “intersex” over “DSD” testified to it being depathologizing. They called out the medicalization as such: that it serves to reinforce that “intersex people don’t exist” (David Cameron, p107), that it is damaging to be “told they have a disorder” (Esther Leidolf, p107), that there is “a purposeful conflation of treatment for ‘health reasons’ and ‘cosmetic reasons’ (Curtis Hinkle, p107), and that it’s being pushed mainly by perisex people as a reactionary, assimilationist endeavour (ibid).

Interliberationism never went away - intersex people kept pushing for 🌈 queer solidarity 🌈 and depathologization - even though ISNA, the largest intersex advocacy organization, had abandoned this position.

Spurgas describes how a lot of criticism of DSD came from non-Anglophone intersex groups, that the term is even worse in a lot of languages - it connotes “disturbed” in German and has an ambiguity with pedophilia and fetishism in French (p111).

The DSD push was basically entirely USA-based, with little international consultation (p111). Spurgas briefly addresses the imperialism inherent in the “DSD” term on pages 118/119.

Other noteworthy positions in the DSD debate

Spurgas gives a well-deserved shout out to the doctors who opposed the push to DSD, who mostly came from psychiatry and opposed it on the grounds that the pathologization would be psychologically damaging and that intersex patients “have taken comfort (and in many cases, pride) in their (pan-)intersex identity” (p108) 🌈 - Elizabeth: yay, psychiatrists doing their job! 

Interestingly, both sides of the DSD issue apparently have invoked disability studies/rights for their side: Koyama claimed DSD would herald the beginning of a disability rights based era of intersex activism (p109) while anti-DSDers noted the importance in disability rights in moving away from pathologization (p109).

Those who didn’t like DSD but who saw a strategic purpose for it argued it would “preser[ve] the psychic comfort of parents”, that there is basically a necessity to coddle the parents of intersex children in order to protect the children from their parents. (p110) 

Some proposed less pathologizing alternatives like “variations of sex development” and “divergence of sex development” (p110)

The DSD treatment model and the intersex treadmill

Remember all intersex groups were united that sex assignment surgery on infants needs to be abolished. The DSD framework that was sold as a shift away from surgical intervention, but it never actually eradicated it as an option (p112).  Indeed, it keeps ambiguous the difference between medically necessary surgical intervention and culturally desired cosmetic surgery (p112). (Note from Elizabeth: funny how *this* ambiguity is acceptable to doctors.)

What DSD really changed was a shift from “fixing” the child with surgery to instead providing “lifelong ‘management’ to continue passing” (p112), resulting in more medical intervention, such as through hormonal and behavioural therapies to “[keep] it in remission” (p113).

Cheryl Chase coined the “intersex treadmill’: the never-ending drive to fit within a normative sex category (p113), which Spurgas deploys to talk about the proliferation of “lifelong treatments” and how it creates the need for constant surveillance of intersex bodies (p114). Medical specialization adds to the proliferation, as one needs increasingly more specialists who have increasingly narrow specialties.

There’s a cruel irony in how the DSD model pushes for lifelong psychiatric and psychological care of intersex patients so as to attend to the PTSD that is caused by medical intervention. (p115) It pushes a capitalistic model where as much money can be milked as possible out of intersex patients (p116).

The DSD treatment model, if it encourages patients to find community at all, hence pushes condition-specific medical support groups rather than pan-intersex advocacy groups (p115)

Other stuff in the chapter

Spurgas does more Foucault-ing at the end of the chapter. Highlight: “The intersex/DSD body is a site of biosocial contestation over which ways of knowing not only truth of sex, but the truth of the self, are fought. Both intelligibility and tangible resources are the prizes accorded to the winner(s) of the battle over truth of sex” (p117)

There’s some stuff on the patient-as-consumer that didn’t really land with anybody at the book club meeting - we’re mostly Canadians and the idea of patient-as-consumer isn’t relatable. Ei noted it isn’t even that relatable from their position as an American.

***

Having now summarized the chapter, here's a summary of our discussion at book club...

Opening reactions

Michelle (M): the way the main lady involved became medicalized really made my heart sink, reading that.

Elizabeth (E): I do remember some discussion of intersex people in the 90s, and it never really grew in the way that other queer identities did! This has kind of helped for me to understand what the fuck happened here.

E: It was definitely a very insightful reading on that part, while being absolutely outraging. I didn't know, but I guess I wasn't surprised at how pivotal US-centrism was. The author was talking about "North American centric" though but always meant the United States!!! Canada was just not part of this! They even make mention of Quebec as separate and one of the opposing regions. I was like, What are you doing here, America? You are not the entirety of our continent!!!

E: The feedback from non-Anglophone intersex advocates that DSD does not translate was something that I was like, "Yes!" For me, when I read the French term - that sounded like something that would include vaginismus, erectile dysfunction - it sounds far more general and negative.

M: the fuckin' respectability politics of DSD really got under my skin, as a term! I know the importance, as a queer person, of not forcing people to ID as queer, but this was a lot.

E: it was very assimilationist in a way that was very upsetting. I knew intellectually that this was going on. There was such a distinct advocacy push for that. The coddling of parents and doctors at the expense of intersex people was such a theme of this chapter, in a way that was very upsetting. They started out with this goal of intersex liberation, and instead, wound up coddling parents and doctors.

Solidarities

M: I feel like there's a real ableist parallel to the autism movement here… It dovetails with how the autism movement was like, "Aww, we're sorry about your emotionless monster baby! This must be so hard for you [parents]!" And it felt like "aw, it's okay, we'll fix your baby so they can interface with heterosexuality!" [Note: both of us are neurodivergent]

E: A lot of intersexism is a fear that you're going to have a queer child, both in terms of orientation and gender.

E: You cannot have intersex liberation without putting an end to homophobia and transphobia.

M: We're such natural allies there!

E: I understand that there are these very dysphoric ipsogender or cisgender people, who don't want to be mistaken as trans, but like it or not, their rights are linked to trans people! When I encounter these people, I don't know how to convey, "whether you like it or not, you're not going to get more rights by doing everything you can to be as distant as possible."

M: it reminds me of the movements by some younger queers to adhere to respectability politics.

E: Oh no. There are younger queers who want respectability politics????

M: well, some younger queers are very reactionary about neopronouns and kink at pride. they don't always know the difference between representation and "imposing" kinks on others. In a way, it reminds me of the more intentional rejection of queer weirdos, or queerdos, if you will, by republican gays.

E: I feel like a lot of anti-queerdom that comes out of the ipso and cisgender intersex community reads as very dysphoric to me. That needs to be acknowledged as gender dysphoria.

M: That resonates to me. When I heard about my own androgen imbalance, I was like, "does that mean I'm not a real woman?" And now I would happily say "fuck that question," but we do need an empathy and sensitivity for that experience. Though not tolerance for people who invalidate others, to be honest.

E: The term "iatrogensis" was new to me. The term refers to a disease caused or aggravated by medical intervention.

M: So like a surgical complication, or gender dysphoria caused by improper medical counselling!

The DSD debate

ei: i think the "disorder" discussion is really interesting. in my opinion, if someone feels their intersex condition is a disorder they have every right to label it that way, but if someone does not feel the same they have every right to reject the disorder label. personally i use the label "condition". i don't agree with forcing labels on anyone or stripping them away from anyone either.

M: for me, it felt like a cautionary tale about which labels to accept.

ei: i'm all around very tired of people label policing others and making blanket statements such as "all people who are this have to use this label”... i also use variation sometimes, i tend to go back and forth between variation and condition. I think it's a delicate balance between being sensitive to people's label preferences vs making space for other definitions/communities.

We then spoke about language for a bunch of communities (Black people, non-binary people) for a while

E: one thing that was very harrowing for me about this chapter is that while there was this push to end coercive infant surgery, they basically ceded all of the ground on "interventions" happening from puberty onward. And as someone who has had to fight off coercive medical interventions in puberty, I have a lot of trauma about violent enforcement of femininity and the medical establishment.

ei: i completely agree that it's psychologically harmful tbh…. i was assigned male at birth and my doctors want me to start testosterone to make me more like a perisex male. which is extremely counterproductive because i'm literally transfem and have expressed this many times

Doctors Doing Harm

M: for me, the validation of how doctors can be harmful in this chapter meant a lot.

E: something that surprised me and made me happy was that there were some psychiatrists who spoke out against the DSD label. As someone who routinely hears a lot of anti-psychiatry stuff - because there's a lot of good reason to be skeptical of psychiatry, as a discipline - it was just nice to see some psychiatrists on the right side of things, doing right by their patients. Psychiatrists were making the argument that DSD would be psychologically harmful to a lot of intersex people.

ei: like. being told that something so inherently you, so inherently linked to your identity and sense of self, is a disorder of sexual development, something to be fixed and corrected. that has to be so harmful

ei: like i won't lie i do have a lot of severe trauma surrounding the way i've been treated due to being intersex. but so much of my negative experiences are repetitive smaller things. Like the way people treat me like my only purpose is to teach them about intersex people …. either that or they get really creepy and gross. I’m lucky in that i'm not visibly intersex, so i do have the privilege of choosing who knows. but there's a reason why i usually don't tell people irl.

M: intersex and autism have overlap again about how like, minor presentation can be? As opposed to the sort of monstrous presentation [Carnival barker impression] "Come see the sensational half-man, half-woman! Behold the h-------dite!" And like - the way nonverbal people are also treated feels relevant to that, because that's how autism is often treated, like a freakshow and a pity party for the parents? And it's so dehumanizing. And as someone who might potentially have a nonverbal child, because my wife is expecting and my husband and she both have ADHD - I'm just very fed up with ableism and the perception of monstrosity.

Overall, this was a chapter that had a lot to talk about! See here for our discussion of Chapters 5-7 from the same volume.

[ariel-seagull-wings]

Hey Ariel. I just realized something. I don't think I've ever seen you share YOUR idea for your own X-Men series. The closest I've seen is your idea for an animated series on The New Mutants. Not sure if you have one, but if you do. What is it like? What will make it stand out from others?

I would like to give the X-Men a chance to explore their potential for the slice of life and comedy angles, with a touch of urban fantasy, light sci fi, romance and horror, and would call this encarnation The Magnificent X-Men, homaging the movies The Seven Samurai and The Magnificent Seven, in an animesque style reminiscent of Lupin III: The Castle of Cagliostro, Nimona, Elemental, Entergalactic, the Spider-Verse movies and My Adventures with Superman, and a tone and narrative progression and tone similar to the DC Webtoon's Batman: Wayne Family Adventures and Vixen: NYC.

The timescale and timeline would avoid convolutedness by having characters who, in the comics, were originally clones or alternate timeline children to be children born in the main series timeline born and raised by previous characters that while mentioned as important, are not the main characters of the narrative, exploring the idea that as a group, the X-Men have a history that goes back to the 60s, where there were founding figures, partisan dissidences, characters went to college, graduated, retired from the battlefield to get married and raise children, or died while fighting for mutant rights.

The school setting would be upgraded from high school to University where people come not only to learn control of their powers, but also study and get grades to learn a trade to live.

Students come from a variety of backgrounds: there are not only mutants, but humans, aliens and robots.

The team line-up would combine Claremont and Davis Excalibur with Jason Aaron' Amazing X-Men: Nightcrawler would be the field team leader, and his teamates would be Cerise, Piotr Rasputin (Colossus), Illyana Rasputin (Magik), Rachel Grey Summers (Phoenix), Kitty Pryde (Shadowcat), Hank McCoy (Beast) Ororo Munroe (Storm), Logan Howlett (Wolverine), Jean Paul Beaubier (Northstar), Angelica Jones (Firestar), Bobby Drake (Iceman), Brian Braddock (Captain Britain) and Meggan Pucceanu.

Jean Grey (the first Phoenix) and Scott Summers (Cyclops) are retired from superhero life and live in Canada, making grassroots activism work for the world wide progress of mutant rights, but come visit their former teamates and their daughter Rachel from time to time.

As the main settings, the X-Men and many mutants have relocated to South Africa and Australia, countries they constantly alternate between by crossing the Indian Ocean trough flight or sea, working both as University Teachers and Superheroes.

Embracing solarpunk, the protagonists would live simple functional lives in sync with the beauty of nature, in cozy enviroments with plants all over the place, presenting a commentary on how to grow a brighter future for everyone instead of submitting to gloom.

The architecture of their homes would be colorful, retro futuristic, standing side by side with ancient ruins, surrounded by nature without antagonizing it, but incorporating it as part of the city life, and airplanes and boats would be the main source of transport, rather than asfalted roads with fossil fueled cars and buses (think of Talespin's Cape Suzette).

The main historical mark of the universe is the Jaspers Warp, a conflict that was an important storyline from the Captain Britain comics, called A Crooked World, when the reality warping villain Mad Jim Jaspers crossed dimensions and converted England into a distopic society where anyone who was perceived as having superpowers was imprisoned in camps and civilians who tried to protect then were imprisoned and killed. In the comics, this was concentrated to England, but in the show, keeping relevant to recent events, it would involve both the whole UK and the United States that has a whole history of persecuting mutants and humans that dared to ally with mutants.

The older sibling of Brian Braddock, Jaime Braddock, was revealed to be a villain and mutant with similar reality warping powers, whose main flaw was egotism and selfshiness, so it would be fitting to combine Jaime Braddock and Mad Jim Jaspers into the leaders of the main antagonistic forces who the heroes had to defeat to work in building a better world.

And this would be the main setting and theme: reconstruction after surviving what was basically the end of an unfair world as we knew, and move on into something better, rather than go back to what was before.

Along with comedic supervillains that provide lighter conflict during the slice of life episodes, the main antagonists to bring stakes would be groups of people who are part of US political groups, the Purifiers and the Friends of Humanity, searching for a way to gain access to the remnants of world ending super weapons, like the infamous Fury created by Mad Jim Jaspers, and use them to rule the world.

They are the ones who never let go of the so called "glory days" when they had privileges and minorities "hadn't so many rights", and are so hung up on having a War to win that they’ll wreck the world all over again, which the X-Men have to fight so as not to stop progress and allow the people of Earth to move forward.

VISUAL CONCEPT ART INFLUENCES

Alan Davis, Todd Nauck and Ryan Stegman

[tanadrin]

This series of four videos on Ukraine and the Russia-Ukraine conflict is very interesting. The first is basically just a narrative political history of Ukraine from about 2000 to 2014, talking about different political factions that were relevant in the country in the period, and how different internal and external pressures shaped politics. It's very helpful for understanding the Ukrainian political context, including just how recent and just how shallow the supposed tensions between monolingual Russian and bilingual Ukrainian-Russian speakers was in 2014.

The second video is an overview of the Donbass war from 2014-2022, which you might have been vaguely paying attention to at the time. But it's very helpful to have it all laid out in chronological order with the benefit of hindsight, especially due to the obfuscation of Russian operations at the time that made it hard to work out what, exactly, was going on. It's a combination of a good old 19th century-style filibuster (the military expedition, not the parliamentary maneuver), Fox News-style propaganda, and some (rather badly failed) attempts at astroturfing civil unrest--why Russia thought that would work becomes important in Part 4.

Part 3 is just an extended argument that NATO expansion is not relevant to the 2022 invasion of Ukraine, and while I already agreed with that assessment, it's nice to have it laid out in detail. The very very short version is that by NATO's own public criteria, Ukraine was simply not a candidate to join NATO, and had given up on joining NATO, and that had been painfully obvious since at least the Obama administration. Even more frustratingly, there were multiple points where Russia had an offramp to escalation, where it had gotten everything it could have possibly wanted from the conflict in Donbass, and it refused them all.

Part 4 is the author's attempt to explain why it refused them. The very short explanation is that Russia's government is led by idiots, who are very enamored of a flavor of conspiracy theory that has its origins in the LaRouche movement, and which has been bubbling in both left-wing and right-wing circles since 2000. In this worldview, the US government acting through the CIA (or the British royal family, or George Soros, or Jewish bankers, or whoever your bogeyman of choice is) has an almost supernatural ability to overthrow any government on earth by funding performance art groups (seriously), civil society NGOs, and protestors, and that almost every revolution, actual or so-called, since 1989 has been their direct work, from the post-Soviet revolutions, to Euromaidan, to the Arab Spring.

This belief, in its more overt or fragmentary forms, is incredibly popular, spurred on no doubt by historical instances of CIA malfeasance and actual aggressive wars waged by the Bush administration. But the problem is, it's bunk. During Russia's initial moves against Ukraine in 2014, they tried essentially the same playbook in the Donbass, and of course it failed miserably--you cannot actually astroturf a popular uprising. (The CIA has preferred to stage coups and assassinations, which are a different animal from color revolutions.) The separatists in the Donbass eventually had to be supported by a few thousand Russian troops and direct military aid.

But Putin, driven by his own paranoid misunderstanding of world events, the clique of yes-men he has embedded himself in, and his fear of gay Nazi Jewish CIA agents, simply got Russia in over its head. There is no offramp because Russia cannot articulate what its goals are, and because "stop trying to use George Soros to overthrow the Russian government" is not something the US can agree to, since they are not doing it. The only thing that might have prevented Putin fucking with Ukraine in the first place was maybe if rigging the parliamentary election in 2011 hadn't resulted in protests, in which Putin saw the specter of the hand of the CIA--but of course the US and NATO and the EU had nothing to do with that!

And to cap it all off, since the 2010s the LaRouche movement and its theory of color revolutions has been making inroads in China, so we have that to look forward to in coming decades.

[ad-ciu]

What are sources+resources available for the mythological cycle / the tuatha de danann?

Good question! And, it is really good to ask about this sort of thing, so good on you!

While normally I would recommend reading the primary sources first and then delving into secondary discussions, the Mythological Cycle is probably one of a few areas where I would actually recommend people read discussions of the material first.

Why would I recommend this? Well, while all of medieval Irish literature has issues with widespread misconceptions, the Mythological Cycle is a big danger zone with these misconceptions, and I think it is best to go well-armed into the sources.

With this in mind, I have two 'introduction' level texts to suggest:

(A) The Mythological Cycle by John Carey, which is accessible, inexpensive, short, and written by the unquestioned world expert on the topic of the question of mythology in early Ireland.

(B) Ireland's Immortals by Mark Williams, which is more expensive and longer, but delves into the modern reception and relationship these texts have with modern revivalist faiths some of which diverge quite significantly from historic sources.

Having checked these out, at that point I would recommend digging into the stories. For some recommendations for these, I would point you to a post a colleague of mine made on the Association of Celtic Students blog which discusses notable texts with links to where to read them online. (Warning: links relying on the Internet Archive are currently broke'd because, you know, the Internet Archive is broken, but it should be up soon-ish?)

To build off that blog post, you can listen to me reading three texts from the Mythological Cycle if audiobooks/podcasts are your sort of thing. You can check out Dé Gabáil in t-Shída ('The Taking of the Hollow Hill'), Aislinge Óenguso ('The Dream of Óengus'), and part 1 and part 2 of Cath Maige Tuired ('The Battle of Mag Tuired').

After you have read some of those sources, I would then recommend checking out some more specific scholarly publications. For instance, I am a big fan of the recent piece: John Carey, 'Ireland: the Tribes of the Gods and the People of the Hills', in The Exeter Companion to Fairies, Nereids, Trolls and Other Social Supernatural Beings: European Traditions (University of Exeter Press, 2024). Here, John does that ever-so-important thing of actually bothering to put ink to page and provide evidence for the passively widely assumed stance of 'Oh, the people of the Otherworld have a society obviously structured similarly if not exactly the same as the people of medieval Ireland'.

I hope that helps, and if you have any further questions, feel free to reach out.

[gallifreyinstituteforlearning]

what kind of sex-ed is taught on Gallifrey? (and does it include physical reproduction, looming, and telepathic intimacy?)

How is sexual education taught on Gallifrey?

It won't surprise anyone at all to learn that details on Gallifreyan sex education are a bit sparse, so the below info is mostly speculative.

🖨️ Looming

Regardless of your opinion of the necessity of Looming, during the time Looming was the sole method of reproduction, the concepts of physical intimacy and sexual relationships would have been largely irrelevant. Gallifreyans during this period typically exhibited a lack of sexual drive, embracing a norm of celibacy that aligned with their asexual nature. It's from this point we start to explore just what they're teaching those kids.

📚 Educating Time Tots

1:🧬 Genetic Heritage and Responsibility

Young Gallifreyans would learn about their ancestral lines and the genetic legacies of their Houses. The emphasis would likely be on understanding the contributions each member is expected to make to their House and society.

House Pride and Legacy: Lessons on the importance of maintaining the genetic integrity and uniqueness of each House.

Genetic Contributions: How and why individuals contribute genetic material to their House's Loom, including the ethics and expectations involved.

Role in Society: The significance of each member's role in preserving and enhancing the House's standing within Gallifreyan society.

2:🏺 Sex as an Antiquated Curiosity

In a society deeply intertwined with the non-biological creation of life, the concept of sex for reproduction may be taught as an archaic and somewhat curious historical practice. Think of it like how humans now regard trepanation or bloodletting. Lessons might include:

Historical Context: An exploration of how earlier Gallifreyans might have engaged in physical reproduction before the advent of Looming, discussing it as a part of their ancient heritage.

Cultural Shifts: How and why Gallifrey moved away from physical sex to a more genetically controlled form of reproduction, with homage to Rassilon and the societal reforms that followed.

3:🧠 Telepathic Intimacy and Connectivity

Gallifreyans possess inherent telepathic abilities, making telepathic intimacy a critical part of their interactions. Education in this area would be robust, focusing not only on how to establish and maintain these connections but also on the ethics of mind-touch. Lessons would likely cover:

Consent and Mental Boundaries: Understanding and respecting the private mental spaces of others.

Emotional Exchange: How to safely and ethically share emotions and thoughts.

Telepathic Etiquette: The do’s and don’ts of entering another's mind, especially in a society where such interactions can have profound personal and political implications.

4:🏛️ Relationships as Political Alliances

With many Gallifreyan relationships influenced by political motives, education would also encompass the strategic aspects of forming alliances. This would involve training in:

Political Acumen: How to navigate the political landscape of Gallifrey, where alliances and familial ties can determine one’s social standing.

Strategic Partnerships: The role of personal relationships in political strategies and how these can influence House dynamics.

🔮 The Future of Gallifreyan Reproduction

With all that's happened recently, there's been a revival of physical reproduction, and we stand in a sort of limbo state. New curricula might be forced to emerge, covering:

Physical Reproduction: Basics of biologically-based reproduction, contrasting it with Looming.

Modern Ethics and Implications: How these changes affect the societal fabric and individual identity within Gallifreyan culture.

🏫 So ...

Gallifreyan 'sex ed' is probably less about sex in the human sense and more about understanding the broader implications of how Time Lords come into being, interact, and handle socio-political life.

For now.

Related:

What are young Gallifreyans/Time Tots taught?: Detailing what the kids of Gallifrey are taught.

What happens with 'gifted kids' on Gallifrey?: How Gallifrey deals with particularly talented children.

Do Gallifreyans have recreational sex?: Describing potential biological and cultural factors of sex.

Hope that helped! 😃

More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →😆Jokes |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴