#to a hero that just is because the story needs one

[britcision]

I do also agree with OP, although I am gonna throw in a little reframing

TTRPGs and RPGs in general are games; they work based on chance and mechanics which tend not to change based on what would be narratively convenient, because the game doesn’t know what would be narratively convenient

(Notable exception: Abnimals, Travis McElroy’s game which explicitly includes a pool of My Time To Shine dice, which players can add to rolls they think are narratively important.

The dice still don’t care and will still dish you up all failures, but you do get to juice to improve your odds)

And what this means from a narrative perspective is that all the players and the GM need to be ready for big moments to go wrong. For the vital roll to fail, for the wrong character to get the last hit on a BBEG, for a dramatic and impassioned speech to fall flat

And that’s especially a challenge in a short campaign or series of oneshots, where you can’t necessarily just extend and expand the story until the Grand Finale is actually just a Big Character Moment

But it is still a big character moment

As the McElroy’s say… a failure is more interesting than a success

A failure adds free depth, free angst if you’re lucky!

Because… is anyone actually upset and unsatisfied if the story goes too well? If you succeed in a place where a failure might have been more exciting and dramatic?

The key is the kind of story the players (especially western players) are expecting to tell, and will find satisfying… because again, these are games

We go into them expecting or at least intending to win

This means various things for different games, you don’t play Call of Cthulhu for a happy feel good ending where everyone rolls off into the sunset, but you still want to win

It’s a lot more likely for people to feel it was a narratively satisfying story once they’ve gotten the end they wanted, even if some areas fell flat

And trust me, it’s something my players very much also struggle with; it feels bad when we fail something we wanted to succeed on. It feels worse if we built it up to be a big narrative moment… and it doesn’t work

But that is still a big narrative moment

If you’re going to play a game, where chance and mechanics decide the fate of all your dramatic moments, you need to be prepared to tell at least two stories:

- One where it all goes well

- One where it fails

(Maybe one more for a natural 20 equivalent and the stars quake at your passing)

It is hard to lean into failure, but when we do it… what would have been an unsatisfying ending is now just another twist. Free depth and character development, something to wallow in

And we know that those types of stories, even ones where everything goes wrong and the heroes lose, can be so very satisfying

Just look at the prevalence of whump and hurt-no-comfort on AO3

It’s normal and expected to feel bad and dissatisfied when the story doesn’t go the way you wanted it to, but it is your choice to leave that story as something unsatisfying and feeling bad about it

Every unexpected failure is another microwave to toss your blorbo in

Every moment that falls even a little flat is an opportunity for a genre-savvy quip, for a “well that just happened”, for someone to fall to their knees and scream and re-amp the tension

The key is in the player’s flexibility, not the game’s

Even if you are doing a short campaign… you can imply the rest. Let the story not be over, even if your time playing it is.

Let the beaten heroes be ground underfoot, crawl away from the dungeon, have to work and suffer but grit their teeth and know… so long as they’re alive, they can try again

They can have their revenge

(And then you can run the campaign again later, maybe with the same characters a level or two higher than you started last time, and thrive on the new dark and bitter story)

Or let your past characters be an inspiration, either for friends and loved ones who come to avenge them, or to the new heroes who heard their story and heard they failed, but that’s no reason not to try

Prev is also so right about a lot of modern dnd basically expecting the DM to tell a mildly interactive story live to passive players; it’s definitely one a lot of my players came in with, and it’s part of the problem

To tell a narratively satisfying story, you cannot just passively go along and expect the dice rolls to conform to your narrative

You need to actively engage, embrace the rolls as crossroads in the path of destiny, and be prepared to build the narrative no matter which path you take

You don’t go in expecting the right results at the right time to make a satisfying story; you go in knowing where the key moments will be, and what will happen if you succeed or fail

I have told my players several times, and I’ll tell y’all until I die:

I as the DM am not telling the story

I the DM have made the world, the NPCs, the background and setting of events

You the players are telling the stories of your characters, in that setting

There is an overarching plot that the party as a whole will also be telling the story of together… but not only are the players the ones who pick the theme music, you’re the ones who chose the main characters

There’s a reason a prefab campaign will be different for every group that plays it, even with the same GM

Even if you have no idea what’s coming next in the main storyline, you need to know what is coming next for your character

How you want them to grow, what you want them to learn - and then any unfortunate rolls aren’t a let down or a problem, it’s an opportunity.

Sakura has to learn something important about herself and others before she can ever collect a card - which means something usually goes wrong

She tries and fails, and then looks at that failure and learns from it and grows as a person, and that’s what makes the narrative satisfying

Sticking your feet in and sulking if the game mechanics don’t follow the narrative you want will make an unsatisfying story no matter what game you play

Gleefully and enthusiastically stuffing your blorbo into the blender of fate, hitting Purée, and turning every stumble off the narrative path into its own adventure will give you a much deeper, more compelling, more complete story than you might have expected…

But that’s the fun part

The truest mechanism of an RPG or TTRPG has nothing to do what is written into the rules of the game

It’s your own skill at improv, and if you’ve ever been even remotely stage shy, avoided drama class, or thought improv was hard, let me reassure you:

Improv comedy is not the only improv. You don’t have to be funny

And it’s a lot easier than you might think

So long as you know your character, actually really know them beyond the backstory you created… so long as you take the time to think “well what do they do when things go wrong? What would they give to get what they want? What would it take to force them to do the things they’d never do?”

You can bullshit through basically any situation

Because there’s no rule against playing ahead in your mind

Daydream your character into any situation you think might come up, write the fanfiction version of the perfect narrative in your head, and then do the tragic version. Do the slapstick version. The gritty noire version

Because the greatest secret of improv and playing your own character is that you will never be wrong

Only you define success or failure

So long as you know and understand your characters and can be flexible with the mechanics and the story, you can always build a satisfying narrative

This is a lot more work than just being reactive and expecting the GM to tell a story for you, and just rolling dice and “hit big monster” when prompted

That’s what makes the story actually satisfying though; taking ownership of it yourself

The game belongs to the designers

The story belongs to the players, GM and PC alike

There's this idea floating around the general TTRPG space that's kind of hard to put one's finger on which I think is best articulated as "the purpose of an RPG is to produce a conventionally shaped satisfying narrative," and in this context I mean RPG as not just the game as it exists in the book but the act of play itself.

And this isn't exactly a new thing: since time immemorial people have tried to force TTRPGs to produce traditional narratives for them, often to be disappointed. I also feel this was behind a lot of the discussion that emerged from the Forge and that informed the first "narrativist" RPGs (I'm only using the word here as a shorthand: I don't think the GNS taxonomy is very useful as more than a shibboleth): that at least for some TTRPGs the creation of a story was the primary goal (heck, some of them even called themselves Storytelling games), but since those games when played as written actually ended up resisting narrative convention they were on some level dysfunctional for that purpose.

There's some truth to this but also a lot of nuance: when you get down to the roots of the hobby, the purpose of a game of D&D wasn't the production of a narrative. It was to imagine a guy and put that guy in situations, as primarily a game that challenged the player. The production of a narrative was secondary and entirely emergent.

But in the eighties you basically get the first generation of players without the background from wargames, whose impressions of RPGs aren't colored by the assumption that "it's kind of like a wargame but you only control one guy." And you start getting lots of RPGs, some of which specifically try to model specific types of stories. But because the medium is still new the tools used to achieve those stories are sometimes inelegant (even though people see the potential for telling lots of stories using the medium, they are still largely letting their designs be informed by the "wargame where you only control one guy" types of game) and players and designers alike start to realize that these systems need a bit of help to nudge the games in the direction of a satisfying narrative. Games start having lots of advice not only from the point of view of the administrative point of view of refereeing a game, but also from the point of view of treating the GM as a storyteller whose purpose is to sometimes give the rules a bit of a nudge to make the story go a certain way. What you ultimately get is Vampire: the Masquerade, which while a paradigm shift for its time is still ultimately a D&D ass game that wants to be used for the sake of telling a conventional narrative, so you get a lot of explicit advice to ignore the systems when they don't produce a satisfying story.

Anyway, the point is that in some games the production of a satisfying narrative isn't a primary design goal even when the game itself tries to portray itself as such.

But what you also get is this idea that since the production of a satisfying narrative is seen as the goal of these games (even though it isn't necessarily so), if a game (as in the act of play) doesn't produce a satisfying narrative, then the game itself must be somehow dysfunctional.

A lot of people are willing to blame this on players: the GM isn't doing enough work, a good GM can tell a good story with any system, your players aren't engaging with the game properly, your players are bad if they don't see the point in telling a greater story. When the real culprit might actually be the game system itself, or rather a misalignment between the group's desired fiction and the type of fiction that the game produces. And when players end up misidentifying what is actually an issue their group has with the system as a player issue, you end up with unhappy players fighting against the type of narrative the game itself wants to tell.

I don't think an RPG is dysfunctional even if it doesn't produce a conventionally shaped, satisfying narrative, because while I do think the act of play inevitably ends up creating an emergent narrative, that emergent narrative conforming to conventions of storytelling isn't always the primary goal of play. Conversely, a game whose systems have been built to facilitate the production of a narrative that conforms to conventions of storytelling or emulates some genre well is also hella good. But regardless, there's a lot to be said for playing games the way the games themselves present themselves as.

Your traditional challenge-based dungeon game might not produce a conventionally satisfying narrative and that's okay and it's not your or any of your players' fault. The production of a conventionally satisfying narrative as an emergent function of play was never a design goal when that challenge-based dungeon game was being made.

[storywriter007]

Hi I recently found your page and fell in love with your stories!! I was just wondering if I could request a Percy x reader (maybe Hera’s forbidden child if that's ok) they got together after Percy and Anabeth broke up. And they fight because of Anabeth and how Percy and her are still really close even after the breakup. And reader feels like a second choice and a replacement that can’t compare to the original. something like that but I was hoping that we could get jealous and regretful Percy to

I Needed You - Percy Jackson x Fem!Reader

author's note: ooooh ofc i hope you like this!!

warnings: cursing, toxic relationships

genre: angst

word count: 1k

-> heroes of olympus masterlist

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requests are closed

✧.⭒✧.⭒✧.⭒✧.⭒✧.⭒✧.⭒✧.⭒✧.⭒✧.⭒

"you're a disgrace to my name and everything i stand for!"

for years, y/n had tried so hard to gain her mother's approval. she had done everything: she studied until dawn, trained like no tomorrow, sacrificed her life and sanity, and defended this wicked woman to her peers.

but it wasn't enough. it was never enough. because to hera, y/n was only her forbidden child. the mistake, the accident, the thing that was never supposed to happen.

"you are the worst thing that's ever happened to me! i didn't want you, i didn't want you to be here!" the angry goddess boomed.

"yeah? well, i didn't want to be here either!" y/n yelled back, tears welling up in her eyes.

"everyday, i ask the fates why the hell did luke castellan die when it should've been you! it should've been you who didn't make it out! it should've been you!" she screamed

y/n went quiet; she could feel the eyes on her. she could see zeus next to hera, looking down at the marble floors with sincerity.

she knew it was low when zeus empathized with her.

"i ask them the same thing mom." y/n said softly, a tear spilling out of her eye.

she took a few steps backward, before turning around to walk away.

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the cruel words of her mother replayed in her head as she made her way to percy's apartment. she was minutes away from a breakdown as she knocked on his door.

no answer.

she knocked again, this time, percy quietly opened the door. his eyes were flooded with sympathy, but it wasn't for y/n. she looked past his shoulder to see annabeth on his couch, her face in her hands.

"sorry y/n, can you come back later?" he whispered. "annie's going through something right now."

"yeah, sure." y/n said calmly, feeling her heart shatter.

what could be so important?

"is she okay?" y/n asked.

"yeah, she's fine." percy continued. "she just got a bad grade on her test, and she's really upset about it. y'know how much this stuff means to her."

"aw, i understand." she lied.

no she didn't. a test grade? seriously? y/n had just had the fallout of the lifetime with her mother, and she had told percy about having to talk to her mother beforehand. but of course, when it came to annabeth, he had to drop everything.

"thanks." he smiled before shutting the door quickly.

y/n walked back to her own apartment, fingers pressed against her mouth to block the violent sobs. as soon as she got home, she collapsed on the floor and cried.

she wondered the same thing she had wondered her whole life: why wasn't she good enough?

was this a curse her mother had placed on her? the overwhelming feeling of inferiority that would follow her everywhere. she hated herself, she hated everything about herself, and everybody returned the sentiment. from her mother to her boyfriend, she was just unlovable.

and the one time she needed percy, he wasn't there for her.

hours passed by as y/n wept, and once it struck midnight, she had run out of tears. she steadily got up and drank a sip of water before sitting on her couch. she brought her knees to her chest as she looked out to the city.

suddenly, there was a knock on the door. she didn't have energy to talk to anyone right now.

the knock persisted and she opened the door to see sea green eyes staring at her. she defeatedly opened the door and let him in.

"sorry it took me so long, annie was really upset-"

"shut up, percy. just shut up!" she snapped.

he paused.

"what? are you okay?"

"no! i'm not okay! i told you that i had to go talk to hera today!"

"oh shit, y/n, i'm sorry, i completely forgot!"

his face changed as the realization hit his face.

"i don't give a fuck! you dropped everything as soon as annabeth showed up, didn't you?" she asked, angrily. "i-i mean i get it, okay? you forgot, that's fine. but i came to your door, barely keeping it together, you could see the tears in my eyes and hear my shaky voice, but you just shut the door and acted like i didn't exist until now!"

"i'm sorry, i'm so sorry." he apologized, coming closer to her.

"i don't care that you're sorry! i'm sick of you always prioritizing annabeth over me!"

"i'm sorry, i got caught up-"

"i don't care! stop telling me you're sorry if you're not going to change!"

"y/n, please. i'm sorry i wasn't here before, but i'm here now." he pleaded.

"you should've been here before!" she said. "you should've been here when i needed you to be!" her voice cracked.

"don't cry, please, please don't cry."

"but instead, you were with annabeth. comforting her, choosing her, like you always do!"

"i'm sorry, she was hur-"

"she was hurt? i was hurt when my own fucking mother told me she wished i was dead!"

"oh my gods, y/n, i'm sorry. i'm so sorry."

"stop saying sorry like you care!" she said, tears streaming down her face. "our entire relationship, you've just treated me like the next best thing. the girl you took because annabeth didn't want you anymore. i'm your second choice."

"y/n." he said softly, walking over to her.

"go home percy. i'm sure there's someone who needs you more than i do right now."

"y/n, i'm sorry." he pleaded.

"no, i've had one of the worst days of my life, and i needed you. and you chose to be with someone else." she said through tears. "so now, you're going to chose to be without me."

"y/n."

she didn't say anything. he quietly began making his way to the door, but she didn't spare him a look. she looked outside the window, at the city lights. in the reflection, she could see him. she could see the regret and pain in his eyes. he opened his mouth to say something, but he stopped. his eyes filled with water as he quietly shut the door and left.

[maisycoded]

I won’t lie, I’m not shocked he even one just because America always has the need to support the “ anti hero” or self proclaimed “ underdog” and so on. But what I will say is I never want to hear anyone talk about banding together or doing the right thing because ( with the exception of people who did take it seriously) most of everyone where posting their ballots writing joke shit on them, despite project 2025 being released to the public people did not see how much of a treat it is to not just black, LGBTQ+ and immigration rights, healthcare, but the rights of human beings at large

So with that said, I don’t want to hear anyone between now and the next four years talk about how books are getting censored or banned, free speech is dead, women’s rights are gone, people can’t get married or live their gay/queer dreams or story, how “ well I mean it won’t be that bad” because it will, and honestly the fact that no one understands this is going to be our generations reagan years is beyond me at this point

And with that said, I don’t want to hear shit also from anyone if people start becoming cynical, disinfectant or disenfranchised. The people are now un motivated, slackers, and the way pervious generations were seen from the 80’s-90’s. Because not only trump being president is bad enough now republicans have the house again and we all know what hell that will bring

I never want to hear about unity or coming together when we didn’t do that, the people who are a minority and still voted for him especially people of color, hispanics and so on even though our people have been though it for years we still looked at a convicted felon and facist and said “ well Kamala was against weed in the 90’s, even though she changed we hate her so fuck her” or “ well trump is friends with ( insert poc celebrities here)” is so fucking beyond me

So with that said, fuck this election, fuck the next four years, fuck everyone who failed at basic common sense and most of all fuck everyone who did the “ they are both bad imma not vote” shit because it’s not about electing a role model, all presidents are bad people, but that does not mean you elect a proven racist, rapist and vile human being over a flawed woman who’s not those things and wouldn’t put us thought the shit we will deal with now

If you voted for him, fuck you

If you where against Kamala for hypocritical standards, fuck you

If you are older and complain that todays youth is out of control and doesn’t care anymore and is angst ridden and is cynical and wants nothing to do with anything, fuck you

And if anyone shames people with moderate or severe mental illness and they can’t get help now moving forward, people have breakdowns and lose their shit, fuck you

We failed at doing our one job, and that is looking out for each other and making this bat shit country a safe place for us and tomorrow’s youth

[dr-spectre]

I think that it's now more important than ever to keep making art.

Whether it's some scribbles on a piece of a paper, paint on a canvas, typing out erotic fanfiction about two cephalopod women, i need you to keep going. OKAY?!

Keep going at your own pace. Don't feel like you have to "grind" to achieve success, you're probably young as hell, you don't need to become a masculine obsessed fucking nutjob that is so obsessed with "discipline" and all this bullshit. Sure "discipline" is cool but... That shit takes a LONG TIME to develop and it only comes with experimentation and see what you believe in and what you enjoy. Don't get.... heh...... heh heh..... BRAINWASHED!!! by women hating bald bastards online who wanna turn you into a fun hating robot that's all about "work work work." Fuck them.

You are a human with flesh, blood, bones, a heart and a brain. You are not a machine. Got it?

Anyways, in talks of art, i wanna give my own sort of help for my writer friends out there! I thought it would be fun and plus, there's too many damn writing tips out there that boil down to "you HAVE to do this thing, you HAVE to follow this structure" and i think that is bullshit. Complete and utter bullshit that gives you more stress than needed. You know how many boring mid action movies come out that follow the hero's journey? The three act structure? The story circle? It is better to just make shit and learn what you could do for next time.

There are no rules, all of the "rules of storytelling" are just optional suggestions that you can either take or leave. Plus it seems like every fucking YouTuber has a different set of rules that conflict with each other anyways. However, I wanna share my own sort of "basic ass fundamentals of stories" that can fit into any story structure you want! I got these guidelines from the YouTube channel The Closer Look. I like their content, it's very insightful.

Here's Dr. Spectre's basic ass fundamentals for stories.

Characters. Simple, a story must have characters otherwise you are making something else that is not a story.

Progression. Is there a sense of progression? Does it feel like for every second of story it isn't stagnating or getting dull and boring? Does it feel like shit is happening and growing? If it feels boring to read for you, then it's gonna be boring for another person reading it. Progression could be plot based or character based and them growing as the story goes on. Doesn't matter which one, can be both or one. Good stories never feel like they are staying the same or spinning their wheels.

Delivery (Aka. Setup and payoff). Do you deliver on the promises in the story? And do you deliver them in a way where the audience after they finishing reading or watching, they felt like it was all worthwhile and they didn't waste time consuming your story.

Everything else? IT'S OPTIONAL!!! COMPLETLY OPTIONAL! YOU KNOW HOW MANY STORIES BREAK THE "RULES"?! Do not become reliant and dependent on these "rules" because it'll slow your development and discourage experimentation. Not every story is gonna fucking follow the Save The Cat format.

There is also the talk of theme and i will say this.

Theme is not "this story is about sex, drugs, greed." No. Theme is a message or argument, it is not a word, it is something you are trying to say via a story. People don't have to agree with the theme, but it must make people think about it. If your story is about sex, what is it trying to say about sex? That sex is a scary thing and that it's okay to feel scared and worried about your first time? What are you trying to say about greed? Etc. Etc.

I read through a Sonic comic recently that everyone loves called Scrapnik Island and guess what? I fucking love that comic too.

Scrapnik Island isn't truly about Sonic and Tails getting stuck on an island and Mecha Sonic is there and he becomes evil and does all this stuff. No, what it's ACTUALLY about is that your worth as a person isn't determined by successes and failures, Mecha Sonic feels like he is worthless and is a failure because he not only failed to kill Sonic, but also failed to help his friends on Scrapnik Island. However, Sonic snaps him out of that bullshit mindset and it's truly, truly wonderful stuff.

Splatoon 2: Octo Expansion isn't truly about Agent 8 being trapped in a facility and defeating an evil ai. It talks about racism and what does it talk about specifically? That it doesn't matter what someone looks like, as long as they are a good person that's all that matters. That life is varied and beautiful and it's worth protecting from those who wish to destroy it.

There's a reason why Agent 8 takes the time to soak in the fresh air and sunlight near the end of Octo Expansion, why Eight has memcakes to collect and we see their thoughts and wishes. it's there to explore that theme, that idea of what the story is truly about.

Splatoon as a franchise is about how wonderful creativity itself is, that art and life are connected and grow together and are important and deserved to be protected. Commander Tartar, Mr. Grizz and Overlorder are all opposed to that idea and that's why they are the antagonists. DJ Octavio less so because he is trying to save his own culture and art, even as to go far as manipulating a mentally ill Callie who was already growing distain and tiredness from her own culture, so it just so happens that these two chaotic forces share the same ideology.

Now, I wanna say, do you NEED a theme to make a story? No. BUT! If you don't have something to say and that connective tissue, then it's gonna weaken everything else and the action, plot and characters have to be fucking top notch. The "Rule of Cool" only works when... you know.... it's cool? And well done?

Anyways, I've rambled long enough. Please keep making art, please? Especially now considering what has happened. I need you to hold onto hope, hold onto creativity and fun. You must. You have to...

Be good people.

[purgaytorysupremacy]

as the grandchild of survivors of the Second World War on both sides, this has been a really hard thing for me to internalize. none of my grandparents (nor my parents) talked about WWII much. I don’t actually know that much about what my families were doing, only that it was bad. I have an entire branch of my family tree that’s just gone and (supposedly) no one knows why. where I grew up in Canada had a lot of Holocaust survivors because we had large Dutch and German communities already, and every year until I graduated high school, we were fortunate enough to hear firsthand stories from survivors.

the one thing my grandparents would say and those survivors would repeat in their talks, over and over, until it was seared in my brain: “Never look away. You can’t let this happen again. The least you can do is never look away.”

I took this lesson very seriously. I was plugged in to the news all the time. I felt so helpless and useless and hopeless, but I wasn’t going to do the people suffering through it the disservice of looking away. I donated my money and my time and hoped to get into international aid, even joined the military because Canada is the nation of peacekeepers (Listen, I was a kid lol) and Gen. Roméo Dallaire, the Canadian who led the peacekeeping mission in Rwanda, was my hero. (Even as it ruined his life.)

I don’t know if anyone reading this had this same experience. I don’t know many people IRL who had this message drilled in so completely. (Being a white first-generation Canadian as a millennial is like that sometimes.) And I ended up breaking. I just couldn’t keep watching everything and being utterly unable to do a damn thing about it. It made me feel like a bad person and like I failed not only my grandparents but all those who shared their stories, so few of them who are still alive to do so.

Thing is, my grandparents got their news from film reels and this new thing called radio. The photos and documentation they saw from the time, both now and contemporaneously, was sparse and edited and targeted, for better or worse. None thought we would someday live in a world where individual people can upload hours of no-context atrocities from anywhere at any time.

Obviously, the “Never Again” and “Don’t look away” aren’t literal, but the way we pay attention now is different than they would’ve in the 1940’s or 1970’s. No one taught me how to stay true to something that has become a core value while not collapsing into compassion and empathy fatigue to the point where I have to look away.

I don’t have an answer on that balance yet, but just understanding that there does need to be one has been incredibly helpful. That doomscrolling isn’t helping anyone. That paying attention doesn’t mean knowing everything about everything at all times. We have more information by orders of magnitude than even existed in my grandparents’ lifetimes. We have to choose what “not looking away” looks like for each of us in the cultural and activism environments we live in. No one is more virtuous or caring because they’ve exposed themselves to more trauma than someone else. It’s not sustainable. You’ve gotta keep your oxygen mask on.

A video that was really helpful in me noodling this out—it’s been a lifelong project, and I’m sure it will continue to be—was Hank Green’s vlog on Webs of Care.

None of us can do everything, but all of us can do anything.

Hi. Things are bleak, I know that. I know that we paid for Trump's last term with blood and it is likely the price will be blood again.

But listen to me. LISTEN.

You do not have to force yourself to witness horrors as an act of activism. It is not a form of activism. You can put your phone down, you can block that horrific video. We cannot win if you cannot fight and you will not be able to fight if you are hopeless.

Do not let them guilt you into this. People who are exhausted are easier to walk over. Take care of yourself, find community where you find joy.

[twinkling-moonlillie]

Headcannons for Hawks fluffy but little be suggestive if possibly alright.

~🩷

A/n: Yes yes yes yes, I love this. This isn't super long but I hope you enjoy. Nothing makes me happier than receiving requests!! This was a much needed distraction. I have another request I am almost done with too, so expect that Friday.

Hawks Headcanons Part 2: Fried Chicken Boogaloo

Warnings: Suggestive

Keigo wasn’t a jealous or possessive guy, but he loves being able to mark up your neck with lovebites. Not only was it enjoyable to see you writhe when he had his lips on your neck, but he felt proud knowing that people were aware that you’re his.

Keigo is very perceptive of everything going on around him, which works to his advantage when gift giving is one of his top love languages. He is able to notice the way your eyes linger on a certain necklace or outfit and loves to surprise you with those items later on. He is so keenly aware that he notices when something is bothering you. 

And although sometimes he isn’t able to thoroughly articulate the comfort he desperately wants to give, he DOES conveys it through his actions. 

Hugs are 10x better with his wings; it’s like a second pair of arms keeping you warm. 

One of the things he delights in the most is when you share parts of your normalcy with him. Sharing stories about your day while nuzzled up on the couch, or agonizing over an essay due at midnight, or even going to the grocery store. He adores it all because they are the things he lacked as a child, the things he currently lacks as a hero. Keigo doesn’t care if it’s mundane. 

Keigo has a habit of singing or humming when cooking or doing chores. 

PET NAMES! Oh my god does this man love pet names.  He is particularly fond of calling you his little songbird or lovelark. But he does use regular pet names as well, such as darling and baby. 

He is absolutely smitten over the intimacy of skin-on-skin contact, whether that be through sex or something else. When you two sleep together, he sheds all of his clothes hastily - or if it’s right after sex he makes no move to retrieve his clothes. He is also fairly certain he can keep you warmer than any pesky clothing item you may have. 

This man, this fucking BIRD, loves kissing you. Anywhere will do, just as long as it is somewhere. Sweet little kisses on the forehead after a bad day, steamy kisses as he pins you against the wall, loving kisses when you have to part for a significant period of time (anytime away from you is a significant amount), morning kisses painted with streaks of gold, night kisses memorizing curves of your body, ALL OF THEM. HE NEEDS THEM ALL. 

[grilledcheese-savage]

Opposites Detract AU part 2

I left some things out but here’s a clearer picture of what the rest of the story would have been like.

Pls read the og post right here

https://www.tumblr.com/grilledcheese-savage/763805500110487552/new-au-idea-opposites-detract-i-came-up-with-this

For some reason it won’t let me link it normally

Ok so as you can see in the picture, Marinette is Multimouse… but is that all she is?

For the first “season” or less, she is a civilian. She is free to live her life normally without having to take any unnecessary risks. Until she runs into this old man (master fu) and helps him out. I always thought this would be during feast or a situation like that, where either he’s in turtle hero form and she acts as a shield for him, or helps him like the first episode as a civilian. Either way, Master fu remembers this. He tests her more than he did chat noir and la coccinelle because it turned out pretty poor last time. He has paranoia. But Marinette is a pure soul so he leads her to his shop and reveals the miraculous to her eventually, UNBEKNOWNST TO CHAT NOIR AND LA COCCINELLE. Because while he was hoping the next guardian would have been ladybug, he needed a person he could truely trust. And that turned out to be Marinette. She becomes the guardian for the same reasons in the original, it becomes to dangerous for him to continue and he loses his memory. But Marinette continues to work in his shop (a cover for guardian duties).

Lila and Adrien also “work” at his antique shop but neither of them know she’s the new guardian (yet) I’m not sure if they’d find out immediately after master fu has to quit, or Marinette keeps up the charade a little longer. I think it’s more fun to imagine her knowing more than she let on.

When she meets master fu at first and starts training under him, she doesn’t get to keep a miraculous. She works under a lot more conditions than the others do since her job keeping secrets is incredibly important and fu still struggles to trust her. Eventually she proves herself of course, but the pressure of being guardian is so much to handle.

Adrien was going to be a guardian at first since he gained more of Fu’s trust than Lila, but since he has the Kwami of destruction, just like that other guardian man that I can’t remember the name of, they all have some kind of bias against them. He couldn’t trust him not to take the miraculous of the ladybug and grant a wish, even if he kept that from him. He also just doesn’t get along with La coccinelle at all, so he couldn’t have someone with a bias be guardian (he’s hypocritical).

More about Adrien: As cat noir he doesn’t get to be his flirtatious persona he originally has, instead he takes on a more serious altruistic approach since he is pretty hated unanimously by the public. His persona becomes more of a lie, as he tries to undo all of the hatred that came from the destruction of Paris that first day. Think of goro akechi in persona 5; he learns to distain his constant visual presence, the fact on and off the job he is constantly being watched. There’s not a moment that either one of his selves is on tv. And because he’s being filmed there are quick moments the news capture of him being kind to the public and turning around with a resentful face on. He doesn’t totally get to enjoy his freedom as chat noir since the police always try to capture him. But they fail to, and there’s a still a small few of fans of theirs that defend them.

Basically he gets cancelled a lot. 😅

La coccinelle is allowed to pick a miraculous to help her ONE TIME by Master fu, and she picked Chloe Bougeious with the bee miraculous. Chloe accepted and caused a lot of mayhem. Which was fixed. But after that was when he met Marinette and started planning defense and strategy with her. So the next time they needed help, he sent Marinette as multimouse which pissed Lila off because it made her think master fu still didn’t believe she could handle it. When really it was a mix of both not trusting her, and the fact that Marinette was prepared for a lot longer then she was.

This makes lila have a one-sided beef with multimouse, even though she’s secretly her civilian crush Marinette. Love square? Ehh. What Lila doesn’t realize is behind the scenes Marinette doesn’t hold any ill-will for Coccinelle. In fact, she defends her to master fu and convinces him to give Lila more freedom more often. But of course, doesn’t know this. And the unspoken beef continues.

Now, for Kagami and Luka’s place in this story.

While Marinette is a civilian she meets Luka and they become friends very quickly. Same with Adrien and kagami. But at this point in time, Adrien doesn’t really have a crush on kagami, since the slippery slope of coincidences caused Adrien to have a crush on Marinette first. Kagami however seems to be the only one who sees this darkness brewing in Adrien (emo I know, but I digress) Kagami, does in fact, gain a crush on Adrien because she thinks he’s like her- lost in this world, without a lot of friends to help.

Luka and Marinette however, still get together but after Marinette becomes a guardian. They don’t last very long because of this, because her constant work between the bakery, the antique shop, guardianship etc. makes her late to everything they plan to do together. Luka ends things believing that Marinette only likes him as a friend and that’s why she puts work ahead of him everytime. This breaks Marinette’s heart, even though she understands, so she accidentally ends up saying in front of Adrien that she’s not dating anymore, and is focusing on her career. Marinette is oblivious to the fact that both lila and Adrien have a crush on her.

Marinette sees that Luka is responsible and puts his feelings aside for the greater good and chooses him to have the snake miraculous part time. When she is multimouse, she’s pretty awkward around him since things left off kind of sad, but since Superion doesn’t know that Marinette is multimouse, he just assumes she’s shy or doesn’t like him. This is obviously not true. In fact, Luka becomes the more “chat noir” type in this, teasing the group and very lightly flirting with her. BECAUSE IT WOULD BE FUNNY AND UNPREDICTABLE. I see him being very suave with his harp. Like every musician is lol.

Kagami and Adrien don’t work out either, because deep down, even if he is getting more resentful of being pushed around and molded into a person he doesn’t know, he still is naturally kind hearted and knows that his resentment won’t last….. hopefully. And Kagami only has that, and fencing in common with him, at least in this universe so they stay friends. Plus she meets Felix anyways.

Speaking of Felix. He.. generally stays the same? Here’s the difference, when he say them on the news on day he judged them. Then when he saw/ met more of chat noir, he started to believe that they were like him and saw the world the same way as he did and starts to commit similar atrocities in the show with the peacock miraculous in hopes that since they were the same, they’d leave him be.

Since chat noir is growing increasingly disdainful, he more or less does want to leave him alone, but the part of him that knows it’s his duty wins every time since he is , still, a little more responsible in this than the show.

Also a reminder, Adrien doesn’t start out like this, he’s still the show’s version at the beginning, he just changes with every situation they find themselves in. So when Felix eventually comes to meet him, he assumes Adrien is the same as always- a goody two shoes who does what he’s told. That couldn’t be further from the truth 😂

Adrien is similar to Felix but still mostly tries to act like his old self, since it’s easier and gets him places. But when Felix comes over and is cold, Adrien gets frustrated and his resentful, chat noir self comes to life. Felix was so stunned by the slip up that he just, shut up. And left. Very confused.

Anyways I have many different ways of imagining Felix seeing the more contemptuous Adrien. He becomes much more interested in him. He wants to learn more, because maybe he’s not alone.

Idk what do you guys think? Should Adrien be the guardian? What would Alya’s role be? Pls reblog more ideas and add on to the AU!

Thanks!

[lillotte17]

The Music Room

SPOILERS SPOILERS SPOILERS‼- Do Not Read unless you have completed the Dread Wolf's Regrets quest!!!!

AN: I have not finished the game, so I don't know if this will actually be part of my canon yet, but the world is currently awful and I...needed to be making something. But as I said: I have NOT finished the game yet, so if you leave a comment (pls and thank) do NOT write anything with spoilers in it!!!

Okay, on with the show!

~

Rill finds Inquisitor Lavellan sitting at the harpsichord in the music room. All of the other rooms at the Lighthouse had seemed barren when they had first started using it as their base, and even this one had apparently been used as some sort of storage space -there was an alarming amount of cheese for some reason- but the quiet here feels different in a way that is hard to quantify. Peaceful, as opposed to desolate. The light pouring through the windows is always bright in here. Always warm. The murals on the walls were still vivid when they came. Colorful and new. The most prominent one bears the symbol of the Inquisition flanked by howling wolves.

The woman contemplating it does not look like the fearsome hero who closed a hole in the sky and stopped the southern half of the world from falling into chaos, though. She looks small. And tired. And sad.

Rill clears her throat, feeling awkward.

“So. Not trying to complain or anything, but when you asked to come here, you did say that you could help by giving us insight into Solas’ history and his way of thinking and… Well. You were pretty quiet in there while we watched those memories.”

“I know,” Aili sighs, pinching the bridge of her nose. “I’m sorry. I’m just… I knew some of it. Bits of things he told me himself. Things I figured out…afterwards. And I knew there would be more. More I didn’t know. He’s thousands of years old, so I knew that the story of his life would be more than what he had told me, but…”

“It’s a lot.” Rill hums in agreement.

“Bit of an understatement,” Aili snorts. Her gaze drifts down, and she runs her fingers over the instrument in front of her. “…I didn’t even know he played.”

“So, tell me what you do know,” Rill says, casually plopping down onto a nearby crate, “It’s probably more helpful than you think.”

“I know… I know that he hates tea.”

“Right. Noted. Probably shouldn’t offer him any of Lucanis’ coffee either, then.” Rill grins, folding her arms across her chest.

“Probably not,” Aili agrees, returning the smile faintly. “He has a sweet tooth, though. He loves books. Loves learning. And teaching, too. He was always happy to share stories about places he had been, or spirits he had talked to. He paints beautifully. And he sketches, too. He doesn’t laugh very often, but when he does, it’s…”

She trails off, her face creased with grief and faint traces of longing.

“I’m sorry.”  She says again.

Rill shakes her head at the apology but gives her a curious look afterwards.

“You said that Solas was important to you; I’m guessing you didn’t mean that you were just really good friends?”

Aili shrugs.

“I thought that we were…something.” She glances around the room again, eyes landing on the mural of the slain dragon and the mourning wolf above it. “Now I’m not sure if even that was true.”

“Is that something he would lie about?” Rill wonders, her eyebrows ticking upwards, “Because that would be some valuable insight. He doesn’t strike me as the sort to use seduction as a manipulation tactic, but he seems comfortable twisting the truth about everything else, so…”

Aili sits for a moment in silence, frowning in consideration before finally shaking her he in the negative.

“It’s… No.” She fumbles briefly. “I know that given…given everything we’ve seen, it might be hard to believe, but… He has a kind heart. Truly. He wants to do the right thing. He believes in justice, and he wants things to be fair. He wants to help people when he sees them suffering. And he blames himself when he can’t. He just…comes to the wrong conclusions, sometimes, and he struggles to ask for help when he needs it. He… There would be no reason to -no point- in lying about his feelings for me. I was already his friend, and I took his advice seriously. He had my ear and my protection. He wouldn’t get anything out of it unless his intention was to be needlessly cruel, and…he’s not like that. He isn’t.”

“Then why were you doubting that you had something?”

“It’s…complicated.” Aili sighs. “It’s about time, I think. Or at least, part of it is. He feels things deeply. Passionately. Even if you can’t tell which words he’s telling you are true, you can always tell when something matters to him. And this place… Mythal is everywhere. In every mural. In every room. Statues. Paintings. Symbols. Everything is about her. For her. Even now. Even after taking Flemmeth’s power and essentially killing her himself. His love for her, whatever shape or form it might have had, has colored every aspect of his life since the beginning of the world. And compared to that…”

She taps a single key on the harpsichord, letting out a high clear note.

“Mythal is the All-Mother. The Protecter. The bright and beguiling moon. And I…I am barely a candle flame.”

“You’re the Inquisitor. The Savior of the South. People still call you the ‘Herald of Andraste.’ You disbanded the Inquisition, and still managed to bring enough people together to hold back the darkspawn hordes while I fight the gods up here in the North. I think you might be selling yourself a bit short.” Rill says with a curl of her lips, trying to be kind.

“There will always be heroes, just as there will always be despots. I’m hardly unique in that respect.” Aili replies, striking another key. “A puny mortal striking back at false gods probably reminded him of his own past. His own struggles. Maybe that was it. Maybe there’s even something about me that made him think of Mythal. I don’t know. I don’t know what he saw in me. Or thought he saw. But look around. There are a few Inquisition symbols in this room, but beyond that… There is no trace of me in this place. Nothing he held onto. Nothing he felt was worth keeping.” 

Rill frowns. Fidgeting with her hands. Itching to pull out a blade to play with, but uncertain if the move would been seen as a threat.

“Sorry.” She offers after a few moments of silence. “I try not to talk to him very often, for obvious reasons. It’s still a bit creepy, if I’m being honest. Even if I did, though, I don’t think his romantic life would be something he’d be keen to tell me about.”

“It’s not your fault,” Aili assures her with a smile that does not reach her eyes, “He wasn’t keen to tell me either.”

“The Fade’s a funny place, though,” Rill says, gesturing at their surroundings, “I’m not always sure which bits of the things we’ve found here are from Solas, and which things we brought along ourselves. Lucanis found a book he used to read as a kid. Harding says she can smell her mom’s cooking sometimes. Neve said she can hear the sea when she wakes up in the mornings. Things like that, you know?”

The Inquisitor nods.

“Not surprising, given the nature of this place and the person who built it.” Aili says. “This was a refuge. For spirits and slaves fleeing tyranny. And for Solas himself, too. It wants to be welcoming. It wants you to feel safe.”

“It was different when we got here, though.” Rill tells her. “Bit empty. Bit sad. Lonely, almost.”

“Sounds like Solas,” Aili sighs, something close to exasperated fondness.

“This room though…” Rill sits up straighter, turning her head to glance at the sunlight painting patterns on the already painted walls. “It was always like this. It may be small and tucked away, but it’s honestly one of my favorite places in the Lighthouse. It’s always a little warmer in here. The sun’s always shining through the windows. The quiet in here feels like…comfort. Like home.”

“I feel like you’re trying to lead me somewhere, but I’m not sure where it is,” Aili chuckles.

“Well, you said it yourself, didn’t you?” Rill grins back at her, “This is the only room with Inquisition symbols in it.”

Aili blinks. Makes a face.

“There are also murals of Mythal in here. Because she’s everywhere.”

It is Rill’s turn to sigh.

“Maybe she is. Maybe he couldn’t escape from her. Maybe he never will. What she did. What she made him do. What was done to her. But the library with all his memories of her is big and dark and gloomy. And the statues of her are stiff and aloof and cold. And the little room upstairs he shoved a cot into to sleep is…just depressing, really.”

 She catches the older woman’s gaze. Holds it.

“It’s called the Lighthouse, but the beacon at the top isn’t where the light is. It’s not in some huge memorial room dedicated to Mythal. It’s here. There’s a chair with your seal on it, almost waiting for you to sit and watch him play. There’s the paintings on the walls. There’s… Look, when did this become me telling you about the Dread Wolf’s heart?”

“I have no idea,” Aili laughs in earnest this time.

“Really though, this is a good room. I like to sit and read by the windows in here sometimes. The light in here always makes be think of summer afternoons. The air has a sweetness to it, too. Something flowery. Heather, maybe. Or Lavender.”

Aili starts, her eyes going wide.

“What’s wrong?” Rill asks.

“You said it smells like lavender in here?”

“Yeah. Why?”

“It’s…the soap I use. For my hair. I always have.”

“Well, there you have it!” Rill grins in triumph. “He kept your memory here. Away from his regrets. Somewhere bright and happy. Well…as happy as Solas gets, anyway. Not too bad for a candle flame, eh?”

Aili laughs again.

“Thank you, Rook.”

[fang-feraligatr-blog]

THIS IS WHY I WAS SO SAD WHEN ALPHA DREAM WENT BANKRUPT!!

Mario & Luigi as a series was always peak story telling when it came to Mario and Luigi's brotherhood! Mario was always the strongest in terms of heart and muscle, while Luigi was surprisingly observant and insanely lucky at the best of times! Both brothers have their strengths and absolutly SHINE when they work together!

They are THE army of two!

Not to mention that Mario playing the Hero and Luigi playing the Sidekick is done so well because Mario doesn't treat Luigi like a second banana and actively relies on Luigi in ways the rest of the cast doesn't seem to. Mario knows what his brother can do and has absolute faith in him, which more often than not gives Luigi the strength he needs to do the impossible!

M & L as a series reminds us of just how much the Mario BROS would not be half as incredible with just one of them!

I'm so excited for Brothership!

I like that whenever you learn advanced bros attacks in Mario & Luigi: Superstar Saga, it shows that Mario has a keen mind for creative fighting techniques. Meanwhile, Mario and Luigi: Brothership balances things out by showing that Luigi is good at environmental puzzles and general problem solving.

Not only do Mario and Luigi's different areas of expertise make them a perfect team, but it also fits with the gameplay of their respective series in ways that feel extremely in-character.

Big fan.

[accio-victuuri]

it’s been a while since i’ve shared my recent reads! so here’s what i have picked up in the past months. felt inspired cause i’m really enjoying the story i’m reading now, w/c i initially picked up as a manhwa but i’m impatient so i switched to the novel. it’s called the hunter is gonna lay low or the hunter wants to live quietly. it’s such a gem! cause it starts of pretty simple and funny then the author manages to put in the plot and well, it’s plotting. lol.

if you like systems/dungeons, cast of characters, time travel, mystery and the most delicious slow burn then this is for you. i hope this gets animated at some point cause it’s so good! 👏🏼👏🏼👏🏼👏🏼 this is the only novel on the list so it’s pretty special that the story led me to WANT to read the source.

i’m literally listing what i’ve read so yeah. and pretty much a v short reaction to it cause there is a lot (53). it’s a mix of ongoing and completed works at the time of writing and when i read it so i’ll mark that too.

1. Sweetie, Sweetie, Sweetie - this title is so misleading cause you would think it’s a modern story full of sweetness when it’s not. this deals with kingdoms/royalty, superpowers — and isekai.

2. How my Daddies Became mates (completed) - first foray into mangas because i most prefer manhwa/manhuas — i know, sacrilege. but yeah, it’s a cute story of two dad telling their kid how they met and fell in love. It’s so wholesome! a short read when you feel tired of all the toxic bl stories. 😂😂😂

3. Unintentional Love Story (completed) - pick this up! it’s so good! slice of life kind of vibe and falling in love in a small town.

4. Someone like You (completed) - this was something i started before and went back in now that it’s completed.

5. Isekai no Sata Wa shachiku shidai - i don’t really go for Mangas but this one pulled me in! I love myself some isekai plot. it’s just sad that no one has updated the translation for so long so that may put some people off in picking this up.

6. Bend over Backwards (completed) - corporate slave x international model. if you like this kind of dynamic then go ahead. Only 40 chapters plus a bunch of side stories so this kind of thing is a good choice.

7. Dinner with a Vampire - pretty obvs with the title.

8. Mister Wonderful teases me

9. Romance but not Romantic - omegaverse! the kind where the omega needs the alpha but initially hated him.

10. Be, Be. - omegaverse with modern royalty!

11. Smoky Nectar 1 - a short read that continues to a part 2 and it’s good ✌🏼

12. Smoky Nectar 2

13. Reincarnated to Devil King Evelogia’s World - this is so uniquely unhinged that it became. endearing. No. I swear. I haven’t read anything like it. I love it tho. Maybe some people will find it over the top but it’s now one of my personal faves.

there’s an animated version of it if you wanna start with that just to see how cute they are lol.

14. Bullying the Dog - an MC who didn’t get much love then he meets the ML who shows him what it’s like. it’s so somft.

15. Bittersweet Martini (completed) - i’m gonna cheat here and copy/paste the first comment on this story cause i think it perfectly describes the story: “If you're looking for a casual pleasure read with a green flag story with heavy flirting, which leads to a lot of blushing but also deals with a more serious topic towards the middle, without leaning too much into the drama, then look no further.”

16. Over the Paradise - guideverse with zombies!

17. Hero vs Villain - what happens when the supposed hero and villain become friends and fall in love? this was so nice!

18. Night of London - vampire and werewolf pairing! come on! Let’s gooooo! 🙌🏼

19. Kill my love - omegaverse and assassins!

20. Turning - Another work that i would most likely pick up the novel version cause it’s that good! Regression theme! ❣️plus the setting is they are in a kingdom where people have powers.

21. The Moon is coming to me - I have already talked bout this before and it’s one of my absolute faves! I didn’t know the Manhua was released! So i was so happy to enjoy it in that form. The translation for this is very close to the end so pick it up!

22. Cozy Obsession - transmigration where the MC knows how the story goes so he is trying his best to change the ending.

23. Summertime (completed) - one of my favorites! love it when friends become lovers and some may say the ML here is manipulative but i wanna say in a good way. lol. anyway, it’s classic, atleast from the MC’s side that you’ve known this person some time and that summertime everything has changed.

24. My way with you (completed) - gonna cheat again with this one by pasting here what someone commented: “LISTEN UP GUYS this one has everything: healthy happy relationship, supportive friends, trauma and healing, mysterious past connections, beautiful men, hot af smut, 100% consent, cutest lovey dovey couple, NO drama, NO “misunderstandings”, NO second ml, NO annoying interfering side characters. You will cry, but because it’s just so good.” 💯

25. Netkama Punch - i haven’t finished and progressed much as i would like tho i know a lot of people have this as their favorite! I will get back to it! The premise of hidden identity and online gaming is one of my fave so i will surely pick this up again.

26. Through the Years - i haven’t finished this yet but it’s a lot of people’s fave

27. Fools (completed) - disillusioned guy meets excitable puppy 🤍

28. Moonquake (completed) - a very unique concept. people on earth have powers and then some of them decided to rebel and live in the Moon. Our MC is one of the best ones on earth and is supposed to bring down the leader of the rebellion. but you all know what happens, they fall in love! AHHHHH! and i have to say the art in this too is exceptional.

29. Men’s wear store and the Royal Princess (completed) - this may be weird for some or slow / not enough action lol. i enjoyed it tho! the MC cross dresses and finds someone who loves and accepts him!

30. Ex Hot Neighbor (completed) - a story that centers around a misunderstanding! MC thinks he can’t date the neighbor cause he’s his friend’s ex. but nope!

31. Forest Sea (completed) - A good and solid fantasy story. Please give it a try! The whole birds vs snakes thing was kinda weird at first but the author made it work.

32. When you were asleep - this hasn’t been updated in a while and it’s so sad because the art is topnotch! the plot is good too, especially the dreamscapes but there’s still a lot to discover cause we wanna know what happened in the past. Why is MC even having these dreams and all that.

33. Beum & Go’s Unholy…. - still ongoing and read few chapters

34. Spring, the color of love (completed) - what a wonderful story. Oftentimes, as a reader, you have that sense of boundary with the narrator. But this one — you can feel and understand what the MC is thinking and going through. even tho i haven’t experienced what he did, i can totally get it. this is one of those tropes where they fall in love during their school years and some misunderstanding happens, they meet again years later and try again. something i would love to re-read even if there are parts of it that hurt. and it’s just proof that if something is meant to be, it will come back to you.

35. Keep Holding On (completed) - a short and sweet read with friends to lovers trope!

36. Wolf in the House (completed) - i am so late with this cause i feel like every list has this story as one of the best. I have to agree! it’s so good! tho i have to say i’m more attached to the second pairing. this one is a perfect mix of fantasy, action, comedy and romance. A solid recommendation!

37. Touch within the Abyss (completed) - AAAAAHHHHHH! a hitman x blind cinnamon roll! read it now! please! it’s so sweet! their love and care for each other is so pure 🥹🥹🥹🥹🥹

38. 99% in love season 1 (completed) - from bestfriends to lovers in the cutest way! they start fake dating and it leads to more obvs.

39. 99% in love season 2 - their college life and this one has smut scenes!

40. Alpha Trauma ( novel ongoing ) - if you know Omega Complex then you might be aware that this is a sequel of sorts but follows the second lead’s love story if you may. Everyone loves Dohyun so i’m one of those happy readers who is happy that he gets his own story, tho the POV in this is not his but his Omega. If you like ABO and campus setting then this may be for you.

41. Soul Sealer’s school life - The MC is the soul sealer who has to do good deeds to prolong his life, then he meets the ML who has a strong spirit in him. It’s a perfect blend of fantasy, comedy and not so much romance as of the moment. The art is 💯 and i really like to see where this goes!

42. Guidance with Benefits - still ongoing and read few chapters

43. Chiguha Kuna Kisu (completed) - if you like a short read that will make you have overall good vibes then this is it. school setting, two cute boys, a fortunate miscommunication and starting a relationship. it’s so good and made me want to look for more mangas! 🤍

44. Spicy Milk Candy - yandere but in a good way. that’s all i’m gonna say.

45. Ruby Red wo Kamikudaku (completed) - i’m just gonna add the summary below but it’s truly a unique read!

Akane is an Omega who can see people's pheromones as multicolored "crystals”. During his school days, when he was lonely because of his peculiar constitution, he meets Makise, a school nurse teacher. 5 years later, they are miraculously reunited, but Makise has a secret

46. Yume Nara Doko Made Yurusaremasuka (completed) - corporate slave x young policeman. 6 chapters of sweetness!

47. Sparkling Baby (completed) - this is supposedly a sequel for the second lead, but i haven’t read the first story. I just love how the MC/ML first met and then made a mark on each other as strangers — but it wasn’t there time yet. and so they meet again later and navigate their lives together. What attracted me to this story is how the MC changed because of love. For years, he had this sense of what he think is love and looking back, maybe it didn’t work out because love isn’t supposed to be like that. What he found with the ML is real and why it feels different.

48. Ashita kimi no mono ni shite (completed) - this so wholesome! school setting and friends to lovers. quiet boy x cool guy

49. Koibitu Keiyaku chu ni suki (completed) - friends to lovers! fake dating. and well, look at them. so precious together:

50. Camboy Bunny (completed) - i think the title says it all. A delicious read!

51. Beyond the Memories - AAAAAHHHHHHH! the story in itself should be sweet and fluffy but the author manages to squeeze in the undercurrent of there is something wrong. as a reader, there is something big that we don’t know and once it comes out — all of it will be shattered. it looks like there is some sort of regression and MC doesn’t know this but the ML does. The question here is when his memories will come back and will he forgive the ML. We are not in that part yet with what’s available right now so i’m excited!

52. Private Call (completed) - another omegaverse.

53. Senza Replica - guide/esper. very few chapters out and something i will go back to.

I read everything except the novel at BATO. 🫶🏼 covering my may-october 2024 reads.

[stormandforge]

Raw reactions to X-Force #5

Yup, someone dies.

MASSIVE spoilers (and controversial opinions) below.

It's Nori. There'd been so much foreshadowing in the comic - and so much fan discussion about the upcoming character death - that I had started believing it wouldn't be her. But no, it was always going to be her. When you consider the way she joined the team, her post-Krakoa trauma, her selflessness and her relationship with Forge, it makes complete sense.

That death scene goes hard. We actually see her burned-up corpse, we hear her farewell words - oof, my heart. Rest in power, little blue-haired hero.

This said, everyone attacking Geoff Thorne over Nori's death needs to calm down. I would understand this amount of upset if he'd done her dirty, but he really hasn't. He's consistently written her with respect, gave her as much spotlight as he could in a team book, and gave her a heroic death. Stories kill characters, people. That's just the way it is.

Also: Nori's coming back, maybe even in this run. We just don't know yet. And don't give me nonsense about the resurrection protocols being gone - mutants came back from the dead before Krakoa, they will continue to do so.

"Forge always has a plan." YES. Nothing to do with his power; he's just always up to something. That's Forge 101. Fuck me, it's so good to have a writer who understands him. And because Thorne has done his homework, I believe what we're witnessing is a typical Forge plan: something that he believes will benefit the greater good, but that is also misguided and full of hubris and will repeatedly backfire in his face.

Forge can be cold, but this is subzero. He loves Nori, he wouldn't act that way if he was fully himself. Something's going on. Someone needs to shake him real hard - beat him to a pulp, really - and realign his neurons. The two most qualified people to do that are showing up in the next issue, so I'm thinking this is what will happen.

Why does he take her gauntlets? It can't just be for the sake of getting his tech back. As i said he's not that cold, and also he can probably make those again in his sleep.

FORGE ALMOST KILLED AN ALT VERSION OF STORM IN COLD BLOOD. The man is not well, I'm telling you.

There's a theme of Forge hurting the women he cares about in this issue. Trust Sage to see the pattern and get the hell out before anything can happen- the hurting or the caring.

OK, now he's levitating with a big shiny triangle around his body. That's magic, isn't it? For a second I started thinking the Analog must be magic after all, but then I remembered Sage loves staring into it too, so it can't be. Mmm...still processing.

Thorne understands Forge's power better than any writer I've seen (yup that includes Claremont), and I appreciate that he mentions his need for materials to build anything. It should be obvious, but most writers have him make things out of thin air. There's only so much he can fit in that utility belt.

So many people, so many things! Poor Marcus To.

Marcus To is still doing excellent though. Do I need to tell you that Forge is hot? I think I've been clear on that already, but let me reiterate: FORGE IS HOT.

"Slippery as ice": oh, that made me hap-py. Such an evocative, accurate way of describing Sage.

No, Forge's power doesn't let him see what will happen. But you know whose power can see every eventuality? Sage's. This was highlighted in the very first issue, and Forge repeats the exact same words from this moment in this issue. THERE'S SOMETHING TO THAT.

I continue to dig the dynamic between Forge and Sage, curses and all. The little cerebral push and pull they have going on is very interesting.

Also continue to adore Tessa herself. The way she challenges Forge at every opportunity, the way she always asks the right questions *chef's kiss*. Everyone obviously wants to murder Forge on that last page, but I love that she's the one who tells him to go fuck himself, even though she's been the person closest to him on the team. She's my girl. I'm this close to opening a side blog entirely devoted to her awesomeness. (I see what Geoff Thorne means when he says she tries to steal the show. She does!)

OK, so, there's no way Forge has a team anymore at this point, so I assume the next issue will be a downtime one. I imagine he'll go home, have an existential crisis featuring his two exes (as you do) and then get back on the road. Or something? Also, the next issue has a Sage variant cover, which could imply she plays an important part in it. One can only hope. If it's the issue of Forge getting his ass kicked by awesome women, she should take part.

[itsnothingofinterest]

Well I'm sorry you feel that way but this is the impression the story of MHA gave me in it's final arc. Not through ignoring themes or events, but through scrutinizing them thoroughly.

To start off with All Might's independence, you say he normally worked solo and the big operation for the last day of his work isn't indicative of the other 40 years; but the thing is, working solo is actually normal for most heroes (unless they're on a team of heroes like the WWPC). See Kamui Woods & Mt. Lady competing over handling the purse snatcher from chapter 1 as an example of normal hero operation. They only really work together with non-sidekicks for big operations, and even non-League-based operations like the Overhaul raid can pull top heroes like Ryukyu & Fatgum. And when the Kamino raid is the only real big operation we see during All Might's tenure at all (unless you count the USJ rescue, which also played out just like Deku's experience in the final arc), I don't see a reason to assume it was atypical of All Might.

The reason society felt to nearly fall apart with All Might's retirement wasn't because he worked solo all the time; it was because he was so many miles better than the next best guy that he became the basis for the heroes reputation; so his departure sowed doubt in their credibility.

~

As for Deku getting non-hero help; the help from civilians amounted to first aid kits & shirts and stuff. Things civilians were largely already willing to part with to help heroes even before society collapsed; see the old lady insisting Bakugou take some food right before Shigaraki woke up in Jaku. This is really not the radical change it's presented as. Past that, they just stayed on the sidelines waiting for the fight to be over and then helped clean up, same as ever with the last Symbol.

And as for the villains who helped him; well one was already a former hero, 2 others were a minor offenders asked to help catch much worse criminals, which is pretty standard law enforcement behaviour, and Stain. That's just 4 villains helping; 4 total people helping the heroes in ways not expected of them. And there's no big sign that greater society noticed their contribution anyway; Stain in particular felt forgotten after he died.

(Also, it was a whole plot point no help arrived from elsewhere in the world at all for the final battle. Least of all in a way that affect's public perception.)

So my problem persists that I don't understand why this battle against/beatdown of the big bad villain is supposed to be so different & special from the perspective of the masses.

~

Next, as for Deku trying to find a non-lethal resolution, well I guess it might depend on your definition of "lethal" but:

The evidence does suggest Deku wanted to "break them both"; that he was intending for Tomura to wind up in the same state AFO was in at the time, and he certainly wasn't looking to save that guy.

And as for the being obvious to everyone who witnessed it...how do you figure that? Deku barely had any dialogue spoken aloud to Shigaraki to begin with in the final fight, and most of that was for the portion when he was on his own and no one else could hear him. It's not like his actions could speak for him either, he was just throwing punches the whole time. Counting only after everyone arrived, he basically just recounted what happened to Aizawa, got his arms healed, and started charging AFO to deliver a one-hit-kill-punch while everyone told him to do his best because he's the only one who can deliver a meaningful hit. It's been a while since I reread the whole arc, but I don't remember Deku ever telling anyone he intended to save Tomura anyway besides the vestiges & All Might, and he only talked about it for us to see with the latter after Tomura died.

What part of that series of events makes you think anyone but Deku & AM was in on any intention of saving Shigaraki? When did anyone else treat Shigaraki as anything but a villain that needed beating? Why would that be a wake up call to society instead of just the 4th and final defeat of AFO?

~

And lastly; as for the lethal option being unavoidable. Well maybe it was for Deku, but we know it wasn't impossible to save Tomura at all (similar to how Touya could have been saved, but Enji never could have saved him); because Spinner managed it. And enough of Tomura's spirit was still around that we can safely say a repeat should have been possible. So that Deku failed to save someone we know was save-able; hell, that he failed to save someone he vowed to save at all (and do not try to tell me he saved his heart based on a 2-panel speech on hand-holding), undercuts the storytelling now matter how you slice it.

Deku failed to save Tomura and complete the objective he set for the final 3rd of the series, failed to do anything truly different from All Might before him...and everything just turns out way better anyway. There's no way around this feeling is contrived and unearned.

I think the thing that ultimately gets me about how Deku has supposedly inspired away everything that'd lead to more Tenkos turning into Tomuras is...just "why?" Like, why did this:

Happen differently this time? I mean that's a fair question to ask, isn't it? The Walk was effectively the true inciting incident for Tomura, leader of the League, to hate hero society; you'd want a really solid answer as to why that won't happen again I would think.

The narration from Hawks and accompanying imagery implies it's because Deku inspired folks to not sit on the sidelines anymore, further implied to be a Hero Society-wide effect Deku has had that'll supposedly eliminate the bystander effect that led us here and give heroes more free time.

But like...Why is that different from what we've seen of heroes before now? All Might was around for 40 years and Deku, in the end, didn't really do anything AM didn't do; he punched out the big bad for the world to see. And All Might did also inspire people like the origin trio to action...by becoming heroes. Yet civilians like the old lady were inspired to go about her day because a hero would handle it, while Deku inspired her to reach out a hand herself. Why?

I've heard some suggest it's because Deku was less independent, had more of a teamwork focus in his big moment. But I’ve said this before, I think those people assume All Might was a lot more independent than he really was, and Deku a lot less. I mean a lot of Deku's fight was broadcast, including big portions where he was fighting the big bad solo just like All Might in Kamino. And then both fights ended with more heroes coming in to lend support.

So I'm just not seeing why public effect is so radically different.

And it's just that, I have been waiting to see what would prevent more Tomuras from crawling out of the woodworks to destroy even more since MVA; what measures would be taken to prevent that? Perhaps Tomura would destroy hero society, not just its buildings but its corrupt ideals, leadership, & figureheads; and maybe when he was beaten there would be room to rebuild it better from scratch? No, he didn't really destroy much at all actually, and things are being rebuilt just as they were. Would Deku and Tomura perhaps team up going forward after he's saved; with the latter's eyes for what's wrong in the world and the former's ability to fix it without violence? No, Deku kills Tomura because he was just too unforgivable, it's implied he was just after a tasteful way to do that the whole fight. Well, would Deku at least listen to what drove Tomura to villainy and do something about any of that? Nope, if it wasn't his final words to Spinner or their talk about hand holding, it was in one ear and out the other for Deku; and there's no sign he's told many people what little he did learn.

So what saves the Teknos of the world? Well Deku kills the big bad on live TV and it's really inspiring. Why is that different from the past 40 years? ...Horikoshi is to burnt out to answer. That's the ultimate answer to the question I've been asking for nearly 200 chapters.

Well I guess I always knew that if Deku couldn't save Tomura, it'd mean he couldn't save anyone like him. And well, he didn't save Tomura. It's why this plot point of "but they get saved anyway" rings so hollow; it's unearned, unfair, unrealistic, and outright contrived & unbelievable as things have been set-up. I just cannot believe it would work out this way; it is honestly 100 times more believable to suppose the old lady was a guilt-fuelled one-off and most Tenkos will die in the streets or turn to villainy. Especially once this "the villain is dead" high has passed. Because as it is; this resolution as-presented feels as reasonable as our finale in chapter 430 suggesting Deku was so inspirational that no one was ever a villain again either.

[rottiens]

How did you feel about homelander and stormfront? I really wished we could see more of what stormfront was doing in that lab. But I think you’re the first person I’ve seen that likes homelander (outside of liking how he’s written as a character) I have great disdain for all of the seven except for the original noir. And I appreciated the responses you gave to my other questions regarding homelander! I’d love to hear what about him you think is appealing? I personally love Antony Starr I think he’s doing an amazing job portraying homelander and of course I love the nuances of the character

i also wish to see what else stormfront was doing in that lab, i would like them to maybe show more about that in the future although i must watch it again because i dont quite remember, maybe it had to do with what was going on in the lab in gen v (let me know if you saw it)? but i will watch those eps again to keep my mind fresh

and i never liked stormfront especially around homelander because she made him much worse, she pushed that evil side of him to such an extent that you see him in some scenes "impressed" with her actions and that's a lot to say about HL (like when she talks to ryan about racism towards white people 😭 and further distorting the reality of the facts to confuse ryan, this woman lol) and maybe it's hypocritical of me to say i don't like her when i like HL but i feel he can come up with charisma, for people on the outside who admire him and you as a viewer too, you can come to like him because he is charismatic (the smile, how he presents himself to others, the hypocrisy in terms of kindness, he is made for people to adore him) and I also love his twisted humor but I can't rescue anything about stormfront, she is so extreme and there is nothing about her character that I like. and like i said, her and homelander are just worse, but the sex my friend? 🤌🏼 i loved every single scene between them lol she just matcheted his freak so well, i know he misses her for that and to my understanding their relationship was especially based on that

im so curious now about what makes you like noir…its his story maybe…i feel like they didn't give us much of him but what they did give us was so meaningful and emotional and sad at the same time, what he had to go through to finally die like that

and baby lskdk i'll try to be as honest with you as possible, psychoanalyzing myself but not spreading myself too thin. antony plays a big part in me liking the character, if it was another actor it probably wouldn't have the same effect on me. so points for the face. out of that,

1) in the beginning i hated HL so much lmao the first season was just horrible, i couldn't watch him because i hated him, every trait of his personality was (is) horrible. same in season two, especially knowing what he did to butcher's wife that man had (has) to go down.

2) it all started in season three and soldier boy where they show us more of who homelander is, jhon. we meet his son and they show us of that more human side of him and that's when i realize the imperfections that the strongest man in the world has, in the end he is nothing but human, and there is nothing i love more than when they justify a villain correctly

3)dont get me wrong, i still hate him and i keep waiting for his downfall but he is still among my favorite characters of the boys because he seems to me such an interesting and complete character, his nuances, his complexity, his fears, his insecurities (i like how they work that little by little in the seasons) and what makes me love him with the same intensity i hate him, is how human he is deep down inside. his psychological problems and his need for affection seem so well achieved, and dealt with in the series that i am drawn to him. and the icing on the cake was that scene with barbara, his character is so well done chefs kiss mwah. it is so sad to see everything this kid had to go through, all he has known is terror so it is the only face he can show.

4)kinks. ✋🏼✋🏼 what can i say???? 👆🏼 homelander activates my predator prey kink + so many others. and a horny person can't think well their decisions 😞 and again, antony and his so good acting, hes so so so good, his facial expressions and tone of voice and aaaaand physique ofc plays a very important part.

thank you very much for asking 🥺 i tried to be as brief as possible sorry lskdkd

[kacievvbbbb]

Honestly despite my feelings about how the last arc of MHA went down I really love Deku and his story.

I just feel like a lot of the time we get these protagonists whose whole philosophy is it doesn’t matter what you were born as everyone can achieve greatness. But then the series goes on and it turns out that actually it DOES matter because the protagonist has this really great lineage and these really great powers you can only have through birth they were actually born born, predestined if you will, to do this.

But MHA actually sticks to its guns. Midoriya wasn’t revealed to have some great connection to all might that the universe had put in place. He wasn’t defended from some great lineage that makes him uniquely suited to this. Hell All for one didn’t even turn out to be his father, there was no hidden powerful quirk he was always meant to have. He was just Midoriya Izuku a boy who was in the right place at the right time and simply decided to act while the world did nothing. And that’s what really made him a hero.

I don’t know, maybe it’s just me, but I believe him a bit more when he goes anybody can be a hero if you just decide to act

[sockdooe]

I don’t know if maybe it’s just me, but is anyone else seeing a rise of people claiming that they could do a better rewrite of Voltron and then immediately say they’d make K/L cannon or Adash/ canon?

I don’t know about anyone else but I genuinely don’t think making ships canon would make the show better.

In fact I think It’d make it worse.

And considering shiro isn’t even mentioned in these and if he is it’s just to be Keith dad…. Is telling.

[moonahmay361]

I’m going to try and answer because I’ve been thinking about this too. And I think there are three main reasons for this (in no particular order)

One: because the reason their relationship is complicated after Jason comes back is Jason’s fault. And I’m not saying this as hate towards Jason because he’s genuinely one of my favorite characters but some people don’t want to engage with the fact that it’s not just Bruce who’s against murder. And not to mention that in fanon every thing bad Jason did was because of the lazarus pit. And sometimes people don’t actually want to villainize Dick so Dick can’t be mad about any of that stuff but they still want the sibling rivalry. So they make so Dick was a bad brother in the past and use his guilt complex to justify why they have bad blood but still get along sometimes/love each other

Two: It’s people projecting/they think it’s “realistic”. I saw someone say they don’t understand why Dick would hate being in the spotlight if he grew up in a circus. And I don’t yet know enough about his history to know if he likes being in the spotlight or not but the thing is, Dick Grayson is not your average grown up circus performer. He’s a very complex character who lives in a world nothing like ours, and there was way more to his childhood than just being raised in a circus. I think people forget this. Like, I feel like sometimes fanon gets so caught up in ‘is this realistic’ aka ‘would I or someone I know do this’ that they forget these characters are one: not realistic and two: they weren’t made to be projected onto, they were made to tell and continue a story. And yeah sometimes you need to add realism to stories. I guess what I mean is, yeah it’s pretty realistic for a previously only child to be upset if there father (who they’re fighting with) sudden adopted another kid and it’s realistic for the only child to take out their frustration on said kid. Heck that’s why I believed it for a second! But the thing is Dick Grayson is not your average ‘previously only child’ he’s a superhero who’s been superheroing since he was around 8 and he’s been mentoring other young heroes for years as well he’s mature enough to know it’s a bad idea to take out his frustration on a child. And really that’s realistic too. Because again, their world is not like ours, so their experiences are not like ours, and so they aren’t going to react to the world in the way you’d expect/are used to.

And three: …yeah it’s probably also just people who don’t like Dick so they come up with any reason to justify why they don’t like him to

I know I talked a lot about this idea in fanon that Dick was being resentful of Jason when Bruce fired him and how that's a pretty big misconception because in canon, Dick was mad at the right person at the time: Bruce. Dick and Jason were getting along when he died.

But the thing I don't really get is why ? Why do people need to do that ? Jason and Dick's relationship as adults is already complicated because of Jason's actions as red hood and Dick's guilt, not because he actually did something to Jason but because he died in his costume, the Robin suit that Dick more or less gave to him.

Why do people need Dick to be culpable for that relationship being messy when their relationship when Jason was Robin was genuinely fine ?