#tlok aang

[when-picnic-remember-snacks]

“Aang probably spent more time with Tenzin because Tenzin was the only airbender among his children, which meant that Tenzin would one day be responsible for passing on all airbender teachings to the next generation, and also because he was Tenzin’s airbending teacher, and maybe this made Kya and Bumi feel left out, which hurt them even if they knew why it was happening” and “Aang loved all of his children equally and was equally proud of and loving towards all of them” are two statements that can and should coexist

[blade-liger-4ever]

@magiesheartlove

Love it!

I’m just gonna leave this here while I feels in a corner.

edit: Just to clarify, Zuko is alive and it’s been released that he’s a retired Firelord travelling the world as an ambassador, and the Iroh Korra is referring to is General Iroh II who has been said will be her firebending master. No official Oldko designs, that’s just something I whipped up based on Sozin, Iroh (I), and Roku.

[stormbornnn]

[espeonkin]

[heyhanibee]

adult aang studies 4 2day!!!☺️

[asiriyep]

Fire Lord Izumi Week 2024.

Day 3: Childhood.

@firelordizumiweek

[loserlu]

[gay4h0pepunk]

me defending korra from the haters when avatar seven havens comes out

[queen-morgana91]

them: aang’s trophy wife

the series:

master katara and her husband

two legendary heroes and world leaders

Yuuuup :)

[piickledonions]

KORRA

[roldoodles]

you did well, korra.

i KNOW aang would not be judging her, they all did their bests in every situation.

[giveamadeuschohisownmovie]

Okay, on a more serious note about “Avatar Seven Havens”, the one thing I’m disappointed about with the series is that it seems like Avatar Studios is too afraid of continuing the thread from Korra. I feel like there was a lot of room to really explore the state of the world after Korra, such as the new Airbenders trying to form their own nation, new alliances being formed, the Avatar feeling more and more like a relic of the past due to the advancement of technology.

Instead, they went the post-apocalyptic route. Sounds interesting, but it also feels like it was done because the writers were either afraid of continuing the world expansion started by Korra or just didn’t know how. Personally, I’m leaning towards they didn’t know how considering how Legend of Korra approached more serious topics (coughnonbenderdiscriminationcough). So instead of dealing with things that are beyond their capabilities, such as complex politics, they wipe the board clean so that it’s back to spirits and magic.

That’s the one thing I’m disappointed by. I’m actually fine with everything else. Korra being a hated figure could work as a meta-narrative on Korra’s actual reputation in the fanbase. The Avatar being a hated figure is something I actually really like since that’s a natural development for this kind of character. If there’s a superhuman figure existing in the world whose main responsibility is keeping the peace between the nations, then none of the nations actually have freedom/autonomy since the Avatar is the world police. It makes sense that the Avatar would eventually be hated once the people realize they have to abide by this superhuman’s authority, especially since the Korra series introduced democracy.

But the post-apocalyptic setting…it feels like a cop-out. In my opinion, it feels like Nickelodeon didnt want the Avatar Universe to get too complex, so they reset the world in a way that the main focus will be on more cartoonish concepts. Sure, post-apocalyptic can still be dark, but the politics of Korra (and even ATLA) are gone now. Even though I have MAJOR gripes with how Korra approached politics, the show at least had the courage to take it on. But now, Nick seems to be pushing for the Avatar Universe to be a lot safer and to take less risks. I mean, look at the ATLA Netflix show, they took away Sokka’s misogyny because they thought it was too much for present day audiences.

I guess we’ll see how this goes. I like some of the ideas, but I’m skeptical overall.

[beifong-brainrot]

People will go on about how "Katara's story is a tragedy" because she... ended up marrying the guy she loves, having children and grandchildren which she was always excited about and literally becoming a master waterbender and rising to the top of her field as a healer.

Yes, Katara's story has tragic aspects to it. And there are certainly flaws in how she is written in tlok (Though I will argue that there are actually more issues with how Toph and Zuko are just plopped in there for no reason in later seasons). And her storylines aren't perfect, for example her resolving her trauma around the murder of her mother being more used to prop up Zuko than her own internal turmoil. (Most of TSR is from Zuko's perspective and I hate that actually)

"Katara's story is a tragedy" Why do you have such a hard on for this woman's misery? Let her be happy, man.

You know what gaang girlie's life is an actual onscreen tragedy?

Toph's!

People will fucking downplay Toph's childhood abuse because she wasn't physically hurt, but her childhood was a never ending carousel of abelism, misogyny, neglect and isolation. The way Toph describes her parent's treatment of her as "pressure and pain" is heartbreaking.

Toph's only escape was Earth Rumble and earthbending, but despite her skills, she remained the perfect little lady her parents always wanted her to be. She's never known a different life, and she was only able to be her real self in secret.

And when Toph finally opens up to her parents, when she finally lays her real self bare in front of the people who are supposed to love and care for her?

She is met with what may be, in my opinion, the cruellest rejection in the show.

Despite this, even when Toph runs away, she still cares for her parents' approval. Hell, she's even lured into a trap due to her getting a forged letter from her mom and getting excited because it looked like her mom was finally accepting her.

It's also important to note how determined to be self sufficient and to prove herself Toph is. We can especially see this right after she joins the Gaang, where she refuses to participate in splitting with the rest of the group, insisting on "pulling her own weight". This isn't Toph being a brat, or spoilt, this is her wanting to prove that she can handle herself because people have handled and understimated her her entire life.

Eventually, Toph starts to learn to trust the members of the Gaang and this is a step in the right direction. She's literally making friends for the first time in her life I'm so proud of her.

However, I was genuinely upset when Toph's life changing field trip with Zuko didn't work out. When Toph was trying to connect with Zuko and he blew her off (I'm not blaming him tho they had shit to do), I couldn't help but remember the rejection Toph suffered from Lao.

Post canon, Toph continues to try and prove herself, starting a metalbending school and training new metalbenders.

She also reconciles with her father. Not before Lao disowns he rmultiple times and calls her a rude, ungrateful thing. And while he eventually comes to understand Toph and cherish her, that type of trauma sticks with you.

So it's no wonder really that Toph, someone who went her entire childhood seemingly without even speaking to someone her age, would have trouble forming connections. She has children with two different men, neither of which seem to stick around.

Toph tries to do right by her daughters and gives them the freedom she never got. Sadly, the pendulum swung too far to the other side, since it seems that she started to neglect her daughters, which led to them developing a sleugh of issues of their own.

Toph becomes the cheif of police, which kind of makes sense. Republic City was only slowly emerging as an actual metropolis. Toph took on a role as a protector, and probably as a way to prove herself. But as Republic City grew, Toph probably realised that she became something she hated. A cog in the machine, and started to despise her job.

Searching for a semblance of the freedom and happiness her travels afforded her in her childhood, Toph leaves the city and takes up the life of a hermit in a swamp. She managed to fix her relationship with Suyin to some extent, but still seems reluctant or simply unable to connect with her daughter or grandchildren. Since she apparently hasn't seen Opal, a grown 20 year old woman since she was a little girl.

On the surface old Toph doesn't seem terribly dissimilar to young Toph, still tough and spunky. But she is more jaded, depressed and pessimistic. She comes out to save Suyin from immediate harm and manages to somewhat reconcile with Lin, but then she fucks right back off to the swamp where she seems to literally hide until Wu and Korra straight up force her to come with them.

Toph's story began with her alone and it seems to end with her alone as well. It's a story of a girl who grew up isolated and handled by others, and was woefully unprepared for the real world, which only jaded her further. She lives with the guilt of fucking up her daughters' lives and a belief in the pointlessness of life.

Toph started off longing to experience the world and ended up willingly isolating herself from it.

If that isn't a tragedy, I'm not sure what is.

Mind you, this is not the trauma olympics. I'm not saying that Toph has suffered more than Katara or that Katara's trauma is not as valid as Toph's. Katara and Toph's experiences are completely different, Katara being a victim of genocide and war, Toph being a victim of child abuse. I'm just saying that, objectively, Katara had a happier 'ending' than Toph.

[spicynred]

aang & korra

[jasminedragonart]

The major arcana is finished!!!!!!!

I'm thinking of getting this printed in a mini zine. If you're interested please let me know since I'm looking for distributers for a copy for myself at least.

Commissions are open and info can be found here

My ko-fi is here

[izze-art]

earthly attachments 🌊🪨🔥🌬️

due to popular demand i added kavik!!

(edit: omg tumblr RUINED the quality so i added the solo portraits 😭)