#tl;dr: they said it gets better and it didn't but I have so much love around me and in my heart that I feel better

[andrewwtca]

I think I'm actually starting to really like being alive (a very messy poem)

I've spent too much of my teen years in a haze of wandering around from place to place and wondering when it'd all end. everything was tiring. I remember writing once, "I don't have good days anymore / they're empty and cold / I just sit and wait /and beg for the stars to lend me some of their light / to fill in the voids the day leaves," and I remember sitting and waiting for so long. I remember staring out my window and staring at a single star, covered in layers of smoke in an aimless sky, and I wished on it.

but the stars didn't give me their light. no, the stars are miles and miles above this world, and they watch like an older sister waiting for her little brother to stumble, and she'd giggle and right him back up, but he'd have to learn how to walk. and I've spent the last seven years of my life, stumbling and stumbling, and I tried so hard to hit the ground and not get back up but the stars did not hide their fires from me. no, I was set ablaze and I kept going, carrying that endless ache.

the stars understood, but they did not ache. they understood I was hurting. I was tired. I am tired. and I still wander from place to place, and yet? it's different.

it was my teacher who'd rolled her window down and laughed for me to run as the rain poured down. it was my underclassmen who said Lady Macbeth died and the other who was shocked thinking we were going to act out a suicide. it was the students in club time screaming about how the rookie player was acting like a rookie. it was my classmate who cluelessly asked all the overachievers how our grades were and we broke into laughter. it was my friend who ranted about a kids film and we leaned in, intrigued and ready to argue. it was my best friend who talks about nothing all the time. it was everyone in between, the strangers I whispered with and the friends I screamed at, and it was no one at all.

and it was the trees outside that finally turned green, a green I don't remember seeing. and it was the birds, finally coming back, ruffled and blue and singing. and it was the books that sat on my nightstand and waited for me to unravel her, to discover what she had to say. and it was the games that I lost hours of my life playing and studying and becoming. and it was the tests that left me crying because I was so scared and it was the tests that left me laughing because I felt so stupid. and it was my clothes that started to fit and started to make my reflection look like me. and it was the daisy that sprouted between the rocks that I pass by every day, and it was nothing at all.

and it was me. it was me, all along.

I had a really, really good day today. and I'll still hurt - of course I will. I'll still scar and bruise. but for once, I think I'm going to see sunnier skies. I think the grey that followed my haze will pass. I think I'm actually going to make it. because it was everyone, everything, it was the stars washing over me and telling me to not give up, to keep pushing, but it was me.

it was me who finally figured it out; it was me who finally stopped trying to drown; it was me who finally swam to deck; it was me who finally took a fresh air and then I saw the clouds above and I heard the people singing and I felt the candles burning and it was the best and it was the worst and I took deep, greedy breathes of air, and I pulled myself up, and I laughed, I laughed so hard my sides ached, and I began to cry, and I cried so hard my eyes turned bloody, and when I finally found the energy to look up, I saw the start of my grey days and my stormy nights and my teenage angst that almost ended in the burning of a moth. I saw her:

the child who had been watching me all along. the little girl I killed and the little girl I hid, laughing and giggling, and holding a paper boat like it was her lifeline. and I didn't push her overboard. I didn't run. we set the boat to the sea, her small hands and my bloodied hands. and I took a deep breath, scared it would be my last, because I want more, I want a thousand more, because I want to keep breathing. and that little girl would turn my days grey and my nights stormy and my years angry but I'll carry her with me; and I won't carry her alone. for even if it's not me, if it's not everyone, if it's not everything, there'll always be a star a thousand miles out watching over me.

so yeah, I think I'm actually starting to really like being alive.

[solifloris]

≡;-꒰ 𝑿𝑨𝑽𝑰𝑬𝑹 (𝑳𝑼𝑴𝑰𝑬𝑹𝑬) ꒱₊˚ ପ⊹ I  𝒕𝒐 𝒍𝒐𝒗𝒆 𝒚𝒐𝒖 𝒎𝒐𝒓𝒆

╰┈➤ ❝ xavier x afab!reader | smut nsfw 18+ mdni | kinktober '24 day 14 (15… x_x)

tags : pwp (with plot), (it’s uhh kind of more on the plot side ish… i think? maybe? hfskj), praise, established but developing relationship, mild angst, hurt/comfort (ish), jealousy, possessiveness, slight spoilers for the lumiere myth, references to “midnight whispers”, kissing and making out, sliiight dry humping, wall sex, vaginal sex, desperate sex so it’s kind of rough ish, creampie, tl;dr both of you just can’t get enough of each other, use of pet names “angel” and “my star”, lmk if i missed any tags!

wc : 3.7k

an : okay so i’m late queueing this but. COUNTDOWN TO XAVIER’S BIRTHDAY - ONE DAY TO GO !!! :D for my beloved darling boy here’s 1 out of 3 total fics prepared for him this month <333 (which may be off-schedule, BUT…) this was fun to write, so i hope you have just as much fun reading! sdkjfhsdk at this point i think i’ve barely ever written xavier fics without plot/feelings… loving this man will just do that to you i guess…

taglist : @interstellar-inn @pixelcafe-network @hunters-association @darlingdummycassandra @spotted-salamander @milkandstarlight @thoupenguinman @valyvinny @rafayelsheart @jellyroom2 @chemiru @ywnzn @rafayelsgf @pepprrmint @angel-jupiter @love-and-deepstrays @keioxo @theanbitchless (SIGN UP HERE)

AO3 / KINKTOBER MASTERLIST / KO-FI JAR / COMMISSIONS

There’s a lot more to Xavier’s jealousy than you realize, and you’re adamant on setting it right.

This was how it was to be in love with you.

The sweet smell of roses, a walk under the cherry tree.... The calm breeze of morning and soft, fresh linen sheets. Sunlight peeking in through the window, pages of a book. Of words that could mean more to him than he could ever think to describe.

Xavier could call on all the possible analogies he could think of, pull from all the poems and stories that he'd read. And yet none could compare to you. It was in the same way that the stars were second to none—so too, then, were you.

You had always called him your star. But to him, the opposite was just as true.

And perhaps that was why this was so difficult.

The stars were different.

Sometimes changing in position, sometimes visible, sometimes not... From where the both of you stood, they were tiny specks of light in the vast domain of the sky—illuminating the night as much as they could, but part of a different world altogether. Unreachable. Untouchable. So bright, so radiant, that the single, slightest touch could burn him down to nothing.

They belonged to the skies; better admired from afar. It was torture to fall in love with something that, to anyone, felt utterly, unspeakably unattainable—

But that was how it was to be in love with you.

And it was a curse as much as a blessing.

"So then Tara mentioned this new place that opened up recently, and she swears by its service! She said we should totally go out and celebrate!" Your eyes gleamed with excitement as you spoke, taking in a spoonful of your ice cream to bring up to your lips. "So this does mean I have a little last-minute rendezvous later tonight... I'd have invited you, too, but—you know. Girl's night?"

His gaze remained transfixed.

The pace at which you both walked was matched, and relatively relaxed—yet he'd barely touched his ice cream. Instead, blue eyes focused on you as you spoke, tracing the movement of your lips and that sparkle in your eyes that he could never ever tire of.

"Okay," he murmured.

When you looked up at him, he glanced away, bringing a hand back to rub sheepishly at the bridge of his nose.

"...Really, really? Just okay? You usually, I dunno, ask me more about the people I'm with, or something..."

He shook his head, and there it was—the little smile on your face didn't go unnoticed. He knew you were trying not to tease, and your actions were so well-known by him that he'd memorized them all for himself. It was endearing to see you like this, knowing you probably knew his habits just as well as he did yours. And at the same time, he knew that you were right.

"Well, I mean... It's just Tara and the others," he said slowly. "You've... been spending a lot of your time with your hunter friends lately. I know who they are."

"I know who they are. You've a way with words, huh?" With a roll of your eyes, you took another bite of ice cream, before nudging him slightly with your elbow. "I've been trying to get to know more of the hunters in the Association lately. There's a lot of them, you know? I'm really glad that everyone's been so nice."

This time, he didn't say anything. Only a quiet hum, the soft crunch of autumn leaves on the concrete a sound that proved comforting to both of you.

The truth was, he was trying not to be so childish about it.

Something stirred in his chest when you spoke, that familiar discomfort that came with a feeling he knew to be jealousy.

It wasn’t a nice feeling.

But it was also easy to lose a star.

It was easy to lose you when, sometimes, he didn’t feel as if he had the right, really, to own you.

Because who was he to control your feelings?

There was no guarantee that, in this lifetime, you wouldn’t just up and leave.

And the more time you spent with others, the more he realized how true that could be.

There was no certainty that this was end game.

“Xavier?”

He heard your voice call out softly to him, and he looked down—

God. You were so cute.

Your head tilted to the side with a little air of concern, and he couldn’t help but smile. The moment a gentle breeze blew, he leaned down for a cheeky kiss on your forehead.

“X-Xavier—?!”

The incredulous expression on your face was one he wished he could preserve in his mind for eternity. He was sure that if that were possible, he really would.

“It’s nothing,” he assured. And he, himself, wanted to believe that to be true. “I like walking with you. It’s nice like this.”

It’s nice like this.

I hope it stays like this.

I hope that this time, we can just… stay together…

—

Oops.

That was the first thought in your head as you shot up from bed, eyes bleary with sleep.

Your phone was in your hand, and you stared aghast.

Package delivered.

You thought you’d been delusional when you could have sworn you heard nothing of a doorbell, until you looked at the address. And that was not your apartment number. That was Xavier’s.

You’d forgotten to change it—again.

Haphazardly throwing on a sweater and putting on your shoes, you raced out your door. The fact that you had yet to receive a text from him about it, nor have it delivered to you, likely meant one of two things: either he hadn’t received it and it was waiting outside his door, or he’d discovered what was in it.

His door absolutely did not have a package waiting outside it.

“Xavier? Xavier!” a little bit out of breath from the sheer shock of such a morning, you called out for him and hurriedly knocked on his door.

“Good morning,” came a voice from inside.

He wasn’t opening the door.

“Xavier…?”

“Is this about your package?”

“...Yes! Yes, it is! I forgot to change the address—”

“I have it.”

“Th-that’s great! Could you, maybe, open the door…”

A shuffling could be heard, and when the door did open, your jaw immediately dropped at the sighed before you.

He had opened it.

“Did you really order this? Were you planning to come here again and ask me to wear it?”

Xavier was frowning, his arms crossed in front of him—he wasn’t at all happy, that much you could tell. But you almost couldn’t focus on that. Not with the black tassel ear cuff hanging on his right ear, not with the suit he was currently wearing. And, those black gloves, the metal cuffs, the gold embellishments, the crimson dye, the blood-red collar… and everything.

It was a stark difference to how you usually saw him.

Xavier almost never wore black… But this looked phenomenal on him.

In retrospect, you supposed that there was nothing he could ever truly look bad in. But this? This was a whole other level of eye candy. There was absolutely no keeping that giddy smile from spreading across your face, even as you brought your hand up to cover your mouth.

“Don’t look at me like that…”

The way his brows furrowed was near downright adorable, the corners of his mouth turning down into a little pout. You could have squealed.

Almost.

Instead, your hands reached out in a look of wonder as you slid your touch down the side of his arm, feeling the well-made fabric of the suit. It was just a cosplay, and yet, it nonetheless seemed so well-made, mearly comparable to the original…

“You opened the package? It’s mine, you know,” you murmured, and with a huff, he stepped aside to allow you into his apartment. You weren’t mad that he opened it, really—and the fact that he put it on? While you could tell he wasn’t happy about it, he was already being nice enough to indulge you with all this again.

“Is it really your package? You could have delivered it here on purpose. I saw Lumiere on the label. These are clothes in my size.”

For a moment the two of you stared at each other in silence, and you could very well remember how this played out the last time you were in this situation.

“Well,” you started, if only to fill the air around you that had grown a little tense. “I didn’t expect it to arrive this soon… We were talking about it last night. You know, with the girls? A few days ago at the office, apparently Nero was all busy because a new line of Lumiere merch came out—a whole alternate costume! We talked about it all night and I had to order a set, too, I just thought I wouldn’t get it for another week—”

You were cut off in a swift movement.

With wide eyes, you found yourself pressed up against the wall, Xavier’s hands on either side of your head. The warmth of his presence so near you had you holding your breath, almost as if the air around you had turned from tense to suffocating. There was something about it that simply rendered you unable to breathe. It was easy to get all dizzy with him so close to you.

But when you looked at him, what you were met with was... not anger.

There wasn’t a trace of it on his features.

Instead, you were surprised to see a hint of something else.

His lips pressed into a thin line. Displeased, yes—but his gaze, while kept on yours, was desperate. Eyebrows knitted together, eyes narrowed ever so slightly with the prospect of almost begging you for something that you couldn’t quite place... Something you felt as if you should.

“Xavier?” you murmured. Your hand raised, slowly, carefully, up to cup his face.

This was different from the last time you’d played around with Lumiere’s costumes. He wasn't just sulking over it.

“...But is that really who you want to be calling?” His voice was quiet. Too quiet. This was an emotion you couldn’t quite read, nor was it one that was familiar to you.

“Xavier? What’s going—”

“It’s always like this.”

Your mouth shut, and you frowned, trying desperately to understand the tone in his voice.

“It’s still always Lumiere, right?” he let out a slow breath. “Why do you care so much about Lumiere? You’d talk about him to your friends, too. You’d spend an entire night without me for him.”

“What? That’s not—I told you, we just wanted to—”

“But I’m right here.”

The calm, even tone with which he’d been speaking slipped in that moment. A crack in his voice—though barely audible right in the moment—wouldn’t have gone unnoticed by you.

Something was wrong.

He was rarely ever like this with you—this wasn’t even an argument, it was just… It was something.

His right hand, previously placed by your ear, shifted to take your hand from his cheek. Taking the other at the same time, he pinned both hands back against the wall, preventing you from moving. The lace of your fingers together had you hyper aware of the leather texture of his gloves, and your breath hitched. 

He leaned in.

“I’m right here.”

A repeat of his words.

Yet he almost sounded as if he could break.

“I know you are,” you started, speaking carefully.

“Do you?”

“I do.”

“You don’t.”

“I do.”

This time you spoke firmly, meeting his gaze full-on with a certain sense of conviction that you were not going to let him try to doubt. “Please... what brought this on, Xavier?”

For a while, there was no answer.

His chest rose and fell, deep, calming breaths for himself almost as if trying to compose himself in front of you. You didn't like that. He did it so often; hiding things from you for your sake, putting on a braver face for you if only to keep you from worrying any more than you needed to.

But you needed to.

You wanted to.

Was that not what a relationship entailed? To worry about each other?

You could tell that this meant more to him than simple, petty jealousy—and you were determined to find out what that was.

“Don’t do that,” you mumbled. You frowned slightly, as if to make your point. “Don’t act in front of me. Don't put up a front. You’re upset, right? Something’s wrong. Xav… Are you still jealous? Is that what this is?”

“...I’m not.”

“But you are. Don’t do that.”

Like before, his eyes averted, but you didn’t miss the way he had to grit his teeth just to make sure he would keep a straight face.

“Xavier.”

You tugged at your wrists.

“Xavier.”

His eyes closed. While his grip on your hands loosened slightly, he didn’t let up—his forehead pressed against yours, and for the first time, you realized how shaky he felt. 

His breath was warm. His hands were warm. You could barely notice the cold of the wall pressed against your back, the rest of his living room fading away into the background as if all that existed was you, and him, and this little corner you had to yourselves.

As if it were all that mattered.

In a way, it was.

He was all that ever mattered.

“I don’t want it to change,” he whispered. His voice was small; smaller than you had ever heard it before. “I don’t want us to change.”

“Huh? But we’re not changing…”

“No, we’re not. I hope we don’t. It’s enough like this, just to be with you…”

Something about his words stirred at the pit of your stomach.

I hope we don't.

Perhaps that was it. Perhaps you'd been spending too much time without him, and perhaps he just wanted to feel... a little more wanted by you.

“Xavier…”

This time your hand slipped away from his hold, and it was back on his face, cupping his cheek. You watched him lean into it—a soft sigh of resignation, nuzzling into the palm of your hand like he wanted nothing more than your touch.

You swallowed thickly.

“Xavier, it’s not that I’m so fond of Lumiere…” you spoke softly. “I’m fond of you.”

His eyes opened, a slow blink of mild confusion.

“Lumiere is you. Is he not? He’s handsome, and gentle… just like you are.”

When his expression didn’t let up, you continued.

“Xavier, you saved me. I’ve always thought that Lumiere was amazing… But, now, knowing that he’s you—doesn’t that mean I get to love both you and him at the same time?” Your thumb rolled over his skin, and you leaned up slightly, teasing for a kiss. “I loved you first. So I like him because he’s you.”

The tips of your noses touched, and his lips brushed against yours. Your eyes locked this time, and he was all that you could see. All that you would ever see. Close. Impossibly close. Within reach… this time, because this was the Xavier that had come to love you. And that was all that mattered to you.

Maybe you felt a little sense of pride knowing this star was all yours. And maybe that was what he needed to feel, too.

“I… don’t like him,” he murmured. “I don’t want to be him… I just… want to be me. With you. Like this.”

"And you are you."

"But I'm not Lumiere. Lumiere is part of the past. I want… I… I'm here."

Ah.

Somehow, you understood.

Your gaze softened, and you let out a slow, quiet sigh. "Oh, Xavier…" you mumbled. “I like you no matter who you choose to be, Xavier. Ah—”

You smiled, and then shook your head. “Sorry," you corrected. "That’s wrong. I mean… I love you, no matter who you choose to be.”

You saw his eyes light up at that, breath hitching. Those blue, blue eyes—bluer than blue, the most beautiful shade of it that you’ve ever seen.

That was it.

That was what he needed to hear.

His lips trembled slightly, and then all you could feel were them.

He crashed against you, pinning you back against the wall just as he had done earlier, and you could feel everything. His knee between your legs, inching upwards, pressing you back with every ounce of his being as if the single, final thread of self-control had snapped.

“My star… my angel…” 

He gasped between kisses, barely muttering out words before he would drag his lips plush against yours in a way that made you want. A way that made you need.

You moaned against him, his body melting, molding into yours.

My star.

Xavier was so unfair.

Even the nicknames you would reserve for him could be turned right back to you, snaking his way into your heart that he had, that he owned, because you had given it—everything—all to him.

And you wouldn’t have had it any other way.

Not when the heat of his presence wrapped enveloped you in a hazy mist of love and desire, the pull of his touch so strong that you couldn’t ever think of leaving. His fingers curled into yours, his grip straining. Bodies pressed together, the outline of his bulge grinding between your legs—his hips rutted into you with not much thought behind his movements, and your desperate pants fell into each and every kiss as if you simply couldn’t get enough. 

You couldn’t get enough.

Your mind could only fill with thoughts of him, because he’d taken that for himself as much as everything else.

“X-Xavie—mmphf—”

It didn’t take long.

Clothes discarded in barely a moment before he was hoisting you up on his waist and fucking you, your back hitting the wall with every upward thrust of his hips.

“X-Xavier!” you cried. Your eyes rolled back as he dipped his head into your neck, muffling his moans into your skin. “Xavier… Xavier… So good for me… so, so good, nnh—haa—”

Every praise uttered from your lips caused his thrusts to jerk, a whine falling from his lips.

He liked it.

“Mmh… Mh—yes— j-just like that! Ngh, you fuck me so, so well—ha-ah!”

You clawed at his back as the tip of his cock edged against your sweet spot, and you could tell with the way he choked out a laugh into your skin that you were in for it. His hips continued to snap against yours until you could barely register any coherent thought in your head. He would plunge in and out of your wet, leaking cunt with reckless abandon—you almost couldn't breathe.

“Xavier! Hnng—so good! Good boy, good—ngh—! Th-there! Please!”

You were long gone.

He could only hold you up with his sheer strength—you felt weak as you cried out endless strings of praise, obscene sounds of sex filling the room in an instant.

“My star…” He leaned back to hold you properly against the wall, grunting and panting. With his hair stuck to his forehead, droplets of sweat sliding down his skin, your eyes glazed over. “My star. My star. Mine, mine, mine, mine, mine…”

With a mewl, your legs tightened around his waist, and he kissed you. Tongue, and teeth, and messy. Just as needy as earlier. Just as desperate as earlier. Your hands continued to claw at his back, fervent movements of his lips against yours in a foggy frenzy of pure want.

“Mine,” he gasped, pulling away just enough to speak. “My angel, my star—my pretty—pretty angel—my—good girl—”

His kisses, his thrusts, were punctuated with every word, driving you absolutely insane.

“Ngh—ah! Xavi—vie—Xavier—!”

You could barely get any more praise out as he easily turned the tables on you, lulling you into a headspace where all you could say was his name. His name, that, gladly, he would easily relinquish to you. A name that was yours as much as his. A name that you could call, this time, with the comfort of him being with you.

“Angel…” he groaned. “Feel'so good… Taking me so well…”

“G-gonna cum! Xavie—Xav—haa—!”

“Good girl… Good girl, good—girl—good—ngh—girl…!”

That was it.

One last thrust had you spasming around him, practically collapsing into his arms as he held you up, keeping you between the wall and his body as his own trembled with a release triggered by your own.

“So much… so much…” you buried your face into his neck, and he rubbed soft, soothing circles into your back. Hot, white ropes of cum filled your insides, enough to leak out of you, trailing down your legs.

The two of you stayed still for a moment, catching your breaths. There was comfort, in being held tightly in his embrace. And it wasn’t until a while later that either of you spoke.

“...The Lumiere plushie…” he breathed, quietly. “Do we have to keep it?”

You lifted your head, shooting him an incredulous look. “You’re still upset over it?!” Out of the corner of your eyes, you could see the dark-themed Lumiere plushie resting neatly atop of the coffee table, and you let out a huff. “Xavier, really, I promise you that I—”

You stopped.

He let out a soft laugh, his eyes crinkling in what you noted was not quite amusement, but… happiness, nonetheless.

You huffed slightly, but it felt lighter knowing that he was happy.

That was all you ever wanted, after all.

His forehead pressed back against yours, and he spoke again.

“Do you mean it?” he murmured. “What you said earlier. That you love me… No matter what?”

You smiled.

“Of course I do, silly. Isn’t that what you say to me all the time, too? What’s to make you think that I can’t say it back to you?” you gave him a playful swat, rolling your eyes. “I agree with you, you know… I like it like this. I like being with you. I want it to stay this way, too. Because all I've ever wanted was to be with you. You, whoever you feel like being. Whether it's Lumiere, or the Xavier in front of me now. That's... what it's like to love a star. Right?"

Something flashed in his eyes, then, before he nuzzled against you in that way he so often did with you.

“...Mm. So this is what it’s like to love you."

He was whispering, and he seemed to be speaking more to himself.

But, he smiled: 

“Ah, no… This is what it’s like to love you more.”

an : lumiere really is the best!!! 🥰✨

© rose-tinted-kalopsia. all rights reserved. do not: steal, copy, repost, reupload, modify, or claim any of my works as your own, regardless of credit given. absolutely do not use my works for AI training and other related purposes.

[didalexiabreakupwitholgaisback]

Can you please give us your full match breakdown if you have the time? I love reading your thoughts and it helps me learn so much about the game.

hi anon - thanks! okay, here are my general thoughts below the cut:

tl;dr it's not a castrophic loss but if you look at the trend of league matches, we saw it coming. february is the one month we have to get our shit together before the champions knockout matches start! so there's more to learn from a loss than a win at this stage! this is do or die time for pere 🙏

so we have to note that it's the first home loss ever at estadi johan cruyff and it was against levante, a team that i've discussed a lot on my blog as being an example of a good team that has fallen from grace. it's women's team budget was cut and the team sold off all its top players, and levante is now facing potential relegation in the league.

this is a levante who fired its previous coach (who is facing serious allegations against him) and so you could say that levante has that "new coach bounce" feeling about them. they had a gameplan (low block and attack on counter) and they executed it well.

with that background, it was obvious that pere would be playing the "b" team, meaning mostly squad players. now when we talk about rotation in the team and that includes using bench players for matches against these lower ranked teams. they need to get minutes and game time and these are the "safer" matches to play. because at the end of the day, thankfully there's really no major consequence to the loss here but we know more about what areas the squad need to work on.

having said that, pere got his tactics wrong with this line-up. it felt like they hadn't played together and weren't on the same page with each other. now even when you play your "b" team, they should at least be able to anticipate each's others runs and be unified in the plan to break down a low block. that didn't happen here tonight and that's on pere with a lack of training against this type of defense from the opposition.

as evidence of that, there were too many moments when passes were mishit because of lack of anticipation of player runs or a player was on a run and then had to double back because the player with the ball was a step behind and they had to catch up. the reason we practise rondos and these small sided drills it to minimise this. but i saw way too much sloppiness today.

we need to be more disciplined. you saw errant passes or shots on goals when our players were getting frustrated, either due to a lack of calls by the referee or after time wasting by levante. you can't let opposition tactics get under your skin like that.

can pere please rest aitana for once? you can't start aitana and play her for 90+ minutes match after match and expect her to be effective as a leader for this "b" team. the same goes to caro who has just come back from injury. having said that, they had some great crosses, but we couldn't finish them...

by that same token, you can't throw on alexia and ewa and expect them to clean up your mess if the tactics are messed up from the start.

this is the most extreme example of what we have been battling with all season. there were so many matches with a weak first half and where we didn't score until the second half or get our flow going until the second half. it was too little, too late tonight.

we need to be more clinical on finishing. salma missed chances, aitana missed chances, esmee missed chances, kika missed chances, alexia missed chances. caro missed chances. it wasn't flowing for anyone. this has likewise been an issue since the beginning of the season. 47 shots and only 1 goal to show for it is unacceptable!

and to drill down on scoring, we need to be better on set pieces like corners and free kicks. we had 18 corners, 18! you can't have that many opportunities and not capitalise on them!

i can't put this loss on ellie but this is why we need more reps for her because we need to build up her confidence so that she's in total command of the defense and we don't have incidents like the second goal. by that token, not a great defensive performance. we can't ball watch and we need a better understanding as a unit. engen was okay in the first half and had a few mistakes in the second. but patri is injured and it doesn't help engen to say she's washed and be overly critical. just like everyone else, there are areas where she can improve too!

anyway, like cata says, with this team to the death, so let's watch the game tape back and make damn hell sure that we are learning from this! 🙏

[thelordfool]

HELP ME PLEASE!!!!!

Long story short: I'm unemployed and will not, unlike what I originally thought, qualify for unemployment benefits.

Please read the readmore for additional context on why I'm unemployed. This post is basically a continuation/update/redo of this post. I'm suffering a sickness with no medicine the past week, applied for almost 100 jobs the last two weeks, am disabled/queer/nonbinary/tired of ebegging. I'm also in the negatives in my bank account because my car payment came out, so I need to get that covered.

pp/vm/ca

$250/$1151.51

i need at least $511.51 of this by the first. please spread if you're financially unable to help, every person this reaches helps! here's the breakdown of the costs: $640 - car payment + late fees $380 - rent $131.51 - negative amount in bank currently

Oh hey thanks for stopping by to read this annoying tale of woe and being angry at capitalism. Prepare for wall of text.

I once had two jobs. The first job, at a chain restaurant, was a bit of a clique-y experience where I was working my damndest to be the best bartender they ever had. I still have all the cocktails memorized. However, I continually faced discrimination in the form of severe misgendering, no matter how often I corrected them. I was also set up for failure. Usually, when someone gets hired for a position, there's some amount of training to be done, no matter how experienced they are, right? I was going in nearly entirely inexperienced into the role. I knew how to make cocktails, sure, and was and still am very good with people and selling. But I was trained for two days. Two. Then, on my first night alone (a Friday), I was watched by one of the bigwigs at corporate who saw every little flub and failure. This caused a demotion-ish. I was demoted to barback but was allowed the same privileges. Until their next visit. That upset the hell out of me - I was well trained by that point and could do it all, with one hand tied behind my back. I digress. It was about 2 months following my demotion when i finally walked out. A new bartender had been hired and she thought I was being a total creep by looking at a ticket that had just come in. She stormed off to report me to the manager who, even after hearing my side where I had asked her if there was anything on the ticket that I could grab, said that I "needed to communicate better," and "you should be learning from her," and "you're a grown man, you should know better." I don't think I need to explain why that was so upsetting.

But I didn't report them, because I just wanted to be done with it. I was also working another bartending job, and everythign was literally perfect other than the hours, honestly. I loved the product the distillery made, I loved the people I worked with, and most of all: I had my own regulars. Last month, they hired a new hospitality director, who announced there would be some restructuring, including getting rid of servers while also making a full dinner menu to serve alongside drinks. I said nothing of it, despite my disagreements, and she assured us all that no one would lose their jobs, but just moved into different roles. We all kinda grumbled about it, and I told her that under no circumstances would I work back of house. Easy peasy. Till it wasn't, and I came home to a voicemail while on break with my partner that I'd been let go due to the restructuring. So much for no one losing their jobs, right? I hadn't been the only victim of this. I have my suspicions as to why the new hospitality director did these things, but I've no energy to throw around conspiracies. All I know is that I was shafted by both of these places and I'm tired of being broke. I'm applying, still going to fight, and... sigh.

tl;dr (why did you click the readmore?): i left a job due to discrimination and lost another due to company restructuring and i'm tired and sad and aaaaa.

[the-last-teabender]

I've seen (and heard about) a lot of Oxventure posts that are talking about how Oxventurers Guild was bad but Wyrdwood is good.

One - I hate to see two bad bitches pitted against each other.

Two - Speaking from experience, you can't be a table like Wyrdwood without having been a table like the Oxventurers Guild.

Did people not know the rules? Yes. Did people play suboptimally? Yes. Did Johnny bend rules and consequences to move things along? Yes. But people seem to forget that the first Oxventure campaign started with basically zero previous experience. We were watching people learning.

Yesterday I was talking with @randomthunk about this, and I compared watching Oxventure from beginning to present like reading The Dark Tower. Reading The Gunslinger and watching that story progress over seven books gave me confidence as a writer. You can start imperfect. You can make mistakes. You can be less than your best as you're getting your feet under you, and a willingness and enthusiasm to do that will take you to greatness. Plus, it's a story of an author evolving as much as it's a story of Roland Deschain going to the Tower.

I think many many other actual plays have given people unrealistic expectations, where Oxventure (as I've said before) brought me back to gaming. And as much as I think a person could come to Wyrdwood new and love it, the Oxventurers Guild campaign makes what comes next so much more meaningful. We've seen what each player does well across the original and side campaigns, and we got to see that because of the freedom the first campaign gave them. Now we get to see those natural talents paired with an understanding of the system (which we were already seeing in Blades and Deadlands, but now we have a 1 to 1 comparison).

In my first stint in gaming 20 years ago, I didn't have the freedom at my original table to learn and make mistakes. You got it right or you got mocked. I have good tables I love now because I began seeking out tables that reminded me of Oxventure: willing to go on tangents, willing to help each other, okay with fudging things on the fly if it preserved our good time. I'm a better player now because I had those experiences.

tl;dr your taste is your taste and some things are naturally gonna hit you better than others, but writing off the Oxventurers Guild because the mechanics weren't as tight is missing the entire point of how this group has evolved.

[leclarifies]

this was meant to be a late night ramble but i got carried away. will format once i'm on my pc, was written on my phone. not proofread or checked for grammar. also i wrote this in two hours so..............

tl;dr: my take on how the both of you will cope with one of max's worst crashes to date.

tw: crash, max having major injuries after the crash, struggles with alcohol abuse.

you had never been one to ever criticize someone for their choice of profession, especially not when it came to something that paid as high as this, but you wondered if you would ever see your boyfriend in one piece after every race.

it was nerve-wracking of course, seeing him go 350km per hour and hoping his car doesn't fuck itself up and end up in a barrier before then catching into flames. he was good at his job, he loved to drive the damn car so why was it such an issue then?

max didn't understand it either. one moment you would be happy for him and the next you'd be ridden with anxiety whenever he would step into the car, he would always reassure you though. the car was fine, he got the world's best engineers working on his car, that he would be safe.

you didn't understand what had happened though, one moment he was overtaking norris and the next he was in the barrier, a gasp escaped your lips and tears brimmed your eyes when you saw car number 1 in the barrier.

you wanted to claw yourself up there and pull him out of the car yourself but you were being restrained by a few red bull mechanics, telling you that it's gonna to be okay and the marshalls were going to get him out in one piece.

"max? are you alright? talk to me mate."

no response. that's when people started panicking.

max wasn't fine, he wasn't okay. so much force had hit him, he was going max speed when he hit those barriers. he couldn't feel his face, couldn't feel his arms and legs. he felt numb, and it scared him. his ears were ringing and the helmet was suffocating him, he needed air. right now.

he didn't know what happened next, through his blurred vision he could only guess that he had been pulled out the car and his helmet was pulled off his head, he could breathe better but not by much.

the next few moments were just a black void.

you were hysterical when you found out that he was being sent to the nearest hospital, the medical center said, 'it's too big of an injury for us to handle here.' you felt like you were the one dying when you heard he had to go through surgery. you knew he shouldn't have picked this profession, it's insane. how was any of this legal and approved by the government? you didn't know.

you weren't given the specifics because you were neither lawful spouse or family, and his family was hours away from being able to come visit him so you had to sit there and wait for him to come to before you could even know what was going on with him. his profession never scared you quite like this did before.

being in a coma wasn't something on his bucket list, he prayed that he would never go through an accident as traumatic to have to be in a coma.

max could hear the voices, they weren't the clearest. he could hear bits and pieces, but never the full conversation. it was almost as if he was half-asleep and the world around him was just so incredibly quiet. he didn't know what he would do or say to you when he woke up, he was most worried about what you would say. maybe kill him before the injuries from the crash could? max wanted to chuckle from that but nothing came out from his lips, just soft breaths. signaling that he was still alive in there to the outside world.

slowly, he would start hearing and feeling less and less of what happened in the world around him. no longer being able to hear your beautiful voice, and that's what hurt the most, not knowing if you were there with him or not.

you had stayed by his side almost everyday when that happened, not wanting to leave even when the visiting hours were unavailable. always waiting nearby in a coffee shop or booking a hotel room the closest to the hospital in order to be there as soon as visiting hours started.

life felt so empty. you were used to his playful banter and teases but you hadn't heard his voice in two weeks now. you weren't religious, having some religious trauma in life, you would never devote yourself to some invisible god ever again, but you prayed. you prayed to that invisible man upstairs to wake him up, that if he were to wake up, you would start going to church, but that didn't come.

you just wanted him to get better, to open his beautiful blue eyes, look at you and tell you that he loved you. faith was hard to come by but you would always come back to that disgusting sterile smelling room and hold his hand gently, some days you would talk to him, some days you would sing to him but it didn't matter what you did because you would always be there. never missing a possible moment where he would wake up.

the doctors said it didn't look good. they hadn't been medically inducing him in a coma for a week now, he should be conscious by the first few days of taking him off the medically induced coma and you didn't know what to think. you were scared.

you had told him so many times that it made you anxious that an accident like this would happen, that he would get in that car and you couldn't see him anymore but you didn't know it was going to be this soon.

at first you couldn't believe it, it had been almost a month since you heard his voice last. he couldn't be, right? he was the most talented driver you knew, there was no way he was in a coma after a big crash. he was always careful, never taking risks that was unnecessary, right?

you were in denial, you knew it. everyone knew it. you were spiraling out of control and there was nothing anyone could do about it, unless they would magically wake max verstappen out of his comatose state.

there was a hole left in your chest when you realized that maybe he was never going to wake up from this, that you would never see his beautiful blue eyes anymore. slowly, you started to lose hope. visits became far and few between, you just wanted to get away. not wanting to see the day that his family decided that there was no more hope for him and to pull the plug.

you buried yourself in work, not wanting to think, not wanting to feel, just wanting to focus on anything else other than the gaping hole in your chest.

drinking became your best friend, hitting up bars as soon as you finished your shift. downing shot after shot, your friends and his friends were all concerned, always asking if you needed anything, if you needed them and that they were there for you, but frankly you didn't care about anyone else.

coming home drunk wasn't something that was far and few between anymore, it would be every other night, then every night and then sometimes you would sneak a flask in when you were at work. just something to numb the pain of losing your boyfriend. it wasn't enough though.

you were angry.

who cared about all of those other people when the person that mattered the most was in a hospital bed? waiting for his own death that wasn't even entirely up to him? you were angry, you wanted to scream at anything, at someone.

why did it have to be him? why did it have to be your max? why did it have to be him at the wrong place at the wrong time? why? why? why? he did nothing wrong, all his life he was a saint. he was never cruel to anything or anyone in his life, all he did was try to please the people around him, why did it have to be him?

you wished you had the answers, you still prayed. almost like a devoted follower of that stupid god most of the population of the earth believed in. you laughed at the irony of your desperation, no amount of praying or bargaining could ever bring him back, it was too late but damn, if you didn't try you knew you'd regret it.

max's family checked up on you often, sophie and victoria being the ones to ask you how you were. you always appreciated them checking up on you when you knew that they were hurting the most out of all of this, they were his family afterall. you were just... the girlfriend. your feelings were not important in this equation.

trudging through life without waking up next to him was painful, the small pitiful meows coming out of sassy and jimmy were almost even more painful. the reminder that you were in his apartment, with his cats but without him. when was he going to wake up? when were you going to wake up from this bad dream?

a ring from your phone had woken you up from your drunken adventures from the previous night, you wanted to yell at them for interrupting your sleep. you wanted to sleep forever, maybe even be in a comatose state similar to max so then you would be able to wake up together.

"hello?" you mumbled through closed eyes, very much annoyed that whoever this person was, waking you up from your sleep. you didn't even bother to check the called id.

"you need to come down to the hospital, right now."

you haven't scrambled up and got dressed any faster than you just did, you didn't bother doing your hair or even brushing your teeth. one second you were in your shared apartment, the next you were in your car, speeding past the streets of monaco to get to the hospital, maybe breaking a few laws and going as fast as an f1 car.

"schatje."

you were crying when you got there, burying your face in max's chest, you wanted to yell at him, for leaving you alone for two months too long but you didn't have it in you. his hand found its way to your hair, petting your head. a gentle kiss was left against your temple as you continued to cry against his chest, you couldn't form words, basically inconsolable.

you were eventually able to peel yourself off of him though, his hand firmly wrapped around yours, mainly for your comfort and not his. the doctor's had explained that he had to slowly learn to walk and speak again because he was in a coma for so long but the first words out of his mouth when he first became conscious was schatje which made you cry a little bit more. some of his friends and family came throughout the day and he could recognize who they were, just had a hard time speaking.

it was only at the end of the day where you two had a time for yourselves, just basking in the presence of each other, finally being able to see his pretty blue eyes look at you.

"lay... ne-next to me..?" max asked, his voice a bit scratchy for not being awake in two months, tilting his head a little to the left, a little quirk of his which you thought was cute and complied with his request. he wrapped his arm around yours after scooting to make space for you, the both of you just laying there in each other's presence, not wanting to let go.

max didn't understand how much time had passed and understandably so, but he missed you. it felt like he had just gone to sleep and succumbed to his injuries but for you, it felt like a lifetime without having to see the love of your life. the atmosphere was quiet, but comfortable. seeing max alive and in one piece was all you needed before slowly drifting off into sleep, and for once the nurses didn't kick you out after checking in on max.

recovery was hard, max had been told that he suffered damage when he got a concussion from the crash. his spine had been mostly intact but since he suffered injuries to his brain, he had to learn how to walk and talk again.

"what about happiness?" a therapist had asked max as he sat across from her. they were doing some exercises to train max's speaking, something that the doctors had mentioned would help max recover faster. max's face lit up before pointing to you, who was sitting next to him, "nice try max, but you understand what i mean."

a giggle left your lips before he tried again, with a pout dancing on his lips, "joy, winning a race?" he tilted his head cutely before the therapist let him have the answer, it was cute. he was cute but he was a fighter.

the moment the doctors cleared him of any sustaining injuries, he was ready to get on the track again, only after six months after the crash.

"you can't be serious max," you shook your head as you paced around the apartment, "it's only been six months... you should just rest for the remainder of the season and get in next year. i don't understand the rush, you have your life in front of you to compete, what's wrong with waiting a few more months?"

max shrugged, he realized after the crash that he in fact did not have his entire life to race. what if his life was taken early and he couldn't spend the rest of his life with her, what then? he didn't want to waste any time. he wanted to get his head in the game while he was at his prime and get it over with before retiring and getting away with her on a private island and living there for the rest of his life.

he didn't want to race for the remainder of his life, nope. he wasn't like alonso who was going to be on the track when he's old and frail and no longer in the top teams. he wanted to win, and that's what he was going to do, to win. he knew that him coming back so soon even after his injuries were going to be hard on you, he was scared to even bring it up in the first place.

it had only been a few months, and he was so ready to come back to racing. his fingers were basically itching for it, but he was very mindful with how you were going to feel, he always was. he hinted at it a couple times before, but her response was always different than what he wanted.

max sighed when you were obviously going to be upset with his decision, "look, i know you're worried and you do not want me in the car so soon, but you have to trust me—"

you set your back straight before looking him dead in the eyes, "i trusted you six months ago! look where that got us!" you didn't mean to yell, but you were scared and you did not want to lose him because he was driving a silly fast car. max looked hurt, and rightfully so. you sighed before you walked over to where he was on the couch, wrapping your arms around him in a hug, which he welcomed with open arms, "i'm just worried, okay? you being in that coma was the scariest thing in my entire life. i even lost hope, do you understand how scary it was for me to lose hope?"

max nods before landing a kiss on your lips, wanting to reassure you that he made a mistake and that it wasn't going to happen again. he didn't mean to leave you for those two months, but he knew that he was never going to do that to you again. he didn't want to hurt you anymore than he already did.

"trust me, i'm not gonna make the same mistake twice and i'm gonna make you proud."

and max never did. he got in the car the next week, ready to fight. baring his teeth for anyone who could get anywhere close to him. he closed out the season with multiple trophies, even though the driver's championship was out of reach.

he celebrated that season with a big smile on his face and you knew it was the right decision to let him get back to racing. as much as you didn't want to admit it, he loved racing more than he loved you and you were okay with that. you were okay with being second to his ambitions and dreams because that's what good girlfriends do, let their boyfriend's risk their lives driving silly fast cars if that meant it made them happy.

unfortunately, you anxiety wouldn't go away even after all the constant reassurance your boyfriend gave you. the nights where you were alone, wondering whether if max was going to pull through still haunted you.

of course, alcohol was still a problem for you. you turned to it when you felt like you didn't have a choice. some nights, on particularly rough anxiety ridden nights, you would sneak out. just grab a drink or two to soothe your heart. it wasn't long before max caught on though.

"where have you been?" max had asked as you entered their apartment after coming home from work, it wasn't like you came home late and came home absolutely drunk which is why you didn't think he was suspicious. there had been a break between the current races, which is why he was home before you were.

a hiccup breaks the silence as you close the door behind you, you lock eyes with max and you can see the disappointment floating in his eyes, that's when you knew that he knew but you weren't sure how much he knew.

"answer the question, liefje," max sternly spoke up once again, walking towards you, in his eyes was a challenge. he was waiting to see whether you were going to lie to his face or not. he could practically smell the alcohol from there, he went out drinking a lot too, being a formula one driver meant parties like there was no tomorrow.

you didn't know what to answer with, so you answered as vaguely as possible, "i was out with some friends," hoping that the answer you gave him would satisfy him enough without him asking too many questions, you tried to brush past him but he held onto your arm.

max had heard stories from his friends, telling him that you weren't at a good spot after the accident. that you turned to drinking and it seemed like nothing could help except for max himself.

he took one whiff and he knew it was alcohol, "which friends?" he asked, not wanting to let you slip from his fingers, he knew how dangerous alcohol addiction was and he wasn't going to let his girlfriend fall into the grasps of it.

"work friends, max— let go. i want to take a shower," you tugged on his hand that was holding onto your arm, but he was unrelenting. he stared you down, not convinced with the bullshit answer you gave him. he knew you had been out drinking, it wasn't even race week. you didn't have an excuse.

max's eyes softened, he knew that somewhere deep inside of you that you were struggling, that you needed help but you just didn't know how to reach out. was it hard to reach out to him? has he made himself so unapproachable after the accident?

"talk to me, what's going on with you?" max's grip on your arm has softened but you could only sigh and look away, you didn't know how to face him. yes, you were struggling but you didn't know how to bring it up. just like everything in your life, you needed someone to comfort you and tell you it was going to be okay and that there were people there for you, but you were stubborn almost in a similar fashion to him.

you only looked back up at him when max squeezed your arm and the eyes that looked back up at him were no longer hard and guarded, but full of vulnerability and glassy, "i—"

"you've been drinking?" max cut you off and finished your sentence for you, now you knew how much he knew of your struggles. you swear it wasn't supposed to get this bad, you promised yourself you would stop on the weeks where he didn't have races, or maybe just stop altogether but that was easier said than done.

"yes," was all that left your lips and that was the day that max swore he was going to get you through this.

max had offered to take a break like you suggested for the rest of the year, just to ease your nerves but you told him that it was a hard no for you. you knew that it was going to get much worse if you got too used to his presence, the cycle would just repeat itself once he got back into racing.

this time there was another road to recovery, just not for him. max had been nothing but helpful, always offering you help, even offering to pay for your rehab. you contemplated whether you even wanted to go or not, you didn't want to feel weak. to feel like there was something was wrong with you, that you were a freak but at the end, after endless heart-to-heart conversations with max, he was convinced you to go.

the first few months were hard, there was no way you could attend the races while going through rehab so you had to just suck it up and go through it without watching. max felt bad, of course he did. that was the love of his life that he put in that rehab center, but he knew he had to make tough decisions if he wanted you to get better.

he felt horrible not having you there for even some of the races, not because he sent you to the rehab center but because he missed you. he knew that the accident hit you hard, but not this hard. he didn't understand how much anxiety racing did to you, and he was beating himself up for it.

he should've seen the signs, should've reached out sooner before they could fester into something as serious as alcohol addiction but there was no use in beating himself up for something he didn't do in the past, as least he was doing it now after he saw the signs of you struggling.

the initial withdrawal symptoms were insane, if you weren't in rehab, you would've probably relapsed the first day there. it was hard for you and you were trying your best, and you did. overtime, you were recovering and that's all that mattered.

max had received updates of course, he requested them. he wanted to see how you were holding up, if there were any signs of improvement. the therapists there all said that you were doing splendid, that she might get out in a few months which was great news to max.

it would only take you another six months to fully recover and the first thing you did when you saw max when he picked you up was jump into his arms, he breathed out a sigh of relief after not seeing you for a couple of weeks. he could live like this.

both of them had their own battles to fight through but the most important part was that they both overcame both battles, never forgetting to support eachother, even when one lost themselves along the way.

[scoobydoodean]

ok so I deeply love and respect your thoughts on supernatural because the majority of them line up with what I've been thinking for years but you said something the other day that I keep turning over in my brain and it was something along the lines of carver liking dean more than sam - I know you're in the middle of rewatching s4 but I would love to hear you expound on that (if you have time) because I remember being in the fandom while carvernatural was airing and it was pretty much when the deangirl exodus started. in fact I think people tore into him worse than dabb even 😭

feel free to hold onto this until later when you start the carver seasons if you wish :)

<3 I'll go ahead and answer this one, because it's more of a "broad strokes" thing for me, and I've been rewatching very slowly (on purpose) so that could be a very long wait.

This is so funny because I can just picture Sam fans reading it and turning red and their blood boiling with the fire of a thousand suns but the TL;DR is that season 8-11 (Carver era) broad strokes to me are:

Sam sucks and is a worse brother and person than Dean.

Sam spends the first two seasons of Carver's run thinking he's a better person than Dean anyway and then the second two knowing he sucks, deciding to embrace his moral flexibility to keep Dean alive no matter the cost, and trying to mend things.

Dean is circled by many potential suitors who also in a sense represent Sam replacements because Sam sucks: Benny, Cas, Crowley, and Amara.

Dean knows that Sam sucks and part of him wants to get tf away from him very badly but another part of him feels guilty for wanting that. Family is suffering. Family is a chain around your neck keeping you tied to them via guilt. (Demon Dean represents the desire for escape, as does Amara).

Everybody wants to be with Dean, be Dean, and/or be loved by Dean. Dean is love. Dean is the world. Dean is the reason for existing. Everybody is lovesick about him. Sam is just there.

Sam needs to stop blaming Dean for so many things and learn to own his own choices.

That was fun to write down.

Longer commentary/explanation below the cut.

Season 8 (Carver's first season) literally begins with a Sam character assassination. It begins with us learning that Sam knowingly left Kevin to spend the rest of his life kidnapped and tortured without even telling a soul what happened to him. Not only did he abandon Dean and Cas as well but he didn't even look for them, and refuses to give a satisfying answer as to why.

Season 8 Sam's abandonment as distinct from previous behavior

I have had people this year who I love and respect tell me they don't view this as a character assassination and say they believe this is in character for Sam. I simply do not agree with that. I talk about this as it relates to Kevin here.

Sam has displayed selfishness and a big ego at many points in the series up to season 8. He's told a lot of lies (sometimes to the point of gaslighting), he's gone behind Dean's back to do things that affect Dean's life, he's taken traumatic experiences Dean opened up to him about and ultimately harmed Dean with them, he's shown resentments and anger, he's displayed jealousy, he's displayed a sense of superiority. He has never abandoned his brother to die without even trying. The Sam of season 3 would eviscerate season 8 Sam for this.

Sometimes Sam says and does things he shouldn't, but his crimes do not include "abandoning Dean to die without even looking for him" up to season 8. Many of his crimes happen at least partly because he really really doesn't want Dean to die or is desperate to save his life. He lets go of his anger at John and returns to make sure Dean is safe in 1.11. He refuses to give up and finds a way to save Dean in 1.12. In 1.22, he's willing to put John's life at risk for revenge, but in 2.01 he gets into an outright screaming match with John in the hospital under the belief that John's prioritizing the demon over Dean. Sam spends all of season 3 raging and angst-ing about not being able to save Dean to the point of considering and doing some shady as hell things/abandoning some of his more stalwart moral stances (3.05, 3.11, 3.15, 3.16). Dean's death and later, the desire to secure his safety/future, is one of the catalysts for Sam's descent into drinking demon blood (3.09, 3.16, 4.04, 4.09, 4.12). When he dies in "Swan Song", he urges Dean to pursue a normal, safe, life because he knows that at that point in time, Dean wants to get out but has always felt trapped (2.09, 2.10, 2.20, 3.01, 4.12, 4.16). Even Soulless Sam (who isn't the same as regular Sam) tried to look for Dean in 6.09 "Clap Your Hands If You Believe"—it was simply that when leads for the night dried up, he hooked up with someone because he had nothing more to go on and in soulless Sam's head that was the reasonable thing to do. But soulless Sam also certainly isn't representative of the real Sam—the fact that he doesn't care as much is supposed to point us to differences between him and regular Sam. Season 8 opens with Sam abandoning Dean in a context that makes him arguably worse than his soulless self.

(I talk about why Sam actually abandons everyone in season 8 in a very long post here).

Season 8 and 9 more broadly

So Carver has Sam abandon Dean to die without even trying. Then he has Sam refuse to give any kind of actually reasonable explanation that makes sense to anyone who was paying attention. Then he has Sam say that he's going to leave the life and Dean needs to get over it and accept that Sam's new life will not include contact with Dean (just like his life at Stanford didn't). While saying he's going to leave, he still wants to exert control over Dean's relationships and leverages the threat of leaving (as if he were going to stay) to get Dean to shut up about Sam abandoning him and then again to try and get Dean to cut ties with Benny. He wants to kill Benny before knowing a single thing about him. He assigns someone (Martin) who he knows is mentally unstable and has a more black and white perception of monsters to track Benny and gets Martin killed. He watches Martin knock Dean unconscious and chain him up in a room and doesn't stop it because he wants Benny dead that bad, but then has the audacity to act as if Dean sending him a fake text is worse than Sam literally chaining him up in a room to prevent Sam from killing an innocent person (someone Sam would normally—btw—defend based on episodes like 2.03 and 4.04 or even a few episodes ago with Kate in "Bitten"). He tells Amelia he wants to fight for their relationship then the moment Dan says they should leave the choice to Amelia, he leaves so that it becomes his choice, and then he returns for one episode just to be a homewrecker. He insists on doing The Trials while promising to survive them and giving a big speech about how he's going to save Dean from his own suicidal ideation and then drops the promise as if it never existed two episodes later. Sam loses confidence in himself to complete The Trials and then acts like Dean is the one who doesn't believe in him because Dean is caring for him and insisting he rest and this is an unforgivable offense. At the end of the season, he basically says he's going to commit suicide because Dean has friends besides him. He acts as if he deserves to be Dean's most trusted confidant after an entire season of him being an absolutely fucking terrible brother and acts like Dean is just a big meanie whose feelings are irrational.

After all of this, he has the audacity, in season 9, to suggest that Dean is a bad person who can't stand the thought of being alone. He tells Dean he's the worst person ever and they can only be work partners from now on because Dean is so so bad and evil for stopping him from committing suicide and then not telling him about Gadreel. At the end of the season he admits this was a lie. He just wanted to punish Dean (9.23).

I can see how—if you were watching live at the time (I started watching when season 11 was airing) you'd lose hope. You'd quit the show over all of this, because it seems to go on forever. It's like torture. I would drop kick season 8 Sam into a pit full of lava without hesitation so I get it. If I believed that Carver was actually saying "Yes so true Dean is The Worst™️ and Sam is morally superior <3" for two seasons straight I'd quit the show too. But that isn't what he's saying. We're supposed to read between the lines and realize how unbelievably full of shit Sam is—how deeply selfish and hypocritical he's being. How yes—Dean has made mistakes—but Sam is NOT a better person than him and has gotten away with some absolutely rancid garbage. And season 10 and 11 go on to beat you over the head with it if you didn't get it the first time.

Season 10 and 11

Season 10 opens with this dialogue from a demon:

I heard the rumors. I said "no, that can't be." A Winchester, one of us? But it's true, isn't it? Whatever soul you had; whatever boy scout code you cuddled up to at night; it's all gone. Leaving what? Look at you!

We're meant to think she's talking about Dean who just woke up with black eyes, but then the camera cuts to Sam torturing her, demanding to know where Dean is.

In 10.03, we learn that Sam talked a man (Lester) into selling his soul so he could use him as bait. Demon Dean ends up being assigned to fulfill Lester's deal (to kill his wife for cheating on him). Dean immediately clocks Lester as having cheated on her first and kills Lester for being an insufferable hypocrite... and while he's doing it, I'm pretty sure he's also thinking of Sam's flaming hypocrisy.

SAM: I never meant— DEMON DEAN: Who cares what you meant?! That line that we thought was so clear between us and the things that we hunted, ain’t so clear is it? Wow. You might actually be worse than me! I mean, you took a guy at his lowest, used him, and it cost him his life and his soul. Nice work.

NOTE: 10.03 also recalls 4.21—an episode Sam fans have always tended to emphasize as a "Dean crime" episode where Dean risks Sam's death to force a detox. Sam does the reverse—pumping Dean full of human blood here in 10.03 and explicitly risking his death.

Sam gets Suzie killed in "The Werther Project" while searching for The Book of the Damned.

SAM I’m sorry, okay? I’m so sorry. SUZIE Lot of good “sorry” does me. Look at me. Look….at….me. [She points to her corpse.] There she is. The first casualty of your misguided mission. But what’s another human life to you? Anything’s worth it, as long as you two make it out alive. And how’s that search going? Any closer to a cure? SAM This isn’t real. You’re not real. SUZIE You think Dean’s the wild card, the loose cannon. But don’t you see? Making deals with witches, opening Pandora’s box down there? You’re the reckless one. You’ll do anything to keep clinging to that doomed brother of yours. How many more will die, Sammy? You know it. You have to be stopped. And the only one who can stop you is you!

A few episodes later, Sam orders Oskar's death for a spell to remove the Mark of Cain. I've seen hilarious posts before about how he had no choice but to do this because MoC Dean is so scawy and bad but that quite explicitly is not his motivation. They could have done so many other things. Throw him into space. Bury him in a really deep hole. Put him in something like The Cage. But Sam didn't like any of those options, because all of them meant being without his brother, and he's realized he doesn't want to be without him no matter the cost (10.18).

SAM So, awhile back, we had a chance to, um…close the gates of Hell. And in order to do that, I would’ve had to die. And, I was okay with that, and I am okay with that, but Dean was not. And so, he uh… CHARLIE He saved you. SAM Yeah, he saved me. CHARLIE And let me guess, in doing so, he did something you didn’t want, and that pissed you off. And you said something that hurt him? SAM Yeah, that sounds about right. [...] SAM You know, when Dean came to get me at school, I-I told myself… one last job, you know? One more job. And then when – when I, um…. When I lost Jess, I, again, told myself one more job. There’s always one more job, you know? And one more job, and one more job, and then I was gonna go back to law and – and to my life. CHARLIE You were the Dread Pirate Roberts of hunting. SAM Yeah. I guess I really understand now that….this is my life. I love it. But I can’t do it without my brother. I don’t want to do it without my brother. And if he’s gone, then I don’t…. CHARLIE I got it. I-I do.

This all culminates in 10.23, where a very mentally unstable MoC Dean attempts to reason with Sam about them both being evil and needing to take themselves out:

DEAN: Remember when we were in that church, making Crowley human, about to close the Gates of Hell? Well, you sure as hell were ready to die for the greater good then. SAM: Yeah, and, Dean, you pulled me back. DEAN: And I was wrong. You were right, Sam. You knew that this world would be better without us in it. SAM: No, no, no, wait a second. You're twisting my words here, Dean. DEAN: Why? Because we -- we track evil and kill it? The family business? Is that it? Look at the tape, Sam. Evil tracks us. And it nukes everything in our vicinity -- our family, our friends. It's time we put a proper name to what we really are and we deal with it. SAM: Wait a second. We are not evil. Listen... We're far from perfect, but we are good. That thing on your arm is evil, but not you, not me. DEAN: I let Rudy die. How was that not evil? I know what I am, Sam. But who were you when you --when you drove that man to sell his soul... Or when you bullied Charlie into getting herself killed? And to what end? A-a good end? A just end? To remove the Mark no matter what the consequences? Sam, how is that not evil? I have this thing on my arm, and you're willing to let the Darkness into the world. SAM: You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way.

Dean is saying a lot of shady shit here, but some of what he's saying... isn't wrong?

Sam is willing to let The Darkness destroy the world, and he does, and then standing in the aftermath of a town being destroyed by the force he unleashed, Sam says:

SAM: I unleashed a force on this world that could destroy it . . . to save you. DEAN: And I told you not to. SAM: And I'd do it again. In a second, I would do it again.

Thousands of people are dying and Sam says he would do it again. This post about Sam's actions versus Dean stopping Sam from closing the gates of hell is highly relevant.

Season 11 continues with Sam taking a little more responsibility for his own decisions, while praying for Dean to live (11.02):

SAM: So . . . I know it's been a long time, but . . . Dean and I, we've -- we've been through a lot of bad. But this is different. This is my fault, and I don't know how to fix it. And if I have to die, I've made my peace with that, but . . . Please. Dean deserves better. Dean deserves a life. There are people out there, good people, who are going to suffer because of me, and I am not asking you to clean up my mess. Hell, I don't even know if you're out there, but . . . If you are . . . And if you can hear me, I, um . . . We need your help, God. We need to know there's hope. We need a sign.

And then there's the VERY long-awaited apology:

SAM When I was with Lucifer, he, um... He showed me things. It was like a highlight reel of my biggest failures. DEAN Yeah, he was messing with you. That's what he does. SAM Give me a sec. I should've looked for you. When you were in Purgatory, I... I should've turned over every stone.

Family (Sam) as chains

While all of this is happening, we also have Benny and Cas and Crowley and Amara.

Benny is contrast—someone whose goodness and selfless loyalty only makes Sam's horrible flaws stand out more sharply in season 8. Under the influence of the specter, Dean says, "Benny has been more of a brother to me this past year than you have ever been" and Sam can't stand it. It haunts him so bad he tries to kill Benny, and can't get over it even after the end of the season when Benny is fucking dead. He is unable to accept that the contrast between himself and Benny is his own fault.

Crowley and Dean's flirtations begin in season 9, as Sam suffocates Dean, and at the end of the season, Crowley has literally convinced Dean to run away with him. In 10.01, there is a delightful phone call where Crowley rubs it in Sam's face that Dean is with HIM:

SAM I don't know how you did this, what kind of... Black-magic stunt you pulled, but hear me --I will save my brother or die trying. CROWLEY You know what tickles me about all this? It's what's really eating you up. You don't care that he's a demon. Heck, you've been a demon. We've all been demons. No, it's that he's with me and he's having the time of his life. You can't stand the fact that he's mine. SAM He's not your pet. CROWLEY My pet? He's my best friend, my partner in crime. They'll write songs about us, graphic novels. “The Misadventures of Growley and Squirrel." Dean Winchester completes me, and that's what makes you lose your chickens.

It's this cruel callback to Sam's jealousy of Benny and Cas in season 8—how Crowley convinced Dean to finally ditch his smothering, controlling brat of little brother who can't stand him having friends, and now Dean is having the time of his life howling at the moon. The problem is, Dean also feels a little bit like maybe Crowley wants to control him too, and that isn't working for him.

Amara in season 11 goes on to further speak on terrible brothers who think they're better than you, who leave you betrayed and diminished, who abandon you. She's raging against the concept of family as chains—she wants revenge... but all the while she's in pain because she still loves her brother. Amara's attraction to Dean is based on that commonality—what she feels is a shared experience and how she wants to cut the last remaining pieces of love she feels for her brother away so she can finally be free of the pain of him—and she doesn't care if she destroys everything—including herself—in the process. (See: Dean slowly losing his identity through the MoC arc). Sam and Dean's relationship is in rehab over this whole season though, and so Dean's role ends up being to convince Amara not to destroy herself—to instead do what Sam and Dean have done and make up and work on improving their relationship.

[riding-the-sunset-bird]

Hey!

Since I started playing August last year I'd been lurking on the reddit (since I don't have an account) and always found the posts of the person who was writing "what choices determine Cove's X" so insightful and loved reading them

recently, i played the baxter DLC (still am not over it, it's my most favourite thing ever; i just love our pepe le pew) so I spent a lot of time on the reddit just reading up about him and what others thought bcs i LOVE deep analysis on characters that I've liked and I stumbled upon a bunch of your comments (which again, loved reading!) and I put a name to the comment

found the same username on tumblr and simultaneously found out you were the one who goes into the games files and wrote those posts I loved so, AH! Hi!

hahah my 'fangirling' and backstory aside, right after I played Baxter's DLC I felt like I didn't understand the reasons behind his actions? I know everyone talks about how he has self-worth issues and wanted to just be a memory but I don't get how that all correlated to completely detatching and not wanting to be a part of MC's life? Like did he care at all? If he didn't, why keep your number and the gift you gave him in one of the memories (Sightseeing?). But if he did care, how did he so easily at the beginning distance himself professionally? AND THEN REMINISCE ON ALL OUR MEMORIES TOGETHER BUT GO BACK TO PROFESSIONAL; LIKE WHAT WAS THE INTENTION

I feel like it is such a stupid question since it seems like everyone else gets it and the game explains it so many times but I just did not get it 😭

so if you could! could you help me understand it a little better? (and if you have talked about it before, no pressure to rewrite it all here I'd happily read another post of yours about it if you could kindly link it!)

i hope that makes sense haha, hope you have a lovely day and genuienly THANK YOU for what you do with your blog! its so great and even if you don't answer this ask i will LOVE reading everything you still put out!

-jaycee <3

*ahem*

Firstly--AAAAAAA >//////<

Thank you so much!! I do my best to help out so people can understand the code, and at times I just see it as something fun for me. So, when people enjoy them as well, it makes me so happy~

Also, I'd be delighted to answer your questions about Baxter! His DLC is absolutely packed so I get that sometimes it's hard to absorb it all. You asking someone for "help" and wanting to understand (rather than simply giving up or writing the DLC off) is admirable, honestly, not something to feel stupid about!

For me personally, I do believe that there are layers to it, and I'll try to do things in a different enough way/simplify them linearly in case that might help. Included will be quotes from the game to help things flow best.

All that said, let us now go on this journey into Baxter's mind together! ᕕ(ᐛ)ᕗ

(note that this got so long that I put a TL;DR/summarized version at the end, I just thought it was important to go into as much as possible; I also have a Reddit comment here that has a smaller/quoteless explanation)

Childhood and Early-to-Mid Teens

Let's take this chronologically. Picture a young Baxter Alexander Ward all the way back in Golden Grove. He's a rich boy with rich parents, and by rich, we're talking really rich. What already is so much to an adult is virtually limitless in the mind of a child, and it earns him a certain reputation amongst the population. Everyone knows the name of the Mr. and Mrs. Ward's only child, and it makes him extremely popular.

However, that doesn't mean he has true company, especially as his neighborhood situation is quite the opposite from the MC of either Our Life version, who are given one or two easily-accessible friends depending on the game.

"The land my family home was built on… I suppose you could call it somewhat remote. It's a fair-sized estate, situated a little ways off from the rest of the town. So, until I moved into college dorms, I'd go as far as to say that I'd never had neighbors before."

In other words, there's no one around his age nor does he have a sibling to play with. This isn't a big deal at first, given that he's young, innocent, and raised where anything he wanted was in his parents' budget. He's expected to act a certain way, certainly, but he can't understand the idea of needing anymore than what he has: he's the cute rich boy that has "everything" and that every kid wants to be close to.

So much so that it gives him an ego about it.

"What I do distinctly recall is that as a child I unequivocally thought I was better than other people. That those who met me were lucky, and I could pick anyone I wanted as company. The onus was on everyone else to impress. "If someone was boring or maybe I just didn't like the colors they were wearing that day, I could find a new playmate, easily. After all, I had the most to offer. "Naturally, what I was 'offering' was what my parents had. A big, cool house, exciting outings, the best toys. It wasn't until I was eleven or so when I developed my first stable friends. They might not have been rich like me, but they had their own charms. Those ties couldn't be replaced."

"I loved it when they would come and visit; there was scarcely anything better. They never got over their sense of awe, and I ate it up."

"Becoming attached to other people, especially those people, made me realize what I'd believed wasn't true. And it was so obvious. They were wonderful. I felt things I never had before. "All it took was being who they were. It didn't matter what their parents did. No fancy venue could top genuine comradery with their company. "And for whatever reason, I was in the club, and I was happy. The person who was lucky to be there was me. "I had wanted my friends to feel the same way towards me. To have that kind of incredible effect on another person for no reason other than that I was Baxter."

Thus, the confident boy Baxter sees in the mirror everyday, like a framed painting of the kind of person everyone wants to be, becomes distorted. Kids didn't flock to him because he was "Baxter," but because he was a rich boy who could wow them. He felt that even the friends he did manage to acquire only hung out with him because they were lovely people, because they also were not immune to being awed by his rich boy things, and because he got lucky.

Qiu - who's part of his friend group - being his first crush likely doesn't help matters. It's no longer about his own personal satisfaction, where he shows off and the kids involved do little more than stroke his ego; now there are kids who are the ones offering him something, and it's something he didn't even know he was missing.

This begins the initial spark of self-worth issues for Baxter, and it's a spark that snowballs as time goes on. He doubts himself, he doubts his ability to make his friends happy in the way that they make him happy, and he - when he's fourteen - goes so far as to doubt the impression something as simple as his hair gives off.

"The generous might say I could count it as black, or that it was 'black in the right light' as my parents placatingly put it. "The fact of the matter is that it's a dusty gray."

"Who would notice a color that wasn't exactly black? And why would they care, even if they did? "Me. I noticed. I noticed and it bothered me, so I dyed it. "Was it something I wanted only for my own preference, or was it because I believed if I saw it as an imperfection then that meant everyone else did? "Probably the latter."

(note that this is around the time that an MC might meet him in Soiree and potentially become his second crush)

So now you have a double-edged sword of sorts where Baxter wants to be good enough as he is, yet is actively covering up the parts of himself that he deems as flaws to be corrected.

In trying to craft this "perfect/better" version of himself, he's created a scenario in which he cannot win. Even if said version could make people happy, he is still not the real version of himself and goes on believing that any amount of joy he does create isn't even "him" doing it anyway.

This is already excluding the fact that his parents are *:･ﾟ✧ garbage ✧･ﾟ:* who always wanted him to act a particular way, and he knew they'd take issue with him if they didn't raise him personally.

"They understand care through the lens of control and protection. That's been their way ever since I was young. In that sense, they treat me no different from a child. "But, of course, they are quiet, educated, esteemed, and a tad old. As is their company, most days. That's not the environment to act as a kid. "That meant I've always been expected to behave with the maturity of someone their own age, or perhaps even older, somehow. "A bit of a paradox, isn't it? Do everything as an adult would while getting the respect an infant does."

"They're family and I'm their son. That is what matters at the end of the day, blood related or not. "I'm thankful for that as well. "Now, if I wasn't the boy they raised together in any capacity, then there would be problems."

Even the air of sophistication he has comes from his upbringing (though he's at least made that his own). There's the Baxter he actually is, the Baxter his parents expect him to be, and the Baxter he's trying to build up for himself to be someone he thinks can make those he cares for happy, all things that he tries to deal with himself as if that's at all manageable or healthy for him.

To the surprise of no one, things still aren't perfect. Without a trust that his friends like him simply because they like him, he doesn't realize - or refuses to contend with - the truth of the situation, and the age gap between them starts causing difficulties.

"I was older than all of them. As sheltered as I was, I got along better with kids not quite my own age. Immature as always, hm? "Life changed fast then, and the years between us became more noticeable with every day. I never reached a point where I felt like I knew what I was doing before suddenly, it was as if I didn't belong with them anymore. "That they didn't have time to keep me around with the differences in our schedules and priorities. And I accepted that. So, the friendships ended. We stopped talking as young teens, and I haven't even seen them since I left for college in 2015. "I thought they mattered to me, but when have I done anything for them? Why did I deserve to be liked and included when all I did was want that to happen and abandon them when it didn't?"

Now we're getting closer to the white-and-black-haired Baxter we know as, at the time he leaves Golden Grove, he's just one year away from his visit to Sunset Bird and simultaneously no closer to knowing what he's doing. He's broken off from his old, cherished, and only significant friend group, and now he's all the way on the other side of the country in Virginia by himself.

He's still chaotic, still kindhearted, yet has no clue that he deserves to have the kind of companionship he longs for. In the year of him being at college, he fails to make those kinds of connections, whether intentionally or otherwise.

"Instead, you could say I don't have many friends. I spend the majority of my time on my own, though I do attend parties and other gatherings when I am able. "I do not have anything quite similar waiting for me there. Don't feel bad about that. "It is only to be expected. I did move across the country. It is a fairly common phenomenon for those of us who do. I'm a regular fish out of water, if you will."

"It hasn't been easy to find anyone to reminisce with, not for a while. But then again, I only developed a sentimentality once I'd gone off to college. "I was too young and proud for that sort of matter before then. There wasn't anything in my life to harbor much sentimentality for. I suppose leaving was the catalyst. Isn't it always? "But once that part of my mind had developed, there wasn't anyone around to share the emotions with. My classmates and I… we don't have that kind of relationship."

His parents are also just as controlling as ever, only allowing him to enjoy his semester off from college under their rules and in a place they personally chose and are comfortable with. Baxter, who had no interest in going home to Golden Grove and thus agrees to the terms, can only make himself comfortable by finding his own ways of having fun, such as renting a car despite being underage.

"At a minimum, I can honestly say that I wish that I missed it, if that makes sense. I don't know how you feel about your hometown particularly, but you should at least be able to appreciate that I spent all of my youth there. "I'm not so jaded as to totally discount the place, far from it. But anything I liked about my home wasn't exactly exclusive to that locale. The US is a big country, and there are plenty of beautiful things to see wherever you go. "I've experienced enough to know that much, at least. So no, I don't miss it. And I won't be going back. "If my parents wish to see me, they'll have to be the ones visiting where I am.

"Mother and Father agreed to me vacationing on my own, but under the condition that they would have the choice of where I stayed. "California being fairly close by, and Sunset Bird being so quaint, not to mention our prior excursions to the area, they concluded that this was the easiest way to keep me out of trouble."

Basically, it's all going back to his line about expecting him to behave as an adult whilst treating him like a child. He's permitted to vacation by himself but only in a town as "boring" as Sunset Bird where there would naturally be very few teenagers around his age. His streak for being a bit of a rebel reflects that.

What he doesn't expect is to meet a new group of people and the MC in particular, who unintentionally challenges his negative view on himself.

Step 3

From the very beginning, Baxter takes immediate interest in the MC and Cove, wanting to make one of those "blissful, temporary relationships" that will last the summer. Already, we have something of note, which is the 50/50 success rate he ended up having: MC and Terry were all for the absurdly friendly monochrome man that swooped into town, whereas Cove and Miranda were more hesitant (and thus didn't spend as much time with him) because his directness tended to put them off.

"I care a great deal about what I say and that it makes the correct impression. Yet I am not always successful. My approach is off, really."

"Now, this may be a complete shock to you, but… I've been told that I can come across as a bit too forward. I know. It can be hard to believe. My intent is to be open with people so we can connect. It almost never works out that way, though. I've had to come to terms with the fact that I don't possess a knack for making friends. "It was obnoxiously easy when I was a child. Especially due to that aforementioned big, cool house. But now I keep finding myself at a loss for how to do it. With the hit-or-miss endeavor, the vast majority of the time I come up with a miss."

"And I've never been in a stable, long-term relationship. They've all been brief, and varying levels of disastrous."

Put more simply, Baxter knows what he wants but doesn't understand what people want out of him (believing more that they don't want him at all). On some level, he's flying blind and simply does what he can to put his best foot forward, not wanting to miss opportunities when they present themselves to him. He's someone who likes seeing people thrive and enjoy themselves, and it's even better if he knows that he caused it.

"I live for approval."

Thus, as the "perfect summer tourist" who wants to vacation and have a fun time with those that he can, he seeks to do everything possible to make it memorable. That doesn't mean that he goes out of his way to do things he doesn't want to or portray himself as this person who doesn't even resemble who he actually is, but he puts on an air of not having any flaws that would cause him to be any form of burden to others.

This is even excluding the parallel of a group of four friends that he's involved with yet feels distant from or like he doesn't belong in at the same time; history repeating itself and what not, though in his case it's more like a self-fulfilling prophecy, emphasized by the possibility of him asking the MC out on a summer fling.

"I don't care about what label you'd choose to put to it. I could be your boyfriend, or nothing at all. "And you can also change your mind without consequence, if you find out it's not what you imagined further down the line."

Baxter gives the MC every out he can to make things as convenient as possible for them, not only so that the relationship isn't serious and they don't have to worry about it, but so they can break it off whenever they wish. He knows full well that even the person he's presenting himself as won't please everyone and sets everything up so he can almost anticipate the ending if the MC gets bored with him because he fails to impress.

He's interested in them, attracted to them, and feels that he'll enjoy their company, but he only thinks he can do the same on the short-term; that small amount of time where people are still learning about one another where little else is hoped for beyond good things.

Another way of looking at it is based on Baxter's view of control.

"It might not surprise you to know that I can be a touch… particular. I know the importance of coherence, with individuals acting in a well-coordinated fashion. And I like things to function well-for systems to operate smoothly. "I confess, you could call me controlling, at times. Not with people, but with processes. Especially when it comes to enacting plans. I'd much rather act under my own steam than follow someone else's lead. "I'm only flexible with the personal, not the business, aspects of life."

His relationship with the MC is, on some level, a process. It's something for him to carefully plan out and calculate to make it the best he can for them. Getting more personal would involve him revealing the parts of himself that he finds distasteful and believes the MC will as well.

Of course, he doesn't anticipate growing attached to them, which brings in the "risk versus reward" aspect. This can be seen when Baxter initially agrees to have drinks with the MC in the morning that he hates so much, where the safe option would be to simply postpone until another day, except he wants to spend time with them as soon as possible.

In that respect, it's not unlike him struggling to decide on the type of ice cream he'd like.

"My problem is this: I'm unsure if I should get a dessert that's to my usual taste. If I do, I'd be certain to enjoy what comes from the ice cream truck. That would be nice. "But, on the other hand, this may happen only once. Perhaps it'd be more rewarding to get something new, an option that would be challenging to find in a common store. "Which will add more to the experience? Indulgence or novelty? I want to make the right choice."

However, his risks don't end up panning out well in his mind because he's unable to get past something so minor as forgetting his wallet, when all he and the MC had planned to do was have a nice time at a cafe in Drinks. In his mind, the Baxter he's trying to present had failed, and what else can he do at that point (under his perceived logic) but do what he remembers worked from childhood?

"It's a question of knowing the right people who know the right people. We could have even had full backstage access with the main cast if I'd asked. "I do try not to lean on that kind of thing too much, if you can believe me. I appreciate it might not look like it now. You could say it's a means for me to preserve my sense of independence. It's easy to be popular if you can foot the bill, and I don't want that to be what draws others to me. "But after all that, here I am, leaning on the same old crutch. Nothing has changed since I was six."

"I suppose that was part of the issue. I didn't consider myself appealing enough as a person to be worth the time. So, I wanted the support of an exciting or interesting backdrop for meetups. "But… it shouldn't matter that much where you are if you enjoy who you're with."

Baxter expects perfection out of himself in the same way that his parents expected things out of him, and the limitations follow accordingly. He wants little more than the MC's presence and it is up to him to "repay them" for it. When he was a child, he was the one everyone else had to impress, and now it's the other way around: he has to impress those he wants to be around.

Except he's only human, and aiming to be the perfect person for the MC all summer simply isn't feasible, which he takes with every ounce of criticism one can imagine.

"This whole situation… it's asinine. I haven't known you long enough to be causing this kind of trouble. I'm quite literally a stranger. And I won't even be here long enough for that to change. As welcoming as you all are here, that can't be forgotten. "This was-I was-only ever supposed to be a part of the fun. A worthwhile piece of summer scenery. Someone who added to the experience, not held it back. You shouldn't have to baby me! To sit there and spend your time making me feel better when I don't keep it together. "The mess I am in the mornings, the drama I cause in the evenings: the person I am when the show is over. Those aspects shouldn't be any of your concern. I don't provide that support to you, do I? And how could I when I don't know you? "No. It's not fair to make you worried or, worse, guilty over what happens to me. What matters is that when we're together it's for the pleasant parts of existence. The less ideal shades of life can be managed separately. "That's all I wanted."

Two things to note as well is that he'll say all of the same dialog even if he and the MC have experienced Hang or Planning (where Baxter can comfort them), and there's a dialog path in Sightseeing (i.e: the moment most players will play first) where he'll openly say that he hopes they count for "more than strangers."

(He's additionally rejected the idea that he knows the MC despite relishing every given opportunity to listen to the MC babble about even the most mundane things.)

So not only will he deny to himself that comforting the MC was worth enough to count (or unintentionally block it from his mind), but when it comes to things becoming more personal, suddenly he's "just a stranger/near-stranger." The MC can be comforted when they need it but not him, and he's just some nobody tourist when it comes time to put any value on himself...

whether that be the simple things like driving everyone around, to the stuff that takes effort to notice like him seeing that the MC wanted to ride in the passenger seat, to the more complex like literally saving Miranda's entire birthday party.

"I couldn't have devised a more pleasant way to spend my time here, even if I tried. And to be frank, I have tried. I didn't come to Sunset Bird totally devoid of any plans or ideas. "You and your friends have invited me to participate in an event with great significance to you. It's a profound gesture to show to a relative stranger. "When it's over, and I'm long gone from here, I hope you can all look back on this party for years to come-maybe for the rest of your lives-and treasure the memory. "And if I am a part of that memory, then that is satisfaction enough. Though perhaps I'm in danger of giving my contribution too much credit."

A hypocrite (I say this affectionately, I swear) of the highest order; there are rules for himself and no other rules for everybody else. The things he does are never enough whereas everyone else does plenty by simply existing and giving him the time of day.

Leaving the way he does with no contact and little hope of seeing each other again is the inevitable result of the process he'd put together for his time with the MC and his summer at Sunset Bird. From the beginning, he's had a time frame to keep to, an intent to not get attached, an expectation that no one would get attached to him, and an idea that he would leave as little more than a memory.

"Only lately it's been different. Incredibly different. I almost worry my luck won't last. It will all be over soon. "I wish… I could stay."

Except he does get attached, just as the MC gets attached to him (in what he can admit in Step 4 is the most stable relationship he's ever been in), and now all the control he feels he had goes out the window. That's why he has the potential to get upset if the MC keeps pushing his buttons by questioning him.

"I would've preferred it to have been an enjoyable time having my company while I happened to be here, that was the intention. It seems I've ruined that on the whole. I accept the blame for that. If I had behaved better this wouldn't have come to a close on such an abhorrent note. "However, I am not an irreplaceable part of your life. I was a tourist, a novelty. And now I'm not even that. So don't bother with this."

To him, everything is so obvious: he got "lucky" getting to hang out with his Golden Grove friends, who were simply so nice that they continued bothering with him at all despite his flaws. Considering how that ended, he expected the same where no one would bat an eye if he left.

The MC trying to hang onto what they have isn't a sign that he had done anything right, but that the MC is being their sweet, considerate self in thinking about him. He's had at least five years of criticizing himself, of trying to make people happy yet downplaying it when he does, that everything the MC says goes in one ear and out the other.

"I heard you then and each reasonable suggestion to salvage the situation, but I brushed you off as if you were the one being dramatic. Or that you were lying."

At some point between having his Golden Grove friend group to now, his priorities had changed. He'd given up on having true value to people and instead focuses on creating moments (an appropriate word to use given how the game works) with them. It's a natural progression from not believing he's important to not believing he could ever possibly be.

Even basic traits he does have that one will likely see as something to adore, he won't attribute to himself.

"Now, I do admit, though, that isn't what one might call a grand love story. It's simplicity itself. "I'm not the most romantic or sentimental person in the world. I know that can be at odds with my formality, yet it's the way I am."

He'll say he's not romantic nor sentimental while being one of the most romantic and sentimental people in the game, so either he's unaware of it or refuses to associate positive words like those with himself. On the flip side, he can falsely associate others with credit for things they've done without acknowledging the finer details that might negate his point.

For example, in the Wedding DLC, Baxter gives so much credit to Cove for "staying" and "trying" without understanding that Cove didn't have a choice on whether to stay or leave the MC initially due to still being a child (who absolutely would have left and in fact did try to leave in the Step 1 DLC). He's also one of the few characters who doesn't consider Cove "clingy," probably because he's just as clingy if not more so.

By unknowingly projecting his self-hatred onto the MC's view of him, he's come to the idea that the MC has already gotten as much out of the relationship with him as possible without things completely falling apart, and daring to want anything further is his own self-interest/ego getting to him.

It's even to the point of deciding that everything is his fault if the MC kissed him in Planning when they weren't dating.

"I must apologize for that. I shouldn't have done it. Even at the time I knew I shouldn't have. That was a bad idea. One that only managed to complicate our relationship further. "I shouldn't have involved you in more of my selfishness."

So his conclusion in the Step 3 ending is that he's lost no matter what and genuinely cannot comprehend the idea that he had done anything right for the MC to want to stay in contact with him.

If the MC contently accepts separating from him, then that proves to him that he isn't someone worth sticking around for. If they instead get upset or want to stay in touch, then he has somehow done something wrong in the way he went about things and presented himself. It all goes back to being a scenario he's set himself up not to win.

"In short, what I'm saying is that I'm a fraud in all regards. You can't take any of it seriously, including what color my hair is."

"I don't deserve to have that kind of relationship with another person. That's why. I don't contribute anything. "Maybe I can impress others for a time, but how do you go beyond that? I can't say what it means to be significant as a person, to be irreplaceable. "And since I don't have the answer, I certainly wasn't going to assume I'd do it by accident. What does it take to add value to someone simply just by being there? I tried, but I never knew. "In my eyes there's a world of humans living freely among one another, while every connection I create is so fragile. If I make the wrong step I might hurt them, or be hurt myself, and if it's strained at all it will break entirely."

The sad part of it is that it makes sense, in a way. The things he did for the MC - baring perhaps that damned chocolate fountain - were almost effortless to him. He wanted to do them, so why would he think he did anything special?

One of the very few times he's willing to talk in any way bad about another is only if the MC uses Jude and Scott's relationship as a reason for why they could keep in touch. That's when his cynical side comes out.

"Of course, my rather reasonable prediction is that it will not last. Most relationships don't."

As things were that summer, Baxter viewed the MC as someone he would love to know, but not someone who wanted to know him because he doesn't think he's likable; that the slightest inconvenience to them - to anyone - would make him not worth keeping in touch with any longer. The MC also has friends who have been around longer than him, and he's never considered that he could have any role amongst them.

Tempting fate was never his intention, yet that's exactly what he does in believing they'll never meet again, drawn together as if the longing makes them magnetic to each other.

Step 4

As is standard with the inevitable passage of time and growing older, Baxter is slowly finding himself and improving as a person over the five years that he and the MC are apart. Some things change and others stay the same, whether for better or worse.

Though, any positives aren't particularly noteworthy to Baxter himself.

"I can say that I've improved some talents over the years and found a less eye-catching sense of style, but for anything meaningful there's been no growth."

Due to his self-worth issues, he never thinks what he does is good enough and is wholly focused on where he's yet to improve upon, even though he is fully aware about the parts of himself he has worked on.

"You don't need to worry. I'm not quite as sensitive as I used to be about mistakes. I will survive this, pride as wounded as it may be from these trials and tribulations."

"Part of the tragedy of adult life is learning to roll with the punches, so to speak. I suppose I should be proud of the fact that I can at least handle it much better than when I was younger. "Thinking about what kind of panic a younger Baxter would have been thrown into at the prospect of a missing shirt on an important day-"

Under that lens, it doesn't matter what he does or how he deals with the issues he feels are a burden to himself and/or others; there's always an asterisk - that he's attached to them - to act as a "yes, but..."

"I'm fortunate that thanks to my upbringing I happen to be well acquainted with formality and what it takes to authentically achieve it for an event. It's a unique kind of direct experience to wield. "Additionally, I deal well with the high level of control and detail-work one must take in a stressful event. "When it comes to work, I absolutely can make decisions. It's only in my personal life where I lack conviction. "And that's most suited in bursts with different people rather than a long-term position in a consistent group. You can easily get sick of someone who needs everything to be 'just so'."

Similar to the weddings he involves himself with as he graduates and gets a career as a wedding planner, there is an ideal final product to work towards, but one he could never conceivably be happy with because he's already starting from a place of seeing himself as someone worthless as an individual. It shapes said final product into something entirely unrealistic, never mind completely unachievable.

As for figuring out a life for himself, that goes hand-in-hand with where he ultimately chooses as his first place to live: Prism Vista City, which Mr. "Definitely Not Sentimental" ends up getting attached to.

"This, ahem, particular location was intended to be only a starting point. I was coming from the complete other side of the country, and I at least knew I enjoyed the area. "I expected to relocate once I had my bearings. It wasn't my intention to linger where I might not be welcomed. "But who could've guessed it was harder to pack up and leave everything behind once you had silly things such as an 'actual apartment in your own name' and a 'real career' tying you down? "Weeks passed, then months, and then, perhaps inevitably, I came face to face with one of the reasons I developed such a positive outlook on this state to begin with. "You know, it never ceases to amaze me. California is directly beside Oregon. I could practically walk there if I was industrious, and stupid, enough. "Despite that, being here is a wholly different experience than what I had being raised in the neighboring state. "Sometimes it seems as if I'm still a tourist. That I don't belong here, and everyone who passes by can smell the otherness on me. "Other days, I have the confidence to think I've found my own place in the world…"

That's one thing that never changes about Baxter in virtually all of his life: the desire to simply belong somewhere. What does change is how he approaches that want.

He wanted to belong with his Golden Grove friends, but fell out with them due to the circumstances and chalked it up to a failure on his part. When he wanted to belong with his Sunset Bird ones, he'd already decided himself that it would never happen to save him from any potential disappointment, and that simply being there for a summer would be enough.

In adulthood, he's given up on such things entirely. No more friends, no more flings, and even his most consistent contact - his parents - have been cut out of his life (though in the latter case, it's for the better).

"What happened, I do exactly… that to everyone who unfortunately crosses my path. "The acquaintances I made at college, dancing partners, the friends I had since childhood; my parents, though, that is an entirely different story. "The point of the matter is, excluding those I interact with regularly due to work, I have no relations whatsoever. That's simply the way it goes."

"To start, I haven't spoken to my parents in, mm, a few years now. That's what I meant when I included them in the list of relationships I haven't maintained. "Don't worry. It isn't a painful topic for me, exactly. Mostly I find it… disappointing. Frustrating? Certainly awkward. "Before I cause too much concern, they've never done anything to intentionally hurt me; my parents have always cared for my well-being. "And I can't deny how much they have done for me - all the opportunities and advantages I had because they provided them. They gave me the best they knew how and- "This is not as nuanced as I might be making it sound. "What a novelty it would be if I could speak favorably of my own family. Can you imagine? "That's not the case, however. "What I am trying to say is that my parents are, on the whole, good to me. And they do love me as their child whom they raised for nearly two decades. "Just as I still feel compelled to give them credit for the minimum, I'm certain they're telling their acquaintances endless excuses for why I'm so distant and unagreeable with them. "They haven't given up on me, in their own way. "But all that does not make them good people. "I can assure you that because they are not good people. I'm merely a rare exception to the unpleasantness. "My parents are selfish- they're sheltered. Even as adults."

"Imagining myself as not their son and not someone they loved seemed meaningless at the time. They did love me and that's what mattered. "Of course, it's not always enough, is it? "If I wasn't theirs, either through birth or adoption, if I was someone else's son, they… would hate me. "I know I'm foolish, on many counts. It took me a long time to realize that them being hypocritical shouldn't reassure me the way it did. "Baxter Ward could have as many 'shortcomings' or 'problems' as he did and it'd be fine because it was 'different' in that case. There were reasons, can't you see? "But they couldn't see that other people deserved the same kind of understanding. "And that some things weren't 'problems' in the first place…"

The true tragedy of it being that it's heavily implied that Baxter's parents did attempt to teach him or at least act in a way that would lead him towards a life without any meaningful relationships, which is what he got when he became an adult but not ever what he truly wanted.

"And their nonsense priorities and concerns are what my parents expected from me! "How ironic that I can finally see the silver lining of my lifelong struggles thanks to them. "If I never realized how poor my connections were, or if I never cared that my relationships were nothing more than associations based on conveniences, maybe I'd have been who they wanted."

Arguably, Baxter is at the most "successful" place in his life: he might not be rich anymore, but he's making his own money with a job that suits him, he has a nice apartment, and he's living comfortably.

Except he's not happy, and convinces himself that it's as good as he's ever going to get. It's both the highest and lowest point of his life.

"Of course, I wouldn't be able to understand the viewpoint of someone willing to commit themselves to another person for the rest of their life. "It's what makes for a good planner. I can get invested just enough in the premise to truly create something special, but I'm not attached to the real relationship. "And I'm not disappointed when it's over. "It's been years since I was careless enough to be hurt by anything. "I'd given up on trying for more than what I already had. Then I told others, and myself, that meant I was always content. But honestly, it made me bitter. "I didn't become the person I wanted to be. I didn't achieve the kind of life I'd hoped for."

He couldn't even maintain his relationship with dance, something he'd adored since he was young and now limits to lessons given to wedding couples.

"In a way, I fell out of love with that passion. "It became tedious and unsatisfying to do it with complete strangers, and I didn't have enough hours in a day to dedicate to a long-term competitive partner any longer. "But perhaps I should've tried harder not to give it up entirely. "How embarrassing… even my choice of hobby revolved around having a serious and understanding relationship with someone else. "The precise matter I've had a lifelong struggle to obtain."

As for the MC, Baxter misses them desperately, but goes about his life as though he doesn't. He's committed to viewing himself as someone who doesn't deserve them and that what he did was the right thing to do.

It would seemingly be "easy" then to let go of anything that reminds him of them, in hopes of either limiting the times that he finds himself thinking back to those moments or steering himself towards moving on, but he can't.

The MC's souvenir (if they gave him one)...

"I am fond of it even now. I've never been able to part with it. But isn't that what souvenirs are for? Keeping for the long term? "I'm being entirely reasonable for holding onto that after thoroughly leaving everything in Sunset Bird behind."

Their number...

"I had your number all along. "Of course, I never looked at it over the years we were apart, but didn't have it in me to delete it either."

Even the khaki shirt he wore during Mountain (if he and the MC were dating at the time and they invited him up to their room)...

"It remains my stolen property to this day."

He keeps all of them, unable to let go of the feelings the MC caused within himself but locking them deep inside rather than addressing them. He has the very method for contacting the MC at any time to reconnect, to explain himself, to apologize, to confirm or reject his own doubts over what happened, but he doesn't out of fear.

"I said it before- my concern was protecting my own feelings. Anything I did to that end felt justified. "The more time and experience let me reflect on my actions, I only became more convinced I should stick to my word and not trouble you further."

"I've also missed you over those five years. "And Terry and Miranda and Cove and that summer in Sunset Bird, but mostly, it was you who I thought of. "During that trip, I did feel wanted. "You made me feel wanted. And… important. "It was exciting and amazing, and felt impossible it could last. The shine would wear off eventually, as always. I didn't want to see it happen. "What if I seemed pathetic for being attached to people I met on a short vacation? You had your real group of friends who lived with you there already. "Or what if you stopped responding to me after realizing I wasn't that interesting? Or why would I have even assumed there'd be a reason to talk to me at all once it was no longer convenient? "I'm aware that's not a kind way to view you, but it wasn't that you'd done something to make me believe it would happen. It's my viewpoint for every situation."

Baxter never once thinks that the MC is a bad person, simply that he is the problem and even the best of people will "understandably" lose interest in him if there's any interest to begin with. As someone who likes control and has been conditioned to stray away from more personal relationships, it's advantageous to him to remain in his self-sabotaging mindset.

It's what he's used to.

"I can't afford to flitter off on vacations whenever the mood strikes the way my parents can, but I have a very comfortable existence. "It's nice, if lonely. "Of course, let's not pretend I have anyone to blame for that other than myself. I ended every relationship I had with my own actions. "It's the story of my life. I want to be liked, but I don't want to be important. "A suitor for a season, the planner at a wedding- it's that kind of role I'm comfortable in. "Perhaps that's why I'm drawn to people who are wanted by everyone else. They don't need me. I can be someone, I can't be 'the one'."

So when his Step 4 begins and the MC unexpectedly shows up back in his life, five years after Baxter expressed confidence that they would never meet again, he can barely handle it. Without his say so, he's being confronted with feelings that haven't faded, and ones he already thinks are ridiculous of him to have considering how short of a time he'd known the MC.

The best he can think to do is to put on an air of professionalism and brush the rest off. He'd already left, not contacted the MC for so long, and had remained determined to never see them again, so he doubles down on it.

"I'm merely an employee of your friends. Please feel free to ignore me entirely."

However, it's not tenable, because Baxter has never been someone with the impulse control to keep him in check. Even in the few days he knows that the MC will be around and then leave afterwards, holding himself back from doing what he wants isn't something he can keep up for that long.

In front of people like Jude and Scott who he doesn't know, it's at least easier, but around someone like Xavier who he has some form of friendlier relationship with (only a day after he'd conveyed to himself and the others that he's nothing more than the wedding planner), he's already dropping stories about the past.

"As soon as it comes to you it appears my reason goes out the window. Along with much of my dignity. "But that is how it is."

"Enjoying myself in your presence is the most natural thing in the world. Frustratingly so, at times. I find myself letting go of more than I intended to."

It's also not that Baxter doesn't want to talk to the MC because, if the MC tries to get him to talk during the ride back from the bakery, he deliberately makes it a game of rock-paper-scissors that they'd be guaranteed to win if they wanted to. He could've shut them down entirely if he didn't care, but he finds a middle ground of technically not agreeing outright while still letting the MC talk to him.

"The petty types of decisions that were best suited to be decided with randomness mattered little to me. "It was far more amusing to see who would use the advantage they had to win and who would be willing to take the loss, and why they seemed to do so. "At the bare minimum I'm not that much of a brat any longer. "As an adult, I use it mainly to get away with not making decisions of my own. Whoever is playing with me has the responsibility to win or lose because what they're up against is preordained. "I don't even need to choose which symbol my hand takes. It's easier that way."

Not that it means he's alright with it either. Baxter is already under the stress of planning a wedding in a matter of days and now has to deal with seeing the MC again, sometimes one-on-one. He doesn't want to be cruel to them, doesn't want things to be so difficult, nor did he want the MC to be "forced" to go with him to the bakery (on a suggestion he couldn't have known would lead to it), but that's what ends up happening.

"I'm not any less immature than I was five years ago, it seems. I've been incredibly rude to you, and that is inexcusable. "You're not unwelcome near me. Of course not. "However, I'm here to plan Jude and Scott's wedding. My priority is that only, and I don't want to get caught up in anything else. "There's no need to reminisce. I hope that's not insulting, it's honestly not meant to be a strike against your character. "You are a lovely person and have many wonderful friends. You don't need me to be an active part of your life."

"I apologize for what happened between us, I honestly do regret it. "I am sorry I hurt you. I am sorry I was unable to keep my word and have bothered you yet again. "I'm thoroughly humiliated and have attempted to get in your way as little as possible. Though I'm unable to quit outright; I couldn't do that to Jude and Scott. "We are both aware that I am fully incapable of making you happy. But in four days you'll return to your life blissfully free of my presence in it. "Please tell me, what can I do for you? I simply don't know…"

It feels terrible for him, but this is the cycle he's gotten himself into: wanting to stick to what he'd done in Step 3 under the belief that the MC would be better off without him, feeling nostalgic for the past to the point where it ends up coming out, behaving distantly as a result and hating himself for it, then apologizing just to do it all over again because he's constantly going against what he actually wants.

"Every time I'm arrogant enough to believe I know what I'm doing and that I'm in control- I don't and I'm not."

"From the moment you walked into that restaurant, my actions were nothing but self-preservation and damage control and, occasionally, reminiscing to an extent I was pleased with. "Yes, I had a 'professional commitment' not to let personal matters impede the work that needed to be done, but my distancing went far beyond that. "In the end, I was using their marriage as an excuse. "If not for that, then there would have been something else. Some trivial reason for keeping you at arm's length. That likely doesn't shock you."

Baxter is essentially shielding his heart from the very thing that would protect him from his own attacks on it. He goes so far that he considers texting the MC directly to be overstepping boundaries (even if it's for work), all after continuing to let go the most whenever he's reminded of times with the MC.

He's aware that he's attached and readily admits as much when it comes time to.

"Even I can admit I wouldn't do this for every client. "And somehow, that makes this worse. It's painfully obvious I have some personal investment, enough to merit this. "More than I intended to be. More than I ought to have. "I wouldn't have done this if you weren't here… "Even though Miranda was the client's sister- "I wouldn't have offered. It'd be overreaching, to do as much as I have. "I've gone beyond the line of pure professionalism more than once already. The cake is the icing on top."

"Well, naturally, it's against my better judgment to make anyone uncomfortable. "Of course, in such a tight spot Jude wouldn't have questioned any help he was offered. "But what would Miranda have thought? And Terry as well? If some strange man they knew long ago was getting that personally involved in their situation? "I wouldn't have crossed that line, no matter how much sympathy I had for Jude's position. "So, where did my confidence come from? Very simply- I thought you would understand. "That I had good intentions, that the odd lengths I went to was merely how I am, that it was okay to let me be involved. And if you did understand, everyone else would as well."

Deep down, he knows that he is not a stranger; that he knows the MC and trusts them on a level deeper than he thought possible before meeting them. The MC brings out the best in him while simultaneously revealing the most vulnerable parts of himself to himself, which gives him all forms of conflicting emotions.

"I… "It's odd, really. I'm the one who left. "And yet I haven't stopped seeing you as someone important to me. Important in my life. "It truly does seem as though everything I did was for no reason at all."

"It's been hard not to feel nostalgic, this past week. We've had quite a stroll down memory lane. Sometimes by happenstance, sometimes because I went out of my way to do so. "I have… fond memories of those days in Sunset Bird. Treasured memories. "Like most treasures, they're things to be taken out and admired from time to time, and then put away again. "Though, some are too delicate for even that. They should never be touched. "This evening is a reprise of something I never wished to relive."

To put it in another way, though Baxter cherishes the time he spent with the MC, anything that brings him back to such times confront him with everything he's tried to avoid.

Yearning for the things he'd tried to put behind him, the what ifs of things going differently, and the doubts of all he's done thus far based on his own conclusions...

"Back then, during my tourist phase, we took that brief trip to the mountains. On a hike, we passed a tree that had fallen across a stream. "If you can picture that, it was as if we were on opposite sides, and I couldn't take the path to you because it looked risky."

Not unlike his fear of the ocean, Baxter's biggest hurdle is that final step past the point of no return: taking the plunge and trusting in his ability to survive.

"It seems endlessly deep and unpredictable, with powerful waves and rapid currents. "And there are creatures lurking in there. Some of them are larger than me. It's unfathomable. You don't play with something like that. "If I enter that water, I'll never return from it. The ocean will swallow me whole. That's what I think."

It's only by the end of the wedding reception that he finally crosses that line and has the epiphany necessary to deal with everything that had happened: the opening of the oven to check the result of a baked cake rather than leaving it a mystery, the flick of the switch to look at a room he'd always kept in darkness prior, and the throwing of himself into deep water and realizing he can still breathe.

"In the past, I spent every moment around other people thinking of the limited span of our acquaintance. As if I wasn't seeing them at all, only the imminent departure. "Our arrangements fell in line with that. A clear timeframe, limited from the outset; predetermined rules set in stone. "It was that way five years ago. It was that way now. "We'd cooperate for a short period in service of Scott and Jude's wedding, and that would be that. I've said as much myself. More than once. "The problem is, as I only recently realized… "I forgot about that. "You see, I thought, completely and earnestly, that I didn't need to speak with you now, here, when I was feeling so… sensitive. "We could simply pick up where we left off later tonight or tomorrow. The fact that we no longer had a 'reason' to interact didn't come up as part of the consideration."

When he wasn't the one setting the rules, when he was the one caught off guard by someone he cared so much about reappearing into his life, when he was forced back into reliving past regrets and under the pressure of facing them all over again when their second/third time together was over, that ended up being when he found what he needed to talk to the MC. That was when he finally had to listen to what his heart was saying rather than constantly denying himself.

Perhaps even most importantly, that was when he had to face the fact that what he did - the suffering he put himself through for five years - had achieved nothing of value, and it's only through acknowledging it that he can keep it from happening again.

"When I left five years ago, that didn't make me happy. When I kept you at arm's length after meeting again, I was unhappy still. "If it doesn't need to be that way, if I was wrong, then… I don't know, honestly. I've never considered it a viable option until moments ago."

"It had been so long since I'd known what it was like to be included, to be around people who'll refuse to let you be left out, no matter how hard you try to weasel out of it. "Terry, Miranda, and Cove were too kind, but it was your gestures specifically that are at the heart of this matter. "Here's the truth: if you didn't ask me to dance again, in the afterhours of another event we helped create like you did then, it would have broken my heart. "That would mean definitively that I lost what we had. "But… if you did ask it would be more painful. Because that would mean- "It would mean even after everything, you hadn't let me go. That you accepted me still. "That you always would have, that I should've believed that all along, that the only thing I've done was hurt you and myself of my own accord. "It's horrible. I didn't want to know one way or the other."

The uncomfortable truth, a placating lie, or the blissful void of not knowing anything at all: those were the choices he had and he finally chose the uncomfortable truth, all for the closure the MC deserves and the potential prospect of a better future if he can only make it past the obstacles he'd set up for himself.

"But I can see now that I'm also wrong for making another decision for you. Even if the conversation went disastrously, you were owed a better explanation and an apology. "You had never asked me to leave you alone, I created that fiction. "I hope you can accept that I did care for you then- I care now. Of course, as ever, none of it counts for much if it's kept entirely to oneself."

"It's… a little hard to approach what I've sowed over the years. So many mistakes. "And even now, when I hope to make things right, to make things last, I'm forced to admit that I'm ignoring the reality of the situation. "This doesn't come down to what I want at all. I don't have the right to put myself before you. I never did."

"I suppose that is the true story of my life: me not understanding a thing and getting it all wrong at every turn. "But rather than dancing around this, I'll say it directly: not trying to stay in touch with you is something I've regretted for a long time. "I will always regret the days I lost, even now that we've reconnected."

That doesn't mean everything is magically fixed, nor that he won't fall into some old habits. He has to catch himself when he automatically excludes himself from the MC's meeting with their moms, and he'll still be apologizing and criticizing himself long after the MC has forgiven him.

"You've never allowed me to wallow in my misery, except for when you had to. When I made you have to because you couldn't get a hold of me. "But when I see you, I'm reminded of what it is like to be seen. "How it feels to have someone who knows you, cares about you, has memories with you, who wants to make more memories together. "And I tried to undo that- "Twice. By keeping you as far away from me as I could."

"Unfortunately, I've yet to think of a good reason why this admission isn't another of my patently bad ideas. It isn't as though I've been thoughtful in return. "I can't stand doing anything in the morning, even if I can pretend to, for my clients. As you know, I can't afford elaborate trips these days. "My only remaining social contacts are limited to the wedding industry, not performative theatre or owners of fancy cars or the like. "I've never been a good partner, even a good friend, to anyone who has crossed my path."

"My few victories were hollow and I'm still sorry I took that out on you at the start of this."

Nevertheless, he has no desire to run away from the MC now, because he never had a desire to run in the first place. He just needed to understand that it was okay to want, and that he wasn't the worthless person he thought he was so he could stop projecting how he felt about himself onto how people feel about him.

This makes way for Baxter to experience a lot of things that most people would have long since had at that point in their lives: he gets excited simply by having a person hanging out at his house, is incredibly pleased to have someone he can be (dance) with, and he's so amazed that he can have these things in his life that he's actively eager to prove to the MC how much he'll be sticking around, to the point of being ready to visit them at the soonest time possible.

"Hallelujah. Admittedly, a part of me was convinced I wouldn't go through with it. What if you thought I had lost my mind to follow you right after we barely reestablished a connection? "But having this last day together, knowing it was the last, was the final push to pursue what I actually wanted."

His story, essentially, is about a fall from issues of self-centeredness just to pendulum swing into ones of self-worth instead. It's about balancing on a tightrope of bringing short bursts of happiness to others while trying not to let his ego take hold of him again. It's about denying himself what he wants and refusing to hear otherwise before finally recognizing that he deserves to be happy.

That's Baxter Ward.

TL;DR:

Baxter starts as an egotistical child - encouraged by his rich parents and the kids constantly impressed by his showing off - but that changes when he obtains genuine friends and learns the value of real relationships.

Realizing that he'd relied only on what his parents had to make connections with people, Baxter doubts his own worth as a person and is unable to imagine that people would feel differently about him than he feels about himself.

Baxter falls out with his friends due to the age gap and not having time for each other, coming to the conclusion that he'd not done anything for them.

Under the belief that he has no inherent long-term value, Baxter goes on flings and seeks to create fun moments with people rather than anything that would require revealing more of himself than he feels is attractive to others; this has the side effect of making him highly critical of himself over even minor mistakes.

Baxter goes to Sunset Bird meets the MC, who (along with the MC's friends) makes him feel a sense that he might actually be someone important to others, which he then actively tries to convince himself out of due to fear of risks/the unknown.

After leaving the MC on no contact, Baxter continues to miss them, but feels like he would only bother them further if he saw them again even if it were just to apologize.

Baxter ends up seeing the MC again in his Step 4 and is confronted thusly by his unfading feelings. This leads him to try and maintain the distance he'd created in an attempt to protect himself, yet he's unable to keep himself from letting loose every now and then because it goes against what his heart wants to push the MC away.

Though horrified by the idea that what he'd done in the past might have been a mistake and preferring (at the start) to go on without knowing, Baxter ultimately reflects on his actions and acknowledges to himself why he's been doing what he's been doing, and that he doesn't want to let the MC go again without laying everything on the table.

[enden-k]

hey! i absolute love your art and specially your ocs. i don't know if anyone asked you already and i apologize if you already answered this but i was wondering how did you came up with vika and saran's dynamic? i find them really interesting and appealing to see and i wanted to know your thoughts on how they came to be. sorry if i didn't make much sense, hope you have a good day!

oh its just a dynamic i really enjoy (mutual obsession; intense, extreme, true love to the point of consumption in any way; anything but "normal" (for a lack of better word, i hate this word) love) but dont rlly see bc of ppl either making everything extremely vanilla and pure bc theyre afraid most of the time, or the constant noncon/one persons obsession w another whos scared/doesnt want it in comics and i dont like the one and the other thing

i dont want them to force themselves on the other but i dont want clinically pure romance either. i need them both to be crazy as shit, to be obsessed with other and the other wanting it too

theres also some other stuff i dont really wanna get into. lets just say, im interested in looking into love itself and imagining how it is. its safe and not scary when i study it through art and not irl. bc i think if i (or maybe anyone else whos not uhh. like me) would experience a fraction of sarans or vikas love, i would actually go insane(r) from intensity lol

i kinda like mutual obsession/a level of possessiveness; i like not the cutesy, cozy simmer of affection beneath your skin but the full blown, all consuming love eating you whole; i like the need to be the only thing in your beloveds gaze and mind; i like that intensity of love, it makes you want to crawl inside your beloveds body to fully quench your need to be close them; the need to consume them to keep them as close to you as possible; i dont want power imbalance but both of them on the same level and same intensity of love. i want them both to give and to take. its so hard to put in words and i can only hope i can bring it across w them properly

anw yeah. when i started writing amygdala out, my plan was to make a lovestory like i already said before since i usually dont do lovestories when it comes to original works (i tend to do horror/dark fantasy/comedies); its just, its a lovestory in my way, ultimate love how i perceive it

i love gross or eerie things behind a pretty and/or seductive/erotic layer; the beauty of horror and unusual things and over it all, smth pure and innocent (be it by looks or concept. in this case, its vika and their love)

i think amygdala isnt only a lovestory between saran and vika but also a lovestory in the sense of things i just really love (mutual obsession and deep true love, consumption, ghosts, tentacles im not even joking, horror,....)

tl;dr: man i love octopus

sorry this got so long and i feel like i dissociated somewhere in the middle of it so im sorry if this makes no sense, doesnt answer anything or if im jumping around. literally going insaner than i already am over my own characters here wahh

[homerforsure]

TL;DR: it's not my ship, but they were done dirty

I always always always come back to that weird little reveal that when they were first floating the idea to bring Tommy back, they said it was to do a storyline with Eddie and it got switched to Buck because it was too weird or tricky to have them both break up with their LIs offscreen but only one actress could come back.

Because a stepping stone relationship makes perfect sense for Eddie. Something short and intense with angst and softness for him to get to this moment of letting himself feel joy and to taste how truly good it can be. He didn't need an endgame relationship right now. He did need to have his "first."

Buck didn't need that. Buck is absolutely ready for his forever and he has been for a while and giving him the "inviting Natalia to move in and then catching his own bad habit for once and backing out" would have been great.

But that didn't happen. Instead Eddie had to sit like a hot dog on one of those rolling warmers for a season while Buck started the queer dominos falling (and I admit this is a little bit from a Buddie endgame perspective because it doesn't feel to me like the show was deciding to explore the a character's sexuality just for exploratory purposes and I'm willing to admit I have a blind spot here.)

And honestly I think the fact that Oliver cares so much about Buck and telling this story well both for the character and everyone who sees himself in him and that Lou met that energy turned the storyline and the relationship into a more beautiful beginning than it would have been in the hands of other actors.

Which gave the show it's next problem. Because we can all see that Buck is ready for his forever love and you introduced a new love interest and then instead of sticking to a few episodes of awakening and moving on, I think they saw that people were starving for it and latched onto it and Tommy harder than they expected. So it's an easy thing to do to milk that for a little bit longer, but it was absolutely the wrong choice because people got invested in a way they wouldn't have if this had ended after the original number of episodes we expected.

And Buck and Tommy worked! I think you can nitpick relationship things if you weren't that into it and write a breakup narrative using those seeds, but their puzzle pieces absolutely fit together. So much so that they definitely had forever after potential that everyone could see and a lot of people were excited about and investing in and oops wait that wasn't the plan.

So what do you do? You either abandon the plan and embrace the accidental beauty that you discovered and let it ride or you write your way out of it. Give them some hurdles, some angst. Give them a tear-jerking breakup that respects what you built and the viewers who are invested in it and slowly work your way back to where you wanted to be.

They didn't write their way out of it.

And I so don't want to believe that after the work the actors put in and the viewer feedback that they were still viewing the relationship as a placeholder ready to be yeeted once Eddie's arc got back in position again, but I'm not sure what the alternatives are?

Either it's being talked about that this is the last season and so if they're really doing buddie then it's now or never? Or actually the internet is not a valid reflection of the viewership as a whole and someone from on high said the plug should be pulled?

Or the storyline was stumbled into and fumbled around from the beginning and never treated with as much care by the people in charge of it as it was by the people who loved it.

IDK it's just messy messy storytelling and I say that as someone who is not a multishipper but who does value a good story and a good narrative. They let the relationship go on for too long to end it so abruptly. If there was going to be a breakup, there was a better one to be had and it doesn't make me feel good that my preferred happy ending could come from one that breaks the heart of so many of my friends. And if it isn't in the service of a bigger, already in motion endgame, literally what the fuck?

[gabrielsbubblegumbitch]

Can you explain what's the deal with Val's mother rosary?

OOOHHHH SURE I'm actually dying to do this since it was not possible to do in text!

(For the record, anon refers to this fic of mine but tl;dr when Valentino spawned in Hell he was holding his mother's rosary. He threw it away multiple times but it keeps reappearing.)

Basically, like Val said, his mother prayed a lot for him. She didn't want him to turn out like her abusive husband, so she prayed that he'd somehow avoid following the seemingly inevitable path of evil (she pretty much knew there was a slim chance he wouldn't get recruited by the cartel). But it didn't work. She was killed too early to even try raising him to be a better man. However, even in heaven, she kept praying, hoping to grant him some saving grace for all the awful things he was doing. But it wasn't enough. Val never even tried to redeem himself, and after death, he ended up in hell.

Okay, so here's where my Catholic upbringing kicks in: there's this belief that prayers can help souls in purgatory get to heaven. And while I might not be the most religious person, I'm a sucker for themes of maternal love and angst. So, the rosary becomes a tangible symbol of Val's mother's faith, powered by divine magic. Val himself has no clue about it, but it's essentially his ticket to heaven. Not a free pass, mind you, but a sign that his otherwise irredeemable acts could be forgiven if he changes his ways, because his mother spent her life, and even afterlife, fighting for his soul. It's more of a reward for her than for him. And that's the tragic part: Valentino will never seize this opportunity. I mean, there's no instruction manual attached, so he doesn't really know what the rosary is supposed to do. But every time he holds it, he recalls what his mother wanted for him and how much she cared. Deep down, he gets what he's expected to do, but unaware of the potential reward, he rejects the chance every single time. Because he's truly twisted, irredeemable, always opting for evil if it benefits him. And I like making myself sad with the idea that there's still someone having so much faith in him.

[littlealeta]

Spellbound (2024) Review [Spoilers]

Long post! Scroll down for a TL;DR and Aleta Rewrites Version!

I, at first, didn't want to watch this movie. But after hearing some surprisingly decent reviews, I decided to give it a chance. Coming out of it, I can understand why it resonated with some people, even if the writing is ultimately a mess. I think if this came out earlier, in the mid 2010s, without all the controversy John Lasseter has got into as well, I think this could've done a bit better among other simplistic films such as Home and Secret Life of Pets. And I probably would've liked it better myself back then, but alas, I am not a slightly mindless 17 year old anymore, and we live in different times where cute, heartfelt stories are not the only things a movie needs to be good. So, I must view this film objectively as it is.

I will have to say, though, the trailers hid way too much. It's not as horrible as they made it out to be, but still mediocre.

Story

So much to say here...

The story is a real mess. It literally pops off with the parents being monsters. We know nothing of their life beforehand at this point.

There are some good ideas here, like the dark emotions tornado. the parents being monsters concept and having the child be the one to parent their own parents sounds like it could be ridiculously funny, but the problem is, it doesn't do much to set it apart from other stories that have done this before, Brave and Spirited Away with the parents being creatures concept, Wonder Park with the dark emotions symbolism, and It Takes Two with two fighting parents going on an adventure. The monsters at the start could just be Eileen's annoying pets and there would be no difference.

I also like that the main conflict revolves around divorce, a theme that is rarely touched upon in media, especially for children. It's unfortunate that this doesn't come into play until halfway through the story. The message is very heartfelt and a good lesson for children going through this same situation.

There are some good scenes here. Like there's some creative and beautiful segments like the echo or the Look for the Light scene. Most of the humor is actually well-written, although, I probably could've done without the freaky friday thing as it doesn't really contribute to the story. There are a couple times where I felt the humor is tacked on, but other than that, most of them felt natural.

One thing that doesn't make sense about the story, though, is the parents gradually getting their humanity back after it was said that they would get it back at the lake. This was never explained. I believe I could subtly see the reason why that may be the case. The parents and Elliaan are starting to accept the reality of the marriage. But, there's not enough implication to connect that reasoning to the story, and it just feels contrived.

The way conflict gets resolved is often anticlimatic. Like, in the echo scene, the parents suddenly saying "Girl" for no reason and getting their humanity back felt rushed and contrived as well as Bolinar being able to somehow call in the other flinks during the big climatic moment.

Characters

The characters either don't really have much personality or feel one-note.

Princess Elliaan is just your typical Disney protagonist. She's cheerful, optimistic, good-natured, and a bit clumsy. She lacks any flaws, quirks, or depth to help her stand out.

The parents only show their personalities when they're fighting. They, too, have nothing to make them stand out.

The only characters who kinda have a personality are Bolinar and the Oracles, but even they feel a bit one-note. Bolinar's only characteristic is that he's perpetually negative, and he really doesn't contribute anything to the story. The Oracles, being minor characters, aren't very memorable.

Flink is just your average trouble-making Disney sidekick.

Animation/Music/Voice Acting

I love Princess Eileen's design, I think she's very cute. However, that is all the positives I have in regards to the animation. There are some different artistic styles used in some of the musical segments, but most of the animation is just your average 2010s 3D animation.

Music is alright. Most of it is not memorable. There are a couple of weird moments where it seems like the characters were talking more than singing. My personal favorite would be The Way it Was Before. It's catchy, and the sweetest and most heartfelt song out of them all.

The voice actors do well with both funny and serious moments. I have to give props especially to Rachel Zegler, for both her singing and her ability to convey emotions. I really felt her character there.

Overall/TL;DR

I give Spellbound 5.4 bells out of 10

The story takes too long to reveal itself and get interesting. There is barely a concrete arc there, it could easily be seen as a movie where "things happen". A lot of the conflict is resolved anticlimatically, too. There are inklings of a deep, emotional, and creative movie in there, but it needed some more drafting to get there. The comedic timing is mostly well-written, though, besides a few tacked on moments.

Characters feel pretty one-note and Elliaan is just your average Disney princess.

Besides a few artistic musical segments, the animation is mostly generic. Although, I think Princess Elliaan is very cute.

Music is ok, quite forgettable. The only catchy one being the heartfelt The Way It Was Before.

Voice actors did their jobs well, especially Rachel Zegler in terms of both her singing and emotional range.

It's passable enough for kids and those who want to Netflix and chill. It's a simple movie with a good heart and there's nothing wrong with that, but in terms of story and characterization, it's pretty bland with nothing much to make it stand out from other animated kids fare.

In an Aleta Rewrites story, I would of course start off with the parents being humans. Elli is harboring resentment for them due to their constant fighting and planned divorce and just wants everything to be peaceful again. Due to Elli's resentment, the parents themselves are having trouble going through with the divorce because they want to "stay together for the kid". Their fighting causes the parents to turn into monsters because this is how Elliaan sees them. At the start, I would try to do something a little more creative with the parents being monsters concept to set it apart from other movies that have done this before. Like, maybe instead of just having them be rambunctious creatures, show more facets of their personalities. Like, maybe the parents' personalities are still somewhere in there and they're trying to talk to Eileen or trying to help Eileen, but their monster sides just keep coming out and it just all ends in the wrong way. Also, show more of the parents fighting as monster forms instead of just acting like pets causing trouble around the castle.

Let Elliaan's growth happen more naturally instead of at the last minute. And her growth (her acceptance of the changes the parents want to make to their marriage) is the reason her parents slowly gain back humanity. Their adventure is a representation of Elliaan and her parents' journey to accept the truth that the marriage is not going to work out well. Show more symbolic elements of Elliaan's resentment and her growth similar to how you showed symbolic scenes of the parents fighting with the quicksand and the echo.

I would also have Bolinar be more of the foil who often ditches and kinda gets in the way of Elliaan and her parents' adventure. His selfish attempts at trying to get back his body hurt their plans (more scenes like the acorn trail scene), until he grows to be more helpful in the adventure and realize his selfish ways.

[ebonysplendor]

Infatuation 💰🏞️

TL;DR: What's worse than running away from one psychopath? Running away from six psychopaths. Even worse than that? They're rich psychopaths, with shmonies. Also, can we make a damn plan and stick to it please?!

Game Link: https://aspenglen.itch.io/infatuation

Notable Features: Self-Insert, Customizable (somewhat), Multiple Endings, Multiple LIs, Yandere LIs, 4+ hours of gameplay Spiciness: 2/5 -- It can get a little flirty and a little spicy here and there, but the main "spice" is when there's an unwanted advance from some of the LIs LI(s) Red Flags: 3.8/5 -- Kidnapping, drugging, nonconsensual sexual advances, tied up, branded, verbal abuse, emotional abuse, physical force

Wanna know more? Meh...I say not unless you're at least 16. There's not an age restriction, buuuuuuuuuut I don't feel like anyone's 12-year-old sibling should be playing this. That being said, I can't do much from behind a screen, so let's get into it!

Just a heads up, the game was long as shit, so this review is going to be long as shit;;

Oh hey. Didn't see ya there. Oh this? This is just my first post in about a month. Thought I'd just...sliiiiide on in here, get thangs swangin' again. Lol but no seriously. It has been a pretty crazy month, but I've finally got enough time and rest at the same time to finally make this review, and aha...

Respectfully...I understand that all good things must come to an end, but damn, I really miss that phase where I was running into all the really good visual novels...

That being said, I know what I said, but hear me out! The game isn't...awful...but I didn't really vibe with it. Like, I know why I didn't vibe with it, but I'd rather wait and get into all of that during the review portion. Hopefully, based on the summary I give you, the review and criticism I have will make sense.

Anyways, this game, interestingly enough, is actually a rendition -- am I using that word right? I believe I am...? -- of a story that was written on Wattpad, and don't act all brand new like you don't know what Wattpad is! You know damn well what Wattpad is because here you are playing and reading visual novels and reviews of visual novels about toxic ass men being a (forced) love interest. Don't try to play me. I'm getting distracted though!

So the name of the story on Wattpad, like the game, is Infatuation, and it's about...well actually, I'm gonna give you a summary of what it's about because this visual novel is based off of it! I was going to give the actual story a read after I finished the visual novel but, uh...

Almost a 24 hour read???? Yeah, no thanks, and you'll hopefully understand why I didn't have much motivation to give it a read after my review.

I'm pretty over yapping in the intro, though, so let's head into the actual game, yeah? As per the usual, I'm going to tell you as much about the game as possible without ruining the game itself. Without a better transition sentence, let's get into it!

So boom.

We're on our way to school, and we meet up with our -- quite frankly -- thirsty ass friends. They're pretty much raving about this new group of boys that had just transferred to our school, because, not only are they super rich, they are, apparently, extremely attractive.

We pretty much brush this off, though, because we're not looking for anything romantic. Honestly, we're barely looking for anything platonic; however, we agreed to be their wingman since we're essentially God-tier at picking up men that we don't want.

That being said, by some weird stroke of luck -- or misfortune, considering we know that this is all going to go very left as the story progresses -- we proceed to run into every single one of them. And I mean

every.

single.

frickin.

one.

of.

them.

Well, kinda? The blond one had a class with the blue-haired guy, us, and the bestie. The purple haired one -- even though it's more of a burgundy? -- was in the vicinity after we had pretty much asked the other boys about him because this was the one that the besties were simping over the most. But the rest? Pretty much had a one-on-one moment with all of them, even if one was extremely douchey.

Anyways, we're kind've going about our days and the besties are still thirstin', and, admittedly, we're getting closer to these guys -- too close. One of our other friends -- his name is Hiroko -- pretty much warns us about them because something just seems real sketchy to him about these guys. That being said, we just kind've brush him off, because it's, like, sir? Who are you to talk about someone being sketchy? Like, lmao mans is a full on delinquent with a whole ass gang and a criminal history with the police, and they can't stand his ass.

He's a good sport about it, though, because even though he's like "You're a full blown dumbass for that", he's like "True, true..." and just warns us to be careful around them. Now mind you, his concern is totally fair, because it's discovered later on that they pretty much fucked up this one kid's world -- you'll have to discover how during your own playthrough, though. I ain't tellin' you all that lmao.

Now, fast forwarding a lot here, shit lowkey starts hitting the fan because the bae comes back in town -- not official bae, but still bae -- and conveniently enough, he is the brother of our two besties

Everyone. This is Kenzen; the man that we're pretty sure is gonna be our husband and baby daddy one day, maybe not even in that order, but those things exactly.

Now, the reason why shit starts hitting the fan is because all of a sudden, the school boys are starting to realize that we already have our future husband picked out. Shit proceeds to get super tense once this knowledge it learned, and the boys are start to slowly but slowly lose their shit. Allow me to show you

Exhibit A: A most vicious side-eye competition

Exhibit B: The OG death grip and growl

and Exhibit C: The comply or choose death, but drunken

Oh, and let's just throw this one in for some added flair.

And definitely this one.

And why would we not add this one?

Yep, the fan was pretty much hit with shit so...yeah lmao. Go ahead and give it a go so you can see how we ended up with the most romantic gift of a necklace and a finger.

Lmao I wasn't joking about the finger by the way.

And now to air all of my grievances...

Lol nah, I'm joking, but also...there's a lot to unpack here.

First off, let's talk about the good!

So...our psychopathic LIs. Can we just acknowledge the diversity? Like, you had your pale guy, your dark guy, your tan guy, your fair skin guy, like...? I seriously appreciate that time was taken out to actually make all the LIs look different from each other and not some copy-paste, change the eye color and hair thing. I absolutely LOVED the diversity of the LIs.

Not to mention, the MC is diverse a well! Granted, like typical, we can't really SEE it except in the occasional CG, but it was just dope that there was even an option, ya know?

Also! The concept of the story was actually pretty solid! Some of the things that happened were interesting, and I definitely had a "...Well, damn ._." moment here and there.

Now for the...not so good.

This flowed like a stereotypical Wattpad story. That's obviously no fault of the dev, but, for me, the point of renditions is to take something and make it a little better or give it some extra flair without ruining what the OG creator intended -- that didn't really happen, and that was honestly what bugged me the most out of everything.

I didn't really care that there'd be strings and strings and strings of dialogue before the next choice finally came up nor did I care that, while it appeared to be choice heavy, it was actually just an illusion on choice where it didn't really matter how you responded to certain things; it just was. But yeah, the pacing was...well, let me expose myself a little (don't come after me. I'm a tiny and cozy blog lol)

If you make posts on tumblr, then you know what this is. For those that don't know and/or can't guess what it is, this shows the interaction that my blog gets or my "activity" more accurately. The reason why I brought this out was because...this was how the story's pacing was.

First, it'd be on a steady progression, and then it'd drone on and on and on into a plateau, but then -- out of no where -- shit will randomly escalate and just take off into this fit of drama...but then it'd quickly drop. There was no real flow, and when there was, it'd be super inconsistent. Not to mention, the wishy-washiness of the MC and the unpredictability of the LIs (which duh, right?), the pacing would just take off and then would come to a dead stop. It's like there was no balance between the narration, the drama, and the transitions to the next scene. Like, yeah, you've gotta story tell, obvi, but don't drone on for-- actually I can show you that as well.

Did you notice how long that clip was? Imagine how long it took to read...

That was just straight up narration, and there was multiple times where this happened. Nothing really happening, no choices to make, just straight up narration. Well, no, I lied a little. Things did happen, but once again, it'd come out of no where. It, quite literally, will go from having a normal conversation, and then the yandere side just comes out totally unprovoked. Like? It's honestly more for shock factor than for story, and it got to a point where I was honestly just tired of the game itself and was wanting it to end...but it ended up being 3 hours longer, and I'm not even joking about that. Once again, I can show you.

This was the point I started getting ill with the game but felt that I was towards the end and pushed on to finish it out

This was when I realized that I was clearly wrong about that being "almost the end" and took pretty much another 3 hours to get through.

And yes, for the most part, I played it in one sitting with the exception of when I got me a little snacky snack and went to pee. Oh? You're curious about what time I started playing?

Around 5 hours beforehand...

Notice that that all says 19 June 2024. I have never been so glad to see the ending screen...

It wasn't even because it was bad! It was just. so. extremely. long. And for, what felt like, no reason to be that long. Granted, I could've stopped and saved and came back, but it always felt like I was either getting to the end or to a good part, and it just never came -- not that there wasn't any good parts, but...never mind, I feel like I make it worse the more I try to explain...

Anyways, the game wasn't awful by any means, but it definitely could use some improvement. The whole thing had good potential, the pacing of it really just killed it for me, and had that been better executed? This would've been a great game, but it's honestly just...decent. It had multiple endings, but outside of each of the yandere LIs' ending? I didn't bother trying to get the others.

Even still, while I don't recommend the game, I think it's still worth giving it a casual playthrough! There's plenty of material to read, and there are some interesting parts! Like I said, it's just a pacing issue. Not to mention the MC was pissing me off with that wishy-washy bullshit. Like, bro, survival is at the top of the list. Why are you making a plan and doing the exact opposite of what you were gonna do? Like, what the fuck is you doin'?!

You'll understand it when you play it yourself so...give it a fair try? Here, I'll even put the link here! Heck, and give the dev some encouraging words and, even though I didn't see it, some monetary support! The game itself was honestly fine! It was just the storytelling needed some work, which lowkey isn't even their fault because it was based off of a Wattpad story (I'll link that again here, by the by).

Okay, this review is about to be the same length as the game. I'm going to go ahead and head out of here. Just to reiterate, the game is free! Giving it a casual playthrough never hurts! I mean, what've you got to lose except about 4 - 6 hours?

Okay, really, I'm out of here now! Remember! Drink water, don't be dumb, and hope to see you around~!

Infatuation

[crehador]

brother crab's fall 2024 parting thoughts: uhhhhh basically everything

doing these all in one batch because i have been falling behind big time this season orz

long post under the cut

acro trip & kabushiki gaisha magi lumiere: the two magical girl series i picked up this season, both delightful! my only gripe is i wish acro trip had also gotten a season two, but thrilled to have more magilumi coming eventually

sengoku youko: after the wreck that was biscuit hammer THANK FUCKING GOD THIS WAS GOOD, and it was really. really. really good. it's not the, like, shiniest thing you'll ever see in 2024 in terms of animation, and the story isn't exceptionally unique or anything, but it's a great, classic adventure fantasy that has a really nostalgic feel to it

haigakura: ummmmmmmmm the less said the better. let's move on

tasuuketsu: was it good? no. was it compelling? also no. did i watch all 24 episodes? well. man idk the beginning was a mess, and not even the fun sort of mess, and the situation did not really improve. however i do feel like there's some potential in the characters and death game mechanics here, just fully unrealized potential, which is just... frustrating. anyway. do not recommend

touhai: this one's rolling onwards into a second cour but this is the fun sort of mess. it delivers on its gritty-dark premise in all the ways that yakuza fiance (i'll get to that) doesn't. do i even necessarily like its gritty-dark premise? ehhh... but i do respect it for being just. balls to the wall ridiculous

raise wa tanin ga ii: mannnnn this one probably warrants its own post because i could go on and on about what i found lacking here if anyone wants to hear it, but the tl;dr is i just don't feel like they committed to the yandere-ness of the yandere relationship quite enough. but i did love yoshino and i did love kirishima... 's voice (basically picked this up solely for ishida akira lol) so it was fine. whatever. it was fine

rekishi ni nokoru akujo ni naruzo: surprisingly decent villainess series! for a while it seemed like it was going to fall into the boring old trap of actually the villainess is Good and the heroine is Evil. while our aspiring villainess is clearly not Evil in this, she's at least going about her supposed 'villainy' in a somewhat interesting way

kimi wa meido-sama.: i... i don't know. i think overall i did enjoy this, i remember it having a really strong start, the main characters were both really charming and fun, but it sort of fizzled out for me. i don't really have a problem with the flagrant wish fulfillment-y vibe here, it's just i guess i feel like it didn't really strike a steady balance between the romance, the slice-of-life bits of yuki trying to lead a normal life, and the looming hints of her ominous history. it's not that these things can't all coexist, the show was just a little clumsy about balancing them imo

kamonohashi ron no kindan suiri s2: honestly i don't think this has gotten worse, i think it's just gotten to be not my thing. when ron said "this is the last case i'll ever thought" i said out loud "promise? 🥺" so... i probably shouldn't continue if they make another season. but they did just get suwabe in here so. we'll see

blue lock s2: lol. lmao even

goukon ni ittara onna ga inakatta hanashi: an absolute delight! all the characters wound up being really fun to follow but for me fuji and asagi absolutely stole the show. they were just too good

maou 2099: this has one more episode to go, but i can't imagine my thoughts on it changing much. and my thoughts are it was fun! nothing mindblowing in the end, but solidly fun. you can feel the hpmi all over it

natsume s7 & bleach tybw cour whatever & beastars final season pt1: lumping these together since pretty much all i have to say on them is it's more of the same, which is a very good thing. bleach and beastars quality is staying up, and natsume is still the same natsume we know and love which is exactly what i want it to be forever and ever

dandadan & ranma 1/2 & ao no hako: grouping these together because they're clearly the big names of the season (well idk about ao no hako but i certainly hope it's one, because it deserves to be) and there's not much i can say that hasn't already been said. they look great and were/are (ao no hako is continuing into a second cour) a delight to watch. dandadan does a great job of portraying not just kids being kids but weird kids being weird kids, which is a somewhat rare delight. ranma 1/2 and ao no hako are both peak romance. ranma is also such a visual joy to watch

of the three... ough... i feel like i have to give anime of the season to ranma because it was just such a pleasure to watch, but i have such a soft spot in my heart for ao no hako right now. it's just gorgeous, and the characters feel so wonderfully real. the only thing knocking it down a bit is i don't enjoy love triangles in general, but like if there has to be one, ao no hako's is not (currently) that annoying

anyway this is not my anime of the season post so more on that later

i think... that's... everything? maybe? chi and slf s2 are both excellent, but more on those after their second cour. the one thing i will say about slf s2 for now is nothing has topped the wethermon fight for me yet and phew. it's gonna be tough because that fight was peak

tsumasho, mecha-ude, and murai no koi i've already made separate posts on. some other two cour stuff i'll also save comments on for next season

oh wait

kinokoinu: this was cute but not all the memorable i guess, as evidenced by the fact that i. just. nearly forgot it lol

anyway! i'd say overall this was a very solid season with some seriously underwatched sleeper hits like mecha-ude. anime of the season is... going to be fun to think about. much to consider

[ladykakata]

Do you think that after canon Mickey will attend some kind of therapy/eventually take medication? I've read a couple of AUs where he got diagnosed with depression but I realistically don't see it happening in canon sadly, with the whole Gallagher's don't do therapy premise

This is a very interesting question. A deleted scene shows him mentioning 'triggered' (which I thought was out of character as a word for him to use, I would have thought he would use a different phrasing even if he learned the word from reading up on mental health issues) so he's clearly been researching in the background things about mental health, likely focusing on Bipolar II and psychosis, as that's what Ian has. I do wonder if he did what I did and also got interested in various medications, since Ian's doctor explicitly mentioned the possibility of trying a few if the initial prescriptions didn't work.

If you asked me before watching the deleted scene where Ian mentions attending pilates together (much to Mickey's quiet irritation), I would have said he'd never do it. However, with the pilates scene and the very, very gradual melting into accepting some parts of West Side life in exchange for letting him be a gremlin to assert his own way of doing things ("Can I piss in the pool?" "Yeah ... *pause* ... Really?" "Yup!"), it's possible. It's POSSIBLE. But there would be a lot of caveats.

You said rightly 'Gallaghers don't do therapy'. Ian is aware his upbringing was screwed-up, but he's also still fiercely loyal to his family, he was so offended by the other couples at the gay meetup mentioning how much they hated their families. For as much as Ian loathed Frank and had conflicted feelings about his mother, his love for his family is not dimmed*. Ian is still loyal to certain family principles, and he only started taking his medication regime seriously and understanding his mania and depressive episodes are an issue when his family and Mickey hammer it into him. Without the family making the caveat, he likely would have stuck to avoiding mental health help. Mickey would only go to therapy if Ian went first (and probably only go if he were tagging along with Ian with the latter being the main focus), he would only go if the therapist had an understanding of Mickey's background, and I'd argue for a female or femme-presenting therapist as I still think he gets on better with women than men overall.

A counter to the idea of Mickey going, apart from the fact his feelings have to be dragged out kicking and screaming and the only person to get them out of him is pretty much Ian, is the fact in a deleted scene he outright was dismissive and irritated at talking out his feelings with the possibility of sock puppets with his Prison Officer.

TL;DR - It's highly unlikely he'd ever even consider going to therapy in his current state. After a few years, if Ian goes first, and if they do adopt like Ian is hoping for? It's possible. But he is never, ever going to go without Ian being first and being there, that's for damn sure. And I wouldn't see him going for depression, I'd see him more going for PTSD considering he flinches violently everytime someone touches him in his sleep and he doesn't do being startled very well either.

[* - I don't take Ian siding with Mickey over Lip in their disagreement as Ian growing away from his family at all. I think this is part of the silent agreement that exists between the two that they each deal with their respective families and the other does not interfere, something that has genuine merit when watching Mickey deal with paralysed Terry and also not really fighting back when Lip told him to butt out of the kitchen home-selling discussion, but that's going to be an entire post by itself lol]

[ourdreamsareneon]

okay *cracks knuckles* I did a post about gale, time for his better half - astarion

Some of you don't have media literacy and it shows.

I dont know where to start so I'm gonna go hard before getting soft (insert sex joke.) Act 1 astarion is an asshole. He's manipulative and toxic and uses his power as a ~230 year old vampiric high elf to manipulate you into (among other things) having sex with him. I understand falling for him at that point, that's not your fault it's just the game gaming and the writers are really good at how they write his manipulation. However, it does strike me as strange that some of y'all get to the scene where he confesses to using and manipulating you and you....don't care? 'He's just damaged! its not his fault!' babygirl, someone can have a good reason for hurting you, but that doesn't take away the pain. I'm not saying that you shouldn't still love him, but it's strange how many of you disregard that scene. I know for me at least I was saddened by it and definitely was a little wary about him afterwards until beating Cazador and unlocking the nice happy healthy Astarion relationship.

Now here's where we get soft to prove that I actually like Astarion. The reason that confession stings for me is because I have many a memory of being SA'd then being told "I'm not even into you, you were just there." Ever since I stopped being a girl and became a woman, something that happened all too early in my life, I have been used and abused. And hey, sorry for making my Tav the exact same way but I like processing my trauma through D&D. I relate a lot to Astarion. Hurt people hurt people and I know that better than anyone. I also know better than anyone that picking yourself up and healing from that hurt sucks ass. Which brings me to two points. Um apologies for getting hard on you again.... insert another sex joke here.

1) Astarion isn't ace. I've seen this briefly and while I appreciate the need for queer rep, and love headcanons, I do think this discounts the struggle a lot of SA survivors go through. Okay, back to my life so we can compare. When I was chin deep in my abusive relationships and just general shitty time of my life, I was fucking and sucking literally so much it hurt. However as soon as I got out of that situation, I basically became celibate for 2 years. I didn't know how to have sex in a way that was healthy, or that wouldn't make me feel awful about myself. It was only this year that I was able to finally have sex in a way that made me happy. I think you'd be blind not to see Astarion in the same way. He's just a hurt man that is trying to rediscover and heal himself. Which is why he doesn't care about Tav and Halsin, and why you can have sex on his grave. He is very sexually open he just needs some time.

2) Ascended Astarion isn't sexy and I don't think some of you are ready for that conversation. Look I don't have time to go through this because I have a meeting in 30 minutes because I'm an adult with bad time management. But I just. Come here. Come real close. Abusive relationships aren't hot and sexy. We all love a little bit of kink but if you don't see Ascended Astarion as clearly the bad choice, I'm very confused. He's so sweet and loving and kind and HEALED if you don't let him ascend, I can't imagine not wanting that. And like I said, kink is fine! And ascending him because you're doing an evil run or whatever is also fine! Just please, I need teenagers to stop romanticising abuse because the media you consume does rub off on you.

TL;DR I love Astarion with all my heart, but by the writers own admission he was created as a Try Not To Overly Sexualise an Abuse Survivor Challenge and y'all are failing left and right!