#tiffany (tadeo jones)

[peekomeeko]

tiffany maze and ramona (credit goes to my friend for teaching me how to draw on ms paint like him)

[manchicasanchez]

PLOT TWIST 💀

Tad and Tiffany Genderswap (Teddy and Timmy).

Can you imagine if this would have happened in the movie? LMAO.

- Tad the lost explorer content.

[tadeojonesmemes]

When I tried out the female characters from Tadeo Jones and made them into AR Emoji in Samsung's AR Zone app

Sara

Tiffany

Ramirez

Victoria

I know the character's outfit might not be the same as in the movie, but I made it look as similar as possible.

[shields-and-depthgauges-oh-my]

I have some theories about Tadeo jones 4

But what we really want to know if we will ever get a female villain.

We have three male villains, if they ever make up a female villain, I'm going to be so hyped.

And yes we need Tiffany maze and Freddy back, along with professor lavorff, professor Humbert even the taxi driver, man I wish these guys made a comeback along with some new characters

But I felt very bad for tad. Because for alot of stress and anxiety he had since the third film. And I'm worried if he ever had a stomachache/ upset stomach. If someone gets too much stress and anxiety, they probably might have stomach issues

i remember it was actually mummy who is confirmed to have that stomach issue when he's nervous lol but hmm yeah and tiffany could have so much more too, i think but something feels lacking to her. i missed freddy but i dunno if the creator can see what to do with him other than being comic relief (same issue with mummy, sigh) i do agree i wanna see a female villain like the one in tad3 concept art

[paulinawoodpecker]

Cast Spanish voice actors in Tadeo Jones 4 La Odessa de la Cristal

@jakkiisthatboy2

Tad: Oscar barberan

Sara: Michelle Jenner

Mummy: Luis posada

Tiffany maze: Adriana Ugarte

Joya/Ramona: Ana ester Aalborg

Victoria: Alexandra Jiménez

Ramirez: Cecilia Suárez

Reena Roberto Ramirez: Clara lago

Lukas: Tamar novas

Jessica/Anne: Berta Cortes

Jasmine: Irene escolar

Amy: Diana Gomez

Max mordon: pep Aton Munoz

Jack rackham: Miguel angel jenner

Sam pickles: Tito Valverde

Tiffany mordon: Dafne keen

Blair: Penelope Cruz

Ying: Elsa pataky

Andrea: Alicia Sanz

Rina: Dafne frenandez

Other voices:

Minnie: Elena anaya

Ruth/Kevin: Eugenio derbez

Christopher: fele Martínez

Jessica: victoria abril

Ninja/Chai: Carmen Maura

Flora: Marisa paredes

Nagham: Danna Paola

Kelsey: Carmen Maura

Charlie/agent Justin/Roger: sergi Lopez

Snowy: Adriana Barraza

Jeremy: Diego boneta

Agent Lou/Kenny: Michael pena

Agent nick: Antonio banderas

[gaillol-13]

The TJ gang's photos from the TJ2 end credits.

Jeff and his besties.

Then theres mummy (love the way he's drawn)

Then theres da evil man with the most stylish hair (yeah I dont know how he lived either)

Yes, you will see them. I'm normal for them.

Material goul w/ boyfriends

And the bitch who caused the worst cockblock in history, oh and she betrayed the team to get the fame too I guess. Still love her tho :)

[araminakilla]

You know what? I made another, even better and in english. Six the Musical has taken my soul and I can't escape.

[tammyhybrid21]

On Villain Impact

SO, Guess who just rewatched UP so that I could further expand on the tea brought up in the post that ask prompted! I mean, and some general comparison moments... with plot and tone and the possible inspirations... BUT--

We're not here to explore Paradise Falls today!

So let's take this in parts so I can give each villain(and one bonus) their dues. Starting with the Pixar villain who first traumatized me in 2009.

Charles Muntz

Sooo first of all, this guy is terrifying.

Like, out of all the villains I'm here to talk about, Muntz has reached that point that there's just... something wrong and broken by the time he actually shows up on screen in his movie. Well, not his movie but-- By the time we meet him, isolation has done a number along with his single minded focus on his goal.

Muntz is... not in a good state of mind AT ALL.

BUT--

I kind of want to take it back for a moment to what triggered this. Because here's the tea-- As we see, throughout the movie with Russel and Kevin, Muntz's find was real. Birb still around even. That skeleton he displayed-- and yet--

They decried it as fake. Something he fabricated. Which hello, here's some of my related tea-- Again, this is basically that whole-- issue of if it doesn't fit with known facts, along with some of the other issues regarding the palaeontology community in general that is-- not quite the same, but--

I have many, many dinosaur issues and some of them come from how long it took people to accept feathered dinosaurs, to the fact that there has been multiple cases of evidence that dinosaurs went extinct much more recently than what we're taught in schools(middle ages, medieval art and designs and just argh--), that are just-- REJECTED. Which even included a report about still images, art and designs that are very dinosaur in nature. Or hell, the comparison of dragon legends to how dinosaur skulls and appearances are--

Not to mention there have been and are still fiascos about dinosaur bones and the whole marrow and blood cells discovered in them. Which instead of maybe assuming that means they're younger than previously assumed they're assuming that means that decay rates are off, which... yeah sure. I don't really have a degree on that, but it sounds wrong when decay has more clear and obvious examples that have been more clearly witnessed, studied-- I mean there's a whole STUDY on decay--

BUT I'M NOT AN EXPERT AND THE EARTH HAS TO BE--

Anyway-- Fossils and bones have-- such a HUGE mess. From exhibits going missing, discoveries passed over time and time again because is "doesn't fit" what was previously know, there's a whole documentary that's one guy trying to explain how there's evidence of specific species actually just being sexual dimorphism and differences in age of just one species and being mocked by the rest of the community for that view--

You know fascinating stuff--

Among other things, like I remember so clearly a documentary that used to be around where they talked about a dig site where there were modern animals preserved with animals from so, so long ago-- along with trying to explain how the very existence of Dinosaur bones and fossils proved that the Great Worldwide Flood happened.

Which-- honestly on the flood, just look at how pretty much every culture has a Great Flood story and that's already proven that something happened. WHICH is all beside the point--

But this-- THIS--

Do you know how much this happens, happened, and still probably will happen in the future?! I mean shit-- people thought the KANGAROO was FAKE NEWS once upon a time. Among-- many other of Australia's animals... also like-- think about weird animals from your own country and imagine in the olden days, sure people could travel, but that didn't mean everyone would or could and just--

How many animals sound fake but then you see them?!

In any case, there's just a very subtle background flow to this movie in that ultimately, the TRUE villains hidden in the story are the Archaeology & Palaeontology communities. Scientists.

--

Which yeah, deviation from the main point of this post, so now that we have that background detail and rant. What impact does Muntz have as a villain. Well... very clearly he's terrifying. Like, I don't think I can overstate how much I was FREAKED OUT as a baby 11 year old seeing this movie for the first time, with exaggerated memories of fire and trauma and all-- and just-- Muntz is a Pixar villain.

Which yeah--

I don't actually really have to say much in regards to how he lingers and his presence is felt all through how the movie unfolds. Even from before this reveal-- there's that sense of wrongness when you're paying attention and you just think about how the dogs act.

And well-- there's something to be stated about this scene... and how it serves as a good lead in to the next villain I would like to talk about-- But for now...

Muntz' degeneration here is subtle. Traitors, liars, people after his discovery... and some serious isolation induced paranoia.

But the heart of his motivation is that long, long ago disgrace. It's been YEARS, of hunting and trying to find the one thing. Carl's entire lifetime from childhood. His entire goal-- and what a hell of a broken pedestal that creates... but arguably, he's from a somewhat tragic perspective when you actually think how fundamentally broken he's fallen when examining the facts.

From a lauded explorer-- adventurer... to this.

Fearing and calling anyone he meets liars.

Max Mordon

Soooo before anyone says that was an abrupt-- I think that this is the PERFECT place to transition over. Because the one immediately there is... some DRASTIC contrasts between these two, despite well. Some small similar vibes to generals.

Like seriously...

Not precisely the same... but like-- Brown hair, blue eyes... and the general frame of his hair style. Max just missed some of the points and has no moustache or anything. BUT--

Max is also in direct contrast in regards to motivations. At least to the prior villain of Muntz. BUT-- Max is kind of literally the kind of people that Muntz was paranoid about. Which isn't really played for subtly in the movie, which is unfortunate, but to be fair that's a hard thing to play subtle and with all the tropes we've been exposed to nowadays-- BUT--

Max basically fell into the trap of, pedestal to break, along with what I kind of call Scooby logic, in how his presentation gave him away as a villain. And also all the older mentor characters disapproving of him.

Basically he was doomed from the framing.

Which-- isn't really the movie's fault, and in the end I would argue it actually plays to his favour to be so obvious.

Sooo I can also actually focus on other things instead of the fact we all know! Like how THERE'S just... so, so much I could say about Tad's reactions to Max throughout the movie. But that will probably take away from the focus of this rant/analysis. BUT-- Yeah, Max is set up as pretty obviously trouble to EVERYONE but the main characters.

Which... I do have opinions for another rant about how Sara would have in any other context probably noticed his fake sooner-- but Max is... "media circus" and archaeology... and more really his pursuit is-- really, really straight forwards in the context of the movie and even the greater scope.

Max is after immortality, power, and prestige. Puts great pride on his title and claim to be the "Greatest explorer". And much unlike Muntz there is no sign of ANYTHING tragic or forgiving in his background. He wasn't screwed over by the system, rather he's here using the system to screw others other.

ALSO--

Max is savvy as anything.

Like-- I don't think people will quite understand my glee at how RUTHLESS this is. But in a similar vein to Muntz, Max isn't letting anything stand in the way of his goals. Not here-- directing the Odysseus to get rid of Freddy and Tad despite them ostensibly being "no threat", which yeah... not completely for Tad as later that comes back around-- BUT-- Max is just... SAVVY in that sense that he's not taking risks.

BUT then we also get him showing he's... really not as expert as he plays himself. Which sure, the Professor has studied for years, but still-- there's a kind of logic that's just-- well, in the Quipu room and even before entering the ruins... He's just-- not studied enough, or observing enough. Not without blind spots.

BUT--

I also want to for a moment just take a moment to have an aside on this:

I also don't know if this is something that people would notice. But-- when it comes to this moment, Max turns the tables... really quickly. Which half of that is just Mummy being kind of naïve himself here in this moment, like-- of all the decisions... but the other half is SOMETHING clicked in Max's mind on this--

But mostly I want to focus on that expression. He's so damn smug-- like he's got a plan, smug and smooth, ready to try and steal the advantage... and I have... opinions on other nuances that might be hiding in that smile. But-- well, it's just not something that can easily be covered all in this--

BUT

It's these two SIDES. And his clear motivation, that actually makes Max a really, really strong and interesting villain to speculate and think about. ALSO-- On the topic of my prior rant...

Max DEFINITELY is the kind of person who probably-- had the movie not unfolded as it did, just be likely to think Mummy was just "another discovery" and tool to use to boost his own reputation.

But as we all know-- ultimately it all came back down on him and backfired.

Jack Rackham

Is honestly the most bland and kind of... confusing almost part of The Secret of King Midas. Like, I almost get him, but then compared to Max, there's just... Nothing to really work with in terms of fanfiction for missing scenes, alternative takes on the universe and story-- and even for his basic motivation it feels like something is... missing or unexplained. Not quite paid off properly.

But then, a lot of things in the sequel kind of pan out in a weird way that I have... much to grumble on.

"So cute, the power of Midas goes way beyond wealth my dear"

"Midas' power, is the power of the GODS! The power to Rule the World!"

Aaaand then this feels like it doesn't actually get a proper explanation or framing or anything to explain what that even MEANS. It's kind of nebulous to how things pan out and unfold. Also, just in general for movie 2, we didn't see enough of Rackham for him to make a proper impact or landing...

Like, for all the world aside the romance subplot, Rackham's presence in this movie is the MOST FORCED THING. He just feels... incomplete, or like something is missing. And then worse, obligatory. With next to no impact aside a few expressions that only lead to more internal confusion and screaming because WHAT DOES THIS EVEN MEAN?! What was meant to be going on here?

And that stupid, stupid line--

Makes me wonder if there was some other factor supposed to be at play with the collar. Since honestly-- Just the touch of gold doesn't really speak highly to "the power of the gods".

Rackham... in comparison to Max is just-- so empty.

And again...

The last thing that just drives my confusion(along with a conspiracy based on framing, set pieces and other things) is this expression, and specifically who it's aimed at.

Bonus Tiffany & The Archaeological Community

So...

Hot take but-- Movie 2's villain should have been Tiff. Well, halfway anyway... And I have... already mostly ranted on the topic-- But not really enough to truly kind of get over my TRUE frustration. Which has now combined into how nebulous and almost... overloaded movie 2 feels the more I rewatch the rest of it.

BUT LIKE--

If there is one rule that we see time and time again when discoveries are made that challenge things. THEY ARE NOT ACCEPTED. People just like to think, to believe that we know the most about the past already. That there's a strict timeline to everything that happened. And if mythology and stories come into it-- Just for crying out loud--

The issue persists.

People denying anything that challenges the view already established. Up to and including the mishandling of archaeological digs and finds. Destruction of artefacts and we all know that the ones who get the brunt of it are the younger folks, those who're out of the "default" and well... ladies.

Which yeah-- not really surprising because sexism still stands and rings strong... but here...

DESPITE THE PAPYRUS BEING FOUND-- We didn't actually get to see the end result of that... And how it was taken beyond a giant presentation. There would have been authenticators-- people going over every INCH of that thing and then more-- so, so many people who would STILL call it fake.

Since we all know! Magic isn't real, myths didn't happen. So this must be some exaggerated story as well right?

WHICH ALSO-- Arguably this whole angle, the potential of the plot being just-- Driven by this-- It's more in line with the motives that are set up for Tiffany. The BIGGEST DISCOVERY in recent history. And also again, I can talk about some incomplete arcs, because this actually gives EVERYONE that little bit more room to breath.

Also serves as a bit more of a move on from movie 1 for Tadeo, first his hero(Max), wasn't all he appeared, and now-- the villain is okay, not exactly defined so much, more abstract in the community decrying the evidence. Denying-- Quite likely mishandling the papyrus since it can't really be what it claims.

Actually make the papyrus relevant, along with Sara's journal of notes on the project for more than one scene... and POSSIBLY EXPLAIN THAT LINE FROM RACKHAM.

Power of the Gods... and the mystery of Sara's kind of echo/response line to it.

“There are too many signs that the power of Midas shouldn’t be trifled with, I’m just saying that maybe the collar shouldn’t see the daylight”

We could have even still had that climax, just with some alterations, and let Tiffany come full circle in the theming. Set up and payoff, with even the legend being mirrored. But anyway... yeah.

Just in general, the villains most effective here are the ones who give us more than just that surface level empty sense. That have presence that's felt and echoes throughout the whole MOVIE and story. Which is definitely Muntz and Max, without them something is fundamentally lost.

Meanwhile Rackham is there, but he feels obligatory, without a proper explanation and if you removed him--

Tiffany could have become a mirror to Muntz in a similar way to Max-- BUT also much closer. She's set up PERFECTLY for it as well. Her adoration and eagerness, that bright hope yet. And it would be so easy to still have the main beats be the same-- Without much of an issue of the plot push either.

Rackham's sense of presence in the movie is so... dismal anyway--

And as for that climax. Well, you have to prove every aspect right?

BUT then it wouldn't make sense for Tadeo to make any kind of sacrifice there. To come full circle, it would need to be Tiffany. And the collar ACTUALLY could be sacrificed like in the legend and Tad first assumed.

[shields-and-depthgauges-oh-my]

[fox-from-malta]

Another random film AU I wanted to doodle... because I can. ~ Used a reference for the pose here this time, to make it look better.

Rewatched the Tadeo Jones movies (thank you German television for introducing me to this franchise, as always) in light of the new film coming out in a few days (in English). Rewatching the 2nd film got me thinking of an AU, which I'll be calling The Golden Hand!Tadeo AU.

In this AU, the second film plays out the same except for the end. When Jack hits Sara in the hand, and then his whole death thing, her hand turning to gold is a slower process, and it moves from her hand to the rest of her body since Jack hit her with his staff not his hands [so it's a less direct hit].

Instead of the whole, drama scene where Tad tries to save her, she just offers to sacrifice herself, for him, Tiffany and Mummy to go away safely. Tad is reluctant to go of course, but as stones start to fall and Sara is seemingly 'hit' he leaves in tears.

Flash forward 10 years, Tadeo [who I assume was early 30s in the film now early 40s] works for the museum/archaeology center Sara used to work for, as he - with the help of Mummy and Tiffany - felt bad about Sara so they decided to honor her by solving other mysteries together that she aimed to solve someday.

Back in the temple, something moves. We discover Sara is still alive! When the rocks started to fall, one fell on her hand which causes her body to stop turning into gold. She still feels different however, her hand is well golden and she has golden vain patterns going up till her right eye [which is also gold in colour]. She also still aged those 10 years, but wasn't aware of it.

She finds a part of King Midas necklace, and uses it as it somehow gives her some energy. She also has some minor powers, [which she cannot explain so neither will I] where she can turn things into gold with her right hand, depending on how she feels [more strong the emotion more strong the power - it does tire her out though]

Basically then the story follows Sara trying to get back to her friends and family. And news is fast so then when Tad discovers she might still be alive he sets out to find her as well.

And police is police, so they set out to find her as well cause it's 'mysterious so it must = dangerous"

[efe-es1405-yahoopartner-blog]

Tadeo Jones vuelve a los cines más "crecido" en "El secreto del rey Midas"

Alejandra González Díaz Madrid, 22 ago (EFE).- Tadeo Jones, el albañil arqueólogo que en 2012 conquistó por primera vez la taquilla, regresa con "El secreto del rey Midas", una cinta en la que el personaje y su mundo "han crecido a todos los niveles", dijeron hoy a EFE sus directores, Enrique Gato y David Alonso. "Queríamos que estuviera muy por encima y que cualquier persona que entrara a la sala de cine viera, desde el primer momento, cómo ha crecido Tadeo", dice Gato, creador del personaje que nació en 2004 con un corto de animación y que desde entonces ha conseguido cinco premios Goya. "Las aventuras de Tadeo Jones" recaudó 45 millones euros (53 millones de dólares) en todo el mundo -se estrenó en más de 50 países-, lo que la convirtió en la película española de animación más taquillera de la historia. Su secuela es una cinta con ambiciones "universales" que los directores esperan llevar a tantos países e incluso más, dice Alonso. En "El secreto del rey Midas", el albañil viaja hasta Las Vegas para asistir a la presentación del último descubrimiento de la arqueóloga Sara Lavroff: el papiro que demuestra la existencia del collar de Midas, el mítico rey que convertía en oro todo lo que tocaba. Juntos, y en compañía de sus amigos Momia, el perro Jeff y el loro Belzoni, emprenderán un viaje lleno de aventuras que les llevará a Turquía, pero también a España. Gato quería que la cinta mostrase al país "de una forma deslumbrante", y para ello escogieron la Alhambra, el monumento nacional más visitado, y el barrio del Albaicín, en Granada (sur), como escenarios más importantes. El resultado es una cinta que lleva "más allá" a un personaje que se ha convertido en un "icono popular" para niños y adultos, algo que su creador no imaginó que llegaría a suceder cuando concibió a Tadeo como una figura para hacer pruebas de animación. Dos cortometrajes y dos películas después, la saga da cuenta de las posibilidades del cine de animación española, una industria que se encuentra en un momento "muy interesante", con grandes proyectos en realización, dice Alonso. "El secreto del rey Midas", que llega este viernes a las pantallas españolas, cuenta nuevamente con las voces de Oscar Barberán, como Tadeo; y de Michelle Jenner, como Sara Lavroff; a las que se suman nuevos personajes interpretados por Adriana Ugarte, como Tiffany, la becaria de Sara; y José Corbacho, como un divertido taxista granadino. "Siempre hay algo de dificultad en esto porque tienes que encajar en ese personaje, transmitir verdad usando como herramienta tu voz, pero también es un proceso divertido", aseguró a EFE Jenner, para quien esta segunda entrega de Tadeo Jones "triunfará" al igual que lo hizo la primera. "Quisiera que la gente que vea la película se quede con el mensaje de vivir la vida como si fuera una aventura, con intensidad, como lo hace Tadeo", apunta Corbacho, para quien estar en una cinta "tan buena onda" como esta, no es solo divertido, sino también "un ahorro en terapeuta", dice entre risas. EFE agd/mt/ram/cr

[jycjakkiyoutubechannels]

Tadeo Jones 2 Sara Lavoff y Tiffany Maze

[paulinawoodpecker]

Aww

They look so adorable!

Thank you

tiffany maze and ramona (credit goes to my friend for teaching me how to draw on ms paint like him)

[shields-and-depthgauges-oh-my]

full line up for the owl house au

[shields-and-depthgauges-oh-my]

from an exchange on this post  https://araminakilla20.tumblr.com/post/660671208519516160/tadeo-jones-2-carolinartwork and this concept art of midas’ ghost

[shields-and-depthgauges-oh-my]

One aspect in Tadeo's universe that makes me wonder...so magic exists...We saw in both movies and the teaser short that ancient artifacts with magic power beyond imagination really exist . But how aware the people in their modern world is with this, other than maybe archeologists and historians, or even with some of them? How many of them usually brush it off as just a fairytale or a myth (before seeing it personally with their own very eyes)? They might believed that the item exist but as for the actual magical property of the item?

And, as we know with Tadeo, Sara and Mummy, everytime they did encounter such finding , their consensus is always shutting up about it and never told the world about what they saw, the secret dies with them.

BUT then we'll have movie 3, where such secret is finally going to be outed to the whole world....(at least with the living mummies and the curse) and probably as Tadeo feared, they won't react well to it