#tic freeman

[wouldtheybecomeafearavatar]

Is Atticus "Tic" Freeman of Lovecraft Country an avatar of the End?

[greeneyed-thestral]

[soufcakmistress]

In the Heat of the Night

A/N: Babies what is good!!!! I am so rusty but I’m so happy that I got this out for yall. Yall know I love me some Jonathan Majors, but I don’t write for real life folks. That’s just MY preference, no shade to those who do. Please comment and like and reblog to let me know how yall feel. Let’s get into it!

The south side felt different duting the summer. Kids were out of school, frolicking in the streets and turning on the fire hydrants. The ice cream man made several stops throughout the neighborhood, the old heads played their card games and dominoes until the wee hours of the morning, and the bars stayed packed with ladies and gents to take a load off. Summertime Chi felt larger than life.

Delphine Freeman sat up in her bed and stretched her arms to the sky. Looking behind her, she saw an empty bed with nothing but a small note on her husband’s pillow. “Picking up some things for breakfast. Be back soon, my love.” She picked it up and held it to her heart. That man of hers.

Delphine remembers the first time she encountered Atticus. Her family had just moved from Virginia, and she was totally new to the Midwest. At first, it was hard making friends at a new high school in a new place. Her accent and bumpkin ways attracted the wrong kind of attention among these city folks, so she kept to herself. Until one day when Atticus was helping his club attract new members, and he passed a flyer to her in the hallway. “You should come. Who knows, you might find a friend here.” He had her, hook line and sinker with his gentle way and sweet smile.

Atticus looked like 6 days of beautiful creation from God above AND the seventh day of rest to her - she missed seeing his face this morning. Delphine laid back against the pillow that smelled like him and reminisced on their roller coaster ride of a relationship. Fighting entitled white people over magic and who it really belonged to and his birthright, his trauma from Korea and monsters straight out of a pulp book— nobody with sense would ever believe it. The storm was over now, and her and Tic lived in peace, as well as holy matrimony.

The memory of her betrothed looking so debonair in his suit on their wedding day made her heart palpitate. Her legs squeezed together, recalling those shoulders filling out that blazer and kissing those lips as they said ‘I do’. She especially loved the surprise on his face when the ceremony was over and she slipped her hand in his pants right outside their wedding suite and him allowing her to take what was hers. “Oooh, I love that man.”

She was feeling frisky now. The window was cracked with a moderate breeze flowing into the room but Delphine’s heat couldnt be contained. Flashes of him saving his entire family from catastrophe, him shirtless and bespectacled reading aloud one of his favorite pulp books while he laid in her lap, the look of adoration and love when they bought their home on the South Shore. Tic was all man….and all hers.

Sweat dripped between her large breasts, her coochie ached in the best way and she couldn’t take it anymore. Delphine took Tic’s pillow and put it in between her legs. The reflection of her in the vanity bureau with her slinky nightgown raised up on her hips made her feel like she was a bit unhinged. If she didn’t cum now, she would lose it. So she rode that pillow like its name was Atticus Freeman and he was the only thing that could satiate her.

Her clit hit the seam of the pillow so precisely, it almost took her over before she was ready. “Shit, shit….oooh Tic baby…damn..” She pushed the straps down from her nightgown to expose her breasts and she really got to moving.

The key in the front door lock clicked with Tic lumbering in with a couple brown paper bags of breakfast stuff. He went to the kitchen to put everything away, but could have sworn that he heard something from the shared master bedroom. He got the baseball bat they kept in the coat closet and inched toward the room. Tic pushed the door in slightly and what he was met with could have knocked him on his back.

His sexy ass wife rubbing her pussy in figure 8’s on his pillow. Tic made sure to be quiet putting the bat along the wall, and rubbing his crotch slowly to take Delphine in. He knew when she showed signs of her incoming orgasm— shaking her head back and forth, fingers tangled in her hair, stomach fluttering…..she was almost there. When she finally shouted in delight, he couldn’t take it anymore.

The sound of a zipper coming down and broke her out of her trance. Delphine gasped when she saw her fine ass husband staring with bedroom eyes and pouty lips that made her wanna howl to the moon. “Looking for this?” He pulled his dick out of his pants and a deluge of fresh slick coated the meeting place between her legs.

Delphine almost started up again on the pillow but when the object of her deepest affections was just as hungry for her, it would be criminal to not take advantage. “Damn straight. Bring yo ass over here, four eyes.”

~

BB King played on the kitchen radio, and the lovely couple made breakfast together. Tic already put on a hot pot of coffee, and he sipped on a mug as he fried up some bacon. Delphine stood next to him in one of his shirts and panties, making her famous blueberry pancakes. Both hummed along and caught cute ass glances at each other, floating on their sensual high. It felt so good. Not having to worry about what the next day held and being allowed to just live.

The phone rang while Tic started cracking eggs, and he wiped his hands on the tea towel. “Freeman Residence. Lester, my man! What’s shaking? Nothing much brother, just me and the Mrs. making some breakfast. She’s doing VERY well, I’ll let her know you asked about her.” Delphine turned around with feigned shock when he said that, knowing his subtext and that he blew her back out for the ages just twenty minutes ago. She walked over with a huge smile and popped a blueberry in his mouth and kissed his lips.

He pinched her butt when she went back to the stove and finished chatting it up with Lester. “Sunday? We’ll be there brother. See ya then.” Tic looked at the calendar on the wall next to the phone, to see if there was any extra obligations needed for the guidebook and his aunt Hippolyta. He also did some math and tried to remember his wife’s last cycle. “That’s why she’s so frisky…”

~

Lester had a block party over where he stayed in Bronzeville, and it was jumping! All kinds of rhythm and blues and guitar singers filled the south side with a plethora of food to choose from. Little girls playing jacks and double Dutch, little boys doing bike races, the teenagers making googly eyes at each others and the elders trading recipes for lemonade and greens. Everybody would pitch in and bring something for the community to enjoy. Delphine took all of Friday to make 5 sweet potato pies from scratch and Tic grilled so many slabs of ribs, it was insane. Irene, Lester’s wife was tight with Delphine; her and the other young women gossiped while sipping beers on their stoop.

“Uh oh, ‘Phine. Tic is over there getting rowdy at that card table.” Irene loved to tease—he was putting them back and with each hand he won, the louder his voice carried. “Oh hell. Lemme go feed my baby.”

Delphine made Tic’s plate with everything he loves — ribs, chicken, potato salad, cornbread, sausage dog with relish and an ice cold Budweiser. “Hey baby, you been doing a whole lot of drinkin but not a lot of eating. Come on now.” Tic acquiesced and moved with her away from all the men. She sat on his lap at an empty table and fed him some of the food before he took over, and started feeding her too.

Tic’s skin was all tan and his arms and pecs were bulging in his shirt. He didn’t even have to try to get her riled up. Delphine rubbed his back, and absentmindedly played with his ear. “All right now. You know that’s my spot.” They both had their fair share of alcohol that evening, and Delphine usually would have to beat Tic off with a stick. The shoe was on the other foot now. “Tic……I don’t have any panties on..”

He almost choked on his beer when his minx of a wife started talking so salacious like in his ear. “I like this Delphine. She takes what she wants. What you trying to do? Only if you say it, will you be able to get what you want.” Delphine’s skin pimpled because he meant every word. All the ruckus and commotion around them meant nothing in that instance. Just her and her husband. “I want you to take me in that alley…..and do whatever you want to me..”

That sinful jawline clenched, and she knew he would do just that. Wasn’t any more talking. He drained his beer, and dragged her down a few streets to a secluded alley. Delphine stood at the brick wall, flushed with the strap of her linen dress down her arm. Tic cradled her face and they kissed each other so deeply that they breathed for each other. She undid his pants letting them fall to his knees, and he picked her up.

Delphine was so wet, the slick was almost to the inside of her knees. Tic’s thrust was so strong, they both gasped aloud. “Yes Tic, fuck me hard!” His face lived in the crevice of her neck, licking and kissing. Just like every muscle on his sculpted body, Tic was rock hard and filled her up so deliciously. The same BB king song from the other morning played and they were able to hear it still. Everything swirled around the both of them and yet nothing at all mattered. His low grunts were so sexy and she could tell he was about to cum.

“Oooh I love this pussy baby, I love this pussy….I fuckin love you!” Atticus filled his wife up all the way that it spilled down her legs and the heat of it all triggered her to orgasm. She pulled him in even more and he expelled more of his love inside her. Tic brought her down to her feet, and she stumbled immediately. Tic steadied her and stuck his tongue down her throat yet again. “Atticus Freeman….the man of my dreams..”

~

The guidebook was doing so well.

Atticus and Hippolyta had been able to come to an agreement on operations; Atticus would be able to make final edits and handle submissions to the publisher and Hippolyta would be able to do most of the trips to update the stops. She acquiesced to Tic’s request that he would join her to assuage his nerves if she went more than 3 states away.

The book was flying off the shelves and Hippolyta had been able to meet some publishers in Kansas City and Detroit to put in some local Negro owned shops and apothecaries. It was the second Saturday in August, and the entire South Side would be at Washington Park for the Bud Billiken parade and festival. Delphine and Tic packed up their station wagon with fold up chairs, a cooler full of beer and pop, and more food to last a winter. Dee was finally feeling better and she rode with you guys to the Bud as she was Delphine’s favorite little cousin.

Everybody was rocking and rolling to the marching bands and majorettes. Delphine and Dee looked at all the floats and picked their favorite one. “Oooh Dee, you see the grand marshal? That’s a good lookin man!” She made sure to say it in earshot of Atticus; she loved him a bit jealous and possessive. He cut his eyes at her, smirking behind his beer. “All right now, don’t get in trouble.”

“Baby, there is nothing more that I would love to do than be punished by you.” Delphine stuck her tongue down her husband’s mouth, and Dee gagged at the public display of affection. “Y’all are so gross I swear!”

The grand marshal announced who had the best float and the best marching band in Chicago, and the party went on until late in the night. “Come on, dancing queens, let’s get y’all home.” Atticus loaded the car up and Delphine and Dee fell asleep in the backseat holding each other. Atticus looked in the rear view full of gratitude and unbridled joy at his two girls. He stopped at Hippolyta’s house and carried Dee inside.

Delphine moved to the front seat after and waited for her husband to drive them home. The angles of his face illuminated by the streetlights made him even more handsome in the low light. She couldn’t help but to stare. That same feeling from that other morning came back with a fierceness. He felt her eyes on him and winked at her. “You looking like you still hungry for something…..”

“That mouth on my body…that’s what I need.” Delphine sat with her back to the door and lifted her dress, pulled her panties off, and put them in his lap. Tic took them and sniffed them and was instantly engorged. That station wagon moved a little quicker then.

Fireworks were being shot near the lake and Tic and Delphine had a clear view from their balcony. “Ooooh let’s see baby! Her ass clapped in her dress and Tic had to grip his meat walking after her. “Lemme make sure the shoggoth is okay first. Keep it tight for me baby.”Tic went to the basement and fed the shoggoth and calmed him down since they were gone all day. He had it down to a science now. Feed him a racist white man a day, and he would cooperate.

Delphine was out on the balcony totally enthralled. She jumped like a little kid when several popped at once, entrancing her with the bright colors. Standing at the window, he just gazed upon her. How did he get so lucky? Tic joined her on the balcony, wrapping those muscles around her waist. All the kisses behind her ear made her giggle just like how he intended. While she was off guard, he unbuttoned and unzipped his pants, and lifted her dress in one motion. “Now what you doing back th—OH!”

He slipped right into her pussy with the most earth shattering intrusion Delphine could ever experience. “Shhhh shhh. We have to be quiet. Now Mrs. Freeman…..I think I know what’s gotten into you cuz I did the math. It’s that other time of the month, ain’t it?”

A breathy yes fell from her lips and it clicked for her. She was always incredibly horny and with shiny hair and skin at this particular point of the month. “You tryna have my baby?” Tic whispered in her ear, and pinched her nipple as his hips stroked back and forth. “Delphine, are you tryna make me a father?”

She loved when he got rough with her, especially when they were at risk of being seen in the act. “Yes, Atticus give me your baby.” His hands gripped hers on the railing and he let her have it. Delphine had already came twice but Tic was always generous; he wanted his wife to be satisfied. “Here it come..” Atticus held her right to his chest and gave her devastating thrusts and came deep inside her. Her head rolled back on his shoulder and they stood together still united as one as the fireworks show gave the finale. “I love you so much” they both said in unison and gazed at the sky.

TAGS:

@l-auteuse​

@eclecticblkgirl​

@thadelightfulone​

@nickidub718​

@theogbadbitch​

@loveeeeandaffection​

@scrumptiouslytenaciouscrusade​

@amirra88​

@chaneajoyyy​

@lostennyc​

@janelledarling​

@raysunshine78​

@stariamrry​

@fd-writes​

@dessianna1​

@thehomierobbstark​

@thickemadame​

@honeytoffee​

@erikaintdead​

@uzumaki-rebellion​

@bugngiz​

@xo-goldengirl​

@blackmissfrizzle​

@killmonger-fics​

@rbhp​

@sheisexcellent1​

@viewsfromthesips​

@ljstraightnochaser​

@spicynoodlezzz​

@dashhoney25​

@wassuduoo​

@msreshel​

@honeyandpeaches​

@miyuhpapayuh​

@majesticbrownjawn​

@dameshaemonique​

@tchallasbabymama​

@naysianaee​

@alookintohersoul​

@blackburnbook​

@cecereads209​

@themeirajay​

@just-peachee​

@theblulife​

@melodicheauxxo-writes​

@woahitslucyylu​

@richonne4life​

@xsweetdellzx​

@blackpinup22​

@eyeknowmywrites​

@childishgambinaax​

@abcdestinyyyy​

@nahimjustfeelingit-writes​

@elaindeereads​

@why-wait-4-eventually​

@girlsneedlovingfanfics​

@pipsqueak-98​

@ghostfacekill-monger​

@joanna-doe​

@id-rather-be-an-outsider​

@merranerra​

@theliterarybeldam​

@kokokonako​

@retrochick3500​

@sourbabynaee​

@4bambiray​

@crowngold​

@darkangelchronicles​

@thickianaaaa​

[gay-dorito-dust]

YO! can i request bestfriend stuff with freddy ilhsm he makes me giggle 😼

The origins of your friendship with the cynical and sarcastic Freddy freeman was rather a straightforward one. He was being bullied by the Blyers brothers one day and you just so happened to be there before they had the chance to decide whether or not to shove him in the bin, by yanking the hoodie over the eyes of one brother and whilst he was disoriented; you shove him into his brother, causing them to fall over themselves as you were quick to grab Freddy’s crutch, handing it back to him whist hastily holding his hand, as you both rushed to get out of there before the bothers could figure out what had gone on and seek revenge.

The rest, as they say, was history…however it wasn’t. It was merely the beginning of a new chapter.

‘Billy is so going to kill us.’

‘He’ll only kill us if he catches us in the act,’ Freddy retorted, handing you a marker pen as he uncapped his, ‘other then that it’s just pure speculation with no condemning evidence that we were the ones committing the crime.’

‘Oh yeah just like the time we stole his clothes whilst he was showering, only to have him chase us throughout the house afterwards when he found out it was us? You need to lay off the true crime binging Freddy, it’s only going to rot your brain.’ You replied, uncapping your pen as you made your way to Billy’s bedside, crouching down so that you were lined up with his face that was soon to be vandalised by yours and Freddy’s crude drawings.

‘Hey! He was easier on you then he was me and besides, you may say that now but when we do find our selves in those situations one day then you, y/n l/n, are going to thank me for being prepared in advance.’ You shot him a look as he shrugged his shoulders at you, ‘I’m just saying, don’t knock it till you try it.’ He defended as he made his way to your side, perching himself on the edge of Billy’s bed, his crutch leaning against the bed frame at foot of his bed for easy access should his best friend and brother awake unpleasantly. You sighed, not wanting to get into another tangent with your dear friend and instead looked over at him expectedly.

‘Well what’s the inspiration we’re basing our masterpiece off of today teach? Natalia Goncharova? Vincent Van Gogh? Andy Warhol?’ You asked rhetorically, making Freddy scoff as he reached to lightly shove your shoulder but played along none the less. ‘Today class, we’re basing our piece off of the topic of ‘what happens when you get one of my priceless, ultra rare, one of a kind comic books soiled by spilling soda all over it.’ The boy never once took his eyes off of his slumbering brother when he spoke those words, almost as though he were stabbing poor Billy with a thousand tiny daggers.

Oh yeah, you thought to yourself, that’s why Freddy asked me to help him get back at Billy. You kinda almost…sort of forgot about all that with how impassioned Freddy was in getting even with Billy. You had to agree with your best friend on this one though, you don’t fuck with a man and his rare and hard to come by comic collection. ‘You ready to do this?’ You asked Freddy as he only smirked at you in response, holding up his marker. ‘Born ready baby.’

You and Freddy spent most of the night drawing on Billy’s face that ranged from dicks of verifying sizes across his forehead, to drawing a cat nose and whiskers across the one of his cheeks and tip of his nose, to then finish off by playing a game of tic tac toe on his other cheek when he shifted in his sleep. So when Billy woke up the next day to a chorus of snickers, mainly from you and Freddy, he was quick to piece two and two together and rushed to the bathroom to look at himself in the bathroom mirror to see the ‘masterpiece’ you both left on his face from the night before.

‘Y/n! Freddy!’

[multiverseofseries]

Now You See Me - I maghi del crimine (2013)

Un quartetto di maghi rapinatori di banche braccato dall'FBI in un gioco di prestigio e illusione nel quale spettatori e protagonisti non sono mai sicuri di chi sia un passo avanti ed uno indietro. Grandi premesse e grande cast per un film che parte col botto ma si incarta poi nello sviluppo e alla fine non convince del tutto.

Il trucco c'è ma non si vede

Un lungo prologo che precede i titoli di testa ci presenta uno per uno i quattro maghi protagonisti nel pieno dell'azione delle loro performance: J. Daniel Atlas (Jesse Eisenberg), prestigiatore e seduttore; la sua ex assistente Henley Reeves (Isla Fisher) specializzata in escapologia; il mentalista e ipnotista Merritt McKinney (Woody Harrelson); Jack Wilder (Dave Franco) manolesta non solo con le carte e imbattibile con le serrature. Fino a quando i destini dei quattro non vengono ricongiunti da un misterioso committente che recapita ad ognuno una carta dei tarocchi con delle istruzioni da seguire e che li porterà ad incontrarsi in un loft a New York dove li aspetta un sorpresa. Li ritroviamo un anno dopo in tournée come the Four Horsemen, i Quattro Cavalieri, quattro maghi che hanno unito le forze per dare vita allo show più incredibile del mondo, all'apice del successo grazie al loro impresario e finanziatore il miliardario Arthur Tressler (Michael Caine): dal vivo sul palco del MGM Grand di Las Vegas riescono a svuotare magicamente il caveau di una banca di Parigi e far piovere le banconote rubate sul pubblico in delirio. Magia? Grande illusione? O una rapina bella e buona? L'FBI si fionda su di loro ma evidentemente è difficile incastrarli… a meno che non si voglia ammettere che la magia esiste! L'agente speciale Dylan Rhodes (Mark Ruffalo) con la collega francese dell'Interpol Alma Dray (Mélanie Laurent) si mettono alle calcagna dei Four Horsemen, assistiti dall'enigmatico Thaddeus Bradley (Morgan Freeman), un ex illusionista che ora si dedica a smascherare i trucchi e svelare i segreti dei maghi famosi.

Comincia un inseguimento sfrenato, una partita a scacchi di abilità, intelligenza e furbizia per smascherare i Quattro Cavalieri, scoprire il loro trucco e impedire che colpiscano ancora nelle successive tappe del loro show che li porterà braccati dall'FBI prima a New Orleans e infine a New York. Chi sono i quattro maghi e perché fanno quello che fanno? Cosa c'è dietro? Novelli Robin Hood che rubano ai ricchi per dare ai poveri o abili truffatori che perseguono solamente i loro interessi? Chi è il misterioso deus ex machina che muove i fili e manovra il tutto nell'ombra, se ce n'è uno? Il film gioca col pubblico, così come i protagonisti tra loro, facendogli credere di essere un passo avanti quando invece è sempre un passo indietro, ovvero "pensi di sapere ciò che stai vedendo e invece non lo sai".

E per un po' stare al gioco è divertente, l'idea è quella di portare lo spettatore ogni volta a credere di avere scoperto il trucco e puntualmente ad essere smentito dalla storia che invece prende un'altra direzione. Ricordate la massima di The Prestige? "Non è importante il prestigio in sè, quanto il trucco che si nasconde dietro". Più guardi da vicino tanto più facile sarà ingannarvi, ci ammonisce sin dall'inizio la voce di Jesse Eisenberg: un invito esplicito a concentrarsi sulla visione d'insieme, che però alla fine sembra sfuggire anche a regista e attori, non solo al pubblico, che forse può trovarsi un po' frastornato dai continui movimenti della macchina sempre in picchiata di Louis Leterrier, sicuramente più suo agio con gli effetti speciali e le scene d'azione che con i risvolti e le sottigliezze di un heist movie con la variante della magia. Il film offre comunque un intrattenimento di buon livello supportato da un cast interessante ed eterogeneo: Jesse Eisenberg è il più carismatico dei maghi, con i suoi tic e la parlantina, sue sono le battute migliori del film insieme a Mark Ruffalo, come al solito stropicciato e divertente. Woody Harrelson invece è colpevolmente sottoutilizzato, Michael Caine e Morgan Freeman al minimo sindacale. A forza però di deviare l'attenzione dello spettatore costringendolo in continuazione a guardare dall'altra parte per confonderlo e fare sì che non scopra dove sia il trucco che c'è dietro, regista e sceneggiatori perdono il bandolo della matassa e faticano a tenere alto il livello d'interesse del pubblico, come dire che dopo le premesse davvero magiche segue uno sviluppo della storia molto meno coinvolgente. La sensazione è che a forza di rimescolare le carte ogni tanto qualcuna sfugga dal mazzo o piuttosto che i protagonisti rimangano loro stessi incartati negli alti e bassi di una sceneggiatura lacunosa e con più di qualche buco, e alla fine, anche nel momento in cui il trucco dietro al prestigio viene finalmente rivelato, si rimane più confusi che persuasi.

Parafrasando il sopraccitato film di Nolan, se "ogni grande numero di magia è costituito da tre parti, la Presentazione, il Colpo di Scena ed il Prestigio", diciamo che Now You See Me per le prime due se la cava discretamente, ma al momento del Prestigio dove "succede l'inaspettato, dove vedi qualcosa che non hai mai visto prima", allora siamo ben lontani dal restare strabiliati.

[sbnkalny]

Step 1: Order lunch. Step 2: Regret everything.

Freeman and Slave, patrician and plebeian, lord and serf, guild-master and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one of our handsome talking experts. {motions towards empty chair behind him} One o' them said they'd buy me Lunch. You need to start taking better care of your shit, kalny. you keep dropping everything. first your tic tacs, then your weed sandwich, possibly your Clydesdale, now your BODY is

[whorrorgrl]

What I Watched In May

I have been gone for a long, long long, time. It's mostly because of my job, but also because of my lack of motivation in writing. I have a lot of ideas, but not really much time to write them. I

I watched a lot of things since February, things that I want to have their own individual posts, and others I forgot. Most of them are rewatches. I got HBO and was just playing Friends as white noise maybe 5-6 times (all. ten. damn seasons.). I'm not going to beat myself much about it or it'll feel like a chore, so I'm going slow. I want to upload my ideas soon though.

Anyway, here's what I watched for the month of May.

Lovecraft Country (2020)

After the disappearance of his father, Atticus "Tic" Freeman, his paternal uncle George, and childhood friend Letita "Leti" Lewis travel across segregated United States in the 1950's in search for answers. This trip kickstarts Tic into a world seemingly unreal as they fight against supernatural forces of evil and ones at their very door.

After the recent allegations against Jonathan Mayers, I was hesitant to watch this show. I knew him from that Antman movie, nothing much else. I thought he was a promising actor; decent. It’s disappointing he turned out to be an alleged awful human being. After watching Lovecraft Country, it’s an even bigger tragedy. This show is a whirlwind. Spoilers ahead.

I adore horror in show formatting. I believe it allows a plot to be properly fleshed out. But! That also means more of a dedication. That has to be the only excuse I have for not getting around to this masterpiece sooner. At only ten (10) episodes, Lovecraft Country is worth the binge.

I can easily watch certain movies and shows that others would find too hard to handle. One part I struggle with is suspense. I swear I feel it in the air and my lungs pump thick with it. But I get through it in one piece. Depending on how hard it hit me, I might not rewatch it again. After finishing LC, I think the ease at which I can watch certain movies/shows is accredited to it feeling outside of the realm of my own reality, or at least shit I wouldn't be caught dead doing.

I found it very uncomfortable to watch.

I almost didn't want to finish it.

On top of dealing with sharp teeth blob creatures, our characters have to take on the worst horror of all: racism in the 50's. Evil, pink skinned, sweaty and entitled white people make it their mission to harass and brutalize black bodies for simply existing. Worse, some wielded powers.

Horror movies are notoriously white. Even some of my favorites are all white casts with maybe an Asian or black character that gets killed off. They're usually slashers, demonic possessions, or ghosts walking in and out of frames. I'm used to that. Any underlying issues the characters battle are usually standard. In Evil Dead (2013), the main character dealt with addiction and those around her struggled keeping her focused this go-around at sobriety. In The Witch, Thomason had to assimilate to new life after being casted out by her previous community. In I See You (2019), the couple treads the aftermath of an affair - so on and so forth. The A plot is usually horrifying (messing with a spell that releases a demon, witches bordering on the edge of the forrest, or a bunch of new kids disappearing years after a case is seemingly closed) while the B plot is more grounded. I get that. But when I tell you, monsters and prophecies about magic is the least of Leti (Jurnee Smollet) and Atticus's (Jonathan Mayers) worries, I mean it. I'd prefer it. The worst scene was the very first episode where they're stuck in a sundown town with seven minutes til and have to drive 25 miles the speed limit with only seconds to spare or a shitty cop would murder them. I paused that scene countless times. The riots were another. The diner scene got me good.

Racism is just ugly. As more and more documentation reaches the mass through social media, what really happened during slavery and Jim Crow is more horrifying than the popular teachings of history in schools or dramatization in Hollywood tells. I despise this type of plot and try to avoid it. I don’t watch slave movies. The ones that I have were torture. I liked Django, but mainly because it barely had Jamie Fox suffering and actually showed him being a bad ass. I found out they wanted to do a movie on Emmett Till after the success of Central Park Five’s retelling, which was so alarming. It’s now money driven, these stories. It seems that's the only black stories Hollywood thinks is profitable. Them TV series (2021), Karen (2021), etc, are recent movies that popped up after the success of Jordan Peele debut movie. Get Out (2017) did it well. Its sons? Not so much.

That’s why I liked Little Monsters (2018), Us (2019), or my childhood favorite Haunted Mansion (2001), because they are horror movies with black lead that isn't full on KKK torture porn. Once Jordan Peele did his thing with Get Out, these studios are slowly falling into a box. Even Peele's future works like Nope and Us were speculated on being political pieces. It's only when they were first release did people realize he can create black horror without the traumas of racism. Even in the new Little Mermaid movie with Halle Bailey, there's a discourse about Ariel needing to be a slave to be historically accurate. A mermaid that got her legs from the witchcraft of a squid needs to be historically accurate. Her dad's cape is made of fish! I don't think anything is accurate in any dimension.

(Huffs) Anyway, Lovecraft.

I'd still recommend in a heart beat. So amazing. I cannot give it enough praise. The music choice was a little random and ill-fitting, some of the spoken words were excessive and didn't hit with the scenes they overlaid, and (love Jurnee but) Leti, another of many light skin love interest, was an annoying casting. Ji-Ah's storyline ending was okayish - I expected a little more since it was one of the best plots of the many packed into this show. But other than that, A in my books. I'll have to rewatch it again with my boyfriend, so I hope those painful scenes go down better the second time around. That scene with the two girls following Diana around was horrifuckingfying. It reminded me of Peele's 2022 Nope with the kids in the barnyard. Their eyes, especially in the alley when Dee waited to follow the cops, was chef's kiss. One thing I will also add is Montrose's sexuality not going down the path I thought it would. We're so used to some public, traumatizing rejection of a closeted man's sexuality to his partner and we didn't get that. It didn't end satisfactory for me since we don't know what's next for him and his partner, so it felt a little throw-away. I truly find it ironic that our characters faced racism, hated being treated as below human, yet discriminated against those within the black community that were gay, etc. It wasn't talked about much between "Tic" and Montrose enough for me and kind of seemed glossed over in order to incorporate other storylines.That's a thing with ten episode shows as opposed to 24, but not a big deal.

9/10.

2. I See You (2019)

After the abduction of a 10 year old boy, a detective and his family experience strange occurrences in their home that may or may not be related.

Weird things begin to happen in the family's home that is later explained. I kind of assumed who the abductor/killer was simply based on the small amount of characters we're introduced to, so process of elimination was short. There are three big plot twists in this movie: who the boy-abductor is of course, who killed a certain mister, and why mysterious things seem to happen under Detective Greg's Harper's roof. All were equally as shocking as the last. Some things were weird, like the green pocket knives and why those specifically. Also, why the killer would just...have a bag of them in his car where those closest to him had access to? I liked the way all the stories came together and how they perfectly made sense and answered certain behaviors characters had. For example, Alec's obsession with taunting the family and going against the rules of "phrogging." I thought he was just a jealous, sadistic street rat that hated the life the Harper's son had since the boy seemed to be the main focus. When it all came together, by then it made sense what he was doing, but still an amazing shock. Random but the story telling reminds me of A Place Beyond The Pines (2012). The interludes (that seem unrelated) between stories is a storytelling I'm now realizing I really love.

9/10.

3. The Night House (2023)

The Night House is everything Smile (2023) thought it was. If you've read my previous review on Smile, you know I do not like that movie. If it had been released in the early 00's, I would've felt a little differently, but considering it's an overplayed formula that I already loved, grew accustomed to, and now only nostalgia could draw me to it, Smile just wasn't it for me. The Night House, however, is!

Beth (played by Rebecca Hall) is dealing with the death of her late-husband who recently committed suicide, leaving her alone in her lakeside home. We witness as she reels from the tragedy in ways that leave her friends uncomfortable, concerned, and out of their element on how to console. Certain things begin to happen around the home that makes her believe there is more to her husband's death. She feels there is a presence that could be her husband haunting her and her dreams seem to blur the lines between reality and something dark that parallels. As she does more research, we’re lead to believe that her husband might’ve cheated on her when she finds multiple pictures in his electronics of women who look weirdly similar to her. When I watched the trailer, I assumed there was this mirrored house across the lake in another dimension. A second her, a second husband. Maybe hers really died but that mirrored husband lives on. In the same house. With a double her. It’s what hooked me to it.

She just has such good people around her. Claire (played by Sarah Goldberg), her neighbor Mel, and even her husband all have this woman's best interest in mind and it's really refreshing to see that those around her did what they could to help her. And you might say, her cheating husband had good intensions? Listen, listen!

You see, years ago, Beth had died for four minutes in a car accident. While others claim to see many things, Beth saw nothing. However this nothing is an entire intelligence that wants her back.

Nothing isn't over the four-minute stand he had with Beth, haunting her husband, Owen, into killing her to get her back to Nothing. Owen instead creates a reverse home by the lake, luring Beth look-alikes back to the home to trick Nothing into thinking Beth died.

This confused me a little, because I'm assuming Nothing is a lot smarter than assuming a look-alike is the Beth. Doesn't it have blood sample? A better, soul-based verification? Clearly not. It realized Owen's tricks and that lead to his "suicide." In the end, Beth is almost convinced to take her life until Claire and Mel save her in time. I believe Nothing is a metaphor of “stopping the pain.” It’s the promise of an end to the torment, the depression, the dull and excruciating task of living in misery. I just really loved it and am glad I got recommended it by TikTok.

8/10

4. Scream 6

Y'all, I don't think I can stop loving this franchise.

In an effort to not be seen as a hypocrite since, if I remember correctly, I was pretty tepid with my review on Scream V, BUT! But! This one has rejuvinated the small, itty-bitty hope I had in this franchise. 'Cause that's what she is; my baby's a franchise.

I don't know why I don't like Sydney Prescott. It's not that I hate her, but you gotta admit she's overstayed her welcome. This is why I was happy Ms Never Wanna Die was not in Scream 6. It makes so much sense, this show. It's a repeat, one I hope they don't continue, but Scream 5 is technically just "Scream," just like the first movie from 1996. The boyfriend was the killer in the original, so it's cool that the boyfriend's the killer in Scream (2022). In Scream 2 (1997), the killer's family comes back to blame Sydney Prescott for their piss-poor parenting. So In Scream 6 (2023), it's now a realized pattern that they're intentional by making the killers Richie's dad and siblings - one serial killer is bad enough, but the entire family is fucked. Hopefully in Scream 7, this isn't the same because that'd only mean the off screen Carpenter mother had some random love child with Adolf Hitler and that kid felt left out of the already dysfunctional family of the sisters.

Or it's Tara. But that's wishful thinking.

I loved loved loved loved LOVED it. The opening scene of the Jaime King kin member Samara Weaving dying was fantastic. We get to see a Ghostface reveal in the first few minutes, which is a first of the movies and so refreshing. It made me excited when I assumed we'd know one of the identities and how they'd incorporate that into the story. However, when said Ghostface heads home just to be killed by another, it blew my mind. "Who gives a fuck about the movies?!" Plus that angle? Y'all I was in heaven! I truly do not think I will EVER get tired of these movies and it's really sad. This is my Fast and Furious. This is my James Bond, my Star Wars franchise, my Days of Our Lives, My Greys Anatomy...I hope it never ends and if it does, what would life be? Bleak, I think.

I have to admit there are a few logistical issues. Like, why Kirby didn't do extensive research into Wayne Bailey the second she hopped onto the case for a "helping hand." Matter of fact, how was he even transferred to NY without a background search and the discovery of a link between Richie? Given Kirby's past and how no one in these situations can be trusted, why hadn't she done this? How had Bailey been able to bribe that many criminal evidence from the one police station without anyone finding out? Are there no inventories? Not many big cases seem to happen in that town, so I feel like the top four big cases of Ghostface would've been noticed gone. How did her therapist not know who she was since she's practically infamous, and what was his purpose in the story? I know it's to build up the many cases of defamation against Sammy but it was pretty weak. To be quite honest, a final girl like Kirby should've been handled with better care. I kind of felt like she was there for a legacy token coin and a misdirection that I'll admit got me. Other than that, pretty good.

I think these movies will be better than most being sputtered out today because of the pressure these writers have not to fuck up Wes Craven's work. A good idea would've been all the costumes on Halloween night paying tribute to Craven's many movies, but they are dated so I understand. Would've been cool though.

10/10 shit

5. The Lighthouse

I don't want to be that girl. I already stated how I am when it comes to slow burns, but I tolerate elevated horror. Tara Carpenter is rolling her eyes, but she has a stab wound to heal from so priorities. I clicked on this one and just watched it quickly before I talked myself out of it.

I like it.

I think.

Seeing Willem Dafoe being walked like a dog was an interesting scene.

Seeing a mermaid pussy was also one for the books.

The Lighthouse was directed by Robert Eggers, who we all know from The Witch. He's an amazing director and clearly has a niche for period pieces. I don't know how to properly review this since I still do not know what the fuck I watched - Watch Mojo couldn't even help me. It's based on a Greek mythology and is about wanting something you cannot have. One of the references was Icarus, who died after flying too closely to the sun despite his father's warning. Proteus, a sea god that controlled the changes of oceanic bodies of water was also mentioned. Thomas Wake (played by Willem Dafoe) warned "Ephraim Winslow" of not killing seagulls to avoid bad luck, who were believed to be reincarnated sailers. However, out of frustration of one getting in the cistern, he kills a seagull, and all goes downhill from there. Since the beginning, the demands of being a lighthouse keeper proved to be demanding for Winslow:doing menial, disgusting, or laborious jobs around the rock the lighthouse resided on. What follows is Winslow's slow turn into madness, hysteria, and greed.

The part on sailers being reincarnated into seagulls was so interesting. The one-eyed seagull attacking him multiple times correlates to the previous "wickie" under Wake who had only one eye, the other seemingly singed in. Time going by differently for Winslow when he missed the lighthouse tender because of the storm. In the end, when Wake is murdered by Winslow and Winslow finally gets to ascend to the lighthouse, a growing curiosity of his since Wake never allowed him up there but himself, it reminded me of Icarus. Getting too close to the sun. He is then seen, one eyed, laying on the rocks as seagulls pick at his intestines.

I can dissect some parts of this movie, but that's it. It was an interesting watch. If I rewatch it again, I hope to discover things I missed. Hopefully next time I'll have subtitles.

6. Bodies, Bodies, Bodies! (2023)

Directed by Halina Reijn, this movies follows a group of young adults who get stuck in a remote mansion during a hurricane. When one stumbles up dead, this kick-starts a night of horrors as the group is picked off one by one by a mysterious killer.

This movie is so funny. I knew it would be fun to watch since majority of the scenes were Tiktok sounds, my favorite being the upper middle class one. There's nothing really revolutionary to talk about during the entire movie. Majority of the drama are things that happened off screen since the movie starts when Sophie shows up on the last day of an already existing hangout. It was still good, just a little annoying when they spoke on drama between a random guy name Max and Emma. Everything else was fine and easy to follow along with. This is the friend group where everyone hates each other and probably just tolerates each other just because they grew up together. It's also a really fun and tasteful jab at our generation's internet culture and the obsessive need to find victimhood. I mention victimhood because the ending is so ridiculous and unavoidable that it's crazy. David (played by Pete Davidson) is threatened by the geriatric Greg (played by Lee Pace), a “vet" that is hanging out with a bunch of 20-somethings at his gargantuan age. Greg used a machete to cut open a bottle of champagne, which all the girls fawn over. This annoys David, who is threatened by a new man in the group and it shows. After leaving a game of heated Bodies, Bodies, Bodies between David and Greg, David goes on Tiktok to try and replicate the champagne trick, slicing his neck open in the process. He stumbles up to the house with an open neck, freaking out the girls, and making Greg suspect number one. After the most nauseating misunderstandings happen between Greg and the girls, he is killed by Bee, Sophie's new two-finger warmer, with a kettlebell. These girls went through a night of hell, accidentally killing each other off or turning against one another as preexisting tensions comes to light.

There is no killer.

I was watching this trying to do my process of elimination and coming up empty. I thought, if it's this fucking off-scene dude, Max, I will throw a fit. This cannot be Pretty Little Liar's season finale where they introduce the culprit as someone we never saw. Max was at least mentioned but still.

It was just so ridiculous in a good way. Sophie annoyed me. She didn't stand up to them kicking Bee out or the fight with Bee and Jordan. Plus, she was cheating on sweet Bee. What country is that girl from? Who knows. Aside from being a foreign girl from an unnamed country, she is the outside of the group or long term friends so they quickly turn against each other. Plus Sophie was a romantic two-timer, which raised even more tension for third party Jordan. This movie was so ridiculous that I loved it. I just keep repeating, “He’s a Libra Moon! He wouldn’t do this!”

What I really want to know is what was on that phone of Sophie's?

8/10

7. His House (2020)

Wunmi Mosaku twice in one month? I'm not complaining.

Rial and Bol are refugees who make a harrowing escape from war-torn South Sudan. However, they get more than they bargained for with their new home.

His House is…. a trip. Directed by Remi Reeks, it stars Mosaku and Sope Dirisu who move into a home after seeking asylum in England. They’re on a trial base stay where they’re placed under strict restrictions they have to abide by or else face deportation. Bol is excited to start his new life in England and assimilates quickly to their customs. He opts to eat on a table as opposed to the floor, uses utensils instead of his hands, and buys western clothing. In a later scene, he even tries to stop Rial from speaking dinka, their mother language. He attempts to be friendly with the neighbors, especially this one white woman above him, but is met with hostility. Rial, however, is less willing to assimilate to British culture and keeps her Sudanese customs, much to Bol’s dislike. I first assumed it was because everything seemed trivial after all the couple endured. On their way to England on a small fisher boat, majority of the people they were with died, including their daughter, Nyagak. But on Rial’s first trip to the doctors, she tells a physician that growing up in Sudan, two warring gang would mark themselves distinctively to whichever group they belonged to. Rial marked herself with both, signifying that she belonged nowhere. She’s used to being an outsider, so trying to fit into a country that expects her to be happy with “unseasoned scraps” is not a priority for her. Being “one of the good ones.”

The depiction of racism in this movie is so similar to how I hear it’s handled in England: it night as well not exist.

You know what they mean when they say certain things, do certain things, and treat you a certain way. Unlike the United States, racism in England is so covert that they themselves will deny ever having this problem. It’s kind of like that parent (England) traumatizing their child (United States) and then are shocked when the child goes on to live a more volatile life. Where is the origin of this madness? How did it get this bad? Not a clue.

I read Reni Eddo-Lodge’s book on Why I’m No Longer Talking to White People About Race. The very first paragraph spoke on British’s hidden racist history. They learned about American history with racism, yet not their own, so people will swear up and down it’s not a thing.

But the racial undertones are just that in this movie, undertones. It isn’t on equal grounds as Lovecraft Country when it comes to the most impeding issue Bol and Rial will have to face. An apeth, a night witch, haunts the home, tormenting the couple so that a “debt” is paid.

The horror elements were amazing. I love this new turn in supernatural movies, especially when it comes to hauntings. Lingering shots, horrifying visuals that are so vivid, and those ghosts that sneak up on you out of frame. Is this an elevated horror? If so, it’s what The Babadook was for others but for me. I really don’t like the Babadook, but that was years ago. If I have time to waste, I’ll rewatch it and see how I like it.

Now to the spoilers. The twist was a twist for sure. On my second rewatching, it was a completely different experience because it’s so obvious yet so not what was really happening. This apeth that keeps haunting them calls Bol a thief and he seems to be the primary focus of the entity. Rial tells a story of a man that was poor and wanted a home, just like Bol, who stole from another man that he didn’t know was a night witch. He got his home and the apeth moved in with him, haunting and tormenting the man. I sat to wonder, what did Bol steal? Why isn’t this life his to have? I assumed he was a member of one of the gang that must’ve changed his mind on murdering and wanted to seek refuge. Did he kill someone to get the opportunity?

Girl no.

He stole Nyagak, his “daughter.” After Rial survives a massacre of her friends and Bol goes to find her, they escape with other people seeking refuge. They happen upon a bus that’s only loading people with children. As people fight to be let on, the bus lead refuses single people. As the gang shoots in a distance, Bol sees a child separated from her parent and grabs her, lying to the bus head and giving Rial and Bol a seat to freedom. Nyagak ends up dying on the boat, which starts the chain of a apeth following then to whichever home they get.

It’s funny when they get to the house and Mark greets them. The house is bigger than those afforded to refugees. Rial asks why they got such a big house and Mark states, “Must’ve won the jackpot.”

I really liked this movie and, unlike most elevated horrors, it has a good rewatch quality to it. I’d highly recommend it.

One random realization is that Brits are amazing actors. I realize this when I watched Fish Tank (2009). It’s just so realistic and so natural. One scene where Rial sees three black boys playing. She gets a sense of relief seeing them and goes to ask them for directions. They’re assholes and even tell her to go back to Africa, mocking her mother language and pronunciation. They were just so realistic and so natural. Even the most random actors with small roles are so good, I don’t know. Those acting coaches there are something else.

Lastly, Netflix, I need everything translated. I don’t care how insignificant it is, translate that shit! [Speaking in Dinka] motherfuckers. Tsk!

10/10

8. Swarm (2023)

An obsessed, Houston-base fan goes to increasingly violent lengths for her favorite R&B singer amid a death.

This one is hilarious. Why? Because I am a Beyonce fan. I even have her tatted on me, no joke. With that said, I know the Hive can be an interesting fandom. Does it rival Nicki Minaj's? Closely. Does it Chris Brown's? Crack always prevails, so no.

I do not like Donald Glover, nor his portrayal of black women. When it comes to Dre, a mentally ill black woman, he describes her as he would a rabid dog and directed Dominique Fishback as such. Instead of allowing Swarm to be a depiction - of sorts - of mental illness of a black woman taking form in murderous ways funneled through a shared interest between her and her late sister Marissa, we get this. The links between Beyonce I think was a good touch because it's funny and kinda true. The soul of the movie and its intentions I'll save for another day.

Fishback is amazing and my first time with her. Billie Eilish as Eva was jaw dropping. But best of all, Rickey Thompson as Kenny just trying to do his job was hilarious. I wanted to watch him over and over again and I hope it's a start to an amazing acting career.

The question I have with this show is, did Dre kill Marissa? I believe so. At first, I didn't. Marissa had a history of depression and seemed co-dependent so I'd assumed she killed herself from the breakup. But as I watched more reviewers who pointed out things I hadn't noticed, it seems more plausible.

I don't think Dre's murderous rampage is just because she loves Ni'Jah. The R&B singer was something Dre and Marissa shared together. She was this successful woman that inspired the girls, especially Marissa who wanted to be a popular makeup artist. She had Youtube videos of makeup tutorials and dreamed of being big. When she died, Dre (who might've been the one to take that life) saw Ni'Jah as the potential, the stardom, the fame that Marissa could've had. She essentially saw this woman as a way to still have some remnant of her late sister. Anyone who did not like Ni'Jah Dre viewed as insulting her best friend. They might as well have spat on Marissa’s dead body. The obsession with driving across states to see Ni'Jah, wanting to get close to her and be at that concert no matter what obstacle came in her way showed that. We don’t see this much length be measured when Marissa was alive.

Marissa and the R&B singer were one in the same. This proves true when Dre steals her way on stage with Ni'Jah. Instead of being tackled off, the dancers and Ni'Jah helps her up. Instead of the R&B singer's face, we see Marissa, who embraces her.

The show kept me on my toes every episode. The many casts were also interesting. My favorite death would be Paris Jackson's. I love the tongue-in-cheek jokes that mirror scandals and rumors of the actors, including Beyonce. That fact that Dre is the one to bite Bey was on the nose. The mini documentary that shows that what we're viewing is a dramatization of actors and seeing pictures of the "real" Dre was a nice twist too.

Let's talk about Ms Eilish! Those big, Piscean eyes. This woman is stunning. For her first acting debut, she was a plot twist of the many that were in this show. She came off creepy yet comforting at the same time, the perfect depiction of a cult leader. Truthfully, if that's a cult, I'd join. That's how I know I'd be perfect for these cult recruiters because to this day I don't see the red flags of those white bitches. Of course, they leverage your deepest secrets above your head to keep you in but honestly it's all namaste and ashwagandha mellows from there. Hiking, sisterhood, meditations? I hope I don't sound stupid...

Apparently there'll be a season two. I'm not the best in figuring out if a show needs one, but I don't think this one does. There are a lot of unanswered questions but I think for an ending like the one we were given....dead it. It's an open-ended answer and the speculation of what is real and what isn't is fun and elevates it. If it comes out I'll still watch it, but I hope that's it.

10/10

9. Level 16 (2018)

Girls in a prison-like boarding school embark on a desperate search to uncover the awful truth behind their captivity.

This is literally The Promised Neverland. It really isn't far off from what I hear is being done for people to retain youth. Especially for those who can afford it. If anyone knows that one Ellen interview with Sandra Bullock, I don't even think that's the tip of the iceberg.

This one was all over my Tiktok feed, plus Stephanie Soo made a video on it so I knew what it was about and knew the big reveal. I still liked the movie, so I don't think it ruined it for me. But I do know my experience would've been a lot different hadn't I known. It's so hard avoiding spoilers. Even harder when you don't realize it's a spoiler you'll want to avoid in the future.

I know Katie Douglas from Ginny and Georgia and a few clips of The Girl Who Escaped (2021). Sara Canning is Jenna from The Vampire Diaries, so it was nice seeing that she's still employed. Love her.

Like The Promised Neverland, the children of this "boarding school" endure sixteen years of indoctrination in an attempt to be the perfect child in hopes of being adopted. They have never been outside and have only been within the walls of the school. The girls don't know certain things like "movies," calling them "moving pictures." They're unaware of how to read and I assume write. Every day is a schedule that doesn't falter. If there are any interruptions, the fear of being sent to the basement for punishment and being seen as "unclean" keeps them in line. There are also guards. Unclean girls are ostracized and treated as infections that might spread to the others. Vivian hides that secret of being "unclean" years ago after an incident on level 10, but it isn't a pressing issue in the story.

This is a good plot. It was weirdly paced, but still good. Maybe it has to do with me knowing the stakes, but I felt like it wasn't better shown? I just couldn't take this joke of a school seriously. It seemed like they only had two guards and the rooms were poorly ran. If the girls knew any better they'd easily overpower them or just break through the thin, rotting walls.

Certain things didn't make sense. Vivian was punished on level 10 trying to help Sophia. Years pass when the girls meet each other on level 16 once again, their final year. Vivian is now a obedient girl that treads the line and avoid getting involved with anything that would jeopardize adoption. With that said, why would she not take the medication when Sophia told her? Sophia gave no explanation. From the point of view of Vivian, Sophia is the reason why she went through something so traumatic in the basement that still haunts her six years later. So why just automatically believe her with no reason to and the potential of defying these "caretakers" that once punished her for something similar?

I'm nitpicking.

I just like this specific plot and had my jaws to the floor when The Promised Neverland first released it. Who would've thought an orphanage would turn out to be a farm for harvesting children...Definitely doesn't happen in the real world that's for sure! (sarcasm)

An amazing plot. It had one horrific scene which is horror enough for me, so I added it to this month's reviews.

7/10

10. The Babysitter: Killer Queen

Two years after defeating a satanic cult lead by his babysitter, Cole once again has to outsmart the forces if evil when old enemies unexpectedly return.

Starring Judah Lewis once again as Cole, he is now a junior in high school still being bullied. The fact that all the events of the first 2017 movie was cleaned up results in no one believing Cole who is mocked for being “crazy.” His parents think he’s nuts, even his best friend Melanie (reprised by Emily Alyn Lind) who’d helped him that night of outrunning his satanic babysitter, didn’t really see much to help his case. Even her new boneheaded boyfriend picks on Cole.

This one was also on my lift for a long time. I really liked the first movie, but had forgotten it, so I rewatched it before watching this new sequel (new to me anyway), so I guess you can add that to the list of what I watched this May. Killer Queen is so fun. I watched it two more times after because it’s a light movie, which is surprising given the premise. Black comedy horror are usually good and this is no exception. I might make a list honoring them. The comedic timing, the visual effects, the casting, and, the best of all, Jenna mother fucking Ortega.

I didn’t really like this role much for her for some reason. The character is great and all, but something was just off. Not sure. It doesn’t ruin my rating of this movie but I just wanted to put that out there.

Now to the spoilers. Melanie is the new blond goddess with her name in the devil’s book. I did not see that shit coming. They corner Cole on a boat after taking him on a trip to “relax” after he finds out his parents are fed up with their crazy son and are planning to ship him off to a psychiatric hospital. The new group of teens are Melanie, her boyfriend, Jimmy, Diego, and Boom-Boom are all playing a game when Diego tastelessly ask Cole about his killer babysitter. Melanie instigates, but Diego presses. Melanie slips up a detail of the night that Cole never mentioned to her and she is figured out when Cole doesn’t budge on never having had mentioned that information. Melanie slits Boom-Boom’s throat. The sacrificed. Cole is once again face to face with the same cult that wanted to use his blood for power, fame, and glory. Funnily enough tonight is the night the old friend group of his dead babysitter, Bee, comes back. They are still on the pursuit to use Cole’s blood to get their wildest dreams. Phoebe, Jenna Ortega’s character that’s on her own side quest that independently seems to be related to Cole’s, opens the door to the scene. Her jet ski ran out of gas and she’d stopped on the anchored boat for help but quickly leaves once it’s obvious this is no ordinary party.

I don’t mean to victim blame here, but all of this could’ve been avoided if Cole just got drugged. Actually, I do mean to victim blame. It would be less traumatizing, wouldn’t it?

In the first movie, Bee laced a shot glass of alcohol she was going to give to young Cole but he was afraid of the taste and downed it in the plant when Bee wasn’t looking. From what I got, they were going to leave the boy alive. In Killer Queen, that seemed to be the same case. But that didn’t happen, so Melanie had to quickly improvise. Her deal with the devil was more important than her friendship with Cole, who she teases his feelings for her on many occasions.

I’m not saying just let them use you for a satanic ritual, but if you end up alive… I don’t know. Seems better than running around trying to outrun two groups of killers out for blood.

This movie is just hilarious. My three favorite characters are Robbie Amell, jock head of Bee’s friend group, and Ken Marino, who plays Cole’s father. Marino I know from iZombie and he is hilarious on that too. Everything Amell says is just so perfectly timed and he’s not so bad to look at. I liked him in Duff and that one Scooby live action in 2009. He’s also in a show called Upload I’m excited to start - the clips looked amazing on Tiktok. Samara Weaving is an iconic given, and I’m happy that she and Ortega have worked together in Scream 6.

I recommend both movies strongly. The plot is so good and the actors are perfectly casted. The ending is nice too. I’m just really glad his parents will finally realize he’s telling the truth. Misunderstandings and gaslighting a protagonist is the worst. If they make a third movie, I wouldn’t mind at all. I hope Netflix does since they love to run things into the mud, but we’ll see.

10/10.

Next month I plan on watching the new Evil Dead Rise. I'm just waiting on my boyfriend, so it'll take a while. He also hasn't watched any Jordan Peele movies, which is crazy but perfect for me because I get to rewatch them all over again. I'm mostly excited for Get Out. Thank you for those who read my reviews. I hope I inspired a movie night or two, a binge watch or five.

[absolutebearings]

after this latest ultimate extended rewatch with @lecampy i can finally say for sure: i like the hobbit movies more than the OT ¯\_(ツ)_/¯ ᕕ( ᐛ )ᕗ

All 6 are more consistent in quality than I remembered so there's less for me to get hung up on that i wasn't already accepting from the first movies -- there's infrequently wonky cgi, weird act 3 pacing, and stupid action sequences in the OT but they didn't get in the way of my enjoyment then, that's still the case for me here

i already like tolkien dwarves so all the focus on them was awesome, i like that they blended in some other tolkien works, i like that there were references to the cartoons and various illustrated editions

it must be said -- the soundtrack fucks! howard shore adds some new great dwarvish themes to the leitmotifs we're already familiar with and it works so well -- in particular its underscoring of thorin's descent is really really good

the biggest thing for me though is the characters. I am incredibly fond of all the dwarves, and bc the movies put effort into differentiating them I was able to quickly learn names. i always come away from a rewatching getting attached to a new character (this time its balin ;__;)

riddles in the dark! the barrel escape! goofy and heartfelt songs! outwitting trolls and bluffing dragons! i think all the best stuff from the novel is a lot of fun in large part bc freeman is the perfect bilbo, he handles this ridiculous, increasingly depressing procession of events with a combination of twitchy insecurity and desperate nerve and its exactly as i imagined

dont even get me started on armitage as thorin jesus christ holy fcuk. I'm still recovering and it's been a decade. his last scene had me in hysterics

in general bilbo is a more interesting and compelling protagonist, (all his little tics are so endearing!! there's like 50 Relatable Bilbo Moments per movie) and thorin's tragic character arc beats the shit out of anything from the OT. i wish i had 10 more hours of them interacting. i wish they had more time together

love the stuff with bard the bowman, he is a much more interesting figure than i initially gave him credit for, especially after laketown is destroyed and he's trying to care for all the refugees who immediately looked to him for guidance because he's the one that killed the dragon. he feels the weight of responsibility for their survival on his shoulders, his dragonslaying wasn't so much a feat as it is a prelude to the real work that is the result of prowess -- those who can, MUST. and that pressure drives his plea for thorin to just honor their prior agreement, and the feeling of betrayal when that plea is callously refused. its just like thorin taking responsibility for his people after erebor was lost (and the deliciousness of thorin treating bard like thranduil treated him, and the way the trauma of being abandoned to starvation and exile ripples out over years)

the critique i agree most with is the execution of the kili/tauriel romantic subplot, it could have been better developed imo, theyre really intense about each other after like one conversation LKJFdsjf

pacing is definitely wonky at times

specifically the pacing of the gandalf subplot was not as good as the main plot, but i think it was better handled in the extended editions

i dont think smaug was killed too quickly, or the confrontation was weirdly positioned astride the 2nd and 3rd movies bc the dragon isn't the most interesting antagonist of this story and there are more important things to explore, like thorin's descent into paranoia, his awful choices as a leader once he steps inside erebor and how theyre connected to his past experiences, and the way infighting leaves all parties vulnerable to destruction. but i'm someone who was bummed they cut scourging of the shire from the OT so i would enjoy stuff like this, those arcs that show the fallout after the Big Final Battle, (or what seemed like it at the time), where you have to reconcile real world shit like diplomacy w/ neighboring polities.

i still love the OT, its a classic for a reason, but the hobbit movies are underrated and i'll die on this (under)hill.

[nobutthanksanyways]

Gather round children of tumblr! For it is now: 🔥FÛÑ FÁÇT TĪMË🔥

So I have Tourette’s syndrome, and a big part of it for many people is copying things u see or hear. Anywho when I first watched the hobbit movie like last year, (yes I know I’m late to the party; I’m a wizard so it don’t count), I ended up kinda salty at 💕Martin freeman💕 lol. I mean I saw it coming from a mile away but the second he did that lil nose scrunch thing I was like: No. No no. NononononoNONO!! NNOOOOOOOO!!!! Anyways I copied it. And then immediately thought of that Michael Scott yelling no meme. I’ve been doing it ever since then and it’s very unpleasant thx for asking lol. Except Beebo’s allowed because he’s just a lil guy and it’s adorable when he does it, and conflictingly I now feel seen ig lol.

TL;DR:

Bilbo baggins/Martin freeman gave me a tic and I think that’s a funny concept.

Bilbo scrunch face appreciation.

He does it every time he's nervous or confused.

Faces of Bilbo Baggins appreciation post [2 of ???]

[greeneyed-thestral]

[manvindrachaudhary-blog]

Jonathan Majors Behind The Scenes Facts

Jonathan Majors Behind The Scenes Facts

If you're paying attention to some of the biggest new movies, then chances are you've seen Jonathan Majors.

It's safe to say Jonathan is making a name for himself and becoming one of the most in-demand actors working today. So, to celebrate, here are 21 facts you probably never knew about him:

1. First, Jonathan was born on September 7, 1989 in California and lived on the Vandenberg Air Force Base alongside his brother and sister, until their mother moved them back to her hometown of Dallas, Texas.

2. Jonathan has talked about his childhood and how his mother was "really good at keeping safe," but he still acted out. He was caught shoplifting, got into several fights that resulted in school suspension, and he was thrown out of his house and had to live in his car while working two jobs.

3. Speaking about growing up in a working-class household in an affluent neighborhood, Jonathan said, "I found myself getting into fights, being bullied, and then retaliating." From 14 years old and on, theater was the one constant thing in his life. He said he was motivated by "that emotionality, that impulsivity, that need to connect. I just wanted to be in the world and be a part of it."

4. He attended the University of North Carolina School of the Arts and then went to Yale School of Drama.

5. His first major acting credit was in the limited series When We Rise (2017), where he played a younger version of Michael K. Williams's character Ken Jones. Jonathan and Michael would later reunite on Lovecraft Country.

6. In fact, Jonathan booked When We Rise while he was still a student. He explained that Yale School of Drama has a policy where you can't leave for acting work, but they made an exception for him.

7. Jonathan received critical acclaim for his work in the 2019 film The Last Black Man in San Francisco. His work as Montgomery Allen in the movie is what made Marvel casting director Sarah Halley Finn realize he'd make a great Kang the Conqueror in the MCU.

8. Jonathan has a 9-year-old daughter. Talking about what lessons he's taught his daughter, Jonathan told Ebony, "We teach worth and value in our household, and self-worth. A big thing is, as she changes her hair up, I'm very clear to tell her I liked it the way it was. I love it now; I loved it then. Another thing we teach is smiling. Your emotions belong to you. No man can make you do anything or feel anything."

9. Jonathan was originally cast in The Trial of the Chicago 7, but had to drop out due to scheduling conflicts. At the time, he was filming Da 5 Bloods, Lovecraft Country, AND The Harder They Fall back-to-back following the release of The Last Black Man in San Francisco.

10. He received his first Emmy Award nomination for Outstanding Lead Actor in a Drama Series for his work as Atticus "Tic" Freeman in Lovecraft Country in 2021. In fact, until Lovecraft Country, Black actors from the same project had never been recognized in all four acting categories.

11. Jonathan said that he saw a lot of himself in Tic from Lovecraft Country, which is what initially drew him to the role. He told Entertainment Weekly, "I experienced hiding away and being by myself in books. I, too, had an estranged father. There are so many elements that . Also, growing up in the South, I'm very familiar with the relations between the African American community and the white community down home in Texas."

12. He joined the MCU as Kang in 2021, a role that will span both the TV shows and movies. He's already appeared in Loki and Ant-Man and the Wasp: Quantumania, and he's set to be one of the leads in the upcoming Avengers movies: Avengers: Secret Wars and Avengers: The Kang Dynasty.

13. He is known around Hollywood for his "immersive approach" to acting, and he describes it as "a blend of different method acting styles." Instead of being "excessive" in his method acting approach, he more so looks at it as doing "whatever it takes."

14. Jonathan trained like a real boxer to prepare for Creed III. Michael B. Jordan told him that he wanted Adonis and Damian to look like two "gladiators in the ring," and that was the inspiration for their training. He trained three times a day to get into boxing shape for the film.

15. Then, his training continued after Creed III for the movie Magazine Dreams, where he plays an aspiring bodybuilder. However, for this role, he spent "about 18 months training and consumed 6,100 calories a day to maintain 202 pounds on his 6-foot frame."

16. Jonathan has spoken about how Heath Ledger's performance as the Joker in The Dark Knight inspired him. He told Entertainment Weekly, "Okay, first of all, he's gorgeous. He's got that fucking jawline, and he didn't give a fuck. He threw his body around. He was so full. And I went, 'I'm coming for that. I'm inspired.' It takes a lot, you feel me? To be inspired."

17. In fact, in 2022, Jonathan penned an essay for Variety where he talked about how The Dark Knight shows "what it means to be human." He talked about the complexity Ledger brought to the role of the Joker and how he vividly remembers seeing the movie in theaters for the first time when he was 18.

18. Jonathan has said that the actors he looked up to growing up were Denzel Washington, Philip Seymour Hoffman, Daniel Day-Lewis, and Ben Kingsley.

19. However, he's also said that he's inspired by younger talent, like Daniel Kaluuya, Zoe Kazan, Paul Dano, and Zendaya.

20. Jonathan loves music and often makes playlists for himself and other people. After seeing Creed in 2015, the film inspired his gym playlist. Then, while filming Devotion, he would send his scene partners "written letters and songs relevant to their roles."

21. And finally, he helped found the Gotham Sidney Poitier Initiative, which he describes as "an ambitious set of programs developed around the spirit Sidney Poitier brought to the world as he broke down the barriers in the film industry and the minds of audiences. SPI aims to expand on this legacy to support the next generation of filmmakers."

Black History Month is here! Join us from February 1 to February 28 (or all year round) and support our content celebrating the culture.

Source link Read the full article

[snailsdraw]

[Start ID: 4 panel comic featuring HLVRAI Tommy and Gordon while Tommy plays tic-tac-toe by himself.

Gordon joins Tommy at the table, saying: "Hey tommy." Tommy, with a pencil in hand, replies: "Hi." "What's goin' on?" Gordon asks.

Tommy responds: "Nothing much, Mr Freeman...just playing tic-tac-toe against myself." Gordon laughs: "No kidding, huh?...Are you winning?"

Tommy stares at him blankly in silence for a moment, before turning his gaze downwards and saying "no..." with a frowny face emoticon. /End ID.]

This probably happened I think

[shitthatsbrazy]

So um Ji-Ah comes to Chicago only to get verbally abused by Tic.. Christina stroke game got Ruby practically in love..Christina got killed the same way as Emmett Till for whatever reason..Hippolyta still ain’t bring her ass back..Dee got spit cursed and being chased by two professional dancing ass demons..lettie invincible and still ain’t tell Tic she pregnant ...Tic got a naked mole rat guard dog and went to the future and found out his son wrote lovecraft country oh and Ruby while white rode the dick so hard the white bitch exploded..

Me watching the episode:

[motionoftheocean]

Well don’t you look dapper 🥰

[tv-moments]

Lovecraft Country

Season 1, “Sundown“

Director: Yann Demange

DoP: Tat Radcliffe

[lukeskyualker]

and thats on lying.

I LOVE leti so much