#tibetan buddhists
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sspacegodd · 6 months ago
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DROP YOUR MIND AND BACK AWAY SLOWLY!!
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I know what you’re thinking.
"Did he reach the sixth chakra or only five?"
Well, to tell you the truth, in all this excitement I kind of lost track myself. But being as this is kundalini, the most powerful energy in the world, and would blow your head clean off, you’ve got to ask yourself one question:
"Do I feel enlightened?"
Well, do ya, punk?
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dreaminginthedeepsouth · 7 months ago
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[from my flickr files]
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“Tibetan Buddhists say that a person should never get rid of their negative energy, that negative energy transformed is the energy of enlightenment, and that the only difference between neurosis and wisdom is struggle. If we stop struggling and open up and accept what is, that neurotic energy naturally arises as wisdom, naturally informs us and becomes our teacher.” ― Natalie Goldberg, Long Quiet Highway: Waking Up in America
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mysterioushimachal · 2 years ago
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Explore Tsechokling Gompa: A Serene Haven in McLeod Ganj, Himachal Pradesh
Nestled amidst the picturesque landscapes of McLeod Ganj in Himachal Pradesh, Tsechokling Gompa stands as a testament to the region’s rich spiritual heritage. This sacred Buddhist monastery has captivated visitors with its serene ambience, awe-inspiring architecture, and profound cultural significance. In this comprehensive guide, we invite you to embark on a journey of exploration and discovery…
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View On WordPress
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panukkie · 9 months ago
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More avatar ! featuring kataang
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mahayanapilgrim · 4 months ago
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The Secret of a Full Life
The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow. It eliminates the vice of procrastination, the sin of postponement, failed communications, failed communions. This thought has made me more and more attentive to all encounters. meetings, introductions, which might contain the seed of depth that might be carelessly overlooked. This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people, more people, more countries. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us.
The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.
~ Anais Nin
The Diary of Anaïs Nin
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izze-art · 9 months ago
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what if Aang had Paul Atreides style visions of Katara before the iceberg? ☁️
[Image description: Three panels of the Avatar the Last Airbender characters Aang and Katara inspired by a scene in Dune (2021). The first panel is of Katara a young Inuit girl in a blue parka walking along a white snowy hill. The second is a close up shot of Aang a young East/Southeast Asian boy looking into the distance as he sees a vision of Katara. The last panel is Katara looking into the camera.]
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khaantengri · 30 days ago
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Buddhist cemetery
тгк
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divinum-pacis · 1 year ago
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Central to the nuns’ identity is their proficiency in martial arts. Jigme Rupa (all nuns’ names are prefixed with Jigme) uses a sword to practise her skills outside the main temple. Among the eight ‘mystical’ weapons that can be used in martial arts, Rupa says her favourite is a sword.
Photograph by Skanda Gautam
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whatevergreen · 1 month ago
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A thangka depicting a form of Vajrayogini (?) - Mongolia, 19th century
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subnitida · 1 year ago
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Three leaves from a Tibetan musical score used in Buddhist monastic ritual with the notation for voice, drums, trumpets, horns and cymbals, date unknown
Photo: The Hum
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void-meditatum · 2 years ago
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jadeseadragon · 4 months ago
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Christian Benavides, The 8ight Jewels Gate
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illustratus · 9 months ago
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Path to Kailas by Nicholas Roerich
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earthjournalbyawildrose · 6 months ago
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pälm tēmples .:. @earthjournalbyawildrose
source
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mahayanapilgrim · 9 months ago
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Know your enemy
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nancydrewwouldnever · 7 months ago
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Unknown Tibetan Artist, Thangka of Four Mandalas of the Vajravali Series, ca. 1429-1456, gouache on cotton (The Rubin Museum of Art, New York)
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