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#threads / mason beckett
atrickrtreat · 6 months
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@lcstinfantasy asked: ❛ are you ever going to choose me ? ❜ - from reign
"What are you talking about?" Mason was confused, tilting his head. "Pretty sure I did choose you - but if you're talking about serious, Reign, I told you that wasn't going to happen. I don't settle down."
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scxttstreet · 1 year
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he is a friendly guy, but when mason approaches the sleight frame ( confused and peering through a crowd of frat boys taking jello shots ). “.... sorry, i don’t mean to intrude but... you look lost. can i help?”
@moonliht
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afantasycourt · 1 year
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independent multi muse rp account featuring a variety of muses from acotar, bridgerton, the witcher, marvel, and more. written by kel, 21+, she/her, uk based.
open starter tag
currently reading: fourth wing
rules & mules are under read more
MUSES.
bridgerton.
hyacinth bridgerton: florence hunt, danielle rose russell
sophie beckett: alexandra dowling
francesca bridgerton: ruby stokes, hannah dodd.
lucy abernathy: adelaide kane.
kate sharma: simone ashley.
daphne bridgerton: phoebe dynevor
edwina sharma: charithra chandran
penelope featherington: nicola coughlan
anthony bridgerton: johnathan bailey
benedict bridgerton: luke thompson
colin bridgerton: luke newton
violet ledger (bridgerton) - ruth gemmell, connie jenkins
lady danbury - arsema thomas
queen charlotte - india ria amarteifio
a court of thorns & roses.
nesta acheron - phoebe tonkin
elain archeron - lily james
feyre archeron - freya allan
rhysand - undecided
throne of glass.
yrene towers - zendaya
elide lochan - danielle campbell
aelin galathynius - skylar samuels
dorian havilliard - matthew daddario
rowan whitehorn - henry cavill
the witcher.
jaskier - joey batey
yennefer of vengerberg - anya chalotra
cirilla of cintra - freya allan
shadow & bone.
alina starkov - jessie li mei
stranger things.
chrissy cunningham - grace van dien
eddie munson - joseph quinn
nancy wheeler - natalia dyer
once upon a time.
emma swan - jennifer morrison
robyn mills - tiera skovbye
alice jones - rose reynolds
snow white - ginnifer goodwin
drizella/ivy tremaine - adelaide kane
the musketeers.
queen anne - alexandra dowling
constance - tamla kari
ninon de larroque - annabelle wallis
aramis - santiago cabrera
merlin/arthurian legends.
lancelot du lac - santiago cabrera
elaine of corbenic - undecided
lady morgana - katie mcgrath
guinevere - angel coulby
the chronicles of narnia.
lucy pevensie - georgie henley
susan pevensie - anna popplewell
wednesday.
wednesday addams - jenna ortega
enid sinclair - emma myers
downton abbey.
sybil crawley - jessica brown findlay
daisy mason - sophie mcshera
other.
hayley marshall - phoebe tonkin ( originals )
hope mikaelson - danielle rose russell ( legacies )
rebecca mikaelson - claire holt ( originals )
freya mikaelson - riley voelkel ( originals )
amy pond - karen gillan ( doctor who )
yasmin khan - mandip gill ( doctor who )
morgan stark - katherine langford (marvel)
bucky barnes - sebastian stan (marvel).
peggy carter - hayley atwell (marvel)
rebecca barnes - tbd (marvel)
RULES
RULE ONE/OOC INFORMATION Hi, my name is Kel, I'm over 21+ and use the pronouns she/her. Time zone is GMT.For now, my blog will run on a queue as I'm busy with some real life stuff. But sometimes, I may come online for an hour or two, depending on my mood. Blog is selective, private and mutual only. Also OC, multi fandom and multi-muse friendly too.
 RULE TWO/THREADS AND REPLIES  Replies can take a while to reply to, but I am not ignoring anyone. Please message if I haven't replied within a month.The best way to begin threads are through sending ask memes. I will also post open starters and maybe the occasional starter call. Not really a plotting person either; prefer to go with the flow.
RULE THREE/TRIGGERS I don't really have any triggers. That being said I will tag other people's triggers the best I can, and if I don't feel free to send a message and let me know. Don't send anon hate either. We all make mistakes and can't remember everything. Regarding shipping, I'm open to anything really. That being said, don't force any ships on any of my characters. I'll just unfollow/block if it continues to happen.
RULE FOUR/ETIQUETTE I do not tolerate any forms of hate. Racism, sexism, transphobia, homophobia and any other forms of hate are not tolerated on this blog and I don't want to see any of it on the dash. It's an immediate hard block if I see anything. Respect each other, it's not that hard.
RULE FIVE/SHIPPING. Regarding shipping, I'm open to anything really. That being said, don't force any ships on any of my characters. I'll just unfollow/block if it continues to happen. I mostly ship for chemistry, but don't mind discussing ships beforehand if anyone wants to try anything out.
RULE SIX/SMUT AND MATURE THEMES Smut will not be featured on this blog. All other mature themes will be tagged accordingly and I'm pretty much open to anything except rape, incest etc.
CREDIT All gifs, icons etc on this blog do not belong to me. Credit goes to their rightful owners.
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catalinaroleplay · 4 years
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WHAT DO YOU MEAN YOU SCREWED UP THE PLACE CARDS? 
Uh-oh! Trouble is brewing on the horizon! The catering company in charge of the food has shuffled up all the name cards, leaving Descanso employees to hastily place everyone’s cards on the wrong tables. No one’s sitting where they’re supposed to, which means — will it be an hour and a half of pure awkwardness? Or will you be able to make some new friends? 
SEATING ARRANGEMENTS 
Table 1
Ahren Slater
Annaliese Atwater
Carolina Weiss
Elijah Hinkley
Mason Hartley
Paloma Reyes
Ryan Moore
Devin Kanemoto
Table 2
Eleanor Hirsch
Ethan Price
Jack Adler
Josephine Halliwell
Lucian Carter
Rayna Norwood
Billie Murphy
Table 3
Aaron Hirsch
Austin Cabot
Beatriz Hartley
Jannik Petersen
Sage Beckett
Tallulah Montgomery
Table 4
Charles Ansel
Elena Perez
Elizabeth Kennedy
Emma Ainsley
Maya Baxter
Tristan Hartley-Steele
Table 5
Clarissa Archeron
Dinah Palmer
Leah Tierney
Nicholas Vanderbilt
Theodore Carlson
Tyson Hart
Table 6
Celia Halliwell
Evangeline Morris
Hayden Stewart
Holliday Carlson
Jacob Quentin-Jonasson
Paul Matthews
Table 7
Alycia Acosta
Felicity Wrigley
Lydia Beckett
Margot Eden
Rory Hirsch
Wolfe Harwen
Table 8
Ava Halliwell
Della Slade
Harper Norwood
James Atwater
Malcolm Strathclyde
Marion Stewart
Table 9
Arthur Kanemoto
Bennett Brody
Brianna Fisher
Charlotte Ainsley
Cian Veri
Daphne Palmer-Slade
out-of-character information
As a way to encourage more interactions with other individuals, we have come up with tables of random groupings of characters! For dinner-related threads, you may only interact with these individuals. 
Please start at least four threads total with others sitting at your character’s table, preferably with a player that you have not interacted with, though we encourage more if you can. A reminder that they do not have to be long, and can be simple dialogue interactions if you wish. 
As a disclaimer, we worked hard to have each player’s character sit at a different table, and group characters with other ones that have not interacted much yet, but we cannot guarantee that you will be paired with a player that you have not spoken to. Please take the initiative yourself to contact players that you have not spoken to, if you can! 
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lightsailing-a · 6 years
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JENFJGBF COMPOSer + Deci and cutler and Pullings and bram and Philadelphia and EVERYONE I GOT TOO EXCITED
let me pick out classical pieces for writey things
decimus — viola concerto in g major, twv 51:g9: ii. largo
i don’t really have a good explanation for this one, except for the vibe alone. it reminds me of the sound of slack canvas flapping in a lazy breeze heralding evening and of the splash of the hull cutting through the waves and of simple elegance borne not of noble birth or classical training, and it reminds me of white hair beneath a midshipman’s hat (,:
cutler — six suites for cello suite no 2 in d minor bwv 1008: prelude by bach
a moody, powerful cello solo for the lonesome lord beckett. the accidentals of the recapitulations and modulations cut like a knife as the piece grows and grows to such a strength that, if you listen closely, you can hear each finger falling hard onto the fingerboard before a rough chord cuts the piece off. piano cascades of eighth - notes lead the piece down until it arpeggiates to a series of chords slowly taking steps down the destruction of a ship to the death of the prelude. 
pullings — poet and peasant overture by suppe
i’ve never seen the opera, nor do i know what it is about, but i feel like the title alone describes pullings. he is a man of rigidity and order ( as that is what is required of him ), but he is also very soft and kindhearted. the overture illustrates both sides of the coin, beginning with a noble chorale of brass before it is taken by the strings and then, solely, by the principal cello. the cello solo is sweet and folk - y in a way, almost as if it were a wish up on a star. it is violently cut off by a battle cry, a strepitoso section of chaos and dictation, each unison bow stroke of the strings exact and precise. back and forth, the piece goes from one mood to the other, detailing both sides. 
bram — five military marches, op 39, “pomp and circumstance”: no. 4 in g major
do i even need to explain this? proud, elegant ( listen to that syncopated harp part in the ‘a’ section !!! wig !!!! ), and british.
philadelphia — evening of roses played by sheku kanneh - mason, oliver james, and the cellos of the city of birmingham symphony orchestra 
if there was ever a word to describe philadelphia margaret honora edrington, it would be passionate. she has never done, never felt anything halfway. whether it be in her quest to level the economic playing field or to be able to marry her proletariat love, or to simply be taken seriously in a world that would rather not listen to her, she feels things viscerally and completely. and you ,,,,, cannot tell me that this piece does not embody exactly that. 
william blakeney — no. 13 iv danses des petites cygnes by tckaikovsky
this piece, from the famous ballet swan lake, features a quadrumvirate of petite cygnes ( little swans ) dancing across the stage, hands clasped. the piece was written and dance choreographed to reflect the way small swans group together for protection and that is one of the reasons why i chose this piece. on a ship of hundreds with watches spent hanging on a thread, i always loved, in the film, how the middies would look after each other and stick together, as they had not yet gained their sea legs in the ways of confidence. 
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