#thread: support mains needed

[byanyan]

havin another one of those nights where i'm getting real emotional over all of you giving this little freak of a muse a chance

[kristiliqua]

[read this after reading the tags because fuck i hit the tag limit LMFAOO]

— and jason (n the bunch) definitely makes fun of him for it because holy shit you absolute tryhard (he copes and seethes every time tim manages to snipe his slow ass dynamo — which is basically every fucking time tim is there . he has to rush tim like a fucking madman in order to actually splat him , and then usually dies right after bc he rushed into their base , tunnelvisioning tim and tim only , as a fucking Dynamo . tldr he calls him a tryhard to cope)

(and do Not get me wrong ; its not as if jason’s a thoughtless or bad player [i hate ppl calling him a brute . like istg he’s smart too] . its just that dynamo vs charger is a horrible matchup for him , as the dynamo . he Does manage to get tim without rushing him sometimes , but he needs coordination with his team distracting tim or smth in order to get the advantage he needs , since theyre both equally skilled pretty much . but a 1v1 is just Hard in this matchup [said by a dynamo And charger main . trust me on this one LMAO] , and he usually just gets sniped in those situations — its either a trade or death for him most of the time . thats not a jason thing ; its a charger vs dynamo thing lol)

golly i’ve been talking abt this too long (esp abt tim and jason when tim is nowhere to be found in the og post LMFAO Uhm .! i just like them . jason n tim are my boys) . in fact im going to yap more bc i feel i havent given dami enough appreciation

jason would totally love rolling damian over while dami’s sharking him . he’d laugh in his face and clip it on his switch , before saving the clip on his phone or smth just in case damian attempts to delete it

see it as a punishment for trying to shark a dynamo as a splatana/octobrush instead of just ,,, outmaneuvering the dynamo . bc both splatana and octobrush have good enough range to easily take down a dynamo (he outmaneuvers a lot too ofc ; he just tests his luck sometimes by sharking around jason , wanting to surprise him lol)

they are a Unit on the same team tho . damian as the faster splatana/octobrush supporting jason’s slower dynamo/stamper (he’d play that too . def didnt start playing it bc it pairs rlly well with [damian’s] splatana ,, no siree ,,,) as they both kill the enemy team with terrifying efficiency . (i’d say they’d be extra good with tim making callouts in comms — bc ofc im still thinking abt tim too istg 😭 — but i also feel like neither of them would listen to him half of the time . and take joy in his misery whenever they lose , ignoring their own misery from losing in favor of making fun of tim and blaming each other for losing [like “if you hadnt died when they started pushing we could have defended successfully , todd !” / “oh MY BAD that i TRADED with their stupid quick-respawning motherfucker and couldnt paint under my feet to get away from their bomb because im a fucking DYNAMO —” (can you tell i definitely main dynamo and have experienced similar situations . WHY is it so FUCKING BAD at PAINTING UNDER YOUR FEET . MY GOD .)])

anyway holy shit thats it im done Fucking Hell . here’s your essay op ! i love the art . it has clearly stirred my love for batfam and splatoon (im sorry LMFAOAO)

is this too niche

[ceramicbeetle]

tbh the more I think about her the more I wonder if Tiffany is going to wind up more of a side character than an actual Main Character in this series... like if i wind up actually writing as much as i am conceptualizing writing, the distinction might not necessarily matter that much, but i do sort of wonder what i'm going to wind up doing with her lol

[hayatheauthor]

The 7 Faces of Friendship: Character Types to Include in Your Book’s Friend Group

Having a balance of different personas helps create a comprehensive cast for your novels. To get started, here are the 7 main friend personas to consider:

1. The Leader

Description:

The leader is the driving force behind the group. They are often assertive, confident, and willing to take charge in various situations. This person is typically seen as a decision-maker, guiding the group toward plans, activities, or goals.

Traits:

Charismatic: Naturally draws people in and inspires others.

Decisive: Quick to make decisions, often with a clear vision in mind.

Responsible: Takes ownership of the group's well-being and direction.

Role in the Group:

The leader often organises outings, mediates conflicts, and keeps the group focused on shared goals. They are instrumental in making plans and ensuring that everyone feels included.

2. The Caregiver

Description:

The caregiver is the heart of the friend group, always looking out for others. This person is empathetic, nurturing, and willing to lend a helping hand or an understanding ear.

Traits:

Compassionate: Deeply cares for the feelings and well-being of others.

Supportive: Always ready to offer encouragement or assistance.

Attentive: Notices when someone is feeling down or needs help.

Role in the Group:

The caregiver often acts as the emotional glue, fostering connections and ensuring everyone feels valued. They are typically the ones organising gatherings to celebrate friends or supporting them through tough times.

3. The Comedian

Description:

The comedian is the life of the party, always ready with a joke or a funny story. This character brings humour and lightness to the group, helping to relieve tension and elevate the mood.

Traits:

Witty: Quick with humour and often makes clever observations.

Playful: Approaches life with a sense of fun and spontaneity.

Positive: Maintains an optimistic outlook, even in challenging situations.

Role in the Group:

The comedian keeps the atmosphere lively, ensuring that laughter is a common thread in the group. They often defuse tense situations with humour and help create cherished memories through fun experiences.

4. The Adventurer

Description:

The adventurer thrives on new experiences and excitement. This character is always seeking thrills, whether that’s trying out a new restaurant, going on spontaneous trips, or participating in extreme sports.

Traits:

Daring: Enjoys taking risks and stepping outside of their comfort zone.

Curious: Eager to explore new ideas, places, and experiences.

Energetic: Brings enthusiasm to the group, often encouraging others to join in.

Role in the Group:

The adventurer often leads the charge for new experiences, pushing the group to try things they might not have considered. They inspire others to embrace spontaneity and explore the world together. Often contradicts the leader.

5. The Intellectual

Description:

The intellectual is the thinker of the group, often delving into deep conversations and pondering life's big questions. This character values knowledge and is well-read, informed, and curious about various topics.

Traits:

Analytical: Enjoys breaking down complex ideas and analysing situations.

Inquisitive: Asks questions and seeks to understand the world.

Articulate: Communicates thoughts clearly and effectively.

Role in the Group:

The intellectual can help stimulate meaningful conversations, adding depth to the group's interactions. More of a quiet yet important presence. They help get the Adventurer out of trouble, and are likely found bantering with the Comedian from time to time.

6. The Connector

Description:

The connector is the social butterfly of the group, adept at bringing people together and building relationships. This character thrives on interaction and often knows everyone’s stories, interests, and backgrounds.

Traits:

Sociable: Enjoys meeting new people and introducing friends to one another.

Empathetic: Understands social dynamics and helps others feel comfortable.

Resourceful: Knows where to go for recommendations and suggestions.

Role in the Group:

The connector enriches the group by fostering relationships and creating opportunities for social gatherings. They often organise events and help deepen bonds within the friend circle. They are generally close to the  Caregiven and the Leader’s partner/close friend.  They help the Leader and Intellectual settle on ideas that are both fun and functional thus appeasing to the whole group. 

7. The Realist

Description:

The realist is grounded and practical, providing a balanced perspective within the friend group. This character approaches situations with a level-headed attitude and often focuses on the facts at hand.

Note: While the intellectual is an inherently smart person, the realist is the apathetic and logical force of the group. They don’t have to necessarily be smart but are insightful.

Traits:

Pragmatic: Values practicality and often offers sensible solutions.

Sceptical: Questions overly optimistic or unrealistic plans.

Honest: Tends to speak their mind, even when the truth is uncomfortable.

Role in the Group:

The realist often acts as a counterbalance to more idealistic characters, helping the group assess risks and make informed decisions. They provide a sense of stability, ensuring that plans are not just fun but also feasible.

Edit: you don't NEED to have 7 friends each with one persona. You also don't need to have all 7. One person can be the caregiver to A and realist to B. They can be the leader in one friend group but the comedian in another (showcasing their comfort with the latter). This is just a list to help pan out your character personality types!

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[cherrysweets-world]

Eyes of the Gods III

series masterlist - part IV

Pairing: Caracalla x fem!Reader x Geta

Summary: You are forced to leave all previous tasks behind and focus solely on the Emperors. They will have it no other way.

Warnings: 18+, mentions of domestic violence, dead parents, forced proximity, power imbalances, period-typical sexism, eventually dub-con, possessive behavior, toxic relationships

Word Count: 3k

The walk back to your shared room was miserable. Initially you thought it was the events of the past few hours catching up to you but your condition had only worsened by the time you reached your room. Fear and hopelessness had been replaced by the most pounding of headaches and you could hardly stay upright.

The walls seemed to warp and swell beneath your hands as you leaned on them for support. Head swimming, you pushed open the door and staggered to your bed. The straw seemed more uncomfortable than usual but you were grateful for a flat surface to lie upon.

The room smelt clean but even that made you nauseous. Alba, your friend, sat upon her own bed and wore nearly identical clothing to yours. She was handier with a needle and thread than you and so hers were better kept. Alba was, altogether, a more skilled worker than you. Many were! You did not feel as though you stood out. So why had this happened to you rather than someone else?

Her fingers worried the lightly frayed edges, dark eyes gazing at you with increasing concern.

"I heard what happened," she said, coming to stand beside you. "Did they do this?"

"No," you groaned, "this is a sickness, the one that has had half the slaves and workers out."

Alba stepped back. You could hardly blame her. It had taken the lives of several of the elderly slaves and it was a chore to endure. Lady Lucilla had been struck down by it and forced to remain here at the palace to recover rather than endure the journey home.

"I need to pack," you hissed, heaving yourself into an upright position. "I can't handle this right now."

The floor felt cool on the bottom of your feet. You slid from your lumpy bed and pressed as much of your skin against it as you could. It was a small relief.

The main symptoms were nausea, vertigo and headaches. You had at least two of the three. Fine one moment and almost incapacitated the next. That was to be expected when the majority of people lived in such close quarters. Even the masters were not immune.

Tomorrow you would know the full extent of it. Some had speedy recoveries, others suffered for at least a week.

"I do not have the time," you said aloud.

"Time for what?" Alba asked. "Pack for what?"

You let your head fall back onto the bed, stray pieces of straw poking your skull and getting tangled in your hair. A garbled laugh managed to claw it's way up your throat. "I am rising in the world, Alba. I am to serve the emperors directly."

You could not bring yourself to look up to see her face. What would you see? Pity? Sadness? Jealousy, even? Just because you were not happy did not mean that there were not others who would claw your face off to be in your position.

A hand ghosted over your hair. "I'll let the kitchen master know that you are ill. Try to rest."

The door opened and shut with the softest of sounds. Alba probably thought that she would never see you again. She and the other two would have to sleep elsewhere tonight and you would likely be gone come morning.

Truth be told, you did not have much to pack. Three garments identical to the one you were wearing. You picked the two cleanest and left the other. If what Caracalla had said was true then you would no longer need them. Several leather ties littered the floor beside you and you scooped those up, dropping them on top of your folded garments. They were handy for keeping your hair from your face.

Finally, your prized possession. To retrieve it you had to stuff your hand into your straw mattress, fumbling about until your fingers closed around something solid. You pulled it out with effort and clasped it gently to your chest.

It was a carved wooden figure of a wolf, head tilted back as if howling at the moon. The most intricate features were worn away and, truthfully, if you did not already know it was a wolf then you would not have been able to tell. It had been made by your grandfather, a man who you had never known, and passed to your mother. Eventually it had made it’s way to you.

It was perhaps the only thing that had evaded your father's destructive path. Your childhood home had been small and nothing else had avoided his open hands or fists. Including you and your mother.

In your mind they were both dead, though you had only seen your mother's battered body. After that you had left, using the cover of night to conceal yourself. It had served you well up until recently. There was nowhere you could go to avoid the will of man.

There was little point in hiding the wolf, really. It did not seem the sort of thing that would appeal to anyone else. Still, night after night, you found yourself sliding it into the spiky bedding and nodding off on top of it. Your own little secret. Yours and your mothers.

You tucked it between your tunics, out of sight once more. You could not leave it behind.

Sweat formed on your brow and you swiped it away with the back of your hand. The emperors expected you ready and waiting tomorrow morning. That now seemed unlikely but you would not know for certain until then. With a groan, you eased yourself back up onto your bed.

You wondered exactly how angry they would be if you were unable to be there the next morning. You allowed yourself to entertain the thought for exactly one minute and then shoved it away. There was no use in thinking such things now and it certainly wouldn't aid your recovery.

All you could do was sleep. Once again, faced with your complete lack of options, you allowed yourself the illusion of choice and let your eyes fall shut.

The room was still pitch black when you awoke. It did not alarm you at first. Your headache was still present but seemed to have lessened. Your aching limbs were sprawled across your straw mattress, almost as if they were trying to get away from your body.

Blinking slowly, you glanced about and tried to think about what had awoken you. The scuffle of feet, the sound of the door opening and closing? One of your friends likely had come back to fetch something they needed.

You groaned and shifted, attempting to get back to sleep. A warm had closed around your ankle and you shrieked, jerking your head up from the mattress.

"Shhh, poor, sick girl," came a voice from the foot of your bed.

"Emperor Caracalla?" you whispered into the dark. Even as you said it, part of you thought it was impossible. A hallucination caused by your fever. The emperors never came to the lower parts of the palace, they had no need. How could Caracalla be here now, in your room, in the dark?

"I wanted to know why you did not come."

The room was too dark to see properly despite your eyes trying to adjust. It was him. His hand was still firmly on your ankle. You were not sure whether it was you or him radiating that feverish warmth.

"I am sick, Emperor, and it is not yet morning," you tried to slip your ankle from his grasp, "you shouldn't be -"

Caracalla finally let go of you but only to ease himself further onto the bed, curling himself around your legs. You dare not breathe, hands opening and closing beside you. There was nothing you could do. This was not just any man, this was the Emperor. There was probably several Praetorian guards outside your door right now. You had never been safer or in more danger in your life.

"I know what it is to be sick," his voice was raspy, hands wandering over your lower legs, "and now, so do you. We understand each other. We can trust each other."

Your sickness was not the same as the one that plagued Caracalla, that much you knew. Some disease of the mind infected him, leaving him at times vulnerable and then violent. You should have felt scared; instead you felt pity.

Trepidation still had a tight grip on your insides. The Emperor had gone so far as to seek you out in the middle of one of his episodes. Every time you dared to dream that you could go back to being another faceless servant you were struck by reality.

"Emperor Caracalla," you murmured, gently wrapping your hands around his upper arms, "I only do not wish to make you sick. I helped you stay safe before, remember?"

"Yes," he answered, staring up at you in the dark. His skin was cool beneath your touch. It was much cooler in this part of the palace. You did not know what things triggered Caracalla's illness, what made it worsen and then seemingly get better. You did not want to find out.

"I want to make you safe again," you said, urging him up and off the bed. He seemed to be wearing the same clothes as when you had last seen him. "Come with me, Emperor."

Caracalla did not respond but he did as you asked. It was an effort to get yourself to the door. When you opened it you were greeted by six Praetorians, more than you expected. You tried not to feel overly self conscious in your night clothes.

The looked at you with the same curious look everyone had been giving you for the last few days. As if they were wondering what it was about you that had earned the attention of the emperors and why you weren't dead yet.

"Please," you begged, "can you deliver the Emperor safely back to his rooms? See that he gets ready for bed?"

There was a beat of silence and you wondered if you would have to drag yourself up the stairs and see to Caracalla yourself. You had no power over them and they had no obligation to take requests from you.

"Please, I just don't want to get him sick."

The one closest gave you a tight nod. None of them said anything but they helped Caracalla out from behind you. The hallway was well lit and he squinted in the torchlight, looking lost and confused. Guilt swarmed you and you debated forcing yourself up the stairs. It seemed as though he got worse at night. The man standing before you did not look like an Emperor but a boy. It was difficult to remember all the blood and terror he caused and relished in.

"Emperor Caracalla," you tried to smile, "I'll be there tomorrow but we both need rest."

He only nodded, face flickering through a variety of expressions as if not sure which one to settle on. One of the guards cleared his throat and that seemed to bring Caracalla out of whatever stupor he was in. He turned and went with them, glancing over his shoulder as he went until he disappeared from sight.

You let the door fall shut and crawled back into bed. If you were not so exhausted you would have felt angry with yourself. Yes, Caracalla was sick, but slaves and workers fell sick all the time. It was true that you had been oblivious to the full extent of Caracalla's issues. These nightly episodes were not something most people knew about. But you had seen the worse types of injuries and illnesses in your few years at the palace and yet - you felt sorry for him.

Swiping a hand over your face, you squeezed your eyes closed and tried not to think too much about how gently he had touched you or how vulnerable he had looked. You no longer understood yourself.

The next morning arrived quickly. Apart from an aching in your joints, you felt fine. Last night felt like a dream brought on by the fever. All your nights recently felt that way. You gathered your meager possessions and left your room for the last time.

There was a guard waiting outside your door to escort you to the emperors.

"Have they been waiting long?" you said, alarmed.

He only shook his head and angled his body to allow you in front of him. You glanced uncertainly over your shoulder.

"I'll tell you where to go," he barked.

You pressed your lips together and nodded. It made you uncomfortable to have him at your back. It felt as though he did not trust that you would not run away if he took his eyes off of you.

Weary, you followed his directions. Like before, the décor and furnishings got finer and finer the closer you got to the emperors. Apart from the servants quarters every part of the imperial palace was richly decorated but it was something different entirely in the emperor's quarters.

Even the doors were bigger and more ornate. Dusted with gold paint and displaying the finest carvings. Again, you felt small and insignificant. The Praetorians pushed the doors open and you walked in, hands twisted tightly in your tunics.

The room was heavily perfumed but the scent wasn't unbearable. It helped clear your thoughts as you walked in, helped you focus on what was before you now rather than what you had been forced to leave behind. Bitterness and anger would do you no good here.

Geta stood alone behind a desk. It was covered in papers and small trinkets. Trinkets that probably cost more than you had earned in your entire life. He played idly with a rounded crystal, eyes flickering up as you entered the room.

The Praetorians marched out after he acknowledged them, leaving just you and him alone. They obviously felt no concern over leaving you alone with the emperor. It made you feel pathetic.

"I thought you were sick," he said slowly.

"I was."

"I suppose I am fortunate to have you standing before me now," he leered.

You did not respond.

"I heard that my brother visited you last night," he continued. "He is still asleep now. Seems that you wore him out."

You cringed at the implication. "I comforted him. That is all."

"You say that like it is a small task," he said bluntly.

You opened your mouth and closed it again. His words verged on a compliment but not quite.

"I am happy to be of service," you finally said.

"I am sure that you are," he laughed. "There are clothes for you over there. Take off those rags and change."

Geta was suddenly in front of you, ripping your belongings from your arms and tossing them onto the floor. It would have been fine but your carving clattered across the marble, drawing his attention immediately. You almost went scrambling after it, horrified and embarrassed.

"What is this?" he spat, face twisting as he bent down to pick it up.

"A carving," you admitted. "It's mine. I did not steal it, I brought it with me."

Geta held it up to the light as though that would help him make better sense of it. "Your father made this?"

"No," you answered with enough venom that Geta glanced over at you. "No, Emperor. My grandfather made it and my mother gave it to me."

You winced at the careful way he examined you. It felt as though he was able to infer everything about you just from your responses. The wooden carving looked laughable in his pale hands; a stark contrast to the rich colours and jewellery he was adorned with.

He seemed almost amused. That was better than anger, at least. His expression was strangely open as he examined your treasure, twisting it every which way in his hands. It looked ridiculously fragile when he held it.

"You like carvings, then?" he said slowly. You sagged with relief as he held it out to you, cupping your hands so that he could drop it into them.

"I like this one," you said. You bent down and picked up one of your tunics, placing the carving into the centre of it and then wrapping it carefully.

"I am fond of them myself," he offered, watching you carefully.

Your eyes snapped to his, surprised at his omission. Geta seemed surprised himself and he turned back to his desk.

"I ordered you to change!" he snapped, storming back to his desk.

Again, he busied himself with his paper and trinkets but something seemed performative about his actions.

At first you had thought that you could learn and adapt to the emperors. With how unpredictable their moods were it now seemed impossible. Their differences and similarities were also difficult to keep track of. What one found amusing made the other irritable.

Hopes of surviving seemed dim but you would try nonetheless. Your mother tried until she couldn’t and you would do the same.

Clutching your belongings to your chest, you headed in the direction he indicated. There were several togas and stolas laid out. You had never worn anything with such color before. Nothing quite so soft either. You glanced up to see if Geta was looking. His gaze was fixed on his desk. You squirmed out of your toga and into your new clothes, trying not to feel as though you were shedding your previous life.

Geta met your eyes when you yanked the toga over your head. Of course he had looked the entire time. It had been naive to think he wouldn't. He was regularly surrounded by concubines and simpering senators that obeyed his every whim. The emperor felt as though looking upon your body was his right. Maybe it was.

His throat worked as though he about to offer some cruel quip or comment. You braced yourself for what would surely be a crushing blow. It was not that you were especially insecure about your body but privacy was a luxury you had gotten somewhat used to. Now it was just another thing that had been stolen from you.

He tilted his chin up. "Pour me wine."

"Of course, Emperor," you bent your head and did as you were told.

Authors Note: please please leave notes, reblogs & comments if you enjoyed!! I appreciate every single one of you♥️

taglist - @only4thefics @doodle-with-rhy @lover-rep-fanfic @claraisme23 @sashaphantomhive @multifandombtch @delicioushottubpeanut

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[halsteadlover]

𝐌𝐨𝐫𝐞 𝐓𝐡𝐚𝐧 𝐅𝐫𝐢𝐞𝐧𝐝𝐬

• Pairing: Charles Leclerc x Female!Reader.

• Requested: nope.

• Summary: a thread of why you and Charles aren’t just friends.

• Warning: none just fluff.

• A/N: I had this one on the drafts for so long I even forgot about it so I’m posting it now since it’s been a while I posted something lmao I’m still learning with the social media au so beat with me but here it is, I hope you’ll like it ❤️

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Tagged: charles_leclerc

Liked by charles_leclerc, arthur_leclerc, landonorris and other 627.815

yourusername @charles_leclerc I told you we should’ve taken some acting classes.

View all the comments

charles_leclerc What do you mean acting classes baby? I was pretty good convincing everyone you were just a friend 🙄

carlossainz55 😐

landonorris 😐

pierregasly 😐

yourusername 😐

charles_leclerc I hate you all

yourusername @charles_leclerc Oh is that so?

charles_leclerc @/yourusername Baby I just put a giant diamond on your finger. Please don’t even start right now.

yourusername @charles_leclerc Damn ok no need to be so harsh 😔

charles_leclerc @/yourusername I can hear you giggling mon amour. Now come back to bed I’m not done with you yet.

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[empty-movement]

GOGAI, GOGAI!!! COME GET UTENA KIBBLES

It's September 3rd. It's 1997. Princess Diana just died, and that's very important to lots of people. You, however, are chewing your nails to nubs waiting for the climax of Revolutionary Girl Utena's Black Rose Saga. It's going to air today.

But like any good fan, you're already one step ahead, because you've spent the last couple days thumbing through Animedia's September issue supplemental, the 100 page Duelist Bible. Strangely, it appears to be in English??? Wow! Thanks Nagumo for translating, Ayu Ohseki for Japanese editing, teasot for proofreading, and ME, FUCKIN' VANNA, for scanning and scanlating this massive booklet!

We've got duel summaries! We've got character design sheets! We've got a school directory! We've got THE DUEL RULES. We've got cast interviews! WE'VE GOT THAT CHU-CHU DOLL CRAFT GUIDE. Check it ALL out here, in the Something Eternal Bibliothèque! You can flip through it page by page here, or you'll also find on the page a link to a PDF version for your at home viewing/archiving needs!!

This gargantuan tome really gets it across that in 1997, you didn't have a fandom wiki or on demand viewing. If you didn't catch and record the episodes, a booklet like this becomes a critical tool for keeping track of everything that's happened up to now, and is also a way for the series creators to tap fans on the shoulder and draw attention to details they want seen but not explained in the show directly. For example, this drops at the close of the BRS, but points out Touga's sword isn't the same in Keiko's duel and in the opening sequence. A thing we don't see cashed in until MUCH later!

This has been a true and absurd labor of love on my part. I even rescanned the booklet from my originals because their quality (decades old lmao) was not worth scanlating. This took a ludicrous amount of time, and has been a main project of mine for over a year now!! I'm so happy to have gotten it done in time for the Something Eternal Watch-Along thread, and I really really hope everyone finds something cool and interesting about it! The really cool thing is this now completes the set of magazine supplementals by the big three magazines made for Utena during its run. We now have fully scanlated this, as well as Animage's June Utena Dossier, and Newtype's November Utena? (Oh My!) UTENA! Take a stroll through memory lane, be they yours or someone else's!

As always, if you like this kind of content, consider supporting us on Patreon! Especially right now, a holy grail acquisition is in the works that I will bleed to share with y'all. More on that later, lmao.

Revolutionize the World! Love, Vanna

[goosewriting]

I just read all your Joaquin stuff!! You write him perfect so great job! I love it so much ! If possible could you do either your both ditching eachother up after a fight (supper fluffy) or something along the lines of reader not being able to breath (either health issue or injury ) and then having to deal with that. No pressure if you don’t have time !!

(Not) Doctor's Orders

summary: Joaquín and reader tend to each other’s wounds after a mission.

relationship: Joaquín Torres x gn!reader

warnings: (18+) mention of blood, description of injuries and treating them, kisses, innuendos

word count: 1.7k

A/N: i’m gonna assume instead of “ditching” you meant “stitching” each other up? why, you’ve read my mind dear anon, for that trope is one of my absolute most favouritetest<33 the “super fluffy” aspect kinda got away from me tho and it ended up way more suggestive than intended :’v hope you’ll like it nonetheless!

[all masterlists] 🪶 [mcu masterlist] 🪶 [ao3]

• • • • • • • • • • • • • • • • • • • • • • •

After a mission abroad, you’re sent to a safe house nearby instead of flying back to HQ immediately. All in all, the mission went great, except that you got shot. The bullet didn’t fully hit you, luckily; it just nicked your leg. But it still took off a chunk of flesh, and it hurts.

Your arm is around Joaquín’s shoulders as he holds up part of your weight, helping you walk. When you make it through the door, you let your bags fall in the hallway; you’ll take care of it later. The house is pretty small, and you enter into the main room, serving as both the living and dining area, with a kitchenette on the other side. He crosses the space and brings you to the bathroom, setting you down on the edge of the bathtub.

Joaquín takes out the first aid kit from underneath the sink and you both shrug off your jackets and the bulletproof vests you were wearing underneath, tossing everything to the side. You inspect your leg and hiss when you brush over the wound, going straight across your mid-thigh. He kneels down before you, his hands hovering over it, but he stops, looking up at you.

“Can I take it off?” he asks, the slightest tremble in his voice. Heat spreads on your face, and you mentally curse at yourself for the reaction. You’ve been crushing on Joaquín for a while, and you’re pretty sure he feels the same. This is really not how you pictured how undressing for the first time would go. When you don’t immediately respond, he’s quick to add, “Sorry, no need. I’ll just cut them open.”

But you stop him from getting the scissors from the kit by placing your hand on his, and his movements halt instantly, his eyes shooting up to meet yours.

“No, don’t,” you say, quickly retracting your hand. Another wave of heat prickling on your cheeks. “I– I don’t have a change of pants.”

Lifting yourself off the tub with a hiss, you pull down the garment to your knees, and he helps you get them off completely. There’s a slight dust of dark pink on his cheeks and ears, but he tries to mask it with concern and focus at the sight of your wound. Without wasting a second, he starts cleaning it. When he applies the disinfecting spray, you take a sharp breath through your teeth, your whole body tensing at the sting.

“Sorry,” Joaquín mutters, taking out the sterile needle and thread from its packaging. “Ready?”

You nod, and when he pierces through your skin, the pain makes you slump forward slightly, holding onto his shoulder opposite to the stitching hand for support. He works with his brows slightly furrowed, trying his best to get this done as quickly and painless as possible. To distract yourself from the pain, you study his face, the bridge of his nose, the moles sprinkled on his cheeks and chin, the deep chocolate swirls in his eyes. It dawns on you that Joaquín is kneeling in front of you between your legs, and the thoughts that follow make you quickly look away from him, focusing on the generic brand shampoo bottle in the corner instead.

“Done,” he finally announces, cutting the last bit of thread after tying a knot. After putting one final plaster over it, he straightens up a bit, almost rising to your eye level. You let go of his shoulder, intending to hold onto the edge of the tub. However, he gently takes your arm in his hands, inspecting it further for injuries. Then he does the same to your other arm. Finally, he looks around you to check your back. Once he’s satisfied that there are no other big wounds that need his attention, he grabs a clean rag and fully stands up to turn toward the sink. After drenching it and wringing out the extra water, he turns back to you, gingerly holding your face in his hands as he looks down at you, and you can’t help but melt at his touch. He’s handling you with such care, it makes your whole body buzz with warmth, your heart incessantly thumping against your ribcage. 

You close your eyes so he can wipe over them, getting rid of all the dust and dried blood from the little cut on your forehead. Over that one he places a small band-aid, then his hand rests under your chin again to make you look up.

“There, that’s better,” he says with a small smile, and his voice is so soft, so intimate, you fear you might pass out right there. When he drops his hand, you immediately miss his touch.

“What about you?” you ask.

Joaquín looks down at himself, placing his hands on different parts of his body as if to check if they hurt.

“I got out unscathed, I think,” he says, and you rise a brow at him. You lean forward slightly and snake your arm around him to softly poke him in the back, and he flinches with an ‘ouch!’

“Unscathed, my ass. You got shot,” you remark, remembering all too well how a stray bullet had found him. Luckily, you were both wearing your bulletproof gear. 

Your eyes widen slightly as Joaquín grabs the hem of his shirt, pulling it over his head and taking it off. You try no to stare too obviously. Really, you try. But then he turns around to look at himself in the mirror, and you spot the dark bruise already forming on his back where the bullet had impacted. Before you can help yourself, your hand reaches out, your fingertips softly tracing over the purplish skin. His eyes meet yours through the mirror.

“Well, my professional medical diagnosis is that you don’t need stitches for that,” you say, and he huffs a laugh. You’re not sure what it is, if it’s the twinkle in Joaquín’s eyes or the amount of exposed skin or the fact that either of you could have died today, but a burst of confidence bubbles up within you, and you intend to take advantage of it. “But you know what they say the best medicine is,” you add as you lean forward, then place a soft kiss to the bruise. You hear him gasp in surprise.

As you lean back again, you don’t dare look at him. Surely by now your whole face is on fire. Your whole body certainly is. In fact, you almost can’t feel your wounds or the ache in your bones, your whole focus on the man in front of you.

For a moment, Joaquín doesn’t move, and the warmth you felt earlier quickly dissipates, replaced by a cold panic that spreads from your gut into your limbs. You’ve overstepped. You’ve ruined everything. He never liked you back, it was all in your head. Your mind reels as you try to find the words to apologise for your actions. But before you can think of anything, he slowly comes back down to his knees in front of you, the deepest and most adorable blush you’ve seen on him yet adorning his cheeks and ears, all the way down to his collarbones. 

“Best medicine, you say,” he repeats your words, voice barely above a whisper. His eyes shyly find their way to yours. “I think I could use some more of that.”

Your heartbeat echoes in your ears at his words. The implication sends a flutter through your gut that spreads into your whole body.

“Where?” you ask, breathless.

Joaquín points to a cut on his shoulder, his eyes never leaving yours, and you lean in again, your lips ghosting over the spot. Then he points to a scratch on his arm, and you place another featherlight kiss. This goes on for a while, where he wordlessly points to different parts of his body, his chest, his arms, and you kiss it better.

Then one of his hands finds your good leg, staying on the outside of your thigh, and you think you’ll combust on the spot. His skin coming in contact with yours sends a series of sparks through your nerves and up your spine, eliciting a small gasp from you. 

“Here,” he whispers, his free hand pointing to his throat, right next to his Adam’s apple. Your own hands come up, a bit shaky, and hold his face as you leave a trail of small kisses from where he pointed, all the way up to his cheekbone. He lets out a shuddering breath, looking at you through half lidded eyes when you pull back. 

“Anywhere else?” you ask, but you can’t even finish your question as his lips finally come crashing onto yours, and once the initial surprise is gone, you tilt your head and sigh into the kiss. His lips move with urgency against yours, the hand on your leg sliding to your waist and pulling you to him, the other cradling the back of your head. You reciprocate as best as you can, given you feel like you’ve entirely lost control of your body. When he breaks for air, both of you panting heavily, it's his turn to leave a trail of kisses on your throat.

“The good thing about this medicine,” you say between breaths as he leaves wet kisses on your pulse point. “Is that it works both ways.”

Joaquín snorts, stopping what he’s doing to pull back and look up at you.

“Yeah?” he says, slightly out of breath, then his gaze darkens a bit. “I can think of another… treatment, too. To make you feel better.” Your heart skips several beats at his words.

“Well, it might be a while until we can see a proper doctor,” you say as you softly rake your fingers through his hair, and he hums at the sensation. “Might as well take every precaution.”

Joaquín gets back up to his feet, carefully picking you up under your legs and around your back from the tub, and you hold onto his shoulders. As he brings you to the bedroom, you don’t even look back at the mess you left in the bathroom, completely lost in his eyes. You’ll take care of that tomorrow.

○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○

🐥 taglist: [link to join in my pinned post!] @f1-tennisgirlie @magikdarkholme @tsunchani @Chuchu8923 @bitchy-bi-trash @guynamedaurel @crumbledcastle28 @sarahskywalker-amidala

[midnighvtm4ss]

Rosemary

Summary: Arthur is smacked right in the face with the consequences of his actions as the fate of your relationship is hanging by a thin thread. part 1 | part 2 | part 3 | part 4

AO3 link (a better rewritten version of this fic on ao3)

Pairing: Arthur Morgan x f!reader

Content: suggestive, angst, hurt/no comfort (for now) probs grammar errors :/

wc: little under 3k

A/n: before any of you come after me, blame the angst on the bad weather not on me !! (plus we both know you love it <3) anyways reader absolutely eats arthur alive in this chapter so grab your popcorns and tissues !! Next chapter is gonna be the last so it’s gonna take a bit of time to write sorry :(( as always let me know if you like this chapter thank you all for the amazing support you’ve showed for Rosemary <33 gif from pinterest.

The sight of Clemens Point camp emerging from the thick woods surrounding its path, felt strangely like the sight of heaven to Arthur, his muscles aching and screaming at him from the tiring day. Between his visit to Rhodes with Mary and all the manual work Uncle put him under in the morning, the only things he longed for were the softness of his bed and you engulfing him in one of your warm embrace. 

Spending three hours chopping wood and gathering whatever material Uncle needed for his mysterious project that supposedly ‘would help a great deal everyone in camp’, proved to be a tiring job even for the camp’s main enforcer, his strength dulled by the biting cold of October and the constant ache of his heart. Each swing of the axe in the air helped Arthur think, his mind consumed by you, trying to figure out what the hell happened for you to act so cold and distant towards him. The image of his darling’s sweet face contorted in an expression of hurt and disappointment at the sole sight of him from this morning hunting his mind, making each swing harsher than the other. 

When Uncle decided to call it a day, Arthur internally thanked the maker above as he felt his patience wearing thin every time he called Uncle out for not lifting a finger to help him while the older man comfortably sat under the shade of one of the tall trees near the outskirts of camp complaining about his ‘lumbago’. His relief, though, was short lived as the memory of Mary’s letter flashed in his mind.

Mary had been writing to him almost every two weeks, since her late husband died she had been writing to Arthur asking for help, him being the only male left she knew, after her abusive father went mad, gambling all their possessions away and his brother ran off. 

The first letter he received a few months prior left him with a bitter taste in his mouth. He was tempted to just throw it in the bin and forget about it. After years of nothing she found the guts to write to him again, asking to save her little brother from a strange cult that apparently worshiped turtles, as Arthur understood. That first letter woke inside him an anger he thought died down. He needed to confront her. So a few days after receiving the first letter, Arthur rode to Valentine, his mind fixed on refusing to help her, yet after hearing her story out he didn’t find it in him to tell her no.

It’ll be just a one time thing, after this he’ll never see her again. He reassured himself. 

But then another letter came and then another, and he felt like a fool for helping her every time. Worse yet, he felt like an absolute bastard lying to you each time he went to help Mary out, always finding an excuse as to why he was out late. His conscience shouting at him to tell you the truth each time he looked into your hypnotizing eyes as you both layed naked in the comfort of your tent, but how could he explain it all to you ?

Mary, on the other hand, knew about you, having heard of you once from Arthur when you first joined the gang, but now she knew about your relationship with him. He told her from their first encounter, quick to not let her think he had any other intentions.

He’d help, sure, but only for old time’s sake.

Although Arthur sensed she wasn’t particularly excited about his newfound love, she respected your relationship, often asking him for updates and lending him some advice. It felt strange talking about you to his ex fiancè but she’d ask and he’d talk, never shying away from an opportunity to talk about his darling girl. 

Finally free of Uncle’s relentless job, he jumped on his horse, riding into town to meet with Mary. 

The town of Rhodes was particularly busy when Arthur arrived, the usually calm town buzzing with life and chatter. Men and women dressed in all kinds of fancy dresses and tall hats adorned with feathers and ribbons, strolled around town. From what Arthur heard from a couple near the saloon, a famous singer from Saint Denis was doing a show in town.

Suddenly conscious about his rugged and worn out attire he quickly made his way toward the general store, where Mary told him to meet her. Something about buying some plumbing tools, she said. Their evening went smoothly, they chatted away as Arthur helped with her shopping advising her which tools to buy and which ones to avoid. As the moon came high in the sky he escorted her to her accommodation before finally riding back to camp.

––––– ✧ ✦ ✧ –––––

“Who goes there!” the shout of Bill’s voice followed by the cock of his shotgun thundering in the night from his usual lookout position.

“It’s Arthur, you moron.” 

As the faint chattering of camp filled Arthur’s ears, images of you began to cloud his mind. He needed to find out what was bothering you. He needed to make it right by you, whatever it’ll cost. He hitched his horse, patting his mane a few times whispering sweet praises that made the horse sway its tail before walking towards your shared tent. 

The camp was almost empty, being close to midnight the only people up were Javier who sat near the campfire, tuning the guitar in his lap as Reverend Swanson chatted animatedly about his past life experiences with a tired Mister Pearson who looked worse than one of his stews, and then there was Abigail who was chatting with you at the entrance of your shared tent. The both of you dressed in your best dresses, the sight of your body wrapped in the soft cotton and laces of your dress making Arthur’s heart race.

You were one of God’s angels, his sweetest and most beautiful creation, he was sure of it.

As you noticed his presence coming towards you, you hurriedly whispered something to Abigail, making the brunette widen her eyes, before entering your tent, leaving Abigail outside, her eyes finding Arthur’s as he came to an alt before the opening of your shared tent, her expression resembling the ones she had after a fight with John. Anger and care blended together.

After casting a quick confused glance at Abigail, Arthur ducked through the entrance, his broad stature making his action look quite awkward. Letting his eyes adjust to the dim light that shone from the oil lamp on the bedside table, he cautiously sat down his hat, his expression a mix of confusion and wariness as his eyes found your figure, sitting at the edge of your small cot. The skirt of your dress puffy around you making you look like a doll, your head bowed making it impossible to him to read your face and shoulders stiff, toying with something in your hands. You looked up at him, red eyes filled to the brim with tears that threatened to spill once again. Something in the pit of his stomach told him this was going to be a long night. 

"Darlin’," Arthur began, his voice soft as if not to scare a small deer away. 

“Don’t you ‘darling’ me,” you slurred a little. He could smell the faint scent of whiskey on your breath, a sign you’d been hanging out with your girl friends.

“Where were you tonight Arthur ?”

He felt his throat tighten at your question. “I jus’ came back from a job,” he unsteadily replied.

"Right, back from your ‘job’ mhh?" you echoed, your voice tight trying with all your might to keep yourself together. You stood up your wobbly legs almost letting you fall, stepping forward, holding out one of the letters as if it were a weapon. "Or back from meeting her?".

Arthur’s brow furrowed in confusion, and then realization dawned. His stomach dropped as he recognized what you were holding, the sight of you holding one of Mary’s letters felt like a punch to his face. 

"Darlin’, it ain’t what you think," he started, his voice filled with urgency.

"Then, please, tell me what the hell it is!" you raised your voice, making it crack under all the weight of your emotions. You didn’t care if you were yelling, if you were to wake everyone in camp. You were tired of all the bullshit.

"I found them, Arthur. A whole fucking drawer full of letters from Mary. I might not be the brightest at reading, but I know her damned name when I see it.” despite all your best efforts to remain strong your eyes betrayed you as fresh warm tears run down the path that your previous ones left.

Arthur moved closer trying to take one of your hands in his, you took a step back, shaking your head. "Don't," you whispered, voice breaking.

“I went to Rhodes today with the girls, ya’know to clear my mind a bit from all your bullshit, and guess who I found having the time of their lives together ? Laughing and what not.”

He paused, his hand hovering in the air between the both of you. He wanted to reach out, to hold you, to dry your tears and comfort you, to explain, but he knew you needed to hear the truth first. "Please darlin’, you’ve got to believe me. Mary’s just, she's just- I’m just helpin’ her out. Her husband died, and she’s got no one else,"

You let out a harsh, humorless laugh at his poor explanation. Did he really take you for this big of a fool ? Was this really what he thought of you ? Tears poured down even more from your eyes at the realization. "And you, what? You swoop in to save her like some kind of hero? What are you mh, tell me Arthur, are you her bitch ready to bark if she told you to ?”

The venom spilling from your words hit Arthur hard, making him physically flinch as your words hit him right into his face. His heart shattering at your sight, you were physically and mentally distraught. All because he didn’t have the courage to tell you everything from the start.

“You’re still in love with her, aren’t you? Gosh, all this time, Arthur, all this damn time I’ve just been, what? A distraction? Something to pass the time until you could get her back? Poor silly me, thinking I mattered something to you !" Now you definitely woke someone up, your throat burned as you shouted your whole heart out at Arthur, you felt disgusted, dirty even. The alcohol you previously drowned your sorrows into making you nauseous.

You were ready to give your heart to Arthur, you gave him everything. If he asked you the moon you’d give it to him.

And here you were, the biggest fool in the West, thinking you could have a space in Arthur’s heart.

"What, no!" Arthur’s shout was raw, it definitely hurt his throat, you never heard him shout this way, you never heard him shout at you at all. His voice filled with a mix of frustration and fear. He took another step toward you, stretching his hands out in search of your trembling ones, but you stumbled back, almost tripping over the edge of the cot.

"Darlin’, you’ve got to believe me, I'm beggin’ ya” 

“You’ve been lying to me for weeks, Arthur. For weeks you’ve been kissing me, lying in bed with me, you’ve been telling me that you love me while lying to me, for god’s sake ! How am I supposed to believe anything you say now?"

"Because I’m tellin’ you the truth!" Arthur pleaded, his voice thick, cracking with emotion. He could sense your heart getting further and further away from his. He wanted nothing more than to take your pain away seeing the way your shoulders shook with the force of your sobs. He wanted to reach out, to pull you into one of his bear hugs you always loved and make you believe him, but the distance between the both of you felt like a chasm too wide to cross anymore. The only bridge between you deteriorating before his very own eyes.

"Sweetheart, I love you. I always loved you, you’re the only one I care about."

But you shook your head, circling away from him before hitting the cold canvas of the tent wall.

"Don’t," you whispered, your voice barely audible over the sound of your sobs. "Don’t say that. You don’t get to say that after everything you’ve done to me… after all these lies."

"Darlin’, please…" Arthur broke down, his voice saturated with panic as he saw you back towards the exit of your tent, his eyes desperate as he looked at you. "I never meant to hurt you. I thought I was doing the right thing, keeping this from you. I thought- I thought I could handle it on my own, that it would be over before you ever had to know. But I see now I see how big of a moron I was, how fucking wrong I was."

You looked at him, your face twisted in pain, your heart painfully torn between the love you still felt for him and the harsh betrayal you couldn’t shake away. "I can’t do this, Arthur," you meekly said, your voice trembling. "I can’t…I can’t be with someone who doesn’t trust me enough to tell me the truth. Who lies straight to my face as if nothing."

Arthur’s heart shattered at your words. He couldn’t believe this was happening, not again. He was not losing the love of his life again. But unfortunately he could see the resolve slowly hardening in your eyes, the way you were getting yourself ready to walk away. Every cell of his body was screaming at him to find a way to keep you.  "Don’t leave me, sweetheart," he whispered, his voice hoarse. "Please, don’t do this. I’ll do anything… I’ll tell you everything, from now on. I’ll never see Mary again, just don’t go. Don’t leave me alone." he finished his sentence, his tone slowly going down to a mere whisper. His eyes filling with tears.

But you were already pulling away, turning your back on him as you moved toward the tent flap. Slightly hesitating with your hand on the thick canvas, your body trembling with the force of the decision you were about to make. If you did this there was no turning back. But this wasn’t your fault.

"I need to think," you said emotionless, your voice hollow as your sobs died down, leaving you with a hole in your heart, "I need…I need some time for myself."

"No, please don’t…" Arthur’s voice was choked with tears he wouldn’t let fall from his eyes. But it was too late.

You slipped out of the tent into the cold harsh night, leaving Arthur motionless at the center of the cold emptiness of your shared tent, feeling the walls closing in around him. The crushing realization that he might have just lost the one person who truly meant everything to him came down on him at once making his head spin.

Alone in the darkness, Arthur finally let the tears fall, each one a silent plea for a second chance he wasn’t sure he deserved.

––––– ✧ ✦ ✧ –––––

You needed to get away from him, to get away from everything right now. You felt that if you were just a second more inside that tent you’d take him into your arms, begging him to never let you go. But you couldn’t.

He lied to you, you didn’t care about Mary, about his secret rendezvous with her. He lied to you. That’s all you could think of.

Realizing that Arthur could easily follow you in camp you decided to completely get out of camp. You needed space, from him, from everyone. You just wanted to be alone.

Venturing into the woods at night wasn’t the smartest choice you’ve made per se, but a small ounce of alcohol was running through your veins still and you decided to blame it for your poor choice.

The moonlight shone brightly, illuminating faintly your surroundings, the harsh chill of the midnight weather biting your exposed hands as you once again forgot your gloves.

You swallowed down the lump in your throat as more tears threatened to spill from your tired eyes, you were near the clearing you and Arthur found out a few weeks ago, in need of some privacy when your mouths were chasing each other and his hands, warm and calloused, explored your exposed back, your touches burning with raw desire.

The memory of that night burned in your heart when suddenly you heard a twig snap. You turned towards the direction of the sound fear taking over you, shaking every cell in your body. You were physically and emotionally drained, you didn't have a gun with you, not even a knife. The only thing left to do was pray it was just a fox wandering around.

And then you felt it, a sharp burning pain in the back of your head, kicking the air out of your lungs.

The last thing you saw was the forest floor.

Before darkness took over you.

[cosmic-chelonian]

What I'd love to see from Doctor Who in the future is a new guest writer every week, or at least a large and diverse rotation of writers. Doctor Who is the kind of show that is so immensely different from episode to episode, in tone, setting and story, that it has the capacity to support that kind of storytelling. There are so many writers out there with interesting stories to tell and a much-needed variety of perspectives.

Big Finish already does something similar by making stories from lots of different writers as opposed to one main one, and this is part of what makes them special. They have allowed so many people to tell so many unique and wonderful stories. (Obviously they are still not as diverse as they could be but they have the right idea).

Russell T Davies has had his chance to tell stories. Hell, he's had two eras. It's time for him to take a back seat and let others take control of the narrative. His role as showrunner should be simply to work with writers to ensure season-wide cohesion and organise any over-arching story threads. Giving new voices the chance to be heard is not only good for them but for the show. Doctor Who is so beloved and enduring because it can keep changing, keep delivering stories that are relevant and interesting and cater to a variety of tastes.

[ventique18]

I've come across a thread discussing "Who among the TWST guys try would get all the girls" and while many have answered the lore-accurate ones like Crewel and Leona, there are a few who've answered Malleus... And I just want to say that he's logically one of the most, if not THE least likely person out of everyone to get women falling for him in-canon.

It's true that in our perspective as players, he's one of the most attractive characters because he's purposely designed to be conventionally appealing to fulfill the main male lead trope. This is supported by numerous threads, polls, and surveys where he came out on top as the character who piqued the most interest the very first time. But the whole thing about him in-game is that he's frightening. Rook canonically describes him in the Japanese version as someone who's terrifyingly beautiful. Indeed he's beautiful, he's handsome, he rightfully belongs in NRC's holy trinity of perfect face cards as said by Idia, but he's the type of beautiful that isn't desirable.

He does not illicit an "I want to bed him" attractiveness in people, and would therefore never "get all the girls". He's the type of handsome where you need to peel layers upon layers of instinctual bias to confirm that, indeed, you would want to breed with this guy. The only actual person who canonically genuinely finds him attractive is Kuroki Yuuya, the Yuu from the novels. And honestly? I think that's awesome. He kind of embodies the message that you need to let go of all your prejudices, that you need to get to know a person to their very core to fully appreciate just how beautiful they truly are.

[f1amour]

Hiya!! Can I pretty please request a blurb that’s both angsty and a lil fluffy?

🍮 Lewis Hamilton - “I’m scared of losing you”

❝ i’m scared of losing you ❞ — lewis hamilton

pairing | lewis hamilton x reader

content warnings | angst, comfort, age gap mentioned (not specified)

★ navigation | main masterlist

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“lewis is ready for this season to end” “lewis wants a fresh start and it’ll be with ferrari” “seems like hamilton just wants a a fresh start with life in general…does that include his girlfriend?”

the tweets did not stop rolling in and you couldn’t help but get lost in them. you couldn’t help but believe the words many were saying. maybe lewis was over this season, done with mercedes, and maybe he was over you too. he noticed the distance you had put up after the brazil gp. there was a two week break and you had spent it at home trying to relax but that was not possible with your constant checking in on twitter to see what people are saying about you.

you weren’t one to be on your phone so much at least when you had free time with lewis you guys tried your best to be in the moment. so when he came home from taking roscoe on a walk only to find you in the same spot you were in before he left almost two hours ago was concerning. it was concerning enough when you didn’t join them on the walk which you usually do, telling lewis you wanted to stay back and start on dinner. dinner was nowhere to be seen as you say on the barstool in the kitchen phone on in your hands with tears in your eyes.

lewis quickly lets roscoe off his leash and walks to you, “baby, what’s going?” his finger lifts your chin up to look him in the eyes but the tears in your eyes just make him frown. “please talk to me. i’m worried about you.” his soft voice fills your ears as you let him wrap his arms around you giving you a hug you didn’t know you needed until now.

your body shakes shading his as you let all your tears and frustrations out until you finally calm down his hands rub your back as you take deep breaths, “i…i’m scared, lewis. i’m scared of losing you,” you tell him what you’d been feeling for weeks now. lewis was not expecting those words to come out of your mouth. in fact, he felt that he was losing you due to this distance you’d been putting up.

his hands cup your face and gives you a smile that makes you believe your thoughts of losing him were just your imagination, “oh honey, now why would you think that? i can’t imagine my life without you. who told you something?” he asks, knowing damn well you’d never just start having these thoughts for no reason.

you look down at the countertop as you hand him your phone which had your twitter feed full of negativity, “lewis looks over this team and ready for a fresh start either ferrari he probably feels the same in his love life as well, lewis wants to focus on his 8th world championship not shopping for wedding rings for his young girlfriend who brings bad luck—,” lewis stops after the last tweet and looks over at you, your hands covering your face trying to avoid his gaze.

“look at me. plenty of people feel the opposite of these tweets. you got sucked into a thread that is all people who don’t actually support me. my fans, my true fans adore you. maybe even more than me. you’re only a few years younger than me and that isn’t an issue with me, love. i love you. you’ve brought the good luck for me. you bring faith every single race week especially this year where it’s been fucking hell most of the time. i can’t imaging my life without you, ever.” his words soothe your mind despite still feeling a bit anxious from those tweets you realize maybe listening to complete strangers rather than the love of your life wasn’t the best idea. however, lewis always validated your feelings and why you may have gotten lost in the dark side of the media where people aren’t always so accepting of your relationship.

“i’m sorry, lew. shouldn’t have listened to them i just…i don’t know how you deal with everything and still keep your head up. i’m exhausted,” you confess, you were never one to be on social media and read comments unless they were from friends or family. seeing how the last few races have been brutal for lewis you wanted to defend your boyfriend but ended up on the wrong side. “baby, you were with me for 2021. you are probably the only reason i didn’t quit and why i still haven’t. you’ve got faith in me, i hold that very dear to my heart. i’m with you till the end.” his last words make you cry some more but happy tears now as he chuckles at your smile, “there’s my girl. now, let’s take a break from the phone and cook some dinner together.”

he helps you off the stool and you grab his hand turning him back, “i love you too.” you pull him into a kiss and all lewis could think about is the engagement ring hiding under roscoe’s bed ready to make an appearance once the season is over.

[scarletbellatrix]

ERZA WONDERS WHAT THE LATE matron would say about her suggestion. She can only surmise based on Chico's reaction. There was shooing, glaring, an indication of negative. Despite that, the redhead isn't disheartened to push her plans. At the end of the day, the present owner's decision is the one that matters the most.

          She's confident that she'd made a compelling case. ❝That's understandable.❞ She only has limited knowledge when it comes to running a business. She's not going to overstep how Chico does it. She can only suggest and persuade respectfully. ❝Hm, it's going to be tricky. A beautiful cake is incomparable.❞ The speech is recited like spoken poetry. She places her hand on her chest dramatically.

🕯 ❚❙❘ A glare was given in the ghost's direction, as if to say "see the things I do for you?" Honestly Chico questioned if the reason Hilda was still around was for the girls or her precious building. Of course it was the first. Regardless she knew how her grandmother felt, because now she was going to have to deal with the same thing, but her cafe.

     Her attention turned to Erza. Always someone who got so into any project given to her. Endearing certainly. ❝I don't out source food items.❞ Her tone shifted, now if business mode. ❝And nothing too grand. I don't want to outshine the coffee.❞ Now a separate bakery wouldn't be a bad investment.

[literaryvein-reblogs]

Elements of a Mystery Story

Mystery stories revolve around a main character on a quest to solve a crime.

Also known as a whodunit or detective story, a mystery creates intrigue by revealing the identity of the antagonist only at the climax of the story.

Mystery writers drop clues throughout the plot to invite readers to join in the investigation.

A murder mystery novel can be categorized as a subgenre of crime fiction or detective novels.

The mystery genre has been entertaining readers for hundreds of years. Edgar Allan Poe was a master of mystery writing, with works such as his short story “The Murders in the Rue Morgue” from 1841. A good mystery has certain literary elements to intensify the suspense and build up to a big finale. These elements include:

A strong hook: A great mystery should invite the reader to try to solve the crime, and a great opening is critical to piquing their interest. A mystery should start with just enough information about the crime to build intrigue from the first line. This is the defining moment when a reader chooses whether or not they want to continue. If the dramatic element is missing from the beginning, the reader expects the rest of the book to be the same. The first chapter should initiate the mystery, aligning the reader with the central character on the crime-solving adventure.

An atmospheric setting: Stories in this genre should create an ominous, uneasy mood through setting to support the anxiety of an unknown antagonist lurking in the shadows. Think of Sir Arthur Conan Doyle’s Sherlock Holmes slinking through the London fog in search of a killer. Settings in mysteries also offer opportunities to plant clues and red herrings.

A crime: A crime is the event that fuels the plot in a mystery novel. Revealed in the first chapter, a crime creates the central conflict that launches the investigation, sending the main character on their quest and spurring the narrative arc.

A sleuth: At the heart of every mystery is a main character determined to solve the crime. Mystery writer Raymond Chandler created private detective Philip Marlowe to be a crime solver in his novels. A writer can raise the stakes by making the detective personally invested in solving the crime. Mysteries can center around an amateur investigator—an average citizen who solves the case. The character development of the sleuth is important; they need a backstory that connects them to the crime or the killer, and a motive that explains why solving this crime is important to them.

A villain: A mystery is often called a whodunit because the culprit is unknown until they’re caught at the end. The story follows their movements, which propel the story forward. The main character and the reader discover the criminal’s identity as the plot reaches its climax.

Narrative momentum: A mystery plot is in constant motion thanks to a cat-and-mouse narrative thread. The pacing will quicken the closer the plot moves towards the climax and the closer the main character gets to solving the crime.

A trail of clues: Clues are the literary element that allows mystery stories to engage readers on a deeper level than other types of fiction. The reader becomes an amateur sleuth, following the trail of clues to try to discover the identity of the culprit. When writing mysteries, an author needs to have an organized writing process in order to keep track of what clues they’re creating, when they appear, and who knows what in order to make sure the plot lines make sense.

Foreshadowing: Mysteries often drop hints of things that will happen in the future. This is known as foreshadowing. A writer can hint at a future event with a small clue or through character dialogue. Writers can be more or less direct with foreshadowing, either subtly hinting at future events or explicitly stating what will happen.

Red herrings: A good mystery throws the reader off track. Red herrings are an essential element in mysteries. These false clues build tension by creating other suspects and distracting the detective—and the reader—and leading them away from the real culprit. A writer creates red herrings by placing extra emphasis on an object, event, or character that catches a reader’s attention, making that element seem more significant than it really is to the storyline. In Agatha Christie’s And Then There Were None, there are 10 characters who are all potential suspects. Christie creates red herrings by killing off each character one by one, creating plot twists that send the reader into new directions in search of the killer.

A satisfying ending: At the end of great mystery novels there is the big reveal—the sleuth discovers the identity of the culprit. An ending should also provide an alibi for any other suspects to strengthen the identity of the real killer and eliminate doubt, tying up loose ends.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs A "Convincing" Mystery ⚜ Detective Story ⚜ Mystery Novel ⚜ Word List: Mystery

[demigoddessqueens]

Hello! I was wondering if you could do a fic about how different Assassin’s cuddle? Your main bunch is fine

btw I love your writing, I’ve been re-reading your stuff and it has me kicking my legs and giggling like a school girl

have a great day!

Oh of course! Thank you so much for reading and supporting my writing 😄 and I love that comparison, making me giggle like a schoolgirl too 🥹💞

a/n - I’ll add as many of the leads as I can so everyone gets some love

Masterlist 11

Altair

The type who says he doesn’t like cuddles but absolutely does! Likes being the big spoon to where he feels protectively wrapped around you

Ezio

Kicking, clicking his heels and twirling his hair! Yes please, absolutely, bene bene! Any excuse to kiss you more

Desmond

Lover boy who likes laying on top of you cause if you’re cuddling, you’re not going anywhere!

Connor

Likes to cuddle with you on top his chest and those large arms wrapped around you

Arno

Did he hear you right? You wanna cuddle 🥹 with him? Yes please cherie!! Any type of cuddle where he can admire and kiss you

Jacob

A whole teddy bear cuddler, with a scruff that tickles you, who also lets his lips and hands and mind wander 😉

Evie

First it starts off as reading together as some down time but then evolves into cuddles when the book is less interesting than you 💕

Haytham

Thinks he’s too dignified and above cuddles but the second you thread your fingers through his hair, it’s immediate defeat and he wants to just hold you

Basim

You are LOCKED IN!! Even if you try to move, Basim will whine if you try to pry out of his arms

Shay

Cuddles are an excuse of his to be as flirtatious as possible, even letting those hands wander 😏

Kassandra

Sometimes you need cuddles, sometimes she does too; cuddling face to face is a more intimate preference

Eivor

Warm and toasty cuddles 🥰 completely submerged under all the furs and blankets

Aveline

She’s a sweet cuddler that likes to leave little kisses here and there when you start to doze off