Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
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finished watching the first 3 episodes of Gen V. I was super hesitant at first because honestly I don't watch The Boys for the supes and I was worried that the whole show was just going to be "everyone is a terrible person and they're all doing terrible things to each other as a spectacle" but I am SO glad that it's not that.
I was especially expecting Cate to be a huge asshole to everyone and Marie to be edgy and standoffish to everyone so finding out that they're both genuinely kind people that are struggling with the social dynamics that come with being a superhero was such a welcome suprise. Same thing with Luke tbh, I expected him to be a Homelander clone but he's so much better than I expected.
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Is it just me, or has your website been struggling the last few days?
I've noticed that too actually, I've been digging through the archive while putting the book together and it's been CHUGGING. Our internet's been rough lately too so I assumed it was because of that, but if it's happening for other people I'm not sure there's a lot I can do about it right now unfortunately. Sorry friend :/
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okay i had a thought about something at the end of ghost trick (don't read until you finish the game)
i've seen people wonder why yomiel went to the special prison at the end of the game when it seems like the place shouldn't have even been built. i mean, it was built specifically for people affected by the manipulator but he doesn't exist now, right?
WELL the thing is for a moment, he did. he possessed yomiel and moved him from a position he probably shouldn't have been able to escape from on his own. what if someone noticed that? and that's why he ended up there?
i mean, pigeon guy is still researching temsik. there's gotta be a reason for that, right?
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FINALLY DONE WITH THE ISAT OC! SOLEIL!!!
The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.
And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).
And so we're back at the present time! Now to talk about some details on its appearance.
Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).
After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.
Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.
The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).
If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.
The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.
With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.
All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).
The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.
Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.
Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.
A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.
Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).
Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.
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one of the (many) reasons why this exchange makes me so emotional is that Dazai knows very well the feeling of only ever being used and taken advantage of as a tool, and not knowing anything other than that life. He understands that Sigma can’t yet comprehend the notion of someone wanting you without any ulterior motives, of people just having natural relationships that don’t involve wanting to get something out of each other, because that was his life before he met Oda, who was a “balm for the soul” (in his own words) for him; hence, he doesn’t try to explain it to Sigma at first. But he does relent once Sigma takes Dazai’s initial silence as him being unworthy for an explanation... He doesn’t go into more detail as to why “understanding would be difficult”, because that would require opening up about himself which is something Dazai is still far from ready for, and because he knows Sigma wouldn’t be able to fully understand or accept all of this yet, but just the two reasons he does give for choosing him are already causing Sigma to start to rethink everything he’s ever known about the world and how people treat each other.
Dazai chose him to use his ability, just like everyone who’s always used Sigma has -- but he also chose him to save his life, and to help the agency, people he cares about and wants to help for completely selfless reasons, without expecting anything in return (sure, Dazai jokes about him being on the agency’s payroll, but that’s just his usual deflecting to avoid admitting that he cares :’). This is completely foreign behavior in Sigma’s world, where everyone has to use each other in order to survive, but he’s realizing that Dazai is different from them: he’s realizing what it feels like to be wanted simply out of compassion and love, and not because of how valuable he may be. Sigma isn’t just any other ordinary orphan Dazai saves; he wants to save him particularly because he empathizes with him and sees his old, hurt, jaded self in him, and he’s slowly becoming the balm for the soul for Sigma that Oda was for himself back then, which is truly touching.
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