#though it feels like there should be more communication

[do-you-have-a-flag]

text of the above screenshots:

Some further clarification about things people were asking in the comments.

Tina spoke fluent English without an accent. She's either native or has been speaking it since very young.

We'd also spoken early that morning when she arrived, over the phone (woke me up where I was sleeping upstairs, but whatever, I'd rather too much communication than too little), because she wanted to clarify about the squash. She specifically acknowledged the concept of squash, and asked if it was near the kale she was seeing. I said that sounded right, and that it should be labeled. She said okay. I reminded her that if she couldn't find it, to ask my roommate for help.

The rats were on the top shelf of our freezer-top fridge so that you'd have to be leaning down to even see it, and no kale would be in its vicinity. Three people live in this house, so it's always full. Lots of options if you're gonna go rogue.

She didn't know I had snakes, unless she'd seen them in their bins in the living room, which is possible (it looks like a filling cabinet with clear plastic drawers and sometimes they come to the front). They're very quiet pets and don't even count with my landlord, so sometimes I forget to mention them when people ask about pets, as they usually are asking due to allergy concerns. So when the agency asked, I was focused on our cats. They know now, of course. But Tina had no reason to think she should be preparing a pet's meal. That was never established as something among her duties when I met with her and an agency nurse the day before to go over everything.

Also, snakes can't eat cooked meat, even if it's safely prepared. It will make them sick. So they could not still be used.

The discovery: storytime

If you want to see video evidence: investigation

UPDATE (added here since the sub automod was being weird):

Apologies for the late update. As I’m sure you can imagine, the last week was exhausting.

This is just to give what closure I can and go over how my last conversation with Tina went, the day after the incident.

When I was on my way to the cafe to escape the house last Tuesday, she actually texted me with an apology, saying “I’m so sorry, I feel so stupid and bad, this never happened before,” and offering to pay me back for the rats and the dish as I had mentioned the rats were expensive. Which is honestly more than I was expecting, but, “never happened before?” Well I sure fucking hope so! Though that begs the question, why now? Why me? I don’t know if there’s a good answer.

We agreed that she could come by the next day in the evening with the money ($15 for the rats, $30 for the dish). She declined doing Venmo or something similar. Possibly didn’t know how to use things like that, since I estimate by her comment of her grandson being my age, she had to be at minimum in her late 60s, probably older. I admit I was hesitant to have her return to the scene of the crime when it was still so unclear what her motivations had truly been, but I wouldn’t be home alone, and she had seemed sincerely contrite, if a bit defensive over the degree of my outrage.

Before the appointed time, she called me to tell me she was on her way, and then made, of all things, a request of me. She would be bringing by her time sheet, and could I sign for the two days she’d been there? I was baffled. The audacity of asking me a favor when our meeting was about her making amends, claiming that her time with me should count as doing her job, AND implying that her paying me back was to get something from me. Maybe that was why she wanted to do cash?

But at this point, I just wanted the whole thing over and done with, and it’s not like I was the one who’d be paying her, just my insurance. It was also confusing because…did that mean that she was still employed?? Surely if she’d been fired, she’d be less willing to play nice with me, would probably be blaming me more for how it affected her. At the very least, she seemed like the kind of person who would bring it up to make me feel a little bad. But maybe she wouldn’t, I don’t know. It was also strange because out of the three (now four) HHAs I’ve had at two different companies, none have ever asked me to sign a timesheet for them. Maybe some of y’all more familiar with the inner workings of these companies can shed some light here.

I was nervous when she showed up. There's something about seeing someone do something so truly unhinged that shatters the basic trust that this fellow human won’t do something else crazy, maybe something more harmful than running one out of the house. So I checked her hands through the window before I opened the door. She had two plastic bags half-full and bundled up to hide their contents under each arm. Strange choice for a weapon, so I chose faith.

There was no more apology upon greeting, she mostly just seemed in a hurry, civil but brusque, like she wanted this behind her as much as I did. While she was rummaging, I asked how she’d disposed of the dish (the follow-up to I made a video about linked in the original post if you want to see, you sickos). And as expected, the first thing she brought out was her timesheet. Sure enough, there was a place for patient signature, and as I took it and the proffered pen and set it against the doorframe to sign, I said, “We said $45, right?” just to confirm.

The look she gave me as she reached into her jacket was SO offended, and her civility evaporated. Like I was questioning her word, and how dare I. “I’m gonna pay you, I said I would.” Calm down, paranoid, was the tone.

It took all my self-control not to respond with, “You also said you’d cook the squash.” Like, yeah, lady, wonder why I would want to triple check anything we agreed to at this point. My bad.

But she did in fact hand me the wad of bills (after I’d handed back the timesheet and she’d checked it), and then she left in a bit of a huff. I just told her to take care of herself to her back.

At this point, after interacting with her again, I am of the opinion that this was simply from some form of psychosis, either a mental health thing or senility, I don’t know. Even talking to her, things were just a little off. Hard to describe, but it was like part of her attention was always somewhere else. I do not believe this was malicious or “weaponized incompetence” as many were saying in the Tik Tok comments. She had nothing to gain from this, and clearly she wants to keep her job. At this point, after the shock and horror has worn off, I just feel kind of bad for her. She clearly shouldn’t be in this profession (which, btw, she said she’s been in for thirty years??), so I more blame these companies for not being more thorough in their hiring and training process. Psych evals should be par for the course, surely.

And I know I probably shouldn’t have, it’s none of my business, but it was eating at my conscience to not express my concern. Because I don’t know what’s going on in her life. When it comes to things like reality breaks and changes in behavior, it can be really hard to see for ourselves, and maybe the people in her life aren’t saying anything, and so she’s not seeking the help she needs. So I texted her a little while after she left.

I thanked her for taking responsibility, acknowledged I was butting in, and then brought up how she said this had never happened before and how she’d seemed confused about how it happened. And that if this was a new kind of thing or there’d been other weird things happening, it might be a good idea to talk to a doctor, just in case something else is going on that needs to be addressed, as gently and non-judgmentally as I could think to say. And I ended it with “But if I’m way off base and out of line, and you’re just used to people eating like that, I apologize and wish you the best.” After a day of silence, she sent two texts, copied here:

“K thank you people make mistakes”

“God bless have a good day”

That was and I’m sure will remain the last I heard from her. I’m sorry I can’t recount some detailed confession about how it had all been a nefarious plot by some vengeful ex who’d had their aunt impersonate an aide to poison me. That would have made for a much more satisfying story.

As for my current aide situation, I’m still working with the replacement they sent to me, but have already requested a new one. She’s sane and competent, but alas, it would seem she much exaggerated her English fluency to my coordinator (who sounded resigned to such a deceit). In any other service context, I wouldn’t care, we have translator apps, but I think we’ve seen how critical clear and easy communication can be when one person is relying on another to meet their needs while sick. Others have told me how long it can take to find a good fit, so I guess I’ll just have to keep spinning the revolving door until I do.

Also, I have put in a request for the agency to reimburse me the takeout I had to get myself that day. And the oven has been cleaned and sanitized to within an inch of its life and seems okay now? I dunno, asking for a replacement or suing anyone seems like a lot of hassle (especially when I already have a medical malpractice case in the works).

Thank you to everyone for taking an interest in my harrowing experience and for your support. It legitimately turned this into something more light hearted that I can laugh at now, where it would have remained traumatic otherwise.

May your squash always be squash.

§ § ----==---- [🐀🐀🐀]

Text recounting of the full events below but oh my god please watch this person explain the wildest thing happening to them

[image text]r/trueoffmychest post by CptnSpaceCase

Today my aide cooked what should not be cooked

I have to get this out, because today feels like an actual nightmare I keep expecting to wake up from.

I'm disabled, and need help with stuff around the house. Today was the second day with a new agency and new home health aide, "Tina." I set it up so she would come by in the morning while I'm sleeping (insomnia is killer), and I texted her last night what I would need done today.

One of those things was to roast some precut squash I'd gotten so I could have it with my salads and pasta. I was very clear in my instructions: what it looked like, where it was in the fridge, how to use the oven, how to cook it. I also have a roommate who was up and told her she could ask them for help if she couldn't find anything. Or come get me if truly necessary.

Now, I have three pet ball pythons. They eat rats that I thaw from frozen in the fridge in a reusable plastic bag. Yes, that's where I'm going with this.

Tina couldn't find the squash, and so, obviously, that meant she should roast the first other thing she could see that was technically also encased in plastic, in a completely different area of the fridge. The FUCKING RATS. In butter and salt, in my nice baking dish.

And like, that's insane all on its own, but if you're going to cook any animal, you should at least clean and skin it first, right??? Like, do the crazy, disgusting thing properly so I can respect the effort, instead of sticking them in as is. Fur and guts and all.

And the smell. Good God baby Jesus the SMELL. It woke me up and had me gagging the moment I opened my bedroom door. Definitely not squash. Or food-smelling for that matter. At first I thought the squash had spontaneously rotted overnight and she'd tried to cook it anyway. That would have been slightly less insane and much preferable.

I had to pull it out of her what she was cooking instead when she said she couldn't find it (it was in plain sight), had to open the oven and see my snakes' dinners in place of my own and still couldn't process what the fuck was happening, what I was looking at and smelling. I don't like yelling at people and generally avoid it. Today was a day for exceptions. And at the end of my half-crazed, dissociative rant, I told her to get the whole dish and its contents and herself out of the fucking house. And to not come back.

Suffice to say, I've contacted the agency to report it and am requesting a new aide. Now I'm sitting at a cafe trying to calm down and eat something despite the scent memory that's taken up permanent residence and turning my stomach. The whole house reeks like musty, sewage-dipped pork that had been left out for a whole day before being cooked in rancid oil, and I'm not sure Febreeze is gonna cut it. I don't want to go home. 🫠😭

[bonefall]

"How big should a Clan territory be?"

For the dozens of people who have asked this over the last couple of years!

This question comes in a lot of forms; "How big are the Clan territories?" "How much space does one Clan need?" "How much land should I give my Clans to exist in?" The answer is a bit complicated, and depends on the type of land, what you're going for exactly, the setting, so on.

But, broadly, there's TWO particular factors at play here; How anthropomorphic you're portraying your warriors, and how productive the land is.

Factor 1: The Anthro Scale

I'm starting with this one because it could you the simpler answer. The Erins write Clan cats like humans in cat bodies, with massive social units and communal living. Realistic feral cats don't act like Clan cats. They are only semi-social, due to domestication.

See, a Clan cat will "share" territory between all of its members, and some Clans have canonically hit populations of over 50 individuals. Real feral colonies consist of "overlapping circles" of somewhere between 2 - 15 cats, most of them related females.

This is relevant because, even in densely populated areas with as much food as they can eat, truly feral colonies will have about 2 cats per 5 acres, capping out at about 15 members. Queens will hang out together and raise their kittens communally, but they will hunt and patrol in their own "circle." These boundaries are violently enforced against outside cats, especially if it's too crowded.

(Toms have circles 5x as big as a queen's, overlapping several territories. They're also considerably less social.)

So, if you wanted to incorporate some cat behavior into your Clan's mindset about how big their territory should be, while still being willing to sacrifice a bit of "realism" for groups over 15-ish members, simply take Clan population and multiply it by 2.5 acres.

30 cats = 75 acres. That's a little under 57 football fields, if you're American, or 50 football fields, if you're European.

Extra reading: How realistic cat territories work. Contains the numbers I'm referencing.

It's also very important to know; feral cat density is completely tied to food availability, the big numbers numbers are for cats whose needs are met. Cats are solitary hunters, and when they feel like they have to work for their food, they become VERY territorial. The density of cats in rural areas can be as low as 1 molly per 15 acres, even lower for toms, and they will leave if hunting is not easy.

THIS IS WHY YOU SHOULD NOT FEED FERAL CATS. Please GOD they are SO invasive, please do not give colonies food, they still hunt when they're full so you just end up concentrating a ton of predators in one place. They are not warriors with a law against disrespecting food, they are just kitty cats with silly kitty instincts

I have a suspicion that most of the people who are asking the question aren't really looking for a "realistic cat" answer, though. We LOVE our big cat Clans with their complicated politics around here. You're probably wondering how much land you need to feed your population!

Factor 2: Land Productivity

The exact amount of space is going to vary a lot, because it's more about productivity of the land to sustain a prey population than it is raw size. Remember what we learned back in Warrior Bites: Dietary Needs; a 30-cat Clan will need approximately 3 pounds of meat (10,500 calories) per day, which is about 2 rabbits, or 105 mice.

Here's some visual examples of what I mean. This one (1) acre homestead...

Has 20 patches of high-value crops, plus an orchard, AND livestock pens. This territory alone could attract enough crows, mice, rats, rabbits, and sparrows to feed all those cats daily. That's not even counting the humans themselves, who may be friendly enough to the colony to toss them kibble occasionally.

(this is why cats domesticated themselves. Even without the free food from the humans, farms are extremely productive hunting grounds.)

Meanwhile, the Edmonton Mall, which is a whopping five (5) acres...

Would be utterly barren. Best food you're going to get out of this wasteland is the leftovers humans toss out, and maybe the rats and pigeons that scavenge as well. It's 5x the space, and yet, infinitely harder to feed the same amount of cats.

So, the most helpful bit of advice I'm gonna give you is this; DON'T ask yourself "how big should this territory be?" You're starting with the wrong question. Start with a real location, and think about how you'd find 3 pounds of meat a day in that area.

It will be a LOT easier to think about the logistics in those terms, and this will lead you to the waaay more productive (and fun) worldbuilding questions. Such as;

"Where would the good hunting spots be?"

"What kinds of animals would they be eating? What sorts of beasts can threaten them, here?"

"How many of these animals would my 30 cat Clan need to hunt a day to equal about 3 pounds?"

"Where would these animals be getting THEIR food?"

"Is there enough habitat in the area for the prey to breed and nest? If not, is there more land beyond the territory that the prey is coming from?"

"Where would infrastructure like dens, walls, and dirtplaces go? What would these be made of?"

"Are there any neat spots for the cats to casually hang out on?"

"What would make for a super cool arena for my climactic narrative boss fights?"

"Does this area have unique stage hazards that my cats would have to learn to deal with?"

"Which sorts of plants and herbs would they encounter?"

If your Clan is tool-using, like BB!Clans are, then you can ask even more advanced questions. Like, where you'd find kindle for fire, what objects you can use as crafting materials, and what might make for unique trade goods.

Think about other things related to your Clan's biome-- in a tundra or desert, there will be less for prey to eat, so the territory will be large to cope with the low density. If there's a major body of water, they might have a constant supply of aquatic prey from upstream. Hunting grounds might change based on the seasons.

Also remember not to underestimate how fast small animals breed, and how many of them there can be in one area. Even using low estimates, 1 female mouse has 6 pups, 7 x 6 = 42, 42 x 6 = 252, 252 x 6 = 1,452. It takes only 4 months for mouse population growth to get exponentially ridiculous.

Finally, remember that prey can vary. A well run Clan would be able to generally understand when they've been overhunting one particular species, and start shifting gears to lift the "pressure" off that population.

(In my cultural expansions series, this management task is assigned to one of the new roles-- the Head of Hunting.)

[angel---eater]

tbh the whitest trolls to me are the zahhaks and the makaras bc of what kind of internet-people equius and gamzee represented at the time. juggalo culture is predominantly white working class folks or white folks on the poverty line, and in the US bc of segregation, that meant a lot more mixing of cultures than you see in middle class and up areas. its the same with canada and the UK. so you see a lotta black influences in there bc of how US class structures have been constructed. its a melting pot made by and for the working class. a lotta irl juggalo stuff is pretty chill from what ive heard? as a movement they want to demolish class heirarchy and build community. ofc theres room for abuse in the lifestyle though, thats not unique to juggalos. gamzee as a rich white boy living a juggalo lifestyle but not getting it right and actually reinforcing what irl juggalos fight against makes perfect sense for his character

equius on the other hand is like belligerently Hegemonic White Cis Dude coded to me. he represents young white cis boys on the precipice of falling into the manosphere pipeline, imo. specifically bc theyre lonely and insecure. his spot on the hemospectrum is perfect for breeding that shit. he's been told his whole life that hes better than most of the ppl he knows. hes higher up caste wise than most of his friends, particularly nepeta, but still feels inferieor to his friends who ARE higher up than he is, which is what sparks that hyperspecfic brand of insecurity in white cis boys. their only real problem is that someone else whos even more priviledged is looking down on them. and gamzee also being white just kind of compounds that bc of the sense of 'competition' between white guys or whatever, to be The Whitest Squarest* Guy who is On Top (haha) Of All Other White Square Guys

everyone else? nah. its so obviously not whats happening. which really just highlights the fact that large swaths of fandom still believe that white is default in terms of character design. and its insane to me how ppl can say w/ their whole chest that the hemospectrum has nothing to do w/ race, its just abt class, when racism and class are intrinsically tied. like theyre horrible twin sisters, man, you cant rlly have one without the other. enforced class models in society dont work unless theres someone up top deeping someone else Deserving of having less bc theyre not the exact same type of person as them

*using the term Square here not to denote any kind of 80s movie nerddom but to try to describe hegemonically cishet (and homogenized white) normies who are toxic abt it and think everyone else should be like them

[literaryvein-reblogs]

Writing Notes: Secure Attachment Style

Examples of Secure Principles

Be available ⚜ Don’t interfere ⚜ Act encouragingly

Communicate effectively ⚜ Don’t play games

View yourself as responsible for your partner’s well-being

Wear your heart on your sleeve—be courageous and honest in your interactions

Maintain focus on the problem at hand

Don’t make generalizations during conflict

Douse the flame before it becomes a forest fire—attend to your partner’s upsets before they escalate

How to Make Secure Principles Work

Try to keep a number of truths in mind when you are in the midst of a fight:

A single fight is not a relationship breaker

Express your fears! Don’t let them dictate your actions. If you’re afraid that s/he wants to reject you, say so.

Don’t assume you are to blame for your partner’s bad mood. It is most likely not because of you.

Trust that your partner will be caring and responsive and go ahead and express your needs.

Don’t expect your partner to know what you’re thinking. If you haven’t told him/her what’s on your mind, s/he doesn’t know!

Don’t assume that you understand what your partner means. When in doubt, ask.

A general word of advice: It’s always more effective to assume the best in conflict situations.

In fact, expecting the worst—which is typical of people with insecure attachment styles—often acts as a self-fulfilling prophecy.

If you assume your partner will act hurtfully or reject you, you automatically respond defensively—thus starting a vicious cycle of negativity.

Though you may have to talk yourself into believing the “positive truths” above (even if only halfheartedly at first), it is well worth the effort.

In most cases, they will steer the dialogue in the right direction.

Attachment classifications come from watching babies’ behavior.

Below is a short description of how secure attachment style is defined in children. Some of their responses can also be detected in adults who share the same attachment style.

The secure baby is visibly distressed when mommy leaves the room.

When mother returns, he is very happy and eager to greet her.

Once in the safety of her presence, he is quick to be reassured, calm down, and resume play activity.

Every person deserves to experience the benefits of a secure bond.

When our partner acts as our secure base and emotional anchor, we derive strength and encouragement to go out into the world and make the most of ourselves.

They are there to help us become the best person we can be, as we are for them.

Don’t Lose Sight of These Facts:

Your attachment needs are legitimate.

You shouldn’t feel bad for depending on the person you are closest to—it is part of your genetic makeup.

A relationship, from an attachment perspective, should make you feel more self-confident and give you peace of mind. If it doesn’t, this is a wake-up call!

And above all, remain true to your authentic self—playing games will only distance you from your ultimate goal of finding true happiness, be it with your current partner or with someone else.

Source ⚜ More: On Attachment ⚜ References ⚜ Avoidant ⚜ Anxious

[genderqueerdykes]

hi, im on partially diy hrt for nearly a year. i do not leave in the usa btw.

i buy the drugs from just some guy who deals it, i learned about him from one of my trans male friends, if you want to start diy hrt really consider asking if someone in your community does it also. i live in a country where lgbt+ and transitioning is practically outlawed, but there is still community out there, especially in big cities (over 1m people).

but if he dissapears i turn to resources for cis bodybuilders. idk it's pretty googleable, ive checked. again, always ask people in your country.

check your local laws, where i live buying t illegally isnt punished if the drug is bought from your country (its not contraband) and you do not plan to sell it. in this case if someone IS going to be punished, its your dealer.

for safety: check the ingredients of what's your buying, in the best case you should buy a drug that is the exact same as in drug stores, also ask what other people in your shoes are usually buying.

also if you can - buy in bulk. rn me and my partner have 9 months worth of t on our hands. this way you have more time to find other dealer if yours dissapears, and also it's much cheaper often.

also gel is generally WAY EASIER to buy without a prescription (even though you need it on paper)! many drug stores don't ask for a prescription to buy it, and you can go to multiple of them. also if you preorder it online and only go to the drug store to pick it up they are less likely to ask for the prescription. it's all still not 100%, but at least you don't have to look for a dealer or a bodybuilder website

needles are usually pretty cheap and do not require a prescription in a drug store. if you NEED to make something up why you need them - some of the common pain killers come in the form of injections

so, about the blood tests and stuff like that!

personally, i consult with an endocrinologist approximately onse a year, but i don't have any complications. you can make a visit online with a t friendly endocrinologist from another country - this won't show on any of your medical records and doesn't bare any legal weight. this way they can't write you a prescription, but thos us about diy hrt anyway.

ask about what tests you need to have done beforehand!

you can do all the tests in a private clinic and not tell them anything about your trans status. mostly they don't care. it costs money, but its more safe

but also you can tell some bullshit in the government clinic so they prescribe you some of the tests, at least the most general stuff. if they prescribe you to return with the results or go to an endocrinologist - you can just ignore that and JUST NOT GO. they are most probably very busy and understaffed, they dont care.

you should find a general guide to what levels of what you generally should have. id link what i use, but its all in a language other then english.

generally all of the things should be in the norm, except for testosterone and estradiol. prolactin should be in the norm.

of course it varies a lot and might be different for you if you have other health stuff going on, that's the reason you should consult with a doctor if you can. but it is possible on your own.

i really think people are way too scared of diy t many times. this therapy is often very straightforward, and there ARE ways to do it, you can even consult with a doctor while transitioning illegally. where i live transitioning, whether legal or medical is outlawed, but plenty people do it anyway. be careful and midfull, but go for it

sorry if my english isnt very good, i don't use it irl and its my second language

thank you so much for your help and don't worry, your english is plenty good for this kind of thing! thank you for all the help, if you think of any more information you wish to share feel free to ask!

[raayllum]

for snake boi callum week day 1, icarus / the key of aaravos

The food at the Starscraper is a kind of grey mush that tastes a lot better than it looks, thankfully, once Kosmo and Astrid guide them to a table in the communal mess hall the first night they're there. Callum supposes that if everyone's wearing their blindfolds all the time, emphasis would be placed on making food taste rather than look good.

And talking, of course.

Kosmo is less curious about the outside world, Astrid carefully considering her questions before she asks them, but he and Rayla take turns describing the warm fuzziness of adoraburrs or the seedy, salt-sick docks of Scumport. Rayla shifts the conversation to the Moon Nexus before they can ask questions about the residents of said pirate city, and then she shares a tale about a Moonshadow erased by their own primal, horrific and ghostly, and—

"Ah," Kosmo hums. "Not unlike our own Warning Story."

Rayla leans back in her chair. "Skywings' focus on their breath, typically, since they don't always have wings. But there are variants where it's—"

"Warning Stories?" Callum questions.

"Oh." She touches his arm and he tries not to feel like she's setting him on fire, even if every little touch is both oh so distracting and comforting these days. "All elves have them," she explains with a little shrug and a slightly apologetic smile. "Stories about going too far with primal magic. Do humans have anything like that?"

"Not... really?" He thought there were tales from Del Bar about people who went too far into the mountains chasing game, or into the bogs of Evenere. There was a Katolis story about a new husband who opened up the forbidden door in his older husband's mansion. But nothing that seemed that applicable. Nothing about dark magic.

"Primal magic is beautiful," Astrid chimes in. "It is sacred, and can be helpful. But a tool like any other, sharpened too keenly, will break and shatter."

"What's your warning story, then?"

Kosmo's lips twitch. "An elf with wings flies too far and their feathers are stripped away. They plummet to their death."

"Feathers?" he asks. "Not the spider silk-wings?"

The siblings share a tiny smile. "There are no wings that can last forever. Eventually, our mortal fatigue—our mortal-ness—catches up with us, and we fall."

"It's a children's tale," Astrid adds. "About the inevitability of death, too. The pointlessness in trying to cheat it. We have our time on this earth, and eventually it ends, and we became stardust once more."

His throat feels tight. "That's a nice thought, though," Callum manages. "That we're all the same kind of stardust." He takes Rayla's hand underneath the table and squeezes.

She squeezes back. "Poetic, this one," she says with a very fond smile and eyeroll.

(When Callum falls towards the tundra, he does not think of the warning story. All he sees is stars—all he sees is her.

When he kneels before Aaravos, cube in hand and Rayla's rasping breath returning to her chest behind him, he thinks the story should make an amendment—sometimes there are things worth falling for.)

[cupidhoons]

( 📢 ) ANNOUNCEMENT . . .

hi loves! i didn't want to make this post myself about what has been happening on blr these past few hours due to the fact that didnt want to potentially fuel the fire even more, however after thinking about it some more, i feel as though that i should speak up on behalf of my mutual and friend.

in my opinion, this started from someone checking author's and their authenticity of their writing. though the intentions are very much there and clear, it allows hate anons to rise and continue to spread towards many authors on this platform. it starts nothing but hate train after hate train to writers and it gives the community a toxic environment and it's not the first time that this has happened, either. it disappoints me to say the least that our community has hit such a low point where we constantly come at each other's throats with no regard of how the opposing party feels. not only that, but going as far as exposing and leaking a MINORS face and posting it without their knowledge at all to send hate to my mutual / friend proves my point further. its not only sick and twisted, but its also an invasion of privacy. i will not disclose who it is as it's bad enough that their face is just uploaded on a blog for everyone to see, and i will not be answering anons that has anything to due with this person.

many of you anons who send hate and think that you're remotely even doing anything do not understand how powerful and hurtful your words are. many of you guys do not understand that sending someone hate DOES NOT equal holding a person accountable and educating them at all. you all scream and shout that you want the old tumblr community back and complain how toxic it is nowadays, but none of you realize that you're part of the problem. it's pathetic and disgusting having to see stuff like this happen multiple times and never learn from it.

this is absolutely not what tumblr, especially enhablr, is about. it is not a community where we all send hate to each other and continue to bring other authors down consistently. it's a place for us to write and appreciate enhypen, it's a place for us to meet other engenes and make friends. it truly makes me upset that we've all lost the purpose of this community.

other than my thoughts on this whole thing, i can only pray and hope for the best for my dear friends who were affected in this situation. please continue to report the account and avoid interacting with them further. to my anons, please refrain from asking questions to writers and follow my request to take down the account.

[kimyoonmiauthor]

Might be more of a white culture thing. I get called names often when I point to actionable things one can do. Usually from particularly Black and other PoCs, they're more straight with me than white women are when they assume I'm a woman, even if I point out I'm NB and particularly don't subscribe to white (US Middle Class) woman's speech, which I never could quite master nor like.

There was a study on white women's speech about an Italian family, I think, granted US-based immigrants, where women of the family were taught more to be "peacemakers" and use indirect questions, (not the Jewish kind of questions) to particularly needle people into doing action.

Jewish speech (since I was raised Jewish as part of being adopted), tends to have more rhetorical questions to challenge people to think more deeper or examine their thoughts. (Plenty of papers on this, I actually wrote a long post about it)

But outside of (white) Jewish circles, often questions are used as passive aggressive behavior and ways to diffuse conflict. Such as the white woman speech of something like, "We do not hit other kids. How do you think the other kid feels?"

BTW, this is far from the white woman's tears and toxic white women's speech as pointed out by Robin DiAngelo, but does show the gulf between how women are treated between cultures and often I've observed PoCs are more likely to try to conform to white ways of gender when faced with someone white due to mainly stereotype threat and also some speech patterns which are harder to deal with if you aren't versed with how to deal with the toxicity. People tend to hedge their bets.

By the way, straight pitching here, but I'd really, really like a philosophical discussion on two things, though I'm well aware these are loosey goosey. And yes, maybe influenced by the US election:

The questions are these two:

Does true altruism exist? Is there a way to make an outgroup care about the in-group, when they have no skin in the game and keep showing up? I remember the episode you did about Sam Altman? But it didn't get into this question. We're stuck worldwide with people who don't care, but is there a philosophical way to get people to care about groups they don't belong to?

And the other question is how does one sell an idea of masculinity that is not the Alpha, Beta, etc set and can we escape that to men in such a way that they feel invited? I've read about sacred masculinity and also the secure masculinity models, but worldwide the shift towards that ultra masculinity seems to be winning because it feels powerful. The current movement of feminism is asking how to reframe masculinity itself.

I'd like to see it in an intersectional way for both topics. Such a way that it sees internationally and through lens of intersectional queerness.

You've circled around these topics, gone through them talked about queerness, communication, but I've felt like it's a glancing blow. I'm aware this is a hard ask. But I have to admit the last US election and watching other elections where people have swung far right on self interest alone over community has left me wondering if I missed something. Distrust of community that deep leaves me reeling.

I encountered women who were willing to, for example, stick it to trans people over protecting their own rights and philosophically I do not understand why they would choose hate over saying everyone deserves rights. I did the sit down and listen, but hit hard dead end walls, like I was being an elitist for going to college and the pursuit of knowledge is being snobby. Or literal professed Neo-Nazis, like telling me people should believe in Mein Kampf. And I'm sitting here thinking what more could I have done to make people care and care about people unlike them as a really marginalized person. It hit so many walls, and I tried very hard not to yell, scream, but reason through emotions, logic, but I can't help feeling a little frustrated that maybe I didn't know enough in order to get them to see a different way and move them that little bit or at least crack their wall through the interaction.

Separating The Art from the Artist ('s Gender)

an interesting thing I've observed:

I've been making art for my whole life, and I publicly transitioned a few years ago, and it's super interesting how much criticism changed when I came out

When I was in the closet the criticism I got for my work was a lot more useful. It was generally constructive, usually specific and actionable, usually coming from a place of sincerely engaging with my work even if it didn't always like it. So even the negative stuff was usually helpful?

Whereas now, most of the criticism I get seems a lot more "vibes based"? It's more vague; it's more likely to contain factual errors like "The work says X" when the work doesn't say that, or even says the opposite; the criticism is often less actionable; and it's more likely to treat my work as something that has accidental features to which the audience has a reaction that is the most important thing, rather than something that has deliberate features because I chose to put them there? And so it's judged much more by whether people vibed with it rather than by whether it achieved what I intended it to

idk, it's just interesting, maybe it's not a gender thing maybe it's just that people's media literacy is changing? maybe i'm attracting different audiences now? maybe I'm just worse lol

[theunsinkableship1]

Things are not always what they seem...

⚠️Disclaimer: This is Lukolaland only. If you don't believe you should skip. No harm intended and no hard feelings. Only strong feelings here.

Dear Lukola Shippers,

I hope this message finds you well, no matter where in the world you are. Though I’ve been mostly quiet recently, I want you to know I’m still firmly aboard this ship, and the waters have felt calmer of late. We are witnessing great waves of success coming to our Lukola. Watching them thrive individually and achieve such success is a joy, it’s wonderful to see them striving and thriving in their unique journeys.

Today, I’d like to open up about something personal. It’s a topic that requires sensitivity but resonates deeply with what we often discuss as a community. Appearances can be deceiving.

Humans are complex beings, and we can never be entirely certain of what’s happening behind closed doors. Even when all signs seem to point in one direction, the reality could be something entirely different.

When I was younger, I was in relationships that seemed one way from the outside but were very different beneath the surface. Back then, I was seen as someone confident and put-together a "popular girl," if you will. But inside, I felt like a wallflower. People were drawn to the version of me they saw, not the person I truly was.

In one relationship, I fell deeply in love. To the outside world, we looked like the perfect couple. But the reality was far from that. I was shy and cautious, but I fell for one of the hit boys. I was deeply in love, but he wasn’t. I became more of a mix between a prop and a seat filler in his life. While I was publicly acknowledged, I wasn’t truly valued in his heart. Being young and in love, I sometimes acted jealous and irrationally, making poor decisions in my attempt to hold on to the relationship. While I gave my all, I never was someone that he truly cherished. I was young and blinded by my feelings, so I clung tightly to the relationship, convincing myself and others that everything was fine. Looking back, I realize that what people saw from the outside, the smiles, the handholding, was a façade for a connection that didn’t exist in his heart. His attention was always somewhere else.

Later, I entered another relationship. I was tired of being alone. All my friends were in relationships, and I found myself longing for one too. This time, it was with someone I became very close to through mutual friends. Though we had a strong bond, we quickly realized we weren’t a romantic match. Yet, for two years, we stayed in a "relationship" because it worked for both of us at that time, he was coming to terms with his own identity, and I was healing and waiting for the right person. To the outside world, we were a couple. We even lived together and shared milestones. But in reality, we were best friends who blurred the lines of companionship. Only our close friends knew the truth: to the outside world, we appeared to be a couple, but in reality, we were just best friends. Sometimes, things can get messy, and lines blur. While I was in this pretend relationship, someone from my past reentered my life, wanting to marry me. Things moved quickly, and even though my friend knew our arrangement was temporary and understood the situation, there might have been some emotional complexity. Perhaps I was ready to move on before he was, or maybe it was because we were emotionally intertwined in many ways. Societal perceptions could have played a role as well. I’m still not entirely sure. After my wedding, we went our separate ways. Though we remain on friendly terms, we are no longer close, and I haven’t heard from him in years.

Life is full of such complexities. For example, I have a chronic hormonal condition that, at times, makes me appear pregnant when I’m not. Years ago, this led to assumptions and speculation, especially early in my marriage. People congratulated me on pregnancies that didn’t exist, which was deeply painful as I faced uncertainty about whether I could have children. It taught me how much appearances can mislead even well-meaning people.

So, why share all this? Because as fans, it’s easy to speculate about the lives of people we admire. But the truth is, only they know what’s happening behind closed doors. I’ve noticed many people dismiss or deny the bond between them, but I believe we can’t be doubtful of its existence. I’m confident they are also aware of what they share. What we’re speculating about is what’s truly happening behind the scenes and why things are unfolding the way they are.

It all comes down to perception and observation. There’s something peculiar about this situation, too many coincidences for certain things to be purely incidental. Patterns emerge that can be explained rationally, and those who pay close attention recognize the mixed messages that make a straightforward narrative unlikely. Occam’s razor doesn’t apply neatly here.

Moreover, we have public evidence, not just imagined scenarios, that suggests there’s been something deeper between them at some point. The idea that 'there’s nothing more' doesn’t hold water because, where there’s smoke, there’s fire.

Appearances, whether on red carpets, social media, or interviews can only tell part of the story. And while our love for Luke and Nicola is real and rooted in admiration for their talent and chemistry, we must tread lightly.

I adore Luke’s subtle and nuanced acting and his incredible singing voice, which has a charm that captivates. Nicola’s range as an actress is extraordinary, and her vibrant personality shines through in everything she does. I support them both as individuals and as a couple because they make me believe in their connection.

I remain here because I believe in the love they seem to share, whether it’s in a glance, a gesture, or an unspoken understanding. Until the day there’s unequivocal proof otherwise, I’ll keep believing because they make me feel the love.

With love and hope,

The unsinkable ship 🚢

[scoobydoodean]

is there anything you're critical of Dean for? not meant as a gotcha, i just haven't been reading your blog for long.

i just struggle getting out of the Doylist perspective and holding characters accountable. i'm annoyingly cognizant of the external factors like them not wanting to pay Misha or having to cater to a sizeable portion of their audience that preferred the easier digestible, more accessible "two bros in MotW episodes" that didn't serve the overarching storyline or relationships or if they did, didn't take up that much air time or did it superficially (flashback to Dean being called overdramatic in 6x20 because they just didn't. get. it.).

I think it's clear that Dean and Cas’s relationship issues involving communication are an active choice made by the writers that don't just exist because Misha isn’t in all the episodes. If the writers didn’t want us to pay attention to Cas’s absences, they would establish that Cas consistently keeps in communication offscreen over the phone and that things between Dean and Cas are good when they see each other in person. Instead, they choose to do the exact opposite. They show Cas being avoidant and hiding in episodes he's not in and in episodes he's in too. They emphasize that Cas's absences are more than physical—he creates emotional distance—he hides and lies and keeps secrets when he feels ashamed or has become convinced that he needs to handle things on his own. This is a very core character hangup for Cas. It also doesn't make him a bad person. It makes him (for lack of a better word) human. His flaws are understandable and tragic and rooted in trauma, and one of the worst parts about the end of Supernatural is that Cas never gets to fully work through these feelings and have his eyes opened to exactly how deeply he is loved and that his worth is more than what he can do for others.

To be quite honest though, I think people need to become more comfortable with hearing that Cas isn't perfect without jumping to conclude that he is being condemned for being imperfect. No one is perfect—especially not our Supernatural blorbos. That includes Dean who is also imperfect. I'm not sure exactly what post of mine prompted this ask, but I don't actually think I've been that critical of Cas or condemned him for anything. I've only shined a light on some of his flaws—particularly in episodes where fandom has tended to ignore them and condemn Dean as The One And Only Bad Friend.

I guess I just wonder why it has always been acceptable to highlight Dean's flaws (even ones that don't actually exist) without ever mentioning a single thing another character did "wrong" to contribute to a conflict, but when I highlighting anything Cas ever did wrong in a conflict with Dean without a healthy helping of deancrit, people feel I'm not being "fair" enough. It's very clear that people want me to protect Cas more—even against the lightest criticisms— but I'm not sure why he's considered more deserving of that than Dean. I'm also not sure why a doylist perspective would invalidate Dean's experience as a fellow character within the story affected by Cas's absences and not an omniscient viewer who's thinking about how many episodes the writers can afford to put Misha Collins in (and again—I do not think a doylist perspective explains Cas's behavior—the behavior is intentionally written into his character for seasons upon seasons).

I'm not going to fight it if people choose to call me "cas critical" or "sam critical" because that's their prerogative. To be clear though, I don't prefer to engage with stories as competitions where we count up who did the most wrong things and assign that person as The Bad Character Among The Good Characters. I can understand if it looks that way from an outsider's perspective, but I'm actually reacting to fandom largely deciding to engage with Supernatural as if it should be consumed as a story about The Bad Character Among The Good Characters and deciding that The Bad Character Among The Good Characters is Dean. I'm far less critical of Sam or Cas than I'll ever be of fandom’s need to make everything about keeping score of who did the most wrong stuff. It can be fun to shitpost about it to piss of crits, but the actual point of the story isn't to figure out which one did the most bad things and "hold them accountable".

[bunnybird-afk]

Questions about your Magister (now with +5 more questions🤣):

1. So what's his connection to the Maulers/ Dusk Lord anyway?

2. Does he have a love interest?

3. Is he a Mauler..?

4. If so what abilities or powers does he have?

5. Also like I'm 89% sure it's cannon, but what's his connection to Dura?

6. Does he have a specific magic he uses?

7. Who are his parents?

8. Where did he come from?

9. What's his opinion on holding the title "Merlin"?

10. What's personality?

11. Is he rich...?

12. What's his worst fear?

13. Does he hate any in-game characters?

14. Does he have hobbies?

15. What type of people does he get along with?

Thank you so much for this ask! I am so excited to ramble on about Sena! I have been cooking up his lore for almost a month now but haven't been able to put it together coherently so this really helps!

Warning: Long Post

Some brief background:

Sena is a former 'god' of Esperia, though he technically hasn't held an official place in the pantheon since long before the Divine War, having asked for his name to be struck from the records for certain reasons. While he retained much of his original power at first, his divine core was shattered by Ygdris during the Immortal War, leading to Sena being absorbed into the leylines to rest and heal until the war was over. Afterwards, he awakens with no memories, helps Esperia with its troubles and then returns to the leylines when his life force is depleted. This cycle repeats itself a total of three times so far, with the most recent being the in-game canon.

1) Sena's connection to the Dusk Lord/the Maulers?

While most Esperian's might consider it blasphemous, the Age of the Gods wasn't nearly as prosperous or perfect as one might think. Being a fledgling god who didn't yet have his own title, Sena was often looked down upon by some of the less benevolent deities in Esperia's pantheon (most of whom have been long forgotten).

The Dusk Lord was one of the few gods who viewed Sena as what he was at the time, a child in need of guidance. Thus the Dusk Lord took him under his wing, taught him about Esperia and what it meant to be a god. Even taught him how to fight should the need arise.

Through the Dusk Lord, Sena met the Maulers. The first mortals that Sena ever encountered. The first people Sena ever met. The Dusk Lord taught Sena about his people and about their cultures, telling the godling that his wish was for his people to be strong. To be tenacious so that they could handle the harsh realities of the world even without his guidance.

While the Dusk Lord tried to teach Sena how to be a god, Sena immersed himself in the culture and community around him and instead learnt something far more important. How to be a person.

2) Sena's love interest(s)?

While Sena has had partners over the eons, there where very few instances he could point to that he'd consider love. The first of these instances was a mage by the name of Merlin, the first mage to ever exist in Esperia. Merlin was gentle and compassionate and selfless, and Sena found himself inexplicably drawn to them. They were perfect. But they were mortal... After they passed, Sena took up the title of 'Merlin' as a way to remember them and to continue their mission of protecting and helping Esperia.

During the Immortal War, Sena fought side-by-side with the Celestials, wanting to safeguard Esperia's people from the threat of the Hypogeans. During this time, Sena grew close to Dionel, and while the two may have shared a few tender moments and had occasionally found comfort in each other's arms, they soon realized that their feelings for each other were more platonic than romantic. To this day, Sena considers Dionel his closest friend, and it would seem as though the feeling is mutual.

After losing his memories the second time, Sena wakes up near Holistone and soon meets Hogan who was still a young recruit in the Lightbearer army. Having no memory of his own past and believing himself a mortal, Sena ends up working closely with Hogan and eventually feelings start to bloom between the two (despite a rocky start). Over the next decade or so, Sena and Hogan grow closer and closer, and though they make their affections for each other obvious, the word 'love' remains unspoken. Things between the two 'end' when Hogan gets called to duty, asked to serve the Lightbearer Empire in some scuffles that had broken out with the Maulers near the border to the Ashen Wastes. Hogan asks Sena to come with him, using the excuse that they could use the help of a mage like him. Sena asks Hogan to stay, knowing that he might not make it back alive. They both decline out of a sense of duty, though those feelings continue to linger. To the point where Sena returns to Holistone after the war to wait for Hogan having heard news of his return, though Sena is resting in the leylines again before they can be reunited. (Though, Sena has accidentally acquired an adopted son during his time back at Holistone, one that would soon go on to cause Hogan no shortage of trouble).

3) Is Sena a Mauler?

Not in the traditional sense. Sena's divine form was an almagamation of the different factions, though he doesn't inherently belong to any given one. During his time wandering Esperia, he tends to try to fit in with the people around him, hence him taking on more Mauler like characteristics when in the Ashen Wastes and more Wilder characterstics when in the Dark Forest. Though considering the Dusk Lords words and Sena's own feelings about the Ashen Wastes, in his heart Sena is more of a Mauler than he is any other faction.

4) Sena's Abilities/Powers?

While Sena has the standard Merlin abilities we see in game, he also has a few innate abilities that stuck around from when he was still a god. This includes Sena coming across as very amicable and persuasive, and on rare occasions being able to tap into his Divine Authority. Overall, Sena also exudes an air of comfort, making others around him feel at ease even in the toughest of times.

5) Sena's connection with Dura?

Like the Dusk Lord, Dura was on of the few gods who didn't completely disregard Sena's existence. Though while the Dusk Lord viewed Sena's naivety as something he needed time and help growing out of, Dura viewed it as a reason why Sena needed to be protected and nurtured. In a sense she was another one of Sena's mentors growing up. While the Dusk Lord taught him to be strong, resilient and tenacious, Dura had taught him to be gentle, caring and compassionate. And unlike most of the other gods, Dura seemed to genuinely love her people, wanting to protect them and nurture them, ensuring that they thrived and prospered. And at the end of the day, Sena wanted to help her fulfill that desire though it would be centuries until he could actually be of any assistance to her.

6) Sena's Magic?

Sena's magic is derived directly from the leylines themselves, allowing him to use magic in its purest form, though without his divinity this tends to take an immense toll on him should he overexert himself. Apart from that, Sena has a form of charmspeak that allows him to compell the truth from others, and often persuade them into doing certain things, though he often forgets this ability in his amnesia only to remember it later, though even then he uses it sparingly, not liking the feeling of influencing others free will.

7/8) Who are his Parents/Where did he come from?

Being a former god, Sena doesn't really have parents. Like most gods, he simply awoke one day in the Realm of the Gods, born of a concept that had become prominent enough to warrant having its own deity. Though unlike most gods, Sena had no clue what he was the god of at first, not feeling any real affinity for anything present in the Realm of the Gods.

So in that sense, Sena didn't really have parents. In fact he didn't really understand the concept until almost a millenium later, watching as Mauler father excitedly scooped his cub into a hug after their first steps. Sen had found it heartwarming though still unrelatable.

Though if Sena were to think about it now (once he has his memories back atleast), if anyone had been a father to him, it would have been the Dusk Lord. And well, Dura had always called him her child, even if she hadn't really meant it in the familial sense (though Sena found himself secretly hoping that she did).

9) Sena's opinion on being Merlin?

While the title had started as a way for him to honour somone he cared for, it's since then grown to represent so much more to him. To Sena, being Merlin means shouldering the responsibility for Esperia's well-being. Not just dealing with big threats, but also caring for the Esperian people on a personal level. It represents the wishes of all those who loved him, and now his own wishes too. Afterall, it's his responsibility as Esperia's last living god.

10) Sena's personality?

Growing up Sena had been well-meaning and quiet sharp, though it was usually hidden behind his jovial demeanor. Even back then, however, Sena had a touch of recklessness and anarchy to him that caused Dura no shortage of concern (and the Dusk Lord no shortage of amusement). And though he eventually matured and grew more calm and measured, his charming personality and slight spark of chaos never quiet left him. And whenever Sena loses his memory, his personality reverts to being somewhere in the middle of those two states of being.

11) Is Sena Rich?

Pretty much, though that's more thanks to Dolly than anything else. After becoming Sena's retainer, she took her duties very seriously, handling just about everything that Sena may need help with (excluding magecraft). That included handling Sena and the Mystical House's finances, as well as updating Sena on any news that may pique his interest. She's also the one responsible for helping Sena to adjust to life in Esperia whenever he returns from the leylines, including making sure he has the correct currency and is dressed for the times (thank you, Dolly, for keeping Sena fashionable).

12) Sena's worst fear?

Losing sight of what it means to be a person. Sena has never cared much for his divinity, but he would cling to every last shred of humanity he has in his soul.

13) Does Sena hate any characters?

Berial and Reinier. Sena hates Berial because of the joy he takes in making mortals suffer. He's needlessly cruel, even by Hypogean standards and seems to genuinely enjoy the harm he causes (unlike Phraesto who Sena finds oddly amicable).

He also strongly dislikes Reinier due to his obsession with perfection. While in itself not abhorrent, the lengths Reinier goes to to achieve his idea of 'perfection' is disturbing to Sena who's seen the way his actions have hurt people. And on a more personal note, the way Reinier desecrates the monuments of the old gods, bastardizing their image and deceiving their followers never fails to have pure rage bubbling up in Sena's chest. Blasphemy doesn't really bother him, but seeing this hypogean spit on the legacy of those he knew and loved just crosses a line for Sena.

14) Sena's Hobbies?

Being Merlin doesn't really give Sena a lot of free time, though when he does get it, he's using it to completely immerse himself in the local culture. Talking to people, helping out around whatever town they're in, eating local delicacies, sampling signature drinks, listening to music, and reading their books and poems. In hindsight, being Merlin probably is the best job for Sena considering that it gives him an excuse to travel.

15) What type of people does Sena get along with?

Sena tends to get along with just about anyone so long as they aren't cruel or closed-minded, though he does have his favourites. Usually those who have the same type of well-meaning chaos and recklessness that he does.

[seitmai]

Many thoughts

You want more than just his hands. You want a lot more than his hands. And when you’re at home, and should be sleeping, or at the very least on your knees in prayer, all you can think about is his mouth between your legs. His hands on your thighs, pulling your legs further apart to accommodate the width of his body. They way he’ll rise over you, and he’ll lay his cock over your mound. Begging you to look and see just how deep he’s going to be.

😮‍💨😮‍💨😮‍💨

Slinging the covers off your legs, you down at your modest nightgown. This isn’t good enough for Ari. Not that it’s ever stopped him before, but you don’t want to be hidden with him. You don’t want to look different with him. You want him to stare at you with wide eyes because you do have skin showing. Others could see, but you are only concerned about where his eyes are. You wanted to feel pretty with Ari. Look in the way that he makes you feel.

This is such a valid feeling!

“Did you choose those filthy books on purpose?” Of course she did. Those books gave you so many ideas, confused your brain, and made you long for something you didn’t fully understand. And Ari curses himself for how feral that thought makes him. You had a filthy mind from words alone, and he gets to nurture that part of you. Nobody else.

Whoops 🤭

“She’s a sexually frustrated woman, living in a community that tells her sex is bad — yeah,” She smiles, nodding her head proudly. “That woman needed to read those books, and she needed to know that her sexuality is beautiful. Now, how has that helped you out?” “One of them has a reverse harem,” Her mouth turns into an o, and then she smiles sweetly, only a little bit sorry. “You can’t do that. She,” Ari didn’t want to betray any of your trust, even if he knew his sister wouldn’t judge you. “She knew nothing. Multiple men is going too far.”

Oh come on Ari, those are some good books 😉

“Okay, so I won’t send the one with a gun kink,” Ari knows that Hannah’s mouth is turning into a wide grin. He knows how she is, and how she enjoys making him squirm.

Hahah love her 😂

“You’ve told me far too much information. Certain things as your brother I should not know,” Hannah shrugs. Her sole reason for living is to annoy her brother, and making him uncomfortable.

Sibling core 😂

“I kinda employ her. But she arrives before the stupid heads that work outside do. It gives me a chance to,” he smiles seeing your figure coming up the driveway. “Gives me a chance to twirl her around and smile before I softly kiss her lips.”

That's so cute 🥹🥰

He’s never had to teach, and still learn. He’s never really looked at sex as anything but pleasure. Your pleasure is the most fascinating thing to see, and feel. Coupled with the sounds that you try to hide. His favorite is how reactionary your body is because you just want to feel. But your ultimate curiosity is his drug. He can’t get enough. He doubts he ever will. But he will forever try.

Urgh he is so dreamy

“I don’t feel Amish anymore though,” it’s not so much as changing for him as it is, realizing that for most it’s just a stupid little dress. For you it’s taking back your womanhood that nobody ever gave you. You may hate the dress on your body, but you’ve never been given the choice of that dress. so you don’t know if it’s any better or worse than anything else.

I love that she gets to make this choice and (re)claim their power

“Can I get waxed today?” His eyes blow wide as he stares at you. “We’re going to town, yes?” “We’re going out of town,” he didn’t want to risk you getting caught, and prematurely being shunned by everything you’ve ever know. “Then I want waxed.”

Bold choice 🫡 I would not choose getting waxed as like my first thing haha

“Ari?” He hums as he wraps the bra around your body, “I just thought I would let you know that I’m always wetter when I’m around you,” he stands up straight just to give you complete eye contact. “Do you want to feel?” he shakes his head no, but you see he desperately wants to say yes. “Can I feel you?”

I love that she just says these things out loud🤭

“I’m trying,” he presses the softest kiss to your heated skin, and your back bows, arching into him, and his free arm goes around you to hold you up. He pushes your body more into his. “Ari,” your voice is almost a sob, and he moves his hand, rolling his body into yours. His bulge adding the slightest friction and pressure to your needy cunt. The absence of sex, making this so much more appealing to him. It’s the discovery of the action.

😮‍💨😮‍💨😮‍💨

“I’m not really taking my clothes off. Just,” you exhale slowly. You’re going to be stepping out with the English, without looking like you’re Amish. It slowly sinks in. You start with the bonnet, and Ari looks towards you, gawking. You choose to ignore him, while you adjust to feeling a bit more exposed. You’ve never removed the bonnet since being with him. It feels foreign, and yet, right, “The road is in front of you.” Ari stops the truck abruptly, putting it in park. He sits back a bit more comfortably, and turns to look at you. “Ari, drive,” you don’t mean it. You want him to look. “I’m just looking,” his eyes go up and down your body, and you peer at him through your lashes. “C’mere,” he curls his finger, beckoning you to him, but also, you into him. Upon seeing him, he looks like the most tender predator. Wanting to relax his prey before he devours you, “I’m going to kiss you.”

Don't kiss and drive ☝🏻🤭

There’s so much to see. So much to taste. So much to hear. You’re just overwhelmed with everything that is going on. Smiling at Ari freely as you walk through the mall. Letting him hold onto your hip, or hand. Whatever he wants. You like that he’s an overly touchy, and affectionate person, and how alert he is of everyone around you. You didn’t even care if he asserted his dominance and claim on you.

They are both so proud of being together out and about 🥰

“You don’t have to change anything, you know that, right?” “I want to get some razors,” you respond with finality. Nobody is asking or telling. It’s what you want to do. The freedom to make decisions for yourself. The freedom to make the choice on what you want to do. And you want to shave your legs. At least once. Maybe try makeup. Maybe try writing your own stories. Or watching a movie. “I just want to try everything.”

Yes 👏🏻

“Only for you,” if you could pout, you would. All you know is you need relief. And your answers are fuel to Ari’s restlessness to just take you. He would spend on night on his knees worshiping at your altar if that’s what you wanted. He would pray for you, bless you, you are his religion at this point.

🤭🤭🤭

Your body stiffens as it heats up, “You look so pretty when you’re about to lose control. The pressure and pleasure keeps building. Climbing,” your body is on autopilot as sounds and words wail out of your mouth that you have never heard. “Not stopping up,” something in your body snaps as a raging euphoria courses through your veins like blood, “Until you jump off that peak. What a good girl,” he praises you for reaching the finish line.

His descriptions is so 😮‍💨🥵🤤

How I'm Looking At You, Part 6

Summary: you go on a date

Pairings: Ari Levinson X Reader

Rating: explicit

Warnings:  explicit language, explicit sexual content, teasing, anticipation, fingering, 18+ ONLY

Word Count: 6.8K

Previous

Series Masterlist

*dividers created by @firefly-graphics

You can’t stop smiling. Smiling doesn’t even cover it. You’re always beaming from ear to ear. You can barely close your eyes without seeing Ari’s face. Feeling him all over your body. Obviously the sexy parts of your relationship are invigorating. But even without that, you still see his face, and hear his voice. His kindness, and his never judging you. Eventually in your daydreams you feel his hands all over you.

You want more than just his hands. You want a lot more than his hands. And when you’re at home, and should be sleeping, or at the very least on your knees in prayer, all you can think about is his mouth between your legs. His hands on your thighs, pulling your legs further apart to accommodate the width of his body. They way he’ll rise over you, and he’ll lay his cock over your mound. Begging you to look and see just how deep he’s going to be.

You don’t have to look, you can feel the weight of his heavy girth, and just know how deep he’s going to be. But you’re a curious kitten, and you have to look, and you chirp. Whimpering, and pawing at him because you don’t think you can take it all. And so softly, but with that deep timbre, he assures you, “We’ll make it fit.”

Everything is about the both of you. You sigh in frustration, pulling your hands out of your panties as you stare up at the ceiling. Nothing quite feels like Ari. Your fingers aren’t quite the same as his. And part of the appeal of having him with you is his breath, and his voice. But also, the weight of him. You haven’t had too much of him on you. Even just him leaning over you on the counter felt heavenly.

You’re glad Ari stopped things yesterday. Once you got away from him, and could breathe on your walk home, it felt right for him not to have had sex with you. Sex. Fuck. Rail. Rut. So many colorful words for just him coming into you. You wanted it. Wanted all of it. Wanted to explore all the things that the books talked about. And you also want to just listen to Ari about ’out there’.

The real world, outside of the community. It’s what you want. But every time you go out in public, you get gawked at because of the dress, and the bonnet. If you want to have a normal date with him, you can’t look like you.

Slinging the covers off your legs, you down at your modest nightgown. This isn’t good enough for Ari. Not that it’s ever stopped him before, but you don’t want to be hidden with him. You don’t want to look different with him. You want him to stare at you with wide eyes because you do have skin showing. Others could see, but you are only concerned about where his eyes are.

You wanted to feel pretty with Ari. Look in the way that he makes you feel. He makes you feel all swarmmy and warm in your belly. This bubbly feeling is always in your gut, and then a deep need in your core. A rapid flutter of your nether region whenever you see him. You want him. And you enjoy him when he’s not making your brain fuzzy. He’s also taken up for you which is more than you could say about the so called men in your community.

It’s easy, while you’re laying in bed to think you’re going to just ride off into the sunset with Ari. But then you hear the snore of your father, and know that you could never come back and truly be welcomed again. If they even knew what you were doing you’d be shunned, and labeled a harlot. You were no good for marriage.

To Amish man. You weren’t the most desired to Amish men, and if they knew what you and Ari are doing, you would be useless. But you’ve never been useless to Ari. So that settles that. Ari was going to have all of you. For as long as he would have you. You sigh. If Ari grew tired of you, and you couldn’t come back to the community, would you be okay? You’re more educated than most of the women here. Definitely more read — but you didn’t want to tell them that.

Before you fully decide you’re ready to leave with Ari, you need to know more. You want to feel more. You desire all of him. But his heart is what you really want.

Ari pulls away from the window, scowling as he talks to his sister, “When is she getting there? And is it dark outside? You should drive her there, instead of her walking. And how are those books working out for you?” She giggles on the line, while Ari growls in frustration. “What?”

“Did you choose those filthy books on purpose?” Of course she did. Those books gave you so many ideas, confused your brain, and made you long for something you didn’t fully understand. And Ari curses himself for how feral that thought makes him. You had a filthy mind from words alone, and he gets to nurture that part of you. Nobody else.

“She’s a sexually frustrated woman, living in a community that tells her sex is bad — yeah,” She smiles, nodding her head proudly. “That woman needed to read those books, and she needed to know that her sexuality is beautiful. Now, how has that helped you out?”

“You’re very strange,” Ari starts, narrowing his eyes as he stares out the window. His sister is too small with too big of a personality. But Hannah meant well, even if she was too personal. “What I can say is she reads all this, and has all these thoughts running through her head, and she’s just swimming in a sexual awakening. You didn’t have to go so hard on her.”

“Like which book?” She wiggles her eyebrows again, but she knows her brother has too many lines drawn when it comes to his sex life. For her, it even wasn’t about his sex life as much as realizing her brother is falling in love. He’s been given the time to fall because you haven’t jumped into sex too quickly.

“One of them has a reverse harem,” Her mouth turns into an o, and then she smiles sweetly, only a little bit sorry. “You can’t do that. She,” Ari didn’t want to betray any of your trust, even if he knew his sister wouldn’t judge you. “She knew nothing. Multiple men is going too far.”

“Okay, so I won’t send the one with a gun kink,” Ari knows that Hannah’s mouth is turning into a wide grin. He knows how she is, and how she enjoys making him squirm.

“Have you read this?” He doesn’t know why he asked. He just blurted it out, and now that it’s out there, he can’t take it back.

“Yes, It’s quite nice.”

“You’ve told me far too much information. Certain things as your brother I should not know,” Hannah shrugs. Her sole reason for living is to annoy her brother, and making him uncomfortable.

“Is she there yet? You know her schedule?” Ari nods his head even though his sister can’t see him. He knew everything. Except what you thought about when you are alone.

“I kinda employ her. But she arrives before the stupid heads that work outside do. It gives me a chance to,” he smiles seeing your figure coming up the driveway. “Gives me a chance to twirl her around and smile before I softly kiss her lips.”

Hannah sits quietly for a moment. Smiling at knowing just how happy her brother is. “Did you get my package?”

“It wasn’t addressed to me,” he responds flatly. He’s ready to let her go so he can give you the undivided attention you deserve.

“Your girlfriend really wouldn’t like me sending that to her house,” Ari’s eyes go wide, gasping, “It’s not lingerie. Most people would just consider it a dress,” Ari moans as he imagines you in a summer dress. He didn’t even care what color, or what it was supposed to be called, but the idea of seeing so much of your skin on display for him, and having people around that could see, but could not touch.

“You are a horn dog. But yeah, the package is plenty of clothes for her.”

“Hannah, you’re very weird sometimes, but I appreciate you. Now, I’ve got to go,” she mumbles something in the background about Ari being a simp, and maybe he is. Maybe, just maybe, he found someone worth all of it. Worth going against everything he thought was who he is.

And When you walk through the door, he knows he’s been lying to himself this entire time. But only because it was never you. There was never a woman whose eyes shined up at him the way yours do. Never was there someone that had a smile that literally radiated throughout your body. And he has never picked someone up and twirled them around, and he does with you every single day. Never has had a woman fold herself into him, and giggle against his skin. It’s the simple things. It’s you.

He’s never had to teach, and still learn. He’s never really looked at sex as anything but pleasure. Your pleasure is the most fascinating thing to see, and feel. Coupled with the sounds that you try to hide. His favorite is how reactionary your body is because you just want to feel. But your ultimate curiosity is his drug. He can’t get enough. He doubts he ever will. But he will forever try.

“Good morning to you, too,” your laughter sings up at him. “So what are we doing today?”

“You’re not going to be working in the kitchen all day,” you cock an eyebrow up to look at him, and he bashfully looks away. You’re not quite sure why it’s so cute, but also empowering knowing that you make Ari feel fuzzy. “Oh, my sister, she sent you a package. I might know what is in there, and I just want you to know you don’t have to feel pressured.”

“Did she get me a butt plug?” Ari looks away again, shaking his head with a smile, “I was wondering how close you English people can get with your siblings. Can I?” You’d noticed the giant box on his couch, but chose to ignore it. As soon as Ari nods his head, you spring into action, rushing over to the box. You’re sure whatever you’re doing is a sin, but pure excitement and joy just make sense. Someone has sent you a gift, and you’re just showing your appreciation.

The more time you spend with Ari the more you realize that the out of touch nature of your community is way overrated. You’ve never felt so much at ease as you do with him. Free to be who you want to be. He allows you to explore things you may like. Your father isn’t a tyrant like some of the men here, but he had his flaws. Sure Ari does, too. You’re sure you’ll see them eventually. But Ari seems to have your best interest.

Opening up the box, you squeal. Taking a look back at him before lifting it in your arms. “They’re going to be on the east field?” The furthest field away from the house. You’d wondered how you were going to get clothes, especially to surprise Ari, but his sister took care of that for you. He gives you a nod, and you start towards the stairs. “Can we do something today?”

“What did you have in mind, Darling?”

“A date?” He grins, and nods his head. Laughing when you squeal again. “I’ll put this under my dress. I can take it off when we get away from here?”

“I’ll make breakfast,” you squeal again. Your feet tapping in excitement before heading towards your room. He was going to be out with you in public. Laying the box on the bed, you rifle through each piece. Running your fingers over the different fabrics, and colors. Marveling at how well they look against your skin. Ari is going to get to see you without a bonnet. He’s going to see your legs, and arms, and cleavage.

He was going to see you as his equal. Nobody is going to gawk at you, point their finger, and make you feel like a science experiment. You’re going to be normal out there. You’ve always been different, and it’s honestly time to admit that you didn’t belong here. Even without Ari. You haven’t been happy for a long time. You’ve been starving for an escape, and release.

Your fingers stop on a green frock. It feels right. It will cover a bit, so you won’t have to feel too uncomfortable for your first time in English clothes. You’ve read enough books to know the thin straps will make for an easy pull down. Not that you’re expecting anything. And Ari wouldn’t do anything you weren’t comfortable with. But it could be an option.

You inhale sharply, and let it release slowly. Starting to undo your dress before you lose your cool. Glancing into the mirror, you shriek. “Ari!”

“Sorry, I didn’t mean — I didn’t want to startle you. Breakfast is finished cooking,” you bite at your lip, and nod your head. Looking at your reflection before submissively looking towards the floor, “You don’t have to change who you are for me.”

“I don’t feel Amish anymore though,” it’s not so much as changing for him as it is, realizing that for most it’s just a stupid little dress. For you it’s taking back your womanhood that nobody ever gave you. You may hate the dress on your body, but you’ve never been given the choice of that dress. so you don’t know if it’s any better or worse than anything else.

“Can I help?” He peers at you through his lashes, no bit of that predatory bear can be seen on him. It’s almost childlike, his question. Nodding your head, you spin around to face away from him. His fingers slide down the expanse of your spine. Leaving a trail of goose pimples in their wake, and making breathing more difficult.

It’s too quiet in this tiny room, and you’re sure that neither of you are in taking oxygen. He unfastens the safety pin, and lays it on the dresser. Pulling apart your dress, he watches the heavy fabric fall to the ground, and he finally exhales on your bare skin. The warmth of his breath heating up more than your skin. Peeking behind you, he’s in such deep concentration. Struggling to keep his hands by his side as he stares at you in just panties.

“I have to,” you gulp, wrapping your arms around your bare chest. “I need to put on the other — the other - other panties. Will you choose a set?”

He clears his throat, nodding rapidly as he turns to walk to your drawers. Before you had water to separate you and Ari. Now you have nothing. A bed mere feet away, and you feel so vulnerable in this amount of undress. “What about white ones?” You whisper, ‘yes’, and give him a smile as he holds them out to you, but you shake your head no. “What is it?”

“Can you put them on me?” You’re a little minx that has his cock throbbing, and swelling in his jeans. Instead of responding he sinks to his knees, and you spin around to face him, and Ari reaches up. Hooking his fingers around the panties that you’ve made, he pulls them down. Stopping when you're uncovered.

Ari presses a chaste kiss to your mound before his tongue darts out of his mouth. He runs the muscle through your split, and you whimper. Gripping onto his hair, you attempt to hold him there, but he pulls back, “Breakfast is getting cold,” smirking, he pulls those panties fully down, tapping on each foot for you to lift it out of the undergarment before he tosses them aside. “Let me see.”

His eyes roam up your naked body, stopping on your face as you drop your arms. Standing completely nude before him, and he’s fully dressed. The complete vulnerability and embarrassment adding to how utterly sexy this is. His cock may be pressing up against his jeans and ready to bury himself in you, but he's still in control. His eyes follow down every curve of your body before he holds open the panties. And you step into them.

His fingertips feel like a paintbrush moving up your skin, and once he covers your pussy back up, he presses the softest kiss against your covered flesh. “Ari?”

“Yes, Darling,” he keeps his face pressed up against your core, breathing your scent in deeply.

“Do you think I should shave?”

“I truly do not care,” that didn’t help.

“Would you show me?”

“How to shave your pussy?” You nod your head, among other things. You wouldn’t mind if he just helped you shave everything. He grunts as he stands, “Is that what you want to do?”

“I’d like to try it. Maybe I should wax it?”

“As long as you know, I don’t care. Whatever you feel comfortable with.”

“Can I get waxed today?” His eyes blow wide as he stares at you. “We’re going to town, yes?”

“We’re going out of town,” he didn’t want to risk you getting caught, and prematurely being shunned by everything you’ve ever know.

“Then I want waxed.”

“Okay,” giggling, you wrap your arms around his neck. “Let's finish getting you dressed. And we’ll go eat.”

“Ari?” He hums as he wraps the bra around your body, “I just thought I would let you know that I’m always wetter when I’m around you,” he stands up straight just to give you complete eye contact. “Do you want to feel?” he shakes his head no, but you see he desperately wants to say yes. “Can I feel you?”

“Darling, you’re killing me here. But go ahead. Touch me, and see just how your teasing ass has got me all riled up this early in the morning,” your eyes roll up to meet him. You’re constantly reminded of just how giant he is compared to you. How much he towers over you, and that thought alone makes you want to melt into him and let him hold you all day. “Go on,” he pleads.

Your hand lifts, and barely grazes over his bulge, causing his eyes to flutter. A haggard breath pushes out his lips, and you let your hand consume him. Laying your hand over the tight to the angry cock of Ari. You gulp at his size. The warmth. The pulsing. He is so heavy. Whimpering, you try to grip him through his jeans. Smiling when his mouth drops open. “You look pretty like that,” Ari opens his eyes to smirk at you.

“I don’t know if you can fit inside of me.”

“It’ll be difficult,” he whispers before cupping your pussy quickly, and you struggle to breathe, “Shh,” he steps closer to you, using his nose to pet over your neck. You lean, giving him easier access, “Breathe.”

“I’m trying,” he presses the softest kiss to your heated skin, and your back bows, arching into him, and his free arm goes around you to hold you up. He pushes your body more into his. “Ari,” your voice is almost a sob, and he moves his hand, rolling his body into yours. His bulge adding the slightest friction and pressure to your needy cunt. The absence of sex, making this so much more appealing to him. It’s the discovery of the action.

“I’ll make it fit if I have to,” his voice is broken, and you pout up at him. Even just his breath on you is such a taunt of something you desire, and don’t understand. “Darling, you should get dressed, so we can eat, and go out for a long long day.”

“Okay,” he steps away from you too soon causing you to sway back and he chuckles. “Don’t be cruel.”

“I don’t think I’m the one being cruel. You’re standing there with nothing but a bra and panties. I know you’re soaked, heated, and throbbing. And you just hand your hand rubbing on my cock. Who is cruel now?” He stands there smiling at you as you reach for the dress you intend on wearing.

“I want this to be a surprise,” he bows, and leaves you alone to get dressed again. Wondering exactly what you’re going to look like. What you’re going to feel like. He is desperate for you, and also getting turned on more by the waiting. It’s an exploration of who you are, and what your body can do. It’s everything. And so much more than sex. It’s primal. It’s — love.

“Should you be watching the road?” He looks quickly back to the road, but his eyes switch towards you again. He is struggling to keep looking at the road when you’re in the process of shedding your Amish dress. It’s unfair that he can’t watch, “Ari!”

“What?”

“I’m not really taking my clothes off. Just,” you exhale slowly. You’re going to be stepping out with the English, without looking like you’re Amish. It slowly sinks in. You start with the bonnet, and Ari looks towards you, gawking. You choose to ignore him, while you adjust to feeling a bit more exposed. You’ve never removed the bonnet since being with him. It feels foreign, and yet, right, “The road is in front of you.”

Ari stops the truck abruptly, putting it in park. He sits back a bit more comfortably, and turns to look at you. “Ari, drive,” you don’t mean it. You want him to look.

“You’re distracting me by looking so beautiful,” your cheeks flare with heat, and you bashfully look away. Being able to feel his heated gaze on your back. The tension and heat is palatable in this small cab. “Are you going to take the dress off?”

Inhale. Exhale.

Inhale. Exhale.

Turning your back to Ari, you peek over your shoulder, “Can you help again?” He responds by reaching up to the safety pin. Undoing it slowly before he slides his hands under the dress at the neck. Grazing over your skin as he removes the potato sack from your shoulders. His throat is so loud, gulping and trying to show some restraint with how much of your skin is showing.

Lifting up, you pull the ugly thing off you. Twisting straight in your seat, you stare out the windshield, struggling to look at him. “Should we not be driving?”

“I’m just looking,” his eyes go up and down your body, and you peer at him through your lashes. “C’mere,” he curls his finger, beckoning you to him, but also, you into him. Upon seeing him, he looks like the most tender predator. Wanting to relax his prey before he devours you, “I’m going to kiss you.”

“Okay,” and his lips slot against yours with no warning. Taking the last breath out of your body. It’s so soft and sensual, and you want more. You maneuver yourself onto your knees, inching your body closer to him. Closer. And then his hand pulls you harder, wanting you to be on top of his faster. He guides you to straddle his lap, and his hands settle on your hips, coaxing you to gyrate on him, and you take more. Rapidly rolling your hips, and moaning at the feeling.

Ari’s tongue tickles on your lip, and you open up. Granting him access, while your lungs scream for air that you don’t want to give them. You don’t want to waste any time apart from him. If you pass out from the lack of oxygen, it will be worth it.

“Get out of the fucking road!” The car behind you blares on their horn, and you jump away from him. Not embarrassed as much as you’re giggling. Your body is on fire. Slicked up, and humming from him, “Move!”

“I told you that you shouldn’t stop in the road,” Ari rolls his eyes as he puts the truck into gear. Letting it roll slowly down the gravel. “Do you think they know?” The last thing you want is to barely get out of the community, and someone see you grinding on Ari while making out with him.

“Nobody is ever going to know. And nobody should even care.”

There’s so much to see. So much to taste. So much to hear. You’re just overwhelmed with everything that is going on. Smiling at Ari freely as you walk through the mall. Letting him hold onto your hip, or hand. Whatever he wants. You like that he’s an overly touchy, and affectionate person, and how alert he is of everyone around you. You didn’t even care if he asserted his dominance and claim on you.

You watch every woman here. Seeing the way that they walk, and talk. How they react with their significant other, but there is one thing that bothered you all day, apart from the awkward and exhilarating waxing. It had been a wonderful day with Ari smiling and laughing with you. Even getting to try on some more dresses for him. And still one thing remained.

“Do you have a bathtub in your house?” Ari’s brows lift up. His smile crooks to the side, and he nods his head.

“I also have running water in my house, but we don’t have to tell anyone that. Why are you asking, Darling?”

“I’ve never shaved,” he nods. When silence surrounds Ari, it’s a lack of not knowing what to say, or how to approach you. “Do you have razors at your house?” he shakes his head no. “We should get some razors. And the creamy stuff.”

“You don’t have to change anything, you know that, right?”

“I want to get some razors,” you respond with finality. Nobody is asking or telling. It’s what you want to do. The freedom to make decisions for yourself. The freedom to make the choice on what you want to do. And you want to shave your legs. At least once. Maybe try makeup. Maybe try writing your own stories. Or watching a movie. “I just want to try everything.”

Ari is his usual self. Smiling and nodding his head.

This could cut you. It’s supposed to rid your skin of hair. A little bit of hair. Not too much because it’s only scratching the surface. But how does one hold their leg? How are you supposed to do anything when the water feels this nice? And you didn't have to boil it, you just got in and it’s fascinating.

“Ari?”

“Yes?” His voice is way too close. He’s just on the other side of the door, and you’re in here with bubbles and a razor. The door is now his enemy, but it’s separating him from you, “Darling?”

“Can I cut myself with this?” He’d never forgive himself if you cut your leg.

“Yeah. Do,” you hear a slight tap on the door, due to his head pushing on it. “I mean would you — um like, what I mean to say is…”

“Can you help me?” The door opens immediately, and you thank the bubbles for covering you up. Between his look of shock, and his roaming eyes, you feel beyond exposed. And you like it, “That was quick.”

“I was leaning my head against the door. I’ve been a bit concerned,” he doesn’t look concerned. He looks horny. His pants tenting again as you lift your leg. “I’ve been very very concerned with your well being, and not knowing what to do, or how to help.”

This is the hottest thing he’s ever seen. Bubbles cover your curves, while leaving just the right amount of skin exposed. And your leg propped up on the edge of the tub has him ready to blow a load just looking at you. He’s been on edge all day. First it was just removing the shell of a life you are ready to leave behind, and now it’s you looking like a siren, and guiding him to his death.

But today, it was the way that dress swished around as you walked. Or when you would bend over, and it would hike up your body. He slyly stood behind you so you could browse the shelves. Nobody else was going to look at you, but he did look cheekily. Imagined himself rucking the dress up to the swell of your ass. Maybe even press his hard length into your warmth. You made today difficult, and he wouldn’t have it any other way.

And then, your little minx self had to have a hot dog. Had to. You insisted. Did you understand how suggestive that was, and it shouldn’t have been? He was ready to push you to your knees, and make you swallow every inch of his cock just so he could see tears in your eyes.

He’s currently exhausted because his thoughts range from purely just watching you discover your likes and dislikes, to the depraved thoughts of him sinking into your wet heat for the first time. The tears, the stretch, the inevitable blood, and the way that you’ll look up at him in confusion and love. Feeling beyond full with his girth, but hopefully you feel the — the something from him.

He can’t wait until he gets to kiss all over your body. Spreading so much passion over your skin. Making you soft and pliable. Spending so much time getting you worked up and relaxed that you open up easier. The taste of your skin is going to be heavenly.

“Ari, just breathe,” you giggle, biting on your lip like the cutest devil he’s ever seen. Dipping his hand into the water, he gives you a little splash. His own laughter erupts in the bathroom. “Isn’t that what you tell me?”

“Yes, but you don’t need to be using my words of wisdom against me,” you have truly rendered him speechless, and he wants to do this with you every single day for the rest of his life.

“Does it bother you that I’m in this bathtub naked?” He shakes his head. There is nothing about this moment that is bothering him. Making his resolve a bit harder, yes. Making his body uncomfortable with the wait, of course. And he’ll continue to wait.

He looks at you through his lashes before he holds up a hand, “Gimme your hand,” you do as you're told, and he presses your soaked bubbly hand on his crotch, “Do you think it bothers me?”

“I think you should get in the tub with me,” his eyes slowly close, and he takes three calculated breaths. “Nothing has to happen. But wouldn’t it be easier for you to sit behind me and show me how to shave,” Ari breathes a few beats before he’s lifting the bottom hem of his shirt. Stepping himself, while you hungrily watch.

Standing up he undoes his jeans, and rips them down. You don’t cower away. You stay staring at his body in awe. Your eyes follow the lines of his chest, all the way down to his cock that is at full mast. “You’re not going to touch me just yet. Scoot up.”

You lean forward, and let him settle behind you before you melt into his chest, “This is nice,” he’s so soft as his hands explore your curves. Ari ghosts his lips over your temple. His ministrations are so slow and calculated. His nose nuzzles into your neck as his kisses up the sensitive column, “I’ve never taken this much time on a woman.”

“How many were there?”

“None matter now,” you try to remain calm. Try to not let it bother you. Would knowing make it any better? Men like Ari didn’t come around often. And sure you have his attention now, but how long would it last?

Lifting up his left hand out of the water, you play with each of his fingers. Using your own to outline the digits, to see how much bigger his hand is than yours. “Ari, I don’t know if I want multiple partners.”

“I just want you.”

You aren’t sure if he understands. You want him, and still need to protect your heart. “No, I mean — I don’t want to sleep around. I don’t think that I would want to,” you sigh. Just let it out, “I want sex to mean something. I want it, but I’m glad you didn’t give it to me the other day. I want just one person.”

“I can live with that,” twisting your neck, you move your vision over his face, “I told you, I’m not in a rush. I’m enjoying this more innocent part of our relationship,” there is nothing innocent about this. It’s raw, and heated, and vulnerable. “And there’s so many ways to get off without sex. There’s so many things for us to talk about. And I believe I said I’d shave your legs. Put your leg on the ledge.”

His cock is throbbing on your back, and your heart and pussy are beating against each other. The low slow vibrations are a stark difference to the rapid pace of your heart. Confliction doesn’t even begin to explain the battle between your brain, heart, and aching core. The way he spreads the creamy shaving gel on you is like a drug.

You yearn for him in ways you have never yearned for anything. Your brain is so fuzzy, and your body wants, no, needs friction. It starts grinding on him of its own accord, and his growl on your ear does nothing to dispel the feeling. It desires even more. “Let me shave you first, and then I’ll relieve you.”

Whining, you struggle to hold still. Letting Ari pull the razor so carefully up your leg before he cleanses it in the water, and you’re back to wiggling, and moving. It’s becoming too much for you to focus, “Ari, I can’t,” you sound like a whining child, but you can’t help it. It hurts, you want some relief so bad. You are quivering with so much need. So much desire to have him, even if you also want to wait.

Ari doesn’t answer with words, he lets your leg fall into the water, rinsing it clean before he places each leg on either side of the clawfoot tub. the calloused tips of his fingers ribbon down your body before falling between your legs. Instead of going directly where you need him, he teases the apex of your thighs. Blowing heated air on you when you whimper out his name.

“You’re so fucking needy.”

“Only for you,” if you could pout, you would. All you know is you need relief. And your answers are fuel to Ari’s restlessness to just take you. He would spend on night on his knees worshiping at your altar if that’s what you wanted. He would pray for you, bless you, you are his religion at this point.

You take a sharp breath in as both hands move to your quivering cunt, and your body lifts up at the lightning that radiates from his fingertips. The intimacy of having him so close to you, and the only barrier is the water. It’s like you and Ari are finally fusing. You can think about the brain and heart parts later. Right now it’s just Ari.

“How is that?” He asks, pulling you apart, exposing your swollen clit, and he slowly rubs over it. “You like it?”

“Uh huh,” you liked it too much. Even if he’s going a bit too slow and gentle, he’s giving you where you need attention. Fulfilling too many desires, and not enough.

“You’re in a tub of water, and I can still tell just how slick you are. You’re so frustrated you can’t think, hmm?” You nod your head, and his movement is so swift you don’t even realize his finger circles your entrance, “It’s not enough, is it?” Judging by your actions, it’s not nearly enough, you’re body is screaming for his cock, but your mind is begging to go slower. He won’t be fucking you today.

“No. It’s not enough. Mmm!” His finger plunges into your warmth, and your body lights up. Your brain is blacked out, and your body is high as a kite. His palm flattens on your sensitive nub, while he moves himself in and out of you. “More!”

Adding another finger, you sob his name. Your body starts to follow his lead, pulling him in deeper. Faster. Harder. It could be crazy, but you want the burn, and stretch of feeling full with him. That added finger makes you feel so full of Ari, “More. Ahh!”

Ari adds a third finger with difficulty, and holds himself still. Kissing over your shoulders, and up to your neck while you fuck his fingers. Bucking over him just like nature wanted you to, “There you go. There’s my good girl. Taking three of my fingers just like a sweet little whore. And look at how needy your greedy little cunt is. Stretched so much for me,” you grind down harder. Desperately trying to race to the finish line, and never wanting it to stop.

It’s exhilarating that you get to make yourself feel like this. That Ari is giving you the ability to act on your desires. Your breasts bounce over the water, bubbles slosh over the side of the tub, and you just move faster. Envisioning what it will feel like to fuck him. What he will look like when your pussy is wrapped around his cock. Sleeving him in your velvety walls.

You get so close. Too close, and it overwhelms you. Panting, you stop. It’s enough. “Oh no, you don’t,” his fingers stab into with so much speed that your toes curl. Eyes rolling in the back of your head as you launch your body upwards. “You were so close. That wasn’t an orgasm. You keep going. Pushing yourself. Not stopping until you’re blind with pleasure, and forget how to breathe.”

Your body stiffens as it heats up, “You look so pretty when you’re about to lose control. The pressure and pleasure keeps building. Climbing,” your body is on autopilot as sounds and words wail out of your mouth that you have never heard. “Not stopping up,” something in your body snaps as a raging euphoria courses through your veins like blood, “Until you jump off that peak. What a good girl,” he praises you for reaching the finish line.

He still fucks himself into you, but the movements are slower. Softer. He coaxes your body down from its high. Waiting for your vision to clear back up. Ari peppers kisses all over your shoulders before you start to relax. “What does an orgasm feel like for you?”

“I’ve never had an orgasm inside of you, so I don’t think I’ve reached my pentacle yet. It’s explosive, just as yours. It’s otherworldly. It’s the best drug. But while you're still relaxed, put one of your legs back, and let's shaving,” how he could think of something so silly at a time like this is beyond your thinking. But you do it.

You lift up your leg, and he smears the cream back on your body. Sliding the razor up your skin, and dipping it into the water to clean it. You could take a nap in his arms. Nothing has ever felt quite so comforting like being in his arms post orgasm. The tenderness to your core, makes you smile. Ari had been three fingers into you. And you pray that you continue to feel him later. Giving you a reminder that it wasn’t a dream.

“Shh,” he’s so soft in your ear, and you try to open your eyes; they’re just extra heavy today, and your head jars backwards, “Get some sleep. I’ll finish up here, okay?” You respond with a nod of your head, “Will you let me dress you?”

You give him a nod, but smirk, “Will you look at my pussy?”

“Of course I will,” your mouth quirks up into a sleepy smile, “I gotta see just how stretched out I had you, okay?” As vulgar as it sounds, you didn’t care if Ari took it upon himself to look at your pussy as he dresses you. You hum in response, hoping he understands that you’re completely okay with him doing it. You want him to look.

Want him to see what’s his.

All his.

Only his.

Next

Masterlist

Taglist: @tis-thedamn-season @marveloustaylortot @pono-pura-vida @peaches1958 @seitmai

@smile1318 @andydrysdalerogers @cjand10 @midnightramyeoncravings @kmc1989

@pandaxnienke @rogersbarber @buckybarnesisdaddy @theinheriteddutchess @patzammit

@theolivia-graham @steviebbboi @jeremyrennermakesmesmile @kandis-mom

[mookymilksims]

I was accused of being a drama queen and told I should be blocked for starting drama, while the person who said that didn’t even bother to block me themselves.

Then, I started noticing a lot of people who had liked the shady posts about me a month ago suddenly hearting my posts again.

At first, I thought maybe something had happened behind the scenes, causing people to reconsider, even though I’ve been minding my own business and going back to my usual content—without talking about the situation, even privately.

Then, a post I made did pretty well for someone like me, and I saw this narrative being spun around that same time.

I actually planned to spare you all the details because I think this community has a huge misogyny problem that nobody really cares to address, and I wanted the focus to remain on respecting my work, not fueling more drama.

But now, a whole month later, I see the same narrative being pushed again, so let's just clear this up once and for all and move on, yeah?

First of all, this is a bad look. Are you mad because you got blocked? Mad you think I needed you to reblog me immediately? Mad that people took one side of the story but you refuse to share yours because it "doesn’t matter"? Mad that I blocked you before the incident even happened a month ago?

The ccfinds blog in question has never reblogged my work.

For weeks, I tagged them on many of my posts, and they still never reblogged. One of those posts still have the tags on them, as I pointed out over a month ago.

That same blog consistently missed my tags, but never missed the tags of white creators who uploaded the same day as me.

The ccfinds blog has a history of ignoring small creators in general, but especially small creators of color.

It’s funny how they only seem to “find” the tags of small creators of color once those posts have gained enough notes on their own, without any help from the ccfinds blog.

Then, suddenly, they reblog it.

And, suddenly, after I called them out, this blog started reblogging small creators of color a lot faster about a month ago. So much so, it was noticed by the same creators of color this cc finds blog typically ignores. (To make this even clearer: they were suddenly reblogging small creators of color more frequently to make it look like they aren't racist.)

I didn’t even realize this until I asked other small creators of color about it.

This is already KNOWN about you in creator spaces behind the scenes.

So, if you don’t like me, AND despite suddenly reblogging small creators of color (who you typically ignore), you still never reblogged me.

Never. Not once.

After I publicly addressed this, you messaged me claiming you went looking for my tags but couldn’t find them. Well, of course—you couldn’t find them because I had already blocked you.

I only need to be told once that you typically ignore poc. After realizing you were intentionally ignoring me, then poc telling me, you typically ignore them unless their posts do well without you, it's literally all I needed to know.

Let me be clear: I don’t know why you think I should continue tagging you when:

You never reblogged me,

This pattern spanned weeks and several posts,

You were actively reblogging other creators (white creators, to be specific) who uploaded the same day as me.

It’s not about doing it “immediately.” Everyone else I tag gets to it within a week or two, sometimes even days. This was never about timing—it’s the total absence.

The pattern was clear. I noticed it because it was consistent.

I used your tag because it fit my work—it’s an xto3 conversion, and you’re an xto3conversion finds blog, right?

But here’s the thing: other ccfinds blogs? They reblog EVERYONE’S work regardless of popularity. That’s why I respect them the most—they meant it when they said they wanted to support creators.

Your blog doesn’t feel like that. It feels like a table people can’t sit at if the host doesn’t like them. And this isn’t just my experience—other small creators, especially creators of color, have noticed this too.

And as for BelleKenobi... publicly “wondering” what you did wrong, but privately ignoring my message?

A whole month later?

What happened to “touching grass,” sis?

You’re this disgruntled a whole month later?

I directly asked you about it after you made that post—told you to say it with your whole chest—but you ignored it. So why are you acting like you’re still wondering what you did wrong now?

Is this not you ducking me?

You’re wondering. You’re curious. It’s a month later, and you’re still confused. But you had all this time to respond.

Really seems like you’re just acting confused publicly to protect your image.

You see, I cleared you a month ago. I apologized publicly and privately. Then you ran off and made that passive-aggressive post.

Despite knowing you’re still a bully, despite still associating with other bullies in this community, and even after harassing people and laughing about it in a Discord server for everyone to see, I still cleared you from that situation.

Because it was not your blog.

But then you made that shady post, and people saw the real you.

You can’t put that on me because, again, I cleared you from the drama. You inserted yourself back into it when you made that passive-aggressive post.

Even if people didn’t know you to be passive-aggressive or a bully before, they certainly thought so after that post.

You could’ve just kept quiet, or even publicly accepted the apology. Played it off like you were confused—but you messed up your own optics with that post.

Then I wouldn’t have had to mention to everyone that you’ve been a mean girl in this space. You could’ve kept your innocence, but you didn’t.

I was going to let it slide.

I could’ve said, “you’re not the blog, but you’re still a bully, so I don’t care”—but I have something called integrity.

A bully is going to bully, and you would've slipped up anyway.

Everyone would’ve seen it for themselves, whether I said something or not.

Which you did immediately after my apology, by the way.

Now, a whole month later, you're being a hypocrite to the oh-so-kind advice you gave me before?

Chat, is this "touching grass"???

Both of you do not like me. You didn’t before I called this out, you didn’t during, and you don’t now.

So why are you crying about being blocked by someone you don’t like and have never supported?

Does this have anything to do with the fact I’m not canceled? That people didn’t block me in solidarity? That you and all your friends have to like each other's posts now to make it look like you’re still popping? That I still have a YouTube channel and an amazing Discord server? That people still fuck with me? That you no longer have access to me? That I put up a boundary? That I block people who clearly do not like me?

Here’s my advice: block people who don’t like you, instead of searching them up to see if you’re blocked. Then you’ll gain the same peace of mind I have.

[therowdymagpie]

No because I NEED to ramble about The Princess and The Dragon(TW: Spoilers for the Pristine Cut.):

I got such whiplash from this vessel...she is just...SO aufghughaurigh, so unexpected and wonderful, one of the sweetest and kindest vessels in the game. Not to disregard the others, like the Shifting Mound has said, they are all different manifestations of our love for her and her love for us, but the Dragon (I call her The Dragon) FEELS different.

Literally I love the Specter route which the Princess and the Dragon derives from because we have a chance to have an actual, normal(kind of) conversation and because she is dealing with what happened in a realistic manner, sure she's angry at us but she really doesn't care, she just wants "to go home, wherever that is". But it's very important for the game to apply a certain Uncanny valley to her and every other Princess even the one from the Hero and the Princess, so that they have a reason to be dangerous, capable, slightly dehumanizing them at times, which OK SM and LQ aren't actual people but still the vessels just become something other than what we have been led to believe.

A ghost, a demon, a predator, a literal god, an eldritch horror made of blades, all of them are formed by our beliefs and expectations, they are the ways we perceive her, they are perspectives. It is a very skillful way to subvert the damsel in distress character that the princess has been shoved into, she is never JUST a princess and yet at the same time the Dragon is the only princess that is actually very human in how she confronts the fact that we are who we are and we do what we do to her with such Grace and forgiveness.

Now when it comes to the other Princesses, even if the Damsel is technically an innocent as well and doesn't try to kill us, her always trying to "make us happy" is the thing that immediately sets her off and gives us an excuse to believe she is strange and off-putting. Even the witch and the thorn , who make us feel terrible for hurting them at certain times because one can present a certain remorse and the other is simply broken so much that there's nothing else to hope for. Both of them immediately back pedal into being hostile if you hurt them again though, since that's what they have to do to survive. I could go on for each vessel but no matter how much we dig into the psyche of the princesses and find out that they have a genuine reason or a not genuine reason to kill us at all, they are all trying to survive and follow their nature, they all progress for their characters with a predictable unpredictability.

But the Dragon? She is SO forgiving, so kind, especially when in some cases, she shouldn't even be. We've killed her twice yet, much like the Specter, she doesn't hold a grudge, doesn't try to immediately kill us afterwards, she isn't following some twisted narrative of doing something that was always meant to be. She is just...curious and trying to understand why we're doing this, how she can get on our good side, how to work together to make the best of this situation. Out of all the vessels, I think she is the purest manifestation of Swifty's belief every time we see her that 'we are the only thing like her and she's the only thing like us', so they should be together, try should try to get along…right?

Also a funny thing I noticed is: The fact that we see things from her perspective kind of gives more leverage to some of the other princesses for being mistrusting and hostile, I mean we're a terrifying bird thing that is often quiet, holding a Knife and doesn't always answer you, often doing unpredictable actions…I wouldn't trust this either. And STILL, she says that even though we look scary, she doesn't mind, "Looks aren't everything" and tries to communicate with us, at the same time not being completely helpless. She speaks her mind, tries to be assertive and bringing up good points during the entire time.

Basically what I'm trying to say is, The Princess and the dragon feels like the most Princess character in the entire game, even more than the Happily ever after, even more than the Damsel, exactly because out of all the princesses she has the capacity to understand us and we have the capacity to understand her, it is so incredibly human and surprising.

For the first time ever we are dealing with someone who is painstakingly our equal, not above or below us, not our better, not our worse, not something out of our understanding but simply? Another confused inmate in this Twisted Concept, that tries to create the best case scenario where we both survive like us. The Shifting Mound calls her the empathetic heart...it's the first time we see her perspective of US for a change, it's how we have truly become ONE, even more so than The Wild and that breaks me...

[911lonestarfeels]

I’m more concerned about them having not talked about this then them disagreeing. I just find it hard to believe that they didn’t have a conversation about what might happen to Jonah if something happened to Enzo. Single parent. None of the people in my family are single parents at the moment, but we still know what would happen to the kids if something happened to both of them. My dad died when I was really young and there was a plan for what would happen to me and my brother if something happened to my mom. Now, while I have two older half siblings, neither of them were old enough to be considered our guardian, especially since both my mom and my dad have siblings. But like I would like to think that my older brothers wouldn’t let me go live in some institution in Europe if something happened to my mom? Let’s be real though, we did not have over $2 million stashed away to send me to boarding school in Europe. 

It just blows my mind that to responsible adults wouldn’t have had this conversation before hand. It also blows my mind that TK didn’t think Carlos might not be OK with it. And it blows my mind that Carlos didn’t realize that this is where TK‘s brain would go. The lack of communication is insane. 

 I really don’t like this whole storyline. What I really wanted was Owen to get some clarity in that he’s not God. And he probably was not a very good parent. Are he and TK super close? Yes. Do I find it ironic that Carlos is worried about being a good parent because of Gabriel, when Owen sucks. I do in fact, skip over I possibly can that are Owen centric. He pisses me off. Do I think that the Reyes parents are better parents? Yes do I think that the Strand/Morgans love TK absolutely. That doesn’t make you a good parent. I don’t feel like I can judge Gwen‘s parenting or Enzos because we didn’t really get to see that much of it. But from the past five seasons, Owen is not much of the day-to-day parent, but the swoop in and save parent, it just frustrates me. 

Y’all should probably just skip over this whole thing.

[canmom]

This an interesting angle. I've never been particularly taken with trying to determine True Art from False Art on the basis of specific qualities of the piece.

(I did ok-ish but not exceptionally on the AI art quiz, probably with a slight bias for misattributing human pieces as AI ones - like many other respondees, I found the Impressionist pieces hardest to distinguish, since they very much play to the AI's strengths.)

There are many different ways you could describe "art" as a human activity, I'm sure there's a post somewhere where I make a list, but a really big one is its communicative function - one purpose of art is to somehow pass on some aspect of our 'inner world' to another person, through a lossy and limited channel.

That a signal can be easily imitated doesn't mean it doesn't carry contextual information. For example, I could ask a yes/no question of enormous emotional importance - "should I take the shot", "has the baby been born", "will you go out with me", "am I a good girl" - and be answered with either "yes" or "no". It would be trivial to generate a machine which randomly substitutes for this communication - that's basically all a magic eight-ball is.

The amount of information that can be contained in an image of a given size and colour depth can also be calculated. For example, the number of fullscreen images that would fill my current monitor at 8 bits per channel would be 2^(3440 × 1440 × 24) ≈ 3 × 10^35788372 - about 15 megabytes uncompressed. It's a number that seems astronomically huge, though effectively the amount of information is much less than you'd calculate since all the likely pixels are correlated. The same goes for other art forms, like novels (encoded as, say, UTF-8 strings or PDFs) or pieces of music (encoded as sound files, MIDI, MuseScore files, etc.). The exact number is complicated, you end up getting into Kolmogorov complexity and shit like that, but the point is that it's finite.

If we want to claim that all the information about a human life that Hofstadter describes (grief, despair etc.) is in there somehow, we're claiming that this finitely many bits is adequate to capture all the nuances of a human life. I don't know that that's true!

This, however, doesn't really seem to align with how we interact with art. Human production and exchange of "art" is a social act - I would describe it as being continuous with "play". When we observe a piece, we are opening a communications channel - at least a one-way channel. The person on the other side sends some information into the channel, and we process it somehow.

Since it is a lossy channel with limited information, we must infer various things about the other mind on the opposite side of it. If I show you an artwork that I made, we might have a conversation about how I did it, why I made the choices I did. If I feel something looking at the work, I might imagine that you felt something similar, and designed the piece to evoke it intentionally (a guess that will often be wrong but sometimes still productive). I might also look at what specific choices you have made, compare them to the choices others have made in the same medium, etc etc.

We form these inferences on the basis of experience - the more you learn about making art, the more you learn to appreciate other peoples' art and vice versa. And we project these experiences, usually plausibly, onto other artists.

(Perhaps I am saying all art is in a sense performance art? Seems like a tasty soundbite, though I'm not fully sure I wanna commit to it.)

I'm not meaning to claim that a computer couldn't simulate this kind of 'how did you make it' interaction too. This line of argument was anticipated by Turing in his original 1950 paper on the 'imitation game' that someone links in the comments above, where he describes a poet undergoing a viva voce test interrogating their word choices, and argues that a computer might be programmed to give convincing answers to such a test. I imagine he's right - for a paper written in 1950 he makes some surprisingly sharp predictions for how future AIs might be made, such as the idea that an AI could be built to be 'educated' like a child. (He also thought the evidence for ESP is 'overwhelming', but hey, can't win 'em all).

A lot of the context around art would be quite easy to forge, had you a mind to. For example, suppose I go to a film screening, and someone is introduced as the director so we can all clap them. Did they really direct it? I don't know! You could totally send an actor. Less conspiratorially, if someone says they made an artistic choice for x or y reason, they could be lying about it, or misremembering, or most likely oversimplifying a complex and inscrutable process down to a simpler story.

At some point you have to take something like that on trust, or else simply accept that being lied to about it is part of the game you're there to play! (c.f. Oshi no Ko.)

Anyway, the sudden arrival of a new process that can produce, at least sometimes, near-indistinguishable output to various types of communication, throws a spanner in the process. If we're feeling uncharitable, we could call it something like a DDOS attack, stuffing the channels with spurious inputs that don't fit our design assumptions. I think that goes too far, though. AI gen doesn't preclude communication, but it does need we need to think differently about what is being communicated.[1]

So to consider that last question, if art is like a game, could you train an AI art to produce art that is meaningful to humans only by 'playing against' itself, like AlphaGo Zero? I don't think this is so likely. The rules of Go are strict and well-defined; the rules of what humans find meaningful are inseparable from the history of interacting with other humans, which is why art constantly evolves. Training an AI on existing human artworks is training it to compress and interpolate/extrapolate that dataset; training it to optimise for "making novel art that expresses something in a form that its interlocutor could understand" requires it to be interacting with someone.

You could imagine a training process with an "artist" AI and a "critic" AI (a sort of more sophisticated GAN, where the adversary is optimising not to distinguish human/AI art but to judge it on aesthetic grounds) - but how would you get the "critic" AI? Whose taste would it express?

Admittedly, the developers of image generators are constantly refining their models in response to users, so they are being optimised to appeal to someone, not just interpolate existing artworks. But I think it would be very hard to remove humans from the equation entirely. And the present means of providing feedback to the AI are very crude.

For an AI to learn from interacting with other AI (and the world), I feel like you'd need a whole new process that isn't about minimising loss against input-output pairs. Romantically, I imagine it would be closer to how humans learn from life, but I don't really know what will 'work' in the end.

below: some other remarks that were excised from the main post.

[1] We can view AI image gen as another channel for communication between humans, with its own set of inferences to make. If someone shows me a picture they've generated with AI, there's no point asking why they painted this bit that way, but I might approach them more as a curator and ask why they chose this generation over others, or how they went about prompting it.

The AI artists who go to the trouble of finetuning their models with LoRAs for a specific end goal, or using more involved processes with multiple stages of generation, probably have most to 'say', either through the work they generate or how they'd discuss it. (I find it very endearing when someone trains an AI to serve up a hyperspecific fetish.) And the more I know about how AI images are generated, the more I can probably have a productive conversation.

In this light, the "problem" of AI is mostly one of deception, insofar as it tries to look like something else and thereby tell a misleading story. That's probably a big reason why why it brings the rancour it does, although it doesn't explain all of it. It's not (usually) a forgery of a specific human's work, but it is designed to forge spurious communications in this channel in general, so the channel is 'noisier' - and this could be thought to undermine many of the contexts, i.e. the operating narratives and social games, which are why we exchange art in the first place. Over time, we'll presumably end up renegotiating the 'games', and spawning new ones, as humans always have.

And of course, the issue of provenance and plagiarism in art - particularly when prestige and money get involved - long predates AI and is full of all sorts of bizarre contortions when you look at it closely.

More intriguing is whether there is some possibility for "real communication" between humans and AIs - that is, could there be an AI output that does respect the 'rules of the game' in some way. This is harder to imagine! Like, if you ask why we aren't solipsists, we could point to how much we resemble other humans and say, all things considered, seems very unlikely we aren't the same type of entity. But I only know 'what it's like to be' a human. Conversely, while I know a reasonable amount about how AIs work, the attention mechanism and latent-space vectors and so on (thanks 3blue1brown), the analogy isn't so clear anymore, so I don't even know how I'd determine whether there even is a 'what is it like to be' under all the 'noise' of communications aggressively optimised to fit the patterns of something a human might say. If there is, it's probably very alien to all of my experience.

Ironically I feel like the current model of 'AI', which teaches us to regard any generated output with suspicion of having 'nothing behind it', would make it harder for any 'real', agentive, subjective-experience-having AI to make itself known to us. But perhaps it's good that we're forced to sharpen our criteria of what we're looking for out of these things.

Anyway, all of this is probably just idle imaginings, because nobody can figure out how to make anything like enough money to justify the exorbitant costs of training and operating AIs, so at some point this whole speculative bubble will go up in smoke and whatever AIs continue to be in use will likely remain about as good as they are today, or stupider - at least until the next 'AI summer' when a new paradigm emerges.

Thinking about that that "slop accelerationism" post, and also Scott's AI art Turing test.

I also hope AI text- and image-generation will help shake us loose from cheap bad art. For example, the fact that you can now generate perfectly rendered anime girls at the click of button kindof suggests that there was never much content in those drawings. Though maybe we didn't really need AI for that insight? It feels very similar to that shift in fashion that rejected Bouguereau-style laboriously-rendered pretty girls in favor of more sketchy brush work.

But will we really be so lucky that only things that we already suspected was slop will prove valueless?

As usual with AI, Douglas Hofstadter already thought about this a long time ago, in an essay from 2001. Back in 1979 he had written

Will a computer program ever write beautiful music? Speculation: Yes, but not soon. Music is a language of emotions, and until programs have emotions as complex as ours, there is no way a program will write anything beautiful. There can be "forgeries"—shallow imitations of the syntax of earlier music—but despite what one might think at first, there is much more to musical expression than can be captured in syntactical rules. There will be no new kinds of beauty turned up for a long time by computer music-composing programs. Let me carry this thought a little further. To think—and I have heard this suggested—that we might soon be able to command a preprogrammed mass-produced mail-order twenty-dollar desk-model "music box" to bring forth from its sterile [sic!] circuitry pieces which Chopin or Bach might have written had they lived longer is a grotesque and shameful misestimation of the depth of the human spirit. A "program" which could produce music as they did would have to wander around the world on its own, fighting its way through the maze of life and feeling every moment of it. It would have to understand the joy and loneliness of a chilly night wind, the longing for a cherished hand, the inaccessibility of a distant town, the heartbreak and regeneration after a human death. It would have to have known resignation and world-weariness, grief and despair, determination and victory, piety and awe. In it would have had to commingle such opposites as hope and fear, anguish and jubilation, serenity and suspense. Part and parcel of it would have to be a sense of grace, humor, rhythm, a sense of the unexpected and of course an exquisite awareness of the magic of fresh creation. Therein, and therein only, lie the sources of meaning in music.

I think this is helpful in pinning down what we would have liked to be true. Because in 1995, somebody wrote a program that generates music by applying simple syntactic rules to combine patterns from existing pieces, and it sounded really good! (In fact, it passed a kind of AI turing test.) Oops!

The worry, then, is that we just found out that the computer has as complex emotions as us, and they aren't complex at all. It would be like adversarial examples for humans: the noise-like pattern added to the panda doesn't "represent" a gibbon, it's an artifact of the particular weights and topology of the image recognizer, and the resulting classification doesn't "mean" anything. Similarly, Arnulf Rainer wrote that when he reworked Wine-Crucifix, "the quality and truth of the picture only grew as it became darker and darker"—doesn't this sound a bit like gradient descent? Did he stumble on a pattern that triggers our "truth" detector, even though the pattern is merely a shallow stimulus made of copies of religious iconography that we imprinted on as kids?

One attempt to recover is to say Chopin really did write music based on the experience of fighting through the maze of life, and it's just that philistine consumers can't tell the difference between the real and the counterfeit. But this is not very helpful, it means that we were fooling ourselves, and the meaning that we imagined never existed.

More promising, maybe the program is a "plagiarism machine", which just copies the hard-won grief, despair, world-weariness &c that Chopin recorded? On it's own it's not impressive that a program can output an image indistinguishable from Gauguin's, I can write such a program in a single line:

print("https://commons.wikimedia.org/wiki/File:Gauguin,Paul-Still_Life_with_Profile_of_Laval-_Google_Art_Project.jpg")

I think this is the conclusion that Hofstadter leans towards: the value of Chopin and the other composers was to discover the "template" that can then be instantiated to make many beautiful music pieces. Kind of ironically, this seems to push us back to some very turn-of-the-20th-century notion of avant-garde art. Each particular painting that (say) Monet executed is of low value, and the actual valuable thing is the novel art style...

That view isn't falsified yet, but it feels precarious. You could have said that AlphaGo was merely a plagiarism machine that selected good moves from historical human games, except then AlphaGo Zero proved that the humans were superfluous after all. Surely a couple of years from now somebody might train an image model on a set of photographs and movies excluding paintings, and it might reinvent impressionism from first principles, and then where will we be? Better start prepare a fallback-philosophy now.