#thomas and lucille

[darklinaforever]

Sort of little poem from Thomas' point of view in relation to Lucille :

Thousands pieces of broken glass,

Haunting our painful past.

So we swore to continue together,

In this life where you had become my only faith.

When your warmth was the only thing kept me from shatter.

No one else to hide behind when I was afraid.

If I risk all,

Could you not be my downfall ?

How to live ? How to breathe ?

When you are here I'm suffocating.

I want to feel love,

Other than for my blood.

Tell me why everything is so desolate in our love ?

For you,

I gave up all,

Because our root is in the walls.

[didanagy]

CRIMSON PEAK (2015)

dir. guillermo del toro

[creamyberries-lovely]

[maureen-corpse]

[shakioo]

“But the horror… The horror was for love.” (c)

The esthetics of “Crimson Peak” and Victorian era is stunning. The true gothic romance with monsters awaiting under your bed. Applauding Guillermo del Toro for this piece.

Drawing this one was tough - at first I thought about Edith but, you know, she’s too innocent to win the “Dark Queen” Oscar. So apparently I turned to Lucille. However, who’s Lucille without Thomas? And here we are, having the trio who was bound to be together. ‘Cause “it’s a monstrous love and it makes monsters of us all”. 😉

[lucillesharpeismybaby]

[chalkscrub]

more oc-tober stuffs, featuring all my story/lore-heavy ocs and sonas

day 9: relationship. thomas thomas and lucille - sphinx siblings having a chat. sphinxes are weird demonic critters that are randomly born in the place of a normal animal's litter. they don't have a sense of identity or society on their own, so they steal from humanity, and usually make a mockery of it. lucille is normally very kind and doting towards thomas thomas, which is a huge insult to him - he usually ends up losing control and attacking her, and it's even more embarassing when he gets heavily dunked on. and yet, he would be inconsolable if she died, while she wouldn't bat an eyelid. little weirdoes!

day 10: personality.

me: man I really need to cut back on how long I’m spending on oc-tober so I can actually finish it

also me: hrhmmmm I simply don’t know what to do with the personality prompt….wait a tick, why don’t I make a silly headshot for every single one of my ocs (42 in total) and try to showcase their personality (42 personalities for 42 characters) in each one (numbering 42 individual characters altogether)

Moral of the story: none

[nyctinasti]

Tom Hiddleston and Jessica Chastain in Crimson Peak (x)

[fla-t-line]

Happy Sharpe Saturday

[shipcestuous]

[marzipanandminutiae]

thinking about Lucille's ability to ignore pain

like

grabbing a hot pan handle with her bare hand and not flinching

taking innumerable small slash and stab wounds while fighting Edith, and not seeming to register any of it

how did she get that way? how many blows did she take as a child before pain just ceased to mean anything? how long did she spend having to push past it, because Someone Else was even smaller and more helpless and in greater danger, and that had to be more important?

I have something in my eye give me a second

[didanagy]

CRIMSON PEAK (2015)

dir. guillermo del toro

[luminescent-chorus]

Sibling complex

Supernatural  / Dexter / Crimson Peak / The Borgias / Wynonna Earp / Ginger Snaps / From dusk till dawn / Sharp Objects / Boondock Saints

[emiliosandozsequence]

antigone, sophocles / crimson peak (2015) dir. guillermo del toro / flowers in the attic (2014) dir. deborah chow / the borgias (2011-2013) cr. neil jordan / shame (2011) dir. steve mcqueen

for @mallahanmoxie

[lucillesharpeismybaby]

The Sharpes

(It could be "the Sharpes and their younger selves" or "AU where they have a daughter and a son")

[cissa-calls]

Rewatching Crimson Peak & Things of Focus and Notice:

As a child at her mothers funeral, Edith wears butterfly/moth earrings

Is the pen her father gifts her the one she later uses to stab Lucille? He describes the importance of having “The right tool for the job,” is that foreshadowing for gifting her the tool to begin her escape from Crimson Peak?

Is Edith wearing a butterfly hair clip when she dances the waltz with Thomas?

Lucille’s iconic crimson red gown is so detailed, so beautiful. It represents the skeletal ghosts with its spinal column along the back, crimson peak itself in color, the carapace of a bug on the sleeves and structure, and the upper bodice has trim that blooms outward (present similarly in her blue gown) but is bisected by buttons…creating a familiar shape…a moth?

The candle they hold during the waltz is held at the same level Edith holds her iconic candelabra, a subtle parallel

The trim on the collar of Lucille’s black dress references the spikes and trims of gothic architecture - which is very heavily featured in Allerdale Hall

Lucille says that: “At home we only have Black moths, formidable creatures but they lack beauty.” Knowing the parallel between her and moths, it implies that she sees herself as a survivor and powerful, but something no longer beautiful because of it

Lucille places the butterfly she holds directly into the ants, an action that’s brutal but quick. Is it foreshadowing to her execution of Edith’s death? Something quick for such a beautiful thing, done by her hand?

The LOOK Lucille gives Thomas when they realize Edith’s father knows their past. THE LOOK (JESSICA CHASTAIN YOUR ACTING)

“You seem the more collected one my dear” Lucille is called this. She always holds the mission undetered in her mind, as opposed to Thomas who seems more easily swayed by emotions

When Thomas breaks Edith’s heart by ripping apart her book. He says: “What do you dream of? A kind man? A pure soul to be redeemed? A wounded bird to be nourished?” He is telling her exactly what he is. None of those things, none of the dreams she has built of him in her mind. Not with a past and life such as his.

The significance of gramophones and wax cylinders: it is what plays when Edith’s father is murdered, it is also what saves her from meeting the same fate

I want to know more about Lucille!! Her character is so rich, so so complex, she needs more screen time!!

Need a prop replica of the ring NOW

[the house] “is a privilege we were born into, one we can never relinquish” METAPHOR ALERT METAPHOR ALERT metaphor for the cycles of abuse and trauma they could not break

HOW THE FRICK did I MISS the fact that Thomas’ workshop is in the attic when that was where him and Lucille were locked up as children. SO MANY IMPORTANT SCENES HAPPEN THERE. So many significant to their past we never see, so many ghosts not visible but are so real and present to have caused this

The trail of smoke like red essence that emanates from the ghosts as they walk, like they are still bleeding

Lucille’s hair looks black in darker lighting, but a dark brunette in others. It’s provides a black, dark shroud when she’s in America, and catches more light when she’s in Allerdale Hall

“I like to think she can see us from up there. I don’t want her to miss a single thing we do.” UM MA’AM

“…in time, everything will be right” LUCILLE QUEEN OF FINAL OMINOUS STATEMENTS IN SCENES

The amount I WISH to explore this set. To pry apart each detail and pick apart each piece, so much of it had to be handcrafted pieces for the movie or vintage pieces sourced for it. LET ME IN

THE LIGHTING MUAH

The ghost in the hallway has a rope dragging behind her…is this a gory detail, or an allusion to how she may have died (if not by poison)?

The ghost in Edith’s dream is pointing, though it is never shown to what. Is it to the exit, her warning to leave as all the other ghosts try to do?

The children’s laughter after the presumed scream of their mother’s ghost as she is stabbed, is it just for creepy effect, or did Lucille and Thomas actually laugh after they murdered her?

The scar on Lucille’s lip? Never noticed it before!

Not the first time I’ve noticed it, but the act of her clutching hot steaming food with her bare hands is chilling every single time

Were the bodies of Thomas’s wives left in the vats of clay? I don’t know HOW I didn’t make that connection before, originally i thought it was merely for creepy effect.

Many people villainize Lucille and try to make Thomas out to be solely a victim. But as stated in the wax cylinder, he was fueled by his desire to pay for and make his machine. Him and Lucille are both complacent in using their victims money for their own gain

We need to bring Chatelaine’s back into fashion. That is all.

The scrape of the spoon over the porcelain cup, it screeches and is a subtle way that shows Lucille act of caring has a harshness to it, an unpleasant sound resulting from an otherwise pleasant action: tending to Edith

Such an interesting camera choice to have the camera focus in a circular inwards and outwards

also also Lucille has a temple scar on her forehead?

The small amount of glee Lucille takes saying Edith “thought [she] was a writer” as she throws the pages to her novel in the fire.

The absolute deadpan, matter-of-fact-ness Lucille has to Edith when she signs the papers “you have nothing to live for” & “mercy killings.” This is a familiar repeated cycle

“Sign your name! Sign your bloody name!” Bloody is not just for emphasis. Edith’s name is soon to be nothing but blood

Lucille’s night gown sleeves as she flies down the stairs in pursuit - like a moths wings fluttering towards its prey

Lucille and Edith fought each other with bare feet on the stone and in the snow

Lucille is the only one of the two who knows how to start Thomas’s machine, because she was the one who witnessed it working

It is only the stab wound on Thomas’ face that bleeds and smokes when he is a ghost, perhaps because it is the wound that bears his betrayal by Lucille, reminiscent of tears of his lingering pain

Edith now has a facial scar, gifted to her by Lucille, who bore ones of her own. It is a passage, a continuing of the cycle, but it is its finale. It is Edith’s souvenir from Lucille, who took her own souvenir (her hair) from the other like a prize