#this year was *really hard* for a lot of reasons. but it was also... really good?

[youryurigoddess]

So one thing led to another, and I’ve just paid a visit to the first (that we know of) confirmed Good Omens S3 filming locations. Due to the obvious sensitivity of this material, please tag it accordingly and share only with the fans consenting to know potential spoilers.

A fellow Good Omens fan has mentioned that residents of a certain Edinburgh area had unexpected guests recently, knocking on their door and telling them they are filming in their street soon. Imagine their surprise when a polite question about the details led to the offhand answer: “IT'S ONLY GOOD OMENS”.

For those unaware, the City of Edinburgh Council has been working really hard on promoting the city for film and TV industry for a few years now (the effects of which we saw in S2), and has a set of very clear and very publicly available guidelines regarding the modus operandi here.

The Good Omens production has both large scale and a high impact on a specific location due to the crew size, amount of technology used, and requirement for crowd control in most of the exterior and interior scenes (e.g., bookshop, pub, or coffee shop windows), which is why not only the local authorities, but also residents were informed about the filming with an at least 8 days notice:

Ironically, I just had happened to have a trip here planned and a hotel booked within walking distance to the locations on the attached TM and parking plan map, so it would be a waste not to use this opportunity for the greater good of the fandom. Can’t stay long enough to see the actual crew, so unfortunately the hair photos will have to be made by someone else. Disappointing, I know. But there’s still a lot to be excited about!

According to the provided notice, the filming will happen within one working day with the required set-up planned for the day before, mostly in the afternoon hours. The attached map shows planned parking suspension and SYL dispensation on two streets close to the chosen locations, which is where the trailers and equipment vehicles will park:

Location One turns out to be, rather surprisingly, a cosy corner bookshop. The shop — one of the Edinburgh’s oldest surviving secondhand bookstores — is very small, but crammed with a wide ranging library of beautiful books to serve readers and collectors, including antiquarian true first editions and signed copies.

It’s giving Muriel’s sweet and whimsical charm, but the bits and pieces of the unpublished Good Omens sequel point out not towards Whickber Street, where the angel currently resides, but more towards a new in-universe location. Maybe one that will be opened in the future post-Second Coming, maybe one that will remind one of the characters about a home base of operations back in the heart of London’s Soho (and theirs— wait, who said that?).

Notice that the road closure includes north and south sides of the pavement visible in the last photo, so both indoor and outdoor shots could be expected:

Location Two seems a bit more complex, since it’s basically a skewed triangle consisting of one longer street and a short side street diverging from it. Conveniently for the filmmakers, the architecture here is uncharacteristic enough that it could be easily presented as British, Scottish, or even American. I’m personally a bit partial to the last option since it would make sense story- and budget-wise, especially now with the two people previously adamant on shooting the US scenes only on location there not on the production team anymore.

The contrasting structures and materials visible here easily offer background for multiple potential contexts and scenarios, so much in fact that it’s easy to imagine more than one scene being shot here for cost- and time-effective reasons. Some of the buildings along the cobbled road have the right look and feel for historical flashbacks, as you can see below. I find the two separate entrances next to each other particularly lovely:

A considerable part of the buildings in the area, however, belongs to a more modern complex that communicates a very different personality and function. With a bit of camera and post-production magic, it could transform to a wide range of settings — please let me know your thoughts and ideas if you have any!

Specific filming times and more detailed information are consciously not shared out of concern for the crew and cast members who clearly don’t want them to become public knowledge. Those of you who live in the area and might visit the set anyway, please don’t forget to make sure that your presence won’t bother them as well as other locals. And remember to keep any new photos and information contained with tags so that you won’t spoil it to the people who would rather wait for the movie itself!

[mr-munchies]

oh stars above save my soul- well, friendo, there's two reason as to why my user is mr.munchies TwT (I also use it, and Hollowshield a lot, so it's easier on people to find me on games and such- so three parts??) I used to (ahem used to? Girl you still are) be really obsessed with undertale aus. Horror Sans being one of my all time favorites, so I drew him a lot when I was in 10th-11th grade. But also when I worked at popeyes, I smoked with the entire staff. Afterwards I had the munchies hard- So when I was on Quotev and such I came up with the username since I rped as Horror a lot too- used it for almost everything since- Better memories of my years with my mother

@divinit3a @mothcat78 @sages-shack @viky2318

Tag game🎉

Tag your moots and ask them where they got the idea for their tumblr accounts name!

For my name it was a nickname I was giving back in middleschool! One of our teacher had a system where we worked with 'wifi' eachtime we talked in class we lost a bar of the "wifi" (was a weird joke and we never held count on that) All the kids usually joked if they needed 'wifi' , they would borrow mine if they wanted to talk more. (I was incredibly shy in middle school, I only talked to like 3 people at school;^;)

They called me Ms. Wifi because of that. I just thought it would be funny if I put 'miss' instead of 'ms' because of my terrible actual wifi connection I have at home lol.

That's my story! Now moots, only if you guys want to, tell us your story.

Tags-> @slipping-lately @firequeenofficial @noagskryf @twinklstarrrr @halfbakedspuds @polterwasteist @rokushi-san @mygedagtes +anyone that sees this and wants to do this as well

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[mother-ofthe-universedraws]

When did Stanley 2 to get cloned? As in how old is timeline based? Like is he around the same age as the younger twins or similar age to Soos?

Despite being a clone, how much does he actually act like Stanley? While I imagine he probably looks like Stanley physically and has Stanley’s DNA, is he his own person who has different interests and desires from Stanley OG?

(I’ve migrated from the Clone Wars fandom lol)

Also if Stanley 2 started exhibiting behaviors different from Ford’s brother how upset would Ford be?

Stanford took a good number of years of trial and error to figure out the cloning process, but when he finally finishes everything, Stan II is hatched in the February of 1994. Coincidentally, if he were a “real” kid, his birth year would’ve been 1982; the same year Ford sent off his brother with the Jornal.

He’s not that much younger (physically) than Tate McGucket. Which works out well for him since the McGucket’s in general are some of the only people Stanford allows Stan II to be around.

One of the biggest parts of the Stan 2 lore is that he doesn’t know he’s a clone. He thinks he’s the one and only Stanley Pines that has ever been. Hell, he’s got all the memories of the original Stan up until 12 (and every night he has these dreams of him and Ford, the same age, going to school together in glass shard beach). So his interest are mostly the same as Stan’s at first.

But he’s being raised differently. And he’s also physically weaker than Stan is; one of the side effects of cloning a dead man is that the dna being used isn’t fresh; it’s rotting. Unraveling. Turning into dust. Which is part of why it took Ford so long to clone his brother in the first place.

Physically, Stan is lacking in energy, and chronically sore. His heart is rather weak, as are his muscles. He has a hard time building and keeping muscle mass as well as fat. He’s not doing that great physically.

So Stan’s role of Brawn to Ford’s brain is completely gone. He can’t box; his bones are fragile, and he’s immuneo-compromised; Ford wouldn’t let him anywhere near a public gym mat with how much bacteria these things carry (though a part of that is Ford being overprotective).

A lot of Stan’s interest as a kid are just things he can’t do anymore. And he also lacks the energy to be the energetic boy he was as a kid.

So rather than being Not Like Stanley (he’d have no reason to be considering all his memories are the same), he can’t be like Stanley.

And as he grows into someone different than Ford remembers him being, Ford’s gotta grapple both with guilt over who the original Stan could’ve been but was never able to become, and also mourning that the original Stan is gone, and this clone isn’t really the second chance he made him to be.

Of course, he’s gotta be quiet about all that. He does NOT want Stan ii to find out he’s a clone.

[futuremrscameron]

What would your vision of a more mature Outer Banks show look like?

if i could link all my rants or conversations with moony i would but i’m too lazy to look for them all so i’ll give you the bullet points

morally gray pogues. let jj kill to protect his friends, the pogues closer to juvenile delinquents/ a gang that swindle tourons or steal beer from gas stations, harass kooks and tourons for seemingly no reason, the list goes on and on.

keep in the scene where jj delivers shit to rose and she pays him to sleep with her. obviously they wouldn’t show it but it would be a great way to show just what the pogues have to do to survive and really dial up how predatory kooks are not just financially but in every way possible

have one of the pogues betray the others to protect themselves or their family at one point. ties back into morally gray characters and having nuance like maybe the betrayal was to keep themselves out of prison or someone they loved was threatened or maybe it’s out of spite

acknowledge that ward is abusive and a villain. the show treats him like he’s better than luke and that he’s just misguided or just needs to be saved by the love of his children. he talks down to rafe at best, and slaps him around at worst. puts sarah on a pedestal but like most men in her life when she doesn’t match up to that version of her he has in his head lashes out (physically in s2 episode 10). and last but certainly not least he ignores wheezie, the one who primarily needs his parenting and affections. idk if the show wants us to root for his redemption or it’s just the writers favoriting the camerons but they’re squandering a perfectly good villain.

just have the show be about outer banks quit the traveling. i can excuse them going to the bahamas for the gold cause dug the cameron’s are rich white folk of course they’re gonna hide their shit on a island or in a foreign country but outside of that keep the show in obx. like moony said the island itself is a character so that’s where they should be. i thought s4 was gonna fix that when the gentrification plot was revealed but nope! more treasure. the treasure isn’t even the problem cause i loved the gold and cross plotline but el dorado? morocco? please.

explore classism. for a show about the haves and have nots they barely scratch the surface of what separates the kooks from the pogue besides “they have money and they’re cruel” like BOOOO give me more. don’t you wonder why jj is still living with his fuckass dad? why hasn’t cps taken him to the cops arrested his father? bc they know jj has no one else, no money, and would probably rather stay with his dad. john b’s running from cps arc was cool til they dropped it.

explore antiblackness. if the pates and burke have a shit about black people pope kelce and cleo would’ve gotten a lot more to work with. i don’t even think they realize rafe hate crimed pope so i can’t be surprised but goddamn this ties perfectly into the classism at play in obx. classism and antiblackness go hand in hand so it wouldn’t be that hard to have a storyline about the heywards being better off than jj or john b but still getting disrespected for being “poor” or “uppity” (antiblack) and not “knowing their place” or have pope tell the pogue’s that just cause he has a fraction more than them doesn’t mean shit and he has more at risk than any of them. he’ll have kiara talking about the micro aggressions she dealt with during her kook year (looking at rafe and crew). speaking of rafe why the fuck is kelce friends with them. is it a can’t beat ‘em join ‘em mentality or better them (pope) than me or is he genuinely a black white supremacist. WE DON’T KNOW. cleo is from the islands and while there’s no shortage of black people there colorism still exists. she’s a dark skinned girl who lived in the street til recently and had to do whatever it takes to survive gee i wonder who she could relate to. also that old white guy in s4 was being blatantly antiblack and xenophobic to her but they went nowhere with that cause of course

rafe and barry lore. now listen this is not just me fujoshing out, this is about figuring out what the fuck these two have going on. who got rafe into drugs? how did he meet barry? how long has barry been selling to rafe? recently? (no) since he was a teenager? (most likely) cause that creates some gross implications and raised eyebrows at barry, makes him look more predatory than he already is (i mean he’s a drug dealer you gotta prey on weaknesses and what not) why do these two get a long to some extent? rafe gets to crash at barry’s and i won’t say it’s cause barry likes him at most (in s1) he’s amused by him s2 on is another story but i won’t get into all that here. they’re no fezco and rue but they definitely have a bond

while we’re on the topic of rafe please diagnose that mf. “there’s always been something wrong with him.” “he’s sick.” he’s mentally ill, stop dancing around it i beg. i know he’s not canonically anything but the signs point to BPD and the people agree so get to it. also have it genetic on his mom’s side and that’s one of the reasons why ward is so scared to acknowledge it or get him help cause that makes it real and he won’t lose his son like he lost his wife. creates intrigue, nuance, drama, empathy for rafe and ward.

queer characters. they should already be in the show but alas. jj queer, kiara queer, barry queer, sarah queer but doesn’t wanna admit it, rafe queer but homophobic, give me range yk?

call out characters’ misogyny. sarah cameron is obx’s number one victim of misogyny, my sister is scared of getting close to people cause she knows when she opens up and isn’t the person they thought she was they’ll lash out (ie; all the men in her life). john b and topper switch up on sarah when she isn’t the perfect girlfriend, not the cheating, just not the devoted girlfriend that’s on their side 24/7z kiara is victim #2 of course. rafe spews nothing but vile misogynistic language to and about sarah and objectifies kiara. ward is possessive of sarah and wants her under his thumb. pope is cold to kiara after she rejects him and jj is #weird to women. (this is probably the writers not picking up on it, having “better things to worry about”, or trusting the viewers to clock it)

amazing ask by the way thank you for letting me yap about my vision

[thegildedbee]

{S1/S2} & {S3/S4} Fics: [Questions] .......................................................................

[well, instead of a few thoughts about the "whys" for the Parentlock fic recs that were the point of starting this post, and then a list of and comments about the recs, this turned into a longer meta -- which, we don't really do meta any more, do we, except in passing? fwiw, then, a throwback post, I guess?]

........................................................................................................... I've been thinking some about differences in Sherlockian fic treatments, when comparing the S1/S2 period to the S3/S4 period - in general, this means 2014 as a dividing line, although that's not a hard-and-fast cut-off point: for example, there were fics that were conceptualized or well-along-the-wip-road prior to S3 that carried on from within the earlier canon-space even if they were completed a year or so later; and there were fic authors who were publishing circa 2015 who had shrugged off S3 when it was being aired, and couldn't have cared less about post-S3 [often disputatious] meta discussions/ speculations.* So, by my figuring, 2014-2015 is a transitional phase, with my guess being that it would be late in 2015 when fics written by authors engaging with S3 canon began merging into a critical mass, creating a second, S1/2/3-transformed foundational reference point for many fics going forward -- and, the later in time one ventures, the reference point for most fics.

It's not that I've been wondering/pondering about the differences because I think pre- or post-S3 fics are better or worse -- to say the least :-) I feel positively about fic from both time periods! It's partly curiosity about the writing of fic in the two different creative contexts: in the "before time" or the "after time" of BBCS' post-Reichenbach canon decisions. And it's also partly curiosity about the differences in length that now exist for the two periods: about 4 years for pre-S3 fic -- which will always remain so, along with the amount of fic it contains [minus deletions and disappearances of specific fic] -- and going on 11 years now (and always stretching further, with increasing content) for post-S3 fic.

I think that one impulse prompting my curiosity is the fact that, realistically, at this point in time [the start of 2025] new canon is unlikely to appear. When BBCS was still in motion as an evolving source for its own canon (in actuality and in potentia), fics were brought to life within a contingent canonical landscape (whether authors were adapting to it or subverting it or anticipating it or transforming it or appropriating it or moving at tangents to it). Of course, the canonical landscape was rendered static when BBCS pulled over to the side of the motorway and killed the engine.

What I'm not saying is that fic is in stasis -- it can't ever be, for lots of reasons! One reason is that, as time passes, the world changes, and we change, and what we see when we look at traditional canon changes . . . and so the fandom dynamic of fic evolution continues :-) A second reason is that new people come along to write fic and to comment on fic, and to meta about fic, and their contributions augment and reshape the cumulative corpus . . . and so the fandom dynamic of fic evolution continues :-) A third reason is that, through our encounters with other imaginative realms, old and new (novels and films and series and other enthusiasms) and then with each other, there's a continuous glamouring that shimmers the atmosphere . . . and so (say it again :-) the fandom dynamic of fic evolution continues :-) Even so, I've been a bit wistful these days about experiencing Sherlockian canon-in-the-making . . . which is maybe what's prompted me (?) to return to the ur-source, which, because it's been so long since I've visited there, can conjure up that kind of magic :-) And so I've been doing some weekly mini-wanderings through ACD canon, and reading between the lines in a kind of what's-old-is-new-again-familiar-unfamiliarity that's been rewarding :-) But more on point for this post (ha! if you've read this far you've been wondering, is there a point? . . . ) is a sense I have that re-visiting S1/S2 fic is another way of accessing a bit of a present-day sense of canon-in-the-making, because it is far enough in the past now, and because of the post-S3's-interpolated-foundation-for-fic has itself extended outward so far, that pre-S3 fic can be visited in a what's-old-is-new-again kind of way (S1/S2 has familiar beats to it, but when visiting I somehow feel whisperings of a mrs. hudson-like smile of "but we see things somewhat differently here, dear" :-)

Okay, enough with all the preliminaries! All that being said: So, what's an example? Here's one I've come back to many times: One major shift is in fics where Sherlock is a parent, or is interacting with a child of John's, because pre-S3 means pre-Mary [at least the "Mary the (former?) assassin" of BBC Sherlock] and pre-"Rosie." [It is the case that some pre-S3 authors have a "Mary," but it's a version that's drawn from ACD canon, and, as such, is usually a much more understated presence; re kids from ACD canon, that's a null consideration.]

There are an overwhelming number of post-S3 fics where Sherlock-with-a-child means Sherlock&John-and-Mary's-Rosie under various scenarios. And while there are lots of different Rosie personalities, Rosie plots, and Sherlockian encounters with Rosie, a majority (or very nearly all?) post-S3 Parentlock fics share in this background rationale (more or less, to be sure) even as they play out from there in a gazillion different inventive ways. Pre-S3 Parentlock fics don't have that raison d'etre, of course, and the child characters and plottings that feature in the S1/S2 period have a generally wilder set of imaginings, and their S1/S2 fic Sherlocks have a balance of characteristics that have some subtle differences that I've always found intriguing, and keep coming back to (this can hold for Johns as well, although the emphasis is more pronounced with Sherlocks). Being pulled back into pre-S3 fic and re-visiting it through categories like Parentlock has been another way that I've re-experienced a kind of anticipatory canon-in-the-making . . . ambience? aesthetic? aura? which I've found to be intriguing. I'm not sure that looking backwards has much appeal for others -- maybe (?) In any case, I guess I thought I'd try and puzzle it out for myself by writing it down and not just having it float about in wisps in my mind palace :-)

Well, hey now, as this is an epic amount of wandering about, I think it's time to come to a rather inelegant galumphing of an endpoint! Writing up the fic recs will have to maybe happen somewhere down the road...

(For anyone who has wandered along this far as well: if you have any thoughts you'd like to share about S1/S2 and S3/S4 fic partitioning, or [the futility of?] attempts to re-surface a canon-in-the-making-vibe -- feel free to add them in! If so, borrowing these would allow this post a much more inspiriting way to finish :-)

........................................................................................

*(. . . and of course there were a significant number of authors who left the fandom after S3 -- but that's a fic trend reflection for another day :-)

.......................................................................................

@calaisreno  @totallysilvergirl  @friday411  @peanitbear  @original-welovethebeekeeper

@helloliriels  @a-victorian-girl  @keirgreeneyes  @starrla89  @naefelldaurk

@topsyturvy-turtely  @lisbeth-kk  @raina-at  @jobooksncoffee  @meetinginsamarra

@solarmama-plantsareneat  @bluebellofbakerstreet  @dragonnan  @safedistancefrombeingsmart  @jolieblack

@msladysmith  @ninasnakie  @riversong912  @dapetty .............................................................................................

[thebreakfastgenie]

In retrospect, should the Dems have held onto more Joe Manchin-types instead of letting AOC types basically take the party hostage?

I don't think it's a zero-sum game! I look at the Democratic Party as a big tent coalition party. You run your AOC types in districts/states where they match the electorate and your Joe Manchin types in districts/states where they match the electorate. Most of your districts/states will be somewhere in between; choose your candidates accordingly. Joe Manchin was a pain in the ass and sometimes he was an asshole about it, but I never had the hatred for him that a lot of Dems did because relative to Dem senators yeah he was the worst but relative to West Virginia? He was the best we were going to get. I think there's room in the party for both, as long as both ends are willing to work together and behave as good faith coalition partners. That's the part that's hard to do, because a lot of people really don't understand how different constituencies are, and even the ones who do have their own stakes involved. Republicans are so extreme right now that in theory you can build a pretty broad coalition just on the basis of "we're all closer to each other than we are to those lunatics." In the long run if we actually manage to replace the current GOP with a functional, sane conservative party that may change, but we'll cross that bridge then, parties always adapt to the political circumstances.

I don't think it's fair to say "AOC types took the party hostage," although I understand why some people feel that way about the progressive wing. Obviously the progressive wing's demands were part of it, but I don't think the Biden-Harris administration's progressive policies or the progressive parts of the party platform were created to placate hostage takers. A lot of Democrats believe in that stuff, I think the progressive wing worked very hard to convince Biden and other establishment leaders that those policies were politically viable. There's plenty of fair criticism of the progressive wing as coalition partners, and part of that is that they did not deliver a reliable base. I've been skeptical of the base they promised since Bernie Sanders first started talking about in 2016, so I would be willing to say I think it was a mistake for Democrats to believe that base would materialize.

However, I can kind of understand why the Dems did it, because Joe Manchin types are going extinct. It's happening for a lot of structural reasons that are beyond the Dems' control. Knowing type of Dem and the base that came with them are rapidly disappearing, they had to find another source of support, and the progressive wing made their case. It would have been nice if it worked out, I'm not really shocked that it didn't, and the consequences of that gamble not paying off are, you know, severe.

I am glad we hardly have any anti-choice Dems anymore. I'm glad LGBT rights are here to stay as part of the platform. I'm fairly progressive myself, so I'm happy with where the party has moved over the last twenty years. Strategy is a tougher question and I have my thoughts but I also know that's somebody's job and I hope they know more about this than I do.

[elysianholly]

A Spuffy Fan's Perspective on the Reboot

So, as most Buffy fandom knows (unless they’ve been living under a rock in a crater on the Hellmouth), it was announced yesterday that SMG is involved in a Buffy reboot sequel series, one in which she will be a recurring but not central character.

As a lifelong Buffy fan, I’m expected to be overjoyed at this news, and I’m, well, not. Nor are a good number of people deeply entrenched in fandom. I’m super happy for the people who are excited. As a Spuffy fan, though, it’s hard to be jazzed for a number of reasons, among these being that SMG is most definitely a Bangel shipper, and despite being overwhelmingly more popular than Bangel in current times, Spuffy is often overlooked in a lot of key areas of the “official” Buffy promotions, the comics being a notable and welcome exception.

One thing I’ve noticed is a lot of people in Spuffy fandom are more than just “not normal” about Spuffy. I’ve struggled for 20+ years to both identify and articulate why the ship resonates with me so much to the point that news like this can make my anxiety spiral. I understand it’s not an ideal reaction media, but I have lived inside a neurodivergent brain my entire life and that ain’t about to change. And I’m not the only one—I’ve met and interacted with many, many people who feel as intensely as I do and also struggle to articulate why news like this distresses them.

So for everyone who is like me, slightly more than just “not normal” about Spuffy (or any aspect of Buffy!) and distressed about the news, here are some things I keep reminding myself.

Buffy is an Established Multi-Universe Property

We know that there are multiple universes in Buffy; it’s explored in The Wish and then confirmed by Anya later in the series. Not just multiple dimensions, but divergent/adjacent worlds to the one we saw in the show. This has been later explored in the comics, such as The Lost Summer, the Boom reboot, and The Last Vampire Slayer, never mind the plethora of authorized novels and the recent audio play. These were all officially sanctioned, licensed productions that exist outside the official canon.

All of these stories matter, regardless of whether or not they’re considered “official.” For my Spuffy people, some are Spuffy friendly and some are not. We acknowledge what we want to acknowledge and leave the rest behind. Me? If I find the sequel reboot upsetting, I’ll mentally shove it into one of those other worlds, the same as I’ve done with the comics for years (yes, even if they got Spuffy friendly).

One of the points that was brought up yesterday when I suggested just giving the sequel reboot the comics treatment was it’s harder to ignore if SMG is involved. And I get that; I felt the same way about the Slayers audioplay, because significant OG cast members were involved so it felt more official. But upon reflection, I do still think it’s the same as the comics, which were spearheaded and overseen by JW and still considered (until this sequel reboot happens) the official post-series canon. If the involvement of original artists is what makes or breaks something’s authority, then the medium shouldn’t really matter.

And on that note…

Star Wars Legends, Halloween, Terminator, & Other Reboots

For years—decades—following Return of the Jedi, the official Star Wars canon was continued in novels, the same as Buffy was. There was a rich tapestry of intergalactic politics, Leia and Han’s Force family, Luke and Mara Jade, and characters like Grand Admiral Thrawn that proved so popular he’s been recanonized.

These books existed and still exist. The new movies, the reset of canon, all things involving Rey Palpatine Skywalker and Kylo Ben Ren exist alongside established, official property. I know plenty of people who were upset that their investment in the extended Star Wars family was essentially nixed with the sequel series 10 years ago, and others who chose not to acknowledge the sequel series but maintain their post-Jedi canon.

In an era of reboots and sequel series, canon can become a bit diluted. You can’t just erase everything that came before you decided to hit the “start over” button. The recent Halloween trilogy flat-out ignored multiple movies to tell the story it wanted to tell. Terminator has done the same thing, multiple times, with the Sarah Connor Chronicles being officially licensed and more or less officially scrapped, and the last Terminator movie retconning like, what, four or five that came out after Judgment Day. That is to say, established canon doesn’t really matter in this era, because the people making these decisions are doing what fan artists have done for decades; keeping what they want, tossing all else aside, and focusing on the story they want to tell.

If what came before and what has been long established doesn’t matter (and I actually do love this; it opens up worlds and essentially gives us licensed what-if fics), then canon itself is kind of nebulous. It doesn’t matter what is or isn’t established, because established canon is a moving target, subject to personal interpretation. Don’t like the Halloween reboot? Ignore it. There are other movies out there. Don’t like the clusterfuck Disney has made of Star Wars? There is a fully developed alternative. Don’t like any of the options? Come up with your own. Comics do it all the time with superhero stories, and Buffy is nothing if not a superhero.

It’s All Fiction

This is what drives my husband crazy when I try to explain my beyond not normal feelings about Spuffy. It’s all fiction. We’re not talking about historical events here. All fiction lives in exactly one place, ultimately, and that’s between your ears. If you don’t like the way a fictional story went, you can do what fanartists have been doing for years and create your own fix-it. Or find a ready-made fix-it; I promise it exists. And the more I think about it, the less stock I put into “official” stories that are told primarily to make money. The people who are here telling these stories because they love the characters and know the characters on levels that frankly outperform most licensed stuff.

In Summary

So I’ve rambled a lot, but here are the key points to take away:

Buffy is canonically a multi-universe property so the world we’re shown by official licensed sources see isn’t the only one that exists. I didn’t say this in the section, but in this way, all fanfic is canon, because each exists in a different universe

If canon is not sacred in the world of reboots, then what they try to sell us as canon is debatable, negligible, and ultimately fine to just not acknowledge

Official canon doesn’t really matter all that much when you can pick your own, which you can and should

I hope this helps my fellow Spuffys and anyone else who is struggling with the news. My siblings in beyond just not normal. Your feelings, even if you have trouble explaining or understanding them, are valid. You’re not silly. It’s never silly to be upset about news that impacts something important to you. And there’s still so much we don’t know, so speculation abounds, but whatever comes of this, I hope you find some comfort in the freedom of being able to do exactly what the for-profit storytellers do all the time and just fucking ignore what doesn’t suit them.

In the meantime, Elysian Fields Archive will remain a Spuffy exclusive safe space, and I imagine will be home to a shitload of fix-its if the pilot gets picked up, so you’re free to join us there.

Until then, be good to yourself, and to somebody else.

[m-to-z-andbackto-m]

No you don't understand, it's not just a hyperfixation, IT'S LITERALLY THE REASON I'M FUNCTIONING 😭

I don't like staying hungry or eating when I'm not sure if I'm hungry or bored because Horror exists, he's been through a famine, tf am I doing???

I get upset about my hypersomnia and I try really hard to not to let it happen because many skeles are associated with narcolepsy

I'm pretty sure consuming skeleton content cured my depression over a few years???

God, I'm literally so dependent on them, I LOVE THEM SO MUCH THO!!!

I try to avoid toxic behaviors when I can identify them, and it's easier to because Nightmare is a toxic guy canonically, I've consumed enough content to know what's right and wrong in the long run

On the other end, seeing content where one or more of them gets comfort helps me navigate some situations because generally I'm not amazing at giving comfort

They also have me think about my philosophy and general beliefs, a lot of them have been done wrong so they do wrong, therefore I believe we should always try to understand each other because communication can avoid huge issues (DreamTale), and I think it's okay for people to take revenge, even to the extent of killing an abuser if the circumstance just happens to be that way (I'm not gonna specify what irl situation I'm thinking of but I do not advocate for murdering people in general guys, but it's only fair to see the motive, people aren't born criminals and sometimes the extreme feels like the only way out one way or another. Essentially, see people for more than their crimes. Of course some people are just disgusting assholes, but you get the idea.)

Having to memorize the lore and world building, along with creators, characters, interpretations, AND variations, doing all this helps me practice organizing thoughts and articulating difficult information

They actually boost my creativity and keep me happy, when I'm stressed, opening Tumblr to my favorite sillies literally takes my mind off whatever was bothering me, like I actually need them to lower any anxiety levels and keep me regulated

However on the downside they can make me very hyper, sometimes so emotionally so that I shut down for a bit because I physically cannot express my adoration for them and it's overwhelming but I never shut down for too long, I love them, they keep me going y'know!

They help me explore diversity and character writing, putting depth and thought into a being, helps me with my own creations <3

Actually, I'm too shy to look at × reader/self insert/(Y/N) content most of the time unless it's platonic (Might just be me being aromantic honestly) BUT I Have seen stuff where they affirm body types and "Flaws" and stuff like that and I think if I was less of a prude I could look at that stuff and it'd make me feel better about my insecurities, but for now my partners are doing a good job at keeping me normal

Essentially I just need all my sillies to work properly!!! 💕 (I'm so sane, and normal, and not senile about them :3)

(CW For Next Bit: Mental Health, Paranoia, Panic Attack Discussed)

Actually about that, my obsession with the skeletons used to be SO bad that I felt like they were always watching me and my brain would involuntarily make me feel paranoid and bad about myself (Possible ODC symptom where you're afraid of being judged for your thoughts/actions?) and I can't tell if it was a panic attack I had a couple years ago where I couldn't keep caring what they "Think" and I just had to scream and sob because you literally can't hold it in during one (If it was this, I guess I sorta pushed them away D:), OR my partners replaced my brain sillies so I feel them to a lesser extent

(Insecurity, Self Care Issues, And Gay Talk 😭 Oh and also mention of paranoia again but not so bad)

Like it used to be so bad I couldn't get up because I felt yucky, but I couldn't take a shower because they were "There", but now it's like, if my partners are my brain sillies, they like me, we'd probably take showers together when we live together and shit like that, it's okay if they're "Watching" me, actually, they're actual people somewhere else, doing something else, they don't just exist because I think of them the way the silly skeles do, they're actually defined and aren't actually around, it's just me thinking about them, it's okay, I don't have to feel so bad or weird about it, of course I still do a bit because insecurity is hard to scrape off, but I think I'm getting a little better and that's all that matters

Anyways point is, I need my wives, both skeletons and real, to function properly or I'm literally DOOMED

[spinchip]

Never the dark 7, 10 [dareth x Cyrus, it's not a pairing I've seen before and it humors me in a good way], and 11?

[ask meme]

YAAAY THANK YOUUU

7: Where did the title come from?

Bury Me Low by 8 Graves! I was listening to this song a LOT when conceptualizing the fic and I feel like the whole thing kinda describes Zane in the fic. In retrospect, I do kinda wish I had named it something smoother, I had a few ideas for what I might change it to (Inside the Dark, Forsaken Dark, and [redacted because i might be using it for another project teehee]) but I do like Never the Dark and I think i'll keep it lol

the funniest thing about this song is that I played it so much I got sick of it and now I wont listen to it

If I die today, it won't be so bad I can escape all the nightmares I've had All of my angry and all of my sad Gone in the blink of an eye I've seen the devil. I've shaken his hand I've seen the evil that dwells in a man For all of my wisdom, I can't understand ...... If I die today, it won’t be so hard Everything scares me, but never the dark

10: Why did you choose this pairing for this particular story?

Polyninja because I love them and the fucked up relationship dynamic post zanedeath called to me.

Pixal/Skylor has always been awesome but I included it here specifically because of how I view their character actions in the three year time skip. Skylor joins the ninja a few month after Zane dies and despite the fact that they don't harbor any ill will towards her, Zanes absence is a fresh wound that it feels like she's trying to step into. It makes everyone bleed. No one is coping well and things get messy and tense between skylor, the ninja, and pixal until Skylor has a mental breakdown and removes herself from the team (trauma response due to the nature of how her father raised her.) Skylor was never part of the team- she's not been there from the beginning, so she's an outsider. And so is Pixal. (Not intentionally of course, but the others share a different kind of grief that the two don't.) Cyrus eventually convinced Pixal to go to therapy where she gets some clarity on things and reaches out to Sky to apologize again for any role she played in the teams tension with her. She invites Skylor over for dinner and they accidentally end up talking for 6 hours- and the rest is history

(Skylor IS on good terms with the ninja btw. they apologized and hashed things out- but she won't rejoin the team for a lot of different reasons.)

Coppershipping my beloved. new-ish in the ficverse! They were starting to be more friendly with eachother after zanedeath, and that progressed post s11. Dareth took his grief at losing Zane as motivation to get in better shape and actually try and train, so he hits the gym and puts on a lot of muscle. takes up boxing. He wants to be able to do more to help if something happens again. He ends up putting his new skills to use protecting Cyrus from something or another and Cyrus asks him to be his bodyguard. They spend a lot of time together and fall in love teeheehee

also, fun fact for you, Dareth handmade all the ninja suits they wear in NTD!

11: What do you like best about this fic?

oh man. Is it bad to say the fact that it's almost finished? I'm just really proud I've been able to stick with it and put in the time and effort. I've got a pretty spotty track record with chaptered work- i lose motivation and drop things a lot, unfortunately. But i'm still dedicated to finishing NTD!

and im really proud of the wordcount! 100k!!!!!!! WAOW

[myokk]

Hi baby girlllllllll it’s ya valentines again. Your answer was so cute omggggggggg. Anyways, my next question is do any parts of their relationship cause arguments (Not angst related). Not saying ur Seb and my darling angel princess but an example could be one’s really messy and one’s a clean freak. So what causes the most common arguments between them?

HELLO SWEET VALENTINE♥️♥️♥️

A scribble to showcase the stupid reason for their arguments: both of them are incredibly stubborn in their own ways🤭 (she hates watching him play quidditch bc he always gets hurt, and he always gets hurt on purpose during quidditch bc she insists on helping him the muggle way🫶)

Lots of times, Sebastian gets an idea in his mind and then he thinks that he is 100% correct when he’s NOT !!!! (The ignorant scene?????). He can be rash and impulsive and say the first things that come to his mind, and it’s only once he calms down and thinks about things that he realizes he’s wrong. But apologies are hard so sometimes he foregoes them and waits for things to magically get better😒 when he knows he’s really fucked up, though, he will swallow his pride and try to make things better.

There is nothing Elpise hates MORE, and often she finds herself chastising him and telling him every single point where he’s WRONG😤, and making him feel ashamed of himself😇 she is ALSO quite frustrated with him when he takes all of these burdens on for himself and doesn’t let her help out.

Eloise is also quite prideful, and so sometimes when he goes too far, she shuts him out completely bc she has a hard time acknowledging/talking about feelings. I think about clumsy…the oneshot I wrote that’s kind of an au where the ignorant scene DOES happen. After Sebastian calls her ignorant she doesn’t talk to him for a year and a half, and uses up way too much energy thinking about him all the time and how much she hates him 😆😆😆

Ok I say all of this, but I don’t think it happens that often. And, as they get more used to each other and have had a few arguments like this, I think they learn how much they value each other and make an effort to communicate even if it’s uncomfortable.

[utilitycaster]

The reason those C3 fans shit the bricks over the Charity stream was because they viewed the charity stream as a win for them and bells hells. Not like you know, an actual good thing to help people in need. Because when it was announced they were in the qrts and on twt yelling that the cast closing to play as Bells Hells was cause they loved them above all. That BH were "winning" because MN didn't get one shots while airing. No1 expected anyone BUT BH to be played so they were fighting air tbh.

[Cont. So when Laudna got yeeted and Beau joined it, it's like they suddenly hit with the fact that the cast like all the times. All character sheets were available and BH was being played by default of the one shot happening during c3. But they hung their entire world view on BH being extra special that they broke. Saw them also being PISSED at Ashley and Liam for getting MN members to the top before everyone else and especially the gate was "showing up BH".]

Here is what gets me, as a person who does not follow sports in any form: The Mighty Nein are a juggernaut of popularity within the fandom. I think this is for the most part deserved and I also think a lot of fans of C1 who never vibed with any later campaigns are simply not active in fandom any more since it's been 7 years, and Critical Role had more recognition with Campaign 2, so like, numbers within active social media fandom are not a perfect indicator of quality, itself a subjective measure.

HOWEVER. If you want your team to win, the most efficient way to do that is to start rooting for the winning team. I get that this is considered treasonous to genuine fans of sports. But like, if your biggest priority is Number Is Bigger then there is an obvious solution and it's called jumping on the bandwagon. Otherwise, perhaps you should consider a different metric, such as "did I have fun at this game? Were the snacks good? Were there some cool plays?" (from this you can see my priorities re: live sports namely are my friends here and did I get some nachos and a beer but you get my point). Honestly, this is how I and a lot of other people have been approaching Bells Hells week to week for some time now: were there some cool scenes? Did the character they liked most at the time say something funny? Did NPCs do anything? Were the fight mechanics interesting?

I have a post that I am saving for next week about specific elements of C3 that goes into more depth but I feel like Campaign 3's fandom in particular fell to a certain attitude that feels very specific to a younger (to me, an ancient crone, so like, mid-20s) crowd, of obsessing over numbers: how many fics. how many notes. how much screentime. can you believe that Episode 100 didn't even have Bells Hells in it????? And it's like. who the fuck cares. Is it good? Is it satisfying? Because right now we're watching you guys all admit it hasn't been and 120 episodes in you were waiting for the campaign to REALLY begin.

I don't think the cast dislikes Bells Hells! I think they all like all of their characters, and frankly when the cast gets asked directly a lot of them go with a "you never forget your first" and give their VM character anyway so like, the vitriol at the Mighty Nein really is a petty popularity contest in the end. But Bells Hells are the party that the cast happened to be playing during the Moon Plot Campaign and the party that the cast happened to be playing at the time of the livestream. None of the three main parties are uniquely special. They are special to their individual fans.

I made the Elon Musk comparison for C3 fans earlier this week and I don't want to go too hard since like, he is truly horrible, and I do think that a lot of C3 fans, while currently shitty self-absorbed people, are also quite young and it is my hope that a sharp but ultimately harmless disappointment like this campaign might shock them into fixing their hearts, but the final lines of this post came to mind while writing up a lot of my responses: "And in fact I would argue that seeking to put yourself above other people is inherently going to leave you empty, because egotistical as you may be, you've adopted a values system where your sense of self worth intrinsically depends on other people. Congratulations, you played yourself."

If your day can be ruined because your blorbo wasn't present for 100% of a live stream for charity and the cast likes all of their characters? You should work on that! I'm not saying it's easy or fun but it really is a thing you should work on because right now, the worst thing that's going to happen to you is people laughing at your misfortune on social media. But if you keep up this behavior, you're going to be bitter and miserable forever, and it will be your own fault because you're getting mad that something that was never about you continues to not be about you. Learn to accept that you had a good time (if you had a good time, anyway) and it's over and that's okay.

[slaaverin]

https://www.tumblr.com/slaaverin/774282776730025984/i-was-rewatching-the-jikook-2020-live-and-halfway?source=share

I didn't watch the live again because i know I'd not have any theory.

But since you mentioned jimin saying the call being "sudden" one thing i know about jimin is he doesn't like doing things suddenly. For example every jimin live he's done a year or two back has been planned for weeks in advance, he never goes live like impulsive thought he does things after thinking it thoroughly. despite being in maknae line jungkook and taehyung are kinda two who do things impulsively like if they feel like it they'll do it without much thinking too much the outcome like we know jungkook's all those late night lives. Jimin doesn't do that. He's very conscious of the things they say or do in front of fans so he might worry that someone will say things they shouldn't etc. That time when s/o asked him about dumpling fight he was like I'd have to talk with tae first (if i remember correctly that's what happened) because he doens't really gives too much details that shouldn't be said in front of fans. Compare the rainy day fight that jm described vs how jk described it and you'll see jm's story telling is surface level he doesn't go too much into detail whereas jk would tell with a bit more details.

As a jm biased let me say this that idol jimin is very conscious of things he presents, things he says, things he does. He doesn't like sudden things. I remember him saying to yoongi that "you can never beat me at being an idol" and that's true because idol jimin is a textbook idol. Everything perfect. He likes presenting it that way. Maybe that's why a sudden phone call made him feel a bit worried because he doesn't know what V might ask/say etc. he doens't like giving ppl reasons to talk negatively about them be it him as an individual or his friendship with any member.

I completely agree with your observations 👏🏻

Jimin is indeed very careful, level-headed, reasonable, and always thinks before doing things.

And it's perfectly understandable and yes he is a good idol.

But what can't help but sadden me a lot, is that part of the reason for it in my opinion comes from trauma.

It has not been always the case.

When he was younger, he was way more spontaneous and carefree.

I mean, people grow up of course, that's normal. But back then he had to put himself in a box, in a persona that didn't fit his true self. He got put down for who he was. There was a point where he was struggling with body image, and most likely self-esteem image. Also navigating the fact he was queer. You think of Lie, you think of Promise, Jimin told us he was having a hard time. I think he has been through a lot overall for real. He also has the habit of taking care of everyone around him, putting everyone above himself.

Not only that, Jimin got an insane amount of hate online, and since then he mostly disappeared from social media.

Being an idol had a great cost to Jimin and his journey has been far from ideal.

So the fact he feels the need to be perfect now, so careful of everything, I think it comes from fear more than anything else. Fear of being hurt again.

(Which, again, understandable.)

He grew up too fast, and gave himself many responsabilities that he still feel he needs to uphold today. He has a great sense of duty and a will to make everyone comfortable.

I think unkowingly he puts a lot of pressure on his own shoulders.

He is not the heart of BTS for nothing.

I admire his qualities, and I understand his reasons, and I want him to do what feels right.

But knowing all the hardships he has been through, and seeing the way he's trying to protect himself, you have no idea how sad it makes me.

Because he shouldn't have to. He shouldn't have to do this.

He should feel comfortable as an artist to be free and to express himself however he wishes, like Jungkook who doesn't give a fuck.

But no, Jimin cares. It's not the same and it never will be.

Because whatever Jimin does will be scrutinized, and everything will be held against him no matter what.

Jimin is the most hated member in this fandom. Also one of the most loved, weirdly.

But Jimin makes people react in such extreme ways, that if he's not careful he could unleash absolute hell upon himself.

And I find it so fucking unfair.

I don't want him to be perfect. I don't want him to try to uphold an impossible standard, all the time (how tiring that must be), I don't know, I just want him to be happy? And to be free? But is that even possible?

I don't think so given the circumstances.

I just want to hug him and tell him that none of it has been his fault and that he doesn't always have to be the responsible one.

And that makes me very glad that there is someone like Jungkook to take care of him, too. So he doesn't have to carry this incessant burden all the time. Sometimes he can drop it.

Jimin is such a beautiful and wonderful person. And it makes me so sad that he shines so much so that people feel the need to snuff that light out because it triggers them.

I hate that Jimin has suffered from it.

And I hate the consequences of that hurt which is the way he acts today.

(It's not that I hate the way he acts, I hate he had to suffer in the first place and adapt because of it)

Jimin 😭😭😭😭😭

If he can find his own path navigating things being careful and level-headed, good for him. I encourage him to do what he feels is best.

But it still sucks man idk

Why are people so mean? 😭 wouldn't it be cute if jimin allowed himself to be a bit frivolous sometimes? Unconsequential? Or at least have the freedom to choose to do so or not?

I feel like his choice has been stripped away from him and I hate it.

But I'm probably a drama queen so don't mind me lol

His last letter makes me wonder what he is thinking about his future, and him saying he wants to be more free can lead to a different approach. Time will tell.

I wish him the best 😭💜 I really love him so much and I hope he finds happiness and gets to live the way he wants to 🥺

[peanutbutterandbananasandwichs]

do u have hcs for sams post canon family life

Ok so gonna preface this with the fact that I hold opinions that I think are relatively uncommon in this corner of Samblr which is that as a general overarching thing Sam was relatively happy, he and blurry partner stayed together and were mostly happy, and Sam was on the whole a pretty good dad. Not that everything was perfect, far from it, but that generally it all worked out ok. I feel this way mostly tbh because if I didn't I would genuinely struggle to get any enjoyment out of the finale. I'm a FAKE Sam suffering enjoyer lmao. It's already deeply fucking depressing to me to imagine Sam spending eternity in heaven with Dean being squished back into The Roles, I need SOMETHING so cling too lol.

ANYWAYS that being said:

Said this before but although I am fairly flexible on identity of blurry partner my personal favourite thing to come back to is that she is Amelia. So I'm gonna run with her for the rest of these.

Related to this is that I think when we see Sam leave the bunker in the finale to go on the hunt in Texas that ended up being the last time he ever returned. He didn't mean it to be, it just happened. Maybe subconsciously he knew because he'd packed the little memory box with pictures etc in the trunk of the Impala without thinking about it. Anyway keeping this on track, he ends up staying in Texas and eventually, he and Amelia run into each other again - her having left Don again after things didn't work out a few years ago (gonna be real with you I think Don was abusive) and end up reconnecting.

Riot and Miricle are kinda grumpy but tolerant about each other.

They also eventually adopt an old lady tabby cat from the local shelter who absolutely terrorises both dogs, but dotes on Sam.

Sam ends up telling Amelia the truth about his life about 3 months into their relationship restarting, not all of it, but enough to keep her aware. She says that honestly even though it sounds crazy it makes a LOT of sense of how Sam was when they first met. This is the point at which they decide they do want their relationship to last and be serious. Amelia suggests they do couple's counselling together, given both their past issues if they really want to make this work.

He and Amelia never marry for a variety of reasons, but it works for them.

Sam ends up getting a degree - I think in something like anthropology (me an archaeologist totally not biased here lol), he does it through a distance learning program so mostly online but with some in-person classes and workshops.

DJ wasn't a planned pregnancy and it took a lot of discussion between them to decide to go ahead. Sam in particular was very anxious about the idea of being an actual dad to an actual baby, as much as he was kinda one to Jack he knows this is a whole different level. Amelia never wanted kids with Don. Amelia is also in her 40s by the time it happens so there are extra potential complications to consider. In the end they both agree that they want go ahead, and they both acknowledge that this will probably be their only kid.

Already mentioned Sam and DJ being autistic elsewhere but that's very precious to me.

Sam does struggle to find a balance between making sure he's there for DJ in a way his dad wasn't for him and being too much of a helicopter parent. He's SO conscious of DJ being an only child and the potential for loneliness stemming from that (absolutely projecting his own childhood loneliness SO hard and of course, his ideas on sibling companionship are NOT normal lol). As DJ get's older Sam does manage to relax a little, although it is still an issue from time to time.

That being said as I mentioned previously re the autism headcannon this level of worry also means that Sam puts in SO much work and research into being a supportive dad to an autistic kid.

Amelia is the 'breadwinner' in the relationship, continuing to work as a vet, Sam works a series of different part-time jobs over the years, mostly involving fixing stuff. After he gets his degree he works a couple of days a week at the local library as an assistant.

Related, finally stopping hunting gave him time to really catch up with and assess his body, and a lot of the weight and wear and tear of what he'd been through hit him quite suddenly. He has chronic fatigue issues in particular for the rest of his life which is why part-time work ends up being the best solution for him. Although Amelia, and DJ when he's a teenager, do still frequently have to sit him down and force him to stop trying to do too much at once.

Amelia passes away before Sam. She had been dead for about 5 years by the time Sam died.

Sam keeps very little contact with the hunting world, but Jody does still come to visit. DJ is very fond of her, much to Sam's delight.

The first time Sam had to look after DJ on his own after Amelia went back to work full time and was working a nightshift he was stuck to him like glue, Amelia came home to find him curled up on the floor asleep right next to DJs cot.

Sam loves helping DJ with his homework, and DJ loves it too - its their special time together, and its when Sam is able to be most emotionally open and present.

Sam's issues with food never go away, and its one thing he and Amelia do get into fights over is Sam (unintentionally) putting some of his issues on DJ (think Sam telling Jack he shouldn't eat sugary cereal).

Sam and Amelia both discover a love of gardening and they spend a lot of their free time together working on their garden. Amelia particularly loves roses and has a little rose garden that becomes their little sanctuary (Amelia's ashes are buried there). Sam creates a little healing herbs garden, he doesn't actively practice witchcraft but he likes to make little tinctures and teas and stuff.

I'll stop there lol

[kaiserouo]

headcanon warning

bonus

no he doesn't

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy