#this would need to change so much for the core game too work but it would be fun to move about as these diffrent guys | Explore Tumblr Posts and Blogs

lucabyte · 1 month

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i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being�� distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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buckets-and-trees · 1 year

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Talk

Title: Talk Fandom: MCU Characters/Pairings: Pleasure Dom!Bucky x Female!Reader Word Count: 2k

Summary: He's ready to give you everything you want and things you don't even know you need yet.

Content/Concept Warnings: BDSM AU, discussion of BDSM themes, oral female receiving, praise kink, dirty talk, overstimulation, forced orgasm

Notes: TRIPLE THREAT SUBMISSION for @buckybarnesevents WEEK TWO of Hot Bucky Summer: "What Should I Call You?", my fourth square of @buckybarnesbingo K4 "Kink: Forced Orgasm, and my second square for Connect4 Alternate June-iverse: C2 "BDSM." Also, @biteofcherry, you totally called the BDSM vibes from that little last line tag game sentence I posted the other day - it was this, mwahaha!

Masterlist | Aspen's Ask Box | Field Guide to the Forest

You sat sideways on the couch, your arm draped over the back, legs tucked up comfortably beneath you. He mirrored your position, though with just one leg brought lazily up onto the couch, leaving his impressively thick thighs spread wide, teasing your fantasies.

Indulging fantasy was why you were there in the first place.

And you almost felt like this was any normal kind of Saturday afternoon with the new boyfriend you were eager to crawl into the lap of and be devoured by for the first time.

The setting fit – cozy living room of a sophisticated man’s apartment with leather furniture, modern art on the walls, small but sufficient kitchen, floor to ceiling windows along one side of the room that led to a private balcony, and a door that you knew would lead to the bedroom.

But it was just a little too tasteful to be real.

And he didn’t live here.

It was all designed to make you feel comfortable, an indulgent illusion of reality.

“You’re sure you’re not thirsty?” he asked.

He hadn’t offered anything alcoholic – strictly against policy so you were both sober – but you declined again with a shake of your head.

“Okay,” he said, “but remember it’s my role to make sure you always feel safe and taken care of, and that includes the small things like getting you a drink, and you can change your mind at any point. You’re not a burden. We are here for you and what you want.”

Warmth bloomed through your core – tinged with desire, but mostly just heat that was part comfort and part reticence. You had never taken such a bold measure of self-indulgence or self-care or self-discovery or whatever this could be called. It had taken almost two months for you to get from scoffing at the suggestion to sitting in the room on this couch across from the brunette Adonis who had said to call him Bucky (a nickname – you were asked to give a nickname as well when you registered and had gone with Rio).

“The last thing we should discuss, if you’re ready to move forward, is your safe word.”

“Brazil,” you responded without hesitation.

He smirked, but it was in no way unkind. “Rio and Brazil – I’m sensing a theme.”

“Another thing on the list of dreams to finally indulge,” the words tumbled out of your mouth.

“I hope that’s another thing you’ll choose to pursue.”

You laughed. “God, it’s so weird just how normal all this conversation feels. We just spoke at length about my kinks and limits and now I’m telling you my hopes and dreams. I’ve rarely shared this much of myself to anyone, and certainly not after only knowing them for less than an hour.”

“Well, part of that is that we all feel a little safer exposing ourselves to strangers because they’re not part of our routine,” Bucky said, “but there’s some trust that’s established by the mere act of us talking about your boundaries. It’s certainly a foundational part of the process. This only works when you feel comfortable with me, if you trust me – otherwise you cannot truly submit to me as your dominant in this arrangement.”

You nodded.

“Trust, strong communication – without them, there’s no way I can expect you to reasonably let go of your inhibitions either,” he soothed, moving his hand forward to brush his fingers over yours.

“The world of BDSM and kink is vast, but it shouldn’t be overwhelming. I never want you to feel like you’re an Alice who’s fallen down a rabbit hole and exposed to and expected to navigate the wonderland on your own.”

“I appreciate that. There’s…” you hesitated, but his rapt attention helped you feel like you could continue the thought on the tip of your tongue. “There’s a lot on the internet – a lot that I thought I knew about this stuff, but even just the registration and profile of preferences I had to fill out was pretty illuminating.”

After the basic registration you had been directed to complete an Experience and Curiosity Checklist that walked you through over 250 different activities and indicate whether you had tried it before or not, your pleasure during that activity if you had, and then a ranking of if you would like to try or do it in this setting – from never to need, if each activity was something you would entertain in a consensually forced situation, and if you would give, receive, or were up for both.

“Illuminating, huh?” Bucky grinned.

You felt just a touch of heat rise in your cheeks.

“You’re incredibly smart, and I like that,” he said, his grin turning to a softer smile. “That long and thorough profile? It’s the key to all of this – it’s not only for you, but also for me. I was matched to you ahead of anyone else on our staff. I’ve been preparing for you.”

“Like studying up?” you interjected.

“Of course, and the time we’ve spent up until now talking is for both of us, as well. You have a question you want to ask, something that wasn’t fully clear to you through your own research and filling out the profile. Ask it.” He tapped gently on your fingers, another motion of reassurance, connection.

“Forced orgasms.”

“I’m not surprised you would want to know more about that particular aspect.”

“I get the general concept, but I guess I don’t understand how that translates into practice,” you admitted.

Bucky nodded. “Sex should be engaged in for intimacy and pleasure – sometimes only pleasure, but not all the partners we are involved with are people we would trust to push us beyond our limits – either because a relationship is new, it’s a one-time thing, or because we don’t know how to communicate the limits and boundaries. Just like anything else, sex is a part of our experience as humans that we learn and grow and change with. A forced orgasm is a way to explore pleasure and power dynamics, but there must be that established trust. They can be both physically and emotionally intense because it could be exploring something new or pushing you past limits – you would give up power and be subjected to my whims.”

You took a deep breath and nodded.

“You give up power, but not safety – that’s important for you to remember. You always have your safe word or tap me three times if you can’t speak, I’ll always stop immediately. Forced can also be a specific part of roleplay scenarios. We can discuss it more, but I think you ought to experience it. Do you think we’ve built enough trust for us to begin?”

“Oh, now?”

“Yes, now, or we could talk more before we begin, we could talk and do nothing more tonight, or you could leave now and go think before your next appointment.”

You bit your lip, but only out of concentration for deciding, not out of nerves.

“What do you want?” he asked patiently.

“I want to begin the physical experience.”

“That kind of specificity will be rewarded, Rio.”

You grinned.

“You didn’t mark this very high on your profile, but I think you’re going to find out you have quite the praise kink.”

You half-gasped and half-giggled, surprised that he would say something so bold and yet also not.

“Strong independent woman like you? High achiever, determined. You’re not vain, and you don’t chase it, but you like recognition outside the bedroom, right?”

“Well, yes.”

“You’ll love it here, too, doll.”

You pressed your thighs closer together. A slow undercurrent of desire had been present since the night began, but as things began to transition, your core was beginning to thrum with anticipation.

“Bucky?”

“Yes?”

“Before we get started, I – well – just – thank you for not asking me why I decided to come here.”

“You didn’t ask me why I chose this profession. It might be oversimplification to say we’re both here because we want to be, but that’s the bottom line, isn’t it?”

“Yeah.”

“Know there will never be an ounce of judgment here – not for your desires, your kinks, your fears, your motivations. Don’t worry about doing anything wrong in there – we’ll be learning what your body wants together. You need to stop, we stop. You need to pause, we pause. You want to go slow or try something again or from a different angle, you tell me. Deal?”

“Deal.” God, he made you feel like the world was at your feet even though you were surrendering to him.

He stood up and pulled you with him. “One more thing.”

“Hmm?”

“In there, you call me ‘sir,’” he said. He brought your hand up and placed a whisper of a kiss on the inside of your wrist.

Everything in you melted instantly and you had to remind yourself to breathe.

“You got that?”

“Yes, sir.”

He smirked.

You knew he was going to ruin you.

You knew this, you knew you were ready and eager, and yet you also could tell nothing in your life had quite set you up for what you were about to experience if he had you pliant and nearly pleading for him after that mere gentle touch.

“Why don’t you head to the bedroom, I’ll give you a few minutes to get comfortable, and then I’ll come in.”

Two hours later, you were a writhing mess on the mattress, completely naked and splayed out for him while he was still fully clothed. His head was buried between your thighs, your hips firmly in place by his left arm pressing down on your pelvis. The fingers of his other hand were buried in your cunt, stroking the sensitive spot on your inner wall slowly and torturously – because every sensation down there was too much now.

He had traced his fingers over every inch of your limbs, teased your nipples, stroked your neck, ghosted his hands over your hips, teasing until you were pleading for him to touch your pussy.

He had told you once he started, he wouldn’t stop.

You knew he wasn’t lying, but you had never known an experience like this.

He had edged and denied your first orgasm until you were desperate and crying. The ultimate bliss had been blinding. He had praised you, told you your first orgasm with him had been truly beautiful, and your back had actually arched at his words, an inner keening. He’d been right about that kink.

And then he’d been nothing but relentless, bringing you to the edge and back again, then hurtling you over numerous times, with only brief moments of reprieve before torturing you with his lips, teeth, and tongue, with his hands, and with his words. Filthy promises of things he would do, dangled your fantasies in front of you, teased out admissions from you of even darker desires he as he presented new options you’d never considered, all the while pushing you into orgasm after orgasm. You keened and cried.

It was too much, and you told him so.

He disagreed, coaxing that you could give him another, and another.

“Sir,” you sobbed, “sir, stop, I can’t.”

Now the crying was continuous, and those were the only four words you seemed to be able to utter. When it devolved to only hitched breaths and sirs, Bucky slowed and stopped.

“Do you remember your safe word?” he asked.

“Yes,” you rasped.

“And?”

“I didn’t say it.”

He chuckled. “Just checking, Rio.”

“I know it’s Brazil! Break over, keep going.”

“It’s the endorphins – even though the overstimulation is there and it’s uncomfortable, the high with the endorphin release through the pain is its own trip, isn’t it?”

“Yes, yes, now keep your word and don’t stop until I’m utterly broken,” you whined, wiggling your hips as much as you could manage.

His low laugh made you shiver. “You’re going to be one of my favorites, I can tell.”

And then he pressed firmly on that spot inside of you and sucked hard on your clit in one sudden moment and ripped another orgasm and scream from you as you twisted one hand in the sheets and tugged his hair with the other, not ready to stop yet. He was as addictive as he was relentless, and you were not going to leave an ounce of this unexplored, and this was only the beginning.

Masterlist | Aspen's Ask Box | Field Guide to the Forest

End Notes: I feel like I knew some of the basics when it comes to BDSM and some of my fics have had BDSM elements, but I did a fair amount of research because I didn't want to do any disservice to the what a healthy relationship exploring BDSM might look like. This is one take. I found some very helpful insight at theduchy.com (specifically their BDSM Experience and Curiosity Checklist) and an article Bustle published by two sex educators that took a very straight-forward approach in discussing some of the basics. I'd go so far as to say there things that I learned or had reaffirmed or got better language/theory about by studying about BDSM that I think should just be base safe sexual practices (around consent, boundaries, exploration, trusting your partner, etc).

#bucky barnes x reader #bucky barnes x you #bucky barnes x yn #bucky barnes x female reader #bucky barnes smut #bucky barnes x y/n #buckybarnesbingo2023 #bbb2023 #hotbuckysummer2023 #connect4au #pleasure dom bucky barnes #bucky barnes au #bucky barnes fanfiction #bucky barnes fanfic #bucky barnes fic #bucky barnes fan fiction #female reader #reader insert #aspen wrote something

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lunarcloak · 4 months

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Blue Lock Chapter 262: Visual Storytelling

Can we talk about the visual imagery this chapter?? Kaneshiro is always cooking but Nomura cooked extra hard this time with his own illustrative storytelling

An almost entirely white panel. Except for the black spot of Kaiser's hunched figure. Almost as if he's the stain on an otherwise perfect game from BM right now. (He's thrown off balance.)

Here, in the first picture, this is Isagi's view of where Kaiser is right now. On top of a puzzle piece— a symbol of Isagi's power, and also a symbol of how off kilter he is. The second picture is part of a larger paneling of how he's being left on the ground as Isagi runs past him in a flurry of puzzle pieces. Almost as if Isagi's kicking the pieces of his perfect puzzle astray, leaving him to rebuild them from scratch. (The theme of this chapter.)

You can tell he's only barely listening. Eyes are always a huge indicator of visual storytelling— i picked this up from looking at BSD panels for too long. Here there's virtually no pupils, smaller, wider eyeballs because he's not listening to Ness's words. They're going in one ear out the other. Because Ness's words are superficial— He's trying to help, he is, but that is desperately NOT what Kaiser needs right now. He needs to figure out how to FIX this. Not to retreat back into the safety of his cocoon so that he can pretend he's still the star on the field.

NOTICE HOW EVERYTHING IN THE SECOND PANEL CAN DIRECTLY BE RELATED TO ISAGI. The offer from Reale— what if Yoichi gets it instead of me? The throne in this team— what if Isagi takes that, too? Am I about to lose everything I worked to get myself? The whole world is watching my worst performance in years. I can't lose here. I can't be defeated here. Not here, of all places, in Blue Lock.

Negative colouring. The previous, prominent memory I have of this is when Rin went to his "flow" state. It's specifically to emphasise the "HUMAN" wording. It's usually used to showcase a very prominent moment, in this case it's Kaiser realising exactly what the core of his worry is right now. It isn't the defeat, not beating Isagi, not anything. At the moment, he's afraid of losing the very humanity he had thought he clawed himself into. To emphasise this, the black and white being reversed are to indicate that time almost freezes, completely changing his perspective and line of thought at that moment.

Less dramatic, still negatively scaled panel. Emphasising how he's really digging into his psyche here and going "Oh, I'm scared. I'm afraid of losing everything I've got for myself." The last time this happened was when his secret money stash was found— he didn't care as much then, because there was nothing to lose that he hadn't already lost. But now? Now, it matters a lot more. Because he's built himself up on an entirely shaky foundation. Note how he's also sliding below here, losing his footing, like he's lost the stable ground he thought he had.

The angle of this panel makes it look like he's climbing upwards, and he's just lost his grip on the wall before him, and is in the process of falling. It's extremely well done.

Plenty people have already pointed this one out— yeah Isagi's just reached a height that's similar to Noa's. The position Kaiser thought he used to have, but now he's not even on the staircase to victory and the treasure he thought he would attain soon is now inching towards his most challenging rival to date.

You will never see him this tired, this defeated, or this melancholic ever again. At this point, his eyes are no longer that wide, shocked stare of not seeing. Now he's comprehended his stance, and he's come back into himself.

Each petal is a memory, a visual representation of the crumbling of the rose he once held. It's gone now, there's no rose in his hand anymore (nothing for him to hold onto anymore). When you have no roses in hand, you grow a new bouquet. When you have nothing, there's nothing to lose if you go reaching for something to hold onto again.

But HERE, the petals can be interpreted in two ways— either he's being reformed from the petals of a new rose (blank petals, not representative ones). OR, you can interpret it as those very petals dissipating from his being, leaving him as this black, blank slate to rebuild himself. Zero— as in no colour, no petals, no gardens to flourish anymore. Only way to move now is up.

Also I'd like to draw your attention to the negative paneling again— inverted this time, the exact opposite of the previously conveyed emotion. Now he's the one in the black, working to redefine himself. He's already redefined the external aspects.

Your Zero— Your Beginning. I LOVE this page, even if it's a repeat. It conveys so much. Kaneshiro and Nomura are such a GOOD TEAM

A black hand clasps around the core memory— the memory of when he truly had only his football. He can't let that petal float away, that's one he wants to keep. That's the idea he wants to hold onto. He crushes the petal into his hand, assimilating it into his new beginning. That's the one he'll hold onto, to recraft the person that is Michael Kaiser.

#blue lock #bllk #michael kaiser #blue lock chapter 262 #this one took me a bit longer #but it was SO WORTH IT #i have a lot of thoughts like this for many chapters #but this one I just HAD TO DO #lune thinks #bllk 262

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bengals-barnesbabe · 1 month

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FYS (Babe's Version)

Pair: FB! Joe Burrow x Black!Nurse Reader

Descr: Just the reader's view of the events in 'Fuck Your Status,' no major changes to the plot. But more insight on how she feels about their "relationship.” Also it doesn’t matter which one you read first :)

TW: MDNI 18+ | smut, protected sex, p-in-v, jealous and possessive traits, bratty behavior, drinking, self centered!Joe.

OG Version | Main Masterlist | SCS

WC: 1615

‿̩̥̩ ‿̩̩̥͙̽ ‿̩͙ˊ⸊ˎ

You got Higgins’ text when you were sitting on the couch binge watching ‘Living Single’ with a glass bottle of wine. It was a simple, ‘come celebrate wit us’ text, but it meant so much more. It meant along with seeing one of your closest friends, Joe Burrow would be there.

Ugh, just the thought of him made your core clench.

That name brought intense, lustful downright nasty flashbacks to your mind. It’s been a while since you hooked up, but all the memories are still there, engrained in your brain as some of the best fucking sex you’ve ever had.

Walking into your closet, you knew there was only one choice for tonight. Joe’s already seen most of your party dresses, so the new lacy black skintight dress that you got at the mall last week was the winner. It fit like it was painted onto your body, and the low v-neck did wonders for your rack. You paired it with black red bottom pumps and a glossy red lip. Then rubbed some shimmery body butter into your skin. Spritzing yourself with a sweet musky Arabian perfume, you were smug looking at yourself in the floor-length mirror.

Your hair was already done, so you just took it down from the bun you had it in a few hours ago for work. Today was one of the rare days that your supervisor sent you home because of a scheduling error and you were not complaining.

Since the dress you were wearing didn’t require a bra, you just switched out your boy shorts for a pair of lace panties that matched your dress. Not that they’d last very long.

Drinks plus you and Joe meant they wouldn’t stand a chance, they’d either get too wet or he’d tear them off. You didn’t mind either, he’d be paying for new ones if he wanted to keep this little arrangement up.

Since black was already the night’s theme, you picked out a cute little clutch to go with the fit- not forgetting to slip some protection in there as well. It’s that kind of night, there’s no shame whatsoever. It’s time to have some fun.

You beeline straight for the bar once you get past the bouncer. Being friends with the starters has its perks.

Apparently, because they won a big game all the drinks were based on the Bengals. Which made sense, if you were into that type of thing, which you aren’t.

You asked the bartender for something fruity but strong, with a non-medicinal cherry flavor. You didn't need much after the half empty bottle of red wine you left at home. Your drink was delivered at the exact moment you locked eyes with him. It was like he was your prey, when by the end of the hour it’d definitely be the other way around.

A flirty smirk pulled at your features and you held the drink up. He copied your gesture and knocked back the entire glass.

You took this time to admire his casual fit, like most guys here he keeps it simple. Dark jeans, plain white tee, a jacket and probably a nice pair of sneakers- maybe even Jordans. But the thing about Joe is it doesn’t matter what he walks in with, his aura is unreal. He always has a pair of glasses on, and his face card never declines- unless he’s mid throw.

Don’t get started about his legs, you could shiver just thinking about his meaty thighs and how good they feel rubbing against your pussy. He’s fucking different alright. If he took off the damn jacket you’d just drool at his arms all day and his fingers- its getting really hot in here.

You left the bar and found an empty restroom that luckily only had one stall. Leaning your arms on the sink you chuckle at the mess you started, but have no desire to finish.

Has it really been that damn long since he was inside you? Yes.

Are you about to lure him into this nasty ass bathroom? Hell yea.

You slide the lingerie down your legs and let out a sigh as the cool air blew over your wet folds. The crotch of the panties is soaked all the way through, you should feel ashamed for letting him affect you this strongly, but you don’t.

Your close friends that aren’t Bengals, think you’re just using his fame to get free shit out of him. Sometimes you let them think that, because the truth is much worse.

You went from not needing a man for anything to needing him in order to relax. You were always the type of person that took their work home with them and after your last breakup, that work consumed you. Somehow hooking up with him allowed you to reach deep and lose yourself in the immense pleasure he was giving you. He could make you forget about all the horrors of nursing, being the first-born daughter, and all of the other anxieties you faced. It truly was some magical dick.

You swapped the panties for your phone and dropped the lace in your bag on the floor. Then shot him a quick text.

To: JB🤤

Miss me

Like always, the short thread consisted of him being a dick and you teasing the shit outta him, actively trying to piss him off. By the end you give him your location and prepare to relinquish all control to him.

Thankfully you didn’t have to wait long, as soon as you heard that strong knock you pulled him in. You were very pleased to see he did in fact abandon the jacket, the veins on his arms presenting themselves beautifully on his ivory skin. Looking up you smirk at his inability to bring his usually cocky self back at the moment.

“I did not invite you here so you could just stare at me. That’s what Instagram’s for. I already know how fine I look, Higgins beat you to it.”

The quarterback’s eyes finally meet yours and you feel flutters in your stomach as he stalks up to you. You bite your lip as he traps you between his body and the porcelain sink. His big hands clutch your waist and his mouth leans down to the shell of your ear. “If I hear his name come out of your mouth one more time, I’ll make you choke on it.”

Your eyes flutter closed at his husky voice, knees threaten to lock up and give way to gravity if he didn't already have you in his grasp. Your hands clench on the sink as you begin to regret taking off your underwear so soon. All you can feel is the heat radiating from his body and the slick threatening to drip down your thighs.

A dark chuckle snaps your eyes open. “Not so talkative now are you? Now who’d you wear this dress for?”

You take deep breaths to calm yourself. “No one- myself.” It doesn’t work.

He took a step back and tsked. “Yea I don’t think so.” Suddenly he’s manhandling you around to face the mirror. You stare at his reflection and his hands fondle your hips then drag your ass against his hard bulge.

Not helping my own arousal at all.

“Joey!”

If only he’d just move his hands down.

He smirks at your complacent figure and palms your ass. Well it’s a start.

“Just tell me the truth, did you wear this-

His smirk turns into a clenched jaw as his eyes darken. You look up at him through your lashes in the mirror.

You let out a silent laugh as the dress is pushed up, now his breathing is getting harder. “Where are your damn panties?” He grumbles.

You lean over the side of the sink and retrieve the lace from your purse and wave them in his face. “You mean these? I got tired of them.” He caught them as you threw them at him and hesitated for a second before pocketing them.

“You’re just asking to be punished aren’t you?”

Yes, precisely.

“You must really want someone to find us here.”

Fuck public exhibition sounds hot as fuck.

“Wanna get caught fucking Cincinnati’s best quarterback?”

You scoff rolling your eyes and lift up your arms. “I couldn’t give a rat’s ass about your damn status.”

Got me fucked up.

“Then why are you here?” He chuckles, shoving me back down. Rude. At least he’s starting to get rid of those jeans.

“So I could get fucked in the bathroom of a club by Cincinnati’s nerdiest white boy.” You say locking eyes with his reflection. “That’s your real status.”

The boy I see after getting fucking tens ways to Sunday.

“Well you’re right about one thing.” He groans.

While your body covers most of his groin, you can tell he’s stroking himself by the way his veins flex and turn. You grab a condom from your bag and hold it out to him. Biting your lip to suppress the moan in your chest as he rips it open with his teeth.

“I’m always right.” You tease wiggling your ass as against his length.

He rolls his eyes and lays a smack against your cheek. “Ow!” You gasp in surprise.

“Shut the fuck up.” He warns rubbing the tender muscle then kicks your legs apart.

“Make me.” Mischief shines in your glare while repeating the motions with your hips, shaking the fat on him some more.

He humors you for a bit before halting your movements with a strong hand. “Gladly.”

“Ahh.” You moan when his finger spreads your slick over your clit and cunt. Looking up at him, you feel him replace it with something much thicker. “Wait.”

His grip on your hips deepens as his cock impales you. “Fuck.”

So fucking worth it.

﹥*:ꔫ:*+ﾟ

A/n: so which one did you prefer??

OG version or Babe’s Version

Edit: there were so many grammar errors in that, whoops.

#black reader #joe burrow x reader #cincinnati bengals #joe burrow x black reader #joe burrow #joe burrow bengals #nfl imagine #friends w/ benfits au #joe burrow smut #joe burrow imagine #song inspired #FYS #tems

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gaddaboutgriffon · 25 days

Text

Superwoman AU So, I have been seeing a lot of Justice League Gender Bent art lately and couldn’t help but think that for characters like Wonder Woman and Batman it doesn’t really work for. But the more I thought about it the more I realized that the change is REALLY interesting for one core member in particular. Superman.

Given the kryptonian power set the change doesn’t affect the fighting much, but it does change workplace relationships and social aspects of the civilian ID a lot.

For example, Clara Kent would most likely have a rivalry with Lois that borders on antagonistic. Not at all helped by Clara getting scoops that should be damn near impossible. Sure, when Clara is still new at the paper she likely would act as a mentor figure. But that would change really quick if Clara starts beating Lois to scoops and stories.

Clark Kent's sweet and dorky behavior on a male reporter is cute and charming but on a female journalist that is just neon sign to take advantage of her.

Jimmy may be her only good friend but given her physique that is hindered by Jimmy probably developing a crush on her. Which seen him more like a younger brother type friend is not reciprocated.

Then there is villain gallery. Again, the ones where is find there hidden whatever and then a physical fight to win. That is pretty much the same.

No, the villains things are different with are the ones that like to outsmart and play mind games.

Aka Lex Luthor.

And in Lex’s case the major difference again is in the interactions with Clara the civilian ID.

My thinking here is that while Lex Hates Superman because he can’t see anyone being that altruistic with so much power and it must an act. He actually really likes Clark Kent the mild-mannered reporter who in Lex’s eyes overcame humble beginnings and became a self-made successful reporter.

In this AU with Clara that gets amplified. See in a few different versions Lex attempted date and, in some cases, actual got so far as nearly marrying Lois. The attraction was largely based on the fact that she was a driven woman who was climbing in a difficult industry. It is part of Lex psychology is his value of Humans overcoming things with intelligence and will. and the difference with this AU is Clara has the farm girls start as opposed to Lois typical city or military daughter origin depending on the version. In Lex's eyes, Clara is starting out from a disadvantage to Lois and rising up to be just as successful a writer. In short, a better example of something Lex values.

It is just too good not to explore. So, if we go ahead and have Lex take interest in Clara, it would only take a good conversation for her to know there is something is wrong. But what if during her crime fighting, she ran across something that the talk with Lex makes her think he may behind it. So instead of the immediate rejection she wanted, she agrees to go out with him for opportunity to investigate.

Lex is a narcissistic egotist, and in most versions his parents were not a good example of love. and in most versions his Idea of love is a bit more like conquest. (Yeah, warning now, this is not going to go down in a good way.) He is also smart and knows how to cover his tracks. I don't think it would take him long to realize that Clara is looking for something. Here comes the dark idea I had. What if he arranges things so that if Clara tried to expose his crime empire it would look like it tied back to her instead. This also gets used to keep her from leaving. and if this is far enough in the timeline where Lex already is keeping kryptonite in a lead box in his pocket, Clara has to keep her secret identity tightly held. which means she has to go along with this until she can figure out how to bring him to justice.

Unfortunately, Lex did too good a job and Clara needs help. She turns to Jimmy and Lois. at this point Lois has been an antagonistic rival, for sniping stories from her and seemingly to have gotten the most eligible bachelor in metropolis. But once Clara explains what actually has been going on, Lois' attitude changes and is all on board for taking down the rich creep. thus, this AU's beginning of their friendship.

(well this is where I am ending this initial post. I'll add on or do a part two later. @emacrow thanks for listening to the initial idea. this post is the continuation.)

#superman #superwoman #genderbend #dc comic #if anyone else can think of more tags please add them #Gadabout

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lint-beetle4 · 1 month

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Okok hear me out...

Macaque...

Teasing with toys.....

HEAR ME OUT--

Endurance Training (Macaque x Reader Smut)

Anon, you goddamn genius

Macaque is a bit of an asshole

Anyone who's met the monkey for more than 5 minutes could tell you that

Even as you two were dating, Macaque's personality never changed--something you hold dear

He was an honest man, someone who refused to change

Macaque was snarky and full of bite--he didn't bow to anyone anymore

Before your relationship, he was on you like cat fur in black clothing, usually hiding in the corners of your vision

It turned less creepy and more endearing the way he made himself more obvious to you as you got closer

Of course, he was still rough, he didn't pull back verbal punches, and you wouldn't either

That's when he knew you were a special one, the way you reacted so well to him

You read him like a book, able to pull him away when he needed space, able to drag him back in when he was drifting too far

To him, you were his ocean, always following his presence with nothing more than instinct and grace

Macaque was more open to you, more comfortable in letting the roughness of his words become softer, vulnerable even

It was that openness that led you to quiver in front of him with vibrations running through your body

You were stuffed with anything but the monkey you needed and you knew it was just the beginning

"Now, now cherry blossom, you can handle a few minutes, can't you?"

You squirm against Macaque's shadow tendrils as he inserts yet another toy into you. Vibrations already shaking your core dangerously. You'd probably cuss him out, but he's already taken the precaution of gagging you with his cock.

You're not even sure how he didn't cum yet, but there was one rule between the two of you that was set before the night began.

"Remember, you don't cum until I tell you to."

There was a signal you could make to your lover if you were ever overwhelmed. Macaque seemed slightly afraid at the idea of gagging you, but if you moved your hand a certain way, Macaque would stop everything.

"There's no shame in tapping out, y'know?"

You're the type of person to go down with the ship, and if you lost to Macaque, you wouldn't hear the end of it. Instead, you bobbed your head against his dick, tongue swirling the head as you tried your hardest to win this little game.

Macaque hissed underneath you, pulling out of your mouth quickly with a slight glare. He tugged at your hair, eliciting a deep moan from your throat.

"You want to play that game, huh? Fucking slut."

Macaque's voice sent shivers through your core as he tore out a vibrator from you, ignoring the high-pitched yelp that escaped you. You were gently lowered onto a larger object, a dildo that stuffed you to the brim.

"If you want to get me off that much, the least you can do is give me a show." Macaque growled at you, leaning down to whisper a gentle, almost worried question. "Color?"

Green, you were green to the heavens, and if you stopped, you'd charge after your lover like no other demon had seen before. Macaque chuckled, shadows forcing your body to move.

"Then suck, and if you cum, we'll make this night go on as long as you need to be a proper bitch."

You obeyed, feeling your insides twist and turn as you clench onto the dildo while dutifully sucking off Macaque. You held back a smirk, knowing that the stone monkey was also reaching his limit. You sucked harshly, tongue running through the sides of his member, lapping up any precum that escaped him. You felt claws running through your hair, Macaque's voice rumbling with another deep, barely hidden moan.

You worked harder, sloppy noises drifting through the air as the dildo inside of you sent jolts of forbidden pleasure through you.

Macaque seemed to have enough of you, his claws digging into your hair as he thrusted into your throat with an animalistic growl. You moan against his cock, legs shaking as he used you like the arsenal of toys you had.

With a stifled groan, you felt his cum leak into your throat, forcing you to swallow the salty mixture.

Macaque pulled out of you, watching your love-struck face as you focused on fucking yourself into the dildo beneath you. Macaque pulled you gently, sliding the toy from out of you as he pulled you into a deep kiss.

You panted against him, feeling worn out and empty. Yet, the urge to cum was still igniting a stubborn flame in your body.

"What's that look for, my little sparrow?" Macaque smirked, fingers teasing your body as your hips jerked impatiently. "Surely, you can last a few more minutes?"

#lego monkie kid macaque #lmk macaque #six eared macaque #macaque x reader #macaque x y/n #lmk x y/n #lego monkie kid x y/n #lego monkie kid x reader #writing tag #certified first macaque post

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rubberduckyrye · 1 month

Text

You know I've seen quite a few people say they're wanting to make v3 rewrites lately--and as someone who is actively working on one by myself, I feel like I should give some advice. I know I'm nowhere NEAR done with Twins AU, but I've made a ridiculous amount of progress and I think these things have greatly helped me out personally

So here are my tips for making a V3 rewrite and actually making it stick/not to burn out before the first chapter!

This is important. Don't try to please everyone. You will never please everyone. Write this for yourself, and you will find an audience. People can and will hate your fic no matter what you do. Don't try to please them, they are not your target audience-- so Write this story for, first and foremost, yourself. It'll feel so much more rewarding if you do I promise.

V3's main theme is extremely muddied due to how the narrative was and how open ended the game was left, and from my own research, no one can agree on what V3 was trying to say about truth and lies, or Reality and Fiction. If you want to rewrite this story, you're going to need to narrow down what you want your rewrite to say about the themes presented.

PLAN THE EVIDENCE AND MURDERS AS THOROUGHLY AS YOU CAN. I think not knowing what I was going to do for the cases and trials really scared me for the longest time until I essentially sat myself down and fleshed out all of the cases for Twins AU. Make evidence lists, do research on how your murder cases might go, the works. It's a lot of work but I personally followed this post and also made an evidence list to help me out plot out the murders for Twins AU. This is also a great way to flesh out your protagonist as well, since you get to explore their note-taking style and what kind of language they'd use for taking notes and if they have opinions about certain things.

Write a summary of each character in the story. DR games have a big cast and V3 has an even BIGGER cast than usual, so it's good to write down summaries for all of the characters. I also suggest really studying each character too, even if you plan on changing a character to better suit your tastes (or to get rid of offensive material.... looking at you Angie) you still want to keep the core of their character intact for fans of that character.

Speaking of characters, make sure to try and remember to write each one as a human being, even if they aren't human (Kiibo for example). Develop them, give them quirks and flaws, motivations and wants and desires and dreams. Even if you hate a character, doing this much character study will help you keep them in character and keep their motivations reasonable and understandable.

If you don't have a good grasp on a character, study harder. Don't go looking for other people's interpretations or try to be a crowd pleaser. Make your own interpretation, and that interpretation becomes special to your rewrite.

If you plan on changing a character, for the love of GOD do your research first. Don't go accidentally making Angie into a worse racist caricature of Pacific Islanders Please and Thank You. Actually, just do a ton of research in subject you think might be relevant to a character or the plot--like Gonta and how ableism prevails in his story. Like how Shuichi has anxiety up the wazoo and how Maki has learned helplessness. Study and research hard.

Pace yourself--I don't think people realize how GIANT a V3 rewrite project is--remember that this game is extremely long and you cannot write this in a single month. Once all of your planning is done, write a reasonable amount for it each day. For me, I'm able to crank out 2k a day because I type absurdly fast, but most people would probably want to start at maybe 500 words a day.

If you're not having fun, step back. You might be burnt out and need a break, or maybe the scene you're writing is just not working. Take time to assess your own feelings and do what is appropriate to resolve them.

Don't feel too discouraged if you need to rewrite a whole scene--it happens to the best of us and sometimes things are just not working. It's not lost progress to retry--consider the scene you are replacing as a rough draft you need to remake. I've had to erase huge 1k chunks due to this.

Reward yourself for big accomplishments! When I finished the prologue, I threw myself and my editor ( @trans-shuichisaihara ) a pizza party, and I plan on doing something like that again, albeit probably cheaper. Reward yourself for huge milestones! Hell, I owe myself at least one treat for two chapters I've written, but tbh I've been having so much fun just writing that doing so is rewarding within itself. That doesn't mean external factors can't help, so if you finish a chapter and you're proud of it, buy yourself a treat for working so hard!

If you got a friend who likes editing/beta reading, invite them to beta read for you! They can help you find errors and typos that you might've missed. If you plan on editing your fic, I highly recommend reading your writing out loud to help you find weird sentence structures and awkward phrases. This should have the bonus of making it easier for people who use screen readers/just prefer audiobooks to enjoy your fic as well!

EDIT! Here are two more:

It's okay to be scared writing something new! Getting out of your comfort zone is going to happen with a giant story like this, and maybe you're going to flop at the best parts. That's perfectly fine!!! You can always edit it later--or even just call it "good enough" and move on! This is fanfic for fun, not a professional project you're making money off of. It's okay if things are less than ideal and incredible imperfect. An imperfect story is at least written. That's better than not writing it at all.

For the love of everything that is holy, remember that the characters should be people--and remember that their talents do not make up their entire personality. Their talents should not solely dictate what they wear, how they act, or the worst offender in this fandom--how their executions go. When writing a character Execution, think instead of what would be the worst way for that character to die--that is to say, what would bring them the most despair upon their death. DR1 and DRV3's executions all play with the despair of the blackened in each execution (with DR2 being noted to heavily miss the mark and to be the set of executions that are the most disappointing to Kodaka, from what I've been told.) So if you're stuck on writing a new Execution, try to think about what each execution from DR1 and DRV3 does to play with the despair of the blackened. What about their executions are giving them despair in their final moments? Do they at all relate to their talents, or are they completely separate from their talent? Study them, and you'll be able to use that information to write your own unique executions that are miles better than most of the fan made executions out there.

And I think that's my advice for now! Happy writing, everyone!

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fineghkst · 1 year

Text

Cards

summary: azriel shows you exactly what you will miss if you break up with him.

warnings: minors don’t interact (only 18+); smut; break up sex; oral receiving; shadow play

english if not my first language so let me know if you find any mistakes

It has been hours since you decided to break up with Azriel. When you finally said the words to the spymaster and he looked at you with an indescribable expression.

Things between you weren't going so well lately. He was absent, always busy with the missions Rhysand sent him. Azriel suddenly didn’t have more time for you. He wasn’t there at your birthday, wasn’t with you when you finally beat Cassian at during a competition of a card game you were addicted to and, of course, he forgot about your anniversary.

You tried to understand that he was working too much, tried to talk to Azriel and solve everything, but it wasn’t enough. Even if you didn’t want to let him go, you couldn’t date someone who practically wasn’t a part of your life anymore.

So you ended it and felt your heart explode in a million pieces while you stared at his expression turn into something desperate. He’s eyes becoming more tired than you thought it was possible, like his pain were leaking from them.

Countless thoughts crossed your mind before finally talking to him. What would be his reaction? How would you act around each other after the break up? Would he fight for you?

None of them came close to guessing this would happen.

After the discussion you started, with him questioning what he could possibly do to change your mind, he found himself defeated. You had made your decision.

Of course, the attraction you felt for Azriel always seemed to overcome barriers of logic. At some point a thought passed through your mind that maybe you could be mates, but the bond never snapped.

To be honest, if someone asked how Azriel ended between your legs, you wouldn’t know how to explain.

Even with a concrete decision made, of course Azriel would play dirty, showing exactly what you’d miss if you weren’t together.

— Are you enjoying this, love? — Azriel said, finally stopping his tongue from moving on your core. He had his arms around your legs, holding you open for him — I hope you are, because this is the last time you will ever feel me.

A senseless moan left your mouth, disapproving that he stopped to eat your pussy and was talking such things.

Azriel laughed, leaving a small hickey on your tights.

— Hm… since you made your mind and there’s nothing to convince you to come back to me, I bet you thought about this part, right? Never touching me again…

His shadows started to surround your skin, lightly stroking your legs like a ghost touch.

— Never feeling my shadows playing with you… — You whimpered with the thought. No one would ever know how to touch you like he does. — What’s wrong, love? Didn’t you prepare yourself for that?

Azriel moved away from your legs and the shadows grabbed them, replacing Azriel’s hands. He stared at you with something… primal in his eyes. His huge wings half opened and his defined muscles showing. Cauldron, Azriel was so beautiful that you felt like your brain was severely damaged to even think about breaking up with him.

— If you don’t want me anymore, why you’re so wet? Why did you agree so fast to have a last fuck with me? — The spymaster said, still staring you while his shadows begun to stimulate your clit. You could see the possessiveness in his look.

— Azriel… please — A moan escaped your mouth.

— Please what, love?

— Just… just fuck me.

— Why should I do that? — He chuckled.

— I need you, Az. Please. I don’t want to leave you.

— So you’re changing your mind this quick? But you looked so committed to your decision earlier… that’s a shame.

His shadows accelerated the movements, taking you to heaven and back. You were so close to having an orgasm that it was impossible to form a congruent thought.

— S-stop punishing me. — You whined

— Again, I don’t see any reason to — Azriel had a smirk on his face. He was playing with you until you become completely desperate for him, with your brain almost completely empty and the only thing left was his name.

Azriel was succeeding in his goal and he knew it.

— Unless you give me one good reason, love — The smirk turned into a grin. Azriel keep observing his shadows stimulating you, which were moving faster now — Because, honestly, you don’t deserve to have me inside you.

You tried to reply, but it was too much. His shadows were taking you beyond your limits, slithering against your clit. Only incoherent moans left your mouth. It didn’t take long for finally reaching an orgasm.

Azriel never had let you cum with his shadows, he always stopped them and ended the job himself. However, today, the spymaster were playing all his cards, showing exactly how much pleasure he could give you.

Even if Azriel still wearing his pants, you could see the huge painful bonner he had. But he kept his distance, watching you squirm with his fierce eyes. Anyone could say how much he was craving for you, how he wanted to fuck you senseless.

— So… do you have a good argument for me, love?

— I-I…

— I’m listening.

— I just want to feel like you truly desire me, Az — You confessed, trying to normalize your breathing. The shadows loosen the grip around your thighs.

Azriel stared at you, furrowing his eyebrows in confusion.

— What to you mean, love? You really think I don’t want you?

— You barely have time for me, for us. I understand you’re working a lot since the end of the war with Hybern, but I need you to see me, Az. — You pulled the sheets, covering your body.

— I’m sorry, love. — He said, finally breaking the distance between you two and supporting his arms between your body, firming his hands on the sheets. Azriel’s face was so close from yours, allowing you to feel his breath against it — I didn’t realize I was making you feel like this. But I need to be clear: I will always want you and see you. I desire, crave for you so hard that sometimes I can swear I’m going insane. Let me prove it that I’m mean it, princess.

Giving him a small hesitant nod, feeling your insecurities dissipate slowly, Azriel kissed you deeply as his hands took the sheets away from your body, letting you complete exposed to him. His hard cock was pressing against your bare pussy, making you grind. It was impossible not to moan considering how sensitive you were after the orgasm.

— No, princess. Don’t be greedy. — Azriel said, moving away to finally unbutton his pants.

His hard cock jumped out and he didn’t think twice before claiming your mouth again, feeling you whimpering against his tongue while his fingers touched your nipples. With the other hand, Azriel held his cock and pushed inside you.

— Fuck, you always take me so well, princess. — He groaned, increasing his pace — You have no idea how much I missed to feel you around my cock.

He put his shadows back in action, making them play with your nipples. Azriel pinned your wrists beyond your head with one hand, while the other got down to your clit.

— Az — You moaned loud.

— You love when my shadows tease you like that, don’t you? — Your walls started to clutch around his cock. Azriel growled, thrusting deeply — Maybe I let they play with you more from now.

You squirmed with the idea of feeling them guiding you through pleasure.

— Remember, love. I’m the only one who can make you feel like this. — He whispered, approaching his mouth to your ear — And you’re only mine.

Azriel kept moving inside you until you finally felt a wave of pleasure dominate your body. The spymaster didn’t take long to cum inside you, filling your inside.

He stood in and looked to your eyes, both of you breathless.

— I love you. And I’m truly sorry I made you doubt about my feelings — Azriel said, stroking your hair gently as his shadows retreated, caressing your skin before disappearing. The spymaster moved away, giving a small kiss at your forehead.

— I love you too, Az. — You said — I’m sorry I broke up with you. And just to make clear, I don’t want to.

— I deserved it and I’m relieved to know you changed your mind. — Azriel got up and disappeared through the door for a few minutes, coming back with a towel to clean you up. — I won’t let work getting between us anymore, I’m talking to Rhysand tomorrow. He must find a way to solve everything without me.

Azriel lifted the sheets, covering both of you and pushed you to his chest, stroking your hair until you fell asleep.

#acotar x reader #azriel x reader #azriel x you #acotar smut #azriel smut #azriel drabble #bat boys x reader #bat boys smut

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aliceinborderlandsquidgame · 9 months

Text

Reward 2.0 - AIB Boys x Fem!Reader

Summary: After you save them during a game they want to reward you.

Or how the AIB boys give oral.

+18 - MDI - NSFW - Oral - Hair pulling -

Includes: Chishiya - Arisu - Banda Sunato - Tatta - Karube - Aguni - Kuzuryu - Niragi -

♤ Chishiya

After you save him during a game Chishiya will find himself asking why would you bother on saving him and then just coming to the resolution you want something from him.

Thats how he ends at your suit door and after a few seconds he has you pinned on your bed kissing you then telling you he is going to make you feel good.

He is a teast. Will start licking your wet folds then using one finger to slowly Open you up for him. His tongue would go to your clit. While his finger works you Open and wet his tongue is going to be around your clit then it will do back to lick your lips pulling them making some nasty sounds. Once you are close to cumming he would stop and push his tongue all the way in. Now its his finger touching your clit. If you try to close his legs he will Force them Open again. The moment you are going to cum he will insist that you cum in his mouth.

Wont ever say it but you are the best thing he ever tried.

♤ Arisu

Arisu its a baby boy who will blame himself because you had to save him and not the other way around. So his act on giving you oral would be as an apologie. BUT he loves having you ride his face so he will tell you to sit on him and let him do all the work.

And listen, this Man loves your pussy. He likes to lick it like a starve guy. Will push two fingers inside and use his tongue at the same time. If you are tired he will take your thights and move you over his lips. He does not care if your juices are all over his face he loves it. The moment you cum you best believe he is going to press his tongue deep inside or curle his fingers to prolongue your orgasm. He will also keep stimulating you till you tell him its too much.

♤ Banda Sunato

Listen. You are his pet, saving him its the least you can do. Him giving you oral as a payback its too keep his control over you (and it works).

He is MEAN. Cares more about his pleasure and more about how he is feeling. He would eat you out as he wants. Would use his tongue to trace circles around your lower lips while his finger stimulates your clit. As I said he is mean, so dont be suprised if he bites you from from time to time. Likes to see your juices falling from you, he will lick them up and push his mouth against your core, no space in between as he moves his head up and down till he feels your orgasm. Will stimulate you till you pass out.

♤ Tatta

He may cry then hug you all day because you saved him. He loves you too much and was scared he was not going to see you ever again.

So his oral its a loving way, slow and sensual. Will do foreplay kissing your neck and chest going down leaving marks till he reachs your core. He is a kinky boy so he will first smell you and tell you how good it is. Then he will go down, for a shy and insecure boy his tongue is sharp, knows where to lick and how. His fingers would play with your clit then join his own tongue. The two different sensations would feel amazing. And since he is a good boy he is quick to find your G spot and having cumming hard on him. Will probably ask for another round.

♤ Karube

Karube loves you but he will be mad at you after you save him since you could have died too. Later he accepts he was an ass and would go to your room to apologie.

No one knows how he ends on his knees with your legs over his shoulders as he uses three fingers and his tongue to make you forget why you were mad at him. Will change the speed he uses and Will denied your orgasm till he feels like you really need to cum. Then he will make you cum around his mouth, forcing your legs to stay around him as he licks all your juices.

♤ Aguni

HE PROTECTS so once you protect him he lowkey feels like a failure. He is not really into giving you oral but he knows you love it when he does it. So he will use this chance as a way to redeem himself.

His way to give oral is him being insecure about what to do and asking you to just guide his head as you want. Basically use him. He likes when you try to pull his short hair being a signal he is going a good job. And even if this is not something he enjoys a lot he has to admit being down there with your flavor and smell filling up his senses....well he may give this more tries.

♤ Kuzuryu

The "you should have not do that" but its extremely gratefull. So much, he accepts giving you a very long session of oral. He does not speak a lot but his tongue knows how to work on you. Pulling your lips out and making its way inside. He loves feeling your walls with his mouth and loves how you moan his name pulling his hair. Its the only time he lets you take control.

♤ Niragi - Established Relationship

Niragi would beat himself all day after it. Of course he ends drunk and goes to your room telling you he loves you and he wants to return the favor from earlier.

His tongue has a pircing the hot and cold sensation of it would be enough to make you cum but he is also skillful with his fingers. Will alternate but would make sure to look for your G spot with his finger hitting it like crazy till he feels your hand on his hair. His tongue would stay on your clit till you cum around him.

If he is not too tired he will ask for another round.

#aib imagine #aib imagines #alice in borderland #alice in borderland x reader #chishiya x reader #arisu x reader #banda sunato x reader #tatta x reader #kuzuryu x reader #karube x reader

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monamourbladie · 1 year

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hi!! <3 im the anon who req the dan heng headcanons.. TYSM IT WAS AMAZING!!! OmG OMG OMG best idea ever. well not best idea ever. but imagine like blade is super distant and cold towards you as he normally is, right? but he secretly likes the reader for plot purposes. but one day, the reader is js like "oh well" and talks to someone else for a change, having fun w the other person instead of blade since blade 'doesnt' like them. would blade just stand there and watch knowing he cant rightfully do anything since it was partly his fault (and he has too much pride for himself), or would he try to get you to talk to him again?

HI ANON AHH tysm for the requests :D i’m glad you enjoyed it so much~! that’s a great idea i was so excited to write this one i tried to write it as fast as possible LOL

Secretly Loves You - Blade x F!reader

warnings: none~

You had been apart of the Stellaron Hunters for about a year now. You had grown the closest with Silver Wolf, as you both shared an intense love of games. You were picked up from their time on the Xianzhou Luofu for your healing capabilities and quickly became a core member of the crew.

Elio liked you and so did Sam, Silver Wolf adored you and Kafka respected you. But the person who you wanted to like you the most seemed to despise you.

Blade — Kafka’s golden boy (you always swore they had something for each other, but neither ever confirmed it and nobody could guess if they were together or not) Fierceness aside, he was absolute eye candy to you.

Blade was extremely closed off — it’s been like that since day one. It took him months and months to warm up to Silver Wolf (and now he treats her like an irritating little sister that he secretly adores but claims he hates), and even though it’s been almost a full year, you haven’t been able to break through to him just yet.

You didn’t exactly know why. It wasn’t like he was talkative and excitable to everyone else by any means, but he definitely showed at least some kind of enjoyment speaking with people. With you? It seemed like he absolutely hated you.

Maybe it was the fact that he hated being nursed back to health due to him wanting to die so badly. You never understood that, and were just simply doing your job to protect him.

You’ve lost count by now of how many times he complained to you about helping him was unnecessary. It irritated you, but you always smiled at him and told him you were just doing your job.

“I told you, I don’t need your help,” he grunted as you rubbed special Xianzhou healing oils on his back. You bit your lip as you continued to massage it into his skin, “Do you ever not complain?” you said teasingly as you pat his back playfully.

He only grunted in response. He hated having you see him like this. He was shirtless on the med bay table, sitting up with his chest bandage off for once. His upper chest was heavily scarred and destroyed from all the times Jingliu killed him over and over again. The first time you saw those wounds, you were determined to try and heal them so he wasn’t forced to wear as many bandages on the daily.

You were using special Xianzhou healing oils to increase the healing speed — and within a few months, you were noticing small bits of healthier skin, showing it was working.

“Complain all you want, Bladie, but it’s actually working to help you.” He glanced back at her with a glare, “I told you not to call me that, L/n.” His voice was bitter and cold as always to you.

It hurt, but eventually you grew thicker skin to it. It hurt especially because over the months you began to harbor a nasty crush on the immortal man.

Silver Wolf loved to tease you about it, and swore she would help get you two together. But little interactions like these with Blade helped cement in your mind that there was no way he saw you as anything more than an annoying healer.

What you didn’t know was that Blade actually harbored feelings for you, too.

Due to his painful past, he was very adamant about not getting close to anyone again out of fear he’d lose everyone he loves again — especially a lover.

He thought you were absolutely beautiful. He secretly loved the extra attention you were giving him, and although he wanted nothing more than eternal rest, he was thankful that you were giving him a distraction from the pain.

He just had no idea how to tell you. He had a reputation with the Hunters as being the cold and brooding one. He definitely wasn’t sure how to approach a girl he liked and say “Hey, I like you” without feeling like an absolute pathetic fool.

It stayed this way for months. Neither of you saying anything to the other that would let the other know you like each other. Until eventually, a new member on the medical team started to work for the Hunters — a man named Leon.

Leon was everything Blade was hoping he could be for you. He was handsome, he was nice, gentlemanly — he was attentive to you and could speak his heart. You and him quickly became close, and there were even some moments where Leon took care of Blade instead of you.

He absolutely was growing jealous over the man. Some nights Blade wondered if he could just kill Leon and get on with it and swoop you off of your feet, but being a romantic was not Blade’s strong suit by any means.

His final straw finally made him snap to go to Kafka for advice. After his weekly checkup with you, he got home and realized his bandages weren’t tight enough around his chest, so he had to go back to the med bay. As he walked back to the med bay he froze, seeing you kissing Leon from a distance.

He felt his anger consume him and he decided to just deal with the loose bandage and fix it himself. He stormed off as he felt the Mara flare up within him, making him angrier than he normally would’ve been.

Of course you’re moving on. Why wouldn’t you? He never made any move on you to let you know he liked you. Why would you risk waiting around when a perfect man for you was right there?

Blade found himself at Kafka’s door as he knocked. She opened it and frowned seeing Blade angry, “Bladie? What’s wrong?” she asked.

Blade pushed himself in the door and slammed it behind him, huffing in frustration, “Can I just fucking kill Leon already?”

Kafka raised as brow as she motioned for him to sit down on her couch. “You can’t kill the rookie. Why do you want to?”

Blade unbuttoned his shirt and jacket and slid it off of his arms, revealing his bandaged chest. “Can you fix these for me? Y/n’s too busy getting fucked to deal with it.”

Kafka bit her lip as she smirked. “Am i sensing jealousy from you? Over Y/n and the rookie?”

He grumbled as he shook his head, running his fingers through his tousled hair, “Would you just leave it and fix this shit for me?”

Kafka raised her hands in defense as she sat behind him, beginning to unravel the bandages. “You just want it tighter, right?”

“Yes,” he muttered, looking out at the photo of them all on her wall.

Blade, Elio, Sam, Silver Wolf, Kafka, and Y/n were in it. He felt his heart ache seeing her so happy beside Silver Wolf. She looked just as happy in the photo as she did leaning in to kiss Leon.

The image of them kissing was seared in his brain, and it made him angrier the more he thought of it.

Kafka, whose used her Spirit Whisper on Blade long enough to understand when he was angry, rest her hand on his shoulder. “Blade. Talk with me. Why are you so angry right now?” she asked, her voice gentle with him.

He was silent for a moment before realizing this might be his only shot for help. He sighed, “…It’s about Y/n. I… I like her,” he said, his gravelly voice low and soft as he spoke. Kafka was the only person he felt comfortable opening up around.

“And I’m angry that she can’t see that. She knows I have a hard time expressing myself. So why couldn’t she tell?” Kafka unintentionally let out a laugh at his commentary.

He turned around, glancing back at her confused, “You’re laughing at me? Seriously, Kafka?”

“No — it’s just… have you even attempted to tell her that you like her? Everything I ever see, you’re ignoring her, glaring at her when her back is turned, and badmouthing her whenever you’re alone with her and she’s patching you up. It hurts her, Bladie. I refuse to believe that you think you’ve made your feelings clear,” she replied.

Blade blinked in confusion. “But I like her. I don’t treat anyone differently than that.”

“Are you even aware of how many people think we’re dating?” Kafka asked him. “I’m sure she thinks we’re dating, too. She probably gave up and moved on with that rookie.”

“Gave up? Does she like me too?” Blade asked quickly, feeling a slight glimmer of hope. Kafka shrugged, “It’s so obvious. She definitely gave up trying since you made no effort to show you were interested.”

“Well — help me out, what am I supposed to do now? Did I fuck up already and lose her to that damn rookie?” he asked her.

Kafka sighed, sitting back against the couch. “I don’t know. I’d recommend asking her tomorrow and just pray that you have a chance still. I know you really like her.”

Blade grumbled at this and nodded, grasping at his shirt and sliding it back on over his head now that Kafka had finished bandaging him up.

“Yeah, well. I don’t know if I’m that lucky. She was kissing him and seemed to be very happy with it,” he said with a bitter tone. “Thanks.”

“If it comes to it, I can always pull strings and check with Elio-“

“No,” he said firmly, standing up to leave. “I don’t want to know the answer.”

— — — — — — — — — — — — — — — — — — — — — —

The next day sometime after lunch, Blade headed to the cafeteria with his heart pounding. He had never felt this anxious before, not for a long, long time.

Just tell her you like her. She’s just confused, that’s all. It’ll be fine…

He saw you sitting alone at one of the cafeteria benches, obviously on your lunch break. He took in a breath and walked over, sitting across from you.

You looked up from your data pad and smiled, “Hi, Blade. Did you need me to fix your bandages already?” you asked sweetly.

He was embarrassed that he felt his cheeks burn from the kindness in your voice. “No. That won’t be necessary. Kafka fixed them last night.”

Your smile visibly fell a bit and Blade cringed at himself. “Oh, Kafka… right. Well, what did you need?”

“I’m not with Kafka,” he said quickly. “I don’t want you to get the wrong idea.”

“Wrong idea?” you raised a brow, curious as to where he was going. “Wrong idea about… you and Kafka?” you muttered. He could sense a bit of irritancy on your end at the thought of them together.

“Right. We’re not. But… you and that Rookie. Leon, right? Are you?” he questioned. You seemed surprised that he asked and you let out a soft nervous laugh, “W-well, no… but. I mean, it’s complicated, I guess.” you took a sip of your drink as Blade tensed up.

“I want us to be, because the guy I like really, really doesn’t like me. So I’m just cutting my losses and trying to move on, I guess. It just so happens Leon has an interest in me. I’m just anxious to make the jump,” you confessed. There was no way he’d figure out it was him, so you felt comfortable saying it.

“Don’t,” Blade quickly said. “Don’t date Leon.” You furrowed your brows at him, “I’m sorry, why do you care? As far as I’m aware, you hate being around me. Quite frankly, I’m shocked you’re even speaking to me right now.”

Blade felt offended that you believed so strongly that he hated you. “You think I hate you? Why the hell do you think that?” he questioned.

“Because you’re always so cold and closed off towards me! You always are grumpy whenever you have to speak to me and have me work on you, you’re closed off and never speak to me unless you absolutely have to, and it honestly hurts! I don’t know why you treat me this way, but I’m tired of it.”

Blade felt like a total idiot hearing you open up like that. Kafka really was right…

“I don’t… I don’t hate you,” he said quietly, averting his eyes out of embarrassment. “I like you, Y/n. I just had no idea how to deal with it. I figured you’d just… know.”

You couldn’t help your eyes widen at his confession. “You mean to tell me this entire time I’ve been trying to get over you, you just assumed I knew you liked me?” you gawked.

“Yes?” Blade replied. It was so obvious that he was so, so bad at relationships but clearly was trying hard. You could only giggle at this, shaking your head. “Jesus, Blade, you’re really something, aren’t you?”

Blade wasn’t really so sure how to answer your comment. You started to smile, “So, since you don’t want me to go out with Leon… I’m assuming you want to take me out on a date instead, right?” you asked.

Blade felt his cheeks flush again as he nodded, “I would love to.”

You smiled and stood up, walking over to him and leaning in. “I get off of work in 4 hours. Meet me at my room at 6, okay?” you said, leaning in to kiss his cheek.

You were shocked to see the man actually blush at your action. He looked up at you with a smile and nodded, “…Okay. I’ll see you at 6.”

#honkai star rail #hsr #honkai star rail x reader #hsr x reader #blade x reader #yingxing #blade hsr #blade x reader hsr #yingxing x reader #masterlist

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ganondoodle · 1 year

Text

totk rewritten (for me, specifically)

since i dont have time to get to drawing it right away AND im worried people might take this the wrong way, i thought i could write out some bullet points about my rewrite of totk (meant as a fix FOR ME not saying its inherently better) to give you a better idea on what im going for:

the core structure largely remains the same, the biggest change is no time travel, thus making zelda your travel companion, and zonau tech being lagerly gone/broken with shiekah tech instead

it is not shown but said in dialog that shiekah tech, such as the ancient furnaces, shrines and towers are either turning off or have flickering power supply and purah having calculated that all their connections point towards beneath hyrule castle

game starts pretty much the same as real totk, most zonau ruins are so withered away that they are barely recognizable and the further you get down theres more and more shiekah tech pipes and occasional a miasma vein, some pipes are broken and spill miasma, others flicker

instead of the room with the wall carvings theres one with old ancient shiekah research remains, old broken tech and prototypes you dont what their purpose was, all documents are too withered to read but zelda finds one that was sealed in a container and takes it with her (she got a backpack now)

theres a structure similar to the bed thingy of the shrine of life from botw but its working in reverse; within it is sealed ganondorf (i gotta work out the details around it still)

(details still missing) it breaks and zelda takes the enigma stone but doesnt touch it directly and puts it within a sealed container (you know kinda like you should do with soemthing you have no idea of what it is and was alsO LOCATED ON A CORPSE)

ganondorf isnt the elegantly talking villain type in this version but more of a mess, talking in different languages both modern and ancient but you cant make out any clear sentences, struggeling with suddendly being awake and half alive after spending thousands of years in an agonizing limbo, having witnessed every second of the passage of time yet also it feeling like everything just happened all at the same time

the ground breaks as he recognizes zelda (bc of her fighting calamity ganon in botw) but also not really, still sees her as a threat (also bc of the enigma stone in the container she still has in her hand) attacks her, link deflects with the master sword, it breaks and damages his arm, zelda drops her torch and pulls link away towards where they came in from and both run as the caves fill up with miasma like a flood with arms starting to reach after them while they both run back through the tunnels (creepy chase sequence anyone?)

cataclysm happens (ground breaks, miasma bursts out of the ground, especially where shrines and towers where since they were still connected to the pipelines) ground shifts massively in some places giving alot of the map a whole new structure; all shiekah tech that was not independent stops working due to power loss

links arm is amputated since otherwise the miasma would spread to his whole body; purah, robbie and zelda work out a prosthetic arm prototype to give to link (protoype at first will be upgraded at halfway point of the game) that can switch between multiple modes, like a hand to hold normal items or a weapon that isnt crafted, and a fusing ability (though maybe limited in the prototype) that lets you make weapons similar to the weapon fusing in canon totk (potential upgrades including an extendable guardian arm that doesnt break, grapple hook anyone??, also the ability to build stuff out of shiekah tech parts, not glue needed you actually screw it together, maybe zelda even helps)

now you are given free roam of hyrule, the goal is to explore and find what has changed and check on people, see what the underground has, new monsters have spawned etc.

zelda is your companion the whole time, she can use the shiekah stone/purah pad to analyze enemies for you, she also carries at least a dagger for her own self defense but doesnt contribute much to the fight (subject to change maybe), you can talk to her anytime and she usually has something to comment on depending on where you are or what you just did, can give you tips and advice IF ASKED FOR IT, when you discover ancient ruins, whether zonau or shiekah, she can either decipher it for you or take photos for later to find out more about everything that has happend and what it means, she also takes part in conversations when you talk to someone, her outfit changes with yours (meaning when you wear the tingle set she wears it too, opens up alot of funny interactions njfkdk)

purah has built new towers but they function different (still working on the details) mainly that they function independent from the energy source in hyrule castle

there are floating islands but they are bigger and in more connected clusters, when reaching them its ancient withered ruins that the ancient shiekah built support around (like the platform used by monk miz kyoshia) to keep them afloat; there are building like observatories and research labs, but all very overgrown due to being up there for so long, theres a titan prototype on one of the islands, its shaped like a whale and zelda deciphers it was called vah narisha (reference to the whale deity in skyward sword) (i havent decided yet if its fully broken and just a big piece of enviroment to explore or half functioning floating around, or maybe first broken but later half repaired so it can fly around at least giving you an easier way to reach other island, you cant steer it tho) some of them are falling bc of energy loss but the bigger ones have independent energy sources (work in progress)

the underground has more diverse zones depending on which part of the map it is located on, there are old mines (for luminous stone) from the zonau but all is extremely withered, in each one its been mostly built over by the shiekah but there are construct remains that were clearly dissected and studied, half built shrines and towers, you can find collectibles and lore there (working on more details, but an idea was to include remains of ancient shiekah tha fled there when they were persecuted by that old king of hyrule, adding to the eery vibe)

some titans (maybe two, and the other are still on the sruface, like vah medoh) feel down during the cataclysm, broken apart or malfunctioning/ possibly being a boss as in they were used by a big cluster of miasma hands like a hermit crab uses its shell, the inside filled with eyes and different sized hands dragging itself towards you like a drowing man grabs after anything to save him)

dongos are your go to transportation here and a little different, when you call one they dig a path to you (not permanent, just so they can always spawn near you) they glow in the dark and can climb on walls (bc why not), and can point you towards the next objective/point of interest, likely where theres a high concentration of luminous stone since that is what they eat and its usually where old mining/construction sites are (still working on a replacement for light roots that are less invasive)

the rat from the trailer is a miniboss/boss you need to defeat in order to get the broken mastersword back into your possession

(im still working on how the sages work, but the idea is to incorporate their abilites for more efficient and reliable use into links shiekah prosthetic, so you can still use their abilities but only when you actually want)

(again still working on details) halfway point of the game is you trying to find out where ganondorf went, not intending to fight necessarily but just to find out more but it devolves into you fighting some sort of miasma monster (either him or some sort of manifestation he made) and you get a bunch of short memory flashes from him, all vague and a wild mess from both the time he was sealed and from the time afterwards, maybe even a perspective shift from when link was fighting dark beast ganon, but from ganons view, from zelda when she was keeping that manifestation in check, random views from the malice eyes from botw, from the blights, maybe even from the fight with the old and new champions, from the point when shiekah built their tech around him while he had to watch not able to do anything etc.)

links arm gets upgraded from prototype to a full prosthetic, opening up more fusing abilites and other things (like the grapple hook, again working on it, im open for ideas lol)

i will reblog this and add more over time if you want, but do let me know if you like it thus far, bc im still unsure if its worth the effort of working more on this QnQ

(also if you dont like just keep scrolling, i dont need to know that you hate it, it literally changes nothing but make me annoyed xD)

#ganondoodles talks #ganondoodles rewrites totk #this is the tag i will use both for written posts of this topic and when i get to drawing it .. if i get to it #zelda #totk #again this is like a fix FOR ME doesnt mean its inherently better or that you have to like it #long post

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